#malevolent liveblogging part three | Explore Tumblr posts and blogs

magaprima · 5 years ago

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Okay, so the liveblogging begins. Not the whole episode, but the stuff I care about. Which is basically all the women who aren’t teenagers, and especially Lilith. Obviously.

Part 3 Episode 1

Hilda having no idea what to say when she answers the phone because so much has changed

When Roz suggests cheerleading, Sabrina’s expression makes her look like Lilith.

And then Mary comes in. Mary is no longer Principal. And says she has to come to teach, which fits in with how I theorised that Principal was something Lilith would enjoy but not Mary. And apparently she’s been feeling a bit fixated on Dante’s Inferno. Wonder why? Also Michelle playing someone so soft spoken against her Lilith performance is just a great display for what a fab actor she is

"Well I can’t remember the last three years of my life. But clearly I’ve been busy...doing things" Is such a perfectly delivered line. Like Mary has clearly found out all the shit Lilith has been doing and is like ‘what the hell have I been up to?’

And she’s been having nightmares about demons and hellscapes. And is using Inferno as therapy. MARY IS THE ONE WHO GIVES SABRINA THE IDEA HOW TO GET TO HELL via artist work. Oh Mary.

Sabrina is like ‘omg you’re a genius, thanks I know what to do now!’ but then she pauses, because she sees Mary bite her lip and she’s like ‘wait it is you right?’ and Mary’s utter confusion when she’s like ‘who else would I be?’

Dorian is getting pimples due to no Dark Lord.

SABRINA’S WEIRD SHOES ARE DEAD PEOPLE SHOES

Zelda did a prayer to the Dark Lord for the coven, but didn’t like it, so Hilda is the one who suggests praying to Lilith, but Zelda won’t do it. Also I think Hilda is planning to poison the whole Council.

OMG PRUDENCE DISGUISED AS A WHITE MIDDLE AGED NEW ORLEANS WOMAN

Sabrina being like ‘don’t look at the crucified souls’ but Theo sees his Uncle Jesse and so runs off the path they’re not meant to stray from. They find out Lilith put him there.

AH LILITH RULING HELL. MY JAM.

‘what’s this now? the child of morningstar is here? i’m not surprised. it was only a matter of time’ Lilith knows Sabrina so well and immediately guesses she’s here for Nick. SHE HAS NICK’S TONGUE IN A FUCKING JAR. No denying the woman is having fun. And she has no plan to stop now, so she plans the forest of torment to stop Sabrina. Naughty Lilith. I love her.

OMG HILDA IS GLAMOURED TO LOOK FREAKING BLACKWOOD. AND I LOVE RICHARD COYLE ACTING LIKE HILDA. CAN WE HAVE THIS MORE OFTEN? I WANT TO HEAR HIM SAY HUNKYDORY AND YUMMY CAKE AGAIN.

This whole thing is like a more twisted version of Wizard of Oz. Blood Red Road. Tin Man. Jesse was clearly the scarecrow. The tin man is Tommy.

‘they escaped the woodsman you say. it’s time someone teaches these brats a lesson’ Lilith, you sound like Regina Mills. And I love that. But Regina Mills ended up loving everyone, so be aware Lilith.

Mambo Marie is sassy and french speaking and I get why Zelda ends up snogging her

LILITH HAS SENT THEM TO BE TORMENTED BY A HELLISH VERSION OF BAXTER HIGH. SHE KNOWS TEENAGERS SO WELL.

AND THERE’S HAWTHORNE WITH HIS RIBS RIPPED OPEN.

AND JAZ’S GRANDMOTHER IS THERE!!! OMG IS THIS HELL LIKE THE GOOD PLACE WHERE NO ONE GETS INTO THE FREAKING GOOD PLACE? JAZ’S GRANDMOTHER WAS BAD ASS????

Your majestic malevolence. Your viciousness. Interesting titles

tell the Kings we will not have our soveriegnity challenged by them again

So Lilith has fought off the three kings before.

She isn’t keen on fighting them off again especially as Sabrina is also here to take her ‘favourite pet’. But then she clicks, and realises she can make this work to her advantage.

Hilda as Blackwood is just hysterical, especially at the meeting. Zelda just glaring at her.

