#maps studio nyc

[mapsstudio]

5 Best Photography Styles by Urban Life

As we explore the diverse world of urban life photography, we can identify five standout styles that truly capture the essence of city living. Candid street photography reveals spontaneous moments, while urban landscape photography highlights the interplay of nature and architecture. Then there’s fine art street photography, street portraiture, and even abstract approaches that transform everyday scenes. Each style offers a unique perspective, inviting us to consider how we view urban environments. But which style resonates the most with our experiences? Let’s uncover what makes each one distinct.

Candid Street Photography

In the heart of bustling city streets, candid street photography offers us a unique lens into the spontaneous moments of urban life. We can capture authentic interactions and engaging subjects simply by being present and observant. By employing techniques like acting and the camera snap, we avoid drawing attention to ourselves. Instead, we look slightly past our subjects, engrossed in our surroundings, which helps us seize those fleeting moments.

Finding a good spot and lingering can significantly increase our chances of capturing captivating street portraits. With patience, we allow interesting backgrounds to enhance our shots as we wait for life to unfold.

We should travel light, using a mirrorless camera or a prime lens, to promote mobility and spontaneity. Setting our cameras to aperture priority mode enables quick adjustments for varying light conditions.

Ultimately, we must trust our instincts and embrace spontaneity. Not every shot will be perfect, but each attempt sharpens our skills. By engaging with our subjects and creating a fun atmosphere, we can often elicit natural, heartfelt reactions.

Candid photography truly thrives in the vibrancy of urban environments, and we’re lucky to explore it.

Urban Landscape Photography

Urban landscape photography immerses us in the dynamic interplay between human-made environments and the natural world. This art form captures the essence of urban life, emphasizing architecture and the energy that defines our cities.

By exploring various types of photography, we can appreciate how urban landscapes reveal their stories.

Here are four elements that enhance our understanding of urban landscapes:

Architectural Contrasts: Juxtaposing modern skyscrapers against historical buildings unveils the layers of time.

Community Interactions: Capturing spontaneous moments in bustling streets highlights the vibrant life within urban environments.

Geometric Composition: Utilizing shapes and lines leads the viewer’s eye, creating compelling visuals that draw attention.

Environmental Context: Observing how nature interacts with human structures showcases the balance (or imbalance) between civilization and the natural world.

Through thoughtful composition and perspective, urban landscape photography invites us to reflect on the narratives hidden within our cities.

As we engage with this style, we become more attuned to the nuances of our urban surroundings, enriching our understanding of the world we inhabit.

Fine Art Street Photography

Fine art street photography offers us a captivating lens through which we can explore the intricate stories woven into our urban environments. This style transcends traditional street photography by incorporating elements of fine art photography, allowing us to express our unique perspectives.

Take Dimpy Bhalotia, for instance; her iPhone captures reveal striking low-angle views that create a distinct identity, showcasing the beauty of everyday moments.

Similarly, Alessio Trerotoli’s refreshing approach combines double exposures with moody aesthetics, crafting dreamlike visuals that still respect street photography traditions.

When we engage with Laurence Bouchard’s work, we’re drawn into immersive moments that tell compelling narratives, reflecting his meditative approach to capturing life on the streets.

Moreover, Victor Morante’s minimalist photography captivates us with its deep shadows and vibrant colors, demonstrating how simplicity can tell a powerful story.

Whether it’s through color or black and white, fine art street photography embraces a blend of urban elements and emotional depth, inviting us to see our surroundings in a new light.

Street Portraiture

Street portraiture offers an intimate glimpse into the lives of strangers we encounter daily. This style merges the spontaneity of street photography with focused portraits, capturing the essence of individuals in public places.

When we engage in street portrait photography, we create images that resonate deeply. Here are four elements that enhance our storytelling:

Headshots: We capture compelling facial expressions, revealing emotions that connect us to the subject.

Environmental Portraits: By placing subjects in their surroundings, we convey their story and context.

Full Body Portraits: Showcasing attire and body language, we highlight personal style and presence.

Natural Lighting: Utilizing soft, even light, we ensure each portrait feels authentic, whether in the golden hour or amidst urban shadows.

Selecting the right surroundings and background is crucial; they should complement, not distract from, the subject.

With practice, we can build rapport and make our subjects feel valued, resulting in portraits that reflect their true selves.

Street portraiture invites us to explore the richness of urban life, capturing moments that might otherwise go unnoticed. Let’s embrace this art form and celebrate the diversity around us.

Abstract Street Photography

Capturing urban life doesn’t have to be confined to traditional portraits; abstract street photography opens up a world of creative possibilities. By using techniques like long exposures and intentional camera movements with our handheld cameras, we can create stunning abstract photography that transforms ordinary scenes into something extraordinary.

We can start by experimenting with slow shutter speeds, allowing subtle blurs to convey a sense of motion and place. Shooting in bright, contrasting lighting helps simplify busy scenes, turning shadows into deep blacks that enhance abstract shapes.

Additionally, we might explore double exposures, layering images for striking visual effects, or even turning our cameras upside down to discover surreal cityscapes.

Picking out unique architectural details can also yield impactful images, where simplicity reigns. By focusing on just one or two elements, we can create compositions that stand alone while hinting at the broader urban environment.

Whether we’re using the Canon EOS 90D or any versatile mirrorless camera, the key is to embrace creativity. Abstract street photography invites us to see urban life from a fresh perspective, combining artistry with the energy of the streets.

What Our Clients Say

At Maps Studio, we take pride in the satisfaction of our clients. Our reviews speak volumes about our commitment to quality and creativity in photography. From capturing special moments to showcasing stunning visuals, our customers express their joy and appreciation for our work. Check out the screenshots below to see real feedback from various platforms. It’s clear that our passion for photography truly resonates with those we serve. For more information, visit Maps Studio.

Frequently Asked Questions

What Is Urban Style Photography?

Urban style photography captures the essence of city life, showcasing vibrant scenes, architecture, and human interactions. We explore candid moments and dynamic compositions, revealing the complex stories that unfold in urban environments every day.

What Is Urban Life Photography?

Urban life photography captures the essence of city living, showcasing spontaneous moments and interactions. It highlights the vibrancy and diversity of urban environments, allowing us to explore community and identity through dynamic visual storytelling.

What Is the Urban Photography Genre?

Urban photography’s our way of capturing city life, showcasing vibrant interactions, architecture, and diverse cultures. Through candid moments and unique perspectives, we tell stories that reflect the heartbeat of urban environments. It’s our visual narrative.

What Is the Most Popular Style of Photography?

We believe the most popular style of photography is street photography. It captures candid moments and everyday life, immersing us in spontaneous human interactions and showcasing the vibrant essence of our urban environments.

Conclusion

In exploring these five photography styles, we’ve uncovered the vibrant essence of urban life. Each approach offers a unique lens through which we can appreciate the beauty, spontaneity, and complexity of our cities. Whether we’re capturing candid moments, framing stunning landscapes, or transforming the ordinary into the extraordinary, urban photography invites us to see the world anew. Let’s grab our cameras and embrace the stories waiting to be told in our bustling streets!

Visit Maps studio for more  information about photography.

[doomandgloomfromthetomb]

The B-52's - Roseland, New York City, April 19, 1982

I was in NYC for a couple of days earlier this month and though time was limited, I did of course find a minute to visit a local record store — Academy Records on W. 18th St. Digging through the $5 bin, I found a nice copy of the B-52's' David Byrne-produced Mesopotamia mini-album, which I've always loved, but have never had on vinyl before. A no-brainer! As I checked out, I noticed that Mesopotamia had been recorded at Bob Blank's Blank Tape Studio, and some quick Google mapping revealed that I was just moments away from where that studio used to be on 37 W. 20th St. A legendary spot, as a footnote in Jesse Rifkin's great This Must Be The Place details:

"[T]he studio's discography includes Television's seminal punk single "Little Johnny Jewel"; disco hits by Musique, Class Action, Crown Heights Affair, and Inner Life; groundbreaking remixes by deejays like Larry Levan, Francois Kervorkian, and Tee Scott; and no-wave/mutant disco albums by the likes of James Chance, Lydia Lunch, Lizzy Mercier Descloux, and DNA. It was the favored studio of genre-bending auteur Arthur Russell, and classic albums by Talking Heads (Speaking In Tongues), the Gun Club (Miami), Joe Bataan (Mestizo), Ashford & Simpson (Solid), the B-52's (Mesopotamia), Miami Sound Machine (Eyes of Innocence) and Sun Ra (Lanquidity) were all tracked there."

