#makes you wonder what other legends don't exist~

[ask-dawnanddusk]

This is Maksviah's second child, Vourison, the Choking Smog Snake~

Rayquaza also don't naturally occur in the world the story is set in, with this lad being the exception. If you were wondering why Vox is the one who deals with Kyogre and Groudon, well, now you know!

Was messing around and decided to design another character from my ask blog! There are no plans for him to show up but I love him anyway~

Of all my characters, he's one of the one's who's design strays the most from his original species! He's a Rayquaza if you couldn't tell lol

[mrs-kmikaelson]

What's in a Name?

Pairing: Aaron Hotchner x reader Summary: 5 times you and Agent Hotchner questionably cross paths over the years, just for him to watch you walk away (+1 time you don't). Warnings: long asf, murder, violence, addiction, unhealthy coping mechanisms, corruption in government, allusions to abuse, one made-up case, hotch is a lil ooc (not rlly), and reader has grey morals (lmk if there's more) Eps incl: S1E21 (secrets and lies), S3E20 (lo-fi), S4E1 (mayhem) Words: 24.4K

Masterlist | Bonus (no.6)

a/n: this is the longest fic i have ever written. guys, one section is literally 10k words long— and i didn't notice!! it's too long for one part (there's a 1k block limit on tumblr) so the bonus is linked above and at the bottom. it took me... a while. so i hope u enjoy! might do a part 2. also i'm only on s4 of cm rn (even tho i know too much alr) so pls don't spoil. ly guys!!

1. The myth

Quantico, Virginia, 2004

The interrogation room was cold and your fingers felt frozen against the metal of the table, but you doubted it had anything to do with the fact that it was December. If anything, you'd bet good money that as soon as you stepped out of the room, the heat would return. You'd bet good money that a certain Agent Hotchner sitting across from you had fucked with the AC unit.

Nonetheless, you didn't show your discomfort, keeping a poker face.

Well, as much of a poker face that you could keep.

You had a smile on your face, a twinkle in your eye. While you preferred not to spend time in police stations, this really was turning out to be quite interesting.

Agent Hotchner didn't seem to hold the same opinion as you. The frown on his face was unmoving, his expression stone cold. High-strung, you thought, and then you wondered what crazy things he might've seen to make him that way.

You turn to the man sitting next to him (the boy really), and asked, "Does he ever smile?" You pointed to the man in question to emphasize your point, even though it was clear as day who you were referring to.

Spencer, as you'd learned his name was, looked somewhat flustered at your question, like he wasn't expecting you to speak to him, but he ignored you regardless. You took that as a no. "Ms. Y/L/N, you're known throughout the United States and many other European countries as 'The Angel of Death.'" Your smile widened at your nickname. "They say that, as soon as you contact someone, they're as good as dead."

"Oh? Is that what they say?" Your voice was sly and teasing.

Spencer ignored you yet again. Rude. "You send them a message through various online media, and then they mysteriously turn up deceased."

"Do they?" you drawled.

The stoic and silent Agent Hotchner took this as his cue to speak up. "As of late, your existence has been nothing more than a rumour, an urban legend amongst criminals and internet sleuths. A myth."

You hummed.

"But your recent attempt on Congressman Baylor has failed. You got sloppy," he deadpanned. "You went for a fish bigger than you could handle, and now the myth is likely headed for life without parole unless you tell me who you're working for."

You were silent for a moment as you held his stare, and he thought that finally, he was getting somewhere with you, but then you broke that silence with a giggle so bubbly it was almost hard to believe you were assassin.

"That's cute," you remarked.

He narrowed his eyes. "What's cute?"

You shrugged nonchalantly. "The fact that you think you can convict me."

It was Spencer this time that spoke up, his voice soft in comparison to the jagged edges of his partner's. Perhaps this job hadn't broken him yet, you thought. "Y/N, arrogance isn't gonna get you out of this."

You snorted. "No, trust me, this isn't arrogant. It's self-assured." You didn't give them a chance to get another thing in. "Tell me, what exactly has your technical analyst, Penelope Garcia, been able to dig up on me?" You saw slight alarm flare up in Agent Hotchner's eyes, surprise in Spencer's. "She's FBI, yeah, and you guys sure do like to play by the rules, but she isn't an agent like you, Hotchner. She must get impatient, bend the rules, perform some illegal activity that you don't question because it helps you with your case. That's why I'm a bit surprised that, even though she likely did run an illegal background on me, she didn't find my records. I mean, they're not that sealed. I bet I could unseal those bad boys right now."

He's lucky you didn't put money on that bet, because you would've won.

Aside from his eyes, no emotion other than irritation showed on his face. "What are you talking about?"

"Oh, you poor sweet things." Another chuckle left you. "Have you ever heard of this little thing called immunity?"

Hotch was quick to dispute. "No. You do not have immunity."

You contested, "Oh, yes, sweetheart, I do. And if you had checked my pockets for anything other than a pistol, then perhaps you'd have noticed this." Since they hadn't cuffed you, you reached into your back pocket easily and pulled out your badge, the words Central Intelligence Agency catching their eyes immediately. 

Hotchner scoffed, the most emotion you'd seen from him since you met. "You're CIA?"

You cocked your head. "Y'know, for some of America's supposed best minds, I'm a little unimpressed."

Reid leaned forward in his seat. "You're—"

"Yes, I am. So your girl back at HQ seemed to miss a few details about me, and you have missed more than a few details about this case— if a case is even what you could call it." You stood up and rested your hands on the table, getting bored of this game already. "What you have, SSA Hotchner and Dr. Reid, is not a serial killer. I hope your victimology analysis picked this up already, but the quote-unquote victims you have are all bad people, people who have broken the law in irreparable ways. And when I say irreparable, I don't just mean Bill Clintoning it up with minors, despite many of them having done that. I mean selling government secrets, espionage, treason. Things that threaten national security, things that my bosses do not like. I'm sure you catch my drift, don't you?"

Before Agent Hotchner could respond, the door to the interrogation room was opening, and a smirk automatically arose on your face. About damn time. 

A man who you instantly recognized as Jason Gideon stood in the doorway. You briefly met once, but you doubt he remembered you. His face was stern, too, and reluctance shined through his voice. "Hotch, the Secretary of Defense is here, and the DOD is demanding she be released."

You maintained Hotch's stare all the while Gideon spoke. The clench in his jaw was small, but you caught it. Something told you this man didn't like to be challenged—you'd keep that in mind.

Eventually, he nodded.

You grabbed your coat from behind your chair, stowed your badge away and flashed them your million-dollar smile. "Well, it was nice meeting you, boys. Let's do this again sometime, yeah?"

Then you were out the door, and Hotch thought that if he went forever without seeing you, it'd still be too soon.

And when Congressman Baylor was found dead a few hours later, he wasn't surprised.

2. Smile

Langley, Virginia, 2006

"I've got the personnel files all set up for you guys. Video, whatnot—it's all there in the conference room. Now if you have any questions, feel free to talk to my senior officers. This is Gina Sanchez, she's the Associate Director of Field Operations. And that guy up there is Kruger Spence, the Assistant Director of Operations. The lady with him is his second-in-command, Olivia Hopkins. And then there's, of course, my boss."

Gideon's brows went up. "Your boss?" he echoed. The rest of the team's confusion was just as palpable. When he was brought in by Bruno Hawks to assist the CIA in finding their mole, he assumed he was the one running point. As far as he was concerned, Hawks didn't even have a boss that'd be there.

"Yes, she's flown in from an assignment to help with this case." Right on cue, you walked out of an office, heels clicking on the floor and the same smile on your face that Hotch could remember from two years ago. "Meet Director Y/N Y/L/N; she's head of a CIA black ops initiative and envoy from the NSA."

Your voice was smug. "Oh, trust me, Bruno, we've met before." This time, Hotch couldn't conceal his scoff. He felt Elle glance at him in confusion—she's the only one who didn't know who you were. "Agent Gideon, it's a pleasure to meet you formally." He shook your hand, albeit unenthusiastically. "Agent Hotchner, I knew I'd be seeing you again." He rolled his eyes, making your smile widen, but out of his strong urge to be polite above all other things, he shook your hand, too, pulling away as fast as he could. "Dr. Reid." He nodded back to you, almost hesitant. You nodded to the rest of them individually. "You two I haven't met, but you must be Derek Morgan and Elle Greenaway. I wish we had more time for pleasantries, but lives are on the line, so I'd like to get moving ASAP."

With that, you swiftly turned and walked back to the office you'd made your own. You didn't often spend time at headquarters, but a mole in the Agency was enough to pull you away from the case you'd been working previously.

As you left, you heard Reid explain to Elle in a hushed tone, "That was The Angel of Death."

You stifled a chuckle. Let's see if Agent Hotchner's team was as good as they claimed to be.

❧

You and Hotch stood on either side of Bruno on the platform as he spoke to the entire office, Gideon off standing alone, seemingly in thought. "Now, we all know why BAU and Ms. Y/L/N are here. They have their job and we have ours. And we're down to the wire on this. Aaliyah Nadir risked everything, and now she and her children deserve our fullest attention. Let's find her."

They all walked off after Bruno dismissed them, all but Gina Sanchez. You glanced at her from the corner of your eye as she went to talk to Agent Gideon. You didn't hear their conversation, but you saw the hostility painted all over her face. Interesting.

After she left, Gideon made his way over to where you were standing, speaking quietly. "We think the agent who's tipping off Hassan may have had some kind of extreme event in their life."

"Something that distorted or redefined their belief system," Hotch added.

Bruno was quick to get defensive. Why, you weren't sure. "No, every agent undergoes regular psych evals. You know that. They're trained to cope with extreme events"

"Well, whatever turned this agent must not've been something you can train for," you cut in. You didn't miss the way Hotch glanced at you.

Bruno gestured outward with his hands. "Well, you're welcome to everything I have. Every op undertaken by these guys is on file."

You snickered a bit under your breath. Your ops certainly weren't "on file."

"What about the ones that aren't on file, like the wiretaps of the Saudi Embassy?" Hotch questioned.

"Those don't even exist," Bruno said. You didn't confirm nor deny that statement.

"How long has your department been running operations in Riyadh?" Hotch turned to Bruno, back straight and eyes sharp.

"We have a declared presence in Riyadh, monitoring US interests there. You know that. Now if that's all, I have an informant to save." You hummed as Bruno walked off, finding his attitude quite intriguing.

"And you, Agent Y/L/N?" You turned to face Gideon. "What do you think?"

You tilted your head. "Aren't you and Bruno friends? Why not ask him?" Because he had the same feeling you have.

He responded without missing a beat. "You don't have a belief system—this job is all you believe in."

This caused you to chuckle. He wasn't wrong. "Good profiling, Agent Gideon. And yes, I have my suspicions, but until further information is gathered, I'm not at liberty to discuss them. For everyone's safety." You gave one last glance to Agent Hotchner. "I look forward to see what your team has brought together."

❧

Not long after your talk with Hotch and Gideon, you stood with the latter and Agent Greenaway in a supply office where the body of Olivia Hopkins was lying dead.

Gideon turned to you expectantly. "It's your job to clean house. You do this?"

You scoffed. "If I wanted to kill a CIA senior officer, believe me, you wouldn't have thought it was a murder at all." You glanced around the room you were in. "And I certainly wouldn't have done it in a federal building."

He must've believed you because he ended his line of questioning there, turning back to Elle. "Have any other agents seen the body?" When she shook her head, he replied, "Good. We can use this to our advantage. Get the others."

You met up with the rest of the BAU in their designated conference room as Gideon quickly explained the situation. Your suspects filed into the room shortly after, each confused and annoyed. You analyzed their body language closely, standing next to Agent Hotchner.

"You're pulling us away from our assignments?" questioned Kruger. "There's a woman out there whose life depends on us."

Defensive. Self-centred. Rude. But not your guy.

Gina was the first to ask where Olivia was, which was either genuine or she was covering her ass.

Hotch was the one to answer. "Olivia Hopkins was murdered 10 minutes ago. Her neck was snapped."

"Just like John Summers," you drawled.

Kruger let out a scoff, but you kept your eyes on the other two as he spoke. "What are you talking about?" Gina looked spooked, but Bruno's expression was cold, even as he tried to imitate warmth. "You're lying. Where is she?"

"Right now, she's dead," you emphasized, not really caring to be sensitive.

Kruger looked at you like you'd just killed his dog. "Look, people don't just... get murdered inside the CIA."

Gina looked at him with betrayal in her eyes as if he were a traitor. Shifting blame.

Hawks spoke up. "I realize the enormity of this, but Hassan Nadir is still out there looking to kill his wife, and I need every agent on this." You tilted your head. Deflecting. He didn't even acknowledge that his own colleague, his responsibility, was dead.

Gina was the first to leave the room, deeply frazzled. Gideon followed after Hawks, but you didn't go with him. You stayed in the room with Hotch while the rest of his team filed out.

You weren't expecting him to talk to you, let alone ask for your opinion, but he did. "What are you thinking, Y/L/N?"

You hid your surprise, nodding to the door Gina and Kruger walked out of. "My money's not on her; it's not on Kruger, either."

He furrowed his brows, lowering his voice. "You think Bruno Hawks is the mole?"

You shrugged your shoulders. "Bruno's been leading this unit for all of, what, ten years? And he hasn't advanced at all? Someone like him must have higher ambitions, like leading the Agency one day, but that's not in his cards. Gina Sanchez and Kruger Spence have bright futures here; Hawks is already at the end of the line. So what's the next best thing in this city besides power?"

Realization dawned upon him. "Money."

"And by the looks of the old car he drives, that's something he's lacking, but something that he wants," you deduced, pausing. "But I'll let you continue your investigation."

He caught your hand just as you turned away, and you ignored the small spark that was sent through your body. His eyes were earnest and curious, but most of all you realized that they were beautiful. "Y/N, what's going to happen to the mole when we find them?"

You ignore the unfamiliar flutter you felt after he said your name for the first time, and it's then that you remember Hotch was a prosecutor. Before he was unit chief Agent Hotchner, he was just Aaron Hotchner, a man who valued balance and believed in justice. Even now, after climbing the ladder, he still didn't seem to understand that his own government was different.

In matters like these, the United States government didn't value justice.

They valued revenge.

But still, if not just to help him retain his faith in his country, you shrugged and told him, "The scales will be evened, Hotchner." 

Then you pulled your wrist out of his light grip and walked away, and he couldn't tell if he wanted to know what you meant.

❧

Sanchez and Morgan were on their way to rescue Aaliyah and her children, and then you were made aware that Hassan was already there.

Bruno turned to Gideon. "Look, we can't arrest him. This is still a CIA matter. You do know that?" He then turned to you, like he was expecting to you to back him up.

You shook your head as Gideon said what you were thinking. "How are you going to explain this to the Saudi government?"

"Explain what?" he fired back. "This isn't happening."

You crossed your arms. "That's not how this works, Bruno. You don't just kill a Saudi diplomat and get away with it—that is how wars begin."

He scoffed at you. "Look who's talking. The Angel of Death, giving me a lecture on in-house cleaning."

You narrowed your eyes and stepped forward. "I don't know who the hell you think you're talking to right now, but you need to double back because, at the end of the day, what I. say. goes."

Bruno opened his mouth to argue, but Jason mediated, "Let's just get Aaliyah and her children back alive. We'll worry about Hassan's life after."

You gave Bruno one last hard stare before you turned back to the screen showing the Nadirs with Morgan and Gina outside. "Make the arrest, Morgan," Gideon called out. "It's FBI jurisdiction. You're in charge."

You listened to them over the comms. [FBI! Let the lady go and put the gun down. I said, put the gun down!]

The movement of heat on the screen told you that Hassan listened. [Diplomatic immunity, my friend], he said, and you chuckled.

[Uh-uh, you got it wrong, my friend. This container hasn't passed through customs. Officially, we're not on US soil. Summers was a smart man.]

Suddenly, you heard Gina's voice. [That he was.] Pause. [Drop the gun.]

The feed cut in and out as the figures moved out of the container. Confused, you called out, "Morgan, Sanchez, what's going on?"

Hawks turned to you and Gideon, and you wanted to wipe the smug look right off his face. "You two still certain that Gina isn't the mole?"

Gideon ignored him. "Morgan." No answer. "Morgan, what's going on?"

[Gideon, we got a situation here.]

You raised your voice. "Gina, don't do this. Do not do this."

"She doesn't take orders from you," Bruno snided. 

You took another step forward to him. "Listen here, asshole—"

Gina cut in, [Bruno, what do you want me to do?]

"Gina, you put down that gun. That is an order—"

[Bruno?]

This made you turn to Bruno, and if you were in an animation, smoke must've been coming out of your ears. "Hawks, I swear to god, if you don't stand down, you will be endangering the security of this country—"

Bruno only responded to Gina. "You know what to do."

[Say it!]

"This is not your call. It is not your fucking call, Bruno."

He finally turned to you. "This is strictly in-house and you know it."

"I don't give a damn. It is still not. your. call."

"Finish him."

"Gina, don't you dare do this."

[You're going to cut the visual feed, right, Bruno?]

"Of course. Cut it now. Cut it," he ordered, and the feed was off before you could even protest.

And then you heard four gunshots. 

You sighed, pinching the bridge of your nose. White hot anger rushed through your veins in contrast to your normal playful demeanour. Meanwhile, Bruno turned to Gideon, saying, "I want to thank you, Jason, for your help."

You stayed quiet as Gideon responded, too angry to speak. "Why?" He paused, genuine disbelief evident in his tone. "Why'd you turn against everything you believe in?"

"What are you talking about?"

"When someone asks you how you feel about... losing one of your colleagues, the only human answer is 'I feel guilty,' isn't it?"

Bruno nodded and mocked, "But as you so brilliantly deduced, Kruger Spence is the guilty one." Following that statement, you watched as Elle walked up to where you three stood, a tiny paper in hand that she gave to him. Based on the ignorant smile that graced his face upon reading it, you could guess what it said. "Ridiculous," he deflected, tucking the paper into his jacket pocket. "Absurd."

That's when you snapped out of your anger-induced stupor. "No, Bruno." You shook your head. "The only thing that's absurd is how arrogant you are to believe that you're getting away with this."

Bruno pursed his lips, flashing you a sarcastic smile. "Unfortunately, with Hassan now dead, you have no proof."

"Oh, you son of a—"

Dr. Reid cut you off, announcing to everyone, "Actually, Hassan is alive and well. He's en route—that's all the proof we'll need." At this, you let out a chuckle. You certainly didn't need that proof, but it was nice to prove Hawks wrong before he was sent to where he deserved to be.

He clenched his jaw, stepping closer to Gideon instead of you, likely because he knew he couldn't shake you. "You are a fool if you think they're going to put me in prison with all that I know." He glanced at you and your lips quirked upward, because this was true.

"Why'd you have to kill Olivia?" Elle interrogated. She was straight to the point; you liked her. 

"Economics," Gideon replied, staring straight at Bruno. "Olivia was looking into your financial records when you snapped her neck."

Elle scoffed under her breath. "So she knew your dirty little secret."

"Which one?" Bruno asked. "I have so many."

You stepped closer to the trio. "The one that involves you cashing out through Hassan, maybe buying a real Rolex instead of the fake you don so proudly."

You could see Bruno's façade cracking, his frustration leaking through. "Twenty-million from Hassan will go a very long way to help occupy my mind on a beach somewhere."

Gideon wasn't fazed. "The only beach you'll see is on a postcard I send you from my vacation. Let me have your gun."

Knowing there was no way out of this, Bruno did what he said willingly, but he still had to taunt. "You know, I think the consequences of what you're doing to me, my friend, are going to be a lot harder to live with than you think."

Jason stared at him without blinking, and he stared until Bruno walked out, escorted by agents left and right of him. You found it comical, that petty thieves were escorted to the back of police cars in chains, yet a man who nearly started a war could walk out freely.

Well, you supposed Bruno Hawks wouldn't be free for much longer.

And it was your job to see to that.

❧

You were packing up your things in your office when a knock sounded. You turned to see a raven-haired man in a suit standing there, a hand in his pocket. A grin came to your face. "Agent Hotchner," you greeted. "Congrats on solving the case."

He let out a chuckle that surprised you. Aaron Hotchner didn't look like a man who laughed often. "Yeah, well, thank you, but I have a feeling you knew from the beginning."

Your grin widened. "Ah, I just needed proof." You continued to pack your things. "And besides, I wanted to see what your team was capable of."

He hummed, and you thought he'd leave after that, but he stayed, looking around the room with a careful interest. "No pictures," he noted. "No personal artifacts. It's extremely clean in here—untouched, almost. How much time do you spend here?"

You fully turned to him after that, giving him your full attention. With comments like those, that must've been what he was after. You crossed your arms, but the smile never left your face. "Perceptive, Hotchner," you remarked. "Profiling me now?"

He shook his head. "Not profiling, just observing."

Now it was your turn to hum, looking him up and down. You found that you liked what you saw, visually, but the implications to what you saw weren't very fond. "Well, what I observe, is an accomplished man in a nice suit, but you don't wear that suit because you're unit chief, you wear it because you got used to it as a prosecutor and now it makes you feel on top of things... professional. You're stiff and stoic, but that's because you like to separate your work life from your home life. At home, with your wife and kid, you're lively and relaxed, but that's also to compensate for the fact that this job takes a lot out of you; you're not home often, and that puts a strain on your marriage, which is why you haven't called your wife once today." Your voice was soft as you delivered that final blow. Hotch looked both uncomfortable and, surprisingly, impressed. But thus far, nothing about Aaron Hotchner was what you were used to. "Tell me, Agent Hotchner, was I correct?"

Hotch lightly snorted, but he didn't answer. Instead, he took to staring right back at you. You'd been stared at by bad men, murderers, rapists, terrorists and the like, but for some reason, his stare bothered you. You turned back around and packed one last thing into your bag. Then you walked toward the door, stopping just before you made your exit like an invisible barrier was holding you back. 

You patted his shoulder, telling him, "You should smile more, Hotchner. It'd suit you."

And then Aaron watched you leave for the second time in his life, except this time—for reasons he couldn't begin to fathom—he hoped he'd see you again.

3. The games we play

Washington, D.C., 2007

The air in Washington was always crisp. There was something different about it—like you could smell the power in the air, like you feel it. When you were home, in your apartment, it was suffocating. There was enough politics in this city that you could drown in it, politics you didn't care for. You saw enough of it as is.

Nevertheless, you weren't home often, so it wasn't too troublesome. Today, however, you were home, except you weren't here to rest.

You stepped out of your Mercedes as soon as you parked, locking the car and walking straight into the alleyway. Men in blue stood in your path, hands out. "Ma'am, this is a crime scene—"

You wordlessly held up your badge, effectively shutting him up. With red climbing up his neck, he nodded and lifted up the yellow tape for you.

When you made it past them, there was a woman in a red dress there. She'd be beautiful, you thought, if she weren't sprawled out dead on the ground. Her dress was so dark you almost couldn't see the blood stain. 

But the blood pooled around her was a telltale.

Next to her body was a card with typed-out letters and numbers that appeared random. 

But you knew better than that.

There was a woman taking photographs of the scene and a detective analyzing it. He was just as confused as those officers when you showed up. "Excuse me, who are you?"

You gave him a short smile. "Detective Walker, I wish we could've met under better circumstances. I'm Y/N Y/L/N." You held one hand out and simultaneously held up the other with your badge. "I've been instructed to take over this case."

He furrowed his brows. "I'm sorry, Ms. Y/L/N, but I've already alerted—"

"Detective Walker."

At that, you screwed your eyes shut and cursed under your breath. You recognized that voice—hell, you recognized the sound of his footsteps. And he was exactly what you didn't need.

Composing yourself, you spun around with your signature smile. "SSA Hotchner."

Hotch looked momentarily stunned at your being there, but that was quickly wiped away. "Y/N. What are you doing here?"

"Well, if you mean in the city, I live here. And if you mean at this scene, then that's because it's mine." You paused, letting that soak in. "This is my case."

Confusion was visible on his face. For a second, you thought it was cute. "No, this is a BAU case. Series of murders, victimizing high-level escorts—forgive me, but I don't see why this would require a CIA presence."

Of course, you don't, you thought, but for once, you didn't say what you were thinking. Instead, you explained, "I understand that 4 women have died in the past week, but believe me, Agent Hotchner, that is not the case I'm here to solve." When his brows knitted together, you elaborated, "These women are not the targets of these attacks."

"What do you mean?" 

You sighed, pointing over to the woman's body. "See that card over there?"

"Yeah, it's the unsub's signature."

"No, it's more than that. It's not a way for him to get off; it's not something he does compulsively. It is a taunt," you stressed. "Those letters aren't random. They're part of a code."

"A code to what?"

"A code to an NSA file recording every single undercover operation the United States has in foreign countries." Like your words were a vacuum, they sucked anything lighthearted out of the atmosphere—if there was any to begin with—and left tension in their wake. "6 high-level analysts have parts of that code. I'm guessing that 4 of them are already dead." You glanced back at the dead body before looking back at Hotch. "The unsub isn't a serial killer, Agent Hotchner. He's a traitor with a mission to annihilate everything in his wake."

❧

After looking at the scene, you sent Detective Walker away, telling him it wasn't personal but this case was too sensitive to be worked by local police. They didn't have the clearance nor did they have the means to help. You asked him to send you all of his evidence, and he complied easily, but someone wasn't so easily persuaded.

"You're going to need help."

You snorted. "Thank you, but I think I'll do just fine without it." Just as you reached your car, Hotch grabbed your wrist. 

You turned around, but before you could say anything, he spoke. "You could use my team, and you know it."

Your eyes ever so slightly narrowed. "All due respect, Agent Hotchner, but this is above your pay grade."

He held your stare for a few seconds until you saw his jaw tense. He glanced to the side before he exasperatedly muttered, "Please, Y/N." He looked up at you. "I want to help with this case."

Unknowingly, you straightened your back. Aaron Hotchner surprised you more and more each time you saw him. The corners of your lips curved upward, but something about your smile was more sincere. "You're not a man who says please much, are you?"

He rolled his eyes and neglected to answer. "Does that mean you'll accept our help?"

You paused. Was that what you meant? Your mouth didn't correspond with your brain as you replied, "I'm running point on this." Hotch's shoulders imperceptibly relaxed and he nodded. "I'll tell Detective Walker to send his stuff over to the BAU. I'll meet you there to brief your team." You turned away before you could see him nod a second time.

You don't know why you said yes, but you did. On the drive over, you told yourself it was because he was right, you could use some extra hands, and it helped that the BAU were good at what they did.

Yes, that's why I didn't send him away. 

You didn't explore any other option.

❧

Hotch got to the BAU before you but waited for you to arrive before walking into the building. To make sure you got to the right place, you reasoned. 

You went through the typical security procedure: removed your guns, walked through the metal detector, and showed your ID. In the elevator, you cracked a couple jokes that he didn't laugh at, asshole, but you nearly caught him slipping at one.

"This city's so damn power-hungry that even the serial killers would prefer a fucking computer code over sex. What a nerd. Hey, how often does that happen in your line of work, Hotchner?" You turned your head for his response when you saw his lips twitching.

You let out a dramatic gasp. "Agent. Hotchner. Are you..." you lowered your voice, a devious smile crawling to your lips. "smiling?"

His efforts to suppress his little smile failed after that. "Let's focus on the case, Y/L/N."

"Sureeee," you drawled. The elevator dinged and opened. "Better be careful, Agent. I might just start thinking you have a soul."

He shook his head at you and walked out of the elevator ahead of you so that you couldn't see him as a full smile graced his face. However, once you got to the conference, Hotch erased any sign of that smile and walked in full-stride.

You gave the room a cursory glance, duly noting that they must've spent a lot of time in here. You noticed immediately afterward that some faces were missing, and on the other hand, some new ones had appeared.

You followed Hotch to the front of the room in front of their TV. 

