#maps studio nyc

[mapsstudio]

Master Urban Photography: Capturing NYC Street Art Trends

As we explore the vibrant world of NYC street art, we’ll uncover how each mural and piece reflects the city’s unique cultural tapestry. By understanding the neighborhoods that serve as living galleries, we can enhance our photography skills and create compelling narratives. We’ll also examine the essential gear and techniques that elevate our work, all while engaging with the community to enrich our perspective. But what specific trends should we be looking for, and how can we capture them effectively? Let’s consider these questions together.

Understanding NYC Street Art

Street art in NYC embodies a vibrant tapestry of creativity that reflects the city’s diverse cultural narratives. As street photographers, we find ourselves drawn to the dynamic interplay between the art and its urban surroundings.

Capturing candid moments amidst graffiti, murals, and installations reveals not just the art itself, but the stories behind them. Every piece tells a tale of community, resistance, or celebration, and we get to document these compelling visuals.

Exploring New York City’s neighborhoods, we discover unique aesthetics that inspire our personal style. From the colorful streets of Bushwick to the iconic walls of the Lower East Side, we’re surrounded by endless opportunities.

Each snapshot we take serves as a reflection of the city’s ever-evolving culture, showcasing the emotions and interactions that occur daily.

Essential Gear for Urban Photography

Capturing the vibrant energy of urban landscapes requires more than just an eye for detail; it also demands the right gear. As street photographers, we need to ensure our camera in hand is lightweight and functional, allowing us to move swiftly through bustling streets.

A standard lens, like a 35 mm, is perfect for reflecting what we see, while a wide-angle lens helps us include more of the environment, playing with light and shadow.

To truly excel at capturing fleeting moments, we should prioritize high-speed burst shooting features in our cameras. This capability allows us to freeze dynamic interactions and street art in action.

Additionally, having extra memory cards and batteries on hand keeps us prepared for long days of shooting without interruption.

Comfortable, discreet bags, like a concealed shoulder bag, help us blend into our surroundings while protecting our gear.

And don’t forget about the beauty of black and white photography; it can add a timeless quality to our urban images.

With the right gear and a keen eye, we can beautifully document the ever-evolving narrative of street art in our cities.

Techniques for Capturing Street Art

Urban environments teem with vibrant street art, offering a treasure trove of photographic opportunities. To truly excel in capturing these dynamic visuals, we should embrace spontaneity and be ready for unexpected moments. Discreet camera handling allows us to focus on composition without drawing attention.

As we wander the streets, let’s experiment with different angles and perspectives—sometimes a low or high angle can transform an ordinary shot into something striking.

Focusing on faces and emotional expressions enhances our storytelling. Timing is crucial; we need to be ready to snap the shutter as people go about their day, interacting with the art around them. Capturing these fleeting interactions not only elevates our photography but also tells a richer story.

Let’s remember to document our photo walks. Reviewing our shots helps us learn and refine our techniques over time. By immersing ourselves in the environment and understanding the context of the art, we can deepen our connection to the community.

With practice, we’ll grow more comfortable and confident in capturing the essence of street art in its lively urban setting.

Engaging With the Community

Engaging with the community enriches our urban photography experience, allowing us to connect more deeply with the vibrant narratives that unfold around us. When we take pictures at local events or collaborate with businesses, we not only capture the essence of our city but also contribute to meaningful community engagement.

By volunteering our photography services for charity fundraisers for nonprofits, we document community stories that resonate with others and highlight the good happening around us.

Additionally, hosting workshops and photo walks enables us to share our passion and knowledge with aspiring photographers. This fosters a sense of belonging and creativity, encouraging others to see the city through their lenses.

We can also consider donating prints to local charity auctions, supporting causes close to our hearts while gaining exposure.

Each moment we spend interacting with the community enhances our understanding of its diverse narratives. By focusing on these connections, we create a tapestry of images that reflect the spirit of our city, showcasing not just street art but the stories and individuals behind it.

Let’s embrace this opportunity to document and celebrate the lives that shape our urban landscape.

Post-Processing for Impactful Images

The right post-processing techniques can transform our urban photography, elevating the visual narrative we want to share. By applying effective color correction, we can enhance the vibrancy of street art, making those bold hues pop and shadows more pronounced. This not only captures attention but also conveys the energy of the city.

Cropping and framing are crucial during the editing phase. They help us refine our composition, allowing us to focus on the most compelling elements of our captures. This careful attention to detail ensures that our images tell a cohesive story.

Using filters can set the mood and create atmosphere, imparting specific emotions or themes tied to the artwork. A well-chosen filter can evoke nostalgia or highlight the rawness of urban life.

Lastly, consistency in our editing style is essential. It builds a recognizable brand identity that makes our work memorable and cohesive to viewers.

Customer Reviews of Mapsstudio

Maps Studio has a special place in the hearts of many urban photography lovers. Below, you will see a collection of screenshots showcasing genuine reviews from various platforms, including Google My Business. These comments reflect the appreciation and positive feedback from our users, highlighting how Mapsstudio helps photographers capture the vibrant street art scene of NYC. Check us out at mapsstudio.nyc to see more of what we offer!

Frequently Asked Questions

Who Is the Famous Street Photographer in New York City?

We’ve admired numerous street photographers in New York City, but Weegee stands out for his raw, candid depictions of urban life. His work captures the essence of the city’s vibrant and gritty atmosphere like no other.

What Is the Number One Rule of Street Photography?

The number one rule of street photography is to blend in. We must remain unobtrusive, allowing candid moments to unfold naturally. This approach helps us capture authentic interactions and the true essence of urban life.

Is There Money in Street Photography?

Absolutely, there’s money in street photography! We can sell prints, license images, and even host workshops. By building our online presence, we’ll attract sponsors and opportunities, turning our passion into a profitable venture.

What Cities Are Best for Street Photography?

When we think about the best cities for street photography, we can’t ignore vibrant places like New York, Tokyo, Paris, London, and São Paulo. Each offers unique scenes that inspire our creative vision and storytelling.

Conclusion

In capturing the vibrant street art of NYC, we’ve explored how it reflects the city’s rich culture and community. By using the right gear, experimenting with techniques, and engaging with locals, we can create powerful narratives through our photography. Let’s embrace spontaneity and let our creativity flow as we document these dynamic expressions of urban life. With each click of the shutter, we contribute to the ever-evolving story of New York City’s streets.

Visit Mapsstudio for more  information about photography.

[ryanseslow]

How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners

Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.

Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.

Here is another variation with a different character.. What do you think? Shall I make more?

[doomandgloomfromthetomb]

The B-52's - Roseland, New York City, April 19, 1982

I was in NYC for a couple of days earlier this month and though time was limited, I did of course find a minute to visit a local record store — Academy Records on W. 18th St. Digging through the $5 bin, I found a nice copy of the B-52's' David Byrne-produced Mesopotamia mini-album, which I've always loved, but have never had on vinyl before. A no-brainer! As I checked out, I noticed that Mesopotamia had been recorded at Bob Blank's Blank Tape Studio, and some quick Google mapping revealed that I was just moments away from where that studio used to be on 37 W. 20th St. A legendary spot, as a footnote in Jesse Rifkin's great This Must Be The Place details:

"[T]he studio's discography includes Television's seminal punk single "Little Johnny Jewel"; disco hits by Musique, Class Action, Crown Heights Affair, and Inner Life; groundbreaking remixes by deejays like Larry Levan, Francois Kervorkian, and Tee Scott; and no-wave/mutant disco albums by the likes of James Chance, Lydia Lunch, Lizzy Mercier Descloux, and DNA. It was the favored studio of genre-bending auteur Arthur Russell, and classic albums by Talking Heads (Speaking In Tongues), the Gun Club (Miami), Joe Bataan (Mestizo), Ashford & Simpson (Solid), the B-52's (Mesopotamia), Miami Sound Machine (Eyes of Innocence) and Sun Ra (Lanquidity) were all tracked there."

All that and Madonna's first single, too! New York City is like this, of course — a neverending web of connections, a labyrinth of layers upon layers upon layers. You could spend your life walking down its streets, discovering the strange stories behind every building's facade. I could never hack it there full-time, but god bless the people who can!