All that and Madonna's first single, too! New York City is like this, of course — a neverending web of connections, a labyrinth of layers upon layers upon layers. You could spend your life walking down its streets, discovering the strange stories behind every building's facade. I could never hack it there full-time, but god bless the people who can!

Anyway — the B-52's! What a wonderful band. Here they are at Roseland (239 W. 52nd St.) right around the time that Mesopotamia came out. A killer SBD tape, featuring an expanded lineup: Dave Buck and Ralph Carney on horns. We get a bunch of the new mini-album, plus plenty of stuff from their already stuffed back catalogue. As with any B-52's tape, I'm sure it's not as good as being there in person, but it's still one heck of a party. Nip it in the bud!

(Oh and hey — this old Pitchfork column of mine has more live jams if you need to further celebrate the miracle of the B-52's.)

[bayareabadboy]

In The Rock 4/12/1954: Bill Haley and the Comets record “Rock Around the Clock” at Pythian Temple studios in NYC. Considered to be the tune that put rock and roll on the map, around the world.

[heroesriseandfall]

For nerds like me I think they just put Donna’s apartment in the Hudson. 👍

Tales of the Titans (2023) #3

Donna Troy: 2400 W. 70th St. #1512, New York, NY 10230

There’s no 2400 W 70th or zip code 10230, obviously, and since the highest numbers on that street lead toward the Hudson, she’s definitely in the fictional apartment that is totally not in the Hudson. Here’s where the street ends:

Some residences I can remember from NTT to give this new fake location some company:

The original Titans Tower was in the East River. I could cite specific comics but, it’s just all of NTT. The current Titans Tower as of Titans (2023) is in Blüdhaven.

There is this map of NYC from the DC / Mayfair Games “Atlas of the DC Universe” (1990):

The second Teen Titans HQ (before Titans Tower) was in Farmingdale, Long Island (Who’s Who: The Definitive Directory of the DC Universe v1 #23).

After the third team of Titans got together, Vic had an apartment on 11th Avenue and 44th street (New Teen Titans v1 #8)

Donna & Kory’s shared apartment was in the East 80s (New Teen Titans v1 #16).

Gar lived in the Dayton Estate in East Hampton (Tales of the Teen Titans #50). This is where Donna had her wedding to Terry (love the wedding issue, hate the guy).

As of NTTv2 #12, Joey Wilson lived in New Hyde Park with his mom, Dick lived in Central Park West (also his apartment was canonically haunted), and Kory lived in Greenwich Village, on 8th street off Mercer.

After coming home from several months in space, Kory got a SoHo apartment where Dick moved in with her not long after (New Teen Titans v2 #32, #39; Who’s Who Update 1988 #2). Dick moved back into his old apartment after Jason died (New Titans #57).

Raven got her first apartment which was a studio above a theater on Broadway (New Teen Titans v2 #35). Before that she had just lived in the Tower since joining the team.

The base for the Outsiders team Roy and Dick founded after Donna died was in Brooklyn (Outsiders (2003) #1).

There are definitely more references to locations elsewhere but these are the ones I already have in my notes, just to remember where she is in relation to where they’ve all been before. ❤️

[i-am-the-entertainer]

Tick, Tick... Boom! Filming Locations

Some people have too much time on their hands. I am one of those people.

One of the things I love about Tick, Tick... Boom is the obvious affection the filmmakers have for the NYC theater scene, an affection shared with the film's subject Jonathan Larson. To that end, I recently decided to try to identify some of the filming locations in the film.

One thing that was extremely helpful in this process was the "special thanks" list in the film's credits, which names a lot of the orgs that were used in location shooting and from which I was able to make some really good guesswork.

Note that this is mainly for location shoots. Things like the recreated Moondance Diner, which was done on a set, are not included in this.

508 Greenwich Street - Jonathan's apartment

(from MWhiteShelley on Twitter/X) This is probably the most obvious location: Jonathan Larson's actual address. While interiors of the apartment itself were filmed on a soundstage, it is obvious on viewing the film that there was some location shooting at the building, most prominently in "No More" when Jonathan and Michael enter and climb the stairs.

The Underground Theater at Abrons Arts Center - The musical theater workshop scene

(from their website) You'll probably recognize this brutalist theater from the Stephen Sondheim workshop scene (which, according to this video, was one of the last scenes shot) – it also briefly appears a few shots earlier in the scene where Ira Weitzman is observing Jonathan rehearsing. The Abrons Arts Center is located in the Lower East Side and is part of the Henry Street Settlement.

The Strand Bookstore - "30/90" and Sextet

(From an article by The Guardian, photo by Bruce yuanye Bi/Alamy) The Strand is instantly recognizable to New Yorkers, maybe less-so for others unless you've visited as a tourist. It's a giant independent bookstore located two blocks from Union Square. Prominently featured in "30/90" and visited by Jonathan during the "Sextet Montage" where he tries to sell some of his records.

Teatro LATEA at the Clemente - Susan's dance recital

(from their Instagram) This one was a little harder, because obviously it's just a black box theater and how many of those are there in NYC? What clued me in was 1) the Clemente Soto Velez Cultural and Educational Center, where Teatro LATEA is located, is thanked in the credits and 2) those chairs (a little bit more obvious in this photo). I've seen and worked a fair number of shows in that theater, and as soon as I noticed the very distinctive chairs for Susan's dance recital I was able to look more closely at the scene and immediately could map out the layout of Teatro Latea.

The Delacorte Theater - "Why"

Another easily recognizable location for locals, the Delacorte is the amphitheater where Jonathan sneaks in and sings "Why". It doesn't get named in the film but it does in the stage version.

Hunter College's Thomas Hunter Hall Sixth Floor North Dance Studio - The Superbia workshop

(from Facebook) This was, without question, the hardest location to find. In the film it's identified as being in the Theater District, specifically at Playwrights Horizons (an Untapped Cities article about filming locations even claims this, and uh, basically gets everything wrong). However, the modern Playwrights Horizons looks very different, both on the inside and the outside, and while they do have rehearsal spaces in a slightly less-remodeled building on Lafayette Street, none of the spaces there look like the one from the film. The reference to Hunter College in the credits narrowed it down, and then it was just a matter of finding photos of the studios (this gallery of recent restoration work shows the different angles that you will recognize from the movie), discovering an architectural plan of some planned renovations in the building, and then looking out the windows of the building and comparing it to Google Maps street view to figure out which side of the building it was on.

...I have waaaaay too much time on my hands.

I do want to point out, Thomas Hunter Hall is actually located on Lexington Avenue between 68th and 69th, quite a few blocks northeast from the Theater District depicted in the film.

New York Theatre Workshop - The framing scenes

(from a New York Theatre Guide article) The real Jonathan Larson's artistic home, where he performed both Rent and the original version of tick, tick... BOOM! thirty years ago. Both the theater's exterior (at the start of "Louder Than Words") and interior (the tick, tick... BOOM! performance scenes) feature prominently in the movie.

Fun fact: when they were shooting the film in March, they originally planned to film the NYTW scenes inside a recreated set because there was a show playing at the theater at the time (though not referenced in the linked video, I happen to know that the show was Endlings by Celine Song, the writer/director of the recent Oscar contender Past Lives) but when filming restarted the theater was available again because of the shutdown.