"Everyone, this is Director Y/N Y/L/N from the CIA. She'll be leading this case—and as some of you may recall, she's already worked with us on an investigation about a year ago," he announced, subsequently gesturing around the table. "Y/N, this is SSA Emily Prentiss, SSA David Rossi, our communications liaison Jennifer Jareau, and our technical analyst Penelope Garcia."

You nodded, smiling at them. "It's nice to meet you all—"

"You're— you're her."

You turned to the blonde with pink highlights that'd cut you off, Penelope, and furrowed your brows. "I'm sorry?"

"Oh my god, you're her," she whispered, her eyes wide and her face awestruck. "You're The Angel of Death."

You held back a laugh. "That is what people to tend to call me, yes."

She opened and closed her mouth repeatedly before eventually blurting, "I— you're an icon. I've read some of your code before in snippets, and it's beautiful. And, I mean, when you can code like that and then do what you do, it's no wonder that the government would want you all to themselv—"

"Garcia." At Hotch's command, Penelope's mouth snapped shut and snickers were heard around the table. "We are here to work," he told her, trying to be serious, but you could hear the amusement hiding behind his tone.

"Yes— yes, Sir. Work. Working," she said, but her eyes remained trained on you even as she spoke.

Morgan laughed, swivelling his chair toward you. "Sorry, angel. She gets a little..." he twirled his finger next to his head, "Comicon-y whenever things involve computers."

This snapped her out of her trance and made her whip around to point her finger at him. "You better shut it, Morgan, before I show everyone those pictures of you at Comicon with me."

His smile dropped. "Babygirl, you wouldn't."

"Oh, yes, sugar, I would."

Hotch exasperatedly cut their very entertaining banter off. "Work."

"Morgan, you've been to Comicon?" Without even looking at him, you could hear the smirk in the man's words.

"Leave it, Rossi. You heard the bossman: we've got work," he changed the subject, but based on the fiery look being sent his way by Reid and the teasing one by Emily, you'd bet that this conversation wasn't over.

Hotch signalled for you to start, so you stepped forward, got a little more serious for his sake, and began, "The serial killer you've been phoned in on is not a serial killer. The women he's killed are unfortunately collateral damage to a much bigger problem." Behind you, pictures of the paper left next to the bodies appear on screen. "The unsub is going after high-level members of the NSA who have fragments of a specific code. He's been leaving those fragments at the crime scenes. So far, he has 4—there are only 2 more. Once he gets the last two, it'll only be a matter of time before he's able to unlock a classified file, detailing every undercover op we have or have had in other countries."

The room was quiet. Morgan was the first to question, "So, he's a whistleblower?"

"No, not necessarily. Given his M.O. and need to taunt us with these papers, his goal isn't to expose the government—it's only a stepping stone to what he truly wants, which is chaos."

Emily spoke up next. "Well, he's clearly a narcissist, and he's sadistic at that. Otherwise, he wouldn't have killed these women like this."

Dr. Reid nodded, keeping his eyes on the file in front of him. "Craves control, finds a way to manipulate the situation and mold it into what he wants it to be." He looked up, talking with his hands while explaining, "Narcissists are devoted to themselves and will further themselves in whatever way possible. They lack empathy and find enjoyment in causing others pain, stemming from their grandiose sense of self-importance. Nathan Leopold and Richard Loeb were drawn in and obsessed with Nietzsche's idea of Übermenschen, supermen who possessed such high intelligence that it put them above the law. They later confessed to the police that they sought to commit 'perfect crime.' This unsub is likely suffering from the same sense of entitlement."

Rossi tipped his pen at him, agreeing, "Yeah, he's arrogant and he believes he can get away with this, hence the taunting. All he wants is to feed his ego, but he hides behind the whistleblower façade to absolve himself of blame."

"And he's impatient," Derek added. "4 bodies in one week. We don't have much time before he strikes again."

"No, we don't," you said. The screen changed to display the pictures of two men. "The last two people with the code are Malik Hussein and Ethan Torrie. I believe he'll go after Ethan first; he's in D.C. for this big gala tonight. That's where the unsub will make his move."

Emily looked between you and Hotch, almost as if she was unsure who she was addressing her question to. "So what's our plan?"

You, too, glanced at Hotch before looking back at her, splaying your hands out in front of yourself. "Well, we only have one course of action: wait for the unsub to approach Ethan."

Unexpectedly, Hotch interrupted you, saying, "Y/N and I will go in undercover." What? You held yourself back from widening your eyes and whipping your head around. "The rest of you will be waiting for our signal. Garcia, can you get us on the guest-list?"

"Already on it, Sir."

He nodded, firing orders away, "Alright, Morgan and Prentiss, I want you both to go back to the crime scenes. Talk to the owners of the establishments, bartenders, doormen—anybody who could've seen the unsub leave the building with the victims. Garcia, consult with CCTV footage. Rossi and Reid, I want you looking at his M.O. and why he didn't leave the men there with the women. JJ, contact The Post and tell them not to run the latest murder; it's imperative we keep this and the unsub's true motives out of the press. Y/N and I will go over tonight's plan."

They all voiced their confirmations and, like clockwork, filed out of the room until it was just you and Hotch left standing. The air suddenly got heavier—with what, you had no idea.

It felt different, old and new all at the same time, like everything and nothing you'd ever felt before. You couldn't pinpoint it, couldn't describe it.

Growing bored of the silence, you raised a brow, repeating, "'Y/N and I will go undercover?'"

Hotch, who was in the middle of collecting his things, paused and raised a brow of his own, turning to face you. "Yes. Is there a problem?"

You looked him up and down, taking your time and not bothering to be subtle about it. After a moment, you responded, "No." A smirk slowly came to your face. "Let's go over that plan."

He maintained his stare for a few seconds, reminding you of when you met. Eventually, he nodded and got to it. All the while, your mind ran rampant—but not with the case.

Agent Hotchner continued to surprise you.

And you'd be sure to return the favour.

❧

After planning for hours, you and Hotch came up with a decent story. He'd be going as himself. You'd pretend you were his girlfriend, his tag-along for the party, with a fake identity. His presence would make sense, but if people found out Y/N Y/L/N was there, they'd start to wonder things that this plan couldn't afford.

Your name wasn't widely known, nor was your face, but at a party like this, you had to be careful.

That's what you explained to Hotch.

"I don't understand. Nobody knows who you are. Not even Garcia could figure out who you really were when we met." He furrowed his brows in confusion.

You sighed, "There's going to be a lot of powerful people there, Hotchner. Everybody knows The Angel of Death, but there are some big fish in Washington that know she's Y/N."

This seemed to confuse him more. You surmised that he didn't like not knowing things. "Why do you say it like that—say your name as if it's not your name?" 

You gave him a look.

His eyes widened. And for the second time that day, you found yourself thinking that Aaron Hotchner was cute. "It's not your name?"

"Why do you think Penelope had such a hard time finding my credentials?" you inquired. You went on before he could answer. "I take it she didn't find my records at The Academy, either. She found that I went to Caltech, but she didn't find yearbook photos or my social media. She found that I grew up in Massachusetts, that my parents are dead, that I was born in '79. But otherwise, I'm a ghost, aren't I?" Your voice was somewhat playful.

Hotch didn't seem to find the humour in what you were saying.

"So everything about you is a lie." It wasn't a question.

Your eyes glinted with amusement. You leaned in to where he sat across from you on the other side of the table. If you didn't know any better, you'd say that Agent Hotchner stiffened. "'Nothing more than a rumour, an urban legend amongst criminals and internet sleuths. A myth,'" you whispered. "Does that sound familiar?"

He didn't respond.

"As you said, Agent Hotchner, I am a myth. I am not meant to exist. So find me another identity and show me that you're up for the task before this entire plan is derailed by a name."

Your memory was cut off by a knock at your door. You swiped your lipstick across your lips and they immediately quirked upward right after.

You took your time getting the door. Whether Agent Hotchner realized it or not—or rather, whether he was willing to admit it or not—this was a game. And you were nothing if not a damn good player.

Without knowing it, he started it when he picked you up off the street that day in '04. He moved another piece on the board when he walked into your office in '06. And then he asked to work on this case.

It didn't matter what he thought about you or what your name really was. All that mattered was the next move.

You opened the door and his eyes immediately widened on their own accord. They travelled down your body, tracing the outline of the red dress you'd picked out, finding the slit on the side. But this was all within a split-second.

In the blink of an eye, his eyes were back on yours. If you hadn't been paying attention, you would've missed it. He was hoping you did.

But you didn't.

You did, however, miss his ears going red when you turned around, leaving the door open as an invitation inside. 

"You're wearing a suit," you noted, smirking. "How out of character for you."

You heard the door shut, and then footsteps behind you. "Funny, Y/N."

You chuckled. "Please, I know you think I'm hilarious."

He lightly shook his head as you stood in front of your mirror, putting on your earrings. He took that moment to look around your apartment, eyes scanning over your living room. No pictures anywhere, no plants or art. You had a couch, but no television. He glanced to the adjoining kitchen. There was an espresso machine, but he was willing to bet that if he checked your fridge, it'd be empty. 

"You can stop trying to profile my apartment," you informed him, still adding the finishing touches to your outfit. "I don't stay here often."

"I can tell."

He watched as you picked up your heels then went to sit on the couch to put them on. He tried not to let his eyes wander, instead trying to look around the room some more, but even without having his eyes on you, he still couldn't get your picture out of his head.

Distractedly, he heard you absentmindedly ask, "Hey, whatever happened to Gideon and Greenaway?"

He looked at you to respond, seeing you get up. "Things with the job. Certain cases take more of a toll on others." He didn't explain that Elle spiralled or that Gideon lost everything he held dear. He preferred not to think about it.

You tilted your head. "Did things happen with you, too?"

He didn't answer, instead opting to suggest, "Let's go over the case one more time."

You nodded and let him get away with it.

Hotch schooled his expression. "You're Deirdre Carter. You're a CPA. We met years ago on a work conference but hit it off recently. We've been dating for five months."

"Dating," you repeat.

His brows furrowed. "Yes." He didn't understand why you were hung up on it until he saw you glance down at his hand. It's then that he realized he was still wearing his ring. "Oh."

Your voice got softer, and you didn't know if that was part of the game or not. "Look, Hotchner, you don't have to do this if you don't want to. I can do this solo."

"No—" he sighed, looking down at the ring he'd worn everyday for years on end. "I'm divorced. I guess I just wear it out of habit," he revealed.

"Oh."

He took it off and stuffed it in his jacket pocket. "Let's head out," he said. You nodded, leading him out.

And you didn't mention the ring again.

❧

Once you got to the building, you met Derek, who was in a secuirty uniform, at the front. He momentarily disabled the metal detector for you so that the guns on your thigh and in Hotch's boot weren't caught.

In the hall, the music played ceremoniously, an orchestra of jazz players working tirelessly to entertain D.C.'s wealthiest and most powerful. The President would be making an appearance later. You hoped to get this done and get out of here before that happened.

Your eyes found Torrie within a minute, subtly signalling his location to Hotch. He was by the bar, a redhead on his arm. The two of you went that way.

He ordered you drinks at the bar that he wouldn't drink, but as soon as your martini was in front of you, you were picking it up and taking a sip.

"What are you doing?" he hissed, talking through his teeth. "We don't drink on the job."

You smirked at him. "You don't drink on the job. I'm just keeping up appearances." You then took the olive and bit into it. For some reason, you enjoyed getting under Hotchner's skin.

He rolled his eyes at you, likely about to reprimand you again, but a voice in your ears stopped him. "Do the two of you have eyes on Torrie?"

Hotch turned to you and brought his hand to your face, cupping your cheek. To those surrounding you, he was just a man caressing his girlfriend—hell, the leap in your chest told you that you nearly bought it. But you knew he did this so that the mic hidden in his sleeve would be at your mouth. You held his stare, a sweet smile gracing your face as you replied to Rossi, "Yes. By the bar."

"Good. Prentiss is on the floor with the ambassador if you need her."

You leaned into Hotch, too, running your hands down his suit jacket while he glanced around for Emily. "Got it."

The next voice you heard was Garcia's. "Hello, my lovelies, I am watching you on camera. Hotch, to your left is the door through which you'll take our bad guy. It's being guarded by Reid and JJ as we speak."

You lowly thanked her, to which she stammered out a "you're welcome." Hotch took his hand away from your face and you removed yours from his chest, cursing the part of yourself that missed his touch.

If you weren't on a case, you'd have thought more about how pretty his eyes were.

The music suddenly changed, becoming a slow song. Your eyes darted behind Hotch to see Ethan and his date making their way to the dance floor. You downed the rest of your martini then grabbed onto his hand, wordlessly pulling him to the floor.

You felt him lightly tense when you put your hands around his neck. "Relax," you whispered. "Just go with it."

At that, he eased up, wrapping his hands around your waist. You moved to the beat of the song, taking control of your dance while he kept a close eye on Torrie. No one had approached them yet, you gathered.

The dance came easy to you, too easy, like it'd been rehearsed or like it was something you'd been doing all your life. Your feet moved synchronously like they had a mind of their own. You didn't have to think about it—it just happened.

It was funny, almost. The stiff and stoic Aaron Hotchner could dance. Your mind went back to when he smiled in the elevator earlier. It made you wonder what he was like before. Before he was a profiler or unit chief.

You know you were different before you were in this life, before you became Y/N.

You wondered what would've happened if you met back then, when you were just you and he was just him.

And just as soon as you started wondering, you no longer wanted to think about it. Instead, you asked him, "Did you ever think you and I would be dancing together like this when we met?"

He glanced down at you then looked away. "No." A ghost of a smirk came to his lips. "I thought I'd be putting you behind bars."

You chuckled. "I know. It was quite entertaining."

"To you, maybe." He glanced down at you again. "I don't like being blindsided."

"Oh, I know." When he glanced down at you this time, he saw your eyes twinkling. "That is precisely why it was so entertaining, Agent Hotchner."

He chuckled under his breath, and something in you fluttered. "You're something else, Y/L/N."

You hummed, murmuring, "And don't I know it?"

He was gonna say something else but then something in his expression changed. He was back to stoic, eyes hardening. You straightened your back and stopped dancing. "7 o'clock," he muttered.

You unwound your hands from his neck, turning around to see a man beelining at Torrie from across the room. But if you had your way, which you would, then he wouldn't make it to Ethan at all.

With Hotch hot on your heels, you headed his way, moving through the crowd effortlessly. Just before he was about to reach them, you inconspicuously unholstered your gun from your thigh and pressed it against his back, stopping him in his tracks.

Hotch caught up to you, standing to the side and obstructing the view. "Careful, friend. I wouldn't want to shoot you in front of all these people, but I will." As a warning, you clicked the safety off. 

The man tensed as Hotch grabbed his arm. Your voice was sweet in comparison to your sour words. "Now, you're gonna follow him or I'm gonna pump you full of lead. Capisce?" Neither you nor Hotch waited for a response, leading him towards the side doors that Garcia had notified you of.

Upon getting there, Reid and JJ opened the doors without a word and closed them immediately after you'd gone through them.

As soon as the doors closed, the unsub twisted Hotch's arm, prompting him to yelp. Simultaneously, he knocked the gun out of your hand, sending it thudding across the floor. 

He shoved you against the wall, knocking the wind out of your lungs. Meanwhile, Hotch threw a punch his way. A crack resounded through the hallway followed by the unsub growling. He threw a punch back that Hotch narrowly dodged, but in one quick motion, he pulled Hotch's tie, catching him off guard.

In a flash, he had Hotch in a chokehold, fighting for breath. You acted quickly, reaching for the knife sheathed on your thigh, running up behind the ubsub and holding it to his throat, causing him to go rigid.

"Let him go or I slit your fucking throat," you spat.

He didn't ease his hold, making you bring the knife closer, knicking him. "I said, let. him. go."

Begrudgingly, he let Hotch go, who was gasping for breath. You let him catch his bearings for a moment, but you had to alert him, "Hotchner, the cuffs."

He coughed but nodded, grabbing the cuffs from his pocket. You took them from him, shoving the unsub against the wall just as he did to you and pulling his arms behind him. You wrapped the cuffs around his wrists and tightened them until you heard him grunt.

"In case you didn't get the memo, you're under arrest, asshole."

Knowing this would never reach a courtroom, you didn't read him his rights or tell him what he was being arrested for. He knew.

Where he was going, he'd never forget it.

❧

You and Hotch stood to the side in an alley after you'd shoved the unsub into the back of a black sedan, watching the car drive off. 

"I know that you're just itching to interrogate him," you commented, your voice echoing in the night. "But trust me, that's somebody else's job now." You felt Hotch's eyes on you, but you didn't look at him.

His stare burned into the side of your head. "That wasn't a cop car," he said.

"No," you finally looked back at him. "it wasn't."

"Who was driving that car?"

"A CIA agent."

"And where is he going now?"

"To pay for his crimes," you slowly answered, narrowing your eyes. "Stop worrying about it."

He stepped closer to you. "He should be doing that in a federal prison, with a sentence decided by a judge and a jury. The families of those analysts, those women— they deserve closure."

You shook your head, an incredulous laugh leaving you. "You still don't get it, do you?" Your voice was teasing, but your undertone was hard and serious. "A trial means telling a bunch of people, including civilians, about ops that are not meant to exist. It's just not gonna happen."

Hotch kept staring at you for what felt like forever but was really only a few seconds, giving you the urge to squirm under his gaze. For some reason, you didn't like the way he was looking at you. Finally, he looked away, exhaling, "It's not right, Y/N."

Somewhere, deep inside, you felt a pang. You touched his shoulder, softly telling him, "You should know better than anyone that the law isn't about right and wrong." 

He still didn't look at you.

You sighed. "Thank you for your help, Agent Hotchner." You patted his shoulder one last time and then left the alley, walking through the door you came out of and, in doing so, you felt something change. 

The game was over.

You just couldn't tell who won.

By the time Aaron had noticed this change, he tried to follow you, but when he opened the door only to see an empty hallway, he realized it was too late.

You were gone.

And he didn't know why that disappointed him so much.

4. Unpredictable

New York, New York, 2008

Whenever Aaron was in New York, he liked to pick up good coffee and eat good food. But as he stood over a dead man's corpse, he felt his appetite vanish.

He and his team stood at the crime scene, analyzing it. It was different, but he couldn't shake the feeling that everything about these murders were different. There was something off about them, and he couldn't figure out exactly what it was.

Out of the corner of his eye, he saw a black car pull up next to the yellow tape, the Mercedes logo glinting in the light. He furrowed his brows then shook his head, thinking better of it. Stop thinking about her.

"Uniforms are rounding up witnesses."

Detective Cooper and Brustin's arrival made him look away from the car and toward them instead. "Doesn't sound like anyone got a clean look," Cooper said.

Morgan looked up at the security camera that should've caught everything but in reality caught nothing useful. "It's over in a flash," he remarked. "He's probably gone before anyone even realizes what's happening."

Right beside him, Kate asked, "Is this what it felt during the Son of Sam?"

Just as Brustin was about to answer, a new voice sounded from behind them. "Son of Sam is the least of your worries." His breath hitched. They all turned around, and Hotch instantly realized that he was right: that car was yours—and now you stood right in front of him.

You gave him a glance but then your eyes were back on Kate. "What you should be focused on is another 9/11."

Kate lightly scoffed. "My apologies— who are you?" 

"Y/N Y/L/N, CIA," you introduced yourself, flashing your badge. Recognition briefly flickered through her eyes. "And you must Kate Joyner, head of New York's field office." To be polite, you held out your hand, and she reluctantly shook it. "I'm here as the Agency's delegate, and I'll also be representing Homeland Security for the time being."

"Homeland Security?" You looked to Morgan. "It's nice to see you again, angel, but what does Homeland Security have to do here?"

You went to answer, but Joyner cut you off, "I'll ask the questions, Agent Morgan, thank you." Your eyes widened slightly in surprise, and a quick look at Derek told you that his did, too, but then Kate was looking at you again, waiting for you to answer.

Your mind was brought back to the situation at hand. You glanced at Hotch once more to see he was already looking at you, but then you looked away. "I have reason to believe that this guy is more than a serial killer. In fact, I have reason to believe this is more than one guy."

Kate crossed her arms. "What are you suggesting?"

Every time Hotch had seen you, no matter how serious the situation was, you were lighthearted, amused, knowing you'd come out on top. But this time, your voice was devoid of its usual playfulness as you disclosed to them a fact that changed their entire investigation.

"If I'm right, Agent Joyner, then we're dealing with terrorists."

❧

Once the initial shock from your revelation died down, you told them that you'd explain everything back at the field office. Unexpectedly, Morgan asked to ride back with you and you obliged, figuring his company wasn't too bad.

Hotch stared at you the entire time as you got in the car, and he continued to stare at you until you sped out of sight.

You didn't look back once.

"So, terrorism, huh?"

You glanced at Derek and smirked, finding that playful nature again. "I told you, I'd explain at the Bureau."

He shook his head at you, a similar smirk on his face, then he quizzed, "Hey, did Hotch happen to tell you why Joyner's giving me attitude?"

You furrowed your brows as you came to a stop light, turning toward him. "What makes you think I've talked to him?"

Derek snorted. "Please, every time I've seen the two of you together, you're all flirty—even when he was still with Haley."

"So what? I've flirted with Spencer before—doesn't mean I wanted to get into his pants," you defended.

His smirk widened. "I never said you wanted to get into the boss' pants."

"You insinuated it."

"Why, angel? Do you want to get into his pants?"

You deadpanned, "No, I do not." Despite yourself, you couldn't stop red from crawling to your cheeks.

"Yeah, keep telling yourself that." Right after, the light turned green, as if saving you from whatever this was. Then the teasing disappeared from Morgan's voice, replaced with curiosity. "Wait, so you're seriously telling me Hotch didn't call you?"

"Yes, Derek. That is exactly what I am telling you," you insisted, then you glanced back at him. "But to answer your question, Kate doesn't like you for the same reason she doesn't like me: power." He stared at you confusedly, so you elaborated, "Word on the steet is that the FBI wants to reassign her, and you're their star replacement."

"What?" Shock laced through his voice.

"What, are you telling me you actually didn't know?"

"No, I thought the Bureau was so proud of itself for stealing her away from Scotland Yard."

"Well, don't ask me to explain FBI politics to you. I'm in an entirely different organization, my guy."

Derek groaned in exasperation, making you laugh and forget about Hotch, even if it was only for a second.

❧

By the time you and Derek got to the field office, you were all business, unlike any time Hotch had ever seen you.

With the team gathered around you, you stood in front of the evidence board and started, "The unsubs' behaviour is questionable. They're disciplined, they're using countersurveillance. They take a quick shot then leave the scene immediately, not stopping to watch or enjoy the kill at all. There is nothing sexual about it, and that is because these killings are not the work of a serial killer. They're methodical. They look like mob hits at first glance, simulate gang initiations. They seem random, but they're not. The murders, just like the Death card you received, are a smoke screen."

Kate cut you off. "How can you be so sure?"

You suppressed your irritation at being interrupted and kept calm. Cooly, you explained, "Murders like these create panic— not just amongst the general population, but amongst law enforcement, as well; it is terror. It serves their greater goal." You gestured with your hands as you spoke. "The murders simulate a bombing. From there, they station someone to watch, gauge how long it takes police to respond."

Understanding flashed through Morgan's eyes. "At which point they bring in a second bomb."

"Exactly," you affirmed. "The goal is always to take out a first round of civilians, followed by a second wave of emergency responders. It's trial and error—it's how they practice. And if someone catches the shooter, that's fine because we just end up thinking we have a murderer; the cell is never compromised. And in creating such panic, they ensure the most urgent response time short of a bombing. It's by far the smartest way to plan for a terrorist attack."

You crossed your arms, giving them time to absorb your words. You didn't expect anyone to respond so soon, and you certainly didn't expect that person to be Hotch. "It's a theory, Y/N." His voice was soft, and that seemed to only add fuel to the fire.

You resisted the urge to scoff, sharply retorting, "Isn't any profile?"

He didn't answer. Perhaps that was the smartest choice; he didn't want to pick an argument with you, not now.

Hesistantly, Spencer spoke up, "I think— I think she's right." He walked behind you to the board, picking up a red marker and circling spots on the map before turning back around to face you. "I think they're targeting points of entry. All the murders have taken place near a bridge or tunnel."

"Holland Tunnel, Midtown Tunnel, Manhattan Bridge," Emily muttered.

"If bombs went off, emergency response would shut down any ability to get in or out of the city," JJ remarked. "It's— it's like people would be trapped on the island."

It looked like you had everyone convinced, even Hotch—despite his reluctance to believe you—but for some reason, Kate Joyner just couldn't let up. She crossed her arms. "I still fail to see how you came to the conclusion of multiple shooters."

Unbothered, you replied, "Having followers do the shootings would ensure they're willing to kill or be killed for their cause."

She countered, "But is there any evidence that that's the case?" 

You narrowed your eyes, going to respond when someone's ringtone sounded. Derek picked up his phone and put it on speaker. You could almost thank whoever it was for stopping you from saying something you would or wouldn't regret. 

"Talk to me, babygirl."

Penelope's voice came through the phone. "Okay, I have bad news then badder, connected news. What would you like me to start with?"

Derek glanced up at you, then at Hotch. "Gimme the bad news, Garcia."

"Alright, well, I was looking at the surveillance footage from the murders, specifically the most recent compared to the previous, and found something very, very off. I'll share my screen with you." Emily turned on the laptop on the table closest to all of you, and the footage immediately appeared. Silently, you watched the videos one after the other, and you had a feeling that Garcia was just about to vindicate you. "You guys see what I saw?"

"Well, he sprints off in one and walks calmly in the other. It's two entirely different demeanours," Morgan said.

"Exactly, my dove. So check it out, I did a digital perspective analysis rendering on all the shootings we have footage of. Now the first two were inconclusive, but again, in the last two, I found something très weird." Garcia did a freeze-frame, her analysis software appearing. "Your calm, walking type—he's about 6 foot 1." The screen changed to the other scene. "But your sprinter, he's like 5'9", 5'10" tops."

While the air in the office got colder, you stood there holding back the urge to smirk. You saw both Morgan and Hotch glance at you from the corner of your eye, but you only turned to Kate, seeing somewhat of a defeated expression on her face.

"Is this evidence enough for you, Agent Joyner?"

❧

That surveillance footage was enough confirmation for you, no matter what Joyner had to say about it. Following Garcia's revelation, you walked away from the team's makeshift conference room and walked into the bullpen, pulling out your phone and dialling Homeland Security.

You notified them of the situation at hand and that you were expecting something big soon, but not yet, telling them not to act without your say-so. It was of vital importance that you controlled the situation; you couldn't let the unsubs know you were onto them, so you couldn't make any moves just yet, either.

You hung up the phone, sighing. You hated cases like these. Being The Angel of Death was something you got used to; you could control that, but dealing with a cell like this wasn't just more challenging—it was unpredictable, and unpredictable was something you weren't quite fond of.

You turned around and nearly jumped out of your skin when you saw Hotch standing right behind you. Your hand slapped against your chest. "Holy shit, Hotchner, don't they teach you not to a sneak up on a girl in FBI school?"

Something almost like a smile came to his lips, the last thing you were expecting from him, especially at a time like this. "I'd hardly call that sneaking up on you. And according to you, you've been to 'FBI school,' so you should know."

You scoffed. "Regardless." Hotch's eyes remained on you, and the corners of his lips never went down. An uncomfortable silence then settled between you, despite the loud bustling in your surroundings.

You were hoping you could've gone this entire visit without speaking to him alone.

He must've noticed this, because his next words were, "You've been avoiding me."

You tensed ever so slightly. You'd been here all of five minutes, and he thought you were avoiding him. "I have not been avoiding you—"

"Yes, you have."

"We have bigger problems to deal with. Not everything is about you, Hotchner."

