#malou's original content

[lxveandthunder]

Brain: remember how you said you only ever have one romantic F/O at a time?

Me: yeah… what about it???

Brain: you might want to add another F/O to the list

[bitter69uk]

Recently watched: Passport to Shame (1958), a tense, irresistibly trashy black-and-white British b-movie that aims to expose the scourge of prostitution rings in London. Tagline: “EXPOSED! The Shame of London Vice!” Alternate American title: Room 43. I was already enticed just by the RadioTimes description (“a cheap, tawdry and utterly fascinating piece of vintage sexploitation”) – and it didn’t disappoint! You know Passport is going to be good when it commences with an unintentionally hilarious “what you’re about to see” public service announcement, with lawman Fabian of the Yard earnestly addressing the camera to warn us about this “blight” on society. (He employs the now rarely-heard word “seamy” – let’s bring that back!). The putative lead actress is Odile Versois as protagonist Malou, the naïve French girl unwittingly lured into white slavery. But she’s a wan and uninteresting presence (and saddled with a terrible ponytail wiglet), and Malou is a tiresome one-dimensional victim. Instead, Passport is comprehensively stolen by 26-year old Diana Dors - British cinema’s reigning bad girl - at her pouting sex goddess zenith in a secondary role as fellow prostitute Vicki. Dors is given a fabulous introduction on a busy street at night: the camera lovingly pans up from her stiletto heels, to her skin-tight white pencil skirt before settling on her platinum blonde mane. A male passerby grabs Vicki by the elbow to stop her from stepping off the curb into a puddle. “You almost landed in the gutter!” he exclaims, and Dors gives him a knowing smirk before swiveling away. I’d assumed the action would occur in the vicinity of Soho, but in fact Passport’s locale is mainly situated around Bayswater. Anyway, Passport is swathed in moody film noir-style lighting and boasts some exceptional performances. Craggy-faced tough guy Eddie Considine is the Canadian cabdriver with a heart of gold determined to rescue Malou from a life of vice. Brenda de Banzie as Aggie the brothel madam suggests a malevolent, fro frou and British-accented version of Ethel Mertz from I Love Lucy, and Herbert Lom exudes menace as sleazeball pimp Nick. (Boy, does he not appreciate being reminded of his humble origins in the East End!). Passport reaches a crazed climax when – in a moment worthy of Reefer Madness – an unsuspecting Malou smokes marijuana (she assumes it’s a regular cigarette) and proceeds to have a berserk German Expressionist nightmare.

Let’s face it: the puritanical, hypocritical and homophobic hellsite Tumblr has become a dying platform since it banned adult content in December 2018. I post here less and less. Follow me instead on Instagram, Twitter, Facebook or on my blog. Fuck Tumblr!

[prilis-osobna-znamost-cely-films]

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Orig. názov: Príliš osobná známosť Žáner: komédia Krajina: Slovensko, Česká republika Réžia: Marta Ferencová Scenár: Marta Ferencová, Eva Urbaníková Hrajú: Eliška Balzerová, Tatiana Dyková, Petra Hřebíčková, Ľuboš Kostelný, Marián Mitaš, Janko Popovič Volarič, Branislav Trifunovič a iní

Film prináša príbehy troch žien, ktoré sa poznajú, alebo sa spoznajú. Spája ich priateľstvo, muž a malé, päťročné dievčatko. Simona (Tatiana Dyková) si nanovo buduje život po tom, čo sa rozvedie a syn sa rozhodne žiť s otcom. Natáliu (Petra Hřebíčková) si nájde láska v podobe vdovca s malou dcérkou a obetavou babkou. A Eva (Eliška Balzerová) aj v dôchodkovom veku zisťuje, že do jej života stále patrí láska partnerská, nielen tá k vnučke. Úsmevný, miestami dojímavý príbeh je dôkazom toho, že spôsobov lásky je toľko, koľko je ľudí na zemi. Že niekedy stačí málo, aby sa z kratochvíle vyvinul pevný vzťah, a ešte menej stačí na to, aby sa starostlivo vyskladané šťastie rozbilo na tisíc kúskov. Film o láske k mužom, k deťom, k sebe samým, o zodpovednosti za tých, ktorých milujeme, aj za tých, ktorí ich milovali pred nami. Film, v ktorom sa Slovenky nájdu. Tri ženy. Tri podoby lásky. Tri príbehy radosti i bolesti, šťastia aj smútku… Tvorcovia divácky úspešného filmu Všetko alebo nič, ktorý pred dvomi rokmi videlo v slovenských kinách 338 tisíc divákov, natočili komédiu Príliš osobná známosť podľa knižného bestselleru spisovateľky Evity Twardzik Urbaníkovej. Réžie filmu sa opäť ujala Marta Ferencová. České ženské trio v hlavných úlohách – Elišku Balzerovú, Tatianu Dykovú a Petru Hřebíčkovú – doplnia slovenskí herci Ľuboš Kostelný a Marián Mitaš, Chorvát Janko Popović Volarić a srbskí herci Branislav Trifunović a Predrag Manojlović