Any other locations you recognized that I didn't include? Let me know! Currently trying to figure out where Michael's apartment building (Victory Towers) was located – the scene in the car leading to the arrival at the building makes me think it's somewhere near Central Park, but that footage could also have been filmed separately.

[ahiddenpath]

Otakon 2023

Lil ramblin' about the con beneath the cut! But above the cut, my spoils!

I haven't been to a con since NYC Comicon in 2015, so this was a ride!

Amazing Stuff:

-Meeting @citrus-cactus at the Digimon redubbed movies screening! It was so amazing to meet her after being in the same online community for... Like... God, who even knows, like ten years?!?!?! And she is so lovely!

-THE DIGIMON REDUBBED MOVIES SCREENING!!! More on that here!

-My haul above! A sweet lil Kou-chan figure and a Luna plush from the dealer's room and an artbook from Shouri and a Sonic keychain from the artist's alley!

Not my fave stuff and neutral observations:

For reference, I went to Otakon all three days from roughly age 14 straight through college?? Well, in college it would have been Sat/Sun only. After that, I guess I didn't go that often, but any comparisons I make are to that time period (roughly 2003-2011 ish).

The DC convention center as a venue:

-The convention center was easy to get to from the Metro!

-The building was much bigger and better able to handle the crowd than the Baltimore Convention Center.

-There was. NO SIGNAGE. WHATSOEVER. For ANYTHING. Absolutely horrendous. What there WERE were volunteers/employees who bellowed directly into your face to... Do the things you were already doing. Or to... Walk the other way around the pillar. Because the other side leads into the faerie realm or some shit, idek.

-The guide books used to have maps, schedules, opening and closure times, etc. There was a map in this guidebook, but the opening and closing times for different parts of the cons and the event schedule were not printed. Meaning I had to use my phone to know, for example, when and where the Digimon screening event was... And there was poor reception the dealer's room in the lowest level.

Although the event schedule site couldn't load, I was blessed that some of Citrus' discord messages were getting through. She alerted me that the screening room was filling up and told me the room number (bless!!!! Thank!!!).

The con compared to ones I remember:

-I was shocked that there was a digimon panel and two separate Digimon screenings in one day? And the Digimon movie redub screening event was full to capacity- I missed the first film because I was next in line at the shut door D: So, like, Digimon is alive, and I saw two Daisuke cosplays, a Ken cosplay, and someone with a Patamon plush attached to their baseball cap. Patahat! There wasn't much merch. Citrus spotted the main place offering digimerch and sent me there (I got the Kou figure there). She also saw the lone Digimon fanart in Artist's Alley, and we found someone who made baby stage plushes. Another dealer's room place had some vintage plushies of the digimon that looked... like they had been through... some stuff.

Basically, Digimon seems to still be very much alive in terms of audience interest, but not so much the merch and fan art. I don't know what to make of that.

-The con seemed a lot less lively than the ones I remember. I only saw a few interesting cosplays (like the kind where you go, how did they even do that?!). My husband pointed out that the hall is far larger, however, and that the cosplay folks have tons of photo studio rooms to go to. They were likely there.

-The extra space was deeply appreciated (compared to what I'm used to from the Baltimore days), but... Okay, so the Dealer's Room provided empty space. Every aisle had an end area to "pull over in," whether it's for a water or food break, a photo op, or to wait for your bud to make a purchase.

PEOPLE STILL STOPPED DEAD DIRECTLY IN THE MAIN THROUGHWAY. WHY. WOULD YOU DO THAT. PLEASE I AM BEGGING-

My husband says I'm dreaming if I think the provided empty space will stop people from doing that, lol!

-DEMON SLAYER. EVERYTHING IS DEMON SLAYER. THERE IS NOTHING BUT DEMON SLAYER. Look, I enjoy Demon Slayer too, but good gracious, it's clearly the Naruto of the 2020s in terms of popularity.

-I learned who Rem is. Good God there were a lot of Rem figures.

-Looking at my purchases, I bought for three "classic" IPs and supported an artist I've followed for a long time. No new stuff. And I'd say the merch overall was about half "vintage" stuff and half newer stuff. Lots of Sailor Moon, DBZ, Pokemon, etc.

General Con Hardships:

-So a friend suggested to me recently that I might have sensory issues. I balked, because jfc have you seen my list of issues, please don't suggest another, I beg, I am full up, can I have some less sir.

Uh basically she mentioned how much she used to love going to the movies and I said, "I don't go anymore, I can't understand the voice audio." And she was like- Okay so it's true that some movies don't mix sound properly and can't be understood well, but if it's all movies... Um, babe, I think that's an auditory processing issue.

She suggested I get ear plugs, and god DAMN I wish I had them at the con.

Riding in the metro in tunnels? The whoosing and clanking hurt. Volunteers absolutely bellowing in your face at the con? Look, I guess it's their job, but please I am going to cry if you scream in my face like that. People playing music at the loudest volume in the dealer's room and hallways? Why, why would you do that. Someone was walking around playing an ocarina on the way to the dealer's room, so I was stuck with her for about 10-15 min, and I genuinely wanted to lock the damn thing in her backpack on a timer somehow, lmao. Look, ocarinas are easy enough to get the correct note out of, but they are difficult to control tonally. That high-pitched, harsh PHWEEEE noise clawed at my ears.

Of course, you can't control other people. The best I can do is accommodate myself to suit the place I'm going, which means... The damned ear plugs.

Apparently sensory issues and anxiety go hand-in-hand, as of course people feel stressed if the signals around them aren't being processed in the "typical" way, causing strain.

So... The con was exhausting and just... Difficult. But! I'm really glad I went! And I'll just buy the gd earplugs, here's what was recommended to me.

Also, PS: I found a piece of rare digimon merch that was way out of my budget at a dealer's room stand. But when I came home and looked it up, I found it for 35% less (which, at this price point, was a lot). AND NOW I HAVE AN ABSOLUTE TREASURE ON THE WAY AND I CANNOT WAIT TO SHOW YOU! Also, honestly check the retail on stuff in the dealer's room before you buy, this must be why there's no reception down there-

I am ready to not attend a con until next year! But to also go next year! Maybe I'll meet more of my online pals!!!! :D

[supraconsciousyou]

The Actor of the Future: Unlocking the Supraconscious Genius With in You

Masterclass with Maria Olon Tsaroucha  Saturday, June 21 | 12 PM – 7 PM | The West Village Rehearsal Co-Op, NYC

My Dearest Artists, Seekers of Meaning, and Creators of Worlds,

Nineteen years ago, while immersed in a performance, a single question changed everything for me:  “Who am I?”

Trained as a Method actor, I realized that the answer was far more than technique—it was an invitation into a vast, uncharted inner universe.

That moment launched me on a deep, interdisciplinary journey through consciousness, neuroscience, quantum physics, ancient Greek philosophy, and psychology—all culminating in a new paradigm for the performing arts: The Supraconscious Artist.

Inspired by Konstantin Stanislavski’s prophetic vision—that the actor of the future must master levels of consciousness beyond the ordinary—this masterclass is designed for those who are rooted in craft yet ready to explore the next frontier of artistic truth.

What Is The Actor of the Future Masterclass?

This is not just a workshop. It is a living, breathing forum where science meets soul, where ancient wisdom fuses with cutting-edge quantum insights, and where the art of acting becomes a spiritual path to wholeness.

Together, we will:

Map out a new mindscape for conscious performers, transcending traditional approaches.

Align body, mind, and soul beyond the known six senses.

Delve into quantum theories of identity and artistic truth, unlocking new layers of presence.

Explore the Ethos Value System, cultivating integrity and intention in performance and life.

Embark on the leap toward the Supraconscious state of being—a transformative consciousness that empowers fearless, whole-hearted creativity.

Why This Matters Now

At a time when arts and sciences converge more than ever, the Perceptual Acting and Directing theory (PAD) brings a tangible metaphysics to acting—bridging quantum physics with mindfulness and evolving the famed Method of the Actors’ Studio into something profoundly new.