"Why are you avoiding me, Y/N?" You hated how his voice sounded, calm and soft. You hated the fact that he was even asking you this right now. You wanted him to be the stoic guy he always was. You didn't like this. And deep down, you knew that that was why you were avoiding him.

You didn't like the unpredictable.

And Aaron Hotchner was just that.

In lieu of responding, you dodged the question, biting back, "Why do you care?"

Hotch stilled as if you'd just hit him with the question of the century. It was then that he realized he didn't know. He couldn't answer you because he didn't have the answer himself.

He didn't know what he was going to say when he opened his mouth, and he supposed he never would, because a second later, a phone rang.

A sigh left his lips as he went to pick the phone up off some agent's desk, and you watched as the stoic man you knew returned. Yet, for some reason, you weren't as relieved as you thought you'd be.

"Hotchner." Kate chose that moment to walk out of her office while Morgan and Rossi came up from behind you. Hotch's voice became grave. "Does it look it could be one of our guys?"

Derek took the words right from your mouth. "What's going on?"

Hotch put down the phone. "We've got eyes on one of them," he answered. "He's on the subway platform at 59th and Lex."

"59th—? We could've been right there." He looked at Kate with an accusatory glare. The fury that lit up in his eyes and the way she refused to look back told you there was a conversation between them that you missed.

Over the phone, you heard Garcia let out a shaky breath, telling you all that the unsub shot the woman.

Kate paced. "Where the hell are the police?" 

Meanwhile, you picked up another telephone from the adjacent desk. "This is Y/N Y/L/N with the CIA. We have a murder suspect on 59th and Lex, subway platform. Hurry."

You slammed the phone down as you heard Penelope fret, "God, he's getting away."

"Garcia, can you get eyes on him above ground?"

A few clicks were audible as she responded, "He's heading west on 59th Street."

Kate spoke up, stating what you already knew. "If he makes it to the park, we've lost him."

"We lost the visual," another woman said.

Derek scoffed while Rossi questioned, "Are the police on the scene?"

"Negative."

And just like that, without another word, it was clear to everyone in the room that you just lost your only suspect. 

You pinched the bridge of your nose, cursing under your breath. Next to you, Derek made his frustrations much more known. "We could've had that guy," he snapped.

Kate finally looked at him. "Even if we were on that platform, odds are he would have moved onto someone isolated."

This didn't console him at all. "Maybe, but it was worth taking a shot—"

"I had every available man on the street."

Morgan stepped forward, seething. "And I suggested to you that you use this team." Realization came over you. Now you understood why he was so angry; Kate let her resentment of him get in the way of the case, and that decision may have just cost you a life.

Just as you thought Hotch couldn't get any more unpredictable, he scolded, "Morgan, second-guessing doesn't do us any good right now."

Your brows raised, but he didn't look at you, nor did he look at Derek. 

"Hotch, we have a possible terrorist attack coming. How am I supposed to look these cops in the eye and tell them that we're actually here to help them?"

Hotch's reply was sharp. "We're here to present a profile. That's what we need to do."

Derek ignored him, pressing, "I said to put as express stops. 14th, 42nd, 59th— and that's exactly where they hit—"

"It's not your place to have this discussion." This time, Hotch did look at him, and his eyes were hard.

Immediately, you cut in, spitting out his name. "Agent Hotchner." Hotch's eyes went right to you. You stepped forward, firing, "We have six bodies. And right now, I have to call Homeland Security and tell them that we not only have another one, but we also just lost a valuable chance to find one of the perpetrators."

"Which is exactly why we need to stay focused."

"Focused?" Derek echoed. Then he took a step closer, standing eye to eye with his boss. "From where I'm standing, all your focus is on her."

Kate's head ducked down, and from there, it didn't take much for you to connect the dots. All of a sudden, it made sense why Derek had asked you about Kate earlier instead of going straight to Hotch.

And to think that, just a few moments ago, he'd been going after you.

With a tick in his jaw, Hotch commanded, "Take a walk. Now."

Derek stared at him for a split-second before walking off without another word. 

"You know, I think I'm gonna take that walk with him," you muttered. And just like that, it was as if Hotch realized you were still there.

He went to say your name, but you were turning your back and walking away before he could even utter the first syllable.

Unpredictability. What a fickle thing.

You hated it.

❧

You found Derek at a nearby bar, the closest bar to the field office. Contrary to what you said to Hotch, you didn't come looking for him; he just so happened to find the same place you did.

Before you even pulled out the barstool, he was sighing. "I know. I was out of line."

You lightly snorted. "I'm not here to chastise you, Derek." He looked up at you, surprise flashing through his eyes. "I'm just here to drink." Right on cue, the bartender came up to you and asked you wanted to drink, to which you ordered brandy, neat.

When said drink arrived in front of you and you downed it in one go, it prompted him to ask, "Aren't you still on the job?"

A slight chuckle left you. "Morgan, I run an entire CIA ops division and then I also get asked to do things like this." You then deadpanned, "Trust me, I can hold my liquor."

He held his hands up in surrender, an amused expression on his face before something serious took it over, wiping the smile from his face. "I'm sorry about Joyner, by the way." When you look at him confused, he explained, "I didn't have to say that. Not in front of you."

You sighed. Not this again. "Derek, I have nothing going on with your boss. So whatever the deal is with him and Kate is absolutely none of my business." For some reason, the words stung coming out of your mouth, and you didn't like it one bit.

He left it alone and didn't press the issue further (thankfully). You glanced at the beer in front of him. You nodded toward it, stating, "You haven't touched that."

He glanced at it. "Guess I don't have the appetite for it right now."

You hummed. "Or you want to go back."

He let out a long, dramatic sigh, nearly making you laugh. "I have to apologize to her, don't I?" This time, when you nodded and he ran a hand over his bald head, you did laugh. "Fucking hell."

You sarcastically patted his shoulder. "Don't sweat it, sweetheart. I'll walk back with you."

"Sweetheart?" you heard him question as you stood up, putting enough money down for both of your drinks. "And now you're paying for me? You're threatening my manhood here, angel."

"Get over it, Morgan."

And as he let out a hearty laugh, you let yourself pretend that you didn't have a different agent on your mind entirely.

❧

Upon getting back to the office, you suddenly wished you'd had another drink as you were informed that there was not only another shooting, but Detective Cooper was shot after he and Prentiss chased after him.

Kate seemed to have taken Derek's suggestion and sent the team out on the streets in the hour and a half you were away. In that time, Prentiss and Cooper nearly got one of the shooters, but he was fast; he could've gotten away. Yet he stopped and shot Cooper, prompting Emily to fire a shot of her own.

Suicide by cop.

You hung up the phone, walking back into the room after telling Homeland that you'd be calling with another update soon. "Three shootings in one day," you said, catching everyone's attention. "They're ramping up to something."

Morgan held his phone up in the air and wiggled it. "Yeah, well, while you were on the phone, Garcia called. They hacked into at least one camera at every scene and have been watching from day one."

You cursed under your breath just as Kate called your name. "Y/N." You looked up at her in half-veiled surprise, seeing her standing with her arms crossed, a somewhat uncomfortable look on her face. "Aaron told me more about your position in the CIA, how you're more well-versed in situations such as these." It looked like she had a hard time getting the words out, despite the sincerity in her tone. "I'd like you to take the lead on this." 

You were sure that the surprise must've shown on your face, courtesy of fatigue, but you quickly masked it and nodded. You took one deep breath, and then you dived in. "We need to hit the ground running." You turned to everyone individually as you gave them instructions. "Rossi, I'd like you to talk to the Commissioner. He'll be familiar with you." He nodded and left the room. "Derek, you brief Homeland Security, tell them I sent you. I want them to know we're expecting them to strike any minute now."

"You got it, angel."

You turned to Emily, who was already ahead of you. "I'll head to the hospital, check on Cooper, and brief Detective Brustin."

"Good. And Spencer—"

He (with a creepy accuracy) anticipated what you were going to say before you even said it. "JJ and I will talk to the Port Authority Police."

You nodded then realized that left only two people, unwelcome dread filling you. Out of a stubborn attempt to prove his earlier claim about avoiding him wrong, you looked to Hotch but still didn't meet his eyes. "Agent Hotchner, you and Kate should speak to the mayor. I have to make some calls to the DOD. We'll all meet back here as soon as possible. We are crunched for time, but the one advantage that we have is that they don't know we know they're watching."

Everyone who hadn't already left nodded and got to their tasks. Hotch looked like he wanted to stick around and say something to you, but as you said, the clock was ticking. 

You called the DOD and briefly explained what Homeland Security had likely already spoken to them about, that you saw a terrorist event on the horizon. They told you that, luckily, the Deputy Secretary of Defense was in town, only ten, maybe twenty minutes away from where you were. 

Quickly, you gathered your things and made your way out of the building. At the exit, however, you found exactly who you didn't want to see.

Hotch and Kate.

They hadn't left yet.

They stood outside the door, facing each other. He had his hand on her elbow, and he was saying something you couldn't make out. Whatever it was, it made her lips upturn.

You couldn't recognize the feeling that crawled through your veins at that moment. The green monster and you hadn't been acquainted in a while, but for some reason, she was showing up, making your body her home, and you hated it.

Shaking off whatever it was you were feeling, you pushed the door open. Hotch noticed you first. "Y/N," he said. He took his hand off her arm. A weight was lifted off your chest.

"Agent Hotchner," you greeted, promptly turning to the blonde and doing the same. "Agent Joyner. I've gotten word that the Deputy Secretary of Defense is in New York; I'm heading to see her."

Kate nodded. "Good. Aaron and I are on our way to the mayor's office now." She turned, starting to walk away, and then you realized she was heading in the same direction as your car.

Fuck. They parked next to you.

You started walking, too, Hotch now at your side. Kate was ahead of you guys. You're sure that Hotch could naturally walk faster than you, but he remained at your side. This is deliberate, you thought.

Your conversation from earlier hung in the air. With Kate gone, the tension between you was now palpable. But he wouldn't say anything, you assured yourself, not with her in earshot.

But perhaps you underestimated him. With every meeting, Aaron Hotchner continued to surprise you. He had become unpredictable to you.

Yet, the two of you would soon bear witness to just how unpredictable life could truly be.

Just as you were nearing your vehicles, Aaron opened his mouth to say something, but a loud boom cut him off.

Before either of you could register it, you were sent flying backward, shockwaves rippling through your body.

And then everything went black.

❧

New York City has never been so quiet, you thought, blinking your eyes open. And you've never been able to see the stars in this city, either, but tonight, you saw them just fine. Part of you wondered if you were dreaming.

No, not a dream. A hallucination.

There's been an accident.

The thought hit you like a ton of bricks as pain erupted in your side. A groan left you unwarranted. You went to touch it then hissed at the throbbing. There was no blood there, though, no wound, so it must've been the bones.

Nowhere else hurt—not that bad, at least. You tested yourself, trying to sit up. It hurt to do so, but you did it. And when you did, you were met with the sight of an SUV, up in flames.

No, not an accident. This was planned.

But it wasn't your car. It would've made sense if it were your car, if you were the direct target, but you weren't. Your mind ran a mile a minute. Why would they blow up a random SUV?

It's then that you remember it wasn't a random SUV. It was Hotch's.

Hotch and Kate.

They were with you.

With that realization, any and all intellectual thought escape your grasp. You shot upward, the pain becoming nonexistent as a surge of adrenaline flowed through your body. "Hotch!" you screamed. No answer. "Hotch! Kate!" No one answered. "Aaron!" You continued to cry his name but no one answered.

Tears you welled up in your eyes. It was lost on you that you hadn't cried in years. It was equally lost on you that this was the first time you'd ever said his name.

You spun around, letting go of a breath you didn't know you were holding when you spotted a man in a suit, standing there, just staring at the fire. You jogged over to him and called out his name, but he didn't move his head. You tried again. "Aaron." No response. "Aaron!"

Finally, he looked at you. A plethora of emotions could be seen on his face. Confusion. Anger. Fear. Then worry. "Y/N," he breathed. "Are you alright?"

"Yes, I'm fine." That was a lie, but you could handle the pain well. You had good experience. "Are you?"

"Yes, I think so." 

You took a quick moment to examine him, the cut by his brow, the blood by his ear; you think back to how he didn't respond to your calls. Concussion, you thought, and a ruptured ear drum.

You take ahold of his arm, gently but firmly, and slowly asked him, "Aaron, where's Kate?" 

He blinked, glancing back at the wreck and then back at you. You watched him swallow. "I—"

"Hey! Are the two of you okay?"

Your eyes and his simultaneously snapped to the voice that'd just appeared, seeing a scrawny kid stand in front of you. Like a switch had been flipped, the abundance of emotions on his face dissipated into one.

Determination.

"What's your name?" he questioned.

The kid looked at him, confused. "What?"

Hotch repeated, "What's your name?"

As if he thought you two were crazy, he glanced between you warily. "Sam," he replied.

Hotch didn't look at him or acknowledge his name as he ordered, "Call 911." 

"Yeah— yeah, I did."

"Call 911— tell that there's been an explosion."

"Sir, are you okay?" His eyes darted to you. "Ma'am, are you hurt?" Momentarily, he glanced down, his eyes catching the gun on your belt. He looked to Hotch, finding the same thing. Stunned, he looked back up. "Are you guys cops?"

Hotch's eyes were still on the fire. "Call 911. Tell them... that a— that a federal agent—" Without warning, he took off running towards the car, yelling, "Kate!"

"Hotch!" You went to follow him but the kid stopped you.

"Okay so you want me to say you're a federal agent?"

You turned around, eyes blazing. "Call 911. Tell them that there's been a car explosion, involving two FBI agents and one CIA officer." You barely finished your sentence before you were running after Hotch.

By the time you got to him, he was taking off his jacket, about to shield himself and run right into the car but you stopped him. "Aaron!" 

His eyes darted to you then travelled behind you. The dread painted on his features mixed with relief, but you couldn't tell which emotion was stronger. You turned, following his line of sight, and saw Kate lying on the ground, a trail of blood leading to her body.

Without missing a beat, you both ran to her, her coughing becoming more audible as you got closer. Aaron got down immediately, and her first words were, "My purse. I can't find my purse."

He shushed her. "Don't move, don't move."

"Aaron, my purse."

Shock. She's in shock.

If only just to placate her, Hotch glanced around for it. "I don't think you had one," he said.

"I must've dropped it," she gasped, moving her head.

"Kate—" you cut in from above, "Kate, you need to stop trying to move."

She looked up at you, her eyes widening at whatever she saw. "Y/N. Y/N, what happened?"

You ran a hand through your hair. "I don't— I don't know. A bomb. An IED, I think." You glanced back at the car, your mind going back to the same race it was racing in before you found Aaron.

"An IED?" she echoed. "I have to get up."

"No. No, no, no. Lie down. Lie still. You need to lie still," he pleaded with her.

Suddenly, she caught your attention back. "Am I moving my legs?"

Hotch shushed her again at first, then he questioned, "What?"

Both of you glanced down at her legs at the same time. You resisted the urge to cup your mouth.

You were gonna be sick.

Weakly, she asked again, "Am I moving my legs?"

You didn't have the heart to answer her. From the looks of it, neither did Aaron, because he changed the subject. "I'm going to have to turn you and see where the blood is coming from," he said.

"Do it."

"Alright? Okay." He turned her while you focused on the sirens wailing in the distance, getting closer. The sound blended in with Kate's crying until it was all one and the same to you.

Police cars and ambulances soon pulled up just ahead of you, maybe a hundred yards away. You stood taller, yelling, "Officer down!" When they didn't come any closer, you flailed your arms. "Officer down! Here! There's an officer down!"

Kate's voice, ever so quiet, cut through the noise like a knife. "They're not coming." You turned to her, seeing her look at both of you defeatedly. "We told them not to. Remember?"

Your own words rang through your head. The goal is always to take out a first round of civilians, followed by a second wave of emergency responders.

The reality of the situation struck you. They weren't coming.

"The first wave of responders are the targets," she got out. "ESU orders are not— to let anyone in until the area is cleared."

"No." You shook your head. "I'm not taking that as an answer."

"Y/N—"

"We are getting you out of here, Kate, come hell or high water." Your previous aversion to her no longer mattered. She was lying on the ground covered in blood, unable to move her legs. All that mattered was getting her out.

Without wasting another second, you ran toward the barricade. ESU officer braced their rifles, but you had your badge ready as you stood a safe distance away from them. You were trying to think calmly, as calmly as you could. Your ribs stung as you held the badge up in the air.

The words were spoken in an erratic panic. "My name is Director Y/N Y/L/N, I'm a senior officer of the CIA. Behind me are SSAs Aaron Hotchner and Kate Joyner. She is injured— badly—"

A man stepped forward and cut you off cooly, "I understand that, ma'am, but I have orders not to let anyone in—"

You lost it. "Screw your orders! She can't fucking move!"

"Ma'am, my orders are what they are."

"Your orders are what they are," you repeated under your breath, a humourless chuckle escaping. "What's your name?"

He squared his shoulders. "It's Captain Warner, ma'am."

"Well, Captain Warner," you spat. "Allow me to re-introduce myself. My name is Director or Agent Y/L/N, not ma'am. Director. And I am quite familiar with your orders, Captain; I gave them. You are here because I made the call that put you here. And, so help me God, if you don't listen to this order, I will make the call that relieves you of your position."

Warner didn't appear to be shaken, but you could see the cloud of doubt floating in his eyes. You'd think that anyone would grapple for their job, but Warner was being difficult. "I apologize, Director, but I can't do that."

Your nostrils flared. You were just about to continue telling him off when an awfully familiar voice sounded, asking for someone in charge. Your eyes widened. "Derek!"

Derek's head snapped your way. "Holy shit. Y/N!" He came running towards you but was stopped by the same officers that kept you from crossing the barricade, holding up their guns.

"This area is restricted," he said.

He held up his badge. "I'm Agent Morgan, FBI. That's my friend—"

"This area is restricted," Warner repeated, barely looking at him. "I will take care of your friend. Now go back to the Federal Building. There are evac marshaling spots. Check in and make sure they know where you are."

Morgan held his ground, stepping in front of Warner and retaliating, "I am not about to do that."

"Get out of my face or I'll have you bodily removed, Agent."

"Derek." You caught his attention. "Hotch and Kate are down there."

He spun around. "That's my boss down there!"

"My orders are what they are." 

You scoffed at the recycled statement while Derek argued, "I don't give a damn what your orders are!"

"I get it, Agent, but we've been told by you" he gave you a glance "'Responders are the targets.' So, until the blast site is cleared, no one goes in."

Morgan looked back at you then back at the Captain with a renewed resolution, trying a different approach. "You're Marine Corps, right?" Warner didn't respond, looking down. "Right?"

"Please. Go back to the marshaling point."

"I'm not doing it." He pointed to the site. "I'm not just going to let my man lie down there like that."

As if on cue, Hotch screamed, "Someone! Damnit, we're here!" You nearly flinched at the sheer pain in his voice, and Derek certainly didn't look unaffected, either.

"'Never leave a man behind.' You do remember that, don't you?"

Hotch kept screaming as Morgan and Warner stared each other down. It seemed that he must've gotten to him, because within just a moment, he said, "Go."

Derek didn't waste another second, immediately running to you and grabbing onto your shoulders. "Y/N, are you alright?"

"I'm fine! I'm fine, it's Kate."

He nodded and then took off following with you trailing closely behind, but not before you gave Captain Warner a pointed glare.

When you got to Hotch, the kid was back, seemingly tending to Kate as Morgan explained, "They're not letting any ambulances down here until they clear the scene." He glanced at the kid like he just noticed he was there. "Kid, you've gotta get behind the barricades. Let's go." The kid didn't move. "Go!"

"Go, Sam." At Hotch's word, the kid got up and ran, but your attention was focused solely on Kate, checking her vitals.

"Talk to me. Can we carry her?" Morgan barely gave him time to respond. "Hotch, can we carry her?"

"No, I tried. Morgan—" he paused, intaking a shaky breath, "she's going to bleed to death if we don't get her out of here. We've got to do something."

Derek's phone ringing cut off whatever he was going to say. He picked it up immediately. "Garcia, I got Hotch and Y/N, but listen to me, you got to get somebody down here right away. You hear me? Right now." You didn't hear what Garcia said next, but it caused his head to snap up. "What? You're absolutely sure?" He glanced at you then to the kid who you realized never left.

The kid held his hands out like he was asking what you were waiting for, causing you to tilt your head, confused.

Morgan hung up the phone and then his next words shocked you. "Hotch. The kid. He's the bomber."

Your eyes went wide before instantly going to Hotch. "Are you okay to stay here?" you asked.

He didn't even think about it. "Go."

With that, you and Morgan took off running. The kid bolted, leaving you to chase after him.

Despite the heels on your feet (that luckily weren't stilettos) and obvious bruise to your side, you couldn't feel pain. All you feel was the pure adrenaline pumping through your veins. You hadn't been so ready to fight in ages. The anger coursing through your body was unparalleled.

This kid wasn't getting away with this, and you'd make sure of it.

You chased the kid down the street, Morgan ahead of you. An ambulance passed you while you ran, and you prayed it'd be heading Hotch's way.

You kept chasing after the kid, turning a corner and he was gone, but Morgan was already heading down the stairs for the subway, so you knew he was down there.

You ran down the stairs, skipping steps as you went, following Morgan's lead and pulling out your gun. Civilians filled the station, evacuating. "Out of the way!" you screamed, pushing past them.

"Move! Where'd he go? Where?" Some pointed straight ahead, so you kept running.

You got down to where the subway was, but by now, it was empty. You came to a stop next to Morgan, holding up your gun.

"Show your face, you son of a bitch!"

No one showed. You nodded to the train and panted, "Morgan, I'll take the back. You take the front."

Heaving, he nodded, going for the front. You entered the train with your gun held high, pointing it on either side of the door. You walked through the cart slowly, checking beheind yourself periodically to ensure the kid wouldn't sneak up on you.

You pushed open the door to the next cart warily. It was just as empty as the previous one. You went for the next cart. Nothing again. You met Morgan in the middle. "Nothing," you said.

"Me neither. But there's a door at the front. I'm thinking he could've hopped through there," he told you.

You nodded and followed him there, accepting his help and jumping down. Carefully, with your gun and flashlight in hand, you walked on the tracks, avoiding the power supply. You shouted, "We know you're in here, kid. Show your fucking face, you coward!"

A noise sounded, making you turn around to check it while Morgan continued forward. "You've got nowhere to run, man. You hear me? There's nothing down here for you."

"Is that all you see?" At the sound of the kid's voice, you spun around, moving your flashlight around. "Huh? Darkness?"

You caught up to Morgan, and then the kid showed himself. Your flashlight revealed his shoes lying on the ground while he slowly walked on the rail, balancing himself like this was a game. You cocked your gun. "You listen to me, you little shit. This is not a fucking game. Get your ass off the tracks and put your hands on top of your fucking head. Do it now."

When he failed to listen to you, Derek yelled, "Do it now!"

The kid did as you said, but not to listen to you. It was to mock you. "You will lose in the end," he said.

Derek moved forward. "Shut up. Shut your mouth."

"You wanna know why?" He continued on like he'd never said a word. "Because you fear what we embrace."

Before you could do anything, he took one foot off the track and put it on the third rail. "Get off the— no! No, no!" Derek and you were forced backward as the light blinded your eyes. Without even lifting your eyes up, you knew undoubtedly that the kid was dead.

He just killed himself right in front you.

"Damnit." You reached to run a hand through your hair but you were stopped by the stabbing pain in your ribs, suddenly reappearing. You hissed, "Ah, shit."

"Y/N?" Within a blink, Derek was in front of you. "What's wrong? Are you okay?"

"I'm fi— fuck." Your knees buckled, but Morgan caught you, holding onto by your waist. When that caused another hiss, he switched his hold to your arms.

"I think you might've broken some ribs. How the hell didn't you notice this before?"

"I— it didn't feel this bad before."

Morgan cursed under his breath. "Your adrenaline is wearing off. We need to get you to a hospital."

"No, I'm o—" a sharp stab cut you off, making you grunt. "Fine. But what about Kate?" 

"We both saw that ambulance drive their way," he reasoned. "They're gonna be okay. Look, if we get back and they're still there, we can stay, alright?"

You thought over his proposal and eventually relented and let him lead you off the tracks, giving in to the pain. You just hoped that he was right, that they were okay.

Please let them be okay.

❧

You arrived at the hospital in record time, passing through the streets like light work. After receiving confirmation that Hotch and Kate were at Saint Barclays, he drove the two of you there, too, insisting that a doctor see you despite your equal insistence that you were fine.

Now, you sat on an ER bed. You had a few cuts here and there but nothing too deep; you were given sutures for one cut across your cheek. The doctor wasn't looking at you right now; she was looking at your chart, giving you time to glance around the triage room.

You weren't a big fan of hospitals, never were. They were never a source of good news, and every hospital you stepped into smelled the same, like bleach and chemicals. When you were younger, you were convinced that this was to cover up the smell of death.

That wasn't too far off.

The doctor pulled you out of your revierie, snapping the chart shut. "So, Ms. Y/L/N, I've ruled out the possibility of a collapsed lung, but you've broken 4 of your left true ribs," she informed you. "From what your partner has told me, you've over-exerted yourself, and thus exacerbated the issue."

"I'm a CIA officer and had to chase a suspect," was the only explanation you offered.

She deadpanned. "I understand that, Ms. Y/L/N, but you've just made your healing process ten time harder."

You gave her a short smile. "I've been through worse."

She looked at you for a few more seconds before she sighed, re-opening the chart book. "I can prescribe you some medication for the pain."

You declined perhaps a bit too quickly. "No, that's alright."

Slowly, she looked up at you, her eyes questioning. "No? Why not? I can imagine you're in a great deal of pain right now."

At her inquiry, you were reminded of someone else's interrogative questions. Hotch's voice filled your head, Why do you say it like that—say your name as if it's not your name?

Your mind travelled back to a time you weren't Y/N. There was a girl with a different name who wore your face, a girl you separated yourself from entirely. She didn't grow up thinking she'd have a future in law enforcement—she didn't even think she'd have a future at all.

She hung around the wrong crowd and picked up bad habits, habits like oxycodone and amphetamines. But you weren't her anymore.

You were 7 years sober.

You'd rather not explain all of this to the attending in front of you—you'd rather not explain it to anyone. Instead, you just said, "I have a high pain tolerance. I can handle it."

She stared at you warily, but otherwise, there wasn't much she could do but accept your decision. "I'd advise against that, but it is your choice."

You pursed your lips into what you hoped was a small smile. "It is."

She kept her persistent stare until she eventually gave up, leaving the makeshift room. You didn't wait long before you left, too, jumping off the table and pushing back the curtain. You walked through the halls in search of the tan-skinned man you came in with, avoiding looking anywhere but ahead of you.

Hospitals were unpredictacle.

You didn't like that.

You turned a corner, and as if you just had good luck, Derek was there, already walking your way. 

He raised a brow at you. "You all good, angel?" 

You fell into step beside him, letting him lead the way to wherever you were going and flashing him a flirtatious smile. "Never been better, muscles." It wasn't a total lie; the pain had mostly subsided, and you'd felt worse in your life.

Morgan didn't bat an eyelash. "Well, that's good because we need to get moving. The team's on the way."

At the mention of the BAU, your thoughts were re-directed. Without stopping, you glanced over at Derek and gave him a quick once-over. He seemed normal: he was flirting with you, no signs of dejection. So Hotch must've been alright. Still, though, you felt compelled to ask, "Hotchner and Joyner. Are they okay?"

If Derek noticed the small blip in your voice, he didn't say anything. You weren't sure if you even noticed it, either. "Hotch is fine, back to barking orders and being a drill sergeant. Kate's in surgery, though."

You couldn't explain the wave of calm that came over you at that moment. You couldn't explain why you even cared.

