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dustedmagazine · 3 months

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Dusted Mid-Year 2024, Part III (The Lists)

Winged Wheel

Dusted’s writers picked two for the mid-year exchange, but any of them could easily reel off a dozen or more other favorites. Find out what else they liked in this collection of lists.

If you haven’t read Part I or Part II yet, check them out.

Christian Carey

Arooj Aftab — Night Reign (Verve)

Richard Baker — The Tyranny of Fun (NMC)

Kyle Bruckman — Of Rivers (New Focus)

Madi Diaz — Weird Feeling (Anti)

Julia Holter — Something in the Room She Moves (Domino)

Hurray for the Riff Raff — The Past is Still Alive (Nonesuch)

Vijay Iyer, Linda May Han Oh, Tyshawn Sorey — Compassion (ECM)

Kali Malone — All Life Long (Ideologic Organ)

Rosali — Bite Down (Merge)

Caroline Shaw and S�� Percussion — Rectangles and Circumstance (Nonesuch)

Ches Smith — Laugh Ash (Pyroclastic)

Waxahatchee — Tigers Blood (Anti)

Tim Clarke

DIIV — Frog In Boiling Water (Fantasy)

Loma — How Will I Live Without A Body? (Sub Pop)

Jessica Pratt — Here in the Pitch (City Slang)

Jon Mckiel — Hex (You’ve Changed)

Winged Wheel — Big Hotel (12XU)

Corridor — Mimi (Sub Pop)

English Teacher — This Could Be Texas (Island)

Helado Negro — Phasor (4AD)

Ty Segall — Three Bells (Drag City)

The Smile — Wall of Eyes (XL)

Andrew Forell

Arab Strap — I’m totally fine with it 👍 don’t give a fuck anymore 👍 (Rock Action)

Camera Obscura — Look to the East, Look to the West (Merge)

Daryl Groetsch — Above the Shore (self-released)

Drahla — angeltape (Captured Tracks)

Geotic — The Anchorite (Basement’s Basement)

Iceboy Violet, Nueen — You Said You’d Hold my Hand Through the Fire (Hyperdub)

Kim Gordon — The Collective (Matador)

Mick Harvey — Five Ways to Say Goodbye (Mute)

Sandwell District — Where Next? (Point of Departure)

Umbrellas — Fairweather Friend (Slumberland)

Yosa Peit — Gutbuster (Fire)

Reissues:

Brion Gysin — Junk (WEWANTSOUNDS)

These Immortal Souls — Get Lost (Don’t Lie!) Mute

Bryon Hayes

Rosali – Bite Down (Merge)

Winged Wheel – Big Hotel (12xU)

Gastr Del Sol – We Have Dozens of Titles (Drag City)

Beings – There is a Garden (No Quarter)

Ambarchi Berthling Werliin – Dusted II (Drag City)

Sunburned Hand of the Man – Nimbus (Three Lobed)

Water Damage – In E (12xU)

Dun-Dun Band – Pita Parka Pt. 1: Xam Egdub (Ansible Editions)

Gerycz Powers Rolin – Activator (12xU)

Magic Tuber String Band – Needlefall (Thrill Jockey)

Alex Johnson

Rosali — Bite Down (Merge)

RE Seraphin — Fool’s Mate (Take A Turn/Safe Suburban Home)

Uranium Club — Infants Under the Bulb (Static Shock)

The Spatulas — Beehive Mind (Post Present Medium)

Yohei — Echo You Know (Perpetual Doom)

Pardoner — Paranoid in Hell (Convulse)

NYSSA — Shake Me Where I’m Foolish (Six Shooter)

Nowhere Flower — Ruts the Place (Radical Documents)

Sheer Mag — Playing Favorites (Third Man)

Cindy Lee — Diamond Jubilee (Realistik Studios)

Oren Ambachi / Johan Berthling / Andreas Werlin — Ghosted II (Drag City)

Winged Wheel — Big Hotel (12XU)

Jennifer Kelly

Rosali—Bite Down (Merge)

Mdou Moctar—Funeral for Justice (Matador)

Mary Timony—Untame the Tiger (Merge)

Myriam Gendron—Mayday (Thrill Jockey)

Lupa Citto—S-T (12XU)

James Elkington & Nathan Salsburg—All Gist (Paradise of Bachelors)

Rail Band—S-T (Mississippi)

Winged Wheel—Big Hotel (12XU)

Six Organs of Admittance—Time is Glass (Drag City)

Split System—Vol. 2 (Goner)

Ian Mathers

The Body & Dis Fig — Orchards of a Futile Heaven (Thrill Jockey)

Broadcast — Spell Blanket: Collected Demos 2006-2009 (Warp)

Cassandra Jenkins — My Light, My Destroyer (Dead Oceans)

Chelsea Wolfe — She Reaches Out to She Reaches Out to She (Loma Vista)

Jessica Moss — For UNRWA (Self released)

Laura Masotto — The Spirit of Things (7K!)

loscil // lawrence english — Chroma (Self released)

Myriam Gendron — Mayday (Feeding Tube/Thrill Jockey)

Polar Inertia — Environment Control (Northern Electronics)

Whitelands — Night-bound Eyes Are Blind to the Day (Sonic Cathedral)

Jim Marks

Ben Allison, Steve Cardenas, and Ted Nash — Tell the Birds I Said Hello: The Music of Herbie Nichols (Sonic Camera)

Mary Halvorson — Cloudward (Nonesuch)

Demian Cabaud — Arbol Adentro (Porta Jazz)

Fabiano do Nascimento and Sam Gendel — The Room (Real World)

Francesco Sensi — In Abstracto (WoW)

James Brandon Lewis Quartet — Transfiguration (Intakt)

James Elkington and Nathan Salsburg — All Gist (Paradise of Bachelors)

Juan Pablo Alcazar — Otro Quatuor Pour La Fin Du Temps (Porta Jazz)

Michele di Toro, Yuri Goloubev, and Hans Mathisen — Trinomics (Calogola)

Tony Moreno Trio — Ballads Volume 1 (Sunnyside)

Patrick Masterson

Cindy Lee — Diamond Jubilee (Realistik)

Chief Keef — Almighty So 2 (43B)

Marika Hackman — Big Sigh (Chrysalis)

Water Damage — In E (12XU)

Oneida — Expensive Air (Joyful Noise)

Winged Wheel — Big Hotel (12XU)

Burial — “Dreamfear / Boy Sent From Above" (XL)

Gouge Away — Deep Sage (Deathwish Inc.)

