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mugichaaaa · 4 years ago

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Bad Batch Analysis

So Bad Batch release date doesn’t seem to be coming anytime soon so here is my analysis on the bad batch trailer that no one asked for, but do I care? Lowkey yeah but… there is barely any bad batch stuff so here we are.

spoilers to bad batch trailer

So the first thing I see about the Trailer is this scene right here: Where the bad batch is coming out of there ship at night on a planet that looks like Falucia. I have a feeling this will be one of the earlier episodes in the season since Echo has a different armor than the one we see later in the trailer. This is the only time during the trailer where we ever see this planet. So I think this is going to be either half an episode or just one episode like a filler episode

Next thing I notice is that Hunter is fighting a zygerrian and a little later we see Tech and Wrecker catching up with Hunter.

It makes me wonder where is Echo and Crosshair? Shouldn’t they be there fighting alongside them? But my theory is that later on in the trailer around 0:36 we see Echo dawn new armor.

I believe Crosshair is with Echo during this sequence as like a battle buddy. What is a battle buddy? A battle buddy is where someone is assigned to another and they are both expected to protect and assist each other. Dose the GAR follow the same system as the US military? I don’t know, but it would make sense for Crosshair to be with Echo to make sure he’s okay and doesn’t get in trouble.

Another thing I notice is the snowy planet that was seen quite a lot in the trailer. First time we see anything on the snowy planet is at 0:18 where we see clones/stormtroopers and an explosion.

Was the explosion caused by the batchers? Or was that the empire’s doing? Then at 0:23 we see Wrecker jumping down while what looks like a droid falling off a cliff. We don’t get a good look at the droid but it kind of looks like a modified model of the type II loadlifter droid that we see in season 7 (the one Trace and Ahsoka had to chase down). We get a good amount of scenes of this snowy planet and crosshair so maybe this might be like a character Arc for Crosshair.

In this scene you would think it would be like all batchers but in reality the one in the back is Echo not Crosshair. Crosshair is nowhere to be seen in this scene, so there are really only two things that come to mind: 1) Crosshair is somewhere else farther away ready to fire, since some may or may not know but sniper rifles work really well if it’s in long range that’s why it's a long range weapon. Or 2) he’s one of the purge troopers, I don’t really know about this idea since we got like barely anything on the purge troopers in the trailer.

We get our first appearance of all the purge troopers, or at least what we see right now, now many people are saying the one in the middle is either Crosshair or Cody. Now I don’t really think the middle one is Cody but I do think that one of them IS Cody but i don’t really know who or how that would work.

Let’s start off with Crosshair because honestly I thought this was Crosshair at first but a little bit more research would tell me otherwise. So in the scene where we first see the purge troopers, there is one leading the pack who looks just like Crosshair, but is it truly Crosshair? well we really don’t know until the show comes out, but we can only guess. So let's start off with the equipment we know of. Crosshair has a very special customized rifle, which is the 773 firepuncher rifle. These rifles dose seem to be a rarity in the galaxy as we only seen two (maybe now 3) people ever use the 773 firepuncher rifle, one is our lovely asshat of a sniper Crosshair, one is Azmorigan’s henchmen, and maybe now the new purge trooper.

Now this wouldn’t immediately point to Crosshair being the purge trooper, since we still haven’t fully analyzed the equipment that the purge trooper has. Something that a friend pointed out was that the purge trooper and crosshair have a DC-17 hand blaster. While I was rewatching it again I noticed that Crosshair has one DC-17 hand blaster on his left thigh and our lovely friend the Purge trooper also has a DC-17 hand blaster on his left thigh as well. Now all of this might be some weird coincidence or maybe that the GAR gives all their snipers a 773 firepuncher rifle and a DC-17 hand blaster that goes on the left thigh. but what I have said doesn’t work because we only know two cannon people who are seen with the 773 firepuncher and a DC-17 hand blaster. GAR does have clone snipers, and those clones who are snipers are given a DC-15x sniper rifle not the fire puncher, it seems to be the standard for clone snipers. After all I said the equipment can be completely coincidental. Now for the armor, the armor looks like Crosshair but is it really Crosshair? Yes and maybe no, I have seen people like to point out the Helmet. Yes the helmet looks the same but isn’t really Crosshairs. The Helmet to me looks like the phase II helmet that Wolffe and Rex wear. The visor looks somewhat the same as both Crosshair and the Purge Trooper has a thin visor, but I looked a little more into it and the visor looks like Echo’s. The coincidence that Crosshair and the Purge trooper have the same equipment and similarities in the armor could possibly lead to Crosshair being the new purge trooper but I have a feeling that Crosshair is not the purge trooper and let me explain that as well.

Now I’m going to go off on a little theory so bear with me as I barely have any evidence for this and this is all going off my gut. So we know elite squads exist, we have of course Clone force 99/Bad Batch, Delta and Omega Squad, and Foxtrot group. Now I’m going to focus a little more on the Bad Batch and Delta squad. So both Delta squad and Bad Batch have skilled snipers Sev and Crosshair. In Legends Sev stood out for being amazing at Ambush training and his ability to work with a Sniper rifle, while we barely know anything about Crosshair’s life on Kamino we can only expect something like that. From what we got from Legends and Cannon both Crosshair and Sev are both highly respected snipers in the GAR. So it only makes sense when one is MIA and the other one deserted from the Empire they would want to make a clone or human be the next best sniper in the GAR or now Empire. I’m thinking they would most likely use the exact same equipment as Crosshair to match the snipers skills which can explain the coincidence of Crosshair and the purge trooper having the same weapon. Now is this highly likely? Most likely no but it would be cool for Delta squad to be mentioned.

Since we mentioned Delta squad I think there may be a possibility that the purge troopers we see in the trailer are Delta squad. Now there is like Zero evidence for this being true but in legends Delta squad would go on and work for the empire hunting down surviving Jedi, jedi sympathizers, and Clone deserters now which elite squad do we know of that deserted the empire?? So to entertain this idea I wanted to see which trooper from the purge trooper squad could be from Delta squad.

Now the flame purge trooper could be Scorch since during his days on Kamino he was really good with explosives, soooo explosive...flames sounds like something scorch might like. Now Boss and Fixer are harder to point out since the three other purge troopers don't really scream Boss or Fixer. So I'm just gonna assign them to these two. Now the sniper? In legends the Empire replaced Sev with another trooper but I have zero idea what that trooper is like so the sniper is up in the air.

Omg my wife Fennac shand, I believe in Fennac Shand supremacy. So Fennac Shand is in the bad batch most likely to tie her to other media and not just the Mandolorian. The area she’s in is very ominous and there really isn’t much to go off of. The fog in the background might indicate either she was just in a fight and she is at a standstill or it could be just how the building is very foggy. I also believe she might be tied into the mining facility we see in the trailer, as Fennec is also seen looking away where she seems to be in the mining facility as well.

I’m so confused on who that is, I want to say Crosshair because I love him but the hand blaster is on the wrong side of the thigh as that is the right thigh not the left. Same excuse for the purge trooper. So like the next best thing I can think of is that “this is definitely someone who is not from the bad batch and not from the squad of purge troopers but definitely has clone armor” so what do those my mind go to? Clone commanders. Now this could be a clone commander that we know or a clone commander we don’t know/barely heard of. The reason why my mind went to clone commanders is because we know a lot about clone commanders that are alive but barely any arc troopers that are alive and would align themselves with the empire. Plus the DC-17 hand blaster is pretty much a staple to all clone commanders. Due to the lighting I can’t 100% say that it’s Rex without his Kama because of his hand guards, but I can 100% confirm that that’s not anyone from Bad Batch or the Purge trooper squad.

We see an explosion from what looks like a damaged ship with the purge trooper with the sniper rifle looking on, I believe this scene and the scene at 1:09 are connected to each other somehow.

The reason why I think they are somehow connected is by how the sniper purge trooper is watching/escaping the explosion. How did I know that this was the purge trooper and not crosshair? Well at 1:00 we can see the sniper look at the explosion and if you enhance the brightness I can’t see the little red stick thingy Crosshair has on his left shoulder. Same thing can be true about 1:09 as I clearly can’t see anything that can identify Crosshair as there is no red stick thingy on his left shoulder.

Now I’m going to call this segment cool things I saw on the trailer

Okay most of these are tech related because he just got really nice scenes on the trailer

Tech just looks so bored when the Emperor is talking. Like you see Hunter and Wrecker standing in attention because that’s the emperor you gotta show him respect, and there's tech who just likes “yeah yeah yeah cool, look at how cool my datapad is I think it’s amazing”

Let's play spot Bad Batch

There they are! I feel like this shows that even though the Bad Batch are unique and different from the clone army they are still seen the same way in the eyes of the empire, a tool for a bigger plot to destroy the jedi (which already happened).

I always thought this scene was cool every single time I watched them. Crosshair got that one shot one kill… well more like one shot three kills.

Wrecker punching Tech arm is something I thought was funny, because it’s like Tech is clearly worried about something else and Wrecker comes in going “yeah bro!”.

Look at his face, he looks so done

I also noticed that the Havoc Marauder has guns at the back of the ship. I don’t know why I didn’t think the Havoc Marauder didn’t have guns on the back. I just thought Tech was that good of a pilot to dodge all of those blaster fires.

I don’t know why this scene was so heartwarming to me. I think it’s just tech looking up at hunter probably telling him something important about their mission or the planet they're on that warms my heart.

