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mando-lore · 4 years ago

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"A bird... or something...": The story of Mothman and other 'flying men'

Certainly Strange: A Podcast About The Unexplainable, episode 7

Listen on: YouTube Spotify Castbox

"It was a bird... or something."

It was the 15th of November, 1966, and Roger and Linda Scarberry and Steve and Mary Mallette were joyriding through a maze of dirt roads that connected abandoned world war two bunkers, late at night in Point Pleasant West Virginia. They had just driven past an abandoned generator plant when they saw… something. A huge figure in the darkness, just off the side of the road. And it was watching them. With huge, blood red eyes.

"I'm a hard guy to scare" Scarberry later said to the local newspaper, "but last night I was getting out of there." He slammed the gas and tried to manoeuvre his car out of the dump area as quickly as possible, away from the strange creature that watched them. And as they fled, they all saw the creature, something that looked like the hybrid between a man and a bird, standing on a hill by the side of the road.

And then, it started following them. It hoovered above the car, chasing them. “We were driving one hundred miles per hour and that bird kept right up with us. It wasn’t even flapping its wings.” The women started crying. The creature followed them until the couples reached the National Guard Armory on Route 62. They thought they had finally lost the strange man-bird, but once they turned the car around, there it was again. It seemed to be waiting on them.

The creature was over six foot tall, grey, with a wingspan of 10 feet. "It was like a man with wings," Mallette said. "It wasn't like anything you'd see on TV or in a monster movie..."

The Scarberries and the Mallettes gave a statement to the police. "If I had seen it while by myself I wouldn't have said anything," Scarberry commented, "but there were four of us who saw it."

At first, the four witnesses were the laughingstock of the town. But soon, stories started to surface, old and new. They were definitely not the only ones who had witnessed the creature that is now known as the Mothman.

On that very same day, on November the 15th 1966, the Mothman had been spotted by a farmer about 90 miles away in Salem. Newell Partridge was watching television when at 10:30pm he heard his German shepherd named Bandit howling. The farmer went out to check on his dog with a flashlight, when he was met with two large red eyes, like red reflectors, staring at him.

Bandit took off towards the creature that threatened his master, into the night. Then, the farmer could hear his dog screech and whine. And he never saw him again.

The strange thing? In their eyewitness report, The Scarberries and the Mallettes told the police that, while they were being chased by the Mothman, they had seen something, lying on the side of the road. It had been a carcass. The carcass of a dead dog.

The very next day, the Mothman was spotted by one Mr and Mrs Wamsley and their friend Mrs Bennett, who were driving through the world war two bunker area on their way to visit a friend. They parked the car in a darkened area several feet from the residence, and knocked on their friend’s door. When they found him not at home, they headed back to the car. This is where they saw it. In the darkness, a shadowy figure lurked behind the automobile.

“It rose up slowly from the ground. A big, grey thing. Bigger than a man, with terrible, glowing red eyes.” Said Bennett. According to her own statement, when Bennett saw the creature, she was so horrified she fell on her baby whom she had been holding in her arms.

There were dozens of Mothman sightings during the next several weeks. One witness, Mrs. Roy Grose, saw the creature through her kitchen window, early in the morning when her barking dog had awakened her. She say a large multicoloured object hovering over the treetop in a field across the road. That same day a local teenager encountered a huge birdlike creature with his car, and claimed that it had followed him for more than a mile.

Tom Ury, a young shoe salesman, was driving down route 62 at 7:15 in the morning on his way to work, when he spotted a towering figure standing by the road in an adjacent field. Suddenly it had spread its wings and took off straight up. The figure then started circling his car like a bird, and kept flying over the car even at the speed of seventy-five miles per hour, much like as he had done to the Scarberries and the Mallettes. Tom was apparently so frightened by this encounter, he did not get into work that day.

In total, there were around 200 sightings of the Mothman in the year 1966 to 1967. But it was not the first time something like a bird-man was spotted near Point Pleasant.

In 1961, 5 years prior, a woman was driving down route 2 along the Ohio river with her father when she spotted a winged figure. She had just passed by a park when a tall figure suddenly appeared in the road ahead of her. It was a grey figure with folded wings across its back, like how one would describe an angel. Startled by the car, the creature unfolded its wings, which “practically filled the whole road”, and then the mysterious creature took off.

However, the woman and her father were not the first to ever witness the creature that would become known as “The Mothman”. In 1948, the Army officials at McChord Field in Washington state were approached by the 61-year-old Mrs Bernice Aikowski, who claimed that she had seen a man-bird in her backyard in nearby Chehalis.

“I know most people don’t believe me, but I have talked to some people in Chehalis that tell me they say the man, too. It was about 3 PM on January 6th, and there were a lot of small children coming home from school at the time. They saw the man, too, and asked me if they could go into my backyard so they could watch him longer as he flew towards the south end of the city.”

According to her, the flying man-bird seemed to be a man equipped with long silver wings fastened over his shoulders with a strap, like one of the inventions of Leonardo da Vinci.

On April 9th, 1948, two Longview Washington state residents named Viola Jonson (a laundry worker) and James Pittman (a janitor) told journalists that they had seen several men with flying suits and goggles, flying through the air, circling the city at a hight of 250 feet. Two similar flying men were sighted near Butte in Oregon, on September 16th that same year.

In 1971, at 2AM in Norton Massachusetts, police sergeant Thomas Downy was driving home along Winter Street in Mansfield. As he approached a place known, ironically, as Bird Hill in Easton, he was confronted by a huge winged creature that was over 6 feet tall with a wingspan of eight to twelve feet. As sergeant Downy drew to a stop at the intersection, the birdman flew straight up, disappearing over the dark trees into the swamp. Downy reported the sighting to the Easton police when he arrived home and a patrol car searched the area, but the man bird was never seen again.

These birdmen are not sighted exclusively in the United States, however. Plato and Homer already wrote about a race of winged men in Ancient Greece. On July 11th, 1908, the Russian explorer VK Arsenyev sighted a winged humanbeing near the mouth of the Gobilli river. Sightings have also been reported in Portugal, England, and Vietnam.

The many sightings of the Mothman came to an end on the 25th of December in 1967, when the Silver Bridge, connecting Point Pleasant with Gallipolis collapsed. 46 people died, and it is still known as the deadliest bridge collapse in the history of the United States. Next to the Mothman sightings, the Silver Bridge collapse was the second terrible and bizarre thing to put Point Pleasant on the map in one year’s time. So it was not hard for people to seek a connection between the two.

Some eyewitnesses claimed that they had seen the Mothman at the bridge that day it collapsed, blaming the creature for the disaster that killed so many. Of course, it is a way of mourning to seek an explanation, someone to blame, for this terrible loss of life.

People did indeed think that the Mothman was a bad omen, a demonic vision that foreshadows a great disaster. The Mothman does bear the resemblance of a demon, the embodiment of fear itself.

A more realistic based explanation for the Mothman comes from Dr. Robert L. Smith, an associate professor of wildlife biology at West Virginia University, who said that the description of the Mothman all fitted the sandhill crane, the second largest American crane, which stands almost as high as a man and has a wingspan of more than seven feet. He said the “red eyes” could be the large red circles around the crane’s eyes. The appearance of the bird could have been moulded into the image of a monstrous creature through mass hysteria.

So, is the Mothman an image of the mind, the demonic embodiment of fear? Is it simply a bird, mistaken for a monster through mass hysteria? Or… is the Mothman real? Whatever he was or whatever he may be now, still, he is certainly strange.

SOURCES

All That’s Interesting. (2017, May 17). The True Story Behind The Legendary Mothman Said To Terrorize West Virginia. Retrieved from https://allthatsinteresting.com/mothman

Coleman, L. (2001). Mothman and other curious encounters. Cosimo, Inc. https://books.google.nl/books?hl=en&lr=&id=KZlavRmNPtkC&oi=fnd&pg=PA8&dq=mothman&ots=KSz4GP-jP7&sig=-WwUOFtlxYvPePGyE-MwpPccj4s#v=onepage&q&f=false

Daly, J. (2020). Narrative Hijacking: Mothman and the Silver Bridge Collapse. https://digitalcommons.usu.edu/cgi/viewcontent.cgi?article=2279&context=researchweek

Gettysburg Times. (1966, December 1). Monster Bird With Red Eyes May Be Crane. p. 12. Retrieved from https://news.google.com/newspapers?id=LG0mAAAAIBAJ&sjid=Rf8FAAAAIBAJ&pg=620,2790721&dq=point+pleasant+roger+scarberry&hl=en

Point Pleasant Register. (1966, November 16). Couples See Man-Sized Bird...Creature...Something. Retrieved from https://web.archive.org/web/20071011230219/http://www.westva.net/mothman/1966-11-16.htm

#certainly strange #nemo #podcast #mothman #urban legend #urban legends #folklore #lore

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blackkudos · 5 years ago

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Carrie Mae Weems

Carrie Mae Weems (born April 20, 1953) is an American artist who works with text, fabric, audio, digital images, and installation video, and is best known for her work in the field of photography. Her award-winning photographs, films, and videos have been displayed in over 50 exhibitions in the United States and abroad, and focus on serious issues that face African Americans today, such as racism, sexism, politics, and personal identity.

She said, "Let me say that my primary concern in art, as in politics, is with the status and place of Afro-Americans in the country." More recently however, she expressed that "Black experience is not really the main point; rather, complex, dimensional, human experience and social inclusion ... is the real point."

Early life and education

Weems was born in Portland, Oregon, in 1953, the second of seven children to Carrie Polk and Myrlie Weems. She began participating in dance and street theater in 1965. At the age of 16 she gave birth to her first and only child, a daughter named Faith C. Weems. Later that year she moved out of her parents’ home and soon relocated to San Francisco to study modern dance with Anna Halprin at a workshop Halprin had started with several other dancers, as well as the artists John Cage and Robert Morris. She decided to continue her arts schooling and attended the California Institute of the Arts, Valencia, graduating at the age of 28 with her B.A. She received her MFA from the University of California, San Diego. Weems also participated in the folklore graduate program at the University of California, Berkeley.