Anyway — the B-52's! What a wonderful band. Here they are at Roseland (239 W. 52nd St.) right around the time that Mesopotamia came out. A killer SBD tape, featuring an expanded lineup: Dave Buck and Ralph Carney on horns. We get a bunch of the new mini-album, plus plenty of stuff from their already stuffed back catalogue. As with any B-52's tape, I'm sure it's not as good as being there in person, but it's still one heck of a party. Nip it in the bud!

(Oh and hey — this old Pitchfork column of mine has more live jams if you need to further celebrate the miracle of the B-52's.)

[pennylambchops]

lynxes intro ^_^!!

HIIIHIHII!!! im lynx!! you can also call me avianna or avi (my irl name), but nearly everyone just calls me lynx. i use she/her, im a lesbian and minor whos supersupersuper hyperfixated on ride the cyclone currently!! i have heavily suspected (by parents, friends, ectect..) adhd and autism, but im unable to get a proper diagnosis currently. my all time favorite characters are jane doe (ride the cyclone) and penny lamb (legoland), i absolutely ADORE them hence the username

FUN LITTLE FACTS YEAHHH

i own 11 pets (three cats, bearded dragon, africian fat tailed gecko, pitbull, red footed tortise, two corn snakes, ball python, fluffy tarantula)!!

ive lived in florida my whooole life and havent been out once..(get me out)

i do school completely online

ive seen theatre south playhouse live 3 times!!

im putero rican and american

i have an AMAZING girlfriend nikky mwa mwa i love you sm nikky ☹️☹️

FAVORITE..

musicals: RIDE THE CYCLONE!! i also really like falsettos, heathers and hamiltion

plays: legoland

games: mouthwashing

movies: but im a cheerleader

shows: the good place, edge of sleep and stranger things

artists/bands: emily rohm, the crane wives, and chappell roan

people: nikky (MY BEAUTIFUL GIRLFRIEND MWA), apollo (online brother…eugh..JUST KIDDING!!! hahahahahaguvgle), child, bri, cody and all my other friends (a, c ect!) <3

animals: cats, shoebill storks, manatees, lynxes, budgies, africian painted dogs, and dolphins

ride the cyclone productions: theatre south playhouse and station theatre have my heart by far, but i also really love the original productions, 2015 chicago, 2016 nyc with tiffany tatreua, majestic rep, and inner voice studio

DNI

basic dni stuff (racists, transphobes, homophobes, MAPS you get the deal)

kholby

miles/flop queen monique supporters

anti-furries

zionists

people who completely deny legolands existence?? 😭

penny lamb/jane doe dislikers

IDONT KNWOI :(

OTHER SOCIALS

tiktok (@/pennylambcoded)

youtube (@/funkylyynx)

instagram (@/pennylambchops)

pinterest (@/pennylambcoded)

pronouns page

@funkylynx • Pronouns.page

[heroesriseandfall]

For nerds like me I think they just put Donna’s apartment in the Hudson. 👍

Tales of the Titans (2023) #3

Donna Troy: 2400 W. 70th St. #1512, New York, NY 10230

There’s no 2400 W 70th or zip code 10230, obviously, and since the highest numbers on that street lead toward the Hudson, she’s definitely in the fictional apartment that is totally not in the Hudson. Here’s where the street ends:

Some residences I can remember from NTT to give this new fake location some company:

The original Titans Tower was in the East River. I could cite specific comics but, it’s just all of NTT. The current Titans Tower as of Titans (2023) is in Bl��dhaven.

There is this map of NYC from the DC / Mayfair Games “Atlas of the DC Universe” (1990):

The second Teen Titans HQ (before Titans Tower) was in Farmingdale, Long Island (Who’s Who: The Definitive Directory of the DC Universe v1 #23).

After the third team of Titans got together, Vic had an apartment on 11th Avenue and 44th street (New Teen Titans v1 #8)

Donna & Kory’s shared apartment was in the East 80s (New Teen Titans v1 #16).

Gar lived in the Dayton Estate in East Hampton (Tales of the Teen Titans #50). This is where Donna had her wedding to Terry (love the wedding issue, hate the guy).

As of NTTv2 #12, Joey Wilson lived in New Hyde Park with his mom, Dick lived in Central Park West (also his apartment was canonically haunted), and Kory lived in Greenwich Village, on 8th street off Mercer.

After coming home from several months in space, Kory got a SoHo apartment where Dick moved in with her not long after (New Teen Titans v2 #32, #39; Who’s Who Update 1988 #2). Dick moved back into his old apartment after Jason died (New Titans #57).

Raven got her first apartment which was a studio above a theater on Broadway (New Teen Titans v2 #35). Before that she had just lived in the Tower since joining the team.

The base for the Outsiders team Roy and Dick founded after Donna died was in Brooklyn (Outsiders (2003) #1).

There are definitely more references to locations elsewhere but these are the ones I already have in my notes, just to remember where she is in relation to where they’ve all been before. ❤️

[ahiddenpath]

Otakon 2023

Lil ramblin' about the con beneath the cut! But above the cut, my spoils!

I haven't been to a con since NYC Comicon in 2015, so this was a ride!

Amazing Stuff:

-Meeting @citrus-cactus at the Digimon redubbed movies screening! It was so amazing to meet her after being in the same online community for... Like... God, who even knows, like ten years?!?!?! And she is so lovely!

-THE DIGIMON REDUBBED MOVIES SCREENING!!! More on that here!

-My haul above! A sweet lil Kou-chan figure and a Luna plush from the dealer's room and an artbook from Shouri and a Sonic keychain from the artist's alley!

Not my fave stuff and neutral observations:

For reference, I went to Otakon all three days from roughly age 14 straight through college?? Well, in college it would have been Sat/Sun only. After that, I guess I didn't go that often, but any comparisons I make are to that time period (roughly 2003-2011 ish).

The DC convention center as a venue:

-The convention center was easy to get to from the Metro!

-The building was much bigger and better able to handle the crowd than the Baltimore Convention Center.

-There was. NO SIGNAGE. WHATSOEVER. For ANYTHING. Absolutely horrendous. What there WERE were volunteers/employees who bellowed directly into your face to... Do the things you were already doing. Or to... Walk the other way around the pillar. Because the other side leads into the faerie realm or some shit, idek.

-The guide books used to have maps, schedules, opening and closure times, etc. There was a map in this guidebook, but the opening and closing times for different parts of the cons and the event schedule were not printed. Meaning I had to use my phone to know, for example, when and where the Digimon screening event was... And there was poor reception the dealer's room in the lowest level.

Although the event schedule site couldn't load, I was blessed that some of Citrus' discord messages were getting through. She alerted me that the screening room was filling up and told me the room number (bless!!!! Thank!!!).

The con compared to ones I remember:

-I was shocked that there was a digimon panel and two separate Digimon screenings in one day? And the Digimon movie redub screening event was full to capacity- I missed the first film because I was next in line at the shut door D: So, like, Digimon is alive, and I saw two Daisuke cosplays, a Ken cosplay, and someone with a Patamon plush attached to their baseball cap. Patahat! There wasn't much merch. Citrus spotted the main place offering digimerch and sent me there (I got the Kou figure there). She also saw the lone Digimon fanart in Artist's Alley, and we found someone who made baby stage plushes. Another dealer's room place had some vintage plushies of the digimon that looked... like they had been through... some stuff.

Basically, Digimon seems to still be very much alive in terms of audience interest, but not so much the merch and fan art. I don't know what to make of that.

-The con seemed a lot less lively than the ones I remember. I only saw a few interesting cosplays (like the kind where you go, how did they even do that?!). My husband pointed out that the hall is far larger, however, and that the cosplay folks have tons of photo studio rooms to go to. They were likely there.

-The extra space was deeply appreciated (compared to what I'm used to from the Baltimore days), but... Okay, so the Dealer's Room provided empty space. Every aisle had an end area to "pull over in," whether it's for a water or food break, a photo op, or to wait for your bud to make a purchase.

PEOPLE STILL STOPPED DEAD DIRECTLY IN THE MAIN THROUGHWAY. WHY. WOULD YOU DO THAT. PLEASE I AM BEGGING-

My husband says I'm dreaming if I think the provided empty space will stop people from doing that, lol!