I love this scene, Tech showing off his technical skills is amazing. I bet it’s like BD’s splice ability where BD can easily hack a droid when it’s almost down.

and that’s that, thank you all who have read this far! I hope I was able to clearly put my thoughts out there. Let’s hope that we receive some news about the Bad Batch show soon! If there’s anything you want add on please type down below I would love to read what everyone else has to say!

#star wars #star wars the clone wars #tcw #bad batch #the bad batch #sergeant hunter #arc trooper echo #clone trooper wrecker #clone trooper crosshair #clone trooper tech #crosshair #clone trooper hunter #please Filoni I am desperate for any news about the bad batch show #clone force 99

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aedemoth · 4 years ago

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Im starving for content, I just watched the first five episodes of the Mandolorian Season 2 and when the Marshall showed up in episode 1, I just kept thinking about wow wouldn't it be cool if he was gay, and then again when they got trapped on the ice planet, I was like man wouldn’t it be cool if Corin Valentis from the hit fan-fiction by LadIrina on ao3 showed up but of course he didn’t.

#the mandolorian #the mandolorian his son and the stormtrooper #Corin valentis #corin #din djarin #baby yoda

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thestray · 4 years ago

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The 62 2020 Movies Releases I Watched During 2020 Ranked

Like the awkward title says, I’m going to rank (and talk about) all the 2020 movies I watched in 2020. This is not meant as any empirical list of what was best, it’s ranked by what I liked the least to the most, and my main criteria is what kind of impact it had on me and/or how much I enjoyed the experience of watching it.

Little bit about myself, I went to art school for animation, then after art school I went to a community college where I studied screenwriting. Never ended up pursuing either thing professionally, but I still write screenplays in my free time and read screenwriting books and listen to screenwriting podcasts. I'm the type of person that loves special features, seeks out behind the scenes information and director interviews, and watch youtube videos analyzing films. I love film, and thinking about film and talking about film and sharing the films I like, and maybe one day making films of my own, who knows.

Ranking and reviewing 62 movies was a more ambitious and challenging task than I anticipated, I rearranged this list swapping titles back and forth so many times, and then I’d remember a movie I forgot I watched and have to add that and figure out where it ranks. I started this on January 1st and am just now ready to post it on the 17th, I was still switching rankings right up until posting this. Even looking at it now there are some kinda want to switch but I’ve accepted that this is more or less arbitrary, lol.

The more I learn about film and what goes into creating a movie the more lenient I am about them. It’s not like I’m never critical of films, but I try to consider both the good and the bad of a movie instead of thinking in a binary of films are either amazing or trash. Some of these films aren’t great, but I typically still enjoyed them to some degree. Except Mulan, lol. I’m sorry Mulan. Speaking of Mulan...

62. Mulan

I'm going to try to say something nice about all these movies even if I didn't like them at all. So... I like the cast, and there are some nice visual moments. I actually was looking forward to this movie before reviews started coming out, it has 2 of the martial arts G.O.A.T.s in it, Donnie Yen and Jet Li, and also Jason Lee as the bad guy, so I figured it might at the very least have some decent action, but they were all underutilized. There’s not a single moment in the film where I felt anything at all. I think all these Disney live-action remakes are doing is making a case for how effective animation is for storytelling.

61. Color Out of Space

I heard a lot of good things about this movie, and it’s really cool visually, and I love Nicolas Cage always, but I really couldn’t get into it. I guess my main issue is that it starts off already too campy for any of to the Lovecraftian horror to really hit. It felt like a B-movie with great production value, and maybe that’s what they were going for? I really wanted to like this but I really just did not feel invested in anything going on, did not relate to anyone in the family, so I don’t think I got much out of it besides the cool visuals.

60. Bloodshot

I think the main flaw of this movie is that is that Vin Diesel was a producer on it, and Vin Diesel should be kept away from making creative decisions on movies. How Did This Get Made did a great podcast episode on this movie. It’s absolute nonsense, it has a couple of cool sequences and special effects in it, and Lamorne with a British accent is great, he’s the main redeeming value of this movie.

59. The Midnight Sky

It seems like this movie wants to be Interstellar, it’s structured in a very similar way, but it just didn’t quite have that same emotional punch. It looks very good, it’s well-acted, it has it’s moments.

58. The New Mutants

It's not as much of a trainwreck as people make it out to be in my opinion, I think the cast is good and it has some good character interactions, but it mostly suffers from the fact that it's way too predictable, from the beginning you're way ahead of the characters, and it doesn't help that they're in this confined setting so there's not a lot for them to actually do. But I appreciate the attempt at using mutants to do a horror breakfast club thing, good concept.

57. Vampires vs The Bronx

Vampires as a gentrifiers taking over the hood, great idea. Mero is in it, the brand is brolic. It was a fun set up, but it was neither funny enough or scary enough in my opinion. The vampires die so easily it's like okay whatever. It's like a really long Goosebumps episode.

56. Freaky

I don't think the execution lived up to the great concept, but Vince Vaughan was really great in those sincere moments playing a teenage girl. Horror fans will appreciate the gory kills. I'm not going to spoil anything but I do think there are some narrative issues that keep this from being stronger than it could've been. If you made the killer a creepy janitor at the school or even one of the teachers, then I think that would've created more interesting situations.

55. Eurovision

I love Will Ferrell, I even love some of his flops like Casa De Mi Padre and Kicking and Screaming, and even the House I think had a lot of really funny moments. This was definitely one of the least funny movies he's done to me. I think the director David Dobkin couldn't commit to being silly the way Adam McKay can cause there's a lot of this movie that just has no jokes, and the movie is over 2 hours long which isn't normal for comedies so you spend a lot of time watching unfunny scenes and extended musical numbers.

54. The Wrong Missy

I'm not a big fan of most Happy Madison movies, the jokes are very hit or miss for me. I'm a big fan of Lauren Lapkus though so I watched it to support her, and she plays an absolute psycho in this. It's so over the top it's like this character is not a human being, but I have to admit there are a few moments where she made me laugh pretty loud. I'd never watch this movie again, but maybe I'd look up certain parts on youtube.

53. The Platform

High concept dystopian sci-fi horror. Reminds me of the Cube. It's one of those things that makes you think about what you'd do in the same situation. It's a very on the nose allegory, so by the end of it my only takeaway was "Yeah, it really be like that."

52. Archenemy

Another high concept movie. Joe Mangienello is good in it, but Glenn Howerton and Paul Scheer are my favorite parts of the movie, it's fun to see comedy actors play bad guys. My main problem with the movie was that I did not find the teen character to be interesting or relatable at all, in fact he can be kind of obnoxious. In his introductory scene he's REALLY bothering this random guy minding his own business, not respecting his boundaries at all. Then the rest of the movie is about him exploiting a homeless man and being really pushy for likes on some app, and he doesn't really have a character arc. Also wasn't a big fan of the animated sequences but I forgive that knowing this was a low budget movie and those sequences were done by a team of just 3 people.

51. Power

Jamie Foxx is great. I think he makes almost anything he's in watchable to some degree. The idea of this movie is fun but I think the action sequences are kinda underwhelming, but Jamie makes it worth watching in my opinion.

50. Birds of Prey

This movie was all style and absolutely no substance. When your main character doesn't have a solid purpose or goal you're really just watching shit happen, and that can be okay if the shit that's happening is occassionally fun or funny, but it doesn't really make for a memorable story in my opinion.

49. Wonder Woman 84

The most panned movie of 2020 maybe? It's got flaws for sure and some narrative choices I just can't understand why they made. It has some fun performances though and I ultimately appreciated that our superhero wins not by using her fists but by appealing to goodness. I feel like you rarely see that kind of idealism any more. It may not be realistic but I think that's one of the things fantasy is good for, showing us a way things could be better to strive for. But yeah, the Steve Trevor things was fucking weird, why'd they do that? And neither Steve or Diana seem concerned with about this random guy's fate. I'd probably rate this film higher if they had Steve simply appear out of thin air, I mean why not? It's magic. But I loved Kristen Wig and Pedro Pascal in this. Pedro is performing with his whole body, did he film this after season 1 of the Mandolorian? Maybe being under that helmet for a season made him want to be really expressive. The films overall kinda campy but I didn't necessarily mind that.

48. Peninsula

Sequel to the already classic Train to Busan, this film decides the up the scale, which is what sequels often do, but I think it was a mistake in this instance. This is more of an over the top action movie than a character-driven horror film like the first. There's a climactic Mad Max-esque car chase scene that is almost entirely CGI. I don't think it was a bad movie, it's an okay popcorn flick, but it definitely doesn't live up to the original.

47. The Old Guard

In terms of action I don't think it did anything interesting, but I like how they explored how horrific and heartbreaking it would be to be immortal. Coming to terms with your own mortality is a tough thing to do, but we often don't consider the idea that death is a blessing we take for granted.

46. Sputnik

A Russian sci-fi thriller about a young doctor being tasked with trying to figure out how to separate an alien parasite from a Cosmonaut that's returned from earth. Good performances, creepy vibe, and lots of interesting questions about ethics. It has a sort of epilogue ending with a reveal I didn't quite understand the significance to the story, but didn't take away from either. Solid.

45. The Invisible Man

Fun sci-fi thriller about toxic abusive relationships and gaslighting. Elizabeth Moss is great in it and my favorite sequences are before her character actually catches on and you have moments where the camera is just focusing on a random place, very creepy and effective.