Blues Ambush — Blues Ambush (Radical Documents)

Tei Shi — Valerie (self-released)

Armand Hammer — BLK LBL (self-released)

Donato Dozzy — Magda (Spazio Disponibile)

Bill Meyer

أحمد [Ahmed] —Wood Blues (Astral Spirits)

أحمد [Ahmed]—Giant Beauty (Fönstret)

Bill Orcutt Guitar Quartet—Four Guitars Live (Palilalia)

Itasca—Imitation of War (Paradise of Bachelors)

Lisa Ullen, Heirloom (Fönstret)

Lumpeks—Polonez (Umlaut)

Matthew Shipp Trio, New Directions in Jazz Piano Trio (ESP-Disk’)

Olivia Block—The Mountains Pass (Black Truffle)

Oren Ambarchi / Johan Berthling / Andreas Werliin—Ghosted II (Drag City)

Rafael Toral—Spectral Evolution (Moikai)

The Handover—The Handover (Sublime Frequencies)

Tomeka Reid Quartet—3x3 (Cuneiform)

Jonathan Shaw

Bad Breeding—Contempt (Iron Lung)

Fuera de Sektor—Juegos Prohibidos (La Vida Es un Mus)

Cindy Lee—Diamond Jubilee (Realistik Studios)

SUMAC—The Healer (Thrill Jockey)

Thou—Umbilical (Sacred Bones)

VR Sex—“Hard Copy” (Dais)

#dusted magazine #mid-year 2024 #the iists #christian carey #tim clarke #andrew forell #jennifer kelly #jim marks #ian mathers #bill meyer #patrick masterson #jonathan shaw

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4ggravation · 2 months

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updated oc story masterlist

(my favorite characters and ships are marked in bold. dividers are made by @/cafekitsune.)

CHILDREN OF THE FIVE — after their queen, yasmin, dies under mysterious circumstances, the four ministers of lumain and their associates conduct an investigation on the people who led her astray, as well as the demon that they believe ended her life. high fantasy/mystery with horror elements.

CHARACTERS — yasmin (she/her), alsu makaira (she/her), primavera sandoval (he/him), annog macalastair (they/them), leonid bancroft (he/him), nikita bychkova (she/her), checha florentino (he/him), ermir o'brian (they/them), tsumugi makaira (she/her), akane hikaru (any pronouns), hussein al-saleh (he/him), leila morningstar (she/her), catarina sandoval (she/her), adareii (they/she) SHIPS — yasmin/leila/catarina, nikita/akane, checha/hussein

SOLA FIDE — in a fit of desperation, nermina signs a contract with a demon in exchange for safety and security. when her coworkers and roommate discover the deal, they slowly become entangled with the undead as they unravel the icy web of terror nermina has found herself in. urban fantasy/horror/drama.

CHARACTERS — nermina crown (she/her), aditi agarwal (she/any), takeem abdelsamad (he/any), celeste/sienna miller (she/they), lorenzo grant (he/they), hilal (he/him), fusae kamiyama (she/her), miguel briones (he/him), tam lin (he/him) SHIPS — nermina/aditi, takeem/celeste (semi-canon), miguel/tam lin

A ROULETTE OF REPROBATES — in a republic ruled by the god of bureaucracy, reina is sent to their begrimed undercity for protesting the supreme court's decision to execute her brother. despite her lack of experience, she must gamble her way out of this hole before his death sentence is fulfilled. high fantasy/drama with mystery elements.

CHARACTERS — reina dominique (she/her), laurens dominique (he/him), bernadette paige (she/her), rashad mahmoud (he/him), yong jin (he/him), angel mahmoud-jin (they/them), rosalyn (she/her), darren (he/him), nathalie (she/they), gordon (he/him), felix venien (he/him), donna valencia monet (she/her), alexandre godfrey (he/him), evelyn cousineau (she/her), lodupa (They/Them) SHIPS — rashad/yong, rosalyn/bernadette, gordon/darren, felix/alexandre

ACCESS ALL AREAS — determined to fulfill their dream of being a famous musician, moonstone forms a scrappy pop group just in time to compete in a music festival's fresh meat tournament. hijinks and several rude awakenings ensue as they get a taste of what it really means to live in the limelight. sci-fi/drama.

CHARACTERS — moonstone (they/them), sunstone (she/her), marisa singh (she/her), aoi takahashi (she/it), ELENA (he/him), feliz (he/him), catelyn (she/her), malik (he/him) SHIPS — moonstone/sunstone, marisa/aoi, ELENA/feliz

DUNGEON OF VIPERS — after being saved from a dragon by him, darcy and her girlfriend butt their way into the adventuring party of grizzly loner misha, following the group on their journey into their city's dark catacombs. semi-episodic urban fantasy with horror elements.

CHARACTERS — darcy vespertine (they/she), bellatrix truefire (she/her), misha viktorov (he/him), haidar zaman (he/him), sadako shirashi (she/her), morgana osbourne (she/her), jade (she/her), charlotte/angelite (she/her), mariana/serpentine (she/they), asmo/malachite (he/they), majeed/sapphire (he/him), quinn/howlite (they/them), qi yang (she/her), yue yang (he/him) SHIPS — darcy/bellatrix, misha/haidar, jade/charlotte, yue/majeed

GENSHIN IMPACT

CHARACTERS — estel de reves (they/any, electro bow), sylvie clairmont-atkin (she/they, cryo catalyst), emiliano urias (she/her, hydro sword), dakarai urias (he/him, geo bow), neesha banerjee (she/her, dendro claymore), hafsah al-yasiri (he/him, anemo catalyst), xiuying (she/her, pyro sword), robin (they/xe, alternating visions and weapons) SHIPS — estel/robin, estel/wriothesley, neesha/collei, hafsah/alhaitham, xiuying/xinyan

HONKAI STAR RAIL

CHARACTERS — melanie cardenas (she/her, imaginary/erudition), laverne somel (they/them, wind/harmony), vilho (he/they, physical/abundance), zhihao ling (any pronouns, lightning/the hunt), jess/black cat (she/they/it, fire/nihility), zan (he/they, quantum/destruction), warden somel (he/him, ice/preservation) SHIPS — melanie/ruan mei (one-sided), melanie/boothill, jess/silver wolf

#updated masterlist #yippee #like if read ig #oc tag #long post

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legaciedcampers · 2 months

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clayton cardenas, bisexual, cis male + he/him → isn’t that ernesto? they’re the father of the mendozas. i hear they’re 42 and they’ve been coming to camp for 23 years. they seem to be ambitious & responsible, but also strict & opinionated. they’re into groups, toys, restraints, but not into scat, gore, & vore. | hello i'm jays! please see some more info below the cut