Stanislavski believed that art is a spiritual path and used the word “Supraconscious” to describe the higher consciousness actors must attain.

This masterclass carries forward that sacred legacy with tools, techniques, and perspectives crafted for today’s artists and creators.

Event Details

Date & Time: Saturday, June 21, 12 PM – 7 PM (followed by a celebratory dinner)

Location: The West Village Rehearsal Co-Op, 68 Gansevoort Street, New York, NY  (Lower level, elevator accessible)

Contribution: $70

Reserve Your Seat: Secure Your Spot Now

Who Should Attend?

Actors and performers ready to evolve beyond technique into transformational artistry.

Creators seeking to deepen their connection with higher self and universal flow.

Artists curious about the intersection of quantum science, consciousness, and creativity.

Anyone who senses that the next stage of their craft is not just external skill, but inner mastery.

What You’ll Take Away

A comprehensive new framework for creative presence and authentic expression.

Practical, experiential tools to activate your supraconscious potential.

Connection with a community of forward-thinking artists and seekers.

Inspiration to lead your art—and your life—with greater power and clarity.

About Maria Olon Tsaroucha

Maria is an internationally acclaimed author and visionary teacher whose work stands at the crossroads of acting, science, and spirituality.

Her groundbreaking book, SUPRACONSCIOUS: The Genius Within You (available on Amazon and her bookstore), is the core textbook for a quantum science of acting — a pioneering fusion of mindfulness, neuroscience, and the Method that has garnered international recognition, including the International Book Impact Award and a feature in the New York Times Magazine.

Ready to Transform Your Art & Life?

I believe in you.  I believe in your intention.  And I would be deeply honored to walk this pioneering path alongside you.

If you have questions or want to invite a fellow artist who would resonate with this journey, please reach out:  📧 Email or text: +1 (929) 525-9047

Join us in New York City on June 21 — take the leap into the future of acting and creative presence.

Your Supraconscious journey starts here.

Reserve Your Spot

With love and kind thoughts, Maria Olon Tsaroucha

[trascapades]

🩰🗽#ArtIsAWeapon

"Hard Times Require Furious Dancing" - #AliceWalker

Today, May 17, 2025 is for dancing in NYC: The 17th Annual Dance Parade @danceparadenyc, Park Jam & After Party; and @soulsummitmusic at @industrycity!

🔹️Reposted from @danceparadenyc TODAY is the DAY! DANCE PARADE DAY! The weather gods are smiling down on us and the weather looks to be great for our event! See you on 17th Street and Sixth at noon!

On the first flyer is our 2025 Grand Marshals, the parade route map, and the schedule for the day! The second flyer is for the AFTER PARTY! And the third graphic is the DanceFest Map of Tompkins Square Park!

If you need the parade lineup or want to see the schedule for DanceFest, please go to the links:

danceparade.org/see-the-parade

danceparade.org/dancefest

danceparadeafterparty.eventbrite.com

Let’s all not forget to have fun today and if you need help please ask the nearest Dance Parade team member in a red shirt. If you are able to help someone please do so. We are all one dance community today and we all rise up when we raise each other up! HAPPY DANCE PARADE DAY!

🔹️Reposted from @soulsummitmusic Join us on Saturday May 17

Industry City during Open Studios!

Explore Brooklyn's creative heartbeat and connect with local artists and makers. Then stick around - from 12 PM to 12 AM, enjoy live DJ sets, great food, shopping, and that unbeatable Brooklyn energy. It's the borough's unofficial backyard party - don't miss it! Spinning live @iambridgeet @djstorminnorman @djmikenasty

Brought to you by

@_ingoodcompany_

#housemusic #dayparty #industrycity

#danceparadenyc #freedomtodance #danceparade #dance #dancers #dancefestival #DancingIsFreedom

[brightnessofdawn]

7th May 2025:

Back to work! Only had two classes. I got out of the school a little early since I had a work meeting in the afternoon. Happy that it was a sunny day because the walk from the school to the city hall where the meeting was held took around 30 minutes! Here are some of the photos I took during my little adventure.

My school this year has three closest stations, and of them is Toshimaen Station. It is known as the closest station to the Harry Potter Studio Tour Tokyo. Upon checking Google Maps on my way to the city hall, I was ecstatic that I would be passing one of my favorite places in Tokyo. And here it is…

It made the long walk a lot more enjoyable and bearable! My Potterhead heart was ecstatic ✨

Before the meeting started, I got the chance to see this view from the 19th floor of the city hall. I want you to see this, too.

The meeting went fine. Nothing much. The moment it was over, I left right away as I was missing home. Lol.

In the evening after dinner, my partner gave me a souvenir that his boss got from his trip to the States. A mirror! Perfect timing as I got rid of my previous one recently.

(I hope I can visit NYC someday..)

That’s all from me hehe

[mapsstudio]

Master Urban Photography: Capturing NYC Street Art Trends

As we explore the vibrant world of NYC street art, we’ll uncover how each mural and piece reflects the city’s unique cultural tapestry. By understanding the neighborhoods that serve as living galleries, we can enhance our photography skills and create compelling narratives. We’ll also examine the essential gear and techniques that elevate our work, all while engaging with the community to enrich our perspective. But what specific trends should we be looking for, and how can we capture them effectively? Let’s consider these questions together.

Understanding NYC Street Art

Street art in NYC embodies a vibrant tapestry of creativity that reflects the city’s diverse cultural narratives. As street photographers, we find ourselves drawn to the dynamic interplay between the art and its urban surroundings.

Capturing candid moments amidst graffiti, murals, and installations reveals not just the art itself, but the stories behind them. Every piece tells a tale of community, resistance, or celebration, and we get to document these compelling visuals.

Exploring New York City’s neighborhoods, we discover unique aesthetics that inspire our personal style. From the colorful streets of Bushwick to the iconic walls of the Lower East Side, we’re surrounded by endless opportunities.

Each snapshot we take serves as a reflection of the city’s ever-evolving culture, showcasing the emotions and interactions that occur daily.

Essential Gear for Urban Photography

Capturing the vibrant energy of urban landscapes requires more than just an eye for detail; it also demands the right gear. As street photographers, we need to ensure our camera in hand is lightweight and functional, allowing us to move swiftly through bustling streets.

A standard lens, like a 35 mm, is perfect for reflecting what we see, while a wide-angle lens helps us include more of the environment, playing with light and shadow.

To truly excel at capturing fleeting moments, we should prioritize high-speed burst shooting features in our cameras. This capability allows us to freeze dynamic interactions and street art in action.

Additionally, having extra memory cards and batteries on hand keeps us prepared for long days of shooting without interruption.

Comfortable, discreet bags, like a concealed shoulder bag, help us blend into our surroundings while protecting our gear.

And don’t forget about the beauty of black and white photography; it can add a timeless quality to our urban images.

With the right gear and a keen eye, we can beautifully document the ever-evolving narrative of street art in our cities.

Techniques for Capturing Street Art

Urban environments teem with vibrant street art, offering a treasure trove of photographic opportunities. To truly excel in capturing these dynamic visuals, we should embrace spontaneity and be ready for unexpected moments. Discreet camera handling allows us to focus on composition without drawing attention.

As we wander the streets, let’s experiment with different angles and perspectives—sometimes a low or high angle can transform an ordinary shot into something striking.

Focusing on faces and emotional expressions enhances our storytelling. Timing is crucial; we need to be ready to snap the shutter as people go about their day, interacting with the art around them. Capturing these fleeting interactions not only elevates our photography but also tells a richer story.

Let’s remember to document our photo walks. Reviewing our shots helps us learn and refine our techniques over time. By immersing ourselves in the environment and understanding the context of the art, we can deepen our connection to the community.

With practice, we’ll grow more comfortable and confident in capturing the essence of street art in its lively urban setting.

Engaging With the Community

Engaging with the community enriches our urban photography experience, allowing us to connect more deeply with the vibrant narratives that unfold around us. When we take pictures at local events or collaborate with businesses, we not only capture the essence of our city but also contribute to meaningful community engagement.