44. Sonic the Hedgehog

Personally I would've preferred a fully animated film taking place in Sonic's world. I don't know why they always feel like they need to make these movies about human characters and then spend a lot of time having to hide your CG character and having people do comical reactions to them. It feels very played out to me. BUT Jim Carrey is great in this, of course. Jim Carrey is the reason to watch this movie. He makes the movie. And it goes without saying thank God they changed that character design.

43. 2067

What I liked about this dystopian future is that the cause was basically everything. War, famine, ruining the environment, pandemics, just all our collective fuckery has resulted in a world where the human race is on the verge of extinction, plants are extinct, and oxygen is synthetic. Enter time travel, a young man is tasked with traveling into the future to bring back the solution to saving the human race. Very timely obviously. I liked it.

42. Monsters of Man

Some asshole tech bros let some killer robots loose on a remote southeast asian village as a trial run. It has lots of flaws but I give it some leeway because this is the first film of a guy who wrote, directed and was the cinematographer by himself, he didn't have a huge budget or much experience, so it's hard to expect perfection. My biggest criticism is that the film centers a white guy living in this village and some westerner medics, not the actual Asian people of the village. Could've been so much more of interesting commentary about racism and eurocentrism dropping these robots in a village of brown people no one will miss just for practice. That aside though I think it was a solid enough thriller and the robots looked pretty good.

41. Family Romance LLC

An interesting movie about a Japanese entrepreneur who has a business where he'll play whatever role in your life you need. Father, husband, coworker, etc there's a scene where someone even pays him to be scolded in his place by his boss. The main thrust of the film though is him playing the role of a girl's absentee father, pretends to reconnect with her and take her out on the town for activities. It's shot very documentary style, and there are a mixture of first time actors and non-actors. Sometimes there are long awkward conversations that feel just as awkward as real life. I really liked the premise, and the only thing that keeps it from being higher on my list is it doesn't have a strong enough conflict nor does it really have a satisfying conclusion.

40. Over the Moon

Directorial debut of animation legend Glen Keane, I really liked this visually. It was sufficiently enjoyable, but it doesn't have that emotional gut punch that Pixar or Disney films tend to have. But I guess cartoons don't NEED to make you bawl your eyes out to be good. I think there were some missed opportunities narratively, like I guess this is spoilery so just scroll ahead if you don't want to know, but she gains a step brother that she doesn't like and doesn't want to spend time with, once the adventure starts on the Moon they get separated very early on, and don't ge reunited until towards the end, but she somehow now cares about him and considers him her brother. I didn't feel like that was really earned, they should've been together throughout the adventure getting to know each other. But I otherwise liked the story aside from that nitpick. Loved the colors of this movie, almost everything in the moon world is luminescent which provides some nice visuals. Hope to see Glen direct more in the future.

39. The Croods 2

Nothing revolutionary but it has some solid physical comedy and great voice acting. All of Nicolas Cage's overacting is perfect for animation, and I liked Peter Dinklage as Mr. Betterman as well. There's a lot going on thematically but it all works pretty cohesively.

38. #ALIVE

Another Korean zombie thriller. I really liked this because I felt like as far as zombie outbreaks go this is the most realistic scenario. Once you realize what's going on you will just stay in your house rather than risk going outside and fighting zombies. But that poses the problem of a limited supply of food and water. The main thrust of the movie is not how this character survives though it's about him trying to retain his will to live. It's the perfect pandemic isolation allegory.

37. Love and Monsters

It looked kinda corny but I actually enjoyed this more than I thought I would. I like Dylan O'Brien, I love Tom Holland as Peter Parker but I've always felt like Dylan O'Brien would've been a great choice too, he has a good everyman relatable quality. There's also a dog in the movie that I loved. Put a dog in peril in a movie and I will be on the edge of my seat guaranteed. It's a fun movie with some interesting creatures in it and a solid character arc for our main protagonist.

36. Extraction

I love the trend of stunt coordinators directing films. That's the main reason why the John Wick series is so good, and the reason why this also has some very solid action. Nothing crazy here in terms of story or themes, everything is an excuse for Chris Hemsworth to fuck people up and it delivers on that. There's one scene where he slaps around some kids attacking him that I found hilarious as well. Fully welcoming an Extraction 2.

35. Save Yourselves

A couple decides to take a break from social media and get away to a cabin outside the city. While they're disconnected from the world an alien invasion occurs, furry little basketball sized poofs. This movie was pretty funny. I'm a little ambivalent about the ending but I enjoyed these hipsters arguing about what to do about aliens.

34. Bill and Ted Face the Music

A most bodacious movie. Fun gags and a robot that steals the show. It's not as good as the first 2 but I don't think that's any surprise. I think it borrows a little bit too much from the previous films, like the collecting legendary musicians thing, could've done without that. It was a fun movie though, and the daughters really worked.

33. An American Pickle

Seth Rogen playing an orthodox Jew who's been preserved in pickle juice for 100 years and his modern day app developer grandson. I think this may be Seth Rogen's best acting role, as silly as this movie is he's kind of endearing as this character from 100 years aro, and as the grandson he's a lot more understated than he usually is in movies.

32. Tenet

Tenet! Is it controversial that this is not higher up on the list? I really like Nolan's films, actually been a fan since watching his first film Following in a film class. Nolan likes playing with time in his movies so it was inevitable that he'd do something that addresses it very directly eventually. I love the time travel genre and I think this is one of the most ambitious and unique approaches to it to ever done. I actually braved theaters to see this because I did not want to miss the opportunity to see it on the big screen. I did it as safely as possible and booked a reserved seating theater where I knew I wouldn't be sitting by anyone, had a mask, gloves, antibacterial gell on deck, sanitized my seat with wipes, etc, there only 2 other people in the theater all of us sitting way for from each other. Weirdest moviegoing experience I've ever had but glad I saw it on the big screen because the visual spectacle of this is excellent. The reason it's not higher on the list is because as conceptually cool as it is as I did not feel invested. Just on a story level having a character we know very little about pursuing a goal he knows very little about for no clearly defined reason makes it feel like... we're just watching events unfold as opposed to watching a character-driven story. There's a moment at the end that you can tell was meant to be an emotional moment, but I felt nothing. They try to introduce some emotional stakes with the female character, but idk, since it wasn't tied to the inciting incident it felt more like a b-plot than fundamental to the story. So it was a really fun cool looking puzzle, more like watching a cool Rube Goldberg machine, but not something I really thought much about after it was over.

31. Guns Akimbo

I really have been enjoying Daniel Radcliffe's post-Harry Potter career, he'll do some solid dramas he seems to prefer doing fun weird shit like Swiss Army Man, Horns, his role on Unbreakable Kimmy Schmidt, etc. This is in that vein of fun weird shit, a guy who gets guns bolted to his hands and is running around the city in a robe trying to survive essentially a real life video game. A lot of the movies lower on this list had fun concepts but were lacking in execution, but this is one that is just as fun as the idea sounds, even more fun actually, it's funny, the action is good, and there are some great visuals. I found it all around enjoyable.

30. Let Them All Talk

Glen Close as a celebrated author who invites her nephew and 2 estranged best friends on a cruise with her. It's a very light-hearted movie with some underlying conflicts that the characters are afraid to address head on. Glen Close is great, obviously, she plays this pretentious self-important woman with affectations but is still likable and warm. It's a fairly pleasant almost slice-of-life until the 3rd act where everything comes together. To me it was a movie about communication, saying what you mean, saying what you feel, and those unspoken assumptions of what those around you are thinking or feeling about you. I know I can relate to the idea of wanting an apology from someone who might not even be cognizant of the fact that you feel slighted by them, or vice versa finding out someone's had a long standing problem with you when you thought you were cool. One sided grudges do no one any good.

29. True History of the Kelly Gang

I've heard of Ned Kelly, but I've never seen the Heath Ledge or Mick Jagger movies about him and I don't know much about him other than he's a famous Australian outlaw and something of a folk hero to some. The performances and cinematography if this are great. George MacKay from 1917 is the lead and he's amazing, sometimes vulnerable and soft, other times a madman. It spends a lot of time in his childhood and the child actor who plays Ned is great as well. It's gritty and sometimes surreal in it's imagery. From what I can gather previous films seemed to focus more on what happened with him and his gang, while this movie seems to focuses more on everything in his life that led up to him becoming who he is and forming that gang. Like a 3rd of the movie is spent in his childhood, and once the gang is actually formed things move at a pretty brisk pace, seemingly skimming over the exploits of the gang to the conclusion. The film feels very raw and gritty and very fuck the police which I always appreciate.

28. Lucky Grandma

A stubborn grandma in New York's chinatown gets her fortunte read and is told that she's going to be very lucky and come into a fortune, she then comes into possession of a bunch of money that belongs to a gang and she decides to try to keep it feeling it's owed to her by the universe. A funny crime drama with the unlikeliest of protagonists.

27. Da 5 Bloods

Spike Lee is an icon but he can honestly be a little hit or miss for me. I don't always enjoy every choice he makes, for instance he uses real footage of war attrocities in this, and it's really upsetting to see REAL people, including children, be killed, when you're not expecting that. I understand it's meant to be upsetting, but it does make the movie something I'll probably never rewatch. Spike Lee's films to me can also feel at times heightened to the point that it feels a little cheesy (Miracle At St Anna), and there moments in this that kinda took me out of it to be honest, but overall I enjoyed it. The performances were great, Delroy Lindo in my opinion is one of the most underrated actors of all time, he's just always good no matter what he's in, everyone else in it is good too, but of course I have to mention Chadwick Boseman who was great. At the end of the day it gave me a lot to think about in terms or race, war, America, forgiveness, trauma and so many other things.