𝐓𝐇𝐄 𝐁𝐀𝐒𝐈𝐂𝐒

𝐅𝐔𝐋𝐋 𝐍𝐀𝐌𝐄. ernesto mendoza 𝐀𝐊𝐀. ernie 𝐀𝐆𝐄. 42 𝐆𝐄𝐍𝐃𝐄𝐑 & 𝐏𝐑𝐎𝐍𝐎𝐔𝐍𝐒. cis male & he / him 𝐎𝐑𝐈𝐄𝐍𝐓𝐀𝐓𝐈𝐎𝐍. bisexual biromantic 𝐎𝐂𝐂𝐔𝐏𝐀𝐓𝐈𝐎𝐍. bar owner

𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄

𝐇𝐀𝐈𝐑. black 𝐄𝐘𝐄𝐒. brown 𝐇𝐄𝐈𝐆𝐇𝐓. 6'3 | 190 cm 𝐁𝐔𝐈𝐋𝐃. toned, athletic 𝐒𝐂𝐀𝐑𝐒. none 𝐓𝐀𝐓𝐓𝐎𝐎𝐒. a couple going down his arms 𝐏𝐈𝐄𝐑𝐂𝐈𝐍𝐆𝐒. none 𝐅𝐀𝐂𝐄 𝐂𝐋𝐀𝐈𝐌. clayton cardenas

𝐌𝐄𝐃𝐈𝐂𝐀𝐋 𝐑𝐄𝐂𝐎𝐑𝐃

𝐌𝐄𝐍𝐓𝐀𝐋. comes from a strict family (which was ironic given the age he knocked someone up) and that's left a mark on him 𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋. good condition 𝐏𝐇𝐎𝐁𝐈𝐀𝐒. suffocating 𝐄𝐘𝐄𝐒𝐈𝐆𝐇𝐓. 20/20 𝐃𝐎𝐌𝐈𝐍𝐀𝐍𝐓 𝐇𝐀𝐍𝐃. right 𝐃𝐑𝐔𝐆 𝐔𝐒𝐄. none (anymore) 𝐀𝐋𝐂𝐎𝐇𝐎𝐋 𝐔𝐒𝐄. socially 𝐃𝐈𝐄𝐓. good balance, or so he says. eats a lot of carbs

𝐁𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐘

comes from a strong military family which meant that he moved around a lot when he was younger. ended up getting a girl pregnant in high school (much to his parents' ire). that's when he started to settle down with her. got a job at a local gas station to help pay for the bills and then ultimately ended up moving out on his own (with his family and thanks to his mom). got his bartending license at 18 and that's around the same time his dad took him to camp daylight. has been going ever since even now that his sons are grown, he married a man, and opened up his own bar.

#daylightintro #ernesto

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aladoniahq · 3 months

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hi there! can i pretty please get some fc suggestions for who the group would prefer for the king of ondera? thank you! :3

Absolutely! Some faceclaim suggestions for the Onderan King include: Oscar Isaac, Mark Conseulos, Edgar Ramirez, JD Pardo, Clayton Cardenas, Danny Pino, Javier Bardem, Antonio Banderas, Benjamin Bratt, William Levy, Adam Rodriguez, Gael Garcia Bernal, Santiago Cabrera, Wilmer Valderrama or Guillermo Diaz. Bolded are the ones that I personally would enjoy seeing in the role, and our players are free to comment with the ones that they'd like to see as well!

#alahqanswers

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the-shining-river · 2 years

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Karen’s relationships and priorities, DD S1

I’m rewatching DD S1, and some posts about Karen’s relationship with Matt got me thinking about her priorities and interests.

In this podcast DD S3 writer Erik Oleson talks (starting from around 14:00 mark) about Karen’s feelings of guilt and how it has kinda prevented her from forming real romantic attachments, but I think it’s also that... she doesn’t trust easily.

In S1 we also see how Matt and Foggy—two people she would like to build a closer romantic or platonic relationship with—periodically shut her out because of some other shit going on with them. At the same time, Karen is so passionate about things she believes in, and so dead-ass focused on other stuff; and if she doesn’t trust or want other people involved (to keep them safe), or if they’ve left her hanging, she’ll just go ahead and do it alone. First, it’s about her survival past the framing and the attack in the prison, then the stuff with the Union Allied NDA agreement, then investigating the truth with Ben Urich, then getting real invested in helping Mrs Cardenas. That doesn’t leave a whole lot of time for dating, even if she was in the headspace to go out and actively look for romance.

More details and receipts under the cut.

In S1, Karen is initially distrustful of the two lawyers, wondering about their motives and also not wanting to endanger them, preferring to do things by herself. She doesn’t tell either Matt or Foggy about the Union Allied file she stole, she doesn’t consult them about the Union Allied non-disclosure agreement, doesn’t share about going to that auction where she bought all that unnecessary office equipment.

Instead, Karen, on her own, seeks out Daniel’s widow to find out what others in her position have done about the NDA and possibly find an ally; and then she goes to Ben Urich—supposedly someone with experience in handling this sort of dangerous information.

Because she doesn’t trust anyone else. Because good people get dead because of her.

Karen and Foggy have bonded over that night of drinking in E2 and helping Mrs Cardenas in E5, and I can believe that they are actually friends. Even if Foggy, for a while, has a crush on Karen, while she simply doesn’t seem to feel the chemistry, and it’s awkward for a bit, they get over it and continue being friends.

But not Karen and Matt. Past that little bit of bonding talk when she was staying in Matt’s apartment that first night, and throughout her being busy with all her other stuff, Karen and Matt’s relationship doesn’t seem to progress beyond being coworkers and allies.

The way Matt in E3 only asks her to not have any more long lunches, it feels like he treats her simply as his employee. And in E5 when Karen has charged the auctioned office equipment to the law firm, her first concern is getting her ass fired, not how she’s gonna explain it to the guys on a personal vs professional level.

There is some attraction, a crush on Matt from Karen’s side (I think she has a bit of a competence kink too) that comes out when Matt gives cool speeches or speaks fluent Spanish to Mrs Cardenas. In E5, Foggy mentions to her how Matt always gets involved with the wrong girl, and Karen IS curious, asking about his dating habits and the face touching. She also has that cute flustered smile on her face when she calls Matt while Foggy is in the hospital following the explosions in E6. But they’re not friends, and whatever crush Karen has on Matt, it’s low-key enough that it doesn’t seem to impact her priorities or her work in the office, it’s not informing her decisions.