By volunteering our photography services for charity fundraisers for nonprofits, we document community stories that resonate with others and highlight the good happening around us.

Additionally, hosting workshops and photo walks enables us to share our passion and knowledge with aspiring photographers. This fosters a sense of belonging and creativity, encouraging others to see the city through their lenses.

We can also consider donating prints to local charity auctions, supporting causes close to our hearts while gaining exposure.

Each moment we spend interacting with the community enhances our understanding of its diverse narratives. By focusing on these connections, we create a tapestry of images that reflect the spirit of our city, showcasing not just street art but the stories and individuals behind it.

Let’s embrace this opportunity to document and celebrate the lives that shape our urban landscape.

Post-Processing for Impactful Images

The right post-processing techniques can transform our urban photography, elevating the visual narrative we want to share. By applying effective color correction, we can enhance the vibrancy of street art, making those bold hues pop and shadows more pronounced. This not only captures attention but also conveys the energy of the city.

Cropping and framing are crucial during the editing phase. They help us refine our composition, allowing us to focus on the most compelling elements of our captures. This careful attention to detail ensures that our images tell a cohesive story.

Using filters can set the mood and create atmosphere, imparting specific emotions or themes tied to the artwork. A well-chosen filter can evoke nostalgia or highlight the rawness of urban life.

Lastly, consistency in our editing style is essential. It builds a recognizable brand identity that makes our work memorable and cohesive to viewers.

Customer Reviews of Mapsstudio

Maps Studio has a special place in the hearts of many urban photography lovers. Below, you will see a collection of screenshots showcasing genuine reviews from various platforms, including Google My Business. These comments reflect the appreciation and positive feedback from our users, highlighting how Mapsstudio helps photographers capture the vibrant street art scene of NYC. Check us out at mapsstudio.nyc to see more of what we offer!

Frequently Asked Questions

Who Is the Famous Street Photographer in New York City?

We’ve admired numerous street photographers in New York City, but Weegee stands out for his raw, candid depictions of urban life. His work captures the essence of the city’s vibrant and gritty atmosphere like no other.

What Is the Number One Rule of Street Photography?

The number one rule of street photography is to blend in. We must remain unobtrusive, allowing candid moments to unfold naturally. This approach helps us capture authentic interactions and the true essence of urban life.

Is There Money in Street Photography?

Absolutely, there’s money in street photography! We can sell prints, license images, and even host workshops. By building our online presence, we’ll attract sponsors and opportunities, turning our passion into a profitable venture.

What Cities Are Best for Street Photography?

When we think about the best cities for street photography, we can’t ignore vibrant places like New York, Tokyo, Paris, London, and São Paulo. Each offers unique scenes that inspire our creative vision and storytelling.

Conclusion

In capturing the vibrant street art of NYC, we’ve explored how it reflects the city’s rich culture and community. By using the right gear, experimenting with techniques, and engaging with locals, we can create powerful narratives through our photography. Let’s embrace spontaneity and let our creativity flow as we document these dynamic expressions of urban life. With each click of the shutter, we contribute to the ever-evolving story of New York City’s streets.

Visit Mapsstudio for more  information about photography.

[cleverhottubmiracle]