26. The Devil All The Time

There's a LOT going on in this movie, maybe a little too much, it's like 2 or 3 movies smashed into one, but... I really liked it, and that's probably because Tom Holland is so good in it. Really liked Robert Pattinson in it too. I can’t really think of more to say about it say I won’t. Next movie.

25. Bad Education

A true crime movie about school district officiala who stole from the budget of a highschool. Hugh Jackman is great in this. I loved Jackman as Wolverine, but now that he's done with that I'm excited to see him other stuff cause he's always interesting to watch; The Fountain, Prisoners, The Prestige, he's always solid. I enjoyed this, it was done with nuance, it doesn't let them off the hook for what they did but it doesn't paint them as absolute monsters either. I really have to ask myself, if I could get away with stealing money that no one would miss... I don't know, I think I'd not do it out of fear not altruism, lol.

24. My Octopus Teacher

This is a documentary on Netflix about a diver who immerses himself in the world of underwater life and documents the life of an octopus. It's really beautiful, both in terms of visuals and in content. There's not a lot to talk about because it's fairly straightforward, but it was really fascinating to learn about this octopus and see the bond they mutually formed, and again I can't talk about how great this movie looks, it's like you're in a different world. This is something I could put in and mute while I draw just for the ambiance.

23. Kajillionaire

A quirky dramedy about a family of really obtuse poor scam artists. As absurd as their behaviour is I can totally imagine a trio of weirdos like this living in Los Angeles ( I can say that cause it's my hometown and where I lived most of my life. It's Evan Rachel Wood's best role, I never would've imagined her doing something like this but she's great as "Old Dolio". It's funny, at time sad but not in a hammy melodramatic way, and I feel it had the perfect ending.

22. The Gentleman

Guy Ritchie doing what he does best. It's fun, stylish, witty, has layers and twists and reveals. Everybody's good in it. It doesn't have anything poignant to say, but it's fun to watch the entire time

21. Run

A thriller about a wheelchair bound teen who suspects her mother is drugging her and tries to get to the bottom of it. You can tell this director is a Hitchcock fan because it definitely has that Rear Window vibe but takes it a step further, and in many ways it's even shot and paced like Hitchcock. The lead actress is actually wheelchair bound herself so it really adds to the realism of all the things she does in this film. Oh, and Sarah Paulson is the mom, when is Sarah Paulson ever not good?

20. Horse Girl

Alison Brie is an awkward neurotic woman getting over recent grief and a history of mental illness in her family, she starts to have weird dreams and then notices people from her dreams in real life, starts blacking out and having gaps in time, and starts to believe it's due to alien abduction conspiracy. Is she losing her mind or is it really happening? Alison Brie is really really good in this, and she co-wrote it too, it has a lot of moments where you really feel sorry for her or scared for her and you start to question what's real yourself.

19. Swallow

I found this movie really fascinating, it's like what if you turned one of those My Strange Addiction episodes on TLC into a movie. It's about this woman who ostensibly, at least from appearances, has the perfect life (at least by societal standards), she came from nothing and is now housewife to a rich successful man, and behaves almost like a Stepford wife. Then develops a compulsion to swallow inedible things, like marbles and batteries and thumbtacks, which is a real condition called pica. Its the kind of movie that gives you a lot to think about but no easy answers.

18. Time to Hunt

A Korean heist thriller set in the near future. A bunch of childhood friends rob the wrong person and have an Anton Chigurh-esque killer sent after them to retrieve the money and kill them. It's a really tense cat and mouse thriller with good performances. The ending seemed to turn a lot of people off based on a lot of youtube comments I read, but I didn't mind it. My only real gripe is that they set this in the near future but aside from some imagery in the beginning it doesn't seem to come into play that much, this all could've taken place in modern day or even the past with no alteration of the story. I think the future setting was more just for some social commentary that maybe went over my head a little bit because I'm not from Korea, but I think if they were going to do near future they could've added some futuristic weapons or something. But that's just nitpicking, while the future setting didn't add to the story much it didn't take away from it either.

17. Tigertail

As I get older one of my worse fears is making decisions that I will regret for the rest of my life, so this movie really hit home as a cautionary tale. It's a kind of quietly devastating movie. There's no huge tragic horrific even, just a huge miscalculation. Decades of your life of work and unhappiness go by and all you can do is wonder what things could've been. I also especially appreciated the cinematography and music of this film.

16. Mother

It's been a while since I hated a character this much, but this titular mother really pissed me off. She's a neglectful mother who only sees her son as a tool, but he sticks by her cause he loves her. It's definitely not a fun movie to watch, but it made me feel a lot and meditate on the idea of love and whether it in itself has innate value.

15. Call

I went into this movie cold, having no idea what it was really about other than that it was a thriller that revolved around a woman getting mysterious calls. I'm glad I had seen no trailers and did not know the gist of the plot becuase it went places I really was not expecting. One of the most fun thrillers I've seen in a while. So, I'm not going to talk about the movie but what I will say is that Jeon Jong-seo, who played the woman in Burning is in this, she was great in Burning and she's great in this. After watching it I googled her to see what else she's been in that I can watch and this is only her 2nd film. Apparently Burning was her first audition EVER and she BOOKED IT! Like, one a million success story right? But she deserves it cause she's great and I look forward to seeing what else she does.

14. Possessor

This was directed by Brandon Cronenberg, the son of David Cronenberg, big shoes to fill, and I think he's going to fill them fine cause this is already a cult classic in my opinion. The visuals in this, which look like they were mainly created with practical and in camera effects. There is some very graphic very realistic violence in this. The movie is about an assassin who works for an organization and uses some type of scientific process to "possess" people to carry out hits. When she's in a body for too long who's in control starts to blur. It's really fucking trippy, like a fucked up Black Mirror episode.

13. Borat 2

Been a fan of Sacha since the old Da Ali G Show days when Borat was just a side character. I'm amazed with out Sacha can stay in character the way he does, especially when later on in the movie he shelters in place with some Qanon conservatives with who knows how long staying in character. Maybe they'll reveal they were paid actors who knows, but whatever I fucking laughed a lot at this movie. There's a black woman in this movie that I hope to god was not an actress cause I loved her and her reactions so much. It was a breath of fresh air to watch something that's just goofy in 2020 because it wasn't a good year for comedy. As much as I love film sometimes I got a little fatigue from watching so many things with very heavy themes, this also had heavy themes it was satirizing, but also chimp pornstar jokes, so.. a fun time.

12. A Sun

A drama about a family's eldest son going to juvenile detention for his involvement in a violent crime. We see how his father, his mother, his brother and his pregnant girlfriend all deal with this. I found it very engaging. My only gripe is that there are some moments of levity where they use this really generic comedy music score it and it really takes you out of the film. No music at all is better than bad generic music. Other than that I really loved it and the ending is great. I really thought this would end up in my top 10 but the following films just had more personal relevance or were more fun to watch.

11. Ma Rainey's Black Bottom

R.I.P. Chadwick Boseman, this movie is like an acting showcase for him, he has so many great monologues here, the ending really took the wind out of me. It's also packed with really still relevant commentary on race.

10. Onward

You already expect a Pixar movie to make you cry, but this came from angle I was NOT expecting and I bawled hard at this. This movie was so applicable to my life experience it's like they specifically engineered it to make me personally cry. Honestly there are better movies lower on this list, but movies are just like any other art, when a song touches you on a personal level it doesn't need to have complex instrumentation cause it's how it made you feel that matters.

09. Palm Springs

A comedy released during a pandemic about trying to find stimulation and meaning when every day is the same thing? Ya don't say! Another take on Groundhog Day, which at this point I feel like it's its on genre with the amount of times the concept has been done, but I'm not complaining, I typically enjoy a good time loop movie (or show; Russian Doll). I don't know what else to say besides that it's really funny and Andy Samberg and Cristin Milioti are both charming and great in it.

08. Scare Me

This movie was funny, creepy, the performances were great, and it's just really unique and clever. Written, directed, produced, and starring Josh Ruben, who I know primarily does really idiosyncratic "impressions" on instagram. It's 2 people alone in a cabin telling each other scary stories, they don't cut away to the stories you just watch them act it out. 4 people in the cast, one location, and it still manages to be a fun ride of a movie and manages to touch on some good themes in the overall story. I really hope to see Josh Ruben direct more films because I think he's really creative.

07. Ride Your Wave

A romantic comedy about a woman trying to find joy and purpose in her life. I often go into movies very cold, so I didn't know much about what this movie was about, just knew that it was from an animation studio and director that I really respected. It's very beautiful, very grounded, until it's not. Kind of movie that breaks your heart so it can uplift you later.

06. Uncle Frank

I really did not expect a lot from movie, not that I thought it would be bad, I just thought it be your middle of the road movie. It's about a teenage girl who really looks up to her uncle who she learns is a closeted gay man, in an era where that was potentially dangerous to be. They go on a road trip home when his father dies and learn about each other and themselves, it sounds kinda cookie cutter, but it really surprised me. Paul Bettany is so very good in this, and it made me cry. Easy way to get on high on this list is to make me cry lol.