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Ever since hulking lawman Hobbs (Johnson), a loyal agent of America’s Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (The Crown’s Vanessa Kirby), who just happens to be Shaw’s sister — these sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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With its classic and secret beauty, this Californian from Sacramento has won the Summit. He was seen on “21 Jump Street” with Channing Tatum, and “Crazy Amy” by Judd Apatow. And against more prominent actresses like Jennifer Lawrence, Gal Gadot or Scarlett Johansson, Brie Larson signed a seven-contract deal with Marvel.

There is nothing like that with Watch The Curse of La Llorona Free Online, which is signed mainly by women. And it feels. When he’s not in a combination of full-featured superheroes, Carol Danvers runs Nirvana as greedy anti-erotic as possible and proves to be very independent. This is even the key to his strength: if the super hero is so unique, we are told, it is thanks to his ability since childhood, despite being ridiculed masculine, to stand alone. Too bad it’s not enough to make a film that stands up completely … Errors in scenarios and realization are complicated and impossible to be inspired.

There is no sequence of actions that are truly shocking and actress Brie Larson failed to make her character charming. Spending his time displaying scorn and ridicule, his courageous attitude continually weakens empathy and prevents the audience from shuddering at the danger and changes facing the hero. Too bad, because the tape offers very good things to the person including the red cat and young Nick Fury and both eyes (the film took place in the 1990s). In this case, if Samuel Jackson’s rejuvenation by digital technology is impressive, the illusion is only for his face. Once the actor moves or starts the sequence of actions, the stiffness of his movements is clear and reminds of his true age. Details but it shows that digital is fortunately still at a limit. As for Goose, the cat, we will not say more about his role not to “express”.

Already the 21st film for stable Marvel Cinema was launched 10 years ago, and while waiting for the sequel to The 100 Season 6 Movie war infinity (The 100 Season 6 Movie, released April 24 home), this new work is a suitable drink but struggles to hold back for the body and to be really refreshing. Let’s hope that following the adventures of the strongest heroes, Marvel managed to increase levels and prove better.

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[eyeofthestorm888]

Brussels

June 2005

from Whale Website

Spanish version

Recently, our brilliant colleagues, Malou and Gerry Zeitlin of openseti.org, put us in touch with Karmapolis.be, a site that explores anomalies, theories of conspiracy, and beliefs concerning alternative realities.

Alain Gossens, who operates the site with his partner Bruno Michelet, lives in Brussels, and so we were able to meet and talk about mutual interests.

The result was a three-part collaboration with articles by Alain on Alien Predation, and by myself, on Gnostic Parallels to Castenada, published simultaneously in English and French.

Karmapolis: We have been discussing the idea that a parasite exists and rules our mind. How can we demonstrate to our readership that this parasite exists and that the idea of “mental infection” is not delusional?

JLL: Like an infection, the mental parasite would be detected by its symptoms. Malaria, for instance, produces violent symptoms caused by a foreign entity that invades the body.

To think clearly about the parasites, we must consider that certain behavior, and certain forms of thinking, in particular religious ideologies, would be symptomatic of an infection or foreign invasion of the human mind.

Karmapolis: What is the nature and the origin of this parasite? Is it a interdimensional intelligence? Is it possible that it takes an organic form?