The council is asking about fading powers, because lack of a Morninstar seems to be draining people’s gifts. And then the council lie and say they were talking to the Dark Lord this morning and Zelda is like wtf you fucking hypocrites. This is what makes Zelda decide to reform the church of night entirely.

Just as Sabrina et al are about to kill them, Lilith’s minion arrives to save them

ZELDA SAYS HAIL LILITH IN HER PRAYERS TO LEAD THE WITCHES. AND LILITH FUCKING HEARS IT AND SHE GETS EMOTIONAL. THE PRAYER IS SO FUCKING GOOD AND LILITH CAN HEAR EVERY WORD IN HELL AND IT’S MAKING HER SO EMOTIONAL TO HEAR EVERYONE SAYING PRAISE LILITH AND PRAISE MADAM SATAN. THIS MOMENT IS LIKE EVERYTHING. BECAUSE SHE’S GENUINELY PHYSICALLY AND EMOTIONALLY EFFECTED BY THE FIRST TIME ANYONE HAS PRAYED TO HER

“Did you hear that? They’re praying. To me” And her voice breaks as she says it. And then Sabrina comes in.

And we find out the reason Lilith took his tongue is because he’s constantly battling with Lucifer and she don’t wanna hear that shit.

All the food in hell is rotting but only Roz can see that.

OMG LILITH SAYS SHE LIKES LOOKING LIKE MS WARDWELL ‘A FACE LIKE THIS IS HARD TO BEAT’. And Sabrina nods in agreement.

Lilith says the heirarchy don’t like non-morningstar ruling so in exchange for Nick and Jesse’s soul, she wants Sabrina to crown her Queen of Hell. There was such a level of subtle comedy to this scene and I loved it

ONE OF THE FUCKING KICKS SAYS ‘LILTIH IS A CONCUBINE NOT A QUEEN’. Erm fuck you too. ‘she was lucifer’s whore’. excuse you, fuck off.

So Lilith says ‘who’s your alternative?’ and that’s when they bring in Caliban, who plans to make earth the tenth circle of hell. Lilith and Sabrina have matching expressions of Hell, as both realise this means they both would lose everything and then LUCIFER FUCKING SUMMONS SABRINA INTO THE ACHERON.

Sabrina repeats she doesn’t want the crown. Lucifer tells her that it’s due to the bloodline that the balance is off so Sabrina has to have the crown if Lucifer hasn’t.

“I do lie and often, but not about this”

Lucifer also says, fairly, that only a true Queen has ultimate power and no matter what Sabrina says or does, the demons will never accept Lilith as Queen. But Nick tells Sabrina not to do it. Nick tells her to forget about him, And Sabrina says ‘if being Queen is the only way to get you out of Hell’. Yes, it’s always about a boy. But she won’t listen to the boy telling her to not do it.

Sabrina claims the throne in a badass way and Lilith is just like erm wtf are you doing and then when she says I’ll rule with the help of Lilith as my Regent, Lilith does the biggest eye roll ever before being like yep, yep I am. Her regent, yep.

Lilith is not happy about the step down to Regent

Also Sabrina’s friends know Sabrina better than Sabrina does.

#caos spoilers

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ghostmartyr · 8 years ago

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Attack on Titan Episode 30

LIVEBLOG

I have this acquaintance who seems to believe that I’ve been unfairly circumspect regarding my opinion of this (and other) episodes. I am aghast (aghast, I tell you) at this ruthless judgment of how I best enjoy my cartoons.

To defang such a callous accusation, this seemed like the way to go.

(Featuring xtreme whining, manga spoilers like whoa, more whining, and maybe a few spots of joy. Who can say. I haven’t started yet, and I’ve never done a liveblog before. It’s a surprise for everyone.)

So, Attack on Titan Episode 30, “Historia.” Let us begin!

I appreciate that it starts with the opening instead of pretending that the content outside of this week means anything.

Tag your spoilers though. Sheesh. That’s going to continue to bug me every time I watch an episode from this era.

Yes, we could have given these characters with a surprising amount of lines this season something new and exciting to do in the opening considering that we’re going to exclude them from all the group shots (they aren’t traitorous enough for traitoring, but boy howdy are they too shady to pal up with their innocent buddies), or, or... we could just go ahead and borrow animation from six episodes in and throw it through some filters.

Complete with dramatic stills. Still. The other one can have dramatic motion. She’s going to be a main character soon, after all.