But you did.

You nodded in response and changed subjects. "Has anything happened since the first blast?"

"No. Nothing."

An exasperated sigh left you. "That doesn't make any sense. Something should've happened by now." You ran a hand through your hair, your gears turning. "I mean, why go through all this trouble just to hit a single SUV with a few agents? Why not wait until we were in our cars?"

"I don't know," he replied. "What I'm still stuck on is why the kid would stay knowing we'd figure him out."

"Yeah, why would he stay—" suddenly, you halted in your tracks, cutting yourself off as memories rushed to the forefront of your brain.

[Thank you for your input, Ms. Y/L/N. The Secretary of Defense is unavailable at the moment, so the Deputy Secretary will be fielding all defense matters for the moment. She happens to be in town, and she'd like to be briefed in person, if that's alright.]

Yes, I can do that. Just send me an address.

Then you heard the voices of Secret Service agents in your head: I'm sorry, but this hospital is on strict bypass.

"What? What is it?" Derek's voice shook you out of your reverie. You looked up to see him standing in front of you, a worried expression on his face. You would've laughed if it weren't so serious. He probably thought you had a concussion—and while you didn't, what you were going to say was worse than that.

"Derek," you started.

Your tone must've scared him because he stepped closer. "What?"

You paused, mulling over the details in your head. Secret Service was here. Someone important was in the building, someone like the Secretary of Defense. And that bomber just so happened to stick around until an ambulance showed up, taking Hotch and Kate straight here. 

Sam didn't wait until you were cars, and that wasn't a careless mistake. It wasn't because he was so excited that he couldn't wait. It was because that blast wasn't meant to kill you, not on impact.

It was meant to take you here.

When you made up your mind, you took a step closer to him and lowered your voice, not wanting to attract panic in spite of the fact that it'd happen, anyway. Your voice was rigid.

"I think there's a bomb in this hospital."

❧

After quickly explaining your theory to Derek, you parted ways; he went to go find the team while you took off to find the head of that Secret Service detail.

Any uneasiness you felt being in this hospital increased a tenfold, no longer because of the fact that it was a hospital but because it could blow any minute now. You knew you weren't scared, though—and maybe you should've been, but this was the job.

You found the SS soon enough, calling out to them, "Hey, men in black!"

Your volume turned heads, including theirs. The bald man stood up from where he was leaned over on a counter and greeted you first, leading you to believe he was in charge. "Ms. Y/L/N." So he knew who you were. That made this a lot easier.

You didn't waste any time. "The Secretary of Defense is in this hospital, isn't he?"

"Ma'am, I know you're high up on the ladder, but—"

You cut him off briskly, "There is a bomb in this building, and it's rigged to assassinate the Secretary." 

The agent whose name you didn't ask for stiffened but adapted quickly, ordering the agents behind him to hit the alarms all without looking away from you. "Where is it?" he then questioned.

"The ambulance my colleague drove in, I believe." The word colleague tasted wrong on your tongue, but you didn't have the time to dwell on it. "Is it already in the basement?"

"Yes."

"Okay, then you need to evac the building. You need to get the Secretary and everybody else out of here right now."

"We can't do that," he answered. "He's undergoing surgery as we speak."

You were sure that the next words to leave your mouth would be curses, but before you could even get them out, a band of rushed footsteps became audible from behind you. It didn't take you long to recognize who they belonged to.

The footsteps stopped where you were. You glanced to see the team surrounding you, Derek on your left and Hotch on your right. So he was alright. You held back a sigh of relief and kept your eyes off him, directing all your focus to the task at hand. 

Silently, Morgan handed you a Kevlar vest. You nodded to him in thanks and put it on while Hotch hurriedly interrogated, "The paramedic I came in with—do you have eyes on him?"

The Secret Service Agent briefly glanced at you, to which you nodded, prompting him to turn over a computer playing a live feed. 

"Is that a cell in his hands?"

Rossi pressed onto a mic on his chest. "Garcia, can you remote access the grid I'm in and jam all the frequencies?" She said something you couldn't hear and then he added, tone clipped, "There's a bomb in the basement of this building."

Garcia worked quickly, disrupting the satellite feeds in your location within seconds. You could tell she did this by paramedic's actions on the screen. "Look. He's coming back," Prentiss said. "He's going to detonate the bomb manually if he has to."

"Where did Morgan go?" At Hotch's abrupt words, you turned to your left but Derek was no longer there. He'd snuck off while you were paying attention to the feed, and you had no doubt as to where. 

His appearance on the computer screen confirmed your suspicions. You sighed, before tiredly voicing, "He went to find the ambulance."

Hotch's voice was incredulous. "Alone?"

Rossi didn't share Hotch's surprise. "Let's head down."

You were off before he even finished the sentence, trusting the Secret Service agents to do their jobs well enough while you all did yours. You removed your gun from your holster, holding it up and jogging through the now empty hallways with tunnel vision.

You barely noticed the others behind you until Hotch somehow got ahead of you. "He's going to the basement," he called out.

You think it was Emily that replied. "Stairs."

You pushed the door to the stairwell open and Hotch entered quickly, scanning the area with his gun as he moved. It was eerily silent, the only sound being the alarms in the distance and your footsteps rapidly hitting the stairs as you took them two at a time. 

None of you said a word.

By the time you reached the basement, the alarm was non-existent. Your loud footsteps became quieted, soundless with the precision only people like you could have. You could hear a pin drop. 

At the end of the hallway, you wordlessly split into two groups: you with Hotch and Rossi, and Prentiss with Reid.

Hotch led the way while you and Rossi covered him. Your bomber was sitting criss-crossed against the netted gate, gun tossed on the ground with a cellphone in one hand and a knife in the other. Fuck.

You could only pray that Morgan got out before that signal came back online.

You had your gun in the air, even though you knew what was gonna happen. You all did.

Rossi's voice cut through the air. "FBI."

The bomber didn't flinch, staring at the ground with a lifeless look in his eyes. He was a dead man. 

He raised the knife to his neck—and if you weren't with FBI agents right now, you would've shot his shaking hand and knocked that knife straight to the ground. You would've forced him to take accountability—perhaps not in a courtroom, but in a place that would still enforce a semblance of justice.

But you were with FBI agents. And Hotch reminded you of this as he spoke up, "Put it down. It's over."

Yes, it was. Because the coward slit his throat thereafter, and the knife clattered to the ground.

Slowly, you lowered your guns. You holstered yours, and then you were walking away. You didn't spare the body another glance. It wasn't a life lost.

Either way, he would've died. It just shouldn't have been on his terms.

Emily was behind you. She flipped her phone open and then you heard a sigh of relief. "Garcia just messaged me," she told you. "Morgan's okay."

Spencer and Rossi let out their own sighs while you muttered a small "Thank God" under your breath. You hadn't known Derek Morgan for long, but he was good, and he felt like a friend.

You didn't have many of those.

You got back to the floor you were on in little time, and everyone parted ways, likely going to rest. The night was over—this was over. You, on the other hand, still had some administrative work to do, starting with checking on the Secretary of Defense.

But before you did anything, you stood there. You stood there and watched the team trickle out of the area, everyone but Hotch. He was still down there.

You went to glance back to see if he was coming up but then thought better of it, choosing to walk away instead.

He's fine, you thought. He was fine.

And so were you.

❧

You got off the phone with the DOD, your last in a long line of phone calls, telling them that the threat had been eliminated as far as you were concerned. You would've been out of that hospital ASAP, but they asked you to stay there until the new Secret Service detail arrived, and you couldn't really say no.

The lack of action suddenly made you more aware of your surroundings. Your senses returned to you; the smell of bleach became more pungent, and the fluorescent lights seemed to just bounce off the white tile.

With nothing else to focus on, the pain in your side returned, too, but you were good at handling pain. It hurt to breathe, but the alternative was relapsing, and you'd come too far for that.

Normally, when you were craving drugs or just stressed, you'd find a drink. It wasn't the best coping mechanism, but it worked. Alcohol wasn't strong enough to hook you; it was just enough to sate you, to take your mind off the pills.

However, you were in a hospital, and none of that was around. So you went looking for the next best thing: coffee.

You found a mini coffee bar in a nearby waiting room, right next to a vending machine. It was one of the automatic ones that took capsules. The selection was pretty shitty, but you weren't exactly expecting premium Italian coffee, so you plopped a pod into the machine, anyway.

You waited for your coffee to brew in silence, listening to the sound of the machine whirring. The PA dinged in the background and footsteps were muffled. You had a habit of listening for those, for footsteps. Most times, like now, if you weren't preoccupied, you could detect them right away.

You sensed Hotch when he was 5 feet away. You could recognize his footsteps so easily, but that was the habit.

You told yourself it was the job.

Without turning around, you quietly greeted, "Agent Hotchner."

He returned your greeting, grabbing a styrofoam cup and going to stand next to you. "Y/N." His voice was as saccharine as the sugar you poured into your coffee.

 You hated that, and you hated what it implied.

The case was over. The threat was defeated. And now you were alone together with a conversation unfinished, a conversation you'd much rather not have.

To think that, when you last saw Hotch in Virginia, you were all for the game, the chase. But now it felt like the roles were reversed. This was different. He shouldn't be talking to me.

But he was.

"Yo—"

You cut him off, "How's Kate?" Low blow, Y/N. The breath of air he sucked in made you look up from the creamer to his face. His eyes were no longer on you; they were on the machine as it poured his coffee, but you understood. You could taste apology on your lips before you even said the words. "I'm sorry."

Hotch nodded, grabbing his coffee from the tray when it was finished brewing. "She wasn't in pain," he said. That's all there was to say, really. She wasn't in pain when she died, nor was she in pain when you found her.

Kate Joyner was dead the second that blast hit.

But you spoke none of this. You went to grab your cup, intending to walk away, but Hotch stopped you, placing his hand on your arm before you could fully turn away. You stopped yourself from intaking a sharp breath.

"You're avoiding me."

He said it so plainly, like you were talking about a case or the weather, like this was normal, like the two of you didn't see each other every other year at most, like you weren't you and he wasn't him. It made you want to screw your eyes shut, but you didn't. As if to prove a point, you turned yourself toward him fully, facing him head on.

"I'm not."

"You are."

Your eyes narrowed. "I'm not an unsub, Hotchner. I'm not gonna fold to this interrogation tactic."

"I met you as an unsub," he retorted.

"But I wasn't." You let out a little scoff, half amused, half annoyed. "How would you know if I was avoiding you? You didn't know me then, and you don't know me now."

"But I want to."

Whatever reply you were expecting, it wasn't that. Your breath got caught in your throat. His voice was still so soft, a harsh contrast to the cuts littered across his face. He took a step closer to you. "I want to know you."

You blinked once in shock, almost like you were checking if you were hallucinating, but when your eyes opened, he was still there. When you blinked a second time, it was in realization.

He's just been told Kate's dead, and now whatever pain meds they gave him are kicking in.

Reality slapped you across the face. You took a step back, slowly shaking your head. "You don't want to know me, Hotchner."

He took another step forward. "I do."

Another step back. "You don't." You shook your head again, emphasizing your point. "You really don't."

"Y/N—"

The shrill sound of your ringtone cut him off, and you'd never been so grateful. You picked it up immediately. "Y/L/N." The lady on the other end got to it quick; all you had to do was agree. "Okay, I'll be there momentarily. Thanks."

You hung up your cell, snapping it shut. You gave Hotch a glance before you were looking away, letting your eyes wander everywhere else. "That was the DOD. Secret Service is here. I have to go check out with them." You didn't let him get a word in. "I'll see you around, Agent Hotchner."

And then, just like every other time Aaron Hotchner had ever been in your proximity, you were leaving. In his grasp one second, in the mist in the next.

He watched you walk away wordlessly, not knowing when he'd see you again, words he was going to say dying on his lips.

And then you were gone.

He let out a long sigh, and then looked to his coffee on the mini table, spotting a similar one right next to it. 

You left your coffee there, he realized.

With all the other things you left, too.

5. The gavel and the gun

Southbridge, Virginia, 2008

You didn't find yourself down in Virginia too often, not unless you were on business, but Derek assured you that tonight was about everything but that.

"I'm breaking you out of your shell, angel," he said, making a turn on Curtis Drive. "You need to get out more."

You snorted. "One, I don't have a shell. Two, I am literally out so much that my apartment collects dust, and three," you held up a third finger, despite his close attention to the road, "that's bullshit. You just want me to score you some hot chicks."

He let out a burly laugh, something you'd gotten used to after hanging out with him. "Baby, I don't need you to pick anyone up for me. I can do that all on my own."

"What, are you afraid that I'll steal all your girls, Morgan?"

His reply was swift. "Couldn't do that if you tried, Y/N/N. You're still hung up on Hotch."

Your jaw nearly fell, but you were used to this banter you had. You quipped back, "Please, the only one hung up on anyone here is you. You want Garcia."

He choked on his own spit, making you throw your head back and laugh. He didn't see that one coming.

You caught onto Derek's feelings for Garcia early on, but they became especially prominent when he was buzzed one night and told you she was the one on call with him when he drove that ambulance into the field.

That was six months ago. And now, you were in Derek Morgan's car, trying to coax him into asking out a woman with whom he violated many HR regulations.

Derek clearly didn't have a response which only made you laugh harder. You patted his back while he recovered. "Caaaaareful, muscles. I don't want to die on my way to a bar. I'm literally in the CIA—that would be so heavily anti-climactic."

The only thing he heard in that sentence was his nickname, snapping out of his stupor. "Okay, this 'muscles' thing is starting to feel less like a compliment and more condescending." 

You huffed out a little chuckle as he put the car in park. "And 'angel' isn't?"

He furrowed his brows, opening his door. "You love that name."

You copied his movements, getting out of the car before pointedly looking at him. "Yeah, when the words 'of death' follow it."

He snorted. "Cryptic." He held his arm out for you, to which you obliged, wrapping yours in his before walking into the estabishment with him.

You would've responded and teased him further had you not been cut off by an oddly familiar voice. "Morgan!" Your head snapped to a table where not only the object of your teasing stood, but all of their crime-fighting friends. From afar, you watched Penelope's eyes widen behind her glasses. Then she squealed, "And Y/N!" 

To her credit, she did look just the slightest bit embarrassed when people turned to stare at her.

She still wasn't used to you. And God, was that comical.

A smirk crawled onto your face as you walked to their table, glancing at Derek and recalling your earlier quip. "Ooh, careful, Morgan. Your girl's a fan. I might just take her."

For a guy that nearly died in the car at the mention of her, he didn't seem all that startled. In fact, a smirk of his own graced his face. "I doubt you'll be focused on Penelope tonight, angel."

Your brows pinched together, but before you could question what he meant, you reached the table. JJ and Emily greeted you with wide smiles, the latter pulling you in for a hug that was surprising but not unwelcome. Garcia followed right behind her, hesitantly wrapping her arms around you. You cleared this hesitancy by embracing her tightly. Goodness, she's precious.

Over her shoulder, you mouthed to Morgan, Don't fuck it up.

When you let her go, Rossi tipped his glass at you while Reid just gave you an awkward wave. For his benefit, you resisted the urge to laugh.

You spun back around to flash a smug smile at Morgan, eager for him to see that you weren't fazed by this little surprise he so clearly wanted to jar you with, but then your eyes locked with a darker pair and you realized, oh. They weren't the surprise.

He was.

"Y/N."

What was this feeling? Winded? Was it— breathless? You couldn't describe it; you'd only felt it a few times in life, and you didn't know why you felt it right now. Eventually, you realized you had to answer. 

"Hotchner."

You were going to fucking strangle Derek Morgan.

❧

If it wasn't considered rude and you weren't surrounded by a horde of profilers, you would've been texting Derek furiously. It didn't help that the only spot left at the table was next to the man you'd be texting about.

Derek was fun to party with—you went out with him all the time—but whenever he invited you out with the rest of the BAU, you politely declined and came up with whatever excuse was available. Clearly, he caught on to the reason.

You've been avoiding me.

And maybe that was true.

A gasp broke you out of your thoughts. You looked over to see Penelope jumping out of her seat. "Oh, my god, I love this song. Derek, get up right now, we're going to dance," she all but demanded.

It's then that you noticed that JJ and Emily had already beat them to the dance floor, and Spencer was being talked up by some girl at the bar. 

No— "Alright, alright, calm down, mama, I'm coming." You glared daggers at him as he flashed you a sly grin, then he wrapped an arm around Penelope and left. He left you alone with Hotch and Rossi.

At least Rossi's still here— "You know, I think I'm going to get another drink." You're kidding.

Apparently, he was not kidding. Rossi got up, and you could've sworn you saw him wink at Hotch before he left for the bar.

And then there were two.

Fuck.

Now that the others were all gone, you felt his proximity much more prominently. If you moved just the slightest bit, your knees would touch. You hated that the thought even crossed your mind.

But you couldn't leave. If you left, then it'd be obvious that you were, in fact, avoiding him, and you didn't want it to be obvious. It shouldn't have been obvious because there was nothing there to avoid; the two of you were nothing, so you had no reason to avoid him.

You were nothing.

Even if, for a second, you might've felt something.

"What's wrong?" His voice cut into the tension like it was butter. But the question didn't sound like concern; if you didn't know any better, you'd say it was almost teasing. 

You finally looked at him, turning your head and realizing he was closer than you thought. Close enough to see the specks of green in his eyes and the locks of hair falling over his face. Close enough that you could push those locks back if you wanted to. And you wanted to. 

But you didn't.

You schooled your expression and raised a brow, causing him to elaborate, "You were much more flirtatious when we didn't know each other."

Of course, I was, is what you wanted to say. Of course, you were; that was before whatever happened in D.C., before you danced with him and before you let him down. Before reality came knocking and showed him that you were polar opposites, that he was a man of the gavel and you were a woman of the gun. Before he confronted you. Before he told you that he wanted to know you.

So, of course. Of course, I was. Because what the hell was I supposed to do with that?

That's what you wanted to say, but you didn't. Instead, you countered, "Why do you assume something's wrong? Maybe I've just lost interest in our game."

Hotch looked at you like he knew that was a load of bull. He looked you up and down like he could see right through you, and you hated that, because if he looked hard enough, he just might. You thought, for a second, he'd drop it, but then he came back harder. "Is that because you're not winning?"

Taken aback, you laughed to hide how astounded you were, looking away as you deflected, "You must've been one hell of a lawyer, Agent Hotchner." 

He let you re-route the conversation, humming. "I was good at my field," he admitted, pausing briefly. "I actually got my nickname while I was working at the DA's office, Hotch."

"Oh?" you uttered, disinterest shining through your voice that you hoped he'd pick up on.

"Yeah. And now it's what everybody calls me." Another pause. "Everybody but you."

You turned back to him. Clearly, that's what he wanted from you with that statement. He was looking at you expectantly, waiting on you for something—you just didn't know what. "You dwell on what I call you?"

He shrugged like he was unbothered. "It's just an observation. You refer to everyone using their first name, even Kate. At one point, I think you even said our names consecutively. Agent Hotchner and then Kate."

Shit, you didn't remember that, but he was probably right. It must've been a blip, you must not have been paying attention. Still, you shrugged right back at him. "I don't put that much thought into it."

He continued like you'd never said anything. "You said my name after the blast." You stiffened. "Repeatedly. And then, once we were in the hospital, you were back to formality."

You forced a smile onto your face in attempts to mask the discomfort. "So?" you said. Like you weren't affected. Like you weren't surprised that he noticed or equally surprised that he was calling you out on it.

"So," he repeated. "What's holding you back from saying my name?"

Damnit, he had you. He had you, and he knew it. You knew he knew it based on the fire in his eyes, fire with intent to burn.

But you had more. 

You had walked through fire; you were forged in fire, so this was a challenge you'd accept.

You leaned in closer, just until your mouth was next to his ear. He inhaled sharply. Good. Slowly, you breathed, "What's in a name... Hotchner?"

When you leaned back, you were met with a thrown-off-Hotch, but you didn't stick around to savour the image. You hopped off your barstool and left the table, opting to go dance with Emily and JJ as opposed to let him have the last word.

If you had it your way, he wouldn't get another word in for the rest of the night.

If only you could always have it your way.

❧

You danced with the girls the rest of the night, Hotch forgotten. The others were elsewhere, off on their own. They were good company, and it was nice to hang out with other women. Eventually, the dancing wore them out and they decided it was time to head out, making sure to exchange numbers with you and add you to their group chat before they bid you farewell.

Something told you they were a little more than friends, but you weren't sure if they even knew that.

Alone, you decided to get off the dance floor, making your way over to the bar to text Derek. It was getting late; the bar would close soon, and you wanted to head home. But when you opened your phone, you already had a message from him—timestamped an hour ago. Furrowing your brows, you clicked on it.

Sorry, angel, but Pen opened a window for me and I had to take it.

If you know what I mean ;)

Please don't kill me. I'll send a car for you when you're ready.

Audibly, you groaned, closing your eyes in exhaustion. Of course, he shot his shot with Garcia on the night he's meant to drive you home. And you couldn't even be that mad about it. 

You sighed, accepting it and going to open your Uber app when a voice queried from behind you, "Are you alright?"

Fuckkkkkk, you were really hoping he left by now. Reluctantly, you turned around, facing Hotch. "Yeah, Derek was my ride home, but he um," you paused, wiping a hand across your face, "he got lucky."

"With Garcia?"

You laughed at how transparent it was and how quick he, their boss, was to get it. "Yeah, so I'm just gonna catch an Uber home."

"Don't be ridiculous; I'll drive you home." You were shocked at how quickly he shot you down, looking up at him to see he was being totally serious.

"No, you are being ridiculous. I live all the way in Washington."

He shrugged his shoulders like it was nothing, like you were friends and his offer was normal. "I live in Arlington—it's not out of the way. Besides, would you rather pay for an hour-long car ride or have me drive you for free?" 

Honestly, you'd rather do many things besides let Hotch drive you home for an hour, so you excused, "I'm good for the money."

He rolled his eyes. "It's 1AM, Y/N; I'm not gonna let you take an Uber home." He nodded to the exit. "Come on, let's go."

Now you rolled your eyes. He'd made up his mind, despite your disapproval. Yet you still glanced down at your phone, debating it. You supposed that he was better than a total stranger, and it was only an hour.

Maybe you were tired and your judgement was impaired, but for some reason, you obliged. "Fine."

You didn't know if it was a trick of light, but for a second there, it looked like Hotch's lips quirked upward.

For a second.

❧

The car ride was silent if not for the music drumming lowly in the background. You didn't crack any jokes or say anything playful or innapropriate; you were a silence filler, you hated silence, but you'd rather sit in silence than talk to Aaron Hotchner any longer than you had to.

His presence was already pushing it.

If Hotch noticed how quiet you were, which he likely did, then he didn't comment on it. You were sure that he was profiling you silently, though, the same way you were silently profiling him.

He wasn't driving his official government vehicle, but it was still a black SUV. Not a Tahoe, though; it was an Escalade. It wasn't too proud or boastful but it wasn't too unassuming, either. Expensive but not too much of a head-turner.

A glance to the back displayed a car seat. You suspected that his son was with his ex-wife, since he was here at one in the morning and not at home. He was a stable father, and you could tell.

You knew what instability looked like.

The CD he had in when you got into the car was the White Album, Beatles. That, you could've guessed easily. It fit.

The car was clean. It smelled like peppermint and his cologne. If you opened the glove box, you'd probably find a gun. He carried two on his person while working, so he probably had one in here and then another at his place.

Prepared.

But what neither of you were prepared for was the sudden downpour of rain.

Hotch turned on his windshield wipers, then you saw a flash of white followed by a loud clap of thunder. He cursed under his breath, and you then cursed yourself for finding it attractive. "It's a storm."

"I can see that."

He ignored your quip. "Well, we're already in Arlington. My apartment is two minutes away—we could stop there until it's clear."

You held back a sigh. Regardless of your feelings, it was unsafe to drive in this weather. That's why you agreed. "Okay."

He wasn't lying about being two minutes away. With in no time, you were in front of his complex. Running inside barely did anything; you were drenched after being outside for maybe ten seconds.

The thunder was loud and continuous; the only place you didn't hear it was in the elevator. Then it returned once you were out, walking through the halls to his apartment.

You were on your phone while he unlocked the door, checking the weather app. This time you couldn't repress the sigh that left you. "Forecast says this storm's going all night."

"Oh." He opened the door, holding it open for you. "Well, you can stay the night." What? "I'll drive you home first thing in the morning."

"Um—"

He gestured to his living room, suggesting, "I'll take the couch. You can have the bed." Well, it wasn't really a suggestion, and you didn't have much of a choice, either.

So you nodded. He said something about going to change and fetch you clothes, and then you were alone in Aaron Hotchner's foyer.

You. In his apartment.

You thought back to when you met him, in an interrogation room as he accused you of being a serial killer. And you were a killer, just not that kind. Yet, now, he willingly had you, a gun for the government, in his apartment. This was the same Aaron Hotchner who prosecuted criminals, who hunted down evil, and believed in justice and court of law. The same Aaron Hotchner who frowned upon your unseriousness and grey morals. And he was also the same Aaron Hotchner that stood next to you in a hospital waiting room and told you he wanted to know you.

God, it was ironic. Him wanting to know you. You didn't know if he understood what that meant, what that entailed. 

He was the gavel, and you were the gun.

And that was that.

He walked back into the room after a good three minutes, changed into attire more informal than you'd ever seen him. He wore a button-down and jeans to the bar, but you didn't imagine you'd ever see him in sweats.

"Bathroom's on the left," he told you, pointing to it. "Feel free to use the shower. I left some clothes on the bed for you, and if you need anything, I'll be out here."

You nodded, saying a quiet "thanks" before you walked past him to his room. You'd skip the shower; you didn't have any underwear for that.

Closing the door, you took a moment to scan his room. Bed in the middle, navy blue sheets. Window facing the door, dark red curtains covering them. There was a closet to the side, likely filled with suits, then a dresser across from the bed for ties and everything else.

There were two nightstands on either side of the bed, a frame on one. When you got closer, you saw it was a picture of a little boy with a grin so wide that it brought a smile to your face. 

On the bed, Hotch left you a pair of grey jogging pants and a worn blue hoodie with George Washington University painted on in chipped white in the middle. You changed out of your wet dress, and all hesitation for wearing Hotch's clothes went out the door the second you put on his hoodie.

The sweatpants were just as comfortable, despite having to pull the drawstrings immensely far. You could fall asleep like this no problem, but then just as you went for the bed, the light cut out, drowning you in darkness.

You're kidding me.

There was a knock on the bedroom door soon after. You weren't sure if you could find it without stumbling or knocking something over, so you just shouted, "Come in."

Hotch's head poked in, illuminating the room with the flashlight on his phone. "It's the whole neighbourhood. Do you want a candle?"

Yes, I do. You had a thing about sleeping in the dark, but like hell if you were gonna tell him that. A CIA agent, afraid of the dark—you weren't telling anybody that. "No, I'm good, but um," why am I stammering? "Could I get some water, please?"

"Yes, of course." Hotch was quick to leave the room for what you requested, and you were quick to follow him. He was the one with the flashlight.

His kitchen was barely visible, but you caught a glimpse of a few drawings on the fridge. When he lit a candle and placed it on the counter, you saw the the drawings were finger paintings, one of a whole child's hand. Again, you couldn't stop the corners of your lips from curving upwards.

Aaron Hotchner. You'd seen the prosecutor, the profiler, the unit chief, and now the father.

"Here." Hotch's voice cut through your thoughts as he handed you a glass of water. You didn't even hear when he turned the tap on.

You wordlessly took the water, thanking him with a nod. He stood there as you took a sip, watching you with a gaze that felt scrutinizing but probably wasn't. He was good at hiding what he was thinking, but you could still tell that he was thinking, nonetheless.

In a split-second decision, you lost the battle with yourself not to engage in conversation. "What? Did you poison this?"