JLL: According to the Gnostics, the parasites or Archons, as they called them, originate with the earliest phase of the formation of the solar system, before the Earth coalesced as a planetary organism. Their habitat is the solar system, exclusive of the Earth, moon and sun. They are inorganic forms with intelligence of an electrical nature - cyborgs, as we would say.

Karmapolis: The Gnostic Texts (Nag Hammadi Codices, NHC) describe the Eons and the Archons. To explain it simply to our readership, what are the differences between the Eons and the Archons?

JLL: In Gnostic cosmology, Aeons or Eons are gods, deities, divinities.

They are not creator-gods or point entities, however. They are rather like massive alive, aware, currents. They are the forces that form the central core of the galaxy we inhabit, the Pleroma.

Archons are an anomalous species of inorganic beings that arise outside the Pleroma, in the limbs or arms of the galaxy.

They are called Archons (from Greek archai, “elementary, from the beginning”) because they arise first, before the Earth is formed. Their bodies are formed of elementary matter (quantum fields) in a pre-organic state.

Karmapolis: Do you think that the flyers described by Castañeda and the Archons of the Gnostics are really the same thing?

JLL: Yes, I am convinced they are the same.

Karmapolis: What was the personal event that happened in your life that focused your attention on the idea that a parasite like the Archons, the flyers or some kind of extraterrestrial entities, affect our perception of the universe?

JLL: The sense that something distorts our perception has come to me gradually, not triggered by a specific personal event. However, I did have remarkable ("occult") experiences from the age of four, such as lucid dreams in which I encountered magical beings who came to assist or teach me, as well as other beings who attacked me. I have been directly aware of both kinds of intervention since that age.

Karmapolis: Do you think that some extraterrestrial beings like the Anunnaki or the Grays (or Greys) are the incarnations of this parasite, or that those alien beings are more shadowed or possessed (than us) by this parasite, this predatory intelligence?

JLL: I follow the Gnostic teachings that the primary predatory intelligence facing humanity is the Archontes. I believe that they are identical with the Anunnaki and the modern Grays.

Karmapolis: The Gnostics warned us about this predatory creature: they described the Archons and told us how we can be affected by them. Did the Archons create us? What is the legacy they gave us?

JLL: The Gnostics taught that the Archons did not create us, but they are caught in a delusion, and they think they are our creators. One of their main goals is to convince us that they created us - in effect, to get us to think as they do. As far as I know, there is no “legacy” we have received from the Archon ETs.

They are inferior to us in will and intelligence, though superior in navigational technology for travelling among the planets, in telepathy and techniques of imitation (virtual reality). I believe that the Archons are identical with the “Watchers” of Enoch, entities who are credited with teaching metal-working and cosmetic adornment to humanity.

If the Gnostics were correct, the Archon ETs attempt to take credit for imparting certain skills like this to humanity, but the claim is false, I believe. We ourselves have discovered these skills, but forgotten how, so we are susceptible to accept the explanation of a foreign or alien intervention.

Karmapolis: Do you believe that the Archons can take an organic form to exist? Do you believe for instance that the Archons and the Greys are the same thing?

JLL: In my understanding, the Archons are an inorganic species. Perhaps silicon and mercury, as Kerner suggests. The Greys are cyborgs, resembling human form - or, to be precise, the form of a premature fetus. Gnostic texts describe the production of the Archon species as an abortion, hence the form of a premature human body.

The Archons are only body, they have no soul. Yes, I am convinced that the Gnostic Archons are identical with modern Greys of the embryonic type.

Whitley Streiber observed that the Grey ETs exhibit a high degree of neotony - that is, they have the form of an entity that is not fully formed when it is born.

Karmapolis: In their interpretation of Gnostic texts, scholars outline the crucial role played by an individual they call Jesus Christ. This character warned us about the Archons. Is this the same Jesus known from the New Testament? Why is the message from Jesus contained in the New Testament and in the Nag Hammadi Codices so different?

If it is not the same character, is the “Christ” in Gnostic writings a power that possesses some people (such as “prophets”), and is the power described in the NHC texts completely different from the one described in the New Testament?