It still makes me happy that the opening spends time remembering that these two matter outside of everything else that’s going on. Their dramatic anvil of emotional trauma has meaning enough to be dropped in the first minute and thirty seconds of every episode kind enough to skip flashbacks. Most good and excellent.

I like this opening on its own, too. The first one has the epic music that goes with anything, the second has the epic music and really tired anime tropes, but this one manages to grasp that the epic music belongs with suitable animation. I don’t know how it would compare head-to-head, but this one feels like a more complete work.

But enough with the opening.

Bring me the feels that I have graciously waited four years for.

Yes, good, excellent.

...

You mock me.

I don’t understand. Is there something wrong with suddenly shifting your story’s entire focus to two girls who have yet to contribute anything relevant to the plot in a season where there are only twelve episodes and the fanbase has not been reared on monthly frustration?

Why would you want to give the filler moments to characters that people already know something about and care for? How very dare.

(I have watched this before, in case that was unclear, and I don’t remember my exact reaction to this episode opening with filler, but I do remember moments of pain as the snowy boot failed to lead to the scene I wanted it to.

You cut the flashbacks to taunt me with filler, WIT.)

However much it floats about the wrong people, the snow is really beautiful. I don’t live anywhere I get to experience snow, but I like the feeling of muted emptiness it brings an atmosphere. Things are allowed to be still and quiet.

As a bunch of young recruits are trying not to freeze to death, but it’s okay. We already know everyone we care about makes it through.

Hark, the first reference to this episode’s true purpose!

(Why couldn’t Crunchyroll show me kindness and use the K version of her name? It isn’t like it’s going to matter soon.)

I am against this filler on general principle of not getting exactly what I want at all times, but Mikasa showing awareness of what Krista gets up to is always going to blindside me with feels. Mikasa doesn’t know it, but they’ve both watched their mother die thanks to the world’s malevolence, and they both latch on to the person who comes to shape their new place in life.

Neither Eren or Ymir is especially delicate about it, but when they speak their hearts, Mikasa and Kristoria hear them like they’ve heard nothing else.

Of course, that’s all based on later things, but whenever Mikasa has a scene with Kristoria, there’s this extra weight of subtextual understanding that just sings to me.

It helps that it’s mostly one-sided. Everyone in the 104th knows Mikasa, because how could you not, but Kristoria, outside of being rescued repeatedly and bargaining for certain people’s lives, doesn’t show any special acknowledgment of Mikasa.

Meanwhile, Mikasa notices Krista. She’s not the blonde or tiny one, she’s the one who sticks with Ymir--or, in this case, stays behind with Daz.

In this section of the story, Mikasa really has no idea how alike she and Kristoria are, but I like that even before she knows, she notices. ...Or maybe more accurately, some part of the writing staff notices the similarities, so allows them to be continually linked.

...I really like Historia and Mikasa’s nonexistent irrefutable bond.

Why is the OVA that has more of it not stateside when we were given the crack one.

BUT HEY GUESS WHAT THAT’S NOT WHAT THIS EPISODE’S ABOUT!

Look, look, it’s what the episode didn’t start with.

...

Oh help.

Excuse me, I think my heart grew three sizes and I need to lie down thanks to unforeseen feels because oh wow, this is somehow the perfect and I don’t know how to deal.

How.

Just how.

I don’t care if it’s a translation flair or not. There’s something--heck, just help.

Not “no.” “Never.”

Kristoria is a melodramatic stubborn moppet and what even.

You’re dragging a dying body through the snow. Be less perfect.

Ymir, of course, continues to talk, going through all the reasons why a dead body is going to be involved in their night--because some titans get their energy from sunlight, and some get it from pointing out as many inconvenient truths as they can in the space of a single conversation--and Kristoria, of course, continues to be perfect.

I swear, my favorite part of half of the training scenes between these two is that Ymir spends most of her time rightfully criticizing every single thing Kristoria does, and after the initial confusion, Kristoria just refuses to listen.

She puts up a good fight, and can talk with shining eyes about Sasha choosing to be herself regardless of her word choices, and play the heroic role of still believing that there’s a way out while she’s basically in the middle of a suicide attempt, but she is so, so wrong.

This kid is so wrapped up in whatever role her head thinks she’s playing that she listens to her common sense maybe about half as much as any rational person would. Then she uses whatever’s left to try and defend herself to Ymir, because Ymir has the nerve to suggest that she’s thinking about as little as she actually is.