-DEMON SLAYER. EVERYTHING IS DEMON SLAYER. THERE IS NOTHING BUT DEMON SLAYER. Look, I enjoy Demon Slayer too, but good gracious, it's clearly the Naruto of the 2020s in terms of popularity.

-I learned who Rem is. Good God there were a lot of Rem figures.

-Looking at my purchases, I bought for three "classic" IPs and supported an artist I've followed for a long time. No new stuff. And I'd say the merch overall was about half "vintage" stuff and half newer stuff. Lots of Sailor Moon, DBZ, Pokemon, etc.

General Con Hardships:

-So a friend suggested to me recently that I might have sensory issues. I balked, because jfc have you seen my list of issues, please don't suggest another, I beg, I am full up, can I have some less sir.

Uh basically she mentioned how much she used to love going to the movies and I said, "I don't go anymore, I can't understand the voice audio." And she was like- Okay so it's true that some movies don't mix sound properly and can't be understood well, but if it's all movies... Um, babe, I think that's an auditory processing issue.

She suggested I get ear plugs, and god DAMN I wish I had them at the con.

Riding in the metro in tunnels? The whoosing and clanking hurt. Volunteers absolutely bellowing in your face at the con? Look, I guess it's their job, but please I am going to cry if you scream in my face like that. People playing music at the loudest volume in the dealer's room and hallways? Why, why would you do that. Someone was walking around playing an ocarina on the way to the dealer's room, so I was stuck with her for about 10-15 min, and I genuinely wanted to lock the damn thing in her backpack on a timer somehow, lmao. Look, ocarinas are easy enough to get the correct note out of, but they are difficult to control tonally. That high-pitched, harsh PHWEEEE noise clawed at my ears.

Of course, you can't control other people. The best I can do is accommodate myself to suit the place I'm going, which means... The damned ear plugs.

Apparently sensory issues and anxiety go hand-in-hand, as of course people feel stressed if the signals around them aren't being processed in the "typical" way, causing strain.

So... The con was exhausting and just... Difficult. But! I'm really glad I went! And I'll just buy the gd earplugs, here's what was recommended to me.

Also, PS: I found a piece of rare digimon merch that was way out of my budget at a dealer's room stand. But when I came home and looked it up, I found it for 35% less (which, at this price point, was a lot). AND NOW I HAVE AN ABSOLUTE TREASURE ON THE WAY AND I CANNOT WAIT TO SHOW YOU! Also, honestly check the retail on stuff in the dealer's room before you buy, this must be why there's no reception down there-

I am ready to not attend a con until next year! But to also go next year! Maybe I'll meet more of my online pals!!!! :D

[i-am-the-entertainer]

Tick, Tick... Boom! Filming Locations

Some people have too much time on their hands. I am one of those people.

One of the things I love about Tick, Tick... Boom is the obvious affection the filmmakers have for the NYC theater scene, an affection shared with the film's subject Jonathan Larson. To that end, I recently decided to try to identify some of the filming locations in the film.

One thing that was extremely helpful in this process was the "special thanks" list in the film's credits, which names a lot of the orgs that were used in location shooting and from which I was able to make some really good guesswork.

Note that this is mainly for location shoots. Things like the recreated Moondance Diner, which was done on a set, are not included in this.

508 Greenwich Street - Jonathan's apartment

(from MWhiteShelley on Twitter/X) This is probably the most obvious location: Jonathan Larson's actual address. While interiors of the apartment itself were filmed on a set in a soundstage, it is obvious on viewing the film that there was some location shooting at the building, most prominently in "No More" when Jonathan and Michael enter and climb the stairs.

The Underground Theater at Abrons Arts Center - The musical theater workshop scene

(from their website) You'll probably recognize this brutalist theater from the Stephen Sondheim workshop scene (which, according to this video, was one of the last scenes shot) – it also briefly appears a few shots earlier in the scene where Ira Weitzman is observing Jonathan rehearsing. The Abrons Arts Center is located in the Lower East Side and is part of the Henry Street Settlement.

The Strand Bookstore - "30/90" and Sextet

(From an article by The Guardian, photo by Bruce yuanye Bi/Alamy) The Strand is instantly recognizable to New Yorkers, maybe less-so for others unless you've visited as a tourist. It's a giant independent bookstore located two blocks from Union Square. Prominently featured in "30/90" and visited by Jonathan during the "Sextet Montage" where he tries to sell some of his records.

Teatro LATEA at the Clemente - Susan's dance recital

(from their Instagram) This one was a little harder, because obviously it's just a black box theater and how many of those are there in NYC? What clued me in was 1) the Clemente Soto Velez Cultural and Educational Center, where Teatro LATEA is located, is thanked in the credits and 2) those chairs (a little bit more obvious in this photo). I've seen and worked a fair number of shows in that theater, and as soon as I noticed the very distinctive chairs for Susan's dance recital I was able to look more closely at the scene and immediately could map out the layout of Teatro Latea.

The Delacorte Theater - "Why"

Another easily recognizable location for locals, the Delacorte is the amphitheater where Jonathan sneaks in and sings "Why". It doesn't get named in the film but it does in the stage version.

Hunter College's Thomas Hunter Hall Sixth Floor North Dance Studio - The Superbia workshop

(from Facebook) This was, without question, the hardest location to find. In the film it's identified as being in the Theater District, specifically at Playwrights Horizons (an Untapped Cities article about filming locations even claims this, and uh, basically gets everything wrong). However, if you've ever been to the modern Playwrights Horizons, it looks very different, both on the inside and the outside, and while they do have rehearsal spaces in a slightly less-remodeled building on Lafayette Street, none of the spaces there look like that. The reference to Hunter College in the credits narrowed it down, and then it was just a matter of finding photos of the studios (this gallery of recent restoration work shows the different angles that you will recognize from the movie), discovering an architectural plan of some planned renovations in the building, and then looking out the windows of the building and comparing it to Google Maps street view to figure out which side of the building it was on.

...I have waaaaay too much time on my hands.

I do want to point out, Thomas Hunter Hall is actually located on Lexington Avenue between 68th and 69th, quite a few blocks northeast from the Theater District depicted in the film.

New York Theatre Workshop - The framing scenes

(from a New York Theatre Guide article) The real Jonathan Larson's artistic home, where he performed both Rent and the original version of tick, tick... BOOM! thirty years ago. Both the theater's exterior (at the start of "Louder Than Words") and interior (the tick, tick... BOOM! performance scenes) feature prominently in the movie.

Fun fact: when they were shooting the film in March, they originally planned to film the NYTW scenes inside a recreated set because there was a show playing at the theater at the time (though not referenced in the linked video, I happen to know that the show was Endlings by Celine Song, the writer/director of the recent Oscar contender Past Lives) but when filming restarted the theater was available again because of the shutdown.

Any other locations you recognized that I didn't include? Let me know! Currently trying to figure out where Michael's apartment building (Victory Towers) was located – the scene in the car leading to the arrival at teh building makes me think it's somewhere near Central Park, but that footage could also have been filmed separately.

[whatiwillsay]

It's in front of Electric lady studios. They / he are recording. Look at the parking meter number in the photo in DM, in NYC you can get the parking meter locations. No one can see him coming out of her apt and then race to the West Village to get this picture. It's a 30 minute walk and 1.5 mile drive.

Here's the link to the location of the parking meter. Why didn't they go together? Because he wasn't there to begin with and again, she doesn't like him enough for them to travel together? Just sayin.

https://www.google.com/maps/@40.7333135,-73.9988793,3a,15y,156.02h,86.98t/data=!3m6!1e1!3m4!1slTxtI0tyyXw0FijrdyCkIQ!2e0!7i16384!8i8192

what?? they’ve been traveling together. do you mean because he showed up at one location without her they can’t be together? c’mon don’t be silly. there is no good pr from tatty. they’re really together.

daily mail is just stupid and writing clickbait.