While in her early twenties, Carrie Mae Weems was politically active in the labor movement as a union organizer. Her first camera, which she received as a birthday gift, was used for this work before being used for artistic purposes. She was inspired to pursue photography after she came across The Black Photography Annual, a book of images by African-American photographers including Shawn Walker, Beuford Smith, Anthony Barboza, Ming Smith, Adger Cowans, and Roy DeCarava, who Weems found inspiring. This led her to New York City, and the Studio Museum in Harlem, where she began to meet other artists and photographers such as Coreen Simpson and Frank Stewart, and they began to form a community. In 1976 Weems took a photography class at the Museum taught by Dawoud Bey. She returned to San Francisco, but lived bi-coastally and was invited by Janet Henry to teach at the Studio Museum and a community of photographers in New York.

Career and work

In 1983, Carrie Mae Weems completed her first collection of photographs, text, and spoken word, called Family Pictures and Stories. The images told the story of her family, and she has said that in this project she was trying to explore the movement of black families out of the South and into the North, using her family as a model for the larger theme. Her next series, called Ain't Jokin', was completed in 1988. It focused on racial jokes and internalized racism. Another series called American Icons, completed in 1989, also focused on racism. Weems has said that throughout the 1980s she was turning away from the documentary photography genre, instead "creating representations that appeared to be documents but were in fact staged" and also "incorporating text, using multiples images, diptychs and triptychs, and constructing narratives." Sexism was the next focal point for her. It was the topic of one of her most well known collections called The Kitchen Table series which was completed in over a two year period, 1989 to 1990 and has Weems cast as the central character in the photographs. About Kitchen Table and Family Pictures and Stories, Weems has said: "I use my own constructed image as a vehicle for questioning ideas about the role of tradition, the nature of family, monogamy, polygamy, relationships between men and women, between women and their children, and between women and other women—underscoring the critical problems and the possible resolves." She has expressed disbelief and concern about the exclusion of images of the black community, particularly black women, from the popular media, and she aims to represent these excluded subjects and speak to their experience through her work. These photographs created space for other black female artists to further create art. Weems has also reflected on the themes and inspirations of her work as a whole, saying,

... from the very beginning, I've been interested in the idea of power and the consequences of power; relationships are made and articulated through power. Another thing that's interesting about the early work is that even though I've been engaged in the idea of autobiography, other ideas have been more important: the role of narrative, the social levels of humor, the deconstruction of documentary, the construction of history, the use of text, storytelling, performance, and the role of memory have all been more central to my thinking than autobiography.

Other series created by Weems include: the Sea Island Series (1991–92), the Africa Series (1993), From Here I Saw What Happened and I Cried (1995–96), Who What When Where (1998), Ritual & Revolution (1998), the Louisiana Project (2003), Roaming (2006), and the Museum Series, which she began in 2007. Her most recent project, Grace Notes: Reflections for Now, is a multimedia performance that explores "the role of grace in the pursuit of democracy."

In her almost 30-year career, Carrie Mae Weems has won numerous awards. She was named Photographer of the Year by the Friends of Photography. In 2005, she was awarded the Distinguished Photographer's Award in recognition of her significant contributions to the world of photography. Her talents have also been recognized by numerous colleges, including Harvard University and Wellesley College, with fellowships, artist-in-residence and visiting professor positions. She taught photography at Hampshire College in the late 1980s. She was awarded a MacArthur Foundation Fellowship in 2013. In 2015 Weems was named a Ford Foundation Art of Change Fellow. In September 2015, the Hutchins Center for African & African American Research presented her with the W. E. B. Du Bois Medal.

The first comprehensive retrospective of her work opened in September 2012 at the Frist Center for the Visual Arts in Nashville, Tennessee, as a part of the center's exhibition Carrie Mae Weems: Three Decades of Photography and Video. Curated by Katie Delmez, the exhibition ran until January 13, 2013, and later traveled to Portland Art Museum, Cleveland Museum of Art, and the Cantor Center for Visual Arts. The 30-year retrospective exhibition opened in January 2014 at the Solomon R. Guggenheim Museum in New York City. This was the first time an "African-American woman [was] ever given a solo exhibition" at the Guggenheim. Weems' work returned to the Frist in October 2013 as a part of the center's 30 Americans gallery, alongside black artists ranging from Jean-Michel Basquiat to Kehinde Wiley.

Weems' work is included in the collections of the Metropolitan Museum of Art and the Museum of Modern Art, New York; the Museum of Fine Arts, Houston, the Minneapolis Institute of Arts, the Cleveland Museum of Art, the Portland Art Museum, the Tate Museum in London and the Museum of Contemporary Art, Los Angeles. Weems has been represented by Jack Shainman Gallery since 2008.

A full-color, visual book, titled Carrie Mae Weems, was published by Yale University Press in October 2012. The book offers the first major survey of Weems' career and includes a collection of essays from leading and emerging scholars in addition to over 200 of Weems' most important works.

Weems lives in Fort Greene, Brooklyn and Syracuse, New York, with her husband Jeffrey Hoone. She continues to produce art that provides social commentary on the experiences of people of color, especially black women, in America.

Weems is one of six artist-curators who made selections for Artistic License: Six Takes on the Guggenheim Collection, on view at the Solomon R. Guggenheim Museum from May 24, 2019, through January 12, 2020.

Select exhibitions

Presentations of her work have included exhibitions at:

Women in Photography, Cityscape Photo Gallery, Pasadena, CA, 1981

Multi-Cultural Focus, Barnsdall Art gallery, Los Angeles, CA, 1981

Family Pictures and Stories, Multi-Cultural Gallery, San Diego, CA, 1984

People Close Up, Fisher Gallery, University of Southern California, Los Angeles, CA, 1986

Social Concerns, Maryland Institute of Art, Baltimore, MD, 1986

Past, Present, Future, The New Museum, New York, NY, 1986

Visible Differences, Centro Cultural de la Raza, San Diego, CA, 1987

The Other, The Houston Center for Photography, Houston, TX, 1988

A Century of Protest, Williams College, Williamstown, MA, 1989

Black Women Photographers, Ten.8, London, England, 1990

Who Counts?, Randolph Street Gallery, Chicago, IL, 1990

Biological Factors, Nexus Gallery, Atlanta, GA, 1990

Trouble in Paradise, MIT List Visual Arts Center, Boston, MA, 1990

Whitney Biennial, The Whitney Museum of American Art, New York, NY, 1991

Of Light and Language, Pittsburgh Center for the Arts, Pittsburgh, PA, 1991

Pleasures and terrors of Domestic Comfort, MOMA, New York, NY, 1991

Calling Out My Name, CEPA Gallery, Buffalo, NY (traveled to PPOW gallery, New York, NY), 1991

Disclosing the Myth of Family, School of the Art Institute of Chicago, Chicago, IL, 1992

Schwarze Kunst: Konzepte zur Politik und Identitat, Neue Gesellschaft fur dingende Kunst, Berlin, Germany, 1992

Dirt and Domesticity: Constructions of the Feminine, Whitney Museum of American Art, at Equitable Center, New York, NY, 1992

Art, Politics, and Community, William Benton Museum of Art, University of Connecticut, Mansfield, CT (traveled to Tyler School of Art, Temple University, Philadelphia, PA), 1992

Mis/Taken identities, University Art Museum, University of California, Santa Barbara, CA (traveled to Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremen im Forum Langenstraße, Germany; Louisiana Museum of Modern Art, Humlebaek, Denmark; Western Gallery, Western Washington University, Bellingham, WA), 1992–1994

Photography: Expanding the Collection, Whitney Museum of American Art, New York, NY, 1992–1994

Sea Island, The Fabric Workshop, Philadelphia, PA, 1993

Carrie Mae Weems (traveling exhibition), The National Museum of Women in the Arts, Washington, DC, 1993

And 22 Million Very Tired and very Angry People, Walter/McBean gallery, San Francisco Art Institute San Francisco, CA, 1993

Enlightenment, Revolution, A Gallery Project, Ferndale, MI, 1993

Fictions of the Self: The Portrait in Contemporary Photography, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC; Herter Art Gallery, University of Massachusetts, Amherst, MA, 1993–1994

The Theatre of Refusal: Black Art and the Mainstream Criticism, Fine Arts Gallery, University of California, Irvine, CA (traveled to University of California, Davis, CA; and University of California, Riverside, CA), 1993–1994

Women's Representation of Women, Sapporo American Center Gallery, Sapporo, Japan (traveled to Aka Renga Cultural Center, Fukuoka City, Japan; Kyoto International Community House, Kyoto, Japan; Aichi Prefectural Arts Center, Nagoya, Japan; Osaka Prefectural Contemporary Arts Center, Japan; Spiral Arts Center, Tokyo, Japan), 1994

Imagining Families: Images and Voices, The Smithsonian Institution, Washington, DC, 1994–1995

Black Male, Representations of Masculinity in Contemporary American Art, The Whitney Museum of American Art, New York, NY, and The Armand Hammer Museum of Art, Santa Monica, CA, 1994–1995

Carrie Mae Weems Reacts to Hidden Witness, J. Paul Getty Museum of Art, Malibu, CA, 1995

Projects 52, Museum of Modern Art, New York, NY, 1995

StoryLand: Narrative Vision and Social Space, Walter Phillips gallery, The Banff Center for the Arts, Banff, Canada, 1995

Embedded Metaphor, Traveling exhibit, curated by Nina Felshin, 1996

Inside the Visible, Institute of Contemporary Art, Boston, MA; The National Museum of Women in the Arts, Washington, D.C., international traveling exhibition, 1996

Gender - Beyond Memory, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, 1996

2nd Johannesburg Biennale, Africus Institute for Contemporary Art, Johannesburg, South Africa, 1997

Bearing Witness: Contemporary Works by African-American Artists, traveling exhibition, 1998