One of the reasons why it’s not really going anywhere is that every time Karen brings up something that is important to her (the truth about Union Allied, or helping Mrs Cardenas), Matt’s response is kinda dismissive, or it’s the bare minimum effort. If he then goes and does something about it as Daredevil, Karen doesn’t know that. Mrs Cardenas’ case gets delegated to Foggy while Matt continues following his Daredevil leads on Fisk. Even when asked about what he thinks about the Daredevil being painted a terrorist, Matt jokes and avoids answering her, and then gives a careful, lawfully neutral reply to Foggy:

“What happened to Hell’s Kitchen, to you and to Elena, and to all the people that were hurt, yeah, it pisses me off. But this man, whoever he is, whatever his motive, he shouldn’t be tried and convicted in the press. We’re lawyers, we know that’s not how it’s supposed to work.”

Foggy suspects something is going on with Karen, suspects she has secrets, but Matt is not even particularly interested. “Everyone has secrets,” he says before returning to his research on Leland (and lying that it’s about the tenement case), whereas Foggy’s reaction to being discovered following her is plain honest and straightforward: “You were acting weird. I was worried about you!” — because that’s what friends do, they pay attention and they worry.

Karen and Foggy order the Nelson & Murdock sign together. They investigate the construction workers together, while Matt is off in the art gallery investigating Vanessa. She apparently poses for a silly picture for Foggy (see the caller ID when Karen calls him in E10). When Mrs Cardenas dies in E9, it’s Foggy Karen turns to for a comforting hug, ends up sitting the wake with him at Josie’s after Matt leaves.

While still having that crush on Matt in E8 (because feelings aren’t always neat and logical), Karen knows him well enough by then to have pretty realistic expectations regarding his reactions. When Foggy mentions that they should tell Matt about them investigating Union Allied, Karen’s clear position is that they shouldn’t, because he will be against it:

“Matt wouldn’t understand. You know what he would say. [..]That we’re being stupid.”

And then, Matt does exactly that. He dismisses Karen’s trust in Ben Urich, says she’s been acting like a kid, that they need to be “smart about this”. The message Karen gets is that all the work she and Foggy have put into their research while he was away doing... personal (Daredevil) stuff, apparently is anything but “smart”, and only Matthew Murdock can do it in a smart way (It’s an understandable overprotective reaction from Matt, considering he just rescued a beaten up Claire who was kidnapped because of him, but again — Karen has no idea where he’s coming from, and he’s not explaining).

Matt strong-arms them into playing it safe, and for a guy who was pretty chill about “everyone having secrets”, he kinda goes off about Foggy having followed Karen and them both getting into trouble, and then he shuts them both down and starts making decisions like he’s in charge, not like he’s an equal member of their team. And they somehow let him. Because Matt has this confidence about him. The air of leadership.

Matt: “I don’t want anyone to be a hero, Karen. I want you to be safe. And I want to protect this firm and everything we’re trying to build here. We know the law. We’ll use that to our advantage. Agreed?”

Foggy: “Do we have a choice?”

Matt: “Not so much.”

Karen doesn’t believe the law would solve this, but she agrees to work with Matt—whatever gets the case solved, because it’s so important to her, and because he is a highly intelligent lawyer.

She’s still kinda bitter in E9 when Ben comes to the law office and meets Matt officially (”Matt Murdock, attorney-at-why-the-hell-bother”), but she gets flustered and smiling when she and Matt are left alone in the office. It feels like, chafing as she is under Matt’s unilateral decision to run things by the book, that take-charge attitude is also something that appeals to Karen, at that point. I think it makes her feel safe, that he’s willing to take control of all this mess, even if Matt admits he’s making it all up as he goes.

So it feels... definitely not straightforward. There’s an attraction and a liking, from Karen’s side, and an admiration for Matt’s intelligence and strong beliefs, his goodness; but there’s also frustration with his commitment to the law and the way he tends to make unilateral decisions instead of discussing things with her and Foggy.

In terms of relationships, it feels like she’s actually the closest to Ben, at that point. They share a passion for uncovering the truth, they both see the world in terms of stories to tell. (”All the people here, all the years that they’ve lived, there must be so many stories,” she gushes to Ben when they visit the nursing home.) He’s her mentor, the brave, experienced champion for justice that Karen has so much to learn from (including being careful).

In E10, we even see Karen opening up to Ben emotionally, a bit, and that’s not something Karen Page does often:

“There's nothing worse... Feeling choices are made for us. There's nothing you can do, but swim in shit and hope you don't get too much in your mouth.”

I suppose, talking about his wife’s illness and why he didn’t tell her (”Saying it means it’s true”) struck a chord. Karen knows from personal experience how “We all have things we hold onto for ourselves, that we don’t want anyone to know”.

So yeah, I’m not sure where Karen’s attraction to Matt comes from. They’re not open with each other; Matt the lawyer doesn’t show any particular interest in her causes; and he makes unilateral decisions when the three should be a team.

During the wake for Mrs Cardenas in E9, they talk a bit, Matt mentions he’s Catholic, and Karen says she's not religious—a personal subject outside of their established boss/secretary boundaries. She even tries to comfort him (”Fisk will get what he deserves. You have to believe that.”), but she just spends so much more quality time with Foggy or even Ben than she does with Matt.

But maybe Matt’s aloofness and unavailability is another thing that attracts her to him. Maybe that she finds him more conventionally handsome than Foggy? The way he’s more confident? And, yeah, maybe for Karen he feels safer, finally a good boyfriend material, considering her dating history in Vermont?

It feels like Karen’s dynamic with Matt changes in E11 when she’s faced with the most glaring evidence that Matt’s lying to her about something big. There’s disappointment. A realisation that Matt never trusted her after she lied about the Union Allied pension file, and so maybe it’s her own fault that her budding feelings were never returned (not that she regrets keeping him and Foggy safely out of it).

It ends in Matt’s stubborn silence and Karen’s sad disappointment. But at the same time, it feels like the first real glimpse she has of him, without the rose-tinted glasses. The way she approaches and touches his face, she acts like his equal, not his employee with a crush. Even if Matt’s response right after she updates him on her findings is to issue her tasks and instructions—to go to the office, contact Foggy. He obviously cares about her (her safety), but he still treats her as his subordinate, to some extent. Or as some kind of a passive object for him to keep safe (also the way Matt just tells Foggy to “Get her home” in E13 despite Karen’s protests that they’re not leaving him.)

In any case, when Karen had tried calling him, when Karen had wanted to tell him what she was doing going to the nursing home, Matt simply hadn’t been picking up.

And then Foggy doesn’t pick up either, and doesn’t show up at the office and refuses to talk about it. Both lawyers are shutting her out, her relationships suddenly not as solid as she had believed them to be, the law practice hanging by the thread, and Karen is upset and freaking out, and the only thing remaining steadfast is her desire to bring down Fisk. Even with Ben she hits a rough patch after she has tricked him into going to the nursing home, but at least they hash it out and move on.