JLL: These are big and troublesome questions. Some of the language in these questions reflects the typical confusion - or disinformation, if you will - about Gnostic materials. In fact, the name Christ never occurs in the Nag Hammadi Codices, nor does the name Jesus. Rather, there is a recurring code: Coptic XC or XRC (translated CHS or CHRS) and IC or HC (translated IS).

For instance, in The Tripartite Tractate (117.10) you find HC in Coptic, and the translators modify this to H(COY)C, “Esous,” then translated into the name Jesus. You can see how far scholars must go to manipulate the codes and make them fit a preconception. Most Gnostic texts use the terms “the Savior,” the “Lord” and the “Revealer,” with no specific mention of Jesus or Christ at all.

Scholars who come from a Christian background and consider the NHC to be early Christian writings routinely decode XRC as Christ, or sometimes as Chrest, and IC as Jesus. There is, however, no clear or firm basis for this convention. I am convinced that these codes do not refer either to “the Christ” of Saint Paul or the “historical Jesus” of the New Testament.

The codes are used precisely to avoid those identifications. The term “the living Jesus” found in the NHC refers to an inner guide or psychic entity, not a historical person.

To Gnostics “the living Jesus” indicated a spiritual force that does not die, hence it could not be a real human person. Jesus Christ in the NT says things that would never have been said by a Gnostic initiate. His words and acts are inconsistent with an illumined teacher from the Mysteries. The Gnostic Christos is not the Christ, the Only-Begotten Son of God, in the theology of John and Paul.

The Gnostic Christos is an Aeon, a divine force that does not assume human form. Gnostics denied the Incarnation. In their view, no human person has the privilege to incarnate an Aeon, a Divinity.

Karmapolis: Do you see a tendency (even very small) in the Roman Catholic church to recognize the legitimacy of the Nag Hammadi texts, including the existence of the Archons, or in fact to deny the content and the pertinence, the relevance of the Nag Hammadi materials?

JLL: I see no tendency to recognize the genuine non-Christian character of the NHC, and certainly no tendency to recognize the Archons. Bear in mind that Gnostic teachings attribute Roman Catholic religion (the salvationist belief system) to the deviant mental influence of the Archons.

If Catholic authorities were to recognize the Gnostic message, they would be admitting that their belief system is an extraterrestrial implant in the human mind!

Karmapolis: People often compare the importance of the discovery of the Nag Hammadi texts with the Dead Sea Scrolls. As far as you know, can we find in the Dead Sea Scrolls the same warning about the Archons, about the fact that the creation of the universe is a mistake contained in the NHC?

Who wrote the Dead Sea Scrolls and who wrote the NHC? Were they enemies?

JLL: Great question. This connection, between the DSS and the NHC, is crucial. To my knowledge no scholar has indicated the cross-references between these ancient texts, but they do exist. Let me elaborate.

The DSS do not warn us about the Archons because they were written by an extremist sect who were manipulated by the Archons.

The Zaddikim (“Righteous Ones”) of the Dead Sea was a violent, apocalyptic sect dedicated to celestial beings, called the Kenoshim, who appeared to them in shining chariots.

Some DSS texts (notably, 4Q405, in the Sabbath Songs) describe the appearance and movement of flying saucer type UFOs exactly as they are described in modern sightings. In short, I am convinced that the sect at Qumran was an apocalyptic cult of UFO contactees, like the suicide cult, Heaven's Gate.

South of Qumran was a Gnostic encampment of a group called the Archontics - who took this name, I believe, because it was their mission to spy upon the Archons who were controlling the Zaddikim.

In one Gnostic text, the Apocalypse of James (25.15), the Revealer says,

“Jerusalem is the dwelling place of many Archons.”

I am certain that many Gnostics from the Mystery temples in the Near East were aware of the intrusion of the Archons.

They detected the aliens and their effect, a mental or psychic infection that took the form of religious madness. Jerusalem was highly infected, and so was Qumran.

The NHC does not say that “the universe is a mistake.” It says that the world system we inhabit, our planetary system, is an anomaly due to the presence of the Archons who impinge upon life on earth. Gnostic cosmology explains the emergence of the Archons at the cosmic level, so Gnostics understood the origin and behavior of these alien entities.