And good grief I just love this scene.

Because yeah, she’s about ten seconds away from being bashed over the head with how unproductive this all is, but look at that face.

The anime version is going with a lot less dead eyes here, and I should and will maybe find time to complain about that, but what it’s turned so horribly glorious is Kristoria’s overall tone when she starts telling Ymir to get lost. It’s downright mocking.

Also fake.

So, so so so fake.

Yet somehow, one of the genuine things Kristoria does as Krista. She doesn’t try to convince Ymir to save herself with a warm smile and proper actions; she plays Ymir’s own game and taunts her into wanting to leave Kristoria and Daz behind.

Kristoria’s basically given up at this point. She’s marching in the middle of a blizzard tugging a pre-corpse behind her, and I don’t think she considers her own life to be in better shape than Daz’s. They’re both dead. Game over man, game over.

Ymir’s outside of that picture, though. Ymir’s heart is still beating, and she obviously doesn’t want to stay, so why should she stick around and watch all of this misery?

This is the early version of how Historia always negotiates. Whenever there’s something she wants, she picks her arguments based on what the other person will find convincing, not necessarily her own logic for making a case.

So with Ymir, she chooses to be obnoxiously cocky about her chances.

(help.)

The manga has this byplay so much quieter, and you can see so much more of Historia from the next arc coming through, but Kristoria makes affected arrogance look damn good and why why why.

WELL NOW THAT’S RUINED, ISN’T IT.

Tough break, Kristoria. You’re going to have to earn being cool from now on.

The anime does such a good job of this moment.

What always gets me in the manga, and what carries over here, is the look of pure horror on Kristoria’s face when Ymir puts words to her thinking. When it’s said out loud, it sounds horrible. She isn’t trying to save someone’s life. She’s given up on Daz.

I don’t think the jab about giving up on herself hits that hard. Kristoria’s a suicidal mess.

But Daz, he who spends this entire scene basically being treated like a sack of potatoes by both of the people responsible for his eventual survival, is a life Kristoria cares about. I think a lot gets lost when that isn’t taken under consideration.

She doesn’t mind killing herself. But what hits is that her resignation regarding her own life has crept out and threatened someone else.

Kristoria’s been responsible for death before. It terrifies her.

Before Ymir draws it out, I honestly don’t think Kristoria has any idea what she’s doing here. Her own life has never mattered to her. Daz’s fate is pretty much inevitable. She’ll stay with him until the end, and put in the token effort, but they’re both screwed, and deep in her heart, all of the talk of third options and hope is a lie. The only thing she can do is keep Ymir from being taken by the hopelessness as well.

But giving up the way she has means that she’s hurt Daz’s chances of survival beyond what they already were. She never asks for help. She just accepts death and carries on walking straight into its embrace.

And when Ymir says it, like this is all on purpose, Kristoria immediately denies it.

She does not want Daz to die. She thought herself a witness, at worst. Not his executioner.

Like I said earlier, Kristoria just does not think about this. Her fatalist tendencies take the wheel and drive her off a cliff that wasn’t even on the route.

So when she’s made to think about what she’s doing, and when she sees, for the first time, where it’s landed her, she’s horrified. She’s a screwed up mess, but she isn’t intending to get anyone else killed.

There’s no denying that that’s where she’s sitting, though.

This is so well done. It’s... this is one of my favorite scenes in the series. Most ones involving these two are, but these moments make such strong use of silence. There’s nearly a full page of beat panels after Ymir starts this conversation, and the tension and the swirling snow stand out even better in a medium dependent on motion.

The world stops when Ymir calls Kristoria on her actions. They’re probably all going to die, and in what Kristoria is thinking will be her last moments, the deepest part of her soul is on full display, and she can’t come up with a single way to defend herself.

She’s out of hope, doesn’t have a sense of self-worth to begin with, and Ymir is confronting her with every sordid detail of the life she wants to forget.

...That part’s me skipping ahead, but look, that’s the mood. Just this lost little girl in the snow wondering how the hell she’s fallen so low.

...While Ymir continues to make it worse.

Because why not. Blizzards are a great time to chat.