Then Wesley meets the wrong end of his gun, and Karen feels so alone. This is a Very Bad Thing that has happened, and she doesn’t dare tell anyone.

She can’t sleep, goes to the office, meets Foggy and rightfully gives him shit about not picking up when she calls and just pretending to care about what’s going on with her.

But, like with Ben, they hash it out. Foggy can’t give her the answers she wants, so Karen backs down and instead just directly asks what she needs, that “it would be really nice not to be alone” in the office as they deal with Fisk. Foggy apologises and promises that he will be around and keep working on Fisk’s case and that he won’t be ignoring her calls. This is Karen stating her emotional needs. This is Karen compromising! This is how she is fighting her loneliness, telling people in no uncertain terms what actions they can take to make her feel better (show up at the office and pick up the damn phone), and honestly I just love her for it.

(later, in TP S1, we also see this with Frank—he’s not telling her about Kandahar and doesn’t want her involved, so, as a compromise, she asks to see him again so she knows he’s okay, and he agrees)

With Ben it’s also important that he’s the only one who has managed to unearth Karen’s past, and that, knowing all that, he still cares about her. He understands her fear of other people discovering it, and understands her frustration from her inability to publish the story herself our of a fear she’d be discredited. Ben goes along with her urging and pushing him after Wesley in E12, because getting the truth out there is so important to her, and so he gets one of those wonderful Karen hugs.

When Matt, coming from Madame Gao’s heroin warehouse in E12, says he “can’t do it alone”, that he “can’t take another step”, it powerfully echoes with Karen’s own recent feelings of being alone while being caught in Matt and Foggy’s drama, only whatever has happened to Matt is obviously so much worse than what Karen is/was experiencing. So Matt gets a hug too. Hugs and involvement compromises are Karen’s love language.

Karen really, really doesn’t do well with being shut out of conversations and relationships (wonder where that trauma might have come from...). In E13, she legit basks in the atmosphere when the avocados figure their shit out and all three start working together again.

“It’s the way it should be. [..] Nelson and Murdock.”

And in the end:

Foggy: Now everybody knows what kind of asshole Fisk really is.

Karen: And we are the ones that made it happen, the three of us.

And in the very very end of S1 when Fisk is put away for real this time, I love how the three of them are joking and bantering like a team, like equals. Even if there’s still a crush happening (Karen gets all flustered the moment Foggy leaves to meet up with Marci, leaving her with Matt), it also feels like they’re all on a much more level footing, and that there’s some real actual flesh to Karen’s relationship with Matt, ambiguous as it may be.

The way he finally asks about what it was that he has been hearing in her voice, Karen finally knows that Matt cares about her as a person too, not just someone to keep safe.

Matt: I thought whatever it was, whatever’s been... I thought it would get better once Fisk was put away, but... it hasn’t, has it?

Karen: We put him away, yeah. But it won’t bring back Elena or Ben, or erase what we’ve been through, or... what we’ve had to do to get here.

Matt: Yeah. A lot of decisions I’d give anything to go back and change. But I can’t. None of us can. It’s like I told Foggy, all we can do is move forward, together.

That little dialogue is a beautiful mix of ‘too little too late’ (Karen doesn’t have much of an incentive to tell anyone about Wesley if Fisk is put away and she’s safe), and Matt kinda opening up and offering his thoughts, and at the same time both are retreating into their own heads for a bit (each referencing something the other has no idea about).

The way Karen looks at him, with his extended hand, no flustering, for once, just this serious, penetrating gaze, like she sees him for the first time, that interpretation depends on your goggles I guess. She could be taking it as a confirmation that her interest is returned. Could be a sort of an olive branch, an apology for how he shut her out before. Could be both, why not. Either way, it looks like something solid, something real, and a new beginning or a levelup for Matt and Karen, and that’s beautiful.

TL;DR

So, in terms of Karen’s priorities in DD S1, I’d say she has a very passionate urge to unearth the truth and get justice done to the bad guys (through legal efforts or via the Daredevil). That’s her driving factor, everything else is pretty much secondary.

Emotionally, she definitely thrives in a group, among friends and allies sharing an open atmosphere. It’s interesting how she seems to make a distinction between telling lies and simply hiding things or lying by omission. Because she certainly does her own share of hiding things and not opening up to the people in her life about what’s going on with her, but she certainly wants to be able to trust what people say, and doesn’t do well at all when told something is not her business and to not get involved or that “nothing” is going on. Her own strategy is flying under the radar in all her unassuming blonde secretary glory, and in such way avoiding any interest for people to ask her questions in the first place. But if pestered (if anyone showed they cared enough), she might actually tell the truth. In return, if she has noticed something going on with other people, she expects to be told the truth, not just be shut out.

Being shut out just leads to Karen doing her thing anyway, but behind people’s backs. Because relationships are important, but not AS important as getting to the truth of the matter that she’s investigating. In case of S1 that’s Fisk, so Matt and his secrets simply get lucky. However, if a relationship is strong enough, Karen can and will push for some kind of a compromise regarding her involvement, taking into consideration how much shutting out she can take before the relationship suffers permanent damage.

If it’s not strong enough, she’ll chafe and silently disagree, and then go do her own thing in secret. So voicing her needs and compromising is a mark of a good relationship, in case of Karen Page.

And voicing this need for inclusion also seems the be the most emotionally open that she ever gets with anyone in S1. In case of Foggy, it might simply take more time for her to open up to him about her past, but the friendship feels solid there. With Matt, it’s a bumpy road, and learning that she can treat him like a friend and make demands of him, or offer comfort, that feels like the greatest milestone in her S1 relationship with Matt.

=========

Probably to be continued in Part II about DD S2 eventually..

#karen page #karen page meta #foggy nelson #matt murdock #ben urich #beng's shiny meta #beng has free time on her hands and a fic idea #hence the walls of meta lol #enjoy #comments welcome as long as you don't hate on Karen

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kingcadaver · 1 year

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( CLAYTON CARDENAS, CIS MAN, HE/HIM ) — Look who it is! If you take a look at our database, you’ll find that SANTIAGO QUIJADA is a FORTY year old CULT LEADER that has been in Chicago for FORTY YEARS. According to government files, they’re a MUTANT on LEVEL THREE with the powers of LICH PHYSIOLOGY and NECROMANTIC POWER BESTOWAL. That must be why they’re METICULOUS and NARROW-MINDED. If you ask me, they remind me of RESENTMENT FESTERING LIKE AN INFECTED WOUND, SILK SHEEKS DRAPED OVER EVERY SURFACE, AND A THRONE MADE OF BONES. They are affiliated with THE CULT OF THE BLESSED.

background.