The Dead Sea sectarians were completely duped by the Archons whom they saw as celestial Angels.

They believed that the Archon leader, Jehovah, was their creator God. Gnostics viewed these beliefs as religious madness due to the ideological virus spread by the Archons. Several passages in the DSS scrolls refer directly to Gnostics who are considered to be arch-enemies of the Zaddikim.

To my knowledge, no scholar has pointed out that the Dead Sea cult targeted the Gnostics in this manner. The Zaddikim wanted to completely destroy the Gnostics. If my theory is correct, we can understand why.

One more point: the Nag Hammadi Codices were discovered in December 1945, but their importance was not recognized until the summer of 1947, exactly when the Dead Sea Scrolls were found. Readers will of course realize that the summer of 1947 was the time of Kenneth Arnold's UFO sighting of flying saucers, and the Roswell incident.

It is amazing that ancient materials written by an ET/UFO cult, as well as other materials, exposing the nature of that cult, surfaced at the exact moment of the 1947 wave and the Roswell incident. This is truly “cosmic coincidence.”

Karmapolis: Why was the Roman Catholic Church so stubborn, and so reluctant to give access to the Dead Sea Scrolls? Was it the same reaction for the Nag Hammadi materials?

JLL: The Vatican controlled the international team of scholars associated with the Ecole Biblique in Jerusalem. These scholars, such as de Vaux and Milik, withheld the DSS materials because they show the true origins of Christianity in a very negative light.

The DSS texts reveal that the ideology of salvation in Christianity did not originate with Jesus, but came through the Zaddikim cult. This is a nasty blow to Christian belief in the uniqueness of their religion.

With the Nag Hammadi materials, a different team of scholars was engaged. They did not delay or dissimulate. However, it must be noted that the usual interpretation of the NHC is very favorable to Christianity, or made to look that way. Consequently, the NHC are less threatening to Christian faith than the DSS.

However, in my radical interpretation of the Gnostic teachings, the message of the NHC is clearly anti-Christian: that is, against the ideology of divine redemption, not against love, kindness, and good works, of course. (But then, love, kindness, and good works are not the monopoly of Christians, are they?)

Karmapolis: Anthropologists like Michael Harner or Carlos Castañeda gave the same kind of description of a mysterious creature: Harner saw in a vision the Maninkaris, a black creature, a mix between a whale and a reptile (pterodactile). These creatures need to hide themselves and are considered by the Indians of Amazonia to be the source of all life on earth.

Castaneda describes the flyers as horrible black and huge fishy creatures that eat the consciousness of mankind. Can we compare those creatures? Do you think that they have the same nature?

JLL: No, I don't find this comparison to be valid.

The vision of the Amazonian Indians is probably an ancestral memory of the origins of human life. Gnostic teachings on this matter are similar to those of indigenous peoples who claim that the “first people” came from the skies. This is called panspermia in modern science: the seeding of the human species on Earth from an extraterrestrial source.

In the imagination of native peoples like those who initiated Harner, the seeds of life arrive in huge canoes, worms, dragons, and other such forms. This is a way to visualize panspermia. DNA itself can be visualized as a coiling serpent.

Castaneda’s description of the flyers refers to a totally different phenomenon, a type of predatory being that is bat-like or dragon-like. Throughout history the dragon has been viewed as a benign angelic figure, even a type of superior consciousness, but the “reptilian” type of the Archon described by Gnostics is different.

We must exert some imagination and distinguish the universal dragon “archetype” from the specific form of the predatory alien, the reptilian Archon, called “drakonic” in the NHC.

Karmapolis: Why do you compare the Gnostic knowledge to shamanism? Did the Gnostics engage in research about cognition, and other ways to perceive reality? Did they use hallucinogenic substances like shamans use ayahuasca, peyote or psilocybin?

JLL: Don Juan says that sorcery (shamanism) is about shifting the parameters of perception. I believe that Gnostics were masters of this practice. They were heirs to a long tradition of shamanism deriving from the indigenous peoples of Europe and Asia going back to Paleolithic times.