Taboo: Repression and Revolt in Modern Art, Gallery St. Etienne, New York, NY, 1998

Tell me a Story: Narration in Contemporary Painting and Photography, Center National d'Art Contemporain de Grenoble, Grenoble, France, 1998

Recent Work: Carrie Mae Weems 1992–98, Everson Art Museum, Syracuse, NY, 1998–1999

Who, What, When, and Where, Whitney Museum of American Art at Phillip Morris, New York, NY, 1998–1999

Ritual & Revolution, DAK'ART 98: Biennale of Contemporary Art, Galerie National d'Art, Dakar, Senegal, 1998–1999

It's Only Rock and Roll, traveling exhibition, 1999

Claustrophobia: Disturbing the Domestic in Contemporary Art, traveling exhibition, 1999

Histories (Re)membered, The Bronx Museum of Art, New York, NY, 1999

Carrie Mae Weems: The Hampton Project, Williams College Museum of Art, Williamstown, MA, 2000–2003

Looking Forward, Looking Back, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2000

Material and Matter: Loans to and Selections from the Studio Museum Collection, The Studio Museum in Harlem, NY, 2000

The View From Here: Issues of Cultural Identity and Perspective in Contemporary Russian and American Art, Tretyakov Gallery, Moscow, Russia, 2000

Strength and Diversity: A Celebration of African-American Artists, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, 2000

Reflections in Black: A History of Black Photographers 1840 to the Present, Smithsonian Anacostia Museum and Center for African American History and culture, Washington, DC, 2000

History Now, touring exhibition beginning at the Liljevalchs Konsthall and Riksutstallningar, Stockholm, Sweden, 2002

Pictures, Patents, Monkeys, and More... On Collecting, traveling exhibition curated by Independent curators International, Institute of Contemporary Art, Philadelphia, PA, 2002

The Louisiana Project, Newcomb Art Gallery, Tulane University, New Orleans, LA, 2003

Cuba on the Verge, International Center of Photography, New York, NY, 2003

Crimes and Misdemeanors: Politics in U.S. Art of the 1980s, Lois & Richard Rosenthal center for Contemporary Art, Cincinnati, OH, 2003

Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, TX, 2004

Beyond Compare: Women Photographers on Beauty, BCE, Toronto (traveling exhibit), 2004

African American Art - Photographs from the Collection, Saint Louis Art Museum, Saint Louis, MO, 2005

Figuratively Speaking, Miami Art Museum, Miami, FL, 2005

The Whole World is Rotten, Jack Shainman gallery, New York, NY, 2005

Common Ground: Discovering Community in 150 Years of Art, Corcoran Gallery of Art, Washington, DC, 2005

Out of Time: A Contemporary View, Museum of Modern Art, New York, NY, 2006

Black Alphabet: Contexts of Contemporary African-American Art, Zacheta national gallery of Art, Warsaw, Poland, 2006

Hidden in Plain Sight, Metropolitan Museum of Art, New York, NY, 2007

Embracing Eatonville, University of Michigan Museum of Art, Ann Arbor, MI, 2007

The 21st century, The Feminine Century, and the century of Diversity and Hope, 2009 International Incheon Women Artists' Biennial, Incheon, South Korea, 2009–2010

Colour Chart: Reinventing Color, 1950 to Today, Tate Liverpool, UK, 2009–2010

Afro Modern: Journeys through the Black Atlantic, Tate Liverpool, UK, 2009–2010

From Then to Now: Masterworks of Contemporary African American Art, Museum of Contemporary Art, Museum of Contemporary Art, Cleveland, OH, 2009–2010

Carrie Mae Weems: Estudios Sociales, Centro Andaluz de Arte Contemporáneo, Seville, Spain, 2010

Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York, NY, 2010

Slow Fade to Black, Jack Shainman Gallery, New York, NY, 2010

The Record: Contemporary Art and Vinyl, Nasher Museum, Durham, NC, 2010

Myth, Manners and Memory: Photographers of the American South, De La Warr Pavilion, East Sussex, UK, 2010

Off the Wall: Part 1 – Thirty Performative Actions, Museum of Contemporary Art, Cleveland, OH, 2010

The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973–1991, Neuberger Museum of Art, Purchase College, Purchase, New York, NY, 2010

Posing Beauty: African American Images From the 1890s to the Present, Newark Museum, Newark, NJ, 2010

Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists, Bronx Museum, Bronx, NY, 2010

Unsettled: Photography and Politics in Contemporary Art, Philadelphia Museum of Art, Philadelphia, PA, 2010

Carrie Mae Weems: Three Decades of Photography and Video, Frist Center for the Visual Arts, Nashville, TN, 2012

This Will Have Been: Art, Love & Politics in the 1980s, Walker Art Center, Minneapolis, MN, 2012

La Triennale: Intense Proximity, Palais de Tokyo, Paris, France, 2012

Havana Biennial, Havana, Cuba, 2012

The Maddening Crowd (video installation), McNay Art Museum, Sa Antonio, TX, 2012

Carrie Mae Weems: Three Decades of Photography and Video, Portland Art Museum, Portland, OR; Cleveland Museum of Art, Cleveland, OH; Cantor Center for the Visual Arts, Stanford, CA, 2013

Feminist And..., The Mattress Factory, Pittsburgh, PA, 2013

Seven Sisters, Jenkins Johnson Gallery, San Francisco, CA, 2013

Carrie Mae Weems: Three Decades of Photography and Video, Solomon R. Guggenheim Museum. New York, NY, 2014

P.3 Prospect New Orleans, The McKenna Museum, New Orleans, LA, 2014

Color: Real and Imagined, Pippy Houldsworth Gallery, London, England, 2014

Carrie Mae Weems: The Museum Series, Studio Museum in Harlem, New York, NY, 2014

Wide Angle: American Photographs, University of Kentucky, Lexington, KY, 2014

The Memory of Time, The National Gallery of Art, Washington, DC, 2015

Triennale di Milano, Milan, Italy, 2015

Winter in America, The School (Jack Shainman Gallery), 2015

An Exhibition of African American Photographers from the Daguerreian to the Digital Eras, Marshall Fine Arts Center at Haveford College, Haveford, PA, 2015

Represent: 200 years of African American Art, Philadelphia Museum of Art, Philadelphia, PA, 2015

Under Color of Law, The Philip and Muriel Berman Museum of Art and Ursinus College, Collegeville, PA, 2015

30 Americans, Detroit Institute of Arts, 2015

Grace Notes: Reflections for Now, Spoleto Festival, Spoleto, Italy, 2016

The Ethelbert Cooper Gallery of African & African American Art. Cambridge, MA, 2016

Viewpoints, Henry Art Gallery, University of Washington, Seattle, WA (February 18–June 18, 2017)

We Wanted a Revolution: Black Radical Women, 1965–85, Brooklyn Museum, Brooklyn, NY (April 21–September 17, 2017)

Blue Black, Pulitzer Arts Foundation, St. Louis, MO (June 9–October 7, 2017)

Matera Imagined: Photography and a Southern Italian Town, American Academy in Rome, Rome, Italy (2017)

...And the People, Maruani Mercer, Knokke, Belgium (August 5–September 4, 2017)

Medium, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA (August 29–December 3, 2017)

Carrie Mae Weems: Ritual and Revolution, Block Museum of Art, Northwestern University, Evanston, IL (September 12–December 10, 2017)

Dimensions of Black, Manetti Shrem Museum of Art, University of California, Davis, Davis, CA (September 17–December 28, 2017)

Posing Beauty in African American Culture, Mobile Museum of Art, Mobile, AL (October 6, 2016 – January 21, 2018)

We Wanted a Revolution: Black Radical Women, 1965–85, California African American Museum, Los Angeles, CA (October 13, 2017 – January 14, 2018)

Edward Hopper Citation of Merit in the Visual Arts Recipient Exhibition, Carrie Mae Weems: Beacon, Nyack, NY (November 10, 2017 – February 25, 2018)

Making Home: Contemporary Works From the DIA, Detroit Institute of Arts, Detroit, MI (December 1, 2017 – June 6, 2018)

We Wanted a Revolution: Black Radical Women, 1965–85, Institute of Contemporary Art, Boston, MA (June 27–September 30, 2018)

Be Strong and Do Not Betray Your Soul: Selections from the Light Work Collection, Light Work, Syracuse, NY (August 27–October 18, 2018)

Carrie Mae Weems: Strategies of Engagement, McMullen Museum of Art, Boston College, Boston, MA (September 10–December 13, 2018)

Family Pictures, Milwaukee Art Museum, Milwaukee, WI (September 14, 2018 – January 20, 2019)

Heave, 2018 Cornell University Biennial, Cornell University, Ithaca, NY (September 20, 2018–November 5, 2018)

Carrie Mae Weems: Strategies of Engagement, Allentown Art Museum, Allentown, PA (January 13, 2019–May 5, 2019)

Carrie Mae Weems II Over Time, Goodman Gallery, Johannesburg, South Africa (September 7, 2019–October 5, 2019)

Awards

2005: Distinguished Photographers Award

2007: Anonymous Was A Woman Award

2013: Congressional Black Caucus Foundation's Lifetime Achievement Award

2013: MacArthur Fellow, "Genius" Award

2014: BET Visual Arts Award

2014: Lucie Award

2015: ICP Spotlights Award from the International Center of Photography.

2015: Ford Foundation Art of Change Fellow

2015: W.E.B. Du Bois Medal from Harvard University

2015: Honorary Doctorate from the School of Visual Arts

2016: National Artist Award, Anderson Ranch Arts Center

2016: Roy and Edna Disney Cal Arts Theatre

2016: College Arts Association

2016: DeFINE ART

2016: Art of Change Fellow, Ford Foundation

2017: Honorary Doctor of Fine Arts degree from Syracuse University

2017: Inga Maren Otto Fellowship, The Watermill Center

2019: Honorary Fellowship of the Royal Photographic Society, Bristol.

Publications

Carrie Mae Weems : The Museum of Modern Art (N.Y.), 1995.