[steamishot]

month 2

we made it to month two in pasadena (has it only been two months?). i'm finally getting the hang of commuting/the flow of parking, and routes to get to work and back home. going there has been relatively easy. i decided i prefer taking the 405S and 10E to get home even if it takes two hours. my 7th time going in, i finally disregarded tesla's map and took this route home - the most straightforward and least driving skills involved. the first few times i drove home, they were having me drive up hilly, narrow roads in the beverly HILLS area and it was so nerve-wracking because i was just relearning how to drive/drive a tesla.

emotions: some days i feel good, some days (or a portion of the day) i get suddenly really emotional/feel like crying. but i don't actually cry. i think my body is weirded out. i used to spend a LOT of time alone in NYC, in the studio and going about the city, that it feels quite weird that i'm 'socializing' so much now. i used to get emotional driving over to my parent's house after moving back, maybe it signifies that i have officially moved back to the city, but moved out of their house. oddly, when i was living in NYC, i still felt like a child whenever i returned home because i would crash at my parents house for weeks at a time.

anyway, i've been going over to my parents house at least a few times a week. my parents would invite me for lunch and sometimes i work there for a couple of hours. it's still a little awkward for me but it's getting more comfortable as we continue our new dynamic. instead of basically being like housemates, my time there now is intentional.

another thing that i never liked, or that i have to get used to, is exchanging pleasantries at work and in general in this city. i appreciated NYC in that everyone was straight to the point and there was no "fake niceness" going around. i feel so out of place at work when i just want to work, but the culture there is very chit-chatty. i wonder if people liked me better when i was fully remote, since i'm reserved and not very friendly in person. i was never a fan of chit-chatting, but now i'm way more cognizant of it as a reverse culture shock.

car issue: this has been an ongoing big headache. it's the most complicated and expensive insurance claim i've ever dealt with, for a seemingly small fender bender at that. TBD.

marriage & stuff: my parents told me that i'm getting old and should get married soon, then buy a house lol. it was hard for me to take this next step when we were by ourselves in NYC. i feel more and more comfortable with the idea here in LA, near our family and friends. i realized i don't have very close friends who are married. the people i talk to most are: single, in a relationship with someone who never wants to get married, in a gay/secretive relationship, in a relationship and unmarried, or divorced. until recently! my childhood friend just got engaged! i felt some kinda marriage contagion from her, like seeing someone close to you achieve a milestone that seems scary makes me think that i can do it it too. almost like role-modeling.

new friends: i was always a person with few friends (also, moving back to LA has me reflecting/learning so much about myself). S&I were our best couple friends in NYC. it was really hard to say goodbye to them. in LA, it seems like our new best couple friends may be M&K. it makes me feel a bit sad to think of how our lives have completely changed since moving (socially in this respect); all gains come with losses. M is matt's HS friend, so basically almost like his brother. M&K are both pharmacists so again i'm the only one without a doctorate in the group, lol. we seem to like to do similar things (eat, travel, save money LOL), and we've been on two double dates successfully so far with a third on the horizon.

Claude AI/chatGPT: claude has been such a lifesaver in terms of free therapy. i dare to say claude is sooo much better than chatting with mental health specialists when i had the ginger app. i've been chatting with it about all things related to this move. chatGPT has been so helpful with all the car headache stuff.

[uniquejellyfishqueen]

The Boston Bruins fired their head coach Jim Montgomery on 11/19 after their 3rd straight loss. (3 again.)

Boston is the 3rd largest city in the North east after NYC and Philadelphia. It is the largest in New England.

Settled:1625

Incorporated: 9/7/1630 (date of the old style naming)

9/17/1630 (date of new style naming)

Incorporated as a city: 3/19/1822

53 zip codes

617 and 857 area codes.

Boston was home to several events that proved central to the revolution and subsequent Revolutionary War, including the Boston Massacre (1770), the Boston Tea Party (1773) “at tea time everybody agrees.” , Paul Revere's Midnight Ride (1775) “Midnights.” , the Battle of Bunker Hill (1775), and the Siege of Boston (1775–1776)

Fenway Park - Red Sox

Broke ground: 9/25/1911

Opened: 4/20/1912

Gillette Stadium owned by the Kraft Group who owns the New England Patriots… Tom Brady who’s ex wife Gisele was a VS Angel from 1999-2006

Broke ground: 3/24/2000

Opened: 5/11/2002

7/1/2023 Ed Sheeran holds the record attendance with 71,723

7+1=8 7+2+3=12

8/12 12/8

“Boston” is track 6 on Kenny Chesney’s 9th studio album Be As You Are which was released on 1/25/2005. Track 9 on this album is “Key Lime Pie” -> “she stole his dog and dyed it key lime green” LGAD (that can also spell Glad…Me!?)

(69 makes the cancer symbol.)

Taylor Swift was supposed to join Kenny on his 2007 Flip Flop Summer Tour (58 shows, and it was between that one or his Poets and Pirates Tour. (Poet…. A tortured poet and a pirate.) the boat references make so much sense now.

*due to the sponsorship from Corona TS was not allowed to tour with him because she was 17..

Betty: “I’m only seventeen, I don’t know anything but I know I miss you”

Nothing New: “the kind of radiance you only have at seventeen. She’ll know the way and then she’ll say she got the map from me.”

I Think He Knows: “I am an architect, I’m drawing up the plans. It’s like I’m 17, nobody understands.’

Starlight: “We were 17 and crazy, running wild, wild can’t remember what song it was playing” -> Hits Different “each bar plays our song, nothing has ever felt so wrong”

There was some sort of legal, contractual thing where people weren't comfortable with having an alcohol-sponsored show and having a 17 or 18-year-old on the show," Chesney recalled during a radio interview in 2011. "So, I had to call Taylor and tell her that she couldn't do that tour. And I gave her, as a 'I'm sorry' present, I gave her a lot of money."

At the time, Swift was still in the early stages of her career; she hoped the tour would be her big break. She told Time she was "devastated" when she couldn't open for Chesney's tour.

However, she also said his generous gift changed her life.

"It was for more money than I'd ever seen in my life," Swift told Time. "I was able to pay my band bonuses. I was able to pay for my tour buses. I was able to fuel my dreams."

*old blue chair… the chair from Vigilante Shit..

KC =

Kansas City

Kenny Chesney, born in Knoxville, TN. Went to Gibbs HS. ->Morgan Wallen also from Knoxville, TN. Also went to Gibbs HS. -> brief encounter “wink wink” with Megan Moroney who joined Kenny Chesney on tour this past summer. ->bring it back to Morgan Wallen who has a collaboration with Post Malone “I Had Some Help”-> Post Malone is on “Fortnight” with TS. ->Post Malone is also going to be singing with Chris Stapleton at the CMA awards on 11/20/24. -> Taylor Swift ft Chris Stapleton “I Bet You Think About Me” -> Kenny Chesney released “Born” his 20th studio album on 3/22/2024 track #5 is titled “Thinkin’ Bout” oh and track #6 is “Guilty Pleasure”

The Most Worshipful Grand Lodge of Ancient Free and Accepted Masons of the Commonwealth of Massachusetts, commonly referred to as the Grand Lodge of Massachusetts and abbreviated GLMA, is the main governing body of Freemasonry within Massachusetts, and maintains Lodges in other jurisdictions overseas, namely Panama, Chile, the People's Republic of China (meeting in Tokyo, Japan), and Guantanamo Bay Naval Base, Cuba.

Founded in 1733, it is the fourth oldest Masonic Grand Lodge in existence, after the United Grand Lodge of England (1717), the Grand Lodge of Ireland (1725), and the Grand Lodge of Pennsylvania (1731).

**the Boston Masonic Temple was next to Weber Pianos according to a very old photo.

MASSACHUSETTS TS Tour History

1 x TD Garden in Boston

13 x Foxborough

TS Fearless Tour:

7/31/2009 Boston TD Garden (secret gardens in my mind)

6/5/2010 Foxborough “Jump Then Fall”

Speak Now Tour: Foxborough

6/25/2011

6/26/2011

Red Tour: Foxborough

7/26/2013 SSN as the surprise song

7/27/2013 Fearless as the surprise song - also Carly Simon as a special guest for “You’re so Vain”

1989 World Tour: Foxborough

7/24/2015 “You Belong With Me”

7/25/2015 “Fifteen”

Rep Tour Gillette Stadium:

7/26/2018 “22” and joined by Hayley Kiyoko for “Curious” -“curious minds”-Wonderland

7/27/2018 “Change”

7/28/2018 “Ours”

TS ET Foxborough, Massachusetts

#23 5/19/23

Taylor Swift (9) SSN …(social security number)

Red (22) Better Man (FTV)

#24 5/20/23 “rainiest show that ever show-ed” “like performing in the shower

Midnights (7) Question..? The … leads into …Ready For It?