05. Children of the Sea

This film had to be in my top 5 because I'm an animation nerd and this is one of the most beautiful animated films ever. Ever. It's right up there with Akira and the Ghibli catalogue, and the works of Satoshi Kon, and all the Disney movies and everything else. It focuses on details and nuances in a really gorgeous way. The story is VERY ambiguous and gets very metaphysical towards the end, the climax is like watching an acid trip. It's about a girl who meet 2 young boys who have adapted to living underwater, and they form a bond, and then... uh... there's no way I can concisely explain it. The creator has said it's not supposed to be understood logical, instead it's supposed to be felt. There's a lot of symbolism and metaphor, it's very philosophical and explores themes of connection and the cycle of life. It's produced by Studio 4°C, which is my favorite animation studio because they really push the envelope, they're responsible for Mind Game, Tekkonkinkreet, and the recent Mutafukaz, and other, if you've never heard of any of those definitely look them up, they're unlike any anime you've ever watched before. Anyway, beautiful movie and the cryptic plot allows for you to rewatch it multiple times and take different things away from it. I can't wait to own it on blu-ray.

04. 37 Seconds

I saw this very early in the year and love it. It's about a young woman with cerebal palsy who is also an aspiring hentai artist trying to get laid. Her mother who takes care of her like a child smothers her, so it's not only about trying to get laid but trying to have some independence. Firstly the performance of this woman who actually does have cerebral palsy and is a first time actor is so natural and endearing, secondly there are things they portray with an uncomfortable amount of realism and awkwardness that it really draws you in to the nitty gritty of her reality and what it can be like for someone who is wheelchair bound to try to have sexual experiences. I like that there were 2 films this year about characters in wheelchairs that used unknown actresses that face the same things their characters do, it adds to the authenticity of either film. Films like this are why I think diversity in film is not just about doing something for the demographic you're depicting but also giving everyone else not of that demographic new unique stories and perspectives.

03. Soul

I guess spoilers if you haven't seen this because it's easier to talk about why I liked it if I talk specifically about the plot. I wasn't expecting much from this when the initial trailer dropped, it made it seem like it was going to largely take place in this imaginary soul place with these blue things, and for most of the first act it seemed like that's what it was going to be, but when they come back to earth and the story really starts I really started enjoying it. This movie tricks you into thinking the film is about finding or fulfilling your purpose, only to throw a curveball that living life in and of itself is the "purpose", and this movie resonated so much with thoughts that were already on my mind. I relate so much to Joe as a creative person myself with so many unfulfilled dreams, at 36yrs old, having to put many of my goals on the backburner just to survive, and generally having that feeling that I'm still waiting to live life because I'm not fulfilling my "purpose". Sure reaching for goals is great, but I think our culture breeds this idea that happiness is a destination, an accomplishment, a certain amount of recognition, a monetization of your passion. I really loved how the film depicted that there's a dark side to focusing on your passions and how it can become a source of stress and unhappiness. This movie is just about savoring life itself, which people have been expressing through platitudes since forever but this film illustrated it in a way that words fail at, and that's what makes film such a great form of art.

02. Sound of Metal

This movie had one of the best trailers of 2020, I couldn't wait to watch this movie. FIrst of all I love RIz Ahmed and think he's an underrated and underutilized actor, he's fucking amazing in this, he needs an Oscar nom FOR SURE. His frustration is so palpable and he feels so natural in this movie. It follows a metal punk drummer who loses his hearing and goes to stay in a deaf community to acclimate. One thing I think is absolutely brilliant about this movie is the sound design. I'm not deaf so I can't speak from any type of experience, but they try to replicate what going deaf sounds like, what the audiologist tests sound like, what hearing aids and cochlear implants sound like, it's very immersive. I almost think of it like a companion piece to Soul, cause I had almost the same take away, it's just coming from it at a different angle.

01. I'm Thinking Of Ending Things

Okay, so I’m going to have a lot to say about this movie.

Maybe a very controversial pick for my number one because so many people absolutely hated this movie, lol. I am biased given that I'm a huge fan of Charlie Kaufman, he's my favorite screenwriter, and his films have only gotten weirder and weirder, so I know to expect the unexpected when going into one of his films. I can understand how this would be an offputting experience if you're expecting the conventions of normal narrative structure. It was surprising and perplexing to me how this film unfolded but I've watched non-narrative and experimental films before so I was intrigued rather than frustrated. You think it's about a woman who is thinking of breaking up with her boyfriend as they head to meet his parents. Once we get to his childhood home things start getting surreal, and that surrealism just escalates to the point where you realize this film is not at all attempting to depict reality and doesn't even have any continuity. This is the most a movie has ever felt like one of my dreams. I don't know how other people dream but this was so much like every weird nightmare I've ever had where I feel trapped in a situation.

There's a scene where the family is talking about art, the dad says he hates abstract art because it takes no skill, he prefers paintings that look like photographs because that takes real skill, the son asks why make a painting look like a photograph when you can just take a photograph, the woman states she paints pictures of landscapes and tries to imbue them with a sense of interiority, capturing the way she feels, the dad asks how can a landscape be sad if you don't have a person in it looking sad. I felt like this was a bit of meta commentary on the film itself. After I watched this movies I had my own theories, I watched some analysis videos on youtube that confirmed a lot of my ideas and gave me insight on other parts of the film, I watched the film again and formulated more ideas, it's so dense with things to project meaning onto and interpret it. I went on instagram and ended up having lengthy discussions about what the film meant both with people who loved it and hated it. Everybody I spoke with had slightly different interpretations and takeaways. One woman who initially did not like it came away with an appreciation for it after we had a lengthy discussion about it's meaning.

All of this is why it's my favorite film of the year, not only did I relate to it on a personal level because I'm in a stage of my life where I'm approaching middle ages and afraid I'm going to end up like the guy in this film, but I can't remember the last time a film led to such meaningful conversation about life, death, love, mental health, loneliness, trauma, etc. So like the scene where they're talking about art, I think this movie is neither intended to be abstract or realistic, it's supposed to be imbued with a sense of interiority. I know I sound way pretentious right now, but I just really appreciated Charlie Kaufman for making something unabashedly expressionist and serving it up to mainstream audiences. I really feel like I grow as a person and an artist every time I watch one of his films.

------------------------------------------------

So there ya go. That’s it. That concludes this arbitrary exercise in ranking the movies i saw last year, thank you for wasting your time on this, lol. I think it was a very good year for movies.

If there was a movie you were expecting to see on the list and it’s missing I just didn’t get to it in 2020, I may do an unranked follow up list of 2020 movies I missed in 2020, maybe.

That’s it.

End of post.

Bye.

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statticscribbles · 4 years ago

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Interests Tag

Tagged by : @amazingphanisnotonfire-imagines (I love doing these they’re so fun)

Music

Favourite genre?

- Probably Folk or Indie

Fave artist?

- Sleeping At Last, or PVRIS

Fave song?

- It always changed but the like one I always go back to is Two by Sleeping at Last and

Most listened to song?

-Goosebumps by Bastille

Song currently stuck in your head:

- New kind of Animal by Ghost Machines

5 Fave lyrics:

-1) It's okay if you can't catch your breath You can take the oxygen straight out of my own chest -Two by sleeping at last (honestly the entirety of this song does make me tear up)

2)So just trust me, you'll be just fine, I need your trust just for tonight. - Mind over Matter by PVRIS

3) Dust your conscience off, you'd better stop This stubborn mind don't feel too kind -Saving us a Riot by Phoria

4)But even in longing, I still feel the pronging Of misery's poisonous claws - Emotional Anorexic by Svavar Knútur

5) All I want is to keep you safe from the cold To give you all that your heart needs the most- May I by Trading Yesterday

Radio or your own playlist?

- My own playlists all the way!!!

Solo artists or bands?

-I listen to bands more often, but usually only one or two songs from them

Pop or indie?

- Indie! I love pop but I feel like most of the songs are too similar

Louder or silenter volume?

- More silent probably, anything that’s too loud give me a headache

Slow or fast songs?

-Slow song! Unless I’ have to like pump myself up then fast!

Music video or lyrics video?

Lyrics! I like being able to actually know the words, helps me enjoy the song more!

Speakers or headset?

Headsets!! I prefer to keep my music to myself, otherwise I feel rude

Riding a bus in silence or while listening to music?

Music almost always! Unless I’m with friends and such

Driving in silence or with the radio on?

Radio, unless I’m with people and then I’m either talking or using headphones

Books

Fave book genre?

- Hmm probably general fiction or Sci-fi/fantasy

Fave writer?

- Ooo I dunno, I don’t really pay attention to authors (oops)

Fave book series?

-I don’t read many series, probably the Hannibal series or Hunger Games, just cause I can read them both over and over

Perfect book to ready on a rainy day?

- The Hunger Games

Fave book characters?

- Hmm probably young Hannibal from Hannibal Rising! Or Peeta from the Hunger Games series!!

5 quotes you know by heart

-Oh god I’m sooo bad with book quotes I can’t think of any

Hardcover or paperback?

-Paperback to read!

Buy or rent?

-Buy, I like to highlight and dog ear my books

Standalone novels or book series?

-Standalone, I feel like most series just go downhill after the first or second book

Ebook or physical copy?

-Physical Books, they’re easier for me to read

Reading at night or during the day?

-Usually afternoon, if I read in the morning I’ll read for the entire day

Reading at home or in nature?

-Home, I like to curl up on my bed or on the couch and read

Listening to music while reading or reading in silence?

-Usually with some tv on in the background, or instrumental music

Reading in order or reading the ending first?