Carrie Mae Weems : Image Maker, 1995.

Carrie Mae Weems : Recent Work, 1992––1998, 1998.

Carrie Mae Weems: In Louisiana Project, 2004.

Carrie Mae Weems: Constructing History, 2008.

Carrie Mae Weems : Social Studies, 2010.

Carrie Mae Weems : Three Decades of Photography and Video, 2012.

Carrie Mae Weems: Kitchen Table Series, 2016.

#04/20

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prehistoricsounds · 5 years ago

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Great Australian Warehouse Sale

Today was originally supposed to be Record Store Day Australia 2020 (it will be later in the year) But today is the beginning of the Great Australian Warehouse Sale. We have over 500 items on offer!

We have plunged the depths of our own warehouse as well as some great offers from our suppliers. Some of the items could have slight imperfections but are priced accordingly.

Items start at less than $10! With discounts of up to 60%!

We're open from 11am till 2pm today or visit https://www.prehistoricsounds.com.au/store/Warehouse-Sale-c48362068

Warrnambool Residents can choose the local pick up option and either pick up or we will deliver for free!

Here’s The List

!!! - All U Writers / Gonna Guetta Stomp [12"], Single, Ltd - $9.50 !!! - Thr!!!er [LP] - $22.00 Adam Torres - Pearls To Swine [LP] - $20.00 Aerosmith - Permanent Vacation [LP] - $25.00 Agenda Of Swine - Waves Of Human Suffering [LP], Ltd, Gre - $14.00 Agustin Pereyra Lucena - Agustin Pereyra Lucena [LP], RE, RP - $20.00 AIR - Casanova 70 [12"], Single, Ltd, RE, (Clear) - $20.00 Albino Python - The Doomed And The Damned [LP], Ltd, (Purple) - $22.00 Alexandre Desplat - Godzilla (OST) [2LP], Ltd, Num, (Red) - $30.00 Alicja-Pop - Rats (Home Recordings 2009-2013) [LP] - $20.00 Aloe Blacc - Lift Your Spirit [LP] - $22.00 Alpha Tiger - iDENTITY [LP], (Red) + CD - $20.00 Amanda Palmer & Edward Ka-Spel - I Can Spin A Rainbow [2LP] - $32.00 American Wrestlers - American Wrestlers [LP] - $20.00 Amorphous Androgynous - A Monstrous Psychedelic Bubble Exploding In Your Mind - The Wizards Of Oz [2LP], Comp, Mixed, Gat - $50.00 Andrew W.K. - 55 Cadillac [LP], Ltd - $40.00 Angry Angles - Angry Angles [LP], Comp - $25.00 Angus & Julia Stone - A Book Like This [2LP] - $25.00 Animal Collective - Danse Manatee [LP], RM, DMM - $25.00 Armored Saint – Armored Saint [12"], EP, Ltd, RE, (Red) - $22.00 Art & Language And Red Krayola - Corrected Slogans [LP], RE - $18.00 Atomic Suplex - Bathroom Party [LP] - $18.00 Atreyu - Long Live [LP] - $25.00 Audacity - Butter Knife [LP], Ltd, (Gold) - $18.00 Augie March - Bootikins [LP] - $34.00 Austra - Future Politics [LP], Ltd, (Red) - $24.00 Axegrinder - The Rise Of The Serpent Men [LP], RE, (Red) - $30.00 AXIS:SOVA - Motor Earth [LP] - $25.00 Barb Wire Dolls - Desperate [LP] - $20.00 Bardo Pond - Looking For Another Place [12"], Ltd - $32.00 Bayside - Vacancy [LP], (Yellow) - $24.00 Beat Connection - Product 3 [LP] - $20.00 Beck - Dreams [12"], Single, Ltd, Emb - $25.00 Becky Lee And Drunkfoot - Hello Black Halo [LP] + CD - $20.00 Beech Creeps - Beech Creeps [LP] - $20.00 Belphegor - Conjuring The Dead [LP], Ltd - $34.00 Bible Of The Devil - For The Love Of Thugs & Fools [LP], Ltd, (Clear) - $20.00 Big Jim Sullivan - Sitar Beat [LP], RE - $22.00 Big Scary - Four Seasons [LP], Comp - $30.00 Big Smoke - Time Is Golden [LP], RE - $32.00 Big Star - Complete Columbia: Live At University Of Missouri 4/25/93 [2LP], Ltd, RE - $32.00 Birth - Birth [12"] - $18.00 Bison Machine - Hoarfrost [LP], Ltd - $28.00 Blaak Heat Shujaa - The Edge Of An Era [LP] - $20.00 Black Magic Six - Halfway To Hell [12"], MiniAlbum, Ltd - $18.00 Blackwood Jack - Triggers [12"], EP - $18.00 Blank Realm - Illegals In Heaven [LP] - $17.50 Blessed Feathers - There Will Be No Sad Tomorrow [LP], Club, (Purple) - $19.50 Blues Control - Valley Tangents [LP] - $15.00 Bob Evans - Familiar Stranger [LP] - $32.00 Bobby Darin - Bobby Darin [LP], RE - $16.00 Bon Jovi - This House Is Not For Sale [LP] - $30.00 Bonnie "Prince" Billy - Wolfroy Goes To Town [LP] - $22.00 Born From Pain - Reclaiming The Crown [LP], Ltd, RE - $25.00 Born Of Osiris - The Eternal Reign [LP], (Orange) - $42.00 Brat Farrar - Brat Farrar [LP], (Clear) - $15.00 Brendan Welch - The Gleaner [LP] - $18.00 Brian May - Mad Max 2: Road Warrior OST [LP] - $18.00 Brian May - Patrick (OST) [LP], Ltd, RE, RM, (Blood Red) - $24.00 Brian May - The Day After Halloween (OST) [LP], Ltd, RE, RM, (Orange) - $30.00 Brian May - Thirst (OST) [LP], Ltd, RM, (Blood Red) - $24.00 British Sea Power - Machineries Of Joy [LP] - $25.00 Bruce Gilbert · Graham Lewis - 3R4 [LP], RE - $25.00 Bubbles - Raw And Unreleased [LP], Comp - $20.00 Buffalo Summer - Second Sun [LP], Ltd, (Orange) - $25.00 Bunny Lee - Kingston Flying Cymbals (Dubbing With The Flying Cymbals Sound 1974 - 1979) [LP], Comp - $20.00 Burn Pilot - Riots In Jerusalem [LP] - $20.00 Bushman - Higher Ground [LP] - $15.00 Buzzcocks - A Different Kind Of Tension [LP] - $30.00 Carcass - Choice Cuts [2LP], Comp, Ltd, (Red) - $36.00 Catherine's Horse - Garage (Blue)es From Connecticut [LP], Ltd, RP - $24.00 CCR Headcleaner - Lace The Earth 2013 With Arms Wide Open [LP] - $16.00 Cellar Darling - This Is The Sound [2LP] - $26.00 Cellophane Suckers - White Pants, White Heat. [12"] - $24.00 Cellos - Bomb Shelter [12"], EP, Ltd, (Gold) - $20.00 Chadwick Stokes - The Horse Comanche [LP], Gat - $32.00 Charley Patton - Complete Recorded Works In Chronological Order Volume 4 [LP], Comp, 180 - $25.00 Cheater Slicks - Destination Lonely [LP], RE - $18.00 Cherry Glazerr - Stuffed & Ready [LP], Ltd, (Red) - $38.00 Children Of Bodom - I Worship Chaos [LP] - $24.00 Clever - Kewdi Udi [12"], Ltd - $22.00 Clint Mansell - In The Wall (OST) [LP], Ltd, Bro - $26.00 Clock Cleaner - Auf-Wiedersehen [12"] - $18.00 Coda Chroma - Coda Chroma [LP], Ltd, Num, (White) - $25.00 Coin Banks - Heads & Tails [LP], Comp, Ltd, Sil - $22.00 Cola Freaks - Cola Freaks [LP] - $16.00 Conan - Existential Void Guardian [2LP] - $25.00 Courtney Barnett - Kim's Caravan [12"], Ltd - $15.00 Cowbell - Skeleton Soul [LP] - $18.00 Crobot - Welcome To Fat City [LP] - $28.00 Crystal Fairy - Crystal Fairy [LP] - $26.00 Cuntz - Force The Zone [LP] - $20.00 Cuntz - Here Come The Real Boys [LP] - $20.00 Cuntz - Solid Mates [LP], Ltd - $18.00 Cybotron - Sunday Night At The Total Theatre [LP], RE - $22.00 Damien Jurado - Brothers And Sisters Of The Eternal Son [LP] - $20.00 Dan Melchior - K-85 [LP] - $20.00 Daniel Vega - La Noche Que Precede A La Batalla [LP], RE - $17.50 Danny Graham - Danny Graham [LP], RE, RM - $25.00 Dark Angel - Live Scars [LP], Ltd, RE, 180 - $20.00 Daughter - Not To Disappear [LP] - $24.00 David Bridie - Wake [LP], Ltd - $34.00 David Guetta Feat. Sam Martin - Dangerous (Remixes EP) [12"], EP - $16.50 Dead Farmers - Wasteland [LP] - $18.00 Dead Fucking Last - Proud To Be [LP], RE, Gre - $20.00 Dead Hookers - The Burial/The Rebirth [LP] - $18.00 Deaf Wish - Deaf Wish [LP], Ltd, RE, Gre - $22.00 Deap Vally - Femejism [LP], Ltd, Mar - $40.00 Deftones - Covers [LP], Comp, Ltd - $22.00 Dexter Romweber - Carrboro [LP], 180 - $25.00 Diablo Blvd - Follow The Deadlights [LP] - $20.00 Die Kreuzen - October File [LP], RE - $20.00 