He ignored you, like always, and questioned, "Are you afraid of the dark?"

You just barely stopped yourself from choking, masking your cough with a chuckle. "What?" How the fuck did he guess that?

Vaguely, he added, "You seem like the type."

"Oh, 'I seem like the type?'" you echoed. "Is that your normal-person way of saying 'it fits with my profile?'"

He shrugged. "More or less."

Another chuckle left you, this time unforced. You were wondering if he was drinking before you and Derek showed up. This confidence and nonchalance was new, but amusing. Maybe you had one too many drinks, too, or maybe something about this version of Aaron was drawing you in, but you indulged him. "Okay, Hotchner. Give me my profile."

He paused, looking at you like he was debating if you really meant it but you saw the moment he made up his mind, decision flashing through his eyes. He gave you a once-over, but not because he needed to; you had a feeling this profile had been brewing for a while now.

"You're a control freak," he started. "This doesn't just shine through in your work—it also appears in your day-to-day life, like your overwhelming need to fill silence or dislike for the dark. This comes from a period of your life when you weren't in control, and now you have to control every situation you encounter. You come off as easygoing, but in reality, you're closed off. You hide behind jokes and arrogance because you don't want people to know the real you, but every once in a while, she reveals herself. She cares, but you can't have that be used against you, so you pretend you don't. You don't have many friends because that opens doors, and you are afraid of what is behind them. That is why, even as you stand in my kitchen, wearing my clothes, you still refuse to say my name. It's a defense mechanism, a way for you to create distance because, as much as you deny it, you feel something."

Somewhere in his explanation, he got closer to you. He never broke eye contact, not once. He stared at you like you were a puzzle he was waiting to solve, and he had too many pieces. You suddenly wished you'd never asked.

You intook a deep breath. "Ho—"

He cut you off, voice now just above a whisper. "What are you hiding from, Y/N?"

What am I hiding from?

Your eyes involuntarily darted down to his lips, and he caught it. He took another step closer, and you let him. What am I hiding from?

Your breath was shaky as Hotch leaned down, resting his forehead against yours. One movement and your lips would touch. You wondered what it'd feel like. To kiss him. To stop hiding. 

What are you hiding from, Y/N?

You leaned in, and then just before your lips met his, the lights turned back on.

Just like that, you pulled away, the sound of your racing heart concealed by the sound of the heater kicking back on. "I should— I should get back to bed now." You kept your eyes on the tile.

"Y/N—"

"Um, thank you for the water—"

"Y/N."

Finally, you looked up at him, concern and confusion swimming in his eyes, and you understood it. One second, you were on the verge of kissing, and now you were on the verge of tears. You didn't understand it, either.

But this, whatever it was, it couldn't happen. This was a lapse of your judgement. He was Aaron Hotchner, the prosecutor, the profiler, the unit chief, and the father: the gavel. You were Y/N Y/L/N, the hacker, the director, the addict, and the killer: the gun. 

This wasn't gonna happen.

So you loaded a round into the chamber, put your finger on the trigger, and took the safety off. Then you aimed it at yourself and fired, "You're a good man, Aaron." Too good for me.

You think he was too shocked by his own name, and that's why he let you walk away.

And as you closed his bedroom door, you had a feeling that it wasn't the only door you just closed.

6. A lie is the truth (link)

taglist: @flow33didontsmoke

extra a/n: guys i'm so mad ab this block limit and how this can't be one part but wtv!!

[urfavleo777]

warnings: age gap, tattoo artist! colby x reader, alcohol

"Angel's wings!" your best friend exclaims, speaking completely seriously. Your other friend approves, clapping her hands eagerly. "Get them tattooed!"

You almost choke on your drink when you hear how seriously Katrina gives you a new idea for your first tattoo. If someone told you that friendship between three people doesn't exist, you would laugh at them. The three of you are living proof that it's not the number of people in the group that matters, but the love that exists between you. Each of you is different, but that is the most beautiful thing. There is nothing worse than boredom and monotony in friendship.

"Come on, you'll be eighteen in an hour. Do something that will make you happy, not your parents." Sophia, usually the voice of reason, tries to convince you.

You don't know if it's the alcohol you just drank, but in a split second you undergo an internal transformation. You'll be of age in an hour. No one will be able to lecture you. Even your parents who, instead of spending this birthday time with their daughter, decided to go to the mountains. At first you reacted with sadness, but over time you were glad that the situation had turned out this way because you could invite your two favorite girls over for the night.

Katrina and Sophia look at you with impatient eyes, encouraging you to make a quick decision. You take a deep breath, tilting your head back. As pathetic as it sounds, you try your hardest to get advice from the ceiling.

You look back at your waiting friends. They send drunken glances your way, which only reinforces the fact that you must probably look like one of them at this point. Sophia and Katarina's eyes widen. Something unexpected is about to happen; something that will change the course of history forever.

Katarina clenches her fists like a true boxing legend, preparing for the worst possible scenario. With each subsequent inhalation, you feel even more excitement and arousal wash over you. You open your mouth to announce the official verdict.

"If not now, never, right?"

After saying these words, you're crushed under the bodies of these two freaks. And, you swear to yourself that if your parents had been home, after all those squeals of happiness, you would have ended up under a bridge.

"The best decision you've ever made, Y/n! I'm so proud," Sophia squeals excitedly, and Katrina joins in. You realize that you still hold the glass in your hand. You hiss, knowing that you'll definitely need to change the sheets of your bed after tonight. "Don't worry about it! Let's go to the tattoo artist!"

"Now?" you keep mumbling under their bodies.

Katrina and Sophia step away from you, exchanging meaningful glances with each other. You are finally able to catch your breath, but you don't really understand what they're trying to tell you.

"Yes. Now." Sophia grins. "Katrina, are you thinking about the same person as me?"

The friend nods her head in response, also with a big grin on her face.

"Oh, yeah! The handsomest, hottest and most expensive tattoo artist in town," she starts counting and you wonder why you've never heard of him before. "Y/n, we guarantee you the best fucking fun."

"Let's fucking do this!" They both squeal, grabbing your hands and pulling you out of the bed.

***

"You guys didn't even give me a chance to change clothes!"

You are wearing a black body suit and really low rise jeans so people on the street can see a bit of skin, which makes you feel a little uncomfortable.

"You look great." Sophia assures you and Katrina nods to her. Well, they're wearing perfectly balanced sweaters compared to you. They decided to make you the main star without outshining you with clothes. You feel like standing out of the crowd, which you don't like very much.

"Do you think this tattoo artist will accept us without prior consultation?" you ask, genuinely curious. "Maybe we should call him? We'd better get back home..."

"Relax, Y/n," you turn into a street you've probably never been to. Katrina tries to convince you, but with each step you take, you become less and less sure. Even though your parents have well-paid jobs, they usually don't let you hang around the rich districts. They would be disappointed if they knew that while they were away their daughter was getting a tattoo, not really knowing where.

"You said he was an expensive tattoo artist. I don't think I want to spend money this way." You continue, feeling the alcohol drain from you. You regain consciousness and regret saying yes to your friends. "Maybe we should really turn back?"

"Y/n," you stop in front of a building emanating LED light. The girls move closer to you and one of them puts a hand on your shoulder. Sophia, the fucking voice of reason, says: 

"He is my brother's friend. They have been friends since childhood. He practiced on my brother, making the first patterns. He would never take money from me or my friends. We are always out of line. Trust me, you're in good hands."

"He was the one who gave me that big tattoo you liked so much," finishes Katrina.

You sigh, trying to convince yourself first and foremost. Sophia pulls out her phone and brings it closer to your face.

The first thing that catches your eye are the huge white numbers on the screen. What's more, they don't seem blurry at all. You must be really sober. You take a deep breath, recalling the quote of your favorite teacher in your head.

12:00. Carpe diem.

 "It's time to go fucking crazy, Y/n." 

***

"Sophia? What's for today?" It’s a male voice. Raspy, yet soft. The sound of it makes you whip your head over to your friends, but you're trying to stay calm. He lets out a heavy sigh before humming to himself in thought. Only after a while he notices that Sophia is not alone. "And who is this?"

"Hello, Colby. Meet Y/n, your new client." 

And the way he shakes your hand is firm but gentle, not as hard as you think it'd be given the size of his biceps probably are larger than your head. But then he softly grips your elbow and guides you into the chair with a hand on your back. "Don't worry, I don't bite."

"Well, I thought I would have to convince you.. longer."

You flush a little under his gaze because he's noticed how you're shaking like a leaf next to him. And the way he smiles indicates he might enjoy biting you anyways... and maybe you'd let him. 

"I was just about to close, but you know perfectly well that I will always make an exception for you, Sophia." Your friend smiles at his words.

"So, what are we doing tonight?" he focuses all his attention on you. You swallow, not really knowing what to answer. Katrina decides to save your ass from total embarrassment.

"Angel's wings." 

He looks like he's about to roll his eyes.

"Seriously, I can't count how many girls asked me for the exact same pattern. Try something more creative."

"I'd like to stick with the wings, please. In a place invisible to the eye."

"Getting a tattoo so you don't show it to anyone? How old are you anyway?"

"Eighteen." He doesn't look convinced. With one movement of your hand, you pull your ID from your back pocket. Colby, as you can guess, surprised by the concrete, grabs the ID in his hand and looks at it carefully.

"She's so young." When he talks about you in the third person, something happens to you. "Are you sure you want those fucking wings?"

"Come on, Colby. You did this to my brother many times." Sophia interjects. "Don't ruin her birthday."

"Ah, yes. Happy birthday or something." You can tell he’s in a good mood based on the playful amusement in his voice. 

"Thanks," you hang your head.

"We have to do something about her shyness." he turns to your friends.

"Maybe wings between her tits? I bet no girl has ever asked for this," suggests Katrina. You almost choke on your saliva. You want to get up from that chair and run out.

"That sounds perfect." His voice is sweet with a touch of flirtiness, and you swear you can hear the smile in it. "What do you think, Y/n?"

"There's no way I'm going to show you my tits." You take courage. Colby laughs loudly. He clearly takes pleasure in your attitude and shakes his head, leaning in to watch you.

"It's your choice." You bite at your lip instead of answering him. 

"Come on, Y/n. We won't look either." Katrina says and Sophia nods.

You've already succumbed to them once in a while. Nothing will stop you from doing it again.

The girls send you their last kisses. After a while, it's just you and your tattoo artist left in the room.

***

You're honestly glad when the uncomfortable silence is drowned out by the song "Ultraviolence" by Lana Del Rey. You asked to simply turn on the radio, but you were surprised when Colby asked you for the title. What was even weirder was when he used the fucking vinyl of one of your favorite albums instead of Spotify.

He hums to himself. "Those are nice."

You got rid of your bra. No one has ever complimented your boobs, but you smile slightly, burying your face in your hands.

He gives you a little wink before stenciling what you had in mind, his fingertips tracing the lines of the ink that leaves goosebumps across your skin.

There's a lingering feeling as he pulls his hand back. You think he's toying with you. Frightful little thing, you are and here he is wanting to play with his pretty little client. Next thing you know, his hand is around your throat.

You tense and realize that he has moved some of your hair to the other side to give more access to the space between your tits. It definitely could have been done easier and better, but the twinkle in his eyes said he did it on purpose. Oh yes, he was definitely having fun with you. The way his hand barely grazed your throat and the side of your neck before he would gently scratch your arm with his blunt nails and pull away.

He let's out a huff of quiet laughter and then gets his tools ready. "So, y/n, you have a safeword?"

And you're brought out of your thoughts about his large hands because... "Huh?"

"A safeword. It's big."

W..what's big? You can't stop your eyes from flitting down to his thighs and what may lie between them. He laughs and shifts so your eyes are instantly back up and staring at his eyes that glimmer in amusement.

"The tattoo, I mean. It's a big piece. Need to know if it'll be too much, yeah?"

[adelheidvonschicksal]

In the Hybrid AU, would Gojo be a rabbit or another cat hybrid? Because you’ve got Rabbit Gojo who’s using his cute looks to his advantage but also secretly horny all the time and wants to breed little cute bunnies inside you. Then you’ve got Catoru, who’s the pamper type who loves making mischief and knocking things off the table just for funnsies.

Yes, Avy and I talked about this a few weeks back, and came to a consensus that he’d definitely be a bunny! (pampered Catoru gives me fuzzy feelings too. Because he’s pretty like one of those persian cats with blue eyes.) I do think it’s funny that baby rabbits are called kits/kittens, too.

+breeding, dubious consent, hybrids, fem!reader

Gojo’s a smart and silly little bun bun, who definitely uses his cuteness to get what he wants! He may have an adorable twitchy nose, whiskers, and fuzzy ears. His bouncing around during JJK 0 is his version of zoomies, which is what tricked you into taking him home.

Yet, he causes nothing but trouble. Digging through stuff around the house, constantly eating your snacks, bothering your curtains and sheets, and taunting the neighbors’ dogs. You thought you were getting a sweet, innocent bunny, not Bugs Bunny.

If he can’t work his way out of something on his own, he’s confident his luck will get him out of any trouble he causes. Always laughing away the problem because he has “lucky rabbit’s feet”.

He loves it when you scratch the top of his head and groom him. He’s super-fast and can fight well, so you don’t have to worry about him getting into fights with other hybrids. In fact, wolf-dog hybrid Suguru is his best friend.

He really likes sweets and fruits too. Gojo would inhale them if you let him, reminding you of the folklore of rabbits making rice cakes on the moon. With Gojo’s sweet tooth, you can see why it became a legend.

He’s bonded himself to you, so he loves to cuddle up with you for daily naps and tries to groom you. However, he’s really bad about keeping you up during the late hours and early morning when he’s the most awake before sleeping throughout the day like an innocent lil’ fuzzy.

Gojo scent marks you, constantly dragging his chin over your head and against your belongings to let others know you’re a part of his territory. He gets pouty, grumpy, and clingy when you’re around other rabbit hybrids. He also has really bad personal space issues, circling around you and yapping away to get your attention (because he considers you his mate!).

He wants to breed his cute little bunnies in you. He wonders, “How many kits can humans have at one time?” Two? Three? Six? Sometimes those shows on TV have 9! He thinks 6 is a good overall goal number. To start, anyway.

He's going to think about it all day, every day. There's a reason the saying "breed like rabbits exists". He gets so hard thinking about you. You don't even have to do anything. The idea of breeding you with his babies, a daydream of little yous with the same bunny ears as him is enough to make him want to mount you.

You think playing with his fluffy tail, watching it flick back and forth, and rubbing his fuzzy white ears is a cute way to tease him but all you’re doing is working up an already horny mind that was ready to mount you as soon as you rolled out of that bed in the morning.

If you pet him one more time, he’s going to grab you, pull you into his lap, and use his thick legs to part yours. You barely touched your bunny, but he’s already hard and pulling out his dripping cock to breed you. It’s your fault for starting it, doe! And if you try to wiggle away, he thinks you’re just playing a game with him. Weren’t you just grooming him?

Gojo will treat you so well most of the time though. He knows how to use his tongue to groom you, especially down there, and he is aware he has you when you start to make pretty little moans for him. He’ll have you soaking wet and choking up before he thinks about breeding you with his cute little fluffballs. You’re not even going to think about it when he presses his weight against your back, bites hard on your shoulder, and start to thrust like he's possessed.

He’ll keep going into you’re overstimulated and begging for rest, but he keeps his arms wrapped around you to stop all your squirming, begging not just yet, one more time, doe. It’s always one more time with him during his rut. One more orgasm, one more thrust, one more kit--please, please, please, doe--he knows you can.

[twisted-wonderland-shenanigans]

Hi! Recently I became curious about how ancient people hunted in the world of TwistedWonderland.🧔🏹🦣

If they didn't have magic in Monster Au, they used their wits and ingenuity. Animal hunting and fishing🦣 🏹 🐟. Pits, a stone maze so for catching fish and cattle.

You can see the reaction to the methods and techniques of trapping characters.

Don't mind me trying to work my way into a good groove and answering asks in my inbox 😅

It’s simply amazing what human ingenuity can do to get a task done, especially when it comes to surviving out in nature! Throw these craft humans into a world of monsters and magic, and you pretty much have what most epics and legends in our world describe mythical creatures and feats of strength. 😆

Once Yuu arrives in Twisted Monsterland, they may start seeing old paintings depicting clashes between humans and monsters. Ranging from spears and swords mistakenly melding into flesh like malformed limbs and claws to wearing leather and gleaming silver armor mistaken as insectoid carapaces, it’s no wonder humans were used in stories to scare little children into being good. These ancient humans looked positively monstrous—perhaps even more so than any monster in existence. Perhaps that is why so many were both terrified and confused as to why this scrunkly of a creature calling itself a human didn’t even match the few surviving paintings from a bygone era.

Pair that with the stories told on how ancient humans would hunt for food or built traps to capture monsters and comparing that to how Yuu looks? It’s easy for the monsters to brush off these abilities of magicless humans as being anything more than just mere fantasy or exaggeration. There’s simply no way a human can build traps and webs like spider monsters, create fire that lasts for days without smoke, or chase their prey for days on end without breaking a sweat!

Turns out, those myths are more true than the monsters realize. Especially if their resident human just so happens to have survivalist training under their belt…

///Camp Vargas///

“Uh…why are you digging a hole in the ground?”

“Making a fire pit.”

Ace glanced at Yuu as they continued to shovel more dirt out of a relatively large hole. “So…if you’re building a pit, then why did you make a smaller hole right here?” he asked, pointing at said opening in the dirt. “And if you’re building a fire, why aren’t you making one above ground? Are you trying to bury it or something?”

The shovel broke the last of the dirt wall between the holes before Yuu straightened up, gathering several long branches they’d collected with several large cuts of logs and starting to set them up at an angle. “Oh, I’m still building one above ground. I’m just making two different ones.” Pointing at the hole they’d just dug out, they said, “We call this one a ‘Dakota Fire Hole’. Typically this one is used for outdoor cooking, since it produces little smoke and doesn’t need a lot of fuel.” Setting some sticks and tinder inside the larger of the two holes, the took a piece of flint and began striking it with a stone. Soon a small yet hot fire was blazing inside the hole, just barely licking the air outside of the hole before settling down into a steady flicker. “The second hole generates airflow, which keeps the fire fueled with oxygen so it’ll burn longer.”

“Then what’s the other one for?”

“A self-feeding campfire.” They began loading chopped logs on both sides of the now V-shaped structure they’d built. “It uses gravity to drop new logs to keep the fire going, which means it’ll last all night. Pretty handy so you don’t have to keep getting up to replenish the log pile!”

One ear lowering in confusion, Ace stared at Yuu as they struck up another inferno on the bottom log. Somehow the fire didn’t crawl or spread to the rest of the logs. “…how exactly did you learn this?” he finally asked.

“Survivalist training. Why do you ask?”

Snap! Twang! “Fynaaah!?” Fwoosh!

“Uh oh. Grim! I told you to stay away from there! That’s where I set up the snare trap.”

“Why did you set it up so close to the tent?!” the chimera yowled as students stared in shock and surprise.

“To keep away intruders.” A sudden cacophony of clattering and clanging rang out, followed by a startled mix of a canine yelp and deer-like squeal before a thud hit the ground. “Epel! Are you okay?!”

“What is this?!” the einfield snarled, twisting and trying to untangle himself from the string of empty cans and bells. “Git it offa me!”

“Hold still, or you’ll strangle your wings! Ace, could you get Grim down for me? The snare hook is on the ground behind the tree on the tent’s left side.”

As Yuu went to free Epel from the new contraption—which Ace heard them comment was their ‘alarm system’—he shook his head in confusion and disbelief. What was even happening? Did Yuu pick up some strange trick from one of the spider monster students when he wasn’t looking? “I’m not taking another step until you tell me what other traps you set up,” he finally called out, warily looking around for more strings and rope near his large rabbit feet. “I don’t want to get tangled up in anything like those two did!”

“Oh don’t worry, I didn’t have time to set up any other snares or alarms yet,” Yuu called out, carefully freeing Epel’s arm before working on freeing the rest of his body. “You’re safe, so long as you-”

Shoof! “WAH!?!” a familiar loud voice screamed, the sound echoing so far that it reverberated through the trees. WHUD!! “Urk…HUMAN!!! What foul trickery is this?!?”

“…oh, right. I forgot about the pit trap I dug earlier,” Yuu said as multiple eyes stared at them.

“Why in Twisted Wonderland would you need to build something like that?!” Riddle all but shouted once it sank in what just happened.

“Hey, if a bear comes rampaging around the camp because you guys aren’t putting your food away, don’t come crying to me if there’s no pit trap to keep it busy!”

Needless to say, after everyone was rescued, no one could fathom how Yuu learned such archaic—if frighteningly deceptive—trapping methods for a camping trip. It wasn’t until the last night of Camp Vargas that they understood why when the remaining students used the trap to buy themselves some time from the “beast” before running to the swamp.

/-------------/

Now of course the defensive traps were pretty impressive, Ruggie had to admit that much. But traps that catch fish with little to no effort? Even he was impressed by the speed at which Yuu was able to harvest so many fish in one sitting, and with a simple stick and twine “fence”? Let alone the basketful of fish they’d caught by hand after making a shady spot with a tarp propped over the water!

“Sure, I could use a fishing rod if I wanted,” Yuu commented as they continued whittling away at the tip of a sturdy branch. “A net would also come in handy, but since we’re going to be here for a short time, I wouldn’t be able to make a decent one to use it effectively.” Jabbing their carving knife over at the fire pits they had dug earlier, they added, “Besides, if I don’t adapt and use what I have available, then I can lose out on a good food source and my chances of survival are slim to none.”

“Huh. Yeah, that makes sense,” he agreed, the leucrocuta looking between his catch and Yuu’s. The human’s collection was quickly catching up to Floyd’s, which was surprising since he’d stopped earlier due to boredom. “This came from that survival training thing you mentioned earlier, right?”

“Mm-hm! I can teach you a few things I learned if you want.”

“Shehehehe~! Sounds great! Just one question though: what’cha making? Some kind of walking stick?”

“Oh, this? It’s going to be a spear.”

“…spear?” The word sounded vaguely familiar, though he couldn’t quite place why as he tried to examine it. It didn’t look like anything he’d seen any other monster use or make before. “What’s it for?”

“It’s used for different things, like defense or attacking.” Cutting a few more chips off, Yuu stood up and examined their work. They had whittled one end of the branch to the point it was needle-sharp, a sight that weirdly sent chills down his spine when he looked at it. “I made this one specifically to go spear fishing. Here, I’ll show you!”

As they walked into the water, he expected the human to immediately strike into the water like they had when they did the shadow fishing. However, they simply stood still, eyes locked onto the water’s surface with the spear raised over their shoulder. He watched in silence, instinctively knowing that Yuu was hunting for their prey yet not understanding how this would work. Suddenly, they tensed, their shoulders tightening as they raised their spear higher in a smooth motion. For the briefest moment, he swore he saw the human with the needle-sharp arm in his history book instead of Yuu, his heart leaping in his throat at the vivid imagery. Before he could react, the spear was sent flying forward-

Splosh!

And struck the riverbed, Yuu immediately rushing forward to grab the upright tool before pulling it out. To his shock and utter amazement, the spear had pierced the body of a large trout, still flopping even as Yuu carried it back to shore with a triumphant grin on their face. Their smile faded to one of concern as they asked, “You okay, Ruggie? You look like you’ve seen a ghost.”

Chuckling nervously, Ruggie uttered, “Uh…you could say that.” A ghost of the past maybe, he thought as he picked up the baskets. “Hey, uh, why don’t we go ahead and cook these? I think we’ve got enough!”

“Oh. Sure, sounds good. Oh! I know a few tricks to preserve the meat for later!”

“Great! Just…do me a favor and not point that spear thing at anyone, okay?”

////////

I’m pretty sure there’s a lot more that could be said or done, but you get the picture. XD Hope you all enjoy!

[tanoraqui]

Dungeon Meshi Liveblog: Of Ghosts & Griffins

What do they worship? The Winged Lion, whom they mistake for a god?

.

It's so interesting how Izutsumi's cat is dominant in this place. I don't understand enough about soul magic or the spell that maintains this to know why. It FEELS right - this is a place for monsters, and that's the part of her that's a monster? But I bet there's worldbuilding that explains it...

WAIT, OR: that couple pages I reblogged with hte werewolf clearly implied that Izursumi isn't a human with a cat spirit put in her, she's a cat with a human spirit put in her. So maybe whatever enchantments shield and maintain the Golden Country bring the cat spirit to the fore as part of their preservative properties, doing their best to remove this curse upon the poor cat? Izutsumi doesn't change shape, just mind, because the souls are so mixed and/or the human soul is so much stronger than hte cat.

Who the fuck took a human soul and put it in a cat. Why would you do that I wonder if we'll ever know.

(The question of the comic is thus, of course: did Falin's soul get put inside a dragon's, in which case she'll be stuck with a dragonoid body at best, or did the dragon's get put inside Falin's, in which she should be able to shift back and forth at will once the Mage isn't forcibly holding the dragon's soul dominant?)

.

This is the most hobbitly we've seen Chilchuck. I keep expecting him to start talking about how his old gaffer used to drink down at the pub.

.

shadkjsh Chilchuck get your mind out of the gutter!

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These would unironically do numbers at the right Met Gala. I unironically really like the middle, floral one. And specificially the crossed-antlers brassiere on the third.

.

They're dead! They're under a spell (a curse) of immortality so they can't change and they can't leave and nobody knows they exist and they can't make an impression on the world and nobody even really knows they did exist, not as individuals beyond a vague collective legend; and most of all they don't hunger, they don't want for anything in their bucolic life (except freedom or death) and they don't hunger for food, they don't eat and even if they do eat it they can't enjoy it, because they're immortal but in every single way that matters they are d e a d !

.

Alright my current theory is: this kingdom always venerated a winged lion deity, for whatever reason. Myths happen. Then one day, a demon slipped in from wherever demons slip in and disguised itself as the winged lion in order to be easily trusted by the populace. It started offering the fulfillment of desires in exchange for the consumption of other desires.

It tricked the Mage somehow, so that by their powers combined they turned the populace of this city into a feeding pen for the demon - safe and happy forever! being slowly drained of all their desires.

But as the people's desires started to run truly dry, until they were functionally dead, the demon grew hungry - and maybe greedy. So it sent the villagers this "prophetic dream" about one who would save them, motivating Delgal to get to the surface - probably with the demon's help, covert so the Mage wouldn't know; still pretending to be a god if Delgal himself knew. It let the dungeon be opened, drawing all sort of greedy and desperate people down into its feasting range.

...whatever trick/bargain it made with hte Mage, it's probably going to try to do much the same with Marcille, with her terror of loss.

:D

.

P.S. I love how Yaad keeps calling him "Sir Laios" like he's a knight, instead of just some guy with good intentions who thinks monsters are neat. Also, Chilchuck literally just shaking his head at Laios.

.

Needless to say, the contrast between Laios's blind panic at being told he's a prophecied hero and king and Kabru's "If I had the ability to take over this dungeon and kingdom, I'd fix absolutely everything and no one would have any problems ever again" is hilarious and wonderful.

.

Laios basically just told that orc chieftain that he'd think about what he'd do as king, right? ...Well, I guess it's time for him to think about it.

.

THEIR HANDS ARE COLD BECAUSE THEY ARE D E A D.

Btw in a just world, Yaad would be a woman. Princess in a Tower vibes off the charts. Thank you for coming to my ted talk.

.

I'M FINALLY PAST WHERE I GOT IN THE SHOW!!

I see this translation is calling the Mad Mage "Sissel." Just as its decision to call her the "lunatic magician", I deem this to be a stupid-ass decision and have elected to ignore it in favor of "Thistle", which is a much better name for a weird elf orphan turned mad mage.