Taylor Swift (13) Invisible “blind for love”

#25 5/21/23 “haunted piano” switched to guitar.

Lover (6) I Think He Knows

Red (2) Red

Kenny Chesney on the speak now tour in Nashville they sang big star

Speak Now Tour @ Bridgestone Arena (like bridges….)

9/16/2011 During her concert at the Bridgestone Arena on September 16, Swift was joined by Ronnie Dunn and the two performed "Bleed Red". She was also joined by Hayley Williams and the two performed "That's What You Get"

9/17/2011 Kenny Chesney joined her to sing “Big Star.” She was also joined by Andy Grammer for “Keep Your Head Up”. The encore was also “Just to See You Smile” with Tim McGraw.

Taylor swift on the Big Revival Tour 2015 (she is wearing a gray and white two piece that is very similar to the 1989 combos.) “dark gray all alone” this night was also Kenny chesneys 47th birthday they sang big star

3/26/2015 @ Bridgestone Arena. Kenny Chesney was joined by Jake Owen and Chase Rice.

“Big Star” was performed with TS and was #10 on the set. #22 was Dust on the Bottle a cover of David Lee Murphy I presume -> track #2 “Just to Say We Did” on his 20th album and most recent, Born, had David Lee Murphy as one of the 4 writers on the song.

*Kenny Chesney is one of the people TS thanked in her Time Person of the Year article. “I was blown away to see quotes from people I adore and admire like Stevie Nicks, Greta Gerwig, Shonda Rhimes, Phoebe Bridgers, Natalie Maines, Kenny Chesney, and Lucian Grainge”

Kenny Chesney responded (Chesney pronounced like chess)

Taylor, I knew looking in your eyes that first time on stage with us, you had 'it.' The hunger, that something special… A gift not everyone has to connect," he wrote. "It's been awesome watching you shine!"

"I'm glad TIME sees what I've always loved about your music, your art & you as a human being," he added. "I'm so proud of you & I love you."

***a piece of the puzzle of LOVER FEST that is CA and MA

Lover Fest East and West were supposed to happen on the following dates:

West: LA, Sofi Stadium 7/25/19 and 7/26/19 (22 shows in LA in TS history)

East: Foxborough, Gillette Stadium 7/31/19 and 8/1/19 (11 shows in MA in TS History)

11/22/1995 Toy Story is released by Pixar Animation Studios as the first feature film created completely from using computer generated imagery.

11/22/2020 TS wins Artist of the Year at the AMAs for the 3rd year in a row.

11/22/1986 Wayne Gretzky of the Edmonton Oiler’s becomes the 13th NHLer to score 500 goals

*TS has a history of performing on 3 of the 4 dates mentioned above in Massachusetts on those exact dates.

*No LA dates in her history match the days of Lover Fest

LA: 22 shows is TS history

*IDK about you but something 22 is going on

REP TOUR HAD NO LA STOP…? She was in Pasadena @ The Rose Bowl and Santa Clara @ Levi’s

Fearless Tour: 3 shows

5/22/2009 Staples Center John Mayer was a special guest at the May 22 STAPLES Center show. The two performed "Your Body Is a Wonderland" and "White Horse".

4/15/2010 Staples Center. Swift performed "Hot N Cold" with Katy Perry after "Today Was A Fairytale" at the Los Angeles show on April 15, 2010.

4/16/2010 Staples Center

Speak Now Tour Staples Center: 4 shows

8/23/2011 joined onstage by Justin Bieber to perform "Baby".

8/24/2011 joined by Jason Mraz to perform his hit, "I'm Yours". She also performed, "God Only Knows" by The Beach Boys.

8/27/2011 Swift performing, "Tonight Tonight" with Hot Chelle Rae

8/28/2011 she performed "Super Bass" with Nicki Minaj.

Red Tour Staples Center: 4 shows

****4 nights but only 3 nights had special guests.

****During her stops in LA on the ET is when there was filming for the movie for 3 nights

8/19/2013 “Ours” and "Want U Back" with Cher Lloyd and "Brave" with Sara Bareilles

8/20/2013 “Fifteen” and “Closer" with Tegan and Sara

8/23/2013 “Enchanted” and "Jenny from the Block" with Jennifer Lopez

8/24/2013 “Fifteen”

1989 World Tour Staples Center: 5 shows

8/21/2015 “All Too Well” acoustic tour debut. “Counting Stars” with Ryan Tedder. During “Style” Kobe Bryant presents TS with the Most Sold Out Performance Banner at Staples Center

8/22/2015 “You Belong With Me” “White Horse” with Uzo Aduba. “Doubt” and “Family Affair” with Mary J Blige.

8/24/2015 “Fifteen” “Goodbye Earl” with Natalie Maines. “You Oughta Know” with Alanis Morissette

8/25/2015 “Dreams” with Beck and “All of Me” with John Legend

8/26/2015 “Mean” “Good For You” with Selena Gomez. “Smelly Cat” with Lisa Kudrow. “Mirrors” with Justin TImberlake

Eras Tour Sofi Stadium: 6 shows (no thank you post)

8/3/2023 Filming for Concert Film

“I Can See You”

“Maroon”

8/4/2023 Filming for Concert Film

“Our Song”

“You Are In Love”

8/5/2023 Filming for Concert Film

“Death By a Thousand Cuts”

“You’re On Your Own Kid”

8/7/2023

“Dress”

“Exile”

8/8/2023

“I Know Places”

“King of My Heart”

8/9/2023 Announcement of 1989 TV

“New Romantics”

“New Years Day”

**Sofi = Sofia (play on words for sofa? Because there is one in the attic of the lover house… she also sings about a couch in some of her lyrics.)

- - but I also think of “Chloe or Sam or Sophia or Marcus” -> in her hidden messages on previous albums: Taylor Swift track #9 “Should’ve Said No” hidden message was “Sam, Sam, Sam, Sam, Sam, Sam” (6x)

*Ts was supposed to be the first performing artist to open an NFL stadium and she has a vagina, so I see how that could be problematic for you… you’re white supremacy is showing America, and it’s gross.

Could be nothing or could be something:

The New England Patriots will host the LA Chargers on 12/29 (3 days before NYD 2 days before NYE) the time is TBD -> upon further review the Chiefs do no have a game that day… but the Bengals host the Broncos (a white horse) on 12/29 and the time is TBD. There are no NFL games on NYE but there are 2 on Christmas Day. The Ravens play the Texans at 4:30 and Beyoncé is doing the halftime show….. she was also TS plus one for the Eras Tour Concert Film Premiere on 10/11/23 at The Grove (same place as the Spotify TTPD pop up..)

12/29 is National Chocolate day “You ate 7 bars of chocolate”… “The Tortured Poets Department”… 7 as in Lover?

12/29/1607 - Pocahontas, daughter of Powhatan leader Wahunsenacawh, successfully pleads for the life of John Smith after tribal leaders attempt to execute him

12/29/1778 - Savannah, George is captured by three thousand British soldiers during the American Revolutionary War

12/29/1812 - Violin Sonata No. 10 in G major by Ludwig van Beethoven is performed for the first time

12/29/1845 - The United States annexes the Republic of Texas

12/29/1880 - The opera La Mascotte opens in Paris

12/29/1890 - On the Pine Ridge Indian Reservation, 300 Lakota are killed by the U.S. 7th Cavalry Regiment

12/29/1913 - Hollywood's first feature film, The Squaw Man by Cecil B. DeMille starts filming

12/29/1937 - With the adoption of a new Constitution, the Irish Free State is replaced by a new state called Ireland

12/29/1940 - During World War II, the Luftwaffe fire-bombs London, England, killing almost 200 civilians

12/29/1962 - British driver Graham Hill comes in first place in the South African Grand Prix at Prince George Circuit

12/29/1965 - CBS purchases the NFL TV rights for 1966-68 for $18.8 million per year

12/29/1973 - Time in a Bottle by Jim Croce hits #1 in the U.S. three months after he was killed in a plane crash

12/29/1975 - A bomb explodes at LaGuardia Airport in New York City, killing 11, and injuring more than 75 people

12/29/2007 - Tom Brady sets an NFL record, throwing his 50th touchdown pass, and the New England Patriots become the first team in NFL history to have a 16-0 score during the regular season

[firedragon1321]

Do you have a favorite generation of Pokémon? If not, feel free to ignore this ask.