-Sometimes I read the last sentence to try see how well it connects to the first sentence, if there’s no connection I want to read it to figure out what happens

Reliable or unreliable narrator?

-Reliable, but depending on the book I don’t mind

Realism or fantasy?

Can I say mix? If I had to pick Fantasy, I want reading to be an escape

One or multiple POVS?

-One, preferably third person(he/she/they)

Judging by the covers or by the summary?

-Cover, if it catches my eye I’ll read the first page or so and then the summary

Re-reading or reading just once?

-Re-reading, sometimes I don’t want to get invested in new characters (hence why I love fanfiction as well)

TV and Movies

Fave TV/movie genre?

- Animated/ Kid or Family (I’m assuming documentaries/reality tv doesn’t count)

Fave movie?

-Princess Mononoke or the Cat Returns

Movie you watch every year?

- Willy Wonka and the Chocolate factory, for christmas!

Comfort movie?

-All of Studio Ghibli, or Prince of Egypt, or Hannibal Rising

Fave TV show?

-The Mandolorian (that counts right?) Or Firefly, I love me a good Sci-fi show

Comfort TV show?

-Sense8

Most rewatched TV show?

-Firefly

5 fave characters?

-1) Riley Blue (sense8)

2) Merlin (BBC Merlin)

3) Marinette (Miraculous Ladybug)

4) Din (Mandolorian)

5) Katniss Everdeen (Hunger Games)

TV shows or movies?

- Movies ( I don’t have the attention span for tv much anymore)

Short seasons (8-13 episodes) or full seasons (22 episodes or more)?

- I prefer short seasons, the longer ones can be good to keep a long arc but usually end up muddled

One episode a week or binging?

-Binging in chunks

One season or multiple seasons?

- Multiple seasons (although I feel like after three seasons most shows should stop)

One part or saga?

-One part, I feel like Saga’s have become a bit of a cash grab

Half hour or one hour long episodes?

-Half an hour, and hour feels too long, unless it’s like a special

Subtitles on or off?

-On usually, unless I’m rewatching something

Rewatching or watching just once?

- Rewatching all the way, I usually can’t take everything in on the first watch

Downloads or watches online?

- Usually watch online, some movies I’ll download if I like them enough

Tagging: Anyone who wants to!!!

#tag game #these are soooo fun

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thesffcorner · 5 years ago

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The Mandalorian: Season 1

The Mandolorian is an 8 episode series on Disney+, written and produced by John Favreau. It stars Pedro Pascal as the titular Mandolorian who I will be referring to as his actual name, Din Djarin for the rest of this review, rather than the fan-name Mando.

Djarin is a bounty hunter, working for the Guild in the early days of the New Republic. His story starts as he takes on an under the table job to retrieve a package; however as things tend to go in this situation neither the package nor the people who are after it are what they seem, and Djarin must decide if it’s worth risking his life and reputation to protect it.

Before the show aired, I wasn’t very interested in seeing it; I hadn’t seen any trailers or buzz and I was still under the impression that it would follow Bobba Fett. Seeing the first episode I wasn’t sold on it either; I was disappointed that we were not following Fett, and that we were stationed after the events of ROTJ. However, I pushed through, and my opinions evolved significantly over the course of the show’s 8 episodes.

Overall, I enjoyed the show. There were some issues, and I can definitely see areas where Favreau can improve for next season, but I think season 1 was a solid starting point. My main complaint is that the season was too short, and even at 8 episodes, it still felt like it spent a lot of time on unnecessary filler. We’ll talk more about this, and other specific issues in the episode breakdown, but if you just want my opinion on if you should see it or not with no spoilers it’s this: If you like the Clone Wars, Rebels or the Solo film, you will like this. If you don’t, you probably won’t. Take that as you will.

So let’s get into this episodes, and I’ll end with some general thoughts and desires for season 2.

Episode 1: The Mandalorian

This episode is written by John Favreau and directed by Dave Filloni, the show-runner for my personal favorite Star Wars series, Star Wars Rebels.

We start with Djarin looking for more work from his Guild leader, Greef Karga, who offers him an extremely well paid, unsanctioned job, to track down a valuable package for some former Imperials. The man, just called the Client, strongly hints that he wants the package dead, and in return he is paying in Beskar, metal important to the Mandalorians.

The package is located on Arvala 7 (yes, I did look that up), and Djarin gets some help on his way, from a vapor farmer named Kuili, and another contractor, assassination droid IG-11. Djarin ends up shooting IG, after the droid attempts to kill the package, which turns out to be a child, the same race as or very loved Yoda.

If you have seen Rebels, than I think you will be very familiar with Filloni’s direction and style; unfortunately, for me this felt like one of the weaker episodes in Rebels. Even when Rebels was great, it suffered from an uneven tone; it could never quite decide if it was a kids or adult show, and as such the tone could fluctuate between really dumb and cringey comedy to serious and violent death in the span of a few minutes.

This is no different; there is some goofy humor, some characters that straddle the line between funny and annoying, but also some darkness, and good, subtle characterization.

The biggest issue this episode has (and it’s an issue the entire show never overcomes) is the pacing. It’s at once very slow, meticulously showing the loneliness and drudgery of being a bounty hunter and extremely fast, covering important character development and plot points in single montage.

Perhaps this is a flaw of Filloni, because what works in animation, doesn’t always work in live action. In Rebels, we could tolerate characters like Honda, we could swallow that characters teleport around and solve season ending issues in a conversation. Live action has a lot more constraints, suspension of disbelief is easier to break, so having character relationships develop at unnaturally fast paces or condensing what should be days if not weeks in a single 30 sec montage is a bit much.

I don’t want to make it sound like Filloni is a terrible director and this is some insurmountable flaw; Star Wars as a rule tends to not do well in developing its characters. Ever since a New Hope, where Luke was more distressed at Obi Wan dying, than his own aunt and uncle, or Leia losing her entire planet, the franchise has glossed over really important bits of storytelling (ahem, somehow Palpatine has returned).There is nothing as drastic in this episode, but it was still frustrating to have the first half of the episode so meticulously follow Djarin capturing the bounty and taking the job, and having the important parts like deciding to save the child or befriending Kuili take up 5 minutes.

On the positives, in a short time we get a really good idea of what kind of person we are following; Djarin is impatient, headstrong, a loner, someone who is very honorable, but doesn’t like showing it. We also get a good sense of the villain; Werner Herzog as the Client is a mix of a staunch and imperial like Tarkin, while also being fascinated by cultures like Thrawn.

An ok start the show, but definitely one of the weaker episodes in the season.

Episode 2: The Child

Episode 2 is written by John Favreau and directed by Rick Famuyiwa. After rescuing the child from the compound, Djarin finds his ship being stripped for parts by the Jawa. He goes after them, but when he manages to get to the top of their ship he gets blasted away. He has a dream about the day his parents died, and is rescued again by Kuili who offers to help him get his parts back. To do so, he must steal an egg from a mudhorn, and almost dies, except the child, using the force creates enough of an opening for Djarin to finish the animal off.

This episode is a vast improvement over episode 1; it has more action, more character development, more intrigue and a much more even pace. It’s still a slow episode, and we don’t learn much about any of the characters, but enough of what happens kept me engaged and interested.

However, this was the first episode where I noticed a bit of an issue with Dij Djarin’s characterization, an issue the show never really resolves.

I think, Pedro Pascal is too old to be playing Djarin. Alternatively, the writing of Djarin doesn’t match the age and gravitas of Pascal. Let me explain.

In episode 1 we learn that Djarin is impatient. This is fine. What is less fine is for Djarin to be brash and impatient enough to think he can a) take on an entire moving castle of Jawa by himself, b) threaten and shoot at the Jawa who already beat him once, c) tret the Jawa like pests even though Kuili and the Jawa themselves already demonstrated that they are intelligent and perfectly capable of negotiating.

These are not the actions of a man in his 40’s who is impatient; this comes off as someone who is too big for his birches, someone young and inexperienced and full of prejudice. A Luke Skywalker or Ezra Bridger, not Pedro Pascal at the same age as Qui Gon Jinn. It’s fine that Djarin is close minded and biased against Imperials and droids; it doesn’t make any sense that an experienced Mandlorin bounty hunter could speak Jawa and yet somehow not know anything about them.

This gets worse in the next episode where the other Mandalorians pick on Djarin and treat him like this young man who got lucky to be paid instead of an experienced warrior of decades. Even the Armorer treats him like a newbie; he doesn’t have a signet, he doesn’t have a jet-pack, and yet he’s in his mid 40’s!

Again, this isn’t just a problem of Favreau; he tends to write immature men after all, seeing as his biggest success to date is Tony Stark. It was also a problem in the prequels where I constantly got the sense that Ewan McGregor was playing a very different character from the one Lucas had written and Sir Alex Guinness portrayed. I just wish we would have gotten more reasons for why Djarin acts so inconsistently and why he’s only impatient and inconsiderate when the plot needs him to be.

The rest of the episode is fine. I liked the dynamic between him and Kuili; Kuili himself is great character, a world weary man who has worked a lifetime for his freedom and has a deep understanding of the value of life, peace and even money. I honestly wish he was in the show more; the best scenes are the ones of him and Djarin interacting. The child was also adorable; trying to heal Djarin, protecting him from the mudhorn. It was a slow build to Djarin increasingly caring more and more about it, even though he has no idea what he’s doing.

A vast improvement over episode one, even though it’s not perfect.