Ah, damn, they corrected to he/him pronouns. So much for women's wrongs... I STAND BY it making perfect sense in-universe for our protagonists to get it wrong from their first, confusing meeting, though!

.

Takin' a moment to appreciate Thistle's fucked up pupils, which I'm given to understand indicate the demon's influence. I'm having so much fun! Are you having fun? I'm having fun.

.

...does the famous dwarvish sense of direction derive in part from secret dwarvish trail markers that they put in all dungeons and mines and never tell other species about? That's great. That's so good. They clearly do ALSO have sensitive inner ears, and secret cultural practices.

Btw I adore every time someone calls Chilchuck "Chil." NICKNAMES ARE A SIGN OF LOVE.

.

SEEING SENSHI IN DISTRESS MAKES ME IN DISTRESS, AND THEN YOU DROP HIM LIKE THE FOOTBALL ON A CHAPTER CLIFFHANGER?! JAIL! JAIL FOR AUTHOR! JAIL FOR 1000 YEARS!!!

.

This map is 10/10 desired detail. I want to know the difference between dwarf-style, gnome-style, compound and I bet elf-style dungeons so bad.

.

Marcille just cut off one of her braids for Senshi! She didn't hesitate at all! Her hair!!!

And they're risking basically all their food on this! (Man I love how all life, including revivification and creating familiars, literally requires heavy caloric input. I love love love how this comic starts with the simple premise "food is essential to life" and says it over and over in infinite ways.)

.

This is just very cool art to represent what's happening. I don't like looking at it, it makes my eye hurt.

.

This visual is just so good.

.

Brotp: In-Laws on a Mission

.

unironically this panel fucks so hard. I need to name something after this. I also need to watch this episode just for the intense energy of this whole sequence.

(I Love how they're just squeezing and re-shaping these things like playdoh. Good familiars best friends just to tolerate this shit.)

Btw I also really like that, while Marcille has started teaching Laios some simple healing spells, that's kept clearly distinct from this sort of advanced magic. Multiclassing takes levels just like the rest!

,

TWO-SHOT KO ON A GRIFFIN! Have I mentioned how fun it is that these guys are fucking good at their jobs? We love a little competence porn on the side.

.

CHILCHUCK WAS THE FIRST TO START TALKING ABOUT HIS PAST! Yes, of course, he had to be. He's the one who's most aggressively closed-off about it, as opposed to passively closed off like the rest. Mulitple good panels here fo Chilchuck being the emotionally intelligent one, too.

.

oh my god Senshi's story.

.

I'm so glad she keeps putting them in full-body animal suits.

(And I feel Hiromu Arakawa's cowsona in the Chili's tonight...)

.

P.S. OH, LAST MINUTE EDITION as I open the next chapter: They all changed species before they stepped in hte circle of change-your-species mushrooms!! Oh man I can't wait to see a) shenanigans and b) how this gets woven into the ongoing subplot of interspecies conflict, and any other greater themes. Fuck me uuupp Ryoko Kui! (...tomorrow, bc I have to go to bed now :( )

[weepingtalecowboy]

“I will go fix my issues”,he lied truthfully

Fanfic prompt : Or legend using the harp of ages to go help his past self after his uncle just died

By pretending he is his mom or something… but a very self hating and salty one who traumatizes his past self more than anything else ever did.

"You ever notice how your ‘uncle’ doesn’t look a thing like you? Wonder why he’s been so… generous? That’s because he bought you. Yes, you, little one, came into his life for the very humble price of a single green rupee and a bag of seeds . Feel special? You should. Those were probably stale seeds at that.”

Cue the young boy’s confused, horrified expression.

“Oh, don't worry, he’s been a decent guardian. Way better than if I’d kept you. I wouldn’t have paid for you at all. Would’ve sold you for even less. But hey, be grateful! Fate did you a kindness.”

Legend is living the dream that everyone had shared at some point to terrorize his past self.

As they trek through the wilds,Legend gives his younger self the kind of guidance you'd expect from someone who didn’t take parenting classes but aced "being a jerk" 101 , so basically just Legend as a person. “Alright, you little whiner, stop crying. People are going to think you’re weak. I mean, you already are, but it’d be nice to pretend. You have to learn to just… deal with it.”

Baby self, who’s just learned to talk: “I hate you.”

Legend, without missing a beat, grins darkly: “Yeah, I figured. That’s what makes you so special. You’re already a natural.”

Legend gives many advice ,that he thought he was teaching important lessons with.

Because he is a good mother.

He ruined his child self's life before the little guy even got beaten up by a guard.

Seeing his baby self—this pathetic, sad, scared little creature—is like looking at a version of himself that he desperately wants to erase from his memory. The fact that the baby version is so utterly harmless, so completely incapable of being a threat, makes Legend reach levels of contempt for the world never encountered before What world worth saving would ever consider this—this tiny, weak, helpless thing—a target for execution. His own actions, his whole history, his entire existence as a hero... they pale in comparison to how much he despises the weakness of his own past.

When he eventually encountered one he had to watch the gruesome scene of Legend incinerating one , it was fucking personal , the sheer amount of blood was making him feel… not good to say the least.

He did not want the other to follow him but he was very much baby and pretty sure that he would rather stand behind the one who was brutally beating up people then in front of him.

Legend really tries to be nice … but he is Legend and saltier than the namesake salt itself.

“Oh, you’re hungry? Yeah, well, get used to it. You’ll figure out how to go without food soon enough. It builds character. Or you could cry about it like you always do. See how far that gets you.” He offers a piece of dry bread, throwing it on the ground in front of him, just out of reach.

He is too salty for child rearing, no wonder his baby self is continuously crying behind him , and very much wincing internally when Link flinches from him.

The dark world section was even worse.

[beneathstarryskies]

Summary: It's been centuries since Ganondorf's victory in bringing Hyrule to its knees. However, victory is lonelier than he'd anticipated. The once great Demon King is a shadow of his former self, drinking his way through the castle's wine cellars and mumbling to himself in the dark. That is until one brave stranger wanders through the castle gates, led by curiosity...Or perhaps fate.

Word Count: 5,002

Warnings: mentions of violence, depression, Ganondorf is a recluse, beauty and the beast AU, might be OOC but i don't care this idea wouldn't leave me alone until i wrote it so here we are, overall it's pretty PG

Taglist: @emmacornell, @actuallysaiyan

In the remnants of a castle once grand but now desolate, Ganondorf wanders the halls alone. Some days he is focused on working his way through the wine cellar, but other days he mutters quietly as he wonders where it all had gone wrong. He’d achieved everything he wanted. He sits upon the throne of Hyrule, the entire realm under his control, yet as centuries pass the emptiness in his chest persists. Even the people of the realm stretching from the deserts of Gerudo to the flatlands of Akkala noticed the grip of the once fearsome ruler lessening. Only occasionally would he exert his dominance again, as though only to remind them he is still present. Even the darkness of his gloom seemed to fade from the landscape as life returned to normal for the people of the realm. Tales of the great demon king who once took over the kingdom are still passed from grandparents' mouths to the eager ears of children, but Ganondorf as they speak of him almost feels like fiction. 

It was this sense of safety and curiosity that led you to Hyrule Fields. A thin layer of snow is falling on the landscape as you walk through the fields. Your eyes widen as you see the castle, and the now-empty town surrounding it. The walls are covered in a thick layer of ivy vines, now brown and barren from the cold air. You carefully walk forward, tiptoeing past the gloomy black and red sludge as you pass through the gates. As you explore the once great Castle Town, you remember the stories you’d been told as a child. The horrible stories of a great big demon who took the form of a horrible pig. Every little noise sent your mind into a frightened frenzy, and you were beginning to wonder if staying here much longer was worth indulging your long-held curiosity about the castle. 

Ganondorf became aware of the intrusion when he wandered outside of the master bedroom onto the balcony. He looked down to see the tiny form of a Hyrulian woman poking around the old stalls in the market. Every so often he noticed her flinching and looking around as though frightened. Her attention soon turned to the wide doors of the castle. He recognized her intentions almost immediately, and he threw on a cloak to meet her at the door. 

When you push open the double doors, you let out a squeak of surprise at the large figure looming at the bottom of the stairs. Long red hair falls in front of his face and glowing yellow eyes stare at you with malice as he growls. 

“What are you doing here?” his voice, even as a whisper, echoes through the empty halls. 

“I’m sorry,” you stammer as you try to back away. You trip over your own feet and fall backward.  Just before you hit the ground, a large hand catches the front of your cloak. Suddenly, your feet are no longer on the ground. Ganondorf lifts you to force you to look into his eyes. 

“I asked a question, little one,” he snarls. “What are you doing here?” 

“I’m sorry, Your Highness,” you stammer as your hands instinctively come to his wrist, grabbing on in case he drops you. “I thought--” 

“You thought the castle to be empty,” he finishes your thought. “Perhaps I have been too kind to your people, allowing them to live too comfortably. My existence having been relegated to folklore and legend, is that it?” 

“No!” you cry out, the thought of your kingdom being punished for your stupidity makes your skin crawl and your chest tightens with guilt. “No, it’s just…Me…I was curious.” 

“Oh,” he pulls you closer. “Curious? You wish to see my castle?” 

His words lull you into a false sense of comfort as you mistake his annoyance for understanding, “Yes, your Highness.” 

“I see, little one,” he throws you over his shoulder. “You wish to see my castle and know its secrets. I see…Well, I shall make sure you spend all the time you have left within the walls of this castle.” 

He walks you upstairs and tosses you into an empty bedroom. Before you can scramble to your feet the door is being slammed shut, and you hear the unmistakable click of a lock trapping you inside. You crawl to the door, standing on your knees as you bang on it desperately with shaking fists. 

“Please,” you call out. “I’m sorry! Please let me out! I’ll leave! I promise I won’t tell anyone I saw you!” 

Your cries and pleas fall on deaf ears. Ganondorf closed himself off to emotions like pity and empathy long ago. He ascends the remaining stairs to go to the master bedroom once more. He grabs his earlier forgotten bottle of wine and throws himself into his chair. He throws his head back and finishes the bottle in one long gulp. His heart is racing as he thinks about you. Your pitiful eyes as you tried to explain yourself, and then your tiny hands on his wrist to cling to stability. There’s something about your curiosity and bravery that piqued his interest. He can’t remember the last time someone ventured to the castle. 

Your cries and pleas continue for hours until you wear yourself out from exhaustion. You crawl onto the old bed and you begin sobbing until you fall asleep. 

_____

Ganondorf awakens when the sun is high in the sky. He has almost forgotten about having locked you away. You on the other hand have been awake since dawn. You’ve torn the room apart in search of some sort of escape. Realizing the king had you locked up tight, you felt a wave of defeat crash over you. 

“Damn it all,” you cried out and fell onto the bed with an annoyed sigh. Tears sting your eyes, but you try to hold them back. 

You could feel Ganondorf approaching before you could see him. His looming presence was difficult to ignore. He pushed the door open, not feeling even a moment of remorse as he saw your pathetic form on the bed. 

“You’re lucky it’s been ages since I’ve had anyone in this castle,” he speaks. “I require a new servant.” 

You sit up on the bed, turning to him with a look of indignation. 

“Who says I’m trying to become a servant?” you ask. Immediately you regret the question when his eyes begin to glow with anger. He reaches out to grab you by the collar of your dress, and easily he lifts you off the ground just like before. 

“The alternative is death,” he growls. 

You had no choice but to give in to him. He drops you back onto the bed before turning away. His imposing figure stalks to the door, only stopping for a moment to look over his shoulder at you. 

“Start by cooking breakfast,” he says, his voice a perpetual growl. 

You don’t know what else to do. There’s not much you can do besides go along with his orders. You go downstairs, and it takes a bit of searching before you find the kitchen. There’s almost no food in the pantries, only a few things you assume he must have gathered on his own at some point, or perhaps those from neighboring villages brought in the goods as offerings. You’re staring up at the shelves trying to plan a meal when his shadow looms over you. 

“A farmer nearby brings supplies,” his voice booms through the pantry. “In return, I keep the monsters off his sheep.” 

“Why would you?” 

He answers your question with another, “What threat does a farmer hold to my rule?” 

You don’t turn to him, instead, you reach up to the high shelf where there’s a bag of flour to try to reach it. You expect him to help you, but he doesn’t. He stands back and smirks as you climb up the shelves to grab the bag of flour and start to pull it slowly in the hope you can shimmy it down. Instead, it falls and bursts on the floor. 

“Now you have a breakfast to cook and a mess to clean,” he chuckles. “It’s good to see you can keep yourself busy.” 

He leaves you alone, and you manage to clean up. Then, you cook a nice meal considering what little you have to work with. After that, he tells you to pick a room and begin cleaning. 

The days continue in this manner. You cook and clean in the castle. Occasionally you manage to tease some semblance of conversation from him, if grunts and the occasional sarcastic quip can be considered as such. To your surprise, he’s not cruel to you. He’s just cold, almost apathetic as far as you can tell. You’re mostly kept to your own devices, which is lonely. As long as you do the chores, he doesn’t have much to say. 

Considering his indifference, you didn’t think he would put in any effort to stop your escape. Being able to explore the castle on your own for so many hours of the day, it had taken you a week to muster up the courage to try to leave. However, as soon as you passed through the gate gloom hands surprised you and dragged you back to your quarters. If he had known of your attempt to escape, he never spoke a word of it to you. 

_____

Ganondorf isn’t accustomed to having company anymore. The centuries have passed, and his former companions have fallen by the wayside. Either having fallen in battle or to the ravages of time. He tells himself he’s a lonely old fool the first time his heart races when you attempt to make casual conversation with him. 

His heart pounds even more so when you shyly ask if he misses being in Gerudo Town. Nobody over the years ever had the bravery to ask such a deeply personal question. You were sitting on the sofa by the fire mending a hole in your skirt when the question fell from your lips as simply as asking if the sky is blue. He looked up from the flames. 

“What a bold question little one,” he commented as he took a deep breath to prepare his answer. “I miss my sisters most of all, but none of the sisters I knew are living any longer. Those who inhabit that place are now strangers to me as I am to them.” 

A pang of sadness hits your chest, “Are there other things you miss?” 

“No, not necessarily. The blistering sun and unforgiving sands hold no sentiment except for how they made me strong.” 

“I see,” you say and quickly return to mending your clothes. 

“You need more attire,” he says. 

“You don’t need to worry about that.” 

“Ah, but you’re wrong. It is because of me that you are here, therefore it is my responsibility to care for you.” 

Your mind feels blank for a moment. Was that kindness? From the mouth of the demon king himself? Before you can say anything, he rises from his seat. He doesn’t bid you goodnight before disappearing. Nor do you notice him locking the castle up like he usually does at night. 

The next morning when you awaken, there’s a a pile of neatly folded clothes placed on the armchair in your room. You look through the clothes carefully. Among the more casual pants and blouses, you also find a beautiful gown. The material is soft, emerald green with gold floral embroidery along the hems. You assume it must have been by mistake that he brought something so elegant and beautiful to you. With great care, you hang the gown in the wardrobe, where among the shelves you find a new pair of shoes and a winter cloak. 

You get ready for your day, dressing in the new clothes he brought, and then busy yourself with chores. It’s nearly night when you hear Ganondorf stir. Looking to thank him for his gesture, you quickly make your way towards the staircase to greet him. However, the words are caught in your throat when you see him. 

He’s dressed in a fine, majestic robe. You recognize the patterns on it as being Gerudo. His hair is tied back, and the red beard that had been down to his chest when you arrived is neatly trimmed back up to his jawline. 

“Did you have something to say?” he asks, hoping to put a stop to your wide-eyed gaping. How long has it been since someone looked upon him with awe rather than fear? 

“Y-you look nice,” you smile shyly, having forgotten your original intentions for the moment. 

“Ah, yes,” he nods. 

You look down to the floor again then the thoughts return to your mind. You bounce softly on your toes and your eyes light up. 

“Thank you for bringing me new clothes!” 

“I told you I would,” he comes down the rest of the stairs and looks down on you but not with malice. “Did you find the gown?” 

Your eyes widen. So it hadn’t been a mistake? 

“Y-yes, I did! It’s so beautiful.” 

“I was hoping you’d wear it tonight,” he doesn’t sound as authoritative as he’d hoped to. 

“Oh, sure. I’ll put it on after dinner.” 

“No, don’t worry about dinner. Go change now.” 

With a short, courteous bow you make your exit. Upstairs in your room, you quickly bathe and then slip into the beautiful gown. Upon inspecting your appearance, you decide a bit more effort needs to go into it if you’re to wear such an opulent outfit. You brush your hair and braid it neatly.

 As you set to work on your appearance, you wonder what Ganondorf has planned for the evening. You’ve never seen him quite so…Handsome. He’s all cleaned up and dressed like the true king he is. Surely he wouldn’t go to so much effort for you, would he? No, you tell yourself that’s not possible. Perhaps he’s just having a bit of fun with you. After all, he’s been in this castle by himself for centuries. It would make sense for him to take to a bit of fanciness since he has someone around to share it with. 

Somehow imagining him seeing you as more than just a servant makes your heart flutter. You tell yourself you must be insane for thinking this way. Yet, he’s become more than a master to you. You’ve spent long nights sitting by the fire, listening to his tales of times long past. Somewhere among hearing his childhood tales of starvation and heat among his people and witnessing the opulence Hyrule hoarded, you began to understand his anger. Perhaps you couldn’t fully condone his path, but you could understand why he would grow to desire the conquering of the kingdom. You began to see through the dark, foreboding reputation of the demon king. 

As you descend the stairs, you notice more light in the castle than you’re used to at this time of night. The grand chandelier in the main hall has been lit along with the chandeliers on the stone walls throughout the corridor leading into the ballroom, as though lighting your path. As you open the large double doors, you see a dining table set up by the large windows looking out onto the courtyard. It’s filled to the brim with fruit, cheese, and dried meats. A bottle of wine is chilled by two glasses. Ganondorf stands nearby, his back straight as he stares out the window with his hands locked behind him. 

“Your majesty,” you say to get his attention. 

He turns to you, his eyes widening momentarily before his face returns to being neutral. 

“You look lovely,” he whispers, almost too quiet for you to hear it. You bow politely. 

“Thank you,” you smile. 

“I have set up dinner,” he explains. “You asked me once what it was like being the king of the Gerudo. I thought I would show you how I ate then.” 

“Oh?” You approach the table, and he quickly pulls the chair out for you. You thank him as you sit down. 

“The heat was intense. So, I often tried to eat light yet still filling meals. I ate considerably more than this, of course, but I thought you’d appreciate having more variety.” 

“You put this together?” 

He smiles as he begins pouring the wine, “Yes, of course. Can’t I do things for myself? Or do you wish to take care of me completely?” 

Your cheeks heat up at his double entendre. It takes you a moment to regain your bearings, trying not to imagine what all ‘taking care’ of him might entail. 

“I suppose it’s just unexpected.” 

He places a glass of wine by your hand, and you hear a deep chuckle from him as he sits across from you. 

“Believe it or not, back then I didn’t have many servants. The Gerudo people are prideful therefore believe it or not, they didn’t bow to me like I was a child in need of praise. I was proud to be self-sufficient.” 

“I see,” you smile. “So, what is all this?” you gesture to the ballroom all lit up and with a few flower arrangements scattered about.

“I thought you might enjoy a bit of grandeur,” he sighs. “Must you ask so many questions?” 

Your cheeks burn as you look down at your plate, “I only wished to know.” 

“All in due time,” he answers before beginning to pile his plate with food. 

You follow along, taking a bit of all of the offerings. It was a nice, light meal. Leaving you full, yet still energetic instead of ready to fall asleep in your chair. The wine made your cheeks burn and your muscles feel loose. Ganondorf encourages you to eat more if you need more, and you’re surprised by the way he seems to be taking such care of you even though he doesn’t seem the kind to have a caring bone in his body. 

After the two of you finish your meals, he takes your hand and leads you to the middle of the ballroom. He explains that he wishes to teach you some of the traditional Gerudo dances. He explains how often in his time as King, the dances would be performed with two women. However, as time passed and the Gerudo became more focused on finding husbands they began altering the steps. 

“Women are strong and can stand on their own, but I suppose as time passed they wanted to be more meek to attract husbands,” he explains as he shows you the steps as intended which would see your hips swaying carelessly. “Are you meek?” he asks with a teasing smile. 

“For you?” you giggle. “I think not.” 

He laughs, surprising you deeply yet thrilling you none the same. Soon he has you pulled close as you perform the steps as he’d showed you. One large hand rests on the small of your back as he guides you to move along with him. The ballroom is large, and it’s perfect for what he does. Every corner is explored by the gentle tapping of your feet, barely out of synch considering the difference in your size. 

“Come,” he says as he pulls you closer. He gently guides you to stand on his feet. The weight doesn’t seem to bother him as he holds you as close as he can. He moves the two of you as gracefully as waves across the ocean. There’s a softness in his eyes as he looks down at you, and finally leans closer. 

“Are you…?” 

Before you can speak, and ruin the moment, he presses his lips to yours. The warmth of his mouth spreads through you, lighting a fire in the pit of your stomach. His hands rest upon your waist and his feet go still as he loses himself to the kiss. Your fingers are small and gentle as they comb through his fiery hair. Finally, the two of you separate. He almost looks ashamed of his actions. He steps away, looking around the room like a wild animal in a cage searching for an escape. 

“I shouldn’t have done that,” he whispers. “Intimacy shared when one is bound is a violation.” 

“Gan…Wait,” you grab his hand but he quickly pulls away. “I don’t feel that way with you.” 

“It matters not what you feel. The truth is unchanged. If I’d not forced you here, then this moment would have never come to pass.” 

“No, please-” 

“You should leave,” he growls. “Do not look back at this place. Leave me here.” 

“Just listen to me,” you plead. “Please, I want to stay!” 

“Leave! Now,” he bellows through the halls. “Do not ever return!” 

Tears fill your eyes as the sting of rejection fills your chest. You want to open your mouth and tell him how badly you wish to stay. Throughout your time with him you’ve seen him grow from being a reclusive, grumpy king to showing the side of him that’s charming. You’ve found yourself growing more confident and content as well. Despite everything, you seem to have brought out the best in one another. Yet, he’s pushing you away now. 

“If you do not leave, I will kill you!” he snarls, the threat as empty as the wine bottle on the dining table. He’d never be able to bring himself to harm a hair on your head. 

Without another word, you run upstairs to pack your few belongings.  _____

You were surprised by the greeting you’d received when you’d returned home. Your family was delighted to see you. Your mother doted on you for days, having spent the better part of a year thinking you had abandoned the family or worse got yourself killed. You have always been a curious one, after all. After all of your family realized not only were you in good health, but you weren’t going to share what you’d been through it was business as usual. There were chores to be done on the farm, and you were eager to busy yourself with mindless work. 

You missed him deeply. It was a surprising turn, even to you. At night when you sat by the fire, you often found yourself asking your family philosophical questions they couldn’t answer all that deeply. In your mind, you could almost hear the way Ganondorf would have answered them. The way he almost seemed to purr in the back of his throat when he sat back in his chair, rubbing his beard, as he considered how to answer your best. You remembered the way his eyes would light up when you’d managed to push a topic he was particularly interested in. His eyes would light up when you would argue with him, confidently asserting your thoughts, as though he was proud of you for being so willing to stand up to him. Meanwhile, you felt suffocated by returning to your old life. Your family are kind people, surely, but they’re also simple in their desires. You missed the thrill of being close to someone who had a worldview so interestingly different from your own who could both challenge and be challenged in exchange. 

Yet, you worked. Finding solace and quiet in the familiarity of it all. It was the same thing you’d found yourself doing up until the fateful day you had been at the castle. 

Did he know how much the time you spent with him meant to you? Somehow you felt that question burning in your mind for weeks. Maybe if you had told him the truth of your feelings sooner, then he would have never sent you away. If he had known you didn’t feel imprisoned with him, would he have let you stay by his side? Would the budding feelings between you have finally bloomed? Not having the answers to these questions was enough to drive you to madness. And yet…The answers would not come. 

Months had passed when the adventurer arrived. His name was Link, and as your family served him dinner he explained his mission. He was to free Hyrule from the Demon King, Ganondorf. 

“The Demon King has been silent for many years,” your father said. “Is such a feat really worth laying down your life for?” 

“He may be silent for now, but the conquering spirit in him still remains. Hyrule will not be free until he is gone,” Link replied. 

“Will peace truly ever return?” your mother asked.

“Yes,” Link said, with an unwavering resolve. “Princess Zelda will take the throne, and restore prosperity.” 

As all of you laid down in your bedrolls that night, you had tried to push away the fear. He had made sure you no longer felt like he was your problem, therefore you felt it was in your best interest to pretend it wasn’t. Whether Ganondorf lived or died, should have been of no concern to you. 

Yet, the next morning, you rise with the sun. You quickly go check the spare room, and see that Link has already left. His blankets are neatly folded and there’s a small pile of money off to the side. 

“No, no,” you whisper to yourself. 

You run to the stables and take one of your family horses. You ride towards the castle, praying that you will make it in time to save Ganondorf. Although truth be told, you didn’t know if it was entirely possible. 

The sun is shining brightly overhead, the sky a cheerful shade of blue. In the distance, you can see a dark, gloom-filled cloud hanging over the ruins of Hyrule castle. You wonder if Link has already made it there, and is now fighting Ganondorf. There’s a strange conflict brewing in your chest because you understand why Link wants to defeat him. You just can’t stand the thought of losing Ganondorf. You keep replaying that night in your head, and you wish more than anything that you would have fought harder to stay by his side. Knowing you may never get to tell him the truth of your feelings makes your heart sink into your stomach. 

As you arrive at the castle, the clouds of gloom have begun to fade. Leaving only rainclouds in their wake that are slowly being pushed aside by the soft breeze. Does this mean it’s over? Ganondorf has been defeated? 

You leave your horse by the gate and run past the walls. You see his large form hunched over on one of the balconies. Link lunges with his sword, and suddenly Ganondorf falls. He lands with a loud crash on the ground, sending cracks through the stone from the impact. Link stands at the edge of the balcony and crawls onto the ledge. He points an arrow bathed in divine light down at Ganondorf, aiming for the finishing blow. 

“No!” You cry out as you run to Ganondorf’s rumpled form. 

“Huh?” Link gasps as he sees you throw yourself over Ganondorf. Your considerably smaller form does nothing to truly shield him, but Link knows you wouldn’t be able to withstand the blast from the light arrow. “Move!” Link calls down to you. 

“No! I won’t!” 

“Little one,” Ganondorf coughs. “It’s over…Do not…” he trails off when he sees the tears rolling down your cheeks. He can’t remember the last time anyone cried for him, or if they ever had. 

“Please, I won’t let you die,” you cry softly and bury your head against his chest. You don’t care about the blood and grime covering him. You feel his large hand on your back, his fingers curling through your hair. 

“I’m glad you came, if only so I could see you one last time.” 

“Don’t say that,” you whisper. “Don’t speak that way.” 

Link jumps down, landing with a thud on his feet, “You don’t understand. I have to finish him. Ganondorf has to die so Hyrule can be saved.” 

“Why does he have to die?” you sob as you continue clinging to him, your tears soaking into his tattered clothes. Link looks down, unsure of how to answer your question. Truth be told, he didn’t truly understand himself. Ganondorf had practically been dormant for half a century, and the monsters had slowly begun to fade away. 

“It’s fate,” Ganondorf tells you, continuing to rub your back. “Stand aside, little one. Do not weep for me anymore.” 

“Ganondorf, I can’t leave you like this,” you whisper. “I love you.” 

“Love?” he whispers as though the word is one he’s never heard. He wants to laugh, not at your feelings but at the notion of someone feeling something so gentle for him. “I…I love you as well, but it matters not now.” 

You look up, expecting to see Link standing over you. Instead, you see his retreating form. Almost seeming to sense your gaze, he looks over his shoulder. “Make sure he doesn’t give me a reason to seek him again. The two of you find somewhere to go, somewhere far away from here. I will tell everyone he’s dead.” 