(Daz ends up dependent on the two people with the some of the strongest saving-people instincts in the series, and he still nearly dies because they only know how to have honest conversations if death is nearby. That is his purpose in this scene. He is the conversation starter.)

"Hey, you’re about to kill a guy, but btw, I am totes not a thief.”

Who are you trying to impress. I mean, Kristoria, obviously, at all hours of the day, but even at this point she knows you too well to buy that you’re too morally pure to steal things when you’re starving.

Also, there’s that blizzard thing. How are you still trying to act cool.

Oh Ymir...

That ability to instantly empathize and decide a course of action based on those feelings is a little scary, really. Because she knows the story, this girl she’s never met sends a hook through her heart, and suddenly she’s in the military.

Her gift of perception is what makes her so fun when she’s around other characters, but combined with her smarts and impulsiveness... she’s good at finding just enough rope to hang herself with.

...Yeah, meanwhile there’s you.

...

Fine, let’s be real, it’s both of you.

These two are so innocent that it physically pains me.

There is some humor in Ymir resorting to blatant lies to cover up having *~feelings~* in a conversation largely about being true to yourself (Ymir and Historia are both human disasters whose emotional maturity lingers somewhere around toddler level), especially when it’s in response to the person lying about her entire identity posing an honest question, but mainly, oh no.

Like.

No.

Ymir and Kristoria are having this dramatic conversation in the middle of a blizzard while some guy dies at their feet. They are working the tension like it’s going out of style, and they aren’t going to stop anytime soon.

They’re reaching Batman levels of extra angst.

...Holy crap, Historia’s Batman.

No no no, listen, see, she’s got the blue blood, and she’s got the piles of influence, she has the tortured dark loneliness, she watches her parents die in front of her (admittedly, one has help), AND SHE ADOPTS SCORES OF ORPHANS. HISTORIA REISS IS THE ONE TRUE BATMAN FIGHT ME.

But then Kristoria swoops in, mid-suicide attempt, and goes all angelic shiny eyes, because oh my gosh, friend??!!

She is the epitome of a kicked puppy, and it is adorable.

Unbelievably tragic, but. That is a puppy expression. Over friendship.

While Ymir tries to pretend she’s too cool to want any of that.

When she’s just as bad.

She’s not the one dragging someone’s body through the snow out of a warped sense of self-hatred and heroism only to go all doki doki over the possibility of someone wanting her as a friend, oh no.

She just joins the military because she hears a story about some girl and she can relate.

I know the episode isn’t there yet, and since we’ve been graciously spared a flashback start, it might be hard to remember. But for the sake of perspective:

Ymir is standing on top of a collapsing tower surrounded by titans entirely because she’s so desperate for human connection that she ran off looking for some girl whose first name she didn’t even know because she thought they had something in common.

THIS IS THE PERSON WHO HAS THE NERVE TO PLAY TSUNDERE ABOUT WANTING FRIENDS.

TO REVIEW.

THIS IS WHAT COMES OUT OF HER MOUTH

LITERALLY ONE MINUTE AFTER SHE SAYS THIS

“HI I’M YMIR AND I WEAR METAPHORICAL REINCARNATION BETTER THAN YOU, SEE HOW PRETTY MY BLACK AND BLUE DRESS IS NEXT TO YOUR SILLY WHITE AND GOLD ONE.”

This is a very mature conversation between two people who have been through too much and come out incredibly damaged.

It’s also two teenagers yelling at each other in the middle of a blizzard.

For instance, this is a tragic statement about Kristoria’s emotional trauma.

It also sounds vaguely like Ymir is encouraging murder.

It might not sound funny now, but give it time. Around the arc that ends with Historia killing her father, this becomes utterly hilarious.

And this... this will always hit hard.

Kristoria’s my favorite character, and that’s been the case since I first saw her. This is the arc that gives substance to that fondness, and this moment in particular is one of the most brutally cool parts of Kristoria.

She isn’t just trying to kill herself. She joins the military. She conducts herself admirably. She’s a good enough soldier to earn a spot in the top ten, even if that should more correctly be the top eleven.

Yeah, she doesn’t care about herself. Her care for others is also debatable.

But she isn’t just stumbling her way towards the quickest end. She keeps her head up and finds a way to die that looks appropriate from every angle, and marches toward it. If she had died here, even though that’s exactly her plan, and staying alive isn’t something she’s trying too hard at, she would have died on her feet, still stubbornly clinging to the heroic ideal she wants to decorate herself with.