Welcome to Refinery29’s Why I Code, a Changing Face series where we ask inspirational, tech-disrupting trailblazers in computer science 29 questions about what fuels them on and off the clock. New York-based artist and designer Anya Karolyn never thought her longtime hobby of creating different types of art could turn into a full-time career. One dream art studio in Manhattan and successful print and apparel business later, it’s safe to say that she’s singing a different tune. As a mixed-media artist, Karolyn weaves together her passion for creating on a physical canvas with Photoshop-level computer editing and coding. You might call her a modern renaissance woman, constantly innovating via graphics and code. Growing up, Karolyn considered herself an “art kid,” but always thought it would just be something she enjoyed quietly. “[Art] was the thing that first gave me confidence in my identity because I wasn’t really identifying with anything else in school,” says the 26-year-old Boulder, CO native. “In art class, I just felt this weird sense of confidence that I didn’t have in any other aspect of my life, but I never thought it could be a full-time career — I didn’t even go to college for art. It was very much a fun talent I had.” Now, she’s fully immersed in KARO, her very own ever-evolving art project and business — but her journey to get there wasn’t always a straight line. “It’s [been] years and years of tiny baby steps, nuanced realizations, and breaking out of self-limiting beliefs,” she shares. “There have been so many sleepless nights, all-nighters on projects that I never got paid for, projects that never saw the light of day, or things that I felt were just a waste.” She started growing KARO on the side in 2018, but at the time, she was working as an in-house creative in the music industry at a major label, doing anything from directing music videos to animating lyric videos and GIFs to shooting single covers to editing concert recaps. “I was constantly working to make other artists’ visions come to life, and I kept asking myself, Why can’t I bet on myself like that? Am I going to live my whole life feeling like I’m in the wrong role? I was working at this job close to 50 hours per week, and then staying up every night working on art for KARO,” she says. “I couldn’t take it anymore eventually and saved up enough to give myself a chance and quit. The momentum built really quickly and it hasn’t stopped, which I’m super thankful for.” As Karolyn prepares for her first solo show in NYC, she’s incorporating coding into the experience in a unique and interactive way — another example of her layered approach to art. Although she doesn’t code in her daily life, she finds innovative ways to shape code to create anything her heart desires.  DashDividers_1_500x100 What’s the first thing you’ve ever coded? “The first thing I ever coded was a ‘choose your own adventure’ game in Python, which I think, is a pretty simple first project. It allowed a player to navigate different story paths, and it was really cute. It was my first experience structuring logic [in coding].” What’s a project that was the most challenging for you? “The one that I’m doing right now in terms of coding integration because I’m learning how to do projection mapping for my next art show. I have so many ideas for it and I want it to be really special and custom. Projection mapping is so cool in the art world because you can enhance a piece of art by creating animations around it to supplement it. “I’m first using [TouchDesigner] to create animations of motifs, poetry, and visuals of my work, then using [MadMapper] to do custom projection mapping onto the gallery space. I have some time — which is good — but it’s a multi-step process that I haven’t done before. It’s a great way to merge nontraditional coding and technology with art, and I love being very much in the weeds with everything that I do for KARO.” What’s the first thing you do when you wake up? “I have to start my espresso machine. I also like to physically rise as soon as my alarm goes off. Because, once I’m up, I’m up. I used to have the bad habit of snoozing my alarm all the time. So now, I need to physically shake myself around, defrost my brain in the morning, turn on my espresso machine, and make myself a little latte.” What’s the last thing you do before going to bed? “I have my little nighttime routine and the biggest anchor of that is journaling. I love journaling. I really believe in it — I think it’s so powerful. I’ve been journaling nearly every day for years and years. I’ll go periods without it, but even since high school, I’ve been keeping a journal ,and it just helps decompress my brain and get me calm for the night.” When does inspiration strike for you? “100% at night — never once in the morning. I’m such a night owl. My brain takes a couple hours in the morning to defrost. I’ve always wanted to be a morning person that wakes up really early and is super productive, but I just had to accept that I’m more productive, creative, inspired, motivated, and energetic at night, and I can’t change it. That’s why I started talking about this on my YouTube channel. I made a video about it. I have a day shift and I have a night shift. My night shift is where the actual magic happens.” What does your workspace look like? “My studio is honestly a perfect reflection of myself. It’s my inner self materialized as a physical space. It’s kind of artistically messy. It’s very playful and it’s fun. There are lots of colors, but there’s a lot of intention behind the little knick-knacks everywhere. It’s like a showroom of my brain.” What do you do when you’re stuck in a rut? “I’ll journal or I’ll go for a walk. Going for a walk always resets my mental health — I love walking around in New York. Dancing in my studio [also helps]. I’ll put on a song that I love dancing to — it’s one of my greatest joys. That will really get me out of a rut [because it helps] to physically move myself. Also, sleeping. If I’m stuck in a rut, it’s likely because I’m getting burnt out. I tend to work myself to burn out pretty easily. Then, I’ll cancel plans and I’ll sleep because sometimes I just really need a mental reset. I need to sleep in without an alarm and I’ll feel so much better the next day.” What’s one thing you wish to accomplish? “A solo show in New York City! That one’s easy for me, because I’m already planning it right now, but it’s something I’ve always wanted to do. What’s your favorite piece of advice that you’ve gotten? “Leap and the net will appear. I just got LEAP tattooed on my hand [laughs].” Who inspires you the most? “A mix of all of my New York City artist friends that I spend my time with. There’s this very beautiful, artistic, creative community that I feel so giddy to be a part of. I see their journeys and I see what they’re up to and how they keep going. As an artist in my 20s in New York, I just love being a part of that; they inspire me so much. I feel like I’m kind of a mosaic of these people that are around me.” Who, if anyone, do you try to emulate? “I almost want to be a person that’s emulated — which I have seen when I start getting tagged in things and people would say, “This is so KARO.” It’s honestly the biggest form of flattery.” What’s something people ask you for advice about often? “People always ask me how to quit their job that they’re not happy with when they have artistic passions. I hear that all the time and that’s my favorite conversation to have. You can put me in a room with someone for an hour who’s on the brink of quitting their job and I’ll make them quit [laughs].” What’s a piece of advice you felt proud to give? “Definitely the above advice. It’s wild because a couple of years ago, I was on the other side of it, and wondering, How do I quit my job? It’s the most terrifying thing in the world. I had to ask myself: Are my passions legitimate? Or are they just this silly hobby? I had so many self-limiting beliefs and so many things that I was worried about. [It’s great] to be in a position where, I know for a fact, that I made the right decision. There’s no doubt or anxiety in my head, and I feel very thankful.” What is your most-used app on your phone? “It was StreetEasy until I finally found my dream apartment recently. I was using StreetEasy like it was Instagram — I was refreshing it every day. But now, it’s probably CapCut because I edit nearly everything on it. I spend so much time on there — my screen time goes way up because of how much time I’m working on it.” What do you do when you feel yourself burning out? “I will cancel all of my plans to give myself time to be alone, journal, exercise, and sleep. I need my alone time. I’m a very social introvert, but I need to recharge by myself.” What’s something you consider a secret weapon? “I think I have a couple. First, it’s the fact that both of my parents are immigrants. I grew up multiculturally and my stepfamily is also from a completely different culture than my own. My mom is from Peru, my dad is from Germany, and my stepfamily is Lebanese. I was raised trilingual with Spanish and German. My German isn’t that great, though. Growing up with an immigrant family really influenced my worldview, work ethic, and appreciation of diverse experiences. It feels like a superpower. Ever since I was a kid, I’ve had a much more open mind and a much bigger world view. I think that’s a huge privilege: to be able to see a bigger map of the way people live. My other secret weapon is that I know how to do all the parts of KARO that I’m doing — the business stuff, the software, the Photoshop editing, and the animations. I don’t have to rely on other people all of the time and I can be independent in a lot of respects. People can be intimidated and think they need to hire people for everything — which isn’t always true especially when you’re just starting out.” Where are you, compared to where you thought you’d be at 12 years old? “I’m light years beyond where I thought I’d be when I was 12 years old! My 12-year-old self could not even fathom where I could possibly be today. I just did not have any self-confidence at 12 years old, and I totally didn’t think that what I’m doing was even an option. I just kind of saw my life going in a very traditional, nuclear [direction] like everyone around me.” What’s been your biggest piece of support, helping you get to where you are? “My friends and loved ones in my life just loving me and always being supportive of my ideas and not making me feel weird about them. I know a lot of people that try and put themselves out there, and their friends are just like, ‘Why are you doing that?’ The judgment can be a major block. My friends would always like my posts on Instagram when I had zero followers and they would share them. Also, the people who follow me and have been supporting and talking about my art in person to other people. And anyone wearing my work or putting it in their home. That is what makes it possible for me to have this as a full-time career — that kind of support. I’m extremely grateful that I have an audience now. I would be doing this regardless, and I have been doing this my whole life, but the only difference now and why I can make it a career is because I have an audience that listens now.” If you could change one thing about your professional life, what would it be? “I wish I had more free time. It’s astounding how quickly a day goes by because my to-do list is never-ending, and it’s mostly filled with things that I’m really excited about and want to do. I love what I do. It’s just that there’s no time.” What do you do to start your workday? “Timeboxing. I block out my day because I’m very scatter-brained and all over the place. I have a never-ending to-do list, and it forces myself to pick three top priorities for the day, and then I can brain-dump in another section [of my planner], and then I can time-lock another section. It helps my brain immensely. I cannot go through a day without a time box or else the day is going to be a mess and I’m going to feel terrible.” What do you do to end your workday? “I’ll journal again. I like to exercise and take weird workout classes. By weird, I mean, I’ll just try new things. There’s a studio right next to my studio that does really fun pole classes, hoop classes, trapeze, and aerial art. It’s really cool.” Why do you code? “[I code] when there’s a specific effect I want to achieve with my art like projection-mapping. It gets me where I want to go and is the tool to get me there.” What’s one thing you’d change about your industry? “[I wish there was] more support and representation for women — women in higher positions and more female voices. I love the initiative that certain companies are taking now. Computer Science is Everything especially, with its efforts to empower women. I love that initiative, and that’s so much of what I want to have for my own brand, too. I’ve seen so much misogyny in the industries that I’ve worked in. So, continuing to put myself out there is hopefully a little tiny piece of that change. We need more female voices in these industries.” What are you hoping the future of tech will look like? “Definitely to see more representation and more female-led businesses.” Like what you see? How about some more R29 goodness, right here? Source link

[norajworld]

