#manifesting mcr 5

[transgender-spiderman]

New photos of my wife just dropped so I made these

[afterthefuneral]

Alright, I just saw this today. This Twitter page has been right about everything so far. Do you think it’s a new song or an old one? I don’t have receipts but I swear a few months, maybe a year ago some members of MCR posted pictures in the recording studio. I don’t follow what they’re doing these days super closely. But my god, if there is a new single I will DIE!

If it’s something old any guesses? Anything from the black parade would fit this movie to a T. But I always thought “My Way Home is Through You” had a Beetlejuice vibe.

I’m curious what y’all think.

[mcr5truther]

yes yes I know they're promoting a preorder for the vinyl but the caption??

After this album sparked the Return Theories??????

[glxybld-mustdie]

chat if we aren’t back then i don’t know what we are

now i’m gonna kneel down and pray until my knees are bruised and my hands hurt from clenching my revenge heart locket

had to resort to praying on the bed because thats where my mcr poster is

[j1gsawz]

i took this screenshot from endlessnightmcr’s instagram story but maybe it’s not paper; maybe it’s confetti for the black parade?? since the background on the teaser looks similar to the city in tbp?? black parade 20th anniversary tour???

edit - ALSO: “if you could be anything, what would you be?” and “when i grow up, i want to be nothing at all.” match WAY too well

[mcr-californa-2019]

Holy Crap

holy crap I’ve already made 5 posts. Wtf dude. So if I’ve made 5 posts… MCR5??? Lmao. So, I’m gonna do a top 5 artist list (not in order). Nirvana, Green Day, Good Charlotte, Fall Out Boy, and My Chemical Romance! Honorable Mention to: Panic! At the Disco and Paramore.

[breedabletwink69]

G-G-GUYS? 🤯

[princessg3rard]

I had a dream where I knew mikey way in an uncle-like way, which was just the fucking cutest ?? he also gendered me correctly in the dream so I think it was the real mikey way there :3 I summoned him :3

but also in the dream I was like opening a magazine and losing my shit over mikey modelling new mcr merch (he looked great and the merch was very cunty) and announcing mcr5 ?? so I’m either obsessed and my brain is melting or I’m a prophet

[bowtiepastabitch]

So are we being normal about MCR posting cryptically on Instagram orrrrrr

[imsaunteringvaguelydownwards]

I’m convinced the Gerard sightings are on purpose and about mcr5, also Gerard- weren’t u wearing that button up the last two times we got photos-???

someone met gerard at a movie theater again i can’t believe this

vampsneverhurtu on twitter

[transgender-spiderman]

Y'all what if MCR5 drops the same day TUA s4 comes out and the songs in MCR 5 are in TUA 4

[mcr5truther]

Me and my besties manifesting mcr5 (literally someone explain to me why there are five of them if not a sign that mcr5 is real)

[jeepeycreepey]

[gwhizz-138]

WWWY IS IN FIVE DAYYSSSS!!!!!!!!

MCR5 IS IN FIVE DAAAYYYSSS!!!!!!!!

Something MCR5 related is so gonna happen at WWWY next weekend. I can feel it in my balls. (I'm delusional)

[z0mbiefrank]

Transcript for Marina Toybina on the Designing Hollywood podcast

I've seen a couple people searching for a transcript of her discussing Gerard Way's stage costumes, so I have made one! Feel free to share/link as a resource. Popular quotes are bolded.

Link to source video. MCR's section starts around 22 minutes in.

The transcript is beneath the cut.

Interviewer: Well now you’ve just finished working with My Chemical Romance, which is a band that I dig. Gerard Way is also a comic book writer and artist, created the Umbrella Academy. So, first of all, how did you get that job? Because there’s a design, I mean the look of that band and what they like to do, what they’re influenced by, they’re not just your typical rock band. So what was it like? How did you get that job? You designed the whole tour right?