This is kind of a long, complicated answer. And it kind of exploded. Because there's multiple elements to each generation. So short version- Gen 7 for story, Gen 5 for region, no conclusive answer for Pokemon or gameplay. If you want a more detailed explanation, I have (a lot) below.

Gen 7 is my all-time favorite story (the orginal Sun and Moon is superior to USUM imo). It's followed by Gen 9 and Gen 5 in that order. Gen 9 infused so much life into its supporting characters (even the Elite Four), so it's a shame it was so buggy. Gen 5 asked some great questions about the relationship between humans and Pokemon, but then backpedaled to the status quo last-minute and completely chickened out in B2W2 (those games are still great, though). Gen 8 had a lot of possibility, but I felt like they kept dropping the ball. I started playing in Gen 4, so I have a fondness for those games, too (despite their many, many faults).

For region, it's Gen 5, followed closely by Gen 7 and 1. Unova is such a vibrant region, and being based on NYC also helps. Alola's culture is interesting (a region with no league?). While Kanto is very well organized mechanically.

For Pokemon, I don't have a favorite gen. I've studied Gen 1 to learn how to draw Pokemon, so I'm most familiar with its design tics. But I think each gen has good and bad Pokemon (which is why genwunner logic baffles me). I do like the subdued, nature-themed color palette most Hoenn Pokemon share. And it was interesting what they were trying to do with Gen 5's roster. It exposed the mechanical importance of common Pokemon who don't get a regional counterpart each generation, like Geodude.

Gameplay-wise, Pokemon games are the same with the addition of a gimmick here and there. They're all fun to play, so I don't have a favorite there. I don't do a lot of side-stuff like Battle Frontier or contests, so I can't judge based on those. Though I did a lot of PokeStar Studios because I was doing a "roleplay file" where the protagonist spent a lot of time there. It was pretty fun, and I'm glad to see Mecha Tyranitar is a real Pokemon now.

Also, my least favorite gen is 2. I've only experienced Johto through HGSS. But it had a weird collection of Pokemon (most of which were connected to previous Pokemon or were useless when introduced), and all the fun stuff was on the Kanto map.

(Though given that Pokemon was released during the end of the Game Boy's life cycle, half-expected to flop, and then experienced a surge in popularity resulting in global demand for "Pokemon 2"? Everything I don't like about it was basically a rush job, and I can understand that. The developers are only human.)

I see Aegislash in your avatar. Gen 6 is pretty low on my list for overall game experience (XY was my second least favorite in the series- save the obvious fun stuff like Team Flare and the ultimate weapon- and ORAS was just RSE with bonus bells and whistles). I really hope Legends Z-A will bring a better Kalos experience than the 3DS, because its Pokemon deserve it. Aegislash is a banger. Same with Furfrou. I've missed these Pokemon and can't wait for their inevitable return.

[mapsstudio]

Innovative Techniques for Capturing NYC Cityscapes

When we think about capturing the iconic cityscapes of NYC, it’s clear that innovative techniques can elevate our photography. By choosing the right gear and mastering our camera settings, we can create images that not only represent the city but also evoke its unique energy. Experimenting with composition and understanding how natural light interacts with our scenes can lead to striking results. As we explore these approaches, we might discover some surprising tips that could transform our urban photography into something truly remarkable. What techniques have you found most effective?

Essential Gear for Cityscapes

When we set out to capture the stunning cityscapes of NYC, choosing the right gear is crucial for transforming our vision into reality. The essential gear for cityscapes starts with a reliable camera; both DSLRs and mirrorless options offer excellent image quality.

To truly embrace the expansive urban scenes, we should invest in wide-angle lenses, ideally with a focal length of 16-35mm, to capture those towering skyscrapers.

Next, sturdy tripods become our best friends, especially in low-light situations. Lightweight models make transportation easier without sacrificing stability.

We also shouldn’t overlook filters and accessories; polarizing filters reduce reflections while enhancing colors, and neutral density filters allow for long exposure shots, giving our images that dreamy feel.

Finally, once we’ve captured our shots, editing software is essential for polishing our images. Programs like Adobe Lightroom and Photoshop help us enhance details, correct colors, and create a cohesive look.

Mastering Camera Settings

Having the right gear sets the stage, but mastering camera settings is what truly elevates our cityscape photography.

When we’re out capturing the vibrant energy of New York City, understanding our camera’s settings is crucial. Here are some key points to consider:

Shutter Speed: Adjusting shutter speed allows us to control how motion is captured. A slower speed can create beautiful light trails from moving vehicles, while a faster speed freezes action.

Aperture Priority: Using aperture priority mode helps us maintain a sharp focus across the cityscape. Setting a smaller aperture lets us capture more details, especially in expansive scenes.

Using a Tripod: To achieve stability, especially during the blue hour, we should always consider using a tripod. It helps eliminate camera shake and enables longer exposures without blur.

Wide-Angle Lens: A wide-angle lens is a must for cityscapes. It allows us to capture more of the skyline and dramatic architectural elements in one frame.

Creative Composition Techniques

In the heart of the city, we can harness creative composition techniques to elevate our cityscape photography. By employing the rule of thirds, we can position our subjects in a way that draws the viewer’s eye, creating a more dynamic image.

We should also consider using leading lines, like streets or railings, to guide the viewer through our photos, adding depth and interest.

Black and white photography can dramatically enhance our cityscapes, emphasizing contrast and texture that color sometimes dilutes. It helps us focus on the shapes and forms of the urban landscape, allowing for more abstract compositions.

As cityscape photographers, we can isolate elements within the bustling environment, creating powerful focal points that resonate with our audience.

Experimenting with different angles and perspectives will challenge us to step outside our comfort zones. We can also play with framing elements, like windows or arches, to add layers to our compositions.

The unpredictability of the city means we’ll capture unique moments that reflect its vibrant energy. Embracing these techniques will help us transform ordinary scenes into extraordinary works of art.

Let’s get out there and explore!

Leveraging Natural Light

Natural light plays a crucial role in transforming our cityscape photography into captivating narratives. By understanding how to leverage natural light, we can create images that resonate with emotional quality and visual depth.

Here are some essential tips to enhance our cityscape photography:

Golden Hour: Shooting during the golden hour, just after sunrise or before sunset, bathes our subjects in soft, warm light, creating stunning shadows and highlights.

Experiment with Angles: Changing our perspective can dramatically alter how natural light interacts with the environment, offering unique compositions that showcase the city’s character.

Seek Daylight Studios: Utilizing daylight studios in NYC can provide controlled lighting conditions while minimizing distractions, allowing us to focus on the interplay of light and subject.

Weather Wonders: Embrace varied weather conditions; overcast days can produce soft, diffused light, while rain can create reflections that add depth and mood to our photographs.

Editing and Post-Processing Tips

When it comes to transforming our cityscape images into striking visuals, effective editing and post-processing are essential tools in our arsenal. We should start by utilizing software that allows for non-destructive editing, giving us the freedom to adjust exposure, contrast, and color without altering our original images.

Focusing on enhancing shadows and highlights can add depth and dimension, ensuring our final images reflect the vibrancy of the city.

It’s crucial to aim for subtlety in our color adjustments; over-saturation can lead to unrealistic results. By using the histogram in our editing software, we can easily identify areas that may be overexposed or underexposed, allowing for targeted adjustments that enhance overall image quality.

Experimenting with presets and filters can help us develop a consistent editing style, but we must remember to tweak them for each specific image to ensure optimal results.

Additionally, incorporating image stabilization techniques during editing can help sharpen our cityscape images, making them even more captivating.