Diskaholics Anonymous Trio - Live In Japan Vol. 1 [LP] - $22.00 Dixie Witch - Let It Roll [LP] - $20.00 Doctor Midnight & The Mercy Cult - I Declare: Treason [LP], Ltd, Glo - $16.00 Dor Koren - Bigfoot [LP], (Purple) - $22.00 Drakkar Sauna - 20009 [LP] - $12.00 Dreadnaught - Caught The Vultures Sleeping [LP] - $25.00 Drnwyn - Gypsies In The Mist [LP], RE - $20.00 Dub Narcotic Sound System - Boot Party [LP] - $22.00 Duran Duran - Budokan [LP], Ltd - $36.00 Dwarves - Invented Rock & Roll [LP] - $20.00 Earthless - Sonic Prayer Jam [12"], Gre - $26.00 Eat Skull - III [LP] - $16.00 Els Masturbadors Mongolics - Els Masturbadors Mongolics [LP] - $22.00 Empire Of The Sun - Two Vines [LP], Gat - $26.00 Ennio Morricone - Butterfly (Original Soundtrack) [LP], RE - $20.00 Esben And The Witch - Wash The Sins Not Only The Face [LP] + 7" + CD + Ltd - $22.00 Every Time I Die - Low Teens [LP] - $20.00 Exene Cervenka - The Excitement Of Maybe [LP], Ltd - $16.00 Exhaustion - Biker [LP] - $25.00 Exhaustion - Phased Out [12"], EP - $14.00 Exhumed - Garbage Daze Re-Regurgitated [LP] - $24.00 Exploded View - Exploded View [LP] - $30.00 Eyes Ninety - Eyes Ninety [LP] - $18.00 Fear Like Us - Succour [LP] - $18.00 Finch - What It Is To Burn X Live [2LP], (White) - $32.00 Finntroll – Bloodsvept [LP] - $26.00 Flat Duo Jets - Go Go Harlem Baby [LP], RE - $22.00 Footy - Record [LP] - $15.00 Gerald V. Casale w/ Italy's Phunk Investigation - It's All Devo [LP], Ltd - $22.00 Germs - Germicide [LP], RE, 180 - $32.00 Get The Hater - Get The Hater [12"] - $12.50 GG King - Unending Darkness [LP] - $20.00 Giuda - Racey Roller [LP], RE - $28.00 Godflesh - Decline & Fall [12"], EP - $20.00 Gone Is Gone - Gone Is Gone [12"], EP, Ltd, (Clear) - $24.00 GravelRoad - Psychedelta [LP], (Yellow) - $20.00 Grim Tower - Anarchic Breezes [LP], (White) - $18.00 Guided By Voices - Let's Go Eat The Factory [LP] - $24.00 Guided By Voices - The Bears For Lunch [LP] - $20.00 Handguns - Disenchanted [LP], Hal - $18.00 Hanni El Khatib - Moonlight [LP] - $20.00 Heads. - Heads. [LP], Ltd, 180 - $20.00 Heavy Times - Fix It Alone [LP] - $18.00 Heavy Trash - Midnight Soul Serenade [LP] - $22.00 High Priest Of Saturn - High Priest Of Saturn - $22.00 Holy Balm - It's You [LP] - $16.00 Home Blitz - Frozen Track [12"], EP, Ltd - $10.00 Honey Hahs - Dear Someone, Happy Something [LP] - $28.00 Howard Eynon - So What If Im Standing In Apricot Jam [LP], RE + Flexi, 7", Ltd - $20.00 Howl At The Moon - A Slave To The Ghost [2LP], Dlx, Bla - $30.00 Howlin Rain - Mansion Songs [LP] - $20.00 Hudson Mohawke - Ded5ec - Watch Dogs 2 O5T [2LP], Ltd - $26.00 I Am Duckeye - Songs From The Gunt [LP], Ltd, Gre - $20.00 Iggy Azalea - Reclassified [2LP] - $30.00 Indica - Stone Future Hymns [LP], Ltd - $30.00 Jaala - Joonya Spirit [LP] - $26.00 Jad Fair & Norman Blake - Yes [LP], (Red) - $22.00 Jaga Jazzist - Starfire [LP] - $20.00 Jail Weddings - Four Future Standards [12"], EP, Ltd, (Red) - $16.00 Jail Weddings - Love Is Lawless [LP] - $18.00 James Mccann And The New Vindictives - James Mccann And The New Vindictives [LP] - $22.00 James McCann's Dirty Skirt Band - Lost Property [12"], MiniAlbum, Ltd, Num - $18.00 Jay Reatard - Blood Visions [LP] - $20.00 Jayne Mansfield - Jayne Mansfield In Las Vegas [LP], RE, Unofficial, Pin - $15.00 Jeff Grace - The House Of The Devil [LP] - $32.00 Jeff The Brotherhood - Wasted On The Dream [LP] - $25.00 Jerry Lee Lewis - Whole Lotta Shakin' Goin' On [LP], Comp, RE, 180 - $25.00 Joe Delia - Ms.45 - OST [LP], Ltd, RM, (Clear) - $26.00 Joe Satriani - Joe Satriani [12"], EP, Ltd, Num, RE, RM, 180 - $25.00 Joe Strummer - Gangsterville [12"], EP - $18.00 John Sangster - Ahead Of Hair [LP], Ltd, RE - $26.00 John Sangster - The Joker Is Wild [LP], Ltd, RE - $26.00 John Wesley Coleman - The Last Donkey Show [LP] - $18.00 Junior Kimbrough + Daft Punk - I Gotta Try You Girl (Daft Punk Edit) [12"], S/Sided, Etch, Ltd - $15.00 Justin Greaves - The Devil's Business [LP] - $24.00 Kalevala - People No Names [LP], Ltd, RE, RM - $55.00 Katastrophy Wife - All Kneel [LP], S/Edition, (Blue) - $30.00 Keith Hudson - Entering The Dragon [LP], RE - $25.00 Kelley Stoltz - Double Exposure [LP] - $24.00 Kid Creole And The Coconuts - I Wake Up Screaming [2LP], Gat - $22.00 Kid Rock - Cocky [2LP], RE, Tur - $36.00 King Gizzard & The Lizard Wizard - 12 Bar Bruise (Green) [LP] - $32.00 King Gizzard And The Lizard Wizard - Gumboot Soup (Baby Blue) - $32.00 Kitty, Daisy & Lewis - Superscope [LP] - $24.00 KLOZAPIN - Klozapin [LP] - $16.50 Kurt Cobain - Montage Of Heck: The Home Recordings [2LP], Dlx, 180 - $45.00 Kyle Dixon & Michael Stein - Stranger Things 2 OST [2LP] - $25.00 Kyle Dixon & Michael Stein - Stranger Things: Halloween Sounds From The Upside Down (Pic Disc) [LP] - $18.00 L.A. Takedown - II [LP], 180 - $34.00 L7 - The Best Of The Slash Years (Green) [LP] - $50.00 Lacksley Castell - Princess Lady [LP], RE - $50.00 Leadfinger - Friday Night Heroes [LP], Num + CD - $32.00 Lee Perry - Holiness Righteousness [LP], Ltd, 180 - $22.00 Les Baxter - Les Baxter's Barbarian [LP], RE, 180 - $26.00 Little Cub - Still Life [LP], 180 - $24.00 Long John Baldry - Long John's Blues [LP], Mono, Ltd - $25.00 Lorelle Meets The Obsolete - On Welfare [LP] - $20.00 Lower Plenty - Life/Thrills [LP] - $15.00 Lower Plenty - Sister Sister [LP] - $20.00 Lymbyc Systym - Shutter Release [LP], (White) - $24.00 Lyres - A Promise Is A Promise [LP], RE, Gat - $22.00 Lyres - Lyres Lyres [LP], RE, 180 - $28.00 Lyres - On Fyre [LP], RE, 180 - $28.00 Machine Gun Fellatio - Paging Mr. Strike [2LP] - $45.00 Mad River - Mad River [LP], RE - $25.00 Madball - Hardcore Lives [LP] - $34.00 Man Man - Six Demon Bag [LP], Ltd, RE, 180 - $32.00 Man Or Astro-Man? - Your Weight On The Moon [LP], Comp, Pic - $30.00 Mark Lanegan - Scraps At Midnight [LP], RE, 180 - $28.00 Mark Lanegan Band - A Thousand Miles Of Midnight (Phantom Radio Remixes) [2LP] - $32.00 Mark Lanegan Band - Phantom Radio [LP], 180 - $35.00 Marty Friedman - Inferno [LP], Ltd - $20.00 Marvelous Darlings - Single Life [LP], Comp - $18.00 Marvin Gaye - I Heard It Through The Grapevine (Purple) [LP] - $20.00 Mastodon - The Motherload [12"], Single, Ltd, Pic - $25.00 Matthew E. White, Flo Morrissey - Gentlewoman, Ruby Man [LP] - $20.00 MDC - Elvis - In The Rheinland (Live In Berlin) [LP], RE - $32.00 MDC - Shades Of Brown [LP], RE, (Blue) - $32.00 MDC - This (Blood Red)od's For You [LP], RE, (Clear) - $22.00 Meat Loaf - Welcome To The Neighbourhood [LP] - $45.00 Meat Puppets - Monsters [LP], RE, RM - $22.00 Megadeth - The Threat Is Real [12"], Ltd, (White) - $18.00 Melbourne Ska Orchestra - Sierra Kilo Alpha [LP], 3D - $36.00 Men With Chips - Attention Spent [12"], Ltd - $25.00 Mike & Rich - Expert Knob Twiddlers [3LP], RE, RM - $49.50 Mike Adams At His Honest Weight - Casino Drone [LP] - $22.00 Mike Patton - Mondo Cane [LP], RE - $40.00 Miles Tackett - The Fool Who Wonders [LP] - $18.00 Minkions - Distorted Pictures From Distorted Reality [LP], Ltd, (Yellow) - $16.00 Miriam Linna - Nobody's Baby [LP] - $20.00 Mississippi Sheiks - Complete Recorded Works Presented In Chronological Order Volume 4 [LP], Comp, 180 - $25.00 Mississippi Sheiks - Complete Recorded Works Presented In