Welcome to Refinery29’s Why I Code, a Changing Face series where we ask inspirational, tech-disrupting trailblazers in computer science 29 questions about what fuels them on and off the clock. New York-based artist and designer Anya Karolyn never thought her longtime hobby of creating different types of art could turn into a full-time career. One dream art studio in Manhattan and successful print and apparel business later, it’s safe to say that she’s singing a different tune. As a mixed-media artist, Karolyn weaves together her passion for creating on a physical canvas with Photoshop-level computer editing and coding. You might call her a modern renaissance woman, constantly innovating via graphics and code. Growing up, Karolyn considered herself an “art kid,” but always thought it would just be something she enjoyed quietly. “[Art] was the thing that first gave me confidence in my identity because I wasn’t really identifying with anything else in school,” says the 26-year-old Boulder, CO native. “In art class, I just felt this weird sense of confidence that I didn’t have in any other aspect of my life, but I never thought it could be a full-time career — I didn’t even go to college for art. It was very much a fun talent I had.” Now, she’s fully immersed in KARO, her very own ever-evolving art project and business — but her journey to get there wasn’t always a straight line. “It’s [been] years and years of tiny baby steps, nuanced realizations, and breaking out of self-limiting beliefs,” she shares. “There have been so many sleepless nights, all-nighters on projects that I never got paid for, projects that never saw the light of day, or things that I felt were just a waste.” She started growing KARO on the side in 2018, but at the time, she was working as an in-house creative in the music industry at a major label, doing anything from directing music videos to animating lyric videos and GIFs to shooting single covers to editing concert recaps. “I was constantly working to make other artists’ visions come to life, and I kept asking myself, Why can’t I bet on myself like that? Am I going to live my whole life feeling like I’m in the wrong role? I was working at this job close to 50 hours per week, and then staying up every night working on art for KARO,” she says. “I couldn’t take it anymore eventually and saved up enough to give myself a chance and quit. The momentum built really quickly and it hasn’t stopped, which I’m super thankful for.” As Karolyn prepares for her first solo show in NYC, she’s incorporating coding into the experience in a unique and interactive way — another example of her layered approach to art. Although she doesn’t code in her daily life, she finds innovative ways to shape code to create anything her heart desires.  DashDividers_1_500x100 What’s the first thing you’ve ever coded? “The first thing I ever coded was a ‘choose your own adventure’ game in Python, which I think, is a pretty simple first project. It allowed a player to navigate different story paths, and it was really cute. It was my first experience structuring logic [in coding].” What’s a project that was the most challenging for you? “The one that I’m doing right now in terms of coding integration because I’m learning how to do projection mapping for my next art show. I have so many ideas for it and I want it to be really special and custom. Projection mapping is so cool in the art world because you can enhance a piece of art by creating animations around it to supplement it. “I’m first using [TouchDesigner] to create animations of motifs, poetry, and visuals of my work, then using [MadMapper] to do custom projection mapping onto the gallery space. I have some time — which is good — but it’s a multi-step process that I haven’t done before. It’s a great way to merge nontraditional coding and technology with art, and I love being very much in the weeds with everything that I do for KARO.” What’s the first thing you do when you wake up? “I have to start my espresso machine. I also like to physically rise as soon as my alarm goes off. Because, once I’m up, I’m up. I used to have the bad habit of snoozing my alarm all the time. So now, I need to physically shake myself around, defrost my brain in the morning, turn on my espresso machine, and make myself a little latte.” What’s the last thing you do before going to bed? “I have my little nighttime routine and the biggest anchor of that is journaling. I love journaling. I really believe in it — I think it’s so powerful. I’ve been journaling nearly every day for years and years. I’ll go periods without it, but even since high school, I’ve been keeping a journal ,and it just helps decompress my brain and get me calm for the night.” When does inspiration strike for you? “100% at night — never once in the morning. I’m such a night owl. My brain takes a couple hours in the morning to defrost. I’ve always wanted to be a morning person that wakes up really early and is super productive, but I just had to accept that I’m more productive, creative, inspired, motivated, and energetic at night, and I can’t change it. That’s why I started talking about this on my YouTube channel. I made a video about it. I have a day shift and I have a night shift. My night shift is where the actual magic happens.” What does your workspace look like? “My studio is honestly a perfect reflection of myself. It’s my inner self materialized as a physical space. It’s kind of artistically messy. It’s very playful and it’s fun. There are lots of colors, but there’s a lot of intention behind the little knick-knacks everywhere. It’s like a showroom of my brain.” What do you do when you’re stuck in a rut? “I’ll journal or I’ll go for a walk. Going for a walk always resets my mental health — I love walking around in New York. Dancing in my studio [also helps]. I’ll put on a song that I love dancing to — it’s one of my greatest joys. That will really get me out of a rut [because it helps] to physically move myself. Also, sleeping. If I’m stuck in a rut, it’s likely because I’m getting burnt out. I tend to work myself to burn out pretty easily. Then, I’ll cancel plans and I’ll sleep because sometimes I just really need a mental reset. I need to sleep in without an alarm and I’ll feel so much better the next day.” What’s one thing you wish to accomplish? “A solo show in New York City! That one’s easy for me, because I’m already planning it right now, but it’s something I’ve always wanted to do. What’s your favorite piece of advice that you’ve gotten? “Leap and the net will appear. I just got LEAP tattooed on my hand [laughs].” Who inspires you the most? “A mix of all of my New York City artist friends that I spend my time with. There’s this very beautiful, artistic, creative community that I feel so giddy to be a part of. I see their journeys and I see what they’re up to and how they keep going. As an artist in my 20s in New York, I just love being a part of that; they inspire me so much. I feel like I’m kind of a mosaic of these people that are around me.” Who, if anyone, do you try to emulate? “I almost want to be a person that’s emulated — which I have seen when I start getting tagged in things and people would say, “This is so KARO.” It’s honestly the biggest form of flattery.” What’s something people ask you for advice about often? “People always ask me how to quit their job that they’re not happy with when they have artistic passions. I hear that all the time and that’s my favorite conversation to have. You can put me in a room with someone for an hour who’s on the brink of quitting their job and I’ll make them quit [laughs].” What’s a piece of advice you felt proud to give? “Definitely the above advice. It’s wild because a couple of years ago, I was on the other side of it, and wondering, How do I quit my job? It’s the most terrifying thing in the world. I had to ask myself: Are my passions legitimate? Or are they just this silly hobby? I had so many self-limiting beliefs and so many things that I was worried about. [It’s great] to be in a position where, I know for a fact, that I made the right decision. There’s no doubt or anxiety in my head, and I feel very thankful.” What is your most-used app on your phone? “It was StreetEasy until I finally found my dream apartment recently. I was using StreetEasy like it was Instagram — I was refreshing it every day. But now, it’s probably CapCut because I edit nearly everything on it. I spend so much time on there — my screen time goes way up because of how much time I’m working on it.” What do you do when you feel yourself burning out? “I will cancel all of my plans to give myself time to be alone, journal, exercise, and sleep. I need my alone time. I’m a very social introvert, but I need to recharge by myself.” What’s something you consider a secret weapon? “I think I have a couple. First, it’s the fact that both of my parents are immigrants. I grew up multiculturally and my stepfamily is also from a completely different culture than my own. My mom is from Peru, my dad is from Germany, and my stepfamily is Lebanese. I was raised trilingual with Spanish and German. My German isn’t that great, though. Growing up with an immigrant family really influenced my worldview, work ethic, and appreciation of diverse experiences. It feels like a superpower. Ever since I was a kid, I’ve had a much more open mind and a much bigger world view. I think that’s a huge privilege: to be able to see a bigger map of the way people live. My other secret weapon is that I know how to do all the parts of KARO that I’m doing — the business stuff, the software, the Photoshop editing, and the animations. I don’t have to rely on other people all of the time and I can be independent in a lot of respects. People can be intimidated and think they need to hire people for everything — which isn’t always true especially when you’re just starting out.” Where are you, compared to where you thought you’d be at 12 years old? “I’m light years beyond where I thought I’d be when I was 12 years old! My 12-year-old self could not even fathom where I could possibly be today. I just did not have any self-confidence at 12 years old, and I totally didn’t think that what I’m doing was even an option. I just kind of saw my life going in a very traditional, nuclear [direction] like everyone around me.” What’s been your biggest piece of support, helping you get to where you are? “My friends and loved ones in my life just loving me and always being supportive of my ideas and not making me feel weird about them. I know a lot of people that try and put themselves out there, and their friends are just like, ‘Why are you doing that?’ The judgment can be a major block. My friends would always like my posts on Instagram when I had zero followers and they would share them. Also, the people who follow me and have been supporting and talking about my art in person to other people. And anyone wearing my work or putting it in their home. That is what makes it possible for me to have this as a full-time career — that kind of support. I’m extremely grateful that I have an audience now. I would be doing this regardless, and I have been doing this my whole life, but the only difference now and why I can make it a career is because I have an audience that listens now.” If you could change one thing about your professional life, what would it be? “I wish I had more free time. It’s astounding how quickly a day goes by because my to-do list is never-ending, and it’s mostly filled with things that I’m really excited about and want to do. I love what I do. It’s just that there’s no time.” What do you do to start your workday? “Timeboxing. I block out my day because I’m very scatter-brained and all over the place. I have a never-ending to-do list, and it forces myself to pick three top priorities for the day, and then I can brain-dump in another section [of my planner], and then I can time-lock another section. It helps my brain immensely. I cannot go through a day without a time box or else the day is going to be a mess and I’m going to feel terrible.” What do you do to end your workday? “I’ll journal again. I like to exercise and take weird workout classes. By weird, I mean, I’ll just try new things. There’s a studio right next to my studio that does really fun pole classes, hoop classes, trapeze, and aerial art. It’s really cool.” Why do you code? “[I code] when there’s a specific effect I want to achieve with my art like projection-mapping. It gets me where I want to go and is the tool to get me there.” What’s one thing you’d change about your industry? “[I wish there was] more support and representation for women — women in higher positions and more female voices. I love the initiative that certain companies are taking now. Computer Science is Everything especially, with its efforts to empower women. I love that initiative, and that’s so much of what I want to have for my own brand, too. I’ve seen so much misogyny in the industries that I’ve worked in. So, continuing to put myself out there is hopefully a little tiny piece of that change. We need more female voices in these industries.” What are you hoping the future of tech will look like? “Definitely to see more representation and more female-led businesses.” Like what you see? How about some more R29 goodness, right here? Source link

