#malba

[baaardi]

Buenos Aires, Agosto 2024

Canonet QL17, Kodak Ultramax 400

[videogurrrl]

MALBA, Buenos Aires

[atna2-34-75]

Tarsila do Amaral

Abaporu, 1928

MALBA, Buenos Aires

[slashdementia7734]

MALBA // UPLAND COMBI // #GNARBUCKET

[theodoreangelos]

Prague in autumn by Jaroslav Šetelík (1881–1955) Praha na podzim | Prag im Herbst | Прага осенью | Prague en automne

[anabellajv13]

🚴‍♀️

[phoenixnakama]

Fantasy deer.

[lalokamalva]

Malba. Marzo 2023

[wanderingnewyork]

#Rooftops in #Malba, #Queens.

[page-28]

Micke Alba and Dad

Remote control

[diminutoatelierambulante]

[baaardi]

Agosto 2024 Canonet QL17, Kodak Ultramax 400

[thisisthiago]

lazy warm sunday mood… lying down feeling the slow pace of the afternoon as you listen to some tunes

as usual, some highlights from my weheartit account

I don’t owe any of the displayed pictures, they belong to their original authors. If you’d like a picture removed, please DM me.

[atna2-34-75]

Martin Blaszko

MALBA, Buenos Airea

[ivebeenfoundout]

Just had another migraine how so I’m laying down

But my brain can’t stand just resting without doing anything

So I collected a bunch of my favourite works from when I went to MALBA in Dec 2022:

Mujer desnuda leyendo (Nude woman reading), Armando Reverón, 1932, 78 x 116 cm;

This piece is great in person. When you get close to the canvas the delicate marks scramble and are difficult to make out. Standing further back, however, you can begin to make out the woman’s form. Feels like you are peering through a net curtain.

El oso (The bear), Vicente do Rego Monteiro, 1925, 86 x 97 cm;

Something about this is very cute, reminds me of Botero but with animals. Although the curves make the work appear soft and mellow at first glance, the grainy effect of the paint and a dark neutral colour palette give the painting a sombre after-tone.

Cuadro escrito (Written painting), León Ferrari, 1964, 66 x 48 cm;

I haven’t read his text all the way (I should), but the beginning of the very first sentence is what immediately caught my attention: “Si yo supiera pintar…” (If I knew how to paint…) The link between different mediums of art such as sculpture, painting, poetry and film has always been very interesting to me, so seeing a visual artist blur the lines between writing and design is captivating. The winding, swirling orthography reflects Ferrari’s introspective reflection in this piece.

El hueso (The bone), Miguel Covarrubias, 1940, 35,6 x 26 cm;

What a polite looking man. The size of this piece, and the placid expression on the subjects face, are both unassuming yet arresting. Alone on a corner wall in the gallery, the bright colours save it from getting lost in a sea of negative space. Yet something about the man’s expression, his eyes, seems distant and resigned.

Sin título (Untitled), Jorge de La Vega, 1971, 230 x 280 cm;

This, on the other hand, is an enormous, attention-grabbing piece. It seems logical that it is a product of the late 60s/early 70s with its almost psychedelic visual effect. Initially I didn’t look twice at the piece, largely indifferent, but the eyes of the apple-eating woman seemed to follow me around the corners of the exhibition room, so that I was forced to reconsider it. There is a childlike sense of wonder here, but her slightly crazed expression makes me wonder if there is a more sinister undertone.

Doing this actually kind of helped my headache! I haven’t been able to paint much lately because of the pain, so it’s nice to be able to still access art in this way.

[bloodayze]

The hands of the MALBA (Museo de Arte Latinoamericano, Buenos Aires, Argentina)

Taken by me (@bloodayze) Click on an image for the work’s title, artist’s name and country of origin (those without a caption means that i’m still looking for the title and artist)