Chronological Order Volume 5 [LP], Comp, 180 - $25.00 Mississippi Sheiks - Complete Recorded Works Presented In Chronological Order, Volume 1 [LP], Comp - $25.00 Mississippi Sheiks - Complete Recorded Works Presented In Chronological Order, Volume 2 [LP], Comp - $25.00 Mississippi Sheiks - Complete Recorded Works Presented In Chronological Order, Volume 3 [LP], Comp - $25.00 Missy Higgins - On A Clear Night (Clear) [LP] - $24.00 Missy Higgins - The Sound Of White (White) [LP] - $24.00 Mmoss - I [LP] - $20.00 Modest Mouse - Building Nothing Out Of Something [LP], Comp, RE, 180 - $25.00 Moon Duo - Escape [LP] - $24.00 Mordbrand - Imago [LP] - $22.00 Mother Earth - Stoned Woman [LP], Ltd, RE, 180 - $30.00 Movie Star Junkies - Son Of The Dust [LP] + CD - $20.00 MS MR - How Does It Feel [LP], (Red) - $30.00 Mudhoney - My Brother The Cow [LP], RE, 180 + 7", Promo, RE - $35.00 Mudhoney - Since We've Become Translucent [LP], RE - $26.00 Nachtmystium - Addicts - Black Meddle Pt. II [2LP], Ltd, Gre - $26.00 Nathan Bowles - Whole & Cloven [LP] - $25.00 Necronomicon Beast - Sowers Of Discord [LP] - $18.00 Neil Young & Crazy Horse - Colorado [2LP+7"] - $55.00 New Memphis Legs - Aaaa The New Memphis Legs [12"] - $20.00 Nickelback - The State [LP], RE - $24.00 Nico Fidenco - Emanuelle Perche' Violenza Alle Donne? - The Degradation Of Emanuelle [LP], Ltd, RE, (White) - $30.00 Night Horse - Perdition Hymns [2LP], (Red) - $20.00 Nü Sensae - Sundowning [LP], (Blue) - $18.00 OBN III's - Third Time To Harm [12"] - $20.00 Obnox - The Juke That Sat By The Door [12"], EP, (Clear) - $20.00 Of Montreal - Snare Lustrous Doomings [2LP], (Orange) + LP, (Yellow) + Album, Dlx, Ltd, 180 - $26.00 Old 97's - They Made A Monster: The Too Far To Care Demos [LP], Comp, Ltd, (Yellow) - $26.00 Omar Rodriguez-Lopez - Octopus Kool Aid [LP], Tra - $45.00 Oneohtrix Point Never - Commissions II [12"], EP, Ltd - $15.00 Opeth - Watershed (Gold) [2LP] - $28.00 Oren Ambarchi, Jim O'Rourke - Behold [LP] - $24.00 Otis Clay - I Can't Take It [LP], RE - $20.00 P.O.D. - The Awakening [LP] - $22.00 P'Taah - Staring At The Sun [2LP] - $24.00 Painted Wives - Obsessed With The End [LP] - $22.00 Palace Of The King - Valles Marineris [LP], Ltd, (Orange) - $26.00 Palma Violets - Danger In The Club [LP] - $22.00 Pascal Comelade + The Limiñanas - The Nothing-Twist [LP], Ltd, RE, (Yellow) - $24.00 Paul McCartney - Egypt Station [2LP] - $18.00 Peace - The World Is Too Much With Us [LP] - $18.00 Pere Ubu - Lady From Shanghai [2LP] - $26.00 Pererin - Tirion Dir [LP], Ltd, RE - $20.00 Perfect Pussy - Say Yes To Love [LP] - $22.00 Peter Buck - Peter Buck [LP], Ltd - $20.00 Philm - Fire From The Evening Sun [2LP], Ltd - $24.00 Pissed Jeans - The Best Of Sub Pop 2009-2013: "Live" At The BBC [12"], EP - $16.00 Powerwolf - Blessed & Possessed [LP], Ltd - $32.00 Prince Fatty Meets Mutant Hi-Fi - In Return Of Gringo! [LP] - $20.00 Purling Hiss - High Bias [LP] - $22.00 Purling Hiss - Weirdon [LP] - $20.00 Puscifer - Donkey Punch The Night [12"] - $15.00 Quatrain - Quatrain [LP], RE, (Red) + LP, (Orange) + Album - $25.00 Queen - A Day At The Races [LP] - $32.00 R.L. Burnside - An Ass Pocket Of Whiskey [LP] - $25.00 Ralph Jones - The Slumber Party Massacre [LP], Ltd, RE, (Clear) - $32.00 Rammstein - Rammstein [2LP] - $25.00 Rat Vs Possum - Let Music And Bodies Unite [LP] - $16.00 Rattus - Turta [LP] - $25.00 Raw Power – Tired And Furious [LP], Ltd, Gre - $32.00 Ray Campi - Rockabilly [LP], Mono, Ltd, RE - $20.00 Red Krayola - Amor And Language [12"], RE - $22.00 Red Krayola With Art & Language - Black Snakes [LP], RE - $20.00 Reggie And The Full Effect - No Country For Old Musicians [LP], Ltd, (Orange) - $18.00 Regurgitator - Mish Mash! [LP], RE, RM - $32.00 Retox - Beneath California [LP] - $20.00 Rimauri - D.O.C. [LP] - $10.00 Roger McGuinn - Cardiff Rose [LP], RE, 180 - $30.00 Rozwell Kid - Precious Art [LP], (Orange) - $24.00 Russell St Bombings - Russell St Bombings [LP] - $20.00 Samiam - Astray [LP], Ltd, Sil - $32.00 Sarofeen And Smoke - Sarofeen And Smoke [LP], RE - $40.00 Sea Bastard - Scabrous [2LP] - $30.00 Seaweed - Actions And Indications [LP], RE, RM - $26.00 Sewers - Hoisted [LP], Ltd - $15.00 Sewers - Weight [LP], Ltd - $18.00 Shawn Lee & Clutchy Hopkins - Fascinating Fingers [2LP] - $35.00 Shawn Lee's Ping Pong Orchestra - Moods And Grooves [2LP] - $28.00 Shihad - The General Electric [2LP] - $50.00 Shovels - Shovels [LP], Ltd - $20.00 Silver Apples - The Garden [LP], RE - $26.00 Silverchair - Diorama (White) [LP] - $24.00 Silverchair - Young Modern (Blue) [LP] - $24.00 Silverstein - This Is How The Wind Shifts [LP], RP, Hal - $22.00 Sixtyniners - Too Drunk To Truck [LP] - $20.00 Sky Needle - Rave Cave [LP] - $16.00 Sleaford Mods - Fizzy [12"], S/Sided, Etch - $22.00 Sleaford Mods - Live At SO36 [LP] - $25.00 Sleaford Mods - Tiswas EP [12"], EP, Ltd, (Orange) - $25.00 Soma Coma - Dust [12"] - $15.00 Some Jerks - Strange Ways [LP], Ltd, Num - $30.00 Sonic Youth - Slaapkamers Met Slagroom [12"], EP, RE - $25.00 Sonny And The Sunsets - Talent Night At The Ashram [LP], (Red) - $22.00 Sonny Vincent - Cyanide Consommé [LP] - $22.00 Sons Of Otis - Seismic [LP], Ltd - $24.00 Space God Ritual - Eldritch Tales [LP], Ltd, Num, (Clear) - $28.00 Spacejunk - Bite Your Tongue [LP] - $30.00 Speedy Ortiz - Major Arcana [LP] - $20.00 Spider Fever - Spider Fever [LP] - $18.00 Spock's Beard - The Oblivion Parti(Clear) [2LP], 180 + CD - $30.00 Spray Paint - Dopers [LP] - $20.00 Spray Paint - Punters On A Barge [LP] - $22.00 Stark Reality - Roller Coaster Ride [2LP], RE, RM - $28.00 Stereo Total - Les Hormones [LP], (Blue) + CD - $30.00 Steve Earle - Copperhead Road [LP] - $25.00 Steven Wilson - Transience [2LP] - $25.00 Stickmen - Man Made Stars [LP], Ltd, RE, RM, (Blue) - $26.00 Stickmen - The Stickmen [LP], Ltd, RE, RM, Tip - $25.00 Straight Arrows - Rising [LP], Bla - $22.00 Strand Of Oaks - Hard Love [LP], Ltd, Gre - $28.00 Strawberry Alarm Clock - Best Of The Strawberry Alarm Clock [LP], Comp, RE, 180 - $26.00 Stray Trolleys - Barricades And Angels [LP], RE - $28.00 Subtle Turnhips – Redhair With Some [LP], Ltd, (Orange) - $24.00 Summer Blood - Comet [12"], MiniAlbum, Num, (Red) - $15.00 Sun Dial - Sun Dial [LP], Ltd - $24.00 Superchunk - I Hate Music [LP] - $24.00 Superchunk - No Pocky For Kitty [LP], RE, 180 - $25.00 Surfer Blood - Astro Coast [LP], Ltd, RP, (Red) - $26.00 Sweet Apple - The Golden Age Of Glitter [LP], (Blue) - $22.00 Sylvie Simmons - Sylvie [LP] - $18.00 Tad - Infra(Red) Riding Hood [LP], RE, 180 - $28.00 Tapiman - The Singles [LP], MiniAlbum, Comp, RM - $25.00 Teramaze - Her Halo [2LP] - $25.00 Terveet Kädet - Musta Jumala [LP], Comp, RE - $32.00 Tess Parks & Anton Newcombe - Cocaine Cat - $19.50 Tex Napalm & Dimi Déro - Sticky Singers [LP] - $16.00 The Acacia Strain – Gravebloom [2LP], (Clear) - $34.00 The Afghan Whigs - Do To The Beast [2LP], 180 - $24.00 The Ancients - Night Bus [LP] - $17.50 The Black Keys - Thickfreakness [LP] - $25.00 The Cairo Gang - Goes Missing [LP] - $20.00 The Casualties - Under Attack [LP], Ltd, RE, (Red) - $26.00 The Clang Group - The Clang Group - $22.00 The Comfort - What it is to Be [LP], Sea - $40.00 The Dacios - Monkey's (Blood Red)od [LP], Ltd, Num, RM - $20.00 The Daisy Chain - Straight Or Lame [LP], Mono, Ltd, RE - $26.00 The Deathtrip - Deep Drone Master [LP], Ltd - $28.00 The Devil Wears Prada - 8:18 [LP], Gat - $30.00 The Devil Wears Prada - Transit Blues [LP], Ele - $20.00 The Easybeats - Absolute Anthology 1965-1969 [2LP] - $40.00 The Flesh Eaters - No Questions Asked [LP], RE - $20.00 The Fleshtones Featuring Lenny Kaye - Brooklyn Sound Solution [LP] - $17.50 The Future Primitives - Into The Primitive [LP], Spl + CD - $22.00 The Hecks - The Hecks [LP] - $24.00 The Hives - Barely Legal (Bronze) [LP] - $36.00 The Ides Of March - Ideology 1965-1968 [LP], Comp, Mono - $25.00 The John Steel Singers - Midnight At The Plutonium [LP] - $26.00 The Junior Raymen - Rumble '66 [12"], MiniAlbum - $14.00 The Kills - Ash & Ice [2LP] - $32.00 The King Khan & BBQ Show - Bad News Boys [LP] - $25.00 The Krewmen - Klassic Tracks [LP], Comp - $24.00 The Lions - Soul Riot [2LP] - $25.00 The Love Language - Libraries [LP] - $20.00 The Loved Ones - Magic Box (Pink) [LP] - $22.00 The Mekons - Ancient & Modern 1911-2011 [LP] - $20.00 The Men - Tomorrow's Hits [LP] - $22.00 The Midwest Beat - Singles 2005 - 2011 [LP], Comp - $20.00 The Monochrome Set - Cosmonaut [LP] + CD - $24.00 The Murlocs - Old Locomotive (Blk/Silver) [LP] - $32.00 The Murlocs - Young Blindness (Neon Pink) [LP] - $32.00 The New Pornographers - Brill Bruisers [LP], Gat - $25.00 The Ocean Party - Restless [LP] - $30.00 The Order Of Apollyon - The Sword And The Dagger [LP], (Red) - $25.00 The Pandoras - It's About Time [LP], RE - $20.00 The People's Temple - More For The Masses [LP], Bla - $20.00 The Phenomenal Handclap Band & Peaches - Walk The Night [12"] - $12.00 The Psyched - The Psyched [LP] - $15.00 The Psychic Paramount - II [LP] - $22.00 The Raveonettes - Pe'ahi [LP] - $19.50 The Reach Around Rodeo Clowns - Rockabilly Deluxe [LP], (Gold) - $20.00 The Red Paintings - The Revolution Is Never Coming [2LP], Num - $34.00 The Residents - Intermission [12"], EP, Ltd, Num, RE - $25.00 The Revelators - We Told You Not To Cross Us... [LP] - $20.00 The Ronettes - Volume 2 [LP], Comp - $25.00 The Scrapes - The Songs Of Baron Samedi [LP], Ltd - $26.00 The Spinning Rooms - Complicating Things [LP], Ltd, GAT - $16.00 The Spoils - The Spoils [LP], Comp - $18.00 The Staple Singers - Freedom Highway [2LP], RE - $40.00 The Stevens - A History Of Hygiene [LP] - $22.00 The Still - The Still [LP] - $30.00 The Strollers - Waiting Is . . . [LP], Gat - $22.00 The Third Power - Believe [LP], RE, (Red) - $32.00 The Treble Spankers - Hasheeda [LP], RE, 180 - $25.00 The Tree People - Human Voices [LP], RE - $18.00 The Tree People - It's My Story [LP] - $18.00 The Tunas - The Tunas [LP] - $18.00 The White Stripes - Get Behind Me Satan [2LP] - $32.00 The White Stripes - Icky Thump [2LP] - $25.00 The Youngbloods - Earth Music [LP], Mono, RE - $20.00 The Yum Yums - ...Play Good Music [LP] - $18.00 The Zingers - The Zingers [LP], Ltd - $12.00 Thee Mighty Fevers - Fuckin' Great R'N'R [LP], Bla - $22.00 Therapy? - Nurse [LP], RE - $36.00 Thom Yorke - Tomorrow's Modern Boxes [LP], RE, (White) - $34.00 Tim Hart - The Narrow Corner [LP] - $25.00 Titus Andronicus - S+@dium Rock: Five Nights at the Opera [LP] - $22.00 Tombstoned - Tombstoned [LP] - $22.00 Torres - Sprinter [LP], Club, 180 - $24.00 Totally Mild - Down Time [LP], Ltd, RP, Fou - $28.00 Totally Unicorn - Sorry [LP] - $25.00 Tracer - El Pistolero [LP], (Red) - $20.00 Tracer - Water For Thirsty Dogs [LP], (Yellow) - $28.00 Trap Them - Blissfucker [LP], 180 - $22.00 Tricky Featuring Milo Johnson & Luke Harris - Skilled Mechanics [LP] + CD - $22.00 Turbonegro - Sexual Harassment [LP], Pin - $40.00 Turbowolf - Two Hands [LP] + CD - $24.00 TV Haze - Scrap Museum [LP] - $20.00 Twitch - Dark Years [LP], Mono, Num, RM - $32.00 Tyrannamen - Tyrannamen [LP] - $28.00 Uncle Acid & The Deadbeats - Wasteland [LP], (Orange) - $40.00 Unity Floors - Life Admin [LP] - $32.00 upsidedownhead - complex [12"], EP - $30.00 UV Race - Made In China [LP] - $22.00 Vader - Live In Decay [12"], RE, (White) - $25.00 Various - "Doused In Mud, Soaked In Bleach" [LP], Comp, Ltd, Sil - $30.00 Various - 20 Big Ones 1992-2012 [2LP], Pin + LP, Gre + Comp - $24.00 Various - Absolute Belter [2LP], Comp - $32.00 Various - Axels & Sockets (The Jeffrey Lee Pierce Sessions Project) [2LP], 180 + CD - $40.00 Various - Bill Brewster After Dark (Nocturne) [2LP], Comp, Ltd - $35.00 Various - Bonehead Freaks [LP], Comp, Ltd - $30.00 Various - Epitaph For A Legend [2LP], Comp, RE - $32.00 Various - Generations: A Hardcore Compilation [LP], Comp, RP, Gre - $20.00 Various - Greased Buckskin Belters [LP], Comp, Ltd - $30.00 Various - Head Start To Purgatory [LP], Comp - $15.00 Various - Hot Wacks [LP], Comp - $10.00 Various - Just A Little Bit Of The Jumpin' Bean [2LP], Comp - $30.00 Various - Kanine Records Presents Non Violent Femmes [LP], Comp, Ltd, Pin - $18.00 Various - Kaptain Kavemen From Brisbane [LP], Mono - $28.00 Various - Land Of Nod: An Atlanta Punk And Hardcore Omnibus [LP] - $16.50 Various - Like Nashville In Naija [2LP], Comp, Ltd - $34.00 Various - Live At The Bootleggers: Featuring Lattie Murrell And William Floyd Davis [LP] - $22.00 Various - Live From High Fidelity: The Best Of The Podcast Performances [LP], Ltd, Tra - $24.00 Various - Los Alamos Grind! [LP], Comp, Ltd, (Blue) - $24.00 Various - Monster Skies [LP], Comp - $25.00 Various - Normalised : The Detonic Collection [LP], Comp, (Clear) - $18.00 Various - Recutting The Crap, Volume One [LP], Comp, Ltd, Num - $20.00 Various - Reverend Beatman's Dusty Record Cabinet Vol. 2 [LP], Comp - $24.00 Various - She Bop [LP], Comp + CD - $22.00 Various - Sub Pop 1000 [LP], Comp, (Blue) - $18.00 Various - Sugar Lumps 3 [LP], Comp - $26.00 Various - Suicide Squeeze Records Presents:Forever Singles [LP], Comp, Ltd, Num, Gre - $16.50 Various - Sunday Nights: The Songs Of Junior Kimbrough [2LP], Comp, Ltd, (Blue) - $32.00 Various - Texas Flashbacks Vol. 1 Dallas [LP], Comp - $22.00 Various - The Rough Guide To South African Jazz [LP], Comp - $25.00 Various - This Is Fort Apache [LP], Comp - $25.00 Various - Todo Muere Volume 4 [LP], Smplr - $20.00 Various - Todo Muere Volume 5 [LP], Comp, Ltd - $24.00 Various - Yesterdays Universe [2LP], Comp - $20.00 Various – Bored Teenagers Vol.8: 19 Great British Punk Originals '77-'82 [LP], Comp - $25.00 Velvet Illusions - The Velvet Illusions [LP], Comp - $22.00 Voïvod - Target Earth [2LP], Ltd, (Purple) - $32.00 Weezer - Everything Will Be Alright In The End [LP] - $22.00 White Kaps - Cannonball Man [LP] - $16.00 Wil Malone - Wil Malone [LP], RE, (Blue) - $28.00 Willie Nelson - Summertime: Willie Nelson Sings Gershwin [LP] - $26.00 Winters - Winters [12"], EP - $12.00 Witch Hats - Deliverance [LP] - $20.00 With The Dead - With The Dead [LP], Sol - $35.00 Wooden Shjips - Vol. 1 [LP], Comp - $20.00 Wymyns Prysyn - Head In A Vise [LP] - $18.00 Yes I'm Leaving - Mission Bulb [LP] - $15.00 Yes I'm Leaving - Slow Release [LP] - $19.50 Yo La Tengo - Here To Fall Remixes [12"] - $16.00 Yonatan Gat - Iberian Passage [12"], EP - $18.00 Zodiac - Grain Of Soul [LP], Ltd - $25.00 Zombiefication - Procession Through Infestation [LP] - $18.00