Episode 3: The Sin

Episode 3 is written by John Favreau and directed by Deborah Chow. Djarin returns to Navaro and hands the child to the Imperials, getting a full payment of Beskar for his troubles. He asks what is to happen to the child, which is a violation of the Guild’s rules, and draws the suspicion of Karga and all the other bounty hunters. Djarin gets a new set of armour from the Armourer, as well as a new job from Karga. However he can’t make himself leave, and he returns to rescue the child just in time, as it is being experimented on. Every bounty hunter in Navaro attacks him, but the Tribe of Mandalorians come to his aid, and he shoots Karga before getting away.

This is probably my second favorite episode of the show; it was the point where things finally clicked and I got an idea of what the stakes and the story would be. It’s a little unfortunate that it took 3 episodes for that to happen, but it’s better late than never.

This episode brought in some more mystery about the child; we still know nothing about what it is or where it came from, other than it being around 50 years old. The Client very clearly wants the child dead, while Dr. Pershing, the collaborator wants it alive for some kind of experiment. The child really isn’t the focus in this story, even if it is what everyone wants and around which the plot revolves; the real focus is Djarin’s evolving relationship to the child and himself.

I think this was the best development Djarin got in the season (outside of the finale); we see his slow bonding to the child, feeling guilty and upset over handing it over. His relationship to the child mirrors his own past; he was a founding, the Mandalorians saved him from the Great Purge, and he already has a history of caring for foundlings, making sure all of his extra Beskar is given to them, and essentially following the Way so he can help more foundlings. Him giving the child away is a direct betrayal to his own sense of self, even if he is a loner who has no idea how to take care of another being, let alone a baby.

We learn too, in the scene I mentioned before that Djarin is an outsider even among the other Mandalorians. He isn’t liked or respected; he is made fun of and challenged by others who consider him a traitor or weak. Whether this is because he’s a foundling and thereby not a ‘true’ Mandalorian (which doesn’t really make much sense considering what we find out later) or his vocation/personality, it clearly affects him enough to act and live the way he does. His constant pretending that he is heartless is challenged both by Kuili and especially by the child, for which he’s willing to risk his life and the secrecy of the Tribe.

This is all basic stuff; none of this is groundbreaking, but it was still nice to see Djarin evolve as a character. If there is one theme in this show it’s fatherhood and community; Djarin needs people around him, he needs a clan, and this episode is the first step for him to accept that.

The rest of the episode was great; it had a nice pace, it was full of tension, I liked the Armourer who gets a bit more personality as well as Greef Karga, who I have a soft spot for, even if he betrays Djarin twice in this episode. The action scenes were well shot and choreographed, I loved the Mandalorians at the end and overall it’s a big step up from the previous 2 episodes, and definitely one of the better ones in the season.

Episode 4: Sanctuary

Episode 4 is written by John Favreau and directed by Bryce Dallas Howard. It’s also my favorite episode in the show.

In an attempt to get some heat off of him after Navaro, Djarin lands on Sorgan, a sparsely populated forest planet. He runs into an ex-rebel shocktrooper, Cara Dune, and gets approached by 2 farmers who need help in dealing with a gang of Klatoonian raiders. What the farmers neglect to mention is that the raiders have an AT-ST fighter, and Cara and Djarin have to quickly train the farmers to learn how to fight the raiders. After freeing the village, Djarin contemplates leaving the child with Omera, whom he has some chemistry with, but a bounty hunter tracking the child arrives and tries to murder it, at the last moment stopped by Cara. Realizing that as long as the Client is hiring bounty hunters, the child will never be safe, Djarin leaves the planet.

I love this episode; it’s the perfect mix of humor and serious action, it has excellent character writing and pacing and it’s a complete story. It’s up there with some of the best Rebels and Clone Wars episodes and I wish the rest of the series was of this calibre.

One issue that I haven’t yet mentioned, was that many people didn’t like that in episodes 1-3, the only female speaking roles was the Armourer, and there were few to no female characters even as extras in the background. I could somewhat excuse that in 1 and 2, since a lot of those episodes were following Djarin alone in deserts and caves, but in 3 I was starting to get annoyed too. The Armourer is cool and important as a character, but she is a tertiary supporting character at best. So it took 4 episodes to get some women in this show, and thank god they are all great.

Cara Dune is absolutely flawless; I loved that she was a rebel shocktrooper, I loved her relationship with Djarin and sparring partners and quick friends who shared a lot of experiences by virtue of living through the war. She is competent, looks powerful, is noble and stoic while still having a lot of personality in her limited dialogue. It takes her no time to start making fun of Djarin’s dumb decisions, and I love that for her.

Omera is the opposite; she is quiet, kind and secretive. She has a lot of knowledge and understanding and clearly has a past involving trauma, but we never have to see it; it’s her acting and dialogue that captures it perfectly. She is intuitive, picks up on Djarin’s insecurities and worries about the child and his choices, and the chemistry between them felt natural, even if they don’t spend a lot of time together.

Unfortunately, this episode also starts my second big problem with Djarin, which I’ll call, wait were Mandalorians always like this?

First off, I had no idea Mandalorians can’t take their helmet off. The characters in both Rebels and Clone Wars take their helmets off all the time, especially when they are around family and friends; they only really keep them on when in battle or around enemies. Even in the prequels Jango takes the helmet off.

At first I thought they aren’t supposed to let anyone take the helmet off, as in without their consent like in battle. That’s when they get disgraced and can never put it back on. But no, apparently it’s ever, under any circumstances. Really? Like they can never let their loved ones see their face? How does that make any sense?

I saw people comparing the helmets to head scarves, like hijabs or nqabs, but people can take those off you know? When women are at home, and in front of their partners and families and female friends. They don’t wear the scarves forever, even at their own house!

Which makes me wonder, do Mandalorians not have partners or kids? Even if we follow the stupid retcon (which we’ll talk about) from this show, and Mandalore isn’t a people but a creed, that would imply that all the Mandalorians are foundlings. But if that’s true, than why is Djarin treated like an outsider, and so insistent on helping the foundlings if all Mandalorians are foundlings? And even if that’s the case, there’s no mention of Mandalorians being like Jedi, and being banned from having partners and children.

If they can have partners and children how does that work? Outside of the obvious, how do you have sex in armour (unless it’s just the helmet and the rest of the armour is irrelevant), do their partners and kids never see their face? Or is it that once you find a partner you take the helmet off and never put it back on? Or do not all Mandalorians follow the Way and the ones who don’t are the ones who marry and have kids?

None of that makes ANY sense, and I hope that they explain it at least a little in season 2, because as is, it’s not only dumb, but it also contradicts everything we know about Mandalorians from other Star Wars properties.

Outside of that, everything else this episode was great. The action was fun, the dialogue was funny, I liked the training montage, I liked Cara and Djarin’s fight, I liked the child being a child, the conclusion to the story, everything. It’s the best episode of the season, and unfortunately, only the season finale comes close to it.

Episode 5: The Gunslinger

Episode 5 is written and directed by Dave Filoni. While leaving Sorgan, Djarin is attacked by a bounty hunter and during their battle, Djarin’s ship gets damaged. He’s forced to make a pit-stop on Tatooine, where he leaves his ship for repairs with Peli Moto. To pay for the repairs he takes a job with Toro Calican, an aspiring bounty hunter who is tracking Fennec Shard, a notorious assassin. If he catches her he can enter the Guild and Djarin can keep all the money. However, things aren’t ever easy, especially after Toro learns that Djarin and the child are worth a lot more to the Guild than Fennec herself.

This episode is about the same quality as episode 1, but it suffers from a different kind of issues. The pacing is much better, and there is some actual tension while Toro and Djarin try to find and catch Fennec. However, after everything in 3 and 4 this feels like pure and simple filler. In an 8 episode season, that’s inexcusable. Making a pitstop on Tatooine accomplishes nothing, it’s just fan-service; there isn’t even character development for Djarin; he ends the episode exactly as he started it.

Fennec Shard is a waste of character and a waste of Ming Na Wen. The marketing for this show made it seem like she would play this massive, important role, but all she does here is shoot at Djarin, get her ass kicked, make an incredible rookie mistake in telling Toro all she knows about Djarin and then gets killed. Even if she’s not dead by the time season 2 rolls around, nothing about her character interests me; for a super assassin who worked for the biggest criminal guilds in the galaxy, she gets taken down by a rookie bounty hunter who can’t shoot straight.

Toro likewise was a wasted character. In a way I see what Filoni was maybe trying to do with him; if Djarin had treated him better and with a little more respect, Toro wouldn’t have turned on him, except the way it came off is that Djarin was right to treat him like shit, because Toro betrayed him when he realized he could use Djarin to get into the Guild. So what was the point?

Peli was adorable and actually had the strongest character arc in that she started the show with wanting to charge Djarin extra for the child, only to fall in love with it by the end, and treat it like her own baby. It was cute and funny, but it wasn’t worth a whole episode. If this was an episode in a longer series I’d have no issue with it; as is it just broke the flow of the show and achieved nothing.

Episode 6: The Prisoner

Episode 6 is written by Chris Yost and Rick Famuyiva and directed by Rick Famuyiva. It’s also my least favorite episode of the season.