“Thank you,” you whisper through gentle sobs. 

Ganondorf can hardly believe his ears. Had the hero truly decided to spare him? He couldn’t imagine a time when something like this would happen, and yet he knows there’s something he’s never had before…Rather someone. You must be the most precious thing he’s ever held in his arms. 

You embrace him again, savoring the beating of his heart and the warmth of him. Still alive, still breathing. He touched your hair, feeling the soft strands between his fingers. When you finally look up at him, there’s a sweet smile on your face despite the tears in your eyes. Then, you lean down to kiss him. His heart soars from the gentle affection. 

 It would seem fate had something different in store for him this time. 

[bynineb]

What pieces of media are your biggest creature design inspirations?

ooh how fun! let's see...

Pokemon Crystal (Ken Sugimori)

(src: Bulbapedia)

I had a Pokemon Crystal strategy guide with all 251 Pokemon in it that I studied religiously when it came to making monsters of my own. I love Ken Sugimori's illustrations so much - the dappled paint makes it so soft, gives everything the feeling of being struck by light dancing down from foliage above. The subtle implied detailing with line strokes and shadow allows the imagination to run wild. They, truly, feel like creatures to have adventures with. And of course, Pokemon is a juggernaut of an RPG, facilitating those childhood fantasies, and then there's a TV show showing them playing and shouting their name and fighting... No wonder so many people got hooked on it!

Dragon Warrior Monsters 2 (Akira Toriyama)

(src: Dragon's Den)

Since they're designed as enemies foremost, Dragon Quest's monsters can get a lot kookier & scarier than Pokemon can. And Toriyama gives his monster designs so much charm and personality! You feel like he always has fun coming up with them, and it makes every Dragon Quest game more delightful for having them be your foes (and sometimes friends). Also, all the English names are puns and portmanteaus and other fun word things!

After Armageddon Gaiden (artist unknown - dev is PandoraBox)

(src: Bogleech, who also wrote a wonderful article on these critters: https://bogleech.com/halloween/hall18-aagolem)

Uniquely grotesque beasts from a deeply obscure Japanese RPG named After Armageddon Gaiden, the second in a duology about player-controlled demons fighting alien invaders. Some of the designs get quite gory or disturbing, fair warning. But in a cool way!! The sheer strangeness of these designs are something to behold!... And they have the best names ever, like "Barabumblebo"...

YU-GI-OH early card art (Kazuki Takahashi)

(src: Yugioh fandom page)

Yu-Gi-Oh's early monster designs are something I think about a lot. I don't know what that says about me, but I do know they're unbelievably cool, a blend of genuinely scary Egyptian-flavored horror and wacky, tropey, cartoony fantasy. The fact that these ridiculous designs are frequently art for a card that's completely worthless in terms of winning duels, combined with their randomly specific descriptions about how unbelievably powerful they are, gives them a certain mystique. It's as if the creature you see depicted truly exists as a part of some greater fantasy world...

Legend of Zelda: Ocarina of Time

(src: me, many moons ago)

Seeing properly scary monsters inside a strange virtual world in Ocarina of Time was quite the experience for my young self. For example, I had nightmares about the Stalchildren who used to burst, endlessly, from the ground of the strangely empty Hyrule Field. But that also made it feel like such an adventure! The thrill added to the experience. And even many of the game's races are quite monsterlike; Gorons, Zora, Deku, and so forth. This had me imagine turning a "bad" creature into a friend, a concept I cherish to this day... hence Love-Love here.

Well that's that! Thanks for asking, this was fun to write : )

[circyexistforcontent]

The boys with a succubus/incubus god?

CULT AU WITH A DEMON READER

❀ synopsis: “And no marvel; for Satan himself is transformed into an angel of light.” 2 CORINTHIANS 11:14

❀ warnings: slight suggestive content, biblical themes, cult themes, yandere themes, just dark content ahead. Remember you're trespassing on big boy/girl/kid territory, so just be aware of what you're reading ok?

❀ notes: This will contain a lot of dark themes since this is a cult AU and Sagau. But again, thank you all for 400 followers! I don't know how to thank you all (maybe I do, I want to start a event, but let me clear my inbox real quick). spoilers for genshin lore guys...

Being summoned to another world is...certainly interesting...

You didn't expect the moment you open your eyes to be greeted with such colorful characters, and in an RPG game no less. But you aren't complaining of course! This just makes things more entertaining for your part. And being worshipped as a god? This is an entire amusement park!

Your poor, poor acolytes...they have no idea what they have just brought upon this world. If you really were the creator of all no wonder Celestia decided to just one day order the archons to commit genocide. Your influence must have also greatly affected your creations which can explain why some of your acolytes have a questionable history.

Being in your presence just heightens their obsessive tendencies, if they weren't the type to hesitate to kill for you they sure aren't hesitating now. Some might even go as far as to kill in public in front of other devotees. It doesn't matter if it's supposed to be a joyous occasion, you were in danger (or at least they try to justify their actions..) and as your devoted acolyte, they should protect you. (Shenhe, Traveler, Heizou, and Childe)

There are already ones that kill for you, but with your dark influence, they start to get a little bolder with their feelings. It would just start with lingering thoughts of your touch before it gets more provocative and they start imagining it more often. If they were brave enough, they would think about it while you were still in the same room as them. How sinful, but you don't mind♡ (Cyno, Gorou, Ei, and Zhongli)

They are the ones who know something was wrong with the supposed "Almighty one". They can just sense that something was not right and will immediately distance themselves from you as much as it hurts them too. They would observe you from afar to confirm any of their claims, but it backfires. Your voice is one of a siren, and like a pirate, they follow your voice only to be drowned in the very ocean they loved. But they didn't know drowning in the ocean can be this...euphoric (Dainslef, Venti, Ayaka, Kazuha)

This batch has more control over their yandere tendencies, but their acts of worship intensify. Festivals/Holidays will be hosted by them, and while some of them don't have the influence and money to host an event they will be helping with the preparations for the event (Jean, Noelle, Ayato, Ningguang, Diluc)

They will worship you, but some may take a step back after seeing you out of character. You were always so considerate and kind, they didn't think you would order them to draw your symbol with the khanreian's hilichurls blood. At the end of the day, they will still do what you please in hopes you will have a reward for them.

If you have any features from your demon form (slit pupils, horns, claws, sharp teeth, wings, etc) they won't think anything ill of them. If anything some would adore them openly. Dragons exist, and hybrids aren't uncommon on Teyvat. They would assume you might be a hybrid of a greater celestial species, and it would have many legends based off of it. The acolytes that have horns or any sort of similar feature would feel connected to you in a way and are honored to even have something in common with you.

But no matter how they claim to adore you or how honored they are to worship you, they can feel themselves hurl at your mere presence. Some even feel ill when they stay beside you for too long, and they would assume they are being punished. Or you are feeling negative and one of your powers is to project your emotions onto the environment around you.

But is it really? You have the same smile on your face while they choke on their own blood. You laugh at them after they confess to you about the night terrors that they get every time they spend a day with you. You left them to die after you "trained" them to get stronger.

They are foolish to convince themselves that you care, but some like to believe that you are doing this cause you care for them, how pitiful of them. I'm going to give an example, Venti would try to argue with you if you ever try to spur trouble on Monstadt, saying how it's not right and that the people should have a say in your decision. But after hours of gaslighting convincing he would shut his mouth as you declare a new law that restricts basic human rights. His people will understand, this is normal for sure...right?

The other archons like Ei and Zhongli, mostly Ei, will not think twice about your new changes in their nation. Nahida would be the ONLY normal archon who would know that you are no god. You're just a poser, a demon, a vermin from the underworld taking advantage of your follower's obsession. She will try her best to make her nation aware of who you really are, but what's the guarantee they will listen to her?

[zarvasace]

Shatterproof four splitting and all the colors spend their day with different other links? Maybe Blue with Wind and Wild, Vio with Wars and Hyrule, Red with Time and Legend and Green with Sky and Twillight! (just suggestions, you can mix and match them up maybe?)

I like these suggestions! :)

Just under 1k words—

---

“On your mark,” Wind says, “get set…”

Blue glares at the grassy ground, his muscles taut and brimming with energy. It's been several long weeks since Four split, and he's pent-up. Beside him, Wild’s heel shifts against the ground. 

“Go!” Wind slashes his hand through the air, and Blue and Wild take off. 

The route isn’t long, just across the clearing and back, so Blue is optimistic. It feels so good to stretch out, even if his pain is at a mid-level today. His feet pound against the tall grass and the hard dirt beneath, and though he tries, Wild pulls ahead. 

On the way back, Blue’s foot catches in a divot, and he goes sprawling. He scrapes his elbows but manages to stop himself before he flies too far. The world stops rolling. He stares up at the cloudy sky and sighs. 

Wild skids to a stop. “Blue! You okay?” 

“Fine,” Blue calls back, rolling up to sitting. And then, with a secret thrill of joy that he would never hold over any of the others’ heads, even if they know he feels it, he stands up. “I think I'm just out of practice. And your legs are longer anyway, freak, so you have an unfair advantage!” 

“Hey,” Wild protests, but he laughs. He hasn't made it to the other end of the clearing yet, worried for Blue. Wind raises his eyebrows when he meets Blue’s eyes. 

Blue walks calmly over, letting himself limp just a little. He laughs along with Wild. “It's just been a while since I ran, that's all.”

“Yeah, okay, I'll give you that,” Wild shrugs. 

And then Blue takes off again. He runs the last five or six steps to their designated finish line. “HA! I WON!” 

“Now that's unfair!” Wild says, jogging over. 

Wind collapses into laughter. 

---

At this point, after so many lessons and a lot of practice, Vio is only slightly better at signing than Hyrule. He's very happy for Hyrule, of course, but it does rankle his pride just a little, so he takes up Warriors on his invitation and joins the next little lesson. 

As he observes Warriors and Hyrule have a half-silent conversation, it becomes obvious that their communication is less about learning actual sign words or grammar and more about figuring out how to adapt it for the two of them. Everything Warriors says has to be in contact with Hyrule’s skin, one way or another, so Vio doesn't catch most of that. 

But Hyrule’s signs are pretty normal, since Warriors can see them, except for one thing. 

“That—” Vio starts, then bites his tongue.

“What?” Hyrule says. “Was that wrong?” 

“Um, only in that your spelling is… off.”

“It doesn't matter,” Warriors shrugs, hands flying. “I've figured out his phonetics.”

Vio makes a face. “Wars says it doesn't matter, he knows what you're saying anyway, but the perfectionist in me is frustrated.”

Hyrule laughs. “Sorry. I haven’t ever, you know, learned letters before. I figured I was getting some of it wrong.”

“You know,” Vio says thoughtfully, thinking back to his books at home, “I know there's a type of writing that was developed by people with low vision. I don't know much about it, but I know it exists in my time. I wonder if we could find some of it.”

“Oooooh,” Hyrule says, his eyes widening. 

---

Red picks another dandelion at the base of its stem, close to the ground. “And then you use your fingernail to make a little slit by the flower, like this! You can't make it too big, though.” He demonstrates, smiling at the way both Time and Legend lean in to see better. 

“And then…” He slides the stem of his next dandelion through the hole in the first. “Ta da!” 

“So pretty similar to a normal wildflower chain,” Legend says, copying Red and starting a dandelion chain of his own. “Do you ever put knots in it?” 

Red hums, considering. “No, I think these stems would break. They're tough but don't bend very well.”

“Sort of like Legend,” Time says, smiling. 

Legend huffs, but he can't hide the little smile of his own. “Sure. Whatever.” 

When Red finishes his dandelion chain, he loops it around into a crown and drops it right on Legend’s fluffy head. Legend returns the favor, putting his own dandelion chain on Red’s head, except it's a bit too wide, and it falls to his neck instead. 

Legend’s snort-laugh starts off a round of laughter that Red and Time can't easily shake. 

---

Twilight pulls out the shopping list again, adjusting his hold on the bag that sits over one shoulder as he does so. “So is that everything?” 

“Hm?” Sky says, looking back over at Twilight. “Oh. Yes. I think so.”

Green catches up, weighed down a little by a supply pack of his own on his back and the fact that even using crutches, he’s a bit short. “Wait, no, Wind needs a belt, and I need some more brass rivets.” 

Sky snaps his fingers. “Right, rivets! Hey, Wind didn't say anything about a belt… did he?” He glances at Twilight, who shakes his head.

“Wars keeps inventory,” Green explains. “And I noticed.”

Twilight puts away the shopping list. “Sounds like a trip to the leatherworks, then.”

Green eyes Twilight as he passes. “You could use a new sword belt, too. Let's see if they have anything with the D-rings. If not, I'll make one.” 

“Thanks, Green. What would we do without you?"

"Suffer."

[hollowed-theory-hall]

Thoughts on religion in the wizarding world? I'm guessing there would be sects of existing religions as well as their own. Maybe they think their magic is divinely given and muggles are heathens? Or they're supposed to 'enlighten' or 'watch over' the muggles like some angel complex?

there was definitely people worshipping harry potter. And/or voldy like there's already religious overtones why not make it in universe?

Hi 👋,

Kinda mentioned what I think about religion in the wizarding world here and here. since the Statute of Secrecy was introduced so late (1692) it means most wizarding communities would be practicing some magical variant of the local muggle religion. In the case of Britain — that would be Christianity.

The fact wizards are buried in Christian muggle graveyards, that Bill and Fleur's wedding is a Christian wedding with a little magical flare, that they celebrate Christmas, and that they have godparents — are all facts that indicate the UK wizarding world is predominantly Christian.

As for more personal fanatical worship we see with Harry and Voldemort, that's something that could just happen in any community, regardless of whether they are religious or not. Ideologies can become fanatical religious worship of the ideology and its leader even without any religion or gods present, so I don't think it has much to do with it. Completely atheist groups and organizations have become fanatical to the point of religious faith in the past, I don't see why wizards would then be different and need religion/god/gods to worship someone/something.

I think there could be some wizards who believe they are better than muggles due to religious reasons, but we don't really see evidence of that in the UK. The beliefs most Death Eaters spew don't seem to have a religious basis but be more similar to eugenics, considering how much they talk about blood and purity (like the Nazis, who were very anti-religion, btw. Like, I don't know how aware you are, but the Nazi party prosecuted Christians in Germany, they believed the state and its leader should be the religion and not god). It's about blood more than about religion in my opinion.

What I do think is interesting is how certain ancient wizards (like Merlin and the founders) are treated somewhat like religious figures, like saints ("Merlin's beard" and such). So, it kinda makes me want to headcanon Merlin and the founders are considered saints in the Magical Church or whatever it's called. That they have a whole additional set of legends and saints built atop the muggle Christian faith (or any other religion wherever those wizards are).

I wonder if there are wizards in the Vatican? If there really is a strain of Christianity that's like "The Church of Magic" or whatever. I mean, Harry describes there is a wizard priest who presides over Dumbledore's funeral and Bill and Fleur's wedding. He needed to get this priesthood somewhere.

“Ladies and gentlemen,” said a slightly singsong voice, and with a slight shock, Harry saw the same small, tufty-haired wizard who had presided at Dumbledore’s funeral, now standing in front of bill and Fleur.

(DH, 127)

The above "small, tufty-haired wizard" is a wizard priest.

It also means there are wizards of any other muggle religion based on their location with some magical flares added (Jewish wizards, Muslim wizards, Hindu wizards, you name it). Probably different wizarding communities (different countries or areas) have slightly different variations of said religious practices, just like we see with irl semi-secluded cultures. Like, the magical church of France is likely a little different from the magical church of England (I wonder if the magical church of England is Anglican or if it's an older institute and therefore catholic and remained so through Herny VIII's reforms, which happened before the Statute of Secrecy. I assume some wizards are catholic and some are protestant in the UK regardless, again depending on where they are from).

[monayen]

uhhh I dunno really but — maybe a fic of reader just walking in the forest because they r lost then getting caught in a bear trap nyen set up and uh he does something fucked up to reader, like fucks them then kills them or something? Or something heavy gore related while he fucks them.. sorryyy ahhh (I’m a damn masochist.)

The Lost Camper | Nyen

➷ Paring - Nyen x Fem!Reader [Randal's Friends / Ranfren]

➷ CWs - noncon, unsafe sex, fear play, knife play, blood kink, stabbing, sadism, fingering, violence, degradation, dacryphilla, READER DEATH

a/n - this came out to 4k words :') i know anon described a bear trap/hunting-esque situation but i felt making the reader a more cryptic-like being of the woods made a bit more sense (and easier to fit in) either way, reminder that this is DARK. there isn't a happy ending and the reader does freakin' die. (though rebirth is implied. see it how ya' do) i apologize for any mistakes as this is my longest work to date (whoop whoop) thank you for your comments and requests on both ao3 and tumblr. keeps me motivated ^^ currently working on a Randal fic and some Luther headcannons :3 inbox open as always. ANYWAYS ENOUGH

You aren't sure why you decided to hop over the Ivory household's security measures and rummage through their things while they slept. You’ve seen campers before in these woods plenty of times. Hundreds, if you kept count… but you don't.

You also don't ever interact with campers these days either. They didn’t tend to be special and they didn’t ever really get in the way. Maybe you’ll spook them by hovering around behind the greenery, sticks cracking underneath rugged boots. They don't interest you anymore beyond listening to them talk about their boring, human lives. 

It doesn't make them completely irrelevant to you though, as you’ve gained a habit of sneaking onto their campsites. You steal – quite often. Well, as often as people come this deep into the woods. It's how you justify it, how else are you supposed to get canned food and new clothes? And so what if you also take a couple of books you can't read and stuffed animals whose furs mat under dirty hands. The mossy den you reside in could always use new things, even if you have no use for them.

For as long as you remember, it has been like this. A being of the woods, you’ve become a cryptic-like legend. “The Lost Camper”, you’re called. Whatever that means. You aren't sure what life is like past bark and muddy soil, clothes messy and hands rough. You were never lost, this is all you know.

Is it all so bad? So bad that humans go out of their way to tell campfire stories about your existence? The grass gives you more comfort than any sleeping bag can. 

So there really wasn't any need for you to be past that fence they set up. The truth was that they were… interesting. More interesting than any other family who ventured out here. You saw as they gathered around and talked, well, two were doing most of the talking. Brothers, apparently. (despite not looking much alike) 

They tagged along a couple more… characters. Notably, these two catmen that hovered around the older one of the brothers. They looked more alike, cat ears dawning their similar haircuts. You could tell them apart by their clothes – easier, their demeanors. 

The blue haired one stood hunched, staring at his… ”master” talk. Immediately, you could tell he was the more timid of the two. You observed the other pinkish haired one smoke a cigarette a few steps away from the group. His eyes – eye, actually – looked low and dark. The patch on one of them leaves you to wonder what might've happened for it to be left in such a state. Catching his name from his master, “Nyen”, which made sense considering his appearance.

You must have been staring too long, because suddenly Nyen lifts his head and his sunless eye meets yours for a second. Ducking quickly behind the trees, it should have been your sign to leave, to go on your merry way of collecting berries and getting high off of mushrooms for entertainment. 

But of course – you didn't. Instead, you retreated to the comfort of the conifer and stood idly. The sun set faster than you expected, any thoughts of simply leaving long gone hours ago. An eager smile spread across your face, these unique campers were asleep and you were going to rein free on their grounds. This was going to be the most fun you’ve had in ages!

As you tiptoe to their spot, you point out the odd set up. They had a truck and two tents, but only one tent actually seemed to be occupied. They also left a plethora of things outside unattended. Great for you. 

Nimbly, you start pocketing random things into your large well-loved leather crossbody bag. You’ve rummaged through many people’s unattended things before, but they definitely take it to a different level. This place was filled with bizarre stuff, stuff you’ve never seen before. 

Why the fuck were they carrying several wooden carvings of beavers and… birthday cake flavored “lube”... unsure what the latter was. Either way, you found it all the more entertaining to stuff these random things into your bag, giggling slightly when you pulled out a photorealistic framed drawing of a blue pony with a rainbow mane. 

You were so intrigued by all these things that you didn't realize masked, narrow eyes staring at your figure past the of the darkness camp. 

-

Nyen had been waiting for this. How stupid can you be? He saw you past the trees when the sun was still up, staring with a stable gaze – observing. Your face was shaded by the leaves, but he could see the grip you had on the tree trunk you stood behind. You looked rugged, you weren't just another camper or hitchhiker. He huffs his cigarette, more freaks. Nyen moves his eyes towards his master, clearly already stressed with the hitchhiker they had picked up hours before. Another huff.

His eyes meet yours when he decides to look up again and just as quickly – you're gone. 

Once Luther hears about this, his brows furrow slightly at the idea of another thing to deal with. “Oh dear, I just can't catch a break.” Nyen waits for his master to continue.

Randal (who totally wasn't eavesdropping) perks up once he recognizes who they were talking about, “Oh! Oh! You mean the…” He pauses for dramatic effect, “The Lost Camper…” Luther twists his head to stare at his brother, “Is that the name?” 

Randal nods excitedly, “I’ve read all about her! Apparently, she’s a ghost. Or like a cavewoman. Or an animal-hybrid. I actually didn't read that much.” He shrugs, “She doesn't hurt people, I think. Just swipes a few things and wonders around. Which is a little boring, would love it if something tried to kill us! AGAIN!”

Luther shakes his head and looks back at Nyen, “Hm, it’s too late now to move everything back inside…” He places a finger on his chin, “If that's true, then deal with her if she becomes a problem, alright?” 

Nyen nods, “Yes sir.”

From what Randal said, he knew you would most likely lurk in the incognito of the night. So he took his stance outside the tent everyone else slept in. 

He almost giddily twirls the handle of the knife, waiting and waiting. Hours pass, he doesn't have a watch but his internal clock tells him it’s around 3 am when he finally spots you. Look at you, being a problem.

Your back is faced away from him. Through the darkness, (and thanks to his skill of seeing well in the dark) he witnesses the silhouette of your thievery. Nyen can't point out exactly what you are taking but all he can imagine is his master’s upset face if he sees things are missing. The grip on his knife tightens.

He needs to wait again, wait for the perfect moment, wait to pounce . Nyen hears giggles escape your mouth – small, but he hears it. His jaw clenches. How dare you tee-hee while taking his family's very important stuff? He almost wants to lunge at you straight away, but he decides against it. Nyen wants to stab you in the throat and watch the blood splurt once you turn around. He just needs to get a bit closer…

SNAP

How irritating. Nyen just had to step on a twig. 

Your reaction time is just as fast as his, darting into the dark woods with him quickly trailing behind you.

Nyen huffs to himself. He wanted to make this quick, but he certainly doesn’t mind a chase.

-

Holy shit, shit, shit. Thoughts race a thousand miles per hour, with your legs following right behind. You admittedly got too into it that you weren’t focusing, now you have to make a great escape. 

This isn’t the first time you’ve had to run away from a camper, there was a time where a woman got spooked by you on her way to take a piss. Her scream was so loud that you immediately dashed past her, dropping the clothes you had stolen. Her husband (presumably an experienced outdoorsman) actually trekked through the woods with a shotgun for a while as you held your breath in the branches above. Ultimately, her family was gone before the sun was down. 

But you aren't sure you can just avoid this one. You allow yourself to turn peek behind you and see him . The smoking catman, Nyen. The shade of the night is heavy, but you’ve adapted to see well in the dark. You’re sure he has that skill too with the way his gaze is steady, hard, and right on yo u through terrifying masked eyes. Where did his eyepatch go?

Shaky hands clutch the filled crossbody bag that jumps with your every movement. If you had to go through this, you at least want to keep the stuff. 

Just tire him out, you think. It's reassuring that you know these woods like the back of your hand. You’ve tread several miles, exploring and wondering, though never finding a road. (Odd.)

Agilely weaving him past trees and fallen logs, your boots try to find leaf covered ground in an attempt to not leave visible tracks, but that would cause you to move slower – and you can't afford that. You assume with enough loops and turns, he will lose your trail.

A loud, gravelly yell can be heard behind you, “You can't run forever!” It makes your heart hammer because it's true. You aren't sure how long you’ve been running now but it feels like hours .

Periodically, you pause to catch your breath, but it isn't long before you hear his heavy steps get closer and closer, forcing the chase to start again.

It’s terrifying. You have amazing stamina. It's part of being in these woods, moving a lot. Nyen is different though, you don't think he’s stopped once. He’s a hunter, a bit slower than his prey but always behind. 

Huffing, you duck under branches and jump over uneven ground with aching legs, barely catching yourself a few times. It’s strenuous to carry on like this, so close to giving out. It’s impossible to focus with this adrenaline pumping through your veins, are you going in circles? Herbage you’re so used to begin to feel like a labyrinth of ever consuming moss and vines. 

Managing to keep your distance, you start to believe that maybe you’ve lost him when the echo of rushed footsteps begin to fade. There’s a wave of relief when all that can be heard is the sound of heavy panting and earth stirring underneath sore feet. 

You close your eyes as you continue to move forward, wind flowing through your hair with momentum. It’s just for a second, for a moment of clarity. It's a terrible second. Your right ankle rolls horribly on a rock, making you tumble down with shriek. It reverberates past trees and you’re sure he's heard it. 

He’s already closing the gap, leaves shuffling behind you. Regaining composure with gritted teeth, you come to the conclusion that he can have his damn things. It’s not worth running forever. Peeking at your quickly growing swollen ankle, you aren't sure you even could.

Finding an area where the trees thin out with patches of soft grass, you use the last of your excretion to exclaim, “Wait, wait!” Facing him finally, he stops feet away from you. 

You finally get a closer look at him. His stance is still aggressive, as if you are about to take off at any moment. You see his glare filled with pure disdain, thin lips curling in a snarl. His eyes go beyond his bizarre mask, it feels like he's piercing you with them.

“Say it.” It's a husky voice that makes the anxiety in your stomach swirl. You realize you haven't been face to face with someone in… a while.

Croaking out with a strained voice, “Look, here. Have it back, I don't want it anymore.” With shaking hands, you tug the worn leather over your body and drop it onto the ground in between you two. Gulping, you scan his figure for any type of reaction.

That's when you notice a glint in his hand – a knife. Maybe it was foolish to assume he wouldn't have a weapon on him, he was chasing you after all. But it dawns on you that you don't have one. 

Nyen seems to pick up on your sudden stiffening, taking a step forward. It takes everything in you to not take off, but you know it would be fruitless with a sore ankle. 

“I know who you are.” You shake, “You do?” He nods slowly, “Randal told me about you. ‘The Lost Camper’, a habitual thief and urban legend. A fucking pussy too.” 

A low laugh escapes his lips, he’s getting closer. “So, you think you can just get away with this?” Sweat builds even heavier on your brow and you shake your head, “No, no. I’m – I’m sorry. I didn't mean to–” He cuts you off, “You knew exactly what the fuck you were doing. You need to be dealt with. ”

Your flight instinct kicks in and despite the light injury you sustained, your feet begin to move on their own. It's not fast enough though, he lunges at you and the sudden weight causes you to fall down with a pained hiss.

There's a tackle, he's grabbing at you while you try to force yourself up under him. It’s incredibly rough, there isn't enough room to struggle around with how his weight presses you down.

You watch terribly as Nyen brings his knife up in the air. The pale moon shines on the blade, and for a second, you see the reflection of your terrified face before it stains red. 

A guttural scream forces out of your mouth, making you throw your head back before it crooks back down to see crimson blood seep through your jeans down the side of your thigh. 

Nyen doesn't waste time in pulling the blade back, watching how you writhe in pain. Through teary eyes, you see pure excitement spread across his shaded face. He’s enjoying this. 

You can barely resist when he's forcing your thick jacket off your body – not satisfied with how the material lessens the cuts he’s adorning your body. “Don't do this…” It’s meek and pathetic, you know but you can't help it. He stands above, blood staining his hands. 