Krista might be a fake hero, but Kristoria goes the extra mile even when she’s completely out of heart to give.

That unholy stubbornness is headed the exact wrong direction here, but it is such a cool character trait.

Ymir and Kristoria’s relationship is really just this long debate over which one of them is better at winning arguments.

I also appreciate that Ymir’s winning argument, in this case, involves throwing people off cliffs.

Sure, she’s right.

But even without titan powers I can totally see her suggesting throwing someone off a cliff as a valid way to keep them alive if it meant finding a way to prove Kristoria wrong in this scene.

She starts out wanting Kristoria to leave Daz behind. Then it turns into a philosophical showdown, and suddenly, nope, there is a way for all of us to live, guess what Krista, YOU ARE WRONG ABOUT EVERYTHING FOREVER.

(Love yourself.)

...Whatever the anime does wrong, now and in the future, I don’t think I will ever be able to deny the extreme gratitude I feel towards whoever lovingly detailed Ymir picking up a kicking Kristoria and throwing her down a hill and into a tree.

Best love interests ever.

You three still aren’t supposed to be here, but I begrudgingly appreciate that even when Eren finds Krista creepy, he’s the kind of righteous dude who will do whatever he can for his crew, and of course Mikasa and Armin won’t ever let him do it alone.

Fine, I like the filler this episode.

“Hello, we are also here, and have absolutely no ulterior motive to making sure that Krista is still breathing. Look at how helpful and great we are.”

“We’re just good people who love our friends and need more screentime.”

For a good time, count how many times Krista is mentioned by name compared to Daz and Ymir.

You know, I feel like the full context of what happens here deserves more words.

Ymir literally jumps off a cliff to win an argument with her girlfriend, leaving said girlfriend smacked against a tree and under a pile of snow in the middle of a blizzard, all with the full expectation that Kristoria is going to be just dandy.

AND SHE’S RIGHT.

Kristoria gets a front row seat to two people she sort of wants alive diving off a cliff, and then gets to wander through the wilderness in the dead of night, blizzard raging, entirely by herself.

Just like Ymir knew she would.

...

Just because it’s a terrible plan doesn’t mean I can’t find her faith heartwarming, shut up.

I feel like this screencap accurately captures the Ymir experience in its entirety.

...I always forget how tiny Historia is.

She is incredibly tiny.

I don’t have a comment.

I just feel something in my chest.

I think it is pain.

The whimpering noises coming from somewhere support this theory.

This level of physical affection is not in the manga version help it doesn’t even make sense for their personal bubbles to be ignored like this where they’re at right now it’s just done to make a smooth transition cut so how dare you make me feel things.

Stop.

Look, see, we have a perfectly good thing here where even the idea of living under her real name makes Kristoria gasp fearfully, and that is a slice of tension that I should be able to dig my teeth into and enjoy,

BUT INSTEAD WE’RE HERE, DOING THIS!

My heart is on the floor yet somehow still doing things to me and I have complaints.

Oh good, this is better.

...Does Ymir just. enjoy jumping off high places?

This is also some epic music to get the party started.

LET THE BODIES HIT THE FLOOR

Speaking critically for a moment, as much as I dig the music once we’re back from the Information for Public Disclosure, I’m really disappointed in the blocking for Ymir’s initial attack on the titans.

It lasts about ten seconds, so wow get over it, but they go with more long shots than swift cuts for those ten seconds. Considering her fighting style, it feels like the wrong call. It’s impressive to watch how swiftly she’s moving from titan to titan, but some of the brutal strength of the violence is missing. Chomp, nom, move on. There are a few good shots mixed in, but the flow of the scene feels like it could have been way more intense if they’d kept close to Ymir.

Loving that music, though.

Pictured: Kristoria nearly falling from her death because she hasn’t moved a single inch since trying to reach out and stop Ymir from jumping off yet another high surface.

So. Cause of death?

Could not stop staring at Ymir.

Okay.

...I’ve been good. Very good, arguably. If Studio WIT wants to take a few liberties with micro expressions, that’s their call, and they even made one really unfair thing out of it, so I shouldn’t complain too loudly.

...

Yeah, fuck it.