What Our Customers Are Saying

At Maps studio, we value the feedback from our wonderful users. We’re excited to share screenshots of reviews from various platforms like Google My Business that highlight our commitment to capturing the essence of NYC cityscapes. These testimonials reflect our dedication to quality and creativity, showing how our work resonates with those who experience it. Check out the reviews for a glimpse into our impact. For more information, visit Mapsstudio.

Frequently Asked Questions

What Time of Year Is Best for Capturing NYC Cityscapes?

We believe autumn’s the best time for capturing NYC cityscapes. The vibrant foliage adds color, and the crisp air enhances clarity. Plus, the golden hour light creates stunning contrasts, making every shot truly magical.

How Do I Choose the Right Location for Cityscape Photography?

When choosing the right location for cityscape photography, we should explore high vantage points, iconic landmarks, and unique perspectives. Let’s consider the time of day and lighting conditions to enhance our compositions effectively.

Are There Specific Safety Tips for Photographing in NYC?

When photographing in NYC, we should stay aware of our surroundings, avoid isolated areas, and keep our gear secure. It’s wise to blend in and choose well-lit spots, especially at night, to ensure our safety.

What Is the Best Way to Deal With Crowds While Shooting?

To deal with crowds while shooting, we can arrive early or choose off-peak times. Using a wide-angle lens helps capture more, and patience allows us to wait for the perfect moment without distractions.

Can I Use a Smartphone for High-Quality Cityscape Photography?

Absolutely, we can use our smartphones for high-quality cityscape photography! With the right apps and techniques, we’re able to capture stunning images that rival those taken with professional cameras. Let’s explore our options!

Conclusion

In conclusion, capturing the vibrant essence of NYC cityscapes is all about blending the right gear, mastering our camera settings, and experimenting with creative compositions. By leveraging natural light and honing our editing skills, we can produce stunning images that reflect the city’s unique energy. So, let’s get out there, explore new perspectives, and elevate our photography together. With these innovative techniques in hand, we’re ready to showcase the incredible beauty of New York City!

Visit Mapsstudio for more  information about photography.

[urban-living-discounts]

NYC Neighborhood Highlight: Bushwick, Brooklyn

The month of August is slowly approaching its sunset, let’s finish off the month with another aspiring neighborhood that could be your forever home.

This week we're plunging headfirst into Bushwick – Brooklyn's chameleon neighborhood. What is it exactly? A pulsating, respiring art gallery? A beer aficionado's utopía? Let’s find out.

Bushwick Overview

Picture this: On one street corner, an old building that has weathered more history than your grandma's photo album. Next door? A coffee shop so nascent, the paint still emanates fumes. 

That's Bushwick for you – a place where yesterday and tomorrow are entangled close together.

Not long ago, this neighborhood pulsated with hard work and factory horns. Now? It magnetizes anyone who's ever ogled a paintbrush and mused, "I could make out a living with that." with its street art.

Echoes of its industrial roots linger on in its architecture, with many old factories and warehouses converted into lofts, studios, and art spaces.

Bushwick Rent and Real Estate Prices

Bushwick’s real estate market has seen a big growth in recent years, making it an attractive option for both renters and buyers.

Prices are skyrocketing faster than a feline scaling a tree, but they haven't yet breached the stratosphere... yet.

Rentals: Yearning to christen Bushwick your domicile? Brace yourself to disgorge about $2,500 per lunar cycle for a one-bedroom abode. 

But here's the twist – that price tag ricochets more vigorously than a tyke in the throes of a sugar rush, contingent on your proximity to the L train (alias the Cool Express). 

Sales: Contemplating purchasing in this neighborhood?The median sales price for a home in Bushwick is approximately $800,000.

That could secure you anything from a dwelling that predates sliced bread to a gleaming new apartment bristling with more gadgetry than a spy's arsenal.

Why are investors circling Bushwick? Two words: untapped potential. It’s like witnessing a caterpillar slowly turn into a butterfly with tattoos and knows how to mix a mean cocktail.

Best Things to Do in Bushwick

Ever wondered what happens when you toss art, nightlife, and a dash of Brooklyn magic into a blender? You get Bushwick - a neighborhood that doesn't just come alive, it practically jumps off the map and dances on your doorstep.

Explore Street Art: A visit to the Bushwick Collective is a must. This outdoor gallery features murals from artists all over the world, turning the neighborhood’s streets into an open-air museum.

Visit Breweries and Distilleries: Fancy imbibing whiskey where people once punched timecards? Kings County Distillery has got your back. 

Check Out the Local Art Galleries: Signal Gallery and Transmitter are just two of the many spaces showcasing cutting-edge contemporary art. These galleries are also home to emerging artists.

Relax in Maria Hernandez Park: Feeling a bit overwhelmed? No worries! Maria Hernandez Park lies at the heart of Bushwick. It's where the neighborhood comes to catch its breath, spread out a blanket for a picnic, and remember that grass isn't just something hipsters use to decorate their lattes.

So, is Bushwick the crown jewel of NYC neighborhoods? Well, that's like asking if pizza is the king of foods – it all depends on your taste buds. 

But here's the deal: if you're hunting for a slice of Brooklyn life that's equal parts gritty and pretty, with a side of the unexpected, Bushwick's serving it up 24/7.

Ready to explore more of NYC's neighborhood buffet? Let's chat! We can whip up an adventure that'll make your feet tired, your camera full, and your stories legendary.

Let’s connect so we can get started on your search for deals to add to your portfolio. Call me at 917-627-5677 or send an email to ehaliva@elliman.com. 

Talk soon, 

Eli

[themovieblogonline]

Louis Stancil's NYC Studio Opens in Iconic Broadway Location

I had the pleasure of attending the ribbon-cutting ceremony for the grand opening of the Louis Stancil Acting Studio in the heart of Times Square, and let me tell you, it was a moment as iconic as the setting itself. Picture it: bright lights, Broadway vibes, and a crowd buzzing with excitement. This wasn’t just another ribbon-cutting; this was a celebration of a Black-owned business making a bold statement in the acting world. Louis Stancil The Man of the Hour Louis Stancil, the man of the hour, stood proudly at the helm. At just 34 years old, Stancil has already made significant waves in the industry, and now, with his new studio in New York City, he’s poised to shape the next generation of talent. And not just any talent—this studio is all about inclusivity and providing a space for those who’ve historically been underrepresented in the arts. That’s right, folks; this isn’t just an acting studio. It’s a movement. The studio’s Midtown Manhattan location at 1560 Broadway, housed in the legendary Actors Equity Building, is a fitting backdrop for Stancil’s vision. This expansion to New York marks the third location for Louis Stancil Acting Studios, with successful spots already thriving in Atlanta and Los Angeles. But this New York opening isn’t just about adding another pin to the map; it’s about creating a beacon for aspiring actors in the city that never sleeps. Stancil himself has a background that reads like a script for a blockbuster. Hailing from Baltimore, he found his passion for acting on the set of The Wire. Fast forward a few years, and he’s now a renowned acting coach and studio owner, having trained the likes of Meek Mill and cast members from the Will Smith-produced Charm City Kings. His work speaks volumes, and now, New York City is about to get a taste of that magic. The grand opening event was nothing short of spectacular. The ceremony featured an appearance by actor Justin Hurtt-Dunkley of Mare of Easttown fame. The energy was infectious, and the talent was undeniable. It’s clear that this studio is going to be a major player in the acting scene. The Louis Stancil Acting Studios Now, let’s talk about the studio itself. The Louis Stancil Acting Studio is more than just a place to learn lines. It’s a comprehensive training ground where aspiring actors can hone their craft through scene study, voiceover work, and screenwriting. Whether you’re a newbie looking to break into the industry or a seasoned actor wanting to sharpen your skills, this studio offers something for everyone. And in a city as competitive as New York, having a supportive and inclusive space like this is invaluable. Stancil’s commitment to diversity and representation is at the core of everything he does. You can tell that he understands the importance of representation and having a space where you can be yourself. Opening a studio in New York City seems like a dream come true for him. The August 10th opening wasn’t just a start; it was a statement—a declaration that the Louis Stancil Acting Studio is here to make a difference. With National Black Business Month also in full swing, the timing couldn’t be more perfect. This studio is a testament to the power of Black-owned businesses and the impact they can have on communities and industries alike. So, if you’re in the New York area and have dreams of making it big in the acting world, or if you just want to witness a piece of history, make your way to 1560 Broadway. The Louis Stancil Acting Studio is open for business, and trust me, this is one door you’ll want to walk through.