Marina: I Collaborated with the lead singer, yes, with Gerard. Uhm, okay everything kinda has it’s place in time. About 15 years ago, 15 to 20 years ago, I was a huge fan. I’m a rock girl at heart, and back then a lot of their music was like music to my soul. It got me through some of the harder times. A lot of my friends were musicians. I never saw them live, never could afford to get to their shows, but knew one day in my heart there probably will be an opportunity, they were in like my top 5 favorite bands. He was an artist I’ve always wanted to work with. This past summer, while I was designing So You Think You Can Dance, I just happened to turn on their music - nope- let me rewind I'm so sorry. So a year ago I was reading a release that they're coming back together on tour and they're playing LA on my birthday. I looked at my team and I was like "I'm gonna be at that show. We're gonna go to the show, we're all gonna go together." And I just jokingly said “I'll probably dress them!” A lot of things in my career have happened to manifestation, I'm a huge believer in that. I think my intentions were so clear into the universe. I believed in it so much. That happened a year ago. Then this past summer, I was driving to work, I was listening to their music and I just happened to text my agent. I'm like “You know I really want to get back into music. It's what I used to do. I used to do a lot of live performances. I used to do a lot of music videos. I need to feel that again, even though I'm surrounded with music all the time and I'm doing all these shows. But there was a disconnect in my career, to where it's like I love live entertainment.” And she’s like “Who do you want? Like are we going after pop stars?” And I'm like “No I've done all that. I want to go back to my roots. I want like Incubus or My Chemical Romance or Red Hot Chili Peppers. Get me back to rock and roll.” And she was like “Well, you know, they're touring, but it's probably… I don’t know, let's put it out there.” Then within two weeks I get an email from her like “Hey their managers want to meet with you, he wants to meet with you.” One of the biggest things about their aesthetic is one of my probably top three costume designers, Colleen Atwood, did their black parade album and it was so incredible. Back then, I was always a step behind. It's like they did The Black Parade and then I met the photographer later. Then I worked on a project with him. So it was always like some better-late-than-never I guess. And I'm like “I'm gonna work with her someday, I love her work. I've been told by many people we're a lot alike.” You know? And I'm like “Why not?” And so we get this email “He would like to take a meeting, see what we can do.” I never expected to do a tour, I just wanted to open this door of opportunity, to just collaborate, maybe do one thing together. And he just showed up in my studio and it was just an amazing artistic energy.

Interviewer: Were you starstruck?

Marina: I was trying to hold it together. I mean before they came in, I can't tell you how much I paced. Usually, there's like 15 - 20 people at my studio. This was the time and day that I was alone. I didn't know what to do. Of course, my expectations were just to present myself and see if I would be a good asset to them because I love their music and I love what he's about. Also, it’s not just the frontman for me, I think he's a brilliant artist. So there's a lot of things. I just wanted our worlds to merge somehow. Within the first five minutes of our conversation, I'm like “Oh I get his brain.” I told them my story. I told him that this is like 20 years in the making. You know, I probably sound like a crazy-fan costume designer. But we share ideas, he walked me through the concepts of things he wants to do on this particular tour and they haven't started doing the US leg of the tour. I didn't know if they had a designer. Then he did mention Colleen was doing something for him and I was like “Okay, how - can this be a triangle? You know? Can I come in in the picture?” It was just a beautiful collaboration. It was a genuine artist to artist conversation. Like “Let's do something interesting.” He walked me through his concepts, his ideas and I'm like “Alright well, let me come up with some creatives, see if we're on the same page.” Again, as much as I wanted to be like “Hey we're doing this tomorrow!” I also felt like it's important now in my career and possibly in his, to make sure the relationship is good, that this is the right artistic match to one another and… it worked! From there it was just amazing fittings, amazing collaboration and some iconic things that went viral!