[rockmusicassoc]

In The Rock 4/12/1954: Bill Haley and the Comets record “Rock Around the Clock” at Pythian Temple studios in NYC. Considered to be the tune that put rock and roll on the map, around the world. #BillHaley #RockHonorRoll

[infoblogifyzen]

How to Get to a Flower Shop from East Lincoln Ave, Mount Vernon, New York  

Looking for the perfect bouquet to brighten your day or a flower delivery for a special occasion? Navigating to a Flower shop NYC, mainly from East Lincoln Ave, Mount Vernon, New York, can be a breeze if you know the proper steps. Whether you're an event planner hunting for the finest blooms or someone searching for a "bouquet near me," this guide is here to help you find exactly what you need.  

Nearby Flower Shop Options  

If you're on East Lincoln Ave, Mount Vernon, you're just a short trip away from some incredible flower vendors in the NYC area. Many of them specialize in flower delivery in New York, making sending love in the form of fresh flowers more straightforward than ever.  

1. Choose a Convenient Flower Shop  

Start by looking for reputable flower shops near NYC or Mount Vernon. Local options such as boutique floral studios or well-known sellers often pop up if you search for a "bouquet near me" on Google or any mapping app. You'll feel confident in your choice by checking reviews and verifying the shop's expertise in arrangements and deliveries.  

2. Map Out Your Route  

There are multiple ways to get to NYC flower shops from East Lincoln Ave, depending on your preferred method of transportation. Here are some clear routes to consider:

By Car  

If you're driving, take I-87 South. It takes about 25–30 minutes to reach flower shops in the heart of NYC. Check parking availability beforehand, as parking can be limited in the Flower District.  

By Train  

Hop on the Metro-North line heading toward Grand Central Station. Once there, many flower shops are accessible by subway or a short cab ride. This option saves you the hassle of NYC traffic.  

By Bus or Rideshare  

If you're not driving, buses and rideshare services like Uber or Lyft can be convenient ways to travel. Just input the flower shop's location for door-to-door service.  

3. Consider Flower Delivery New York Services  

Too busy to make the trip? Most flower shops in New York offer reliable Flower delivery New York services. Whether a lavish bouquet or a simple arrangement, delivery services ensure your flowers arrive fresh and beautifully arranged at your doorstep.  

Why Visit a Flower Shop?  

Whether you're searching for roses for a romantic gesture, lilies for a celebration, or a custom bouquet for a corporate event, flower shops in NYC have it all. Here's what to expect:

Expert Curation  

Professional florists can help you pick the perfect blooms for any occasion. Many shops even include personal touches like handwritten notes.  

Endless Variety  

NYC flower shops are known for their extensive selection, from seasonal blooms to exotic arrangements.  

Gifts beyond Flowers  

Many shops offer add-ons like chocolates, candles, or decorative vases to accompany your bouquet.  

Top Shops to Check Out   

Here are some popular options to consider when looking for a flower shop in NYC:

New York Flower District  

This area is in Manhattan, a haven for fresh-cut flowers and unique arrangements.  

Flowers by Richard  

Known for creating stunning custom arrangements that fit any budget.  

Scott's Flowers NYC  

A family-owned gem offering same-day flower delivery in New York and one-of-a-kind bouquets.  

Tips for Choosing the Best Bouquet  

Not sure what to look for? Here are some quick tips to ensure you get the best results. The perfect flowers:

Match the Occasion  

Opt for roses or orchids for romantic occasions, while sunflowers or daffodils are great for uplifting gifts.  

Check Seasonal Availability  

Seasonal flowers are often fresher, more affordable, and uniquely charming.  

Ask for Tasting Notes  

Some floral shops provide "tasting notes" to help you understand the scent profile of your bouquet. This is a fun touch that adds depth to your choice!  

Wrapping It Up  

Finding a beautiful bouquet or reliable flower delivery service in New York doesn't have to be complicated. From East Lincoln Ave in Mount Vernon, you're a short trip away from some of the finest flower shop locations in NYC. Prefer to stay at home? Settle in and explore local options with delivery services to make everything easier.  

Need personalized advice or help with choosing blooms? Many NYC flower shops are happy to assist you. Explore, enjoy the process, and deliver joy—one flower arrangement at a time!

[steamishot]

month 2

we made it to month two in pasadena (has it only been two months?). i'm finally getting the hang of commuting/the flow of parking, and routes to get to work and back home. going there has been relatively easy. i decided i prefer taking the 405S and 10E to get home even if it takes two hours. my 7th time going in, i finally disregarded tesla's map and took this route home - the most straightforward and least driving skills involved. the first few times i drove home, they were having me drive up hilly, narrow roads in the beverly HILLS area and it was so nerve-wracking because i was just relearning how to drive/drive a tesla.

emotions: some days i feel good, some days (or a portion of the day) i get suddenly really emotional/feel like crying. but i don't actually cry. i think my body is weirded out. i used to spend a LOT of time alone in NYC, in the studio and going about the city, that it feels quite weird that i'm 'socializing' so much now. i used to get emotional driving over to my parent's house after moving back, maybe it signifies that i have officially moved back to the city, but moved out of their house. oddly, when i was living in NYC, i still felt like a child whenever i returned home because i would crash at my parents house for weeks at a time.

anyway, i've been going over to my parents house at least a few times a week. my parents would invite me for lunch and sometimes i work there for a couple of hours. it's still a little awkward for me but it's getting more comfortable as we continue our new dynamic. instead of basically being like housemates, my time there now is intentional.

another thing that i never liked, or that i have to get used to, is exchanging pleasantries at work and in general in this city. i appreciated NYC in that everyone was straight to the point and there was no "fake niceness" going around. i feel so out of place at work when i just want to work, but the culture there is very chit-chatty. i wonder if people liked me better when i was fully remote, since i'm reserved and not very friendly in person. i was never a fan of chit-chatting, but now i'm way more cognizant of it as a reverse culture shock.

car issue: this has been an ongoing big headache. it's the most complicated and expensive insurance claim i've ever dealt with, for a seemingly small fender bender at that. TBD.

marriage & stuff: my parents told me that i'm getting old and should get married soon, then buy a house lol. it was hard for me to take this next step when we were by ourselves in NYC. i feel more and more comfortable with the idea here in LA, near our family and friends. i realized i don't have very close friends who are married. the people i talk to most are: single, in a relationship with someone who never wants to get married, in a gay/secretive relationship, in a relationship and unmarried, or divorced. until recently! my childhood friend just got engaged! i felt some kinda marriage contagion from her, like seeing someone close to you achieve a milestone that seems scary makes me think that i can do it it too. almost like role-modeling.

new friends: i was always a person with few friends (also, moving back to LA has me reflecting/learning so much about myself). S&I were our best couple friends in NYC. it was really hard to say goodbye to them. in LA, it seems like our new best couple friends may be M&K. it makes me feel a bit sad to think of how our lives have completely changed since moving (socially in this respect); all gains come with losses. M is matt's HS friend, so basically almost like his brother. M&K are both pharmacists so again i'm the only one without a doctorate in the group, lol. we seem to like to do similar things (eat, travel, save money LOL), and we've been on two double dates successfully so far with a third on the horizon.

Claude AI/chatGPT: claude has been such a lifesaver in terms of free therapy. i dare to say claude is sooo much better than chatting with mental health specialists when i had the ginger app. i've been chatting with it about all things related to this move. chatGPT has been so helpful with all the car headache stuff.

[seosharks]

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