[rogertyler44]

Breathe, Move, Transform: This Is Why Vera Yoga Is a Fitting Addition To Your Map Of Nyc Yoga Destinations.

New York City can be best described as a city of energy, with people aiming and striving for better and unstoppable motion. Due to the fast-growing world, it becomes crucial to look after your health. Yoga presents a profound strategy with the help of physical training, which is performed together with the mind and spirit. However, the availability of numerous studios complicates the identification of the best yoga classes in NYC search. That is why Vera Yoga is ready to assist you with the growth of your exercise routine and make it a pleasant experience.

Embrace Your Uniqueness: A Spectrum of Yoga Styles

Vera Yoga takes cognizance of the fact that everyone has his or her practice. Newcomers can start with Gentle Hatha classes, while advanced learners can try Vinyasa, which has powerful movements, or even Yin, which is very close to meditation. We even have aerial Yoga for those who wish to be more creative and out of the norm.

Everyone Stands for You in Vera Yoga

Volunteering and togetherness are also important at Vera Yoga, as it is a brand for clients and friends. Our studios allow you to meet people who are like-minded, and you will not feel awkward doing your practice. Our classes are still small compared to some of the massive leaders in the market in NYC, which gives you or your employees the attention our experienced instructors can deliver.

More Than a Workout: A Sanctuary for Your Well-being

Vera Yoga does not limit itself to saying it has the best yoga classes in NYC. All our studios have been created to be a safe place for your mind, body, and soul. Both spaces are intentionally decorated to create a calming environment that invites relaxation and reflection from the business of an individual's day.

Conclusion

At Vera Yoga, we think that Yoga as a practice involves many aspects of one's being: physical, emotional, and mental, and therefore, all our classes are a combination of asana/poses, breathing exercises, meditation, and mindful techniques. Thus, if you are looking for a sanctuary to achieve harmony and foster well-being in the middle of New York, welcome to Vera Yoga! We encourage everyone to open the door to his or her new yoga adventure and find out how this form of physical and spiritual discipline can change one's life.

[brenpaidhi-blog]

Hell Hath No Fury - Chapter 1

Hell Hath No Fury

BrenPaidhi

Summary:

Leading a double life is complicated when one of those lives is a superhero, two double lives (and two superheros) even more so. Add a third (or is it a fifth) life in the form of an NYPD Lieutenant, and you understand what Trish Walker, Beth Kane and Lt. Rita Ortiz learned some time ago: Life in the big city can be hell.

Copyright © 2022

This work is rated Mature because of some explicit descriptions of sex in Chapters 16, 25, 42 and 44.

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Notes:

What's in a name? That which we call a rose, blah, blah, blah. It turns out when you have to take fictional cities and translate them into real ones, names are important; at least the real names.

Metropolis is a no-brainer. The Big Apple. Gotham is a bit more problematic. It has been used to refer to NYC, but in the comics it seems to be in New Jersey. For this story, however, I prefer to place it in Chicago since The Windy City stands in for the home of The Dark Knight in the movies. Star City is Seattle (natch), but Central City is a bit more vague so I chose St. Louis for the home of S.T.A.R. labs and the residence of the fastest man on Earth. Other locations will be translated as the need arises. Anyone who has objections to my version of mapping, please suspend your disbelief for the time it takes you to read and, I hope, enjoy this version of reality.

One more note: You fill find several sections of dialogue that are not in English. Those sections are linked to their English translation. Those of you who are reading on a PC can simply hover your mouse over the section to see the translation. If you are reading from a mobile device just press and hold the link to see the translation.

I include song lyrics in several chapters. Those songs are important since they help convey what the characters are feeling, and some of them may be familiar to you. Where I could I have included links to the songs themselves, and I encourage any reader to click the link, listen, and enjoy.

Patricia Walker, Hellcat, Kyle Richmond and Nighthawk are the intellectual property of Marvel Comics.

Elizabeth Kane, Alice, Julia Pennyworth and Carmine Falcone are the intellectual property of DC Comics.

Rita Ortiz, John Irvine, Joe Slovak and Ray Quinn are the intellectual property of Steven Bochco Productions and 20th Century Fox Television

This is a work of non-commercial fan fiction and not intended for, or to be used for, commercial purpose.

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Chapter 1: Don't look a gift horse...

Trish positioned the final ice pack on her right knee and wrapped it with an elastic bandage, just like she had the other two.

She lay back on her bed, inhaled deeply and slowly, eyes closed, and enjoyed the complete lack of motion for several seconds.

She did not open her eyes as she spoke.

"Alexa set a fifteen-minute timer."

"Fifteen minutes," the female voice replied, "starting now."

The bed was not the only piece of furniture in the one-room studio apartment. There was a chair, an end table, and a small desk. Trish could visualize the entire apartment and its contents without opening her eyes. It would take her less than a minute to list all the other contents of the small room. One place setting, one set of silverware, and two glasses, all bought from Goodwill, like the small table lamp, the Degas print of a dancer mounted on the wall just above her head, and the two framed photos of the couple that anyone who visited here would assume were the parents of Kathy Rambler, the woman who had signed the apartment lease, whose name was displayed through the cellophane windows on the envelopes that sat on a counter in the small kitchen.

If that hypothetical someone were to observe the woman, clad only in underwear and a tank top, who lay beneath the framed print of a woman dancing on pointe, the woman with ice packs on her right knee, left shoulder, and left wrist, and bruises on her right rib cage and shoulder, there would be no mistaking the figure of an elite dancer, unless they were to mistake it for the figure of an elite gymnast or an elite fighter. Any and all of those were true, even though it had been years since the woman lying still with her eyes closed had put on a pair of pointe shoes or taped her wrists to protect them during her sixty-second bar routine.

Trish's eyes opened at the sound of her timer expiring.

"Alexa, stop."

Trish knew she should get up, put the ice packs back in the freezer, clean her suit, and take a shower before leaving this small refuge for the slightly larger one three floors up. She should at least get up and close the window she had used as her entrance thirty minutes ago, but she lacked the will to move.

Fuck it, I might just sleep here tonight,  she thought.

She had done it before when the aches and pains reached a certain point and only responded to bourbon and ibuprofen. For those occasions, she kept a dark wig and a pair of sunglasses in the apartment, just in case anyone saw her leave and wondered why Trish Walker was coming out of Kathy Rambler's apartment. She could always say that Kathy was her girlfriend, but that opened her up to invitations for both of them and excuses why Kathy could not attend.

Sorry, my fictional alter ego has a prior engagement kicking the living shit out of the New York underworld tomorrow night.

Trish's eyes settled on the goldenrod ( it's not yellow, dammit, how many fucking times do I have to tell you? ) ballistic hyper mesh formfitting suit which lay where she had dropped it on the floor. She knew the blood would easily wash off. But the sweat-soaked absorbent liner was already beginning to smell up the apartment with that combined vinegar and ammonia smell that told her she was eating more protein than her body could metabolize.

She was thirty-seven years old as of one week ago. Trish knew she couldn't keep acting like she was still in her twenties, but her body was very good at reminding her when she forgot. Her natural ability to heal much quicker than the average person, which had helped her through her dancing, gymnastics, and fighting phases, had slowed down but was still there, as were her natural physical abilities.

"You have a gift," Kay had said to her one day after class at SAB, "I have been doing this long enough that I know a star when I see one. You have a bright future ahead of you."

That was only days before 911, back when the world was different. Before Hellcat was even a thought in her mind.

"If you go down this road, you don't get to come back afterward," Hank had said a few months afterward when she had convinced him that she was committed to a future that Kay had not predicted for Trish.

"None of us get to go back. There's no back to go back to."

"That made almost no sense," he said.

"Fuck you."

Hank's smile was all the answer she needed.

Trish looked towards the kitchen, where she kept the bourbon and ibuprofen. The suit lay on the floor halfway in between.

"Dammit," she groaned as she rolled to her side and sat up.