In Gnosis, the path of heightened perception (to use Castaneda's term), we see a sophisticated method of shamanism, a kind of high-tech shamanism, if you will. Techniques of paranormal perception were taught and transmitted in the Mystery Schools founded and led by gnostokoi, “those who know about divine or supernatural matters.”

According to the “Wasson thesis,” the ritual use of psychoactive plants was the basis of all genuine religion on Earth.

Gordon Wasson and Albert Hofmann, the Swiss chemist who discovered LSD, proposed that the kykeon, the sacred potion drunk at the Eleusinian Mysteries, was a mixture of ergot fungus, the organic basis of LSD. Hence, it was a psychedelic potion.

Much solid research has been done that supports this idea.

Also, the use of psychoactive mushrooms in the Mysteries has also been proposed, based on good research. It is now certain that ancient shamanic cults such as the Mysteries used psychoactive plants to achieve temporary ego-death and shift the parameters of perception. I believe that the Gnostics were deeply skilled in the use of psychoactive plants, including mushrooms.

However, I have not found any direct evidence of this in the NHC materials.

Karmapolis: Some religions and philosophies state that our material universe is an illusion and a trap and that our consciousness is tangled in an entropic web of deception. If we believe Castaneda, the human being is directed by a consciousness that is not its own conscious mind, but the mind of the predator.

This view can sound very dark and pessimistic. What is the way out of this trap, this mess?

JLL: There is really no trap, but there is a confrontation with the Trickster, the alien presence in our own minds. Gnostics did not teach that the world, this physical planet and the realm of the senses, is an illusion or a deception. They taught that it is a deep and beautiful mystery, but we are blocked from entering the mystery in depth and in a lucid way by factors in our own minds.

The Archons can insinuate their alien intelligence into our minds, but they cannot control or take over our minds by sheer force. However, if we let ourselves fall under their spell, they can entirely rule our minds.

This occurs through our abdication of our own consciousness, not through their domination, however.

The way out of the trap is to discern what is genuinely human in our minds, and what is inhumane, stupid, mechanical, blind, imitative - in short, we must understand human potential in order to see how it is distorted and subverted. Imagine, for instance, that you never heard Beethoven's 5th symphony played as it really is, but only a distorted version with the notes totally deformed.

You could only know that the music was distorted if you knew the true, undistorted version.

Likewise, we must realize our authentic minds, our true human potential, in order to see how we are deviated. This is the challenge of the predators.

I have a little phrase for this situation:

I say, 'Human potential comes in a trickster package.'

Karmapolis: The “laws” of nature are based on predation and fear. It is in fact the same thing for mankind, even if it is more subtle. Everything is based on duality and struggle. Is it possible that it is due to the influence or the manipulation of the universe by the Archons or the flyers?

Without those creatures, is it possible to think that the world could be different, not dualistic and predatory, or do you think that dualism is in the very essence of the universe with or without the Archons?

JLL: This world, meaning life here on the Earth, is actually not as you describe it. The description you propose is already a result of deviant perception. There is as much evidence in nature for symbiosis and cooperation as there is for predation and fear - far more, in fact.

The way the Earth works is a symbiotic miracle, and it is a magical event as well, and so there is no question that it is due to “the influence or the manipulation of the universe by the Archons or the flyers.”

The Archons influence the way you perceive the world, not the world itself. The primary power in the world we inhabit is the indwelling divinity of the planet, the Gaian intelligence, called Sophia by the Gnostics.

If you are aligned to the Gaian intelligence, you do not see the world as a place of fear and predation, but of beauty, bounty, and magic.

Karmapolis: In the Gnostic tradition, “Sophia” is the divine entity who made a mistake and created the universe and the Archons. How can we find and claim the connection with this originator principle and avoid the contact with the Archons?

JLL: One way to reach Sophia is to surrender to the beauty and majesty of nature, to enter the mystical presence of the Earth.

In nature the mystical and physical aspects of reality are merged. Beauty is supernatural. The purpose of Gnostic practices and related shamanic methods was to depart (Fr. sortir, hence sorcery) from the human social realm, shed the filters of conditioning, and commune directly with the planetary intelligence, Gaia-Sophia.