Needing credits, Djarin accepts a job with a former crew mate, Ran, who wants him, a former Imperial sharpshooter Mayfield, brawler Burg, droid pilot Q9-0 (Zeroes) and his ex-girlfriend Xian to break a prisoner out of a New Republic droid-manned prison transport. Tensions in the crew are high, and escalate after Xian ends up killing a human pilot on board the transport who activates a New Republic beacon. The crew trap Djarin in the prisoner’s cell (the prisoner being Xian’s brother Qin, who Djarin helped put in jail), and Djarin takes the crew members out one by one, until it’s just him and Qin. He gets Qin back to Ren and as Qin is about to go after him, New Republic X-Wings, following the beacon Djarin placed on Qin arrive and destroy the station.

I can see what this episode is going for; it’s a Cowboy Bebop style, space western, and again, in theory, there’s nothing wrong with Djarin joining his old crew for a job and things going south. It could have been a character building moment, to see how far Djarin has come, from associating with dishonest killers and thieves, to hunting bounties for the New Republic. But even more than the previous episode, this one is filler, and it’s made worse by some truly bizarre casting choices and dialogue, as well as a bewildering ‘twist’ at the end.

Let’s start with the twist. Why would Ren PAY Djarin, let him leave, THEN send Qin after him? It’s not a Guild job, clearly, seeing as Djarin has been barred from the Guild and they are breaking into a freaking New Republic prison, so why wouldn’t they just… shot him as he’s on the platform and let his body fall into space? Answer? Because I guess it looked cooler this way.

Second, the crew. God I found most of these people insufferable. Mayfield was a cartoon character; he kept wildly flip flopping between bad-ass villain and incompetent comic relief, and I couldn’t tell if his goading of Djarin to take off his helmet was supposed to sound like he was hitting on Djarin, or they just didn’t realize it? It reminded me of John Cena’s character in Trainwreck, and I don’t think it was supposed to be a callback.

Then we have Zeroes and Burg who are completely nondescript bad guys (although considering how bad of a pilot Djarin is I was glad to see some good piloting for a change). Xian was a can of worms I’m not sure I even want to unpack. First, why give her and Qin Chinese names, but have white actors play them? Second when are we going to stop with the all Twi’leks are sexualized perverts/slaves/are completely insane? I thought the whole point of Disney taking over the SWU was to eliminate this kind of racist and sexist shit, and yet here I am again, in 2019 forced to watch this horribly written fetish-fulfillment on my TV.

I hated Xian as a character more than I’ve hated anything else in a while, and that’s saying something, because I’ve seen TLJ.

There were some good bits in this episode; the child hiding around the ship from Zeroes, and thinking he killed him with the force; Djarin asking the pilot for his name and trying to diffuse the situation; thinking to put the tracker on Qin. Even the concept itself was good, and I wouldn’t mind the same episode just with characters that are actually interesting, instead of all these insufferable stereotypes. The show really drops the ball with these 2 episodes, so I was honestly glad I only had the finale left.

Episode 7: Reckoning

Episode 7 is written by John Favreau and directed by Deborah Chow. Djarin gets a message from Greef who has survived their last encounter; he wants the Client gone so the Imperials who have taken over Navaro leave, and Djarin wants the bounty hunters to stop coming after him, so he accepts, and recruits Cara and Kuili to help. Kuili insist on bringing along the reprogrammed IG-11, who is now a nurse droid.

The group meets Greef and two bounty hunters and as they head back to the town, they get attacked by Mynocks. The child heals a wounded Greef, and he kills the two bounty hunters, who were there to help him betray Djarin. They devise a plan; Cara is to pretend she captured Djarin and the child, while Kuili takes the child back to the Djarin’s ship and barricades himself inside. Unfortunately, the Imperials sense the betrayal, Kuili is killed and the child taken, just as Moff Gideon arrives with a platoon of death troopers and kills everyone inside the compound including the Client.

I liked this episode though it is a bit uneven. The first half is spent with Djarin recruiting Cara and Kuili, while the latter is a rather tense standoff with the Client and subsequently Gideon. I liked that we got Cara and Kuili back, enjoyed the tension between Kuili who used to build Imperial weapons and Cara who fought for the Resistance.

What I didn’t like so much was the child randomly being jealous of Cara? Like he tries to crash the ship when she and Djarin are bonding over weapons, and then tries to choke her?

This is sort of a bigger problem for the show. We are 7 episodes in and we still know nothing about the child; we don’t know it’s species, why it is force sensitive, why the Imperials are after it, or even why it seems to randomly switch personalities. My further question is who exactly are the people after him? By this time, the First Order should already exist, especially if this takes place after the battle of Aquila, so is the Client First Order? Or Palpatine’s goon? Unaffiliated?

There is an extended montage that shows how Kuili reprogrammed and taught IG to be a nurse droid which was sweet, but wasn’t really necessary; I find it funny that this montage is longer than both the training section in ep. 4 and Djarin learning to ride in ep. 1.

The ending was appropriately a cliffhanger and I hate that they ended up killing Kuili’s character off; it was clear it would happen, especially after his fight with Cara, but it still sucks that they did it. I also didn’t like that they wasted the Client; he could have been a really interesting villain and Herzog is an excellent actor, but they never gave him a chance to do anything.

An objectively good episode, but not my favorite. I felt that more time could have been spent on building up Moff Gideon and the Client than Mynock attacks and training montages.

Episode 8: Redemption

Episode 8 is written by John Favreau and directed by Taika Waititi. After being captured by stormtroopers waiting for the order to bring the child into town, IG rescues it and shoots up Moff Gideon’s platoon. Gideon in return threatens the group to surrender, calling each member by name, which shocks Djarin because the only people who know his name would have died or at least been on his home planet during the Great Purge.

Gideon injures Djarin who tells the others to use the underground tunnels to get help and/or escape. IG stays with him, convincing him to remove his helmet to administer bacta to his head injury. In the tunnels the group finds the Armourer alone, as all other Mandalorians have been killed or escaped and she gives Djarin a jet-pack and his signet; a clan of two. She ordains the child a foundling and in accordance with the Way makes Djarin responsible for keeping it safe and returning it to its people.

The group uses an underground lava river to escape, and IG self-destructs to take out the ambushing stormtroopers. Gideon attacks them in his TIE fighter, and using the jet-pack Djarin manages to knock him down. The group says farewell, with Cara staying behind with Greef to help rebuild Navaro, while Djarin and the child leave. Gideon, having survived the crash uses the Darksaber to cut himself out of the fallen TIE and the season ends.

This is my second favorite episode behind Sanctuary; it’s action packed, tense and full of Waititi’s recognizable humor. The opening scene alone had me in stitches; that is by far the best use of stormtroopers in any Star Wars media, outside of that First Order SNL skit with Adam Driver.

We learn a decent amount in this episode; first that the Empire still has pockets of powerful followers, that Gideon and Djarin have some kind of past, that Gideon wants the child and most importantly that he has darksaber. How he has it we don’t know; he either took it from Kryze or is himself a Mandalorian.

Now, we get to the second wait, were Mandalorians always like this? I thought that the Mandalorians were a warrior race, but according to Waititi, they are a creed. This… doesn’t make sense. Why was there a civil war between the different clans? Why are there foundlings and not? How does one become a member of this creed, do you have to be a foundling? Or do you just have to follow the Way? Do all Mandalorians follow the Way? If anyone can be a Mandalorian if they follow the Way, then why can’t the child? I didn’t realize the foundlings also have to be Spartan-strong or else they don’t count.

Then we get to the helmet thing. Now, no LIVING being can see their face, so this confirms that not even their partner and children can see their face. WHY? What purpose does this serve? Why make it this dramatically ridiculous? I guess cause they liked the line ‘I’m not a living being’.

Waititi really enjoys taking established properties and spinning them on their head; in Thor Asgard was no longer a place, but a people, here Mandalorians aren’t a race they are the followers of a creed. But that doesn’t make sense if this creed has no rules or hs arbitrary rules that keep changing.

The rest of the episode was fine. Jrin completes his arc, but getting attached too IG, enough to be sad when IG self-destructs. I liked how insistent Cara was in saving him; a very soldier thing to do, and in general their friendship is excellent. I really hope this isn’t the last we see of her. The humor was also excellent, as it always is with Waititi and it was a good way to end the season.

Concluding Thoughts:

I feel like I always come off more negative than I mean to in all of my reviews, but it’s just because there are only so many ways I can say I liked this, this was well done, I loved this. I did I really enjoy this season; I can safely say that I love all the characters, Djarin and the child especially, I am very curious to learn more about Moff Gideon and his hipster top knot and I hope Cara Dune and Fennec Shard come back and have more to do.

I don’t have any theories about what the child is; I’ve heard people say that it’s a reincarnation of Yoda, that it’s the Force itself in a body (like Anakin, but double), that it’s a clone of Yoda from either the Clone Wars or even Palpatine’s experiments.

Personally, I’m more interested in learning more about Djarin, and how Bobba Fett ties in with his past considering it was his signet that Djarin gave to the child at the end. I also would like to visit or revisit some more worlds; perhaps see some worlds from the books like Aquila. There are rumours that characters like Lando and Ahsoka Tano might make an appearance, and while that would be neat, I don’t necessarily mind the lack of Jedi in the show.

As for the people working on the show, I think each director brought something to the table. I would love for Deborah Chow, Bryce Dallas Howard and Taika Waititi to return in season 2, though I’ve also heard Waititi is getting his own show.

Them’s my thoughts. If you got to the end, thank you for reading, and I might be back quite soon, because I would like to re-watch the Clone Wars before season 8 comes out later this year.

#the mandolarian #star wars #sw the mandalorian #moni talks #the mandalorian review

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