( tw: death )

when santiago was born, there were no signs of the darkness that was to come. by all accounts, he appeared to be almost perfectly ordinary, and was taken in to a family that was prepared to love him for that. the illusion for normalcy broke early on. at three, he resurrected a plant that had been killed by the drought, surprising ( and thrilling, for a time ) his parents. the power to give life had to be something holy, right? that illusion also died fast, when that same plant crumbled to dust after strangling the others in the garden with its thorny roots. when the rats returned with heads hanging by a thread. they didn’t come back right, as christ had—this was something evil.

both mother and father tried to instill some restraint in him, fearing it the devil’s taint. santiago pretended to heed his parents’ wishes, but secretly sought out opportunities to flex his gifts. he would trail for roadkill, pulling them back from violent deaths to return to navigate without the certain pain that would wrack them in life. deformed and rotting. while not dangerous to others, his creations sewed fear into his neighbors, many of which gave the supposedly cursed family ( and especially their freak of a son ) a wide berth. his only friends remained the creatures he brought back from the beyond.

it all came to head when he brought back a person. mangled from a car wreck he witnessed, he helped them out of a slower, more painful death and into the joys of unlife. but just as with everything else he brought back, they came back ill at odds with the world around them. the family of the victim, horrified, called for the restraint ( imprisonment, even ) of what they saw as the responsible party. before that could happen ( there was no precedent of this that they could find ) a different group butt into the situation—this time, in favor of the cursed child. they would take him under their wings to teach a responsibility that humanity had failed to instill.

although they didn’t realize it at the time, the sanctum of the stars reached out too little, too late. by that point, santiago didn’t care if what powers he bore were of the devil’s mark—the power he wielded was beyond the limiting mindsets of good and evil. all he craved was more, more, more. at first, this was a boon. he showed an interest in the history of mutation and what it could mean in his situation, and excelled at their attempts to hone in on his strange abilities... but when it came to responsibility, things began to fall apart. the sanctum and its teachers began to grow wary of him.

knowing of their mistrust ( seen as a refusal to accept ) santiago took matters into his own hands. he pulled away from the friends he had outside of the sanctum, growing darker and less pleasant to be around. everyone was an enemy, a snake in the grass waiting for the chance to pull him down into the mud. the creations he pulled up from the land of the dead grew equally as erratic... even aggressive toward the living. the sanctum knew that they had to act fast, before he could dare to sink his influence into humanity again... and do something truly dangerous.

he was locked down on the grounds, far enough underground that they thought he might not be able to manipulate his way out. a temporary measure, but one santiago took to great offense. for days, he refused any form of hospitality, focusing on the earth beneath him for anything he could use to escape. he found it in the skeleton of a creature almost as old as time, using its bones to break the foundations of his prison and escape into the night. from there, he went the only place he could think of —back home.

fearing the worst, the sanctum sent people after him. he was too dangerous to leave unchecked, even more so now that he had been locked away as he had. though they found him quickly, santiago had no intention of coming quietly. he fought and was struck down by the blows of someone more experienced, refusing to surrender... or to consider a peaceful resolution of the conflict. seemingly the end of a long tragedy, he was buried in a plot home to many of his family... but he didn’t die long.

santiago tore himself from the grave not long after his untimely death, changed for the worst. his blood glowed gold, the same color as his eyes. wicked claws replaced his once-smooth fingernails. any remaining light in his soul died when he was struck down, corrupted with hatred. he hunted down and killed the two agents that had been responsible for his death, taking their resurrected corpses into his own fold. now to do the same with the rest of their allies... and then, who knows? maybe the world.

quick facts.

the first creature he ever raised from the dead was a mouse that his parent’s cat had decapitated. fun times!

his phylactery is a necklace with a small emerald in it. he wears a fake around his neck, while the real one is kept somewhere safe.

has a cult he runs in his spare time! it’s a grift, as all cults are, so that he has a steady stream of souls to feed on. and also, fuck the living and whatever.

...bi ;)

has two thumbs on each hand, each ending in a wicked talon.

possible connections.

childhood friends: one or two people in the same age bracket that hung out as kids and bonded before... well, things happened. might end up submitting an official connection for this because it’s IMPORTANT! they would not be aware of his recent activities and probably assume he skipped town at some point post-sanctum.

liaisons: a few people that, for whatever reason, help him out. they may or may not know what he’s up to and his overall goals, would totally be up to the person!

enemies: pretty self explanatory, me thinks. priority to anyone with the sanctum. <3

anything else?: please love me.

#intros #i must hate myself

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lindsaywesker · 1 year

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Good morning! I hope you slept well and feel rested? Currently sitting at my desk, in my study, attired only in my blue towelling robe, enjoying my first cuppa of the day. Welcome to the weekend!

Wow! Here we are again: Friday! Where did that week go? No, seriously, where did that week go?

Apologies if you didn’t see yesterday’s status. It was posted, as usual, but it contained a term that some people don’t like, so I expect some sad weakling reported my post and it shifted on to a lower rotation. Poor little, fragile people that can’t handle social comment. What can you do but feel sorry for them?

As planned, I went for my walk yesterday. I could hear my body saying to me, “What the f*ck is going on here? Exercise? You haven’t done this in ages, ya fat bastard!” Nevertheless, it was much needed and it stretched muscles that needed stretching! As the cliché goes, use it before you lose it! If you don’t do some kind of exercise, your body literally seizes up! People in static, sit-down jobs shrink over time.

Yesterday was my favourite singer’s birthday. I’ve never seen Chaka Khan live but I did get a chance to interview her in 1982. She was in London promoting her ‘Chaka Khan’ album, a brilliant set featuring the epic ‘Be Bop Medley’, a vocal version of jazz tracks by John Coltrane, Dizzy Gillespie, Charlie Parker and Thelonious Monk. A track such as this tells you what Chaka is and always has been about, the original black music genres. Remember, Yvette Marie Stevens was originally a member of the black panther movement. She tolerates white people. You have to be somebody really special like David ‘Hawk’ Wolinksi (composer of ‘Ain’t Nobody’) to impress her. She was also quick to assert that she wasn’t some kind of fly-by-night, disposable soul singer and that, to her, the art was more important than the money. She even uttered the immortal line, “I’d rather read a book than have sex!” If she’d only recorded music with Rufus, I’d still be in awe of her, but then she went on to a killer catalogue of solo material. Sadly, my two-hour tributes are gone!

Which leads us nicely on to Mixcloud, who have STILL not resolved my situation. Thus my March 11th show is STILL ‘restricted’ for no good reason. If that sh*t happens again this week, I will be finding a new platform for my shows.