I believe this was done through temporary dissolution of the ego with the aid and guidance of sacred allies, such as plant-teachers. There is no way to avoid the Archons, but we can build an immunity to them by strengthening our vital bond with Gaia-Sophia, the living planet. The Archons are aliens who alienate us from Gaia.

Precise language is important in the expression of living cosmology. Precise poetic terms, if you will. The Aeon Sophia did not make a mistake and create the universe and the Archons. She acted unilaterally, without pairing with another Aeon, and projected herself beyond the galactic core. Aeons are formless powers in the galactic core of each galaxy.

There are many galaxies in the Universe. Sophia did not create the Universe, she emanated the world order we experience as the triple system: sun-moon-earth. Sophia did not make a mistake, but she exaggerated her involvement in her emanation, her Dreaming.

Hence, she herself became embodied in her Dreaming.

This is a rare event, not typical of the way Aeons operate. As a side effect of her excessive involvement in her Dreaming, Sophia plunged from the galactic core. (Imagine a surge or spike of luminous, foam-like matter from the galactic core into the encircling arms.) The impact she made on the elementary matter in the galactic arms produced an inorganic species, the Archons.

The Archons then proceeded to fabricate an inorganic planetary system, a clockwork mechanism. The Earth, the living planet that embodies Sophia, was then captured in that lifeless system.

This is the “mistake” - or, better said, the anomaly of our world system.

Karmapolis: In the Gnostic tradition, as I understand it, Sophia (wisdom) is not the only “Godhead” or source of eternity and perfection. Can we compare Sophia to a very sophisticated and elaborate advanced being, some kind of super extraterrestrial intelligence? Or must we admit that the source of everything is not an unique entity but more a polytheistic concept?

JLL: In Gnostic cosmology, Sophia is an Aeon, a divinity at the cosmic level, but she is not alone. She is part of a company of Aeons, the gods of the Pleroma or Fullness. There are many Pleromas, many galaxies, in the Universe.

The Gnostic myth of the Fallen Goddess is about our galaxy and our planet, not the entire Universe.

If we do not know what's happening here, locally, how can we know what's happening anywhere else in the universe? The test is, to get our story straight, and then go into the larger story.

Due to the peculiar intensity of her Dreaming, Sophia came to be embodied in the planet earth and so She is, for us who inhabit the Earth, the very godhead in which we live. She is the true, living Matrix.

Sophia is the Godhead of Nature, theologically speaking. What is She like? This is something we must come to understand by practices, through a path of sacred learning, Gnosis. All the Mysteries were dedicated to knowing Gaia and serving the higher intelligence of the Aeon Sophia. The “source of everything” is a Mystery.

Why speculate on what we cannot know when we face the adventure of exploring what we can know?

Karmapolis: Despite the bad rumors and perception around conspiracy theories, what do you think about the other conception of parasitism represented by Branton, David Icke, and the Zulu shaman Credo Mutwa, who deeply believe that the parasite is in fact a reptilian entity and that this entity shadows or invades the bodies of the rulers of this world, people like George Bush?

JLL: I think that we need to train our imaginations to detect the presence of alien entities, and distinguish what is real from what is fantasy.

The alchemists had a rule:

Proceed according to nature, observing the workings of nature, and perform the Great Work with the true powers of imagination, not with fantasy thinking.

This is a matter of discipline we face on the path of heightened perception.

[kuyarexdelsdiaries]

PekiKuya: Im Ellenya L.

Starring: Inigo Pascual & Maris Racal Directed by: Boy 2 Quizon Produced by: Spring Films, N2 Productions, Cobalt Productions Company Execuitive Producers: Piolo Jose Pascual, Neil Arce, Joyce Bernal, Malou Santos, Erickson Raymundo Release date: During Pista ng Pelikulang Pilipino 2019

(THIS POST WAS DRAFTED LAST MARCH AFTER IT WAS SCREENED ON KBO ON THE SAME MONTH BEFORE THE ENHANCED COMMUNITY QUARANTINE WAS IMPOSED)

This story revolves around Ellenya Lacampa (Maris), a social influencer who has countless followers on Instagram & YouTube, and her struggles as a content creator along with her assistant Stephen (Inigo). Although she short-lived her job as a casheir in a coffee shop, she was accepted by Kyle, a social media manager who handles Sue Ramirez' (herself) accounts.