Interviewer: I love hearing this from you because this is like the joyous experience of 'oh my god I dreamt of working with somebody and you finally get to do it'. But I want to take you back to that because I'm curious. How would that process even begin? You're working with somebody that you already know their music, you already know his vibe. And Colleen Atwood, who I've interviewed by the way, on the show, she's incredible. Our interview had to - she was in the middle of a work day, so it was only it was a short interview. But how does a collaboration like that work with somebody like Gerard Way? How do you guys start working together? How is that process?

Marina: For us, it was just like an initial conversation. I introduced myself, my work. They already did some background checking up to see where I stand, what my aesthetic was like. And I felt I was in a place in my life, in my career, where I was able to bring something new. That's where my confidence I think came from. At the same time I didn't want to change the artist that's in front of me. I think that's always so important for me when working with music. You're dealing with a fan base, and a reputation, an aesthetic approach that's far beyond any artistic reach of anybody new coming in. So for me it was having a conversation, understanding what characters he wanted to bring forward. This was a very playful tour. This wasn't about dressing up the whole band. This was about him being in this world of iconic characters. And how can we bring this to life? What can we do that's still very recognizable to his fans but at the same time a little bit of a shock value? But at the same time, I wanted him to be him, you know? He was in this beautiful place in his life and career where he felt great and felt confident and I just wanted to uplift that. We did our creative decks, went through the conversations of which characters we wanted to go with, these are the shows that he had. I knew which city, we kind of wanted to play off where was the right time. Halloween was right around the corner, what do we do? So it was like very strategic conversations but at the same time so much room to play and be creative. So I just gathered the top 10 characters that we had discussed and kind of started doing my own thing, and keeping him and the music in mind. Had an amazing fitting. I've never worked with an artist that's so clear. It was not just directional and very precise and very distinct on his own style, but it was clear for me when we were doing fittings, this is somebody that knows his body. This is somebody who knows his aesthetic on stage. This is somebody that knows how they're going to perform. So it just made it so much easier for me to be able to fall into his world and do the fittings like “Is this going to come off? Is this piece staying on? Are we going to do options? Is the character going to evolve on stage? Is the character going to come down on stage?” So all those conversations happen in our fittings and then I just packed it all up, with distinct notes, send them off, and then kept checking in, making sure everything was okay.

Interviewer: So when you had a direction for the characters, were you doing sketches first?

Marina: No, not at all. This was something that I felt like needed to have the research. It wasn't just about designing something on paper. When he mentioned to me “I wanted to be a vintage cheerleader” I'm like “Okay, what era are we in? 50’s, 60’s, 70’s, 40’s?” and then he was like “Find me something that's within possibly this color scheme.” The image that went viral when he did wear the cheer uniform, it was probably like 10 different vintage stores that we went to. And I'm like “Okay everything's size zero.” or like “What am I gonna do? This stuff doesn't exist anymore. If I get it from Etsy it's not going to come in time.” There's like so much and it happened to be as we were leaving one of the stores I looked on a sale rack and I saw this damaged, weird, vintage cheer dress that had no zipper, that had no hem. And I was like “I love this! I love this because I can reconstruct it. I can go and get the fabrics that we need to still keep it original and authentic. And that's how we start working. I build out a mannequin his size at my studio, put it on, we reshaped it, took the whole thing apart, reconstructed it to be his measurements, and still kept it authentic. After he wore it, the pattern for the actual thing was sold out. Fans loved it so much that we were getting notifications that people actually found the original pattern of this 1940s uniform and were buying it out.

Interviewer: That's crazy, okay!

Marina: Oh it's amazing! I think, to me, that's when things are just meant to be. When not only did my work translate into something beautiful on stage, but then he becomes this incredible persona on stage that then delivers the character and plays it off. We did that throughout every single look. Every single look when it became a fan favorite or craze.

Interviewer: In terms of time, what was the process when you first got the gig and then to the first show that was performing using your work? What was the time frame?

Marina: I think I had about a month to get it all together.

Interviewer: Wow! That’s not much!