SHE DOES NOT SMILE IN THIS PANEL OF THE MANGA. VERY MUCH THE OPPOSITE, AND THAT WAS WITH SIGNIFICANT LESS DAMAGE TO HER LEG.

YOU ALSO FAILED TO DEPICT CONNIE’S PANICKED STILL OF REACHING OUT WITH BOTH ARMS TO TRY AND CATCH HER. IT IS PRECIOUS AND ADORABLE AND YOU ARE DEAD TO ME.

Bertolt’s “wtf” expression is a gem, though.

This is Kristoria’s most vivid recollection of three years of friendship with Ymir.

Bless these two.

Only two people on island with knowledge of history past a hundred years ago shocked when the person named Ymir has a link to Titans.

Bertolt really does have magnificent background expressions.

I. feel personally victimized by this episode.

What always gets me about this section of Utgard is how disturbed Kristoria starts out by... all of this. It’s all scary stuff, everyone up safe on the tower is talking about how suspicious everything is, and Kristoria’s a bit of an anxious mess to begin with when it comes to life.

You can see so easily how someone who’s never had a reason to trust anybody could have trouble trusting the motives of a secret like this, and the environment is just waiting to tighten its hold on all of her insecurities.

But Ymir is still Ymir.

Even before the pieces fully snap together, and Kristoria starts breaking out of her anxious shell, she can’t watch Ymir in danger and not worry. She can’t turn off caring for her friend.

And then we just. just.

Oh help they added a montage.

This should not be allowed at all what even why are you doing this.

Butting heads and marriage proposals. And awkward drinking experiences.

That’s what Kristoria holds dear to her heart when she thinks of Ymir.

I’m fine. Fine fine fine. Fine.

Help me I love this episode.

I do not have words. They are not found. This world was not meant to waste moments talking about scenes like this when they’re there to be enjoyed. There is no greater high than Kristoria shouting off encouragement about property destruction and generally showing her deep, abiding love for Ymir by calling her an irredeemable jackass while she nobly tries to save them all at her expense.

Then WIT goes ahead and brings me back to earth when it decides to cut my favorite smile altogether. While I’m grateful for the return of my ability to make words instead of distressed noises, why. You gave the filler its dear sweet time to do whatever it felt like, and now we’re left without an animated form of the bestest smile ever.

Minus bazillion points.

Oh wait.

Waaait.

You. can’t just.

Ow?

Ahaha oh, but this is entirely the anime’s fault and ow. That... that slow hesitance of her feet before they just start going. Ymir’s being torn to shreds, and there are titans everywhere, but running to her side is such a basic instinct for Kristoria that she just... goes.

The manga captures that sense too, but the boots. That tiny little delay before she bolts.

How are you allowed.

Oh yeah, and here we have Ymir’s eyes opening. Entirely because Kristoria’s calling out to her. That’s good. That’s okay. Yeah.

If I didn’t have things to complain about like WIT turning Kristoria’s kindly request that a titan wait on eating her into the anime version of thought bubbles (WHICH SHE SHOULD NOT HAVE YET), I don’t know what I’d do.

Mikasa’s auditions for the role of Kristoria’s personal white knight just make me really happy.

Smiling Erens would, except.

Well.

Sorry about your life, kid.

....Yours too, but, uh.

Um.

...oh wow.

This can’t be how they’re supposed to spend their budget. but. This is so amazingly beautiful. The lighting is so, so soft, and Historia’s voice when she tells Ymir’s her name is one of the most gentle utterances you will ever hear on this show.

You have this episode full of teenagers yelling and being scared and making poor decisions, and so much pain, and so much violence and passion. Then the morning sun rises, and all that’s left is this tender moment between two people who love each other.

And Ymir, battered and bloody, smiling at the sound of Historia’s name.

More care than I’d dared to hope for goes into the final scene, and... yeah, wow. Thanks for existing.

So.

That’s it.

Episode over.

On the whole, I like the manga version better thanks to a few tiny details that don’t matter to anyone but me, but this is... extraordinary, and I am so glad that they were willing to take their time and let it flourish into everything it’s meant to be. Damn.

I can’t see myself doing one of these again, but it definitely had its moments (this episode hurts me), and I hope some enjoyment can be had from the transcript. Thanks for following along.

#Shingeki no Kyojin #yumikuri #Historia Reiss #Ymir #Season 2 #screencaps #tl;dr

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