Remember, in 2023, the clocks go forward on 26 March at 1.00 a.m. in the UK. The clocks change on the last Sunday of March, moving forward by one hour. There may still be a chill in the air but this marks the beginning of British Summer Time (BST). To clarify, at 1.00 a.m. THIS Sunday morning (one hour past midnight), the clocks immediately become 2.00 a.m. and we lose an hour.

Really hope you can join me tomorrow at 1.00 p.m. for The Letter M (Pt. 3). Executive Producer: Kate Cardenas. Next week’s show is already scheduled (Executive Producer: Lucy Gill) and I will be sending second-time producer Marion Headman the pick list over the weekend. Yes, some people found the experience very pleasurable!

Have a fabulous and funky Friday! I love you all. You’re probably thinking, “You don’t even know me!” but, if people can hate for no reason, why can’t I love?

#mixcloud #mi soul #dj #music #new blog #lockdown #coronavirus #books #weekend #democracy #brexit #cronyism #election #radio

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christiandomme · 1 year

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Did Rep Cardena (California) just call Mark Zuckerberg MIKE Zuckerberg? I think we could just all start calling him Mike tbh.

He also compared Shou Zi Chew and Mark Zuckerberg to Fred Astaire as being excellent dancers with their words.

#fred astaire #shou zi chew #tiktok ban #mark zuckerberg

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stlhandyman · 2 years

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Supreme Court, U.S FILED In The OCT 2 2022 Supreme Court ofthe United States RALAND J BRUNSON, Petitioner,