#prehistoricsounds recordstoredayaus greataustralianwarehousesale shop3280

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gsairductclean · 5 years ago

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Three Reasons For Air Duct Cleaning in Armonk NY

Of all the arguments for air duct cleaning in Armonk NY residents need to pay close attention to the three listed below. A family's home is often their greatest asset next to their family. Both are greatly impacted by air ducts and many problems resulting from poor air duct conditions affect the health and happiness of families.

Mold

Too many families in Armonk NY know the devastating effects of mold. Most people conjure up the smell which often accompanies a mold outbreak. While the smell cannot be overlooked the effects of mold on the lungs is quite significant and often deadly. Many people have allergies to mold and when mold is present in the air they develop allergy symptoms ranging from a stuffy nose to hyperventilation. Those with asthma fare worse when in a room with a mold infestation. All too often the mold can be traced back to air ducts.

Pests

No one likes to think of mice or bugs living in their homes. Whether one thinks about it or not they often take up residence. It takes only an eighth of an inch crack to allow these pests into a home. Most pests don't like human contact and hide quite well in a home's walls, floors, and air duct system. By getting regular air duct inspections, Armonk NY homeowners can catch pest infestations before they become too big. Air duct cleaning technicians are trained in what to look for in regards to all varieties of pests. Catching mice, roaches or even raccoons before they take over a home is worth the cost of a regular inspection every time.

Maintaining Home Value

All homeowners know the value in maintaining household appliances and systems. It's recommended that air conditioning units and furnaces by cleaned yearly, roofs and insulation be checked every few years and major appliances be cleaned and checked once a year or so. Air ducts should be seen no differently. Not only should they regularly be inspected in the spirit of good maintenance habits, but for other reasons as well. Cleaning AC units and furnaces are a smart idea but often release harmful toxins and allergens into the air which gets trapped in the air duct system contaminating the air in every room of the house. Only through regular inspections by trained professionals can these contaminants by detected and removed.

With today's economy threatening home market values protecting the value of the home should be every homeowner's first priority. Most professionals agree that regular maintenance is one of the first steps to guaranteeing a house stays in tip-top condition for many years. Air duct cleaning is just one aspect of home maintenance. With the availability of professional air duct cleaning Armonk NY residents can breathe easy and rest assured that their homes are the safe haven they should be.

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#air duct cleaning

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realtyhubph-blog · 1 year ago

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MINT at Mansfield

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downloadebookpdffile · 3 years ago

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Free Book Lost Los Angeles FREE DOWNLOAD

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Author : Dennis Evanovsky Publisher : Pavilion ISBN : 1909815594 Publication Date : 2014-12-1 Language : Pages : 144

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Synopsis : Free Book Lost Los Angeles FREE DOWNLOAD

Astonishing images of vanished Los Angeles,Â from theÂ landmark Ambassador Hotel to theÂ original life-sustaining Zanja MadreLos Angeles is less than 150 years old, yet in that short time a great deal has been built and torn down. Like most cities it has suffered the loss of classic old cinemas, Victorian hotels, and grand railroad stations, but L.A. has also seen the passing of major industries, film companies, film lots, hills, airfields, piers, and a speedway. Citrus groves have come and gone, oil derricks have sprung up in their place and been replaced by housing tracts. The movie industry moved in from New York and Chicago, expanded, contracted, and then sold off their lots. National radio stationsÂ built, then soon vacated,Â grand art decos studios aroundÂ Sunset & Vine. Abbot Kinney's vision of a Venetian suburb was largely filled in after the banks eroded. This bookÂ displays anÂ extraordinary variety of lost gloriesÂ from this unique city: Barker Brothers, Beverly Hills Speedway, Bradbury Residence, Casa Don Vincente Lugo,Â Chaplin Airfield, the community in Chavez Ravine, Church of the Open Door, The City of Los Angeles train,Â County Records Building, Court Flight, the Egyptian marquee,Â Eternity Street,Â Fort Moore Hill, Grand Central Air Terminal, Helms and Van de Kamp bakeries,Â La Grande Station, the MGM backlots, Mount Lowe Railway, Pan Pacific Stadium, Jayne Mansfield's Pink Palace, Richfield Oil Building,Â Sears, the Temple Block, Theme Building at LAX, and Wrigley Field.

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perfectirishgifts · 4 years ago

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Vegas Hopes ‘Statewide Pause’ Forms Bridge To COVID-19 Vaccine And 2021 Recovery

New Post has been published on https://perfectirishgifts.com/vegas-hopes-statewide-pause-forms-bridge-to-covid-19-vaccine-and-2021-recovery/

Vegas Hopes ‘Statewide Pause’ Forms Bridge To COVID-19 Vaccine And 2021 Recovery

Las Vegas Strip at night.

Las Vegas remains open but with limited action. Nevada’s “statewide pause” hopes to balance economic and health risks from coronavirus until deliveries of new Pfizer and Moderna COVID-19 vaccines arrive for the most vulnerable people – hopefully before New Year’s.

On Thursday, December 3rd, Nevada recorded a record 48 COVID-19 related deaths and 18.1% positivity rate, although hospitalizations dropped. Eighteen of the 48 reported deaths came in Clark County, Nevada’s largest county which makes up greater Las Vegas. Clark has suffered elevated rates of COVID-19 transmission for the past seven weeks going back to October and the start of cooler weather. Hospital occupancy rates hit 84% and ICU rates hit 69%, both above average, while 16 of Nevada’s 17 counties report elevated transmission. The surge continued through the weekend.

Gov. Steve Sisolak cited a White House Coronavirus Task Force warning in a press conference last week. “We are in a very dangerous place due to the current, extremely high COVID baseload and limited hospital capacity,” it read. “We must flatten the curve now.”

Lounge singer Wayne Newton aka “Mr. Vegas” provides a public service message on the Vegas Strip, … [] fall 2020.

Sisolak himself recently recovered from a mild case of COVID-19.

Las Vegas Mayor Carolyn Goodman recently criticized Gov. Sisolak as a “dictator” for ordering draconian, economically ruinous restrictions without seeking input from mayors like herself. According to Nevada’s Department of Employment, Training and Rehabilitation (DETR), Las Vegas unemployment dropped to 12% in October after peaking in April at an unprecedented 34.2%. The unemployment rate is still roughly double the rate in northern Nevada and the US of 6.7%.

Restaurants and other businesses have been reduced from 50% to 25% capacity. Traffic through McCarran Airport, while rebounding in recent months, remains down over 50% from this time last year. New Year’s events, including fireworks and the Fremont Street Experience party, have been canceled.

Also last week, Centers for Disease Control director Robert Redfield warned the next few months may be the “most difficult in the public health history of this nation, largely because of the stress that it’s going to put on our health care system.”

The disease disproportionately affects older people and those with health problems. According to the CDC earlier this year, fully 94% of COVID-related deaths happened to people with at least one other serious underlying condition like heart disease, diabetes and lung disease. Surgeon General Jerome Adams reported the average age of people who succumb to coronavirus is 80 years, older than the US average life expectancy of 78.9 years.

Under the Trump administration’s Operation Warp Speed to deliver 300 million vaccine doses, with the first by the end of 2020, two vaccines have been developed and tested in record time. Pfizer developed their vaccine with Germany’s BioNTech. Pfizer sought approval back on November 20th, and the Food and Drug Administration is meeting on it December 10th. Pfizer’s vaccine requires two doses given 21 days apart. Moderna’s vaccine requires two doses given 28 days apart. The FDA meets for Moderna’s vaccine on December 17th. Both report 95% efficiency based on early trials with no safety concerns, which is more than double the seasonal flu vaccine’s roughly 40% efficiency.

Vaccines will first go to vulnerable populations – frontline workers and elderly in long-term care facilities. In Nevada, that ‘tier one’ group numbers about 173,000, or a little more than 5% of the population. According to Nevada Health Response, the state should receive 164,150 doses of the Pfizer and Moderna vaccines by New Year’s. The FDA reports 20 million Americans could be vaccinated by the end of 2020, and 100 million by the end of February. Warp Speed is shooting for enough vaccine to treat the entire US population by June 2021.

Until then, governments face crisis. In neighboring California, Gov. Gavin Newsom ordered a minimum three-week stay-at-home shutdown in the vast majority of the state. A number of county sheriffs, including in Los Angeles County which oversees ten million residents, have refused to enforce the order as unconstitutional. They will instead focus on education, voluntary actions, and confronting large “super-spreader events.”

Las Vegas’ unemployment spiked to record levels virtually overnight in April 2020 as the coronavirus … [] pandemic hit.

Las Vegas and Nevada, like cities, states and nations around the world, are trying to balance the risks of COVID-19 with the risks to freedom and health of shutting down.

“Vulnerability to death from COVID-19 is more than a thousand-fold higher in the old and infirm than the young,” writes the Great Barrington Declaration written by Drs. Jay Bhattacharya of Stanford, Sunetra Gupta of Oxford, and Harvard’s Martin Kulldorf. The declaration is misunderstood and thus controversial, according to The Wall Street Journal’s editorial “Epidemiologists Stray from the COVID Herd.” Tens of thousands of doctors, scientists, and other health professionals have signed it. “Current lockdown policies are producing devastating effects on short and long-term public health,” Bhattacharya, Gupta and Kulldorf write – from other untreated illnesses to economic devastation, mental illness, and suicide – including among children kept out of school.

Governments “should stop using lockdowns as your primary control method,” agreed World Health Organization’s Covid-19 envoy Dr. David Nabarro this fall.

Nevada is attempting a middle ground.

According to Forbes, Fitch Ratings analyst Colin Mansfield reports that a full Vegas recovery won’t come until the convention business returns. And that will require successful deployment of COVID-19 vaccines or other treatments. In their October report, Fitch predicts a full Vegas recovery won’t likely happen until 2024.

Las Vegans hope it happens a lot sooner than that.