Ellenya and Stephen did their efforts to create contents, but Kyle rejected her vlog uploads which he wants to have originality. And so, Ellenya and Stephen invited to a Content Creators symposium which Kyle was one of the speakers.

In one scene of the movie, Kyle offered a job to her to become Social Media Manager of a tattoo artist which she backed out eventually. Upon accepting, she was in a welcome party. Although, she was started to experience her stomach pain, she struggled to witness and be in front of the crowd. As the tradition of the tribal men is getting progressed, and a tattoo artist prepares for a major act, she was pooped in front of him and the audience were amused and scared.

Back in her house, she reads all of negative reactions in the said event until she started to cry. Her grandma steps in to console her, and the day after the incident, she and her father talked each other and ended in a song which Stephen joined the fun.

At a cafe, Ellenya and Kyle apologized, but later on, Kyle revealed that he is in a relationship with Stephen and he is a Queer guy.

REACTIONS This is well-deserved, especially the millennials who are into social media generation nowadays. It was among the top-grossers during the PPP 2019 (spearheaded by the Film Development Council of the Philippines) even though the film lasted for almost 80 minutes.

I have some comparisons since it is about social media engagements: IWant (now IWant TFC) produced an over 80-minute original web movie "You Have Arrived". The online film is about three women and their social media influence turned into a series of disasters after they attended a private party which became a massacre among enemies who are social media influencers. Im Ellenya L. on the other hand has a different story, but differentiating these two is the moral values content after you watched the movie. You have to be yourself, and social media has the pros and cons especially in engaging posts and content like vlogging. So you have to think out of the box and avoid too much social media time. Spend time with your priorities, family, and above all, to God.

THE VERDICT: This movie will give an 8.5 out of 10 rating. The breakdown shows the exact content among four criteria sections. SENSORY VALUE-4 ENTERTAINMENT VALUE-7 CHRISTIAN VALUE-6 OVERALL IMPACT-8.5/10

[princehenry11]

InQfive – Tech With InQfive (Part 28)

InQfive – Tech With InQfive (Part 28)

Download InQfive Tech With InQfive Mp3 Fakaza

InQfive Tech With InQfive. Check out as InQfive drops the volume 28th of his popular mix-tape Tech With InQfive for the month of June.

Playlist below.

•Lizwi, InQfive – Olwamalanga •Da Africa Deep, Lyrik Shoxen – Promises •Ben Bohmer, Malou – Lost In Mind •Native Tribe – Twisted Mind •Newmanhere – Timcsu •InQfive, Demented Soul – Thaba Tseka •Techno…

[lxveandthunder]

okay but there's just something about having a big and strong F/O just casually picking you up in their arms without warning and placing you on a random surface like a kitchen counter etc and then continuing their day like nothing happened. Like YES please pick me up WHENEVER.

[lxveandthunder]

Imagine your F/O:

Imagine you and your F/O sitting next to each other in the middle of a flower field. Not a word is being said between the two of you, there is no need for words anyway, the scenery and the company of each other is enough. Your F/O closes their eyes as the wind gently touches their face. You look at them quietly and smile, suddenly you're hit with an idea. You playfully and gently tackles your F/O down onto the ground, pinning their hands to their sides. Your F/O lets out a surprised laugh as their back softly hits the ground. Your F/O looks up at you with nothing but love in their eyes while you smile down at them triumphantly. Without you noticing your F/O quickly gets free of your grip and flips you over, pinning you down the same way you did to them. They lean close to your face and says "I win".

[lxveandthunder]

Friendly reminder that this is what your f/o sees whenever they look at you:

[lxveandthunder]

The only thing I drink is:

[lxveandthunder]

What your F/O sees from behind the screen be like:

[lxveandthunder]

thor odinson + being in a romantic relationship on asgard moodboard

[lxveandthunder]

looking at your f/o like:

[lxveandthunder]

thor odinson + asgardian funeral moodboard

[lxveandthunder]

You and your F/O looking at each other like:

[lxveandthunder]

thor odinson + meeting in valhalla moodboard