Named persons in their capacities as United States House Representatives: ALMA S. ADAMS; PETE AGUILAR; COLIN Z. ALLRED; MARK E. AMODEI; KELLY ARMSTRONG; JAKE AUCHINCLOSS; CYNTHIA AXNE; DON BACON; TROY BALDERSON; ANDY BARR; NANETTE DIAZ BARRAGAN; KAREN BASS; JOYCE BEATTY; AMI BERA; DONALD S. BEYER JR.; GUS M. ILIRAKIS; SANFORD D. BISHOP JR.; EARL BLUMENAUER; LISA BLUNT ROCHESTER; SUZANNE BONAMICI; CAROLYN BOURDEAUX; JAMAAL BOWMAN; BRENDAN F. BOYLE; KEVIN BRADY; ANTHONY G. BROWN; JULIA BROWNLEY; VERN BUCHANAN; KEN BUCK; LARRY BUCSHON; CORI BUSH; CHERI BUSTOS; G. K. BUTTERFIELD; SALUD 0. CARBAJAL; TONY CARDENAS; ANDRE CARSON; MATT CARTWRIGHT; ED CASE; SEAN CASTEN; KATHY CASTOR; JOAQUIN CASTRO; LIZ CHENEY; JUDY CHU; DAVID N. CICILLINE; KATHERINE M. CLARK; YVETTE D. CLARKE; EMANUEL CLEAVER; JAMES E. CLYBURN; STEVE COHEN; JAMES COMER; GERALD E. CONNOLLY; JIM COOPER; J. LUIS CORREA; JIM COSTA; JOE COURTNEY; ANGIE CRAIG; DAN CRENSHAW; CHARLIE CRIST; JASON CROW; HENRY CUELLAR; JOHN R. CURTIS; SHARICE DAVIDS; DANNY K. DAVIS; RODNEY DAVIS; MADELEINE DEAN; PETER A. DEFAZIO; DIANA DEGETTE; ROSAL DELAURO; SUZAN K. DELBENE; Ill ANTONIO DELGADO; VAL BUTLER DEMINGS; MARK DESAULNIER; THEODORE E. DEUTCH; DEBBIE DINGELL; LLOYD DOGGETT; MICHAEL F. DOYLE; TOM EMMER; VERONICA ESCOBAR; ANNA G. ESHOO; ADRIANO ESPAILLAT; DWIGHT EVANS; RANDY FEENSTRA; A. DREW FERGUSON IV; BRIAN K. FITZPATRICK; LIZZIE LETCHER; JEFF FORTENBERRY; BILL FOSTER; LOIS FRANKEL; MARCIA L. FUDGE; MIKE GALLAGHER; RUBEN GALLEGO; JOHN GARAMENDI; ANDREW R. GARBARINO; SYLVIA R. GARCIA; JESUS G. GARCIA; JARED F. GOLDEN; JIMMY GOMEZ; TONY GONZALES; ANTHONY GONZALEZ; VICENTE GONZALEZ; JOSH GOTTHEIMER; KAY GRANGER; AL GREEN; RAUL M. GRIJALVA; GLENN GROTHMAN; BRETT GUTHRIE; DEBRA A. HAALAND; JOSH HARDER; ALCEE L. HASTINGS; JAHANA HAYES; JAIME HERRERA BEUTLER; BRIAN HIGGINS; J. FRENCH HILL; JAMES A. HIMES; ASHLEY HINSON; TREY HOLLINGSWORTH; STEVEN HORSFORD; CHRISSY HOULAHAN; STENY H. HOYER; JARED HUFFMAN; BILL HUIZENGA; SHEILA JACKSON LEE; SARA JACOBS; PRAMILA JAYAPAL; HAKEEM S. JEFFRIES; DUSTY JOHNSON; EDDIE BERNICE JOHNSON; HENRY C. JOHNSON JR.; MONDAIRE JONES; DAVID P. JOYCE; KAIALPI KAHELE; MARCY KAPTUR; JOHN KATKO; WILLIAM R. KEATING; RO KHANNA; DANIEL T. KILDEE; DEREK KILMER; ANDY KIM; YOUNG KIM; RON KIND; ADAM KINZINGER; ANN KIRKPATRICK; RAJA KRISHNAMOORTHI; ANN M. KUSTER; DARIN LAHOOD; CONOR LAMB; JAMES R. LANGEVIN; RICK LARSEN; JOHN B. LARSON; ROBERT E. LATTA; JAKE LATURNER; BRENDA L. LAWRENCE; AL LAWSON JR.; BARBARA LEE; SUSIE LEE; TERESA LEGER FERNANDEZ; ANDY LEVIN; MIKE LEVIN; TED LIEU; IV ZOE LOFGREN; ALAN S.LOWENTHAL; ELAINE G. LURIA; STEPHEN F. LYNCH; NANCY MACE; TOM MALINOWSKI; CAROLYN B. MALONEY; SEAN PATRICK MALONEY; KATHY E. MANNING; THOMAS MASSIE; DORIS 0. MATSUI; LUCY MCBATH; MICHAEL T. MCCAUL; TOM MCCLINTOCK; BETTY MCCOLLUM; A. ADONALD MCEACHIN; JAMES P. MCGOVERN; PATRICK T. MCHENRY; DAVID B. MCKINLEY; JERRY MCNERNEY; GREGORY W. MEEKS; PETER MEIJER; GRACE MENG; KWEISI MFUME; MARIANNETTE MILLER-MEEKS; JOHN R. MOOLENAAR; BLAKE D. MOORE; GWEN MOORE; JOSEPH D. MORELLE; SETH MOULTON; FRANK J. MRVAN; STEPHANIE N. MURPHY; JERROLD NADLER; GRACE F. NAPOLITANO; RICHARD E. NEAL; JOE NEGUSE; DAN NEWHOUSE; MARIE NEWMAN; DONALD NORCROSS; ALEXANDRIA OCASIO-CORTEZ; TOM O'HALLERAN; ILHAN OMAR; FRANK PALLONE JR.; JIMMY PANETTA; CHRIS PAPPAS; BILL PASCRELL JR.; DONALD M. PAYNE JR.; NANCY PELOSI; ED PERLMUTTER; SCOTT H. PETERS; DEAN PHILLIPS; CHELLIE PINGREE; MARK POCAN; KATIE PORTER; AYANNA PRESSLEY; DAVID E. PRICE; MIKE QUIGLEY; JAMIE RASKIN; TOM REED; KATHLEEN M. RICE; CATHY MCMORRIS RODGERS; DEBORAH K. ROSS; CHIP ROY; LUCILLE ROYBAL-ALLARD; RAUL RUIZ; C. A. DUTCH RUPPERSBERGER; BOBBY L. RUSH; TIM RYAN; LINDA T. SANCHEZ; JOHN P. SARBANES; MARY GAY SCANLON; JANICE D. SCHAKOWSKY; ADAM B. SCHIFF; BRADLEY SCOTT SCHNEIDER; KURT SCHRADER; KIM SCHRIER; AUSTIN SCOTT; DAVID SCOTT; ROBERT C. SCOTT; TERRI A. SEWELL; BRAD SHERMAN; MIKIE SHERRILL; MICHAEL K. SIMPSON; ALBIO SIRES; ELISSA SLOTKIN; ADAM SMITH; CHRISTOPHER H. V SMITH; DARREN SOTO; ABIGAIL DAVIS SPANBERGER; VICTORIA SPARTZ; JACKIE SPEIER; GREG STANTON; PETE STAUBER; MICHELLE STEEL; BRYAN STEIL; HALEY M. STEVENS; STEVE STIVERS; MARILYN STRICKLAND; THOMAS R. SUOZZI; ERIC SWALWELL; MARK TAKANO; VAN TAYLOR; BENNIE G. THOMPSON; MIKE THOMPSON; DINA TITUS; RASHIDA TLAIB; PAUL TONKO; NORMA J. TORRES; RITCHIE TORRES; LORI TRAHAN; DAVID J. TRONE; MICHAEL R. TURNER; LAUREN UNDERWOOD; FRED UPTON; JUAN VARGAS; MARC A. VEASEY; FILEMON VELA; NYDIA M. VELAZQUEZ; ANN WAGNER; MICHAEL WALTZ; DEBBIE WASSERMAN SCHULTZ; MAXINE WATERS; BONNIE WATSON COLEMAN; PETER WELCH; BRAD R. WENSTRUP; BRUCE WESTERMAN; JENNIFER WEXTON; SUSAN WILD; NIKEMA WILLIAMS; FREDERICA S. WILSON; STEVE WOMACK; JOHN A. YARMUTH; DON YOUNG; the following persons named are for their capacities as U.S. Senators; TAMMY BALDWIN; JOHN BARRASSO; MICHAEL F. BENNET; MARSHA BLACKBURN; RICHARD BLUMENTHAL; ROY BLUNT; CORY A. BOOKER; JOHN BOOZMAN; MIKE BRAUN; SHERROD BROWN; RICHARD BURR; MARIA CANTWELL; SHELLEY CAPITO; BENJAMIN L. CARDIN; THOMAS R. CARPER; ROBERT P. CASEY JR.; BILL CASSIDY; SUSAN M. COLLINS; CHRISTOPHER A. COONS; JOHN CORNYN; CATHERINE CORTEZ MASTO; TOM COTTON; KEVIN CRAMER; MIKE CRAPO; STEVE DAINES; TAMMY DUCKWORTH; RICHARD J. DURBIN; JONI ERNST; DIANNE FEINSTEIN; DEB FISCHER; KIRSTEN E. GILLIBRAND; LINDSEY GRAHAM; CHUCK GRASSLEY; BILL HAGERTY; MAGGIE HASSAN; MARTIN HEINRICH; JOHN HICKENLOOPER; MAZIE HIRONO; JOHN HOEVEN; JAMES INHOFE; RON VI JOHNSON; TIM KAINE; MARK KELLY; ANGUS S. KING, JR.; AMY KLOBUCHAR; JAMES LANKFORD; PATRICK LEAHY; MIKE LEE; BEN LUJAN; CYNTHIA M. LUMMIS; JOE MANCHIN III; EDWARD J. MARKEY; MITCH MCCONNELL; ROBERT MENENDEZ; JEFF MERKLEY; JERRY MORAN; LISA MURKOWSKI; CHRISTOPHER MURPHY; PATTY MURRAY; JON OSSOFF; ALEX PADILLA; RAND PAUL; GARY C. PETERS; ROB PORTMAN; JACK REED; JAMES E. RISCH; MITT ROMNEY; JACKY ROSEN; MIKE ROUNDS; MARCO RUBIO; BERNARD SANDERS; BEN SASSE; BRIAN SCHATZ; CHARLES E. SCHUMER; RICK SCOTT; TIM SCOTT; JEANNE SHAHEEN; RICHARD C. SHELBY; KYRSTEN SINEMA; TINA SMITH; DEBBIE STABENOW; DAN SULLIVAN; JON TESTER; JOHN THUNE; THOM TILLIS; PATRICK J. TOOMEY; HOLLEN VAN; MARK R. WARNER; RAPHAEL G. WARNOCK; ELIZABETH WARREN; SHELDON WHITEHOUSE; ROGER F. WICKER; RON WYDEN; TODD YOUNG; JOSEPH ROBINETTE BIDEN JR in his capacity of President of the United States; MICHAEL RICHARD PENCE in his capacity as former Vice President of the United States, and KAMALA HARRIS in her capacity as Vice President of the United States and JOHN and JANE DOES 1-100.

https://www.supremecourt.gov/DocketPDF/22/22-380/243739/20221027152243533_20221027-152110-95757954-00007015.pdf

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