Marina: Yeh and at the same time, I had another huge project in the works so it was going back and forth. But I could not tell you, I've had difficult projects in the past, I've had difficult times with artists, or finding our own language, or how to execute some things. This was so easy that time didn't matter to me. It was such a great collaboration, it flowed, like Bruce Lee would say, like water. It just made sense and no matter how difficult my other project was or what was going on at the same time, it was like oh this is the universe showing me this is how it's supposed to be. This is what's inspiring me. And at the end of the day, the one thing I told Gerard was “You made me fall in love with music again. You came into my life as an artist that I've admired and wanted to work with for almost 20 years. There was a big part of my beginning that made me look back at this now and be like “Oh that's what. That was that feeling that I had when I was 16 or 20.”

[aroacebrucewayne]

when I grow up, I want to be nothing at all

CHAPTER 1.

summary: ‘Bruce hasn’t looked at himself properly in the mirror for months.’ {batman? more like notman.}

a/n: 1. character referred to w he/him pronouns for a while because she doesn’t realise she’s transfem. She’s also Misgendered because the batfam doesn’t know yet. 2. I haven’t read any comics except for the first one w/ penguin in it!! All my knowledge is from other fanfics!! Do not come at me for not knowing lore please!!! 3. Story title is from “the end” by mcr because I’m cliche trash. 4. yes, I know Dick lives a city over. Why he’s randomly returning to Gotham on this day is unknown to me. But I have gone on overnight trips to visit my grandparents in the past and they live in another city too, so I guess it’s fine. Maybe he missed his family :) [also if you’re wondering where everyone else is/what their roles may be: patience. I’ll add to this au soon hopefully!]

5. Enjoy! Idk when I’ll be writing more for this but uh. Yeah. Have fun :)

Bruce hasn’t looked at himself properly in the mirror for months. He figures that it’s the scars crossing his body, riddling his torso and limbs with a map of his past victories and losses. Sure, he looks at his face to shave and occasionally cut his hair, but that’s about it. He’s still pondering this when he his phone chimes sharply.

Tim: hi bruce. dickhead coming for dinner 2day

The text, short and to the point, only reminds him to hurry up with his dressing. The batcave, while cool, isn’t an “acceptable substitute for fresh air and human interaction, Master Bruce.” So he swiftly pulls on a sweatshirt and pants, and goes back upstairs to wash the dirt, grime and facepaint off his face.

The bathroom tile he rests his forehead against is cool against his flushed skin, offering slight reprieve from the steady pounding in his skull. Bruce forces himself to look up at the mirror. Heavy dark circles, downturned mouth, and tired eyes stare back at him, and he trudges out into his bedroom.

The room isn’t really messy, he’s never allowed it to be. But there is a jacket flung over his full-length mirror, and a chair shoved in front of it, and both of them obstruct the full view of himself. He pushes the chair aside and grabs the jacket, convincing himself with some difficulty to look at himself fully and truly.

He looks normal. Maybe a little beaten down and weary, but otherwise he looks like a normal, regular, alright guy. The moment the thought manifests in his mind, he squeezes his eyes shut and tries to ward off the feeling of WRONGWRONGWRONG thrumming under his skin.

Fuck. Fuck. Maybe there is something wrong with him, something twisted. Self hatred is nothing new to him, but this feels different. More painful. He takes one more look at the mirror - Face your fears - and leaves the room, jacket tossed to the floor. He can’t waste time thinking about himself: Dick’s coming for dinner, Tim and Damian are coming home from school soon, and the sky is clear and cloudless. It’s a beautiful day, and Bruce has spent most of it in the cave, burning case details into his mind.

The thought makes his headache spike up again, and he casts his mind to other things. Chiefly, the sound of voices coming from the dining room. Tim and Damian are sitting at the table, eating sandwiches, while Tim chatters excitedly about his day to Alfred.

Bruce steels himself for a moment before he enters with a smile, jumping into the conversation with ease. All his worries and anxiety melts into the background, his chief attention being on this sliver of his family, here and now. His mind hones into the present, and he drops his earlier train of thought with ease.

He can always figure that thing out later.