“It's already happening.” It's deep and low, and you feel every drip of venom that laces his words. 

You witness Nyen begin to rub the growing bulge in his tan jeans, causing your stomach to twist in a way that you're scared you may vomit out of the fear and pain. The catman groans, “Fuck… I’m going to make a mess out of you.”

Soon enough, he strips you of your worn shirt and jeans clothes. It's scary how Nyen handles you like a ragdoll, no concern for the twists and gashes your injured body has to endure. 

“So this is what you were hiding under all that? Lucky me.” It’s so condescending that you grit your teeth. For any chance of keeping your dignity, an attempt of covering yourself and moving is made – but it’s met with a swift kick to your ribs that results in burning heaving.

A cold hand slips under your bra, lifting it over and groping at your chest. Whimpering, you attempt to shy away from his touch but he draws you back with an even colder tip of a blade that swipes across your skin. 

Red drapes over your body like a warm blanket in contrast to the cool chill of the forest air. You can almost stare off into the starry night you are so used to while you try to regain bated breath, just for an escape.

Nyen doesn't allow this though. He flips you over roughly onto your stomach, ripping away the comforting sky from your vision. Again, you want to at least protest when he greedily spreads your legs open, hand prodding at your sensitive heat.

Shit. You don't remember the last time you ventured into anything sexual. Maybe you’d rub one out when the idea popped up, but it never really did. You’ve seen a… er– dildo (if you remember correctly what it was called) once or twice when snooping around camps. It gave you a good laugh then, but you would ultimately leave it. 

Now you can feel how his hard length presses up against you. It’s an uncommon sensation, and fuck – why does it have to be big? 

Cutting your underwear off, his long fingers soon dip into the heat of your pussy, pushing in and out. You gasp and tremble underneath his touch. He doesn't wait for you, curling his digits up as growing wetness coats his knuckles. It's disgustingly good, making your traitorous body clench around his fingers. 

Nyen looms over you, wiping the soaked knife onto dark long sleeves, helping him keep his grip on the handle. Then, he pulls his fingers out of you, tauntingly slow to hear how you whimper pathetically. “Look at you, bitch. You're fucking dripping.” He mixes the juices with your blood, “Heh, in more ways than one.”

With unbuckled jeans, he moves fully on top of you, knees pining the sides of you down as he grunts against your soft ass. Nyen then grips your hair and pulls your head back, curving your spine into an uncomfortable position. His knife finds its way to your exposed neck. 

Shaking, it nips at your skin as shallow breaths escape you. He brings himself closer . “Should I just kill you now? What do you think, slut?” Adrenaline rushes through your body, a shameful cry escapes you, “No, no! Don't– don't!” 

He grinds against you, “Then beg.” Shaking your head, you respond – “Please. Please let me go, I’m sorry.” A deep sinister chuckle responds, “No, bitch.” He yanks your head back even farther. Feeling his hot breath against your face, he spits, “Beg for me to fuck you.” 

Tears pool in your eyes, shutting tightly when his blade grazes hurt skin once more. His hard length prods at your entrance – waiting. With a deep breath, you whisper oh-so pathetically. “Please fuck me.” You pray it's enough.

“Better than that. C'mon, or I’ll slit your pretty little fucking throat.” He yanks your hair, pushing into your skin. You panic, fat tears streaming down your face. “No! Don't kill me! Please, please just fuck me. Please.”  

Your screams turn into loud cries, echoing onto the tall trees that surround the scene. Nyen relishes in your wails, nails digging into the back of your scalp before his cock sinks into you roughly. You squirm with a loud pained gasp, you weren't close to ready for him. 

His knife (thankfully) removes itself from your neck, grip on the handle still iron strong. It doesn't give you anything to distract from as he stretches you out incredibly painfully. Inch by inch, your muscles contract and try to adjust to his size – but it's not nearly enough when he begins to start to move. 

“You're so fucking tight.” He lets out a sharp grunt, skin slapping against yours. “You've never fucked, haven’t you?” All you can do is cry. “Perfect.”

Forgetting the threat of his knife, he reminds you with a deep slash across your back. Pain vibrates through you, hands grip at soil and blades of grass in an attempt to stiffen the burning sensation that consumes you. Nausea festers and chokes at the back of your throat, certain that if you had eaten this morning it’d be spilling out your mouth by now.

It's an entrancing sight for Nyen, the large gash displays the crimson beautiful blood dripping down your arched back and onto your asscheeks as he slams into you. It’s a lot of blood. So much so that he feels how you physically weaken under him, fully incapacitated.

He decides to flip you back onto your back once again like the ragdoll you are. There, he can see how the light in your eyes start to dim. Red, and swollen, and tear rimmed – they stare back at him, wordlessly pleading for any type of mercy.

Nyen ignores it, choosing to grab your injured thighs and hike them over his broad shoulders, angling even deeper inside of you. Tight muscles draw him closer, grunting at the feeling of your warmth enveloping him. “Shit, you're a greedy fucking thing, aren't you?” He spits at you, grabbing your face to make sure your eyes stay on him, inches separating your faces. 

You don't respond, hoarse cries and moans are all the sounds you can make. Nyen’s mask taunts you, wide eyes never leaving yours as his nails scratch at your chest and waist, marking and trailing. Nyen’s nails even have the nerve to dig into your open wounds, forcing the blood to escape even faster. 

Any pleas you can muster out fall on deaf ears, and you almost wish he killed you before all this. But then it clicks that this is all just a game to him – you're simply a toy. The evil grin on his face is evident of this, he's truly enjoying watching this horrible scene come undone by his hands. The chase, the torture, your cries . It only makes his heavy cock harder and his thrusts sloppier. 

Your head is woozy and your vision is getting blurry. Numbness circuits through your body, the only thing you can feel is the sensation of his cock ramming into you over and over again. 

Nyen lets go of your face and chooses to grab at your bouncing tits, squeezing hard enough to create bruises. His twitching cock then rubs inside of you perfectly . A loud whine follows that causes Nyen’s jaw clench at the sudden extra pressure around his length, “Ah, hgh,– take my cum like the pathetic bitch you are,”

Stars in your vision soon mix with the stars in the night sky, you can't feel your legs anymore, neither your arms. Blood loss is getting to you – and quickly.

His body drives into yours, the sensation of gore under you squelches around against skin and dirt. Then, the knot building inside your numbing abdomen finally snaps, your breath hitches and you keen loudly – writhing around him.

Nyen soon follows, basically growling at how your pulsating pussy feverishly sucks him in and empties his balls. He rides the orgasm, fucking his cum deep inside you, and basking in the gripping release.

When he pulls out and off of you, your body limps on the ground. Overlooking, he can see how your lungs shallowly take in much needed air. Blood glistens off your cut adorned skin, and god is it a fucking beautiful sight.

He tucks his cock back into his blood soaked jeans, and he can already hear about how it's extra laundry to do now. But frankly, he doesn't care. Nyen gives you a once over, just to make sure the image of you really seeps into his brain. After well enough, he pockets his knife and walks over to the criminal leather bag that started this all. 

Suddenly, a weak grip holds onto his ankle. You.

You look at him with big, lidded eyes and croak out, “Wait… wait– am I… am I going to die?” He stares back at your frightened face with his reactionless one. It's quick before he gives you a sinister smile, then he yanks his ankle out from your grasp and grabs the bag that lays beside you. 

“Yeah, probably.” He then pulls a cigarette out of his back pocket and lights it, flicking hot ash onto your chest. 

“You were a good fuck though, I’ll give you that.” It’s patronizing. A final tear streams down your cheek as you watch him walk into the fog of the trees without another word.

You stare at the sky once again, leaves sway above and let moonlight peek through. Your inhales seem to be getting shorter and shorter, but you don't realize. You just pay attention to the movement of the leaves and the formation of stars. 

Grass picks at the back of your head, it’s soft – one of the only things you can feel besides excruciating pain. You let it be your pillow, the comfort that is ever fleeting from your grasp. 

This wasn't a fate you ever expected to have, it wasn't even proper death. It all makes you want to get up and fight for yourself. To live. He wasn't going to win. 

But reality sinks in when your vision fills with black spots, and you remember you're actively bleeding out, abused and hurt. Dying. It hurts to move, and the lone thought of welcoming it reverberates in your mind. It’s okay… It’s okay… 

With a final breath and ringing ears, darkness finally mercifully consumes you. 

To the dirt you were born, to the dirt you return to. 

And to the dirt you will rise up from again. 

[seeker-ophelia]

Nothing in any lore connects my people to the Old God Dragons who became Archdemons.

Spoilers below, you've been warned, heads up, #Long Post

In the rotunda with Solas, you have the options to ask him some questions about Corypheus.

Inky: Tell me about his orb. I would like to know more about the orb he carries. As I said, that must be the means by which he created the breach. I suspect the blast that destroyed the conclave was more accident than anything. The result of unlocking power that had sought release for ages. What I cannot understand is how he managed to survive such an explosion. Inky: (Is the orb Elvhen) You said you believed that the orb is Elvhen? *Solas in the most snooty, condescending tone: I never would have believed a Tevinter mage could unlock such a powerful Relic. It clearly enhances his abilities, giving him access to power he should never have known. Inky: Like the power to control the archdemon? Indirectly, one assumes. Nothing in any lore connects my people (Ancient Elvhen) to the Old God Dragons who became Archdemons.

What? Why wouldn’t it? You got 7 Evanuris (+ Mythal), 7 Old Gods. People wernt stupid. Why wouldn’t you make a connection? THEY ALREADY MADE THE CONENCITON IN THE ASTRARIUMS.

And he doesn't say THERE ISNT or THERES NO CONNECTION… he says NOTHING IN ANY LORE… Did he scrub the lore?

Why would he? To prevent others from trying to ascend to godhood like he had?

Nothing in any lore connects my people (Ancient Elvhen) to the Old God Dragons who became Archdemons.

Sidebar: Im super mad at how a Dalish Inky DOESN’T question him more about this. Who are HIS people? We know at this point Solas does not consider himself Dalish. But he’s not a city elf. So what is he? WHY doesn’t the Inquisitor, especially a DALISH Inquisitor, ask him more about this? It makes me big mad.

And as of the leak today,

We absolutely 100% know that, if the Old Gods were not 100% The Evanuris, they are at last a third the Evanuris.

(OP why you making me do math, why a third? Why not half?)

Lets rewind.

Long ago, when time itself was young, the only things in existence were the sun and the land. The sun, curious about the land, bowed his head close to her body, and Elgar'nan was born in the place where they touched. As a gift to Elgar'nan, the land brought forth great birds and beasts of sky and forest, and all manner of wonderful green things. —From Codex entry: Elgar'nan: God of Vengeance

Lets take this to mean, not the literal birth of the man, but the creation of a God. The Sun bowed his neck (like a dragon neck), to touch the land (like a titan), and the first God was born.

Interesting Thing 1) He just called his clan leader a keeper. But a Keeper is the mage leader of a Dalish clan. We assume this is a dwarf because we find it in the Deep Roads, but this might be an elf. An elf who's whole clan was decimated and is going to join the Qun.

Codex entry: Torn Notebook in the Deep Roads, Section 2 Many of these pages are filled with sketches of elven statues matching the ones found in the area, along with notes and what look like attempts to practice Qunlat: They say the agents of Fen'Harel caused trouble in the Crossroads. I wish I knew. I wish whoever fights in the name of the old wolf was around to fight when the darkspawn took my clan. Mine is not to question. I have chosen the Qun. The Qun will protect me. Rethost: You all protect Rethadim: They all protect Rethsaam: We all protect These statues are older than anything I saw in my days with the clan. The area's dwarven, though. What were the ancient elves doing down here? Mining? Where were the dwarves? Easier to have them mine it. Not a trading post. You don't go into a friend's home, knock over their gods, and put up your own. War? I don't remember any legends about our people fighting the dwarves. Though I remember my Keeper telling a story about how the dwarves fear the sun because of Elgar'nan's fire. A metaphor for the elves of Arlathan driving the dwarves underground? The Qunari like metaphors. I should share that.

Interesting Thing 2) the dwarves fear the sun because of Elgar'nan's fire.

Codex entry: Dwarven Inscriptions: Hissing Wastes Fairel, Paragon, fled from the strife his brilliance created, the strife that destroyed thaigs, sundered houses, from weapons that clan used against clan. His own clan and his two sons followed Fairel to the pitiless surface, the surface where they would hide from the war that took their home.

"Oh yeah, I remember that. Fuck I hated the Hissing Wastes."

Codex entry: A Journal on Dwarven Ruins (Excerpt) … The statues here were chiseled thousands of years ago, I'm sure of it. … The writing talks about "the sad parting from the Stone." … … It's a Paragon. The man who lead the people here, who built this city, was master smith Paragon Fairel…. ... I was tracing heraldry etched on a wall when I noticed pictures of weapons with winged lizards worked into the decoration. I spent the rest of the day translating the inscriptions. This verse was apparently passed down through Fairel's house, through his father to his father's father and so on for hundred of generations: "From the Stone, have no fear of anything, but the stone-less sky betrays with wings of flame. If the surface must be breached, if there is no other way, bring weapons against the urtok, and heed their screams." "Urtok" means "dragon." Why was it part of an ancient crest? Why were these dwarves so worried about a monster they'd never see that they worked it into their weapons? This place becomes more impossible each day.

Lets Assume then, that the Elgar’nan’s fire, is Urtok fire. Dragon fire. That’s the Sun. It’s the Sun in dwarven legend, AND, it’s the sun in Elgar’dad’s story.

OK. We got Dragon and Titan.

Sun and Stone.

Sun + Stone + Elf/Mage = God?

Blue and Yellow?

Remember the Flemyth/Kieran Scene. (In my headcannon, these are called Navi-bitches)

We KNOW with 100% certainty that Urthemiel is a blue navi-bitch.

I think it is safe to say that all of the Dragon Navi’s are blue because of the last Flemythal scene in DA:I. A blue wisp goes through the mirror (Urthemiel we assume?) and another blue navi-bitch goes from Flemyth to Solas, effectively killing Flemyth.

So let’s assume ALL dragon Navi-souls are blue.

Blue and Gold waves (probably magic). – with the 8 pointed star (right elf) in light green, and the "sun" in red (center).

(I think its safe to assume now the center red sun is either a red lyrium grove or blighted lyrium)

The Gold Titan heart, with Anruils spear.

Only thing I cant figure is why the 8 pointed star in the gold elfs arms is green.

Its not blue, its not gold anymore.

And Corypheus’s orb is red:  (maybe because it got infected with red lyrium/the blight?)

OUR Mark (The Inquisitors Hand) is Green… so maybe when a Titan heart is taken out of the mountain it turns green?

Looks like Corypheus tried to overpower the orb and that’s why it fucked him in the face?

See green and green? And Corypiss is red.

“Dumat! Ancient Ones! I beseech you! If you exist, if you ever truly existed, aid me now!”

And the orb smack-fucks Corypants in the FACE. Get fucked scrub we don’t like your tainted power.

And the orb is green again.

Are ALL orbs green? Or only THIS one?

I mean, basic colour theory tells us that blue and yellow make green, but we already know the old gods were separated from their orbs because of Kierans blue Navi-bitch.

What happened to the rest of them? What happened to the rest of the Blue Dragon Navi’s? Does putting them into a warden and then killing the warden actually kill the blue spirit?

This is a screenshot from Varrics voiceover (Spoiler Alert).

Looks like an orb to me.

And she’s gold. Maybe slightly green.

SO, where does all of this lead.

Five Gold semicircles missing - 5 Blights. 5 Archdemons. 5 Old Gods. 5 of the Evanuris. But we KNOW their Navi's were blue. Why use Gold? [To erase the Elf-Dragon aspect, Solas you sly fox?]

And where are they now?

We can assume Morrigan has a Dragon-Navi. Solas has a Dragon-Navi. That still leaves 3 or 4 (if Solas has Mythals Navi or a different Old God Navi).

... It really really bothers me that the star outside of the titan is green.

“Emerald water of the Fade”? Is it because the fade itself whenever we’ve gone in it is green-ish? Is the Fade just green? Is magic green?

Fuck it lets go full circle.

Nothing in any lore connects my people to the Old God Dragons who became Archdemons.

Ok Solas. Why?

Solas painted the Trespasser Frescos. He catalogued the evidence of the Evanuris Sundering Titans.

WHY?

Why “remember” the killing of the Titans and NOT that the Old Gods were the Evanuris?

He wanted the Evanuris gone because he wanted to free the elves from the tyranny of the Evanuris (I’m assuming they were using slaves for blood magic-that’s another lore rant). He was angry that they “killed” Mythal.

Solas wants Him freeing slaves, and Him removing vallaslin, remembered. He wants his creation of the veil to be remembered, but he doesn’t want anyone to know the Old Gods = Locked up Evanuris Navi’s.

WHY?

Why show people essentially how to become gods, sundering titans, but ignore the dragon part?

Honestly I don’t know at this point my brain hurts. And I have so many questions now.

Where are the rest of the Evanuris?

Where my Shadow Twins at?

Looking way more likely now that Ghilly is actually Anduil-Ghilly Hybrid, w/ a bit of parasitic-twin-syndrome going on.

Sylaise and June? I have so many questions for you, we didn’t even get to meet you.

WHERE ARE YOU?

Yavana is an infamous Antivan (biiitch we're going there in DATV) Witch of the Wilds known as the "Beast of the Tellari swamps".

Yavana Quotes:

"The blood of dragons is the blood of the world."

(to��Alistair) Your heart beats with the old blood, as well. Where do you think it comes from? It sings of a time when dragons ruled the skies. A time before the Veil, before the mysteries were forgotten. Can you hear it?"

Alistair: "You and Morrigan and Flemeth...all you do is manipulate and lie."

Yavana: "That is our craft, but not our purpose. Mankind destroys without understanding, yet I preserve."

Yavana, my girl. Hunny. Girlboss. What are you preserving sweetie? And WHERE ARE THEY NOW THAT ALISTAIR KILLED YOU? WHO HAS THE NAVI’S, YAVANA??

And WHY is it so damn important for SOLAS Mythal to stop the rest of the world from figuring it out?

[blues824]

Talking about the uppermoons how would they react to the female Solomon reader.

🧙‍♀️Learning that a human has cured ubuyashiki and later on muzan learning that it was not just a regular human but a human that has reatched his goal in life to become immortal and learning that she was born around 1000 bc and is one of the strongest sorcerers in the world.

✨How pissd of whoud they bet that a regular human became immortal on accident because of her shitty food when they though she did it on purpose but later on find out it she became immortal on accident.

🧙‍♀️Them later on finding out that she used to be married to yoriichi and that her even had the pact of Solomon (and kokushibo not knowing about it and being angry that his younger brother outdid him by being married with the most powerful soreror )

✨And her helping the demon slayers ever since and now has resurfaced and is helping the hashira and ubuyashiki again .

🧙‍♀️Them learning that the used to be royalty with a 1000 lovers and wives learning that they library of Solomon holds books that can destroy the world that only she can enter because of her magic.

✨Imagen them kidnapping her and hers summenig her 72 demon and telporting away and later on telling the demon slayers and ubuyashiki about the location of the infinity castle.

🧙‍♀️The uppermoons and muzan learning that she has pacts with demons that are way stronger than them and don't eat human flesh but their soul.

Does not include Hantengu or any of his other personas. Sorry, but it’s too much. I did include Gyokko and Nakime, tho.

Muzan Kibutsuji

He knew you existed, and for years he had been searching for you. After all, you were the wife of one of his greatest enemies, as well as an incredibly powerful ally to the Demon Slayer Corps. Not just that, but you were immortal and could roam the earth. You also cured Kagaya Ubuyashiki, so it was no wonder he wanted to see where you got your magic from.

However, when he did manage to somehow kidnap you, you didn’t do anything to demonstrate your power. In fact, you just sat there as you teased about how he was just so angry that he couldn’t conquer the Sun while you had 1000 spouses since he had become a demon. You could even destroy all of demonkind with just a whisper of an incantation, you further pissed him off by saying this.

Eventually, you got a bit tired and you knew that the demon slayers were struggling trying to get you back, so you activated each and every demon pact you had and proceeded to beat his ass and stomp it into the ground. As he laid there, battered and bruised, you stated how sorry you were for the diseases he had in his life and how they led to the decline of his quality of both life and demon-life.

Kokushibo

He was very angry that his brother managed to outdo him once again, but this time in picking a spouse. You were a legend all over the world, with powers unmatched and immortality, along with being able to roam about in the Sun, his brother won the jackpot. But, as furious as he is, he follows Muzan’s order to keep you alive.

The Rip-Off Michael Jackson himself had put everyone on shifts to look out after you and make sure that you weren’t up to deep shit. But, Kokushibo was aware that you would try to use his brother against him. What he didn’t expect was for you to say ‘I dreamed of meeting you, based on the wonderful things Yoriichi had told me about you. At least his wish was granted’.

This threw him for a loop as he just stared at you in shock. You took the chance to summon the 72 demons you had pacts with and quickly made an escape. As strong as your brother-in-law was, he stood no chance against the demons you associate yourself with. In addition to that, the demon slayers that were trying to get you back got assistance from a different kind of demon.

Douma

This man was not opposed to being assigned a shift of watching over you. In fact, he was very excited. But once he walked into the room with a smile, you (with a matching smile) told him to drop the cheery exterior and show his real self. Well, you didn’t have to be such a mood killer, now did you? He asked, after ditching the fake ass smile.

To be fair, while you were being held captive, you got to read Douma for who he really was. You were aware that he was idolized as a child for his eyes, and you were also aware that he was leading people to a false paradise that he didn’t even believe in. However, you knew that it was real, and that it was the Celestial Realm. You didn’t think it would be worth arguing with him, as it was his belief.

However, you drew the line when he said that it was sad how you didn’t make your husband immortal as well, and that it must have been because you were selfish. You let your emotions get the better of you, as this was a matter concerning the man you loved. Thus, Douma was trampled by the 72 infinitely stronger demons. Not completely dead, but he did not recover fast enough to stop you from making your escape.

Akaza

He wanted to challenge you to a fight to see if you were strong, but Muzan had ordered him not to. Unfortunately, for his shift, he was paired up with Kokushibo… the goody-two-shoes who always followed the rules. But, upon entering the room where you were tied to a chair, you said ‘I wish I could have been there. I could have healed your father, and your wife’.

This stopped the Uppermoon in his tracks, as there was no way you could have known about his life when he was a human. To be fair, you were a powerful sorceress, but to have this amount of power over him with just words. His partner didn’t have much mercy taken upon him either, and he knew that this would be a struggle.

At some point in the night, you sensed that the demon slayers were struggling due to a spell you had set in place, and you summoned the 72 demons you had on standby to pummel the two into the ground. You needed to escape, and you were aware that you wouldn’t be able to recite a spell quickly enough. You had to admit that you did feel bad for just layering on more pain, but to be fair, you were the one who was kidnapped first.

Gyokko

To say that he wasn’t excited to be ‘babysitting’ you would be the understatement of both his and your immortal lives. However, you weren’t exactly happy to be here either. Whenever you would attempt any form of small talk, he would bark at you to keep quiet and tell you that he was only here because the master had ordered him to be.

But, you were able to see into his human life, and you had to admit that he had been pretty fucked up as a kid. The villagers didn’t help either. You, in a moment of quiet, whispered that ‘an interest and fascination with the dead after seeing your parents’ corpses isn’t unusual’. This caught Gyokko’s attention, as he was constantly ostracized for his peculiar and even mortifying interest.

However, this little dance of trying to understand him was getting too tiring, so you summoned your 72 strong-as-hell demons and broke out of the restraints. It was saddening, as you wished to know his entire story and how you could help him reach the Celestial Realm. But, it was no longer your concern. What was your concern was making sure that the demon slayers didn’t die for you.

Nakime

Upon meeting her, you knew that this would be a rather boring night. Her responses to any questions you asked were kept brief and to-the-point, not wanting to let you receive any more information than what Muzan deemed necessary. Plus, there was danger in you knowing more than you needed to know.

But, you were the most powerful sorceress in the world, and you already knew more information than was given to you. You even said that you thought her music was beautiful, but that her husband was shitty. Her hands stopped one one of the strings on her biwa, surprised at what you had said.

When you felt some of the demon slayers you had a personal connection to shout your name with the spell you had once given to your husband to seal away, you knew that it was time to wrap up the show. You ordered your demons to not kill Nakime, as you knew that it would disrupt the fate planned out for her, but they left her incapacitated enough for you to escape and help the demon slayers.

Daki 

So, she also wasn’t exactly pleased to be put on a shift. After all, the master was showing clear favoritism towards you. She wasn’t able to lay a single finger upon a single strand of hair on your head. But, she didn’t want to anger Muzan, and thus followed his order. However, she did not indulge in any small talk.

‘You are fortunate to have your brother, but it’s disheartening to know how you have struggled in life and in your current afterlife’. This caused Daki to do a double take, as she knew that there was no way you could have known about her human life. She had to recompose herself so that you wouldn’t be able to see her as vulnerable.

As the night went on, you suddenly got a chill down your spine: a demon slayer had been killed. You summoned all 72 demons and ordered an attack to get you out, and you broke out of the restraints. It was all a whirlwind, but you used your magic to make it an easier escape. You were very angry, to say the least.

Gyutaro

Another person who is not excited to be watching over you, but he had received a warning from his sister that you would try to manipulate him by telling him that you were saddened by his human life. So, he went in expecting it, but you didn’t say anything. Instead, you just watched him as he took a seat in front of you.

What you did say was, ‘You regret being a bad influence to your sister. Don’t be. You taught her to be strong and resilient, and I saw that during her shift.’ Well, you just hit close to home, didn’t you? Gyutaro didn’t really know what to say in response, so he just stayed quiet. However, he saw that you were very graceful and very tender, but he tried not to let his guard down.

Eventually, you got the all too familiar shiver down your spine, and you knew that it was time to leave and help the demon slayers. You summoned your demons, and you were sad that Gyutaro was fighting his hardest while the 72 demons on your side were barely giving their ten percent.

[maxwell-grant]

You’ll prob wait to answer this after Caped Crusader drops, but: Does making Penguin NOT a white guy drastically change the character? And if so, is that a good thing?

Anonymous asked: So... Thoughts on Oswalda from Batman: The Caped Crusader?

@jcogginsa asked: New Batman show is out, and with it is a new Penguin. Have any thoughts on Minnie Driver's take on the Penguin?

Regarding the first ask, I mean, it really ought to, right? That seems to be part of the point of doing this kind of thing, to change or recontextualize something big and important about a character in a new light. If it wasn't supposed to be some kind of big change, if it wasn't meant to at least be something new or say something slightly different, I'd ask what would be the point of doing it. Don't get me wrong, it's absolutely a thing to do just for fun / variety's sake, but it's not a choice that can just exist in a vacuum, it does matter how and why exactly you're doing it.

There's a couple of things that I'd say make or break this kind of stuff for me, besides like, you know, not removing existing meaningful elements of characters identities, like making Jewish or Romani characters generic caucasian Americans, real basic decency stuff y'know, not a lot to ask here. I think a change like this should at least bring questions to strengthen it, like: If this character is defined by certain traits or saying certain things, how is this interacting with those? Is this strengthening those existing traits and statements, is it providing new ones, or is it weakening them without offering much in return? Questions about how much can you redefine a character and still have that character be recognizable and all that, and of course the actual important questions of, Who is this for? What is being said here? Why was this decision made? And so on.

The example that comes to mind regarding that specificity, and how that can work wonders to breathe new life onto a character, is the MCU take on Namor, as Ritesh Babu elaborated on in a Patreon article

The reason I say I never truly cared for Namor is that while I thought him a great, compelling character in plenty of works I loved, I always felt a lack of emotional connection. He was enjoyable, but I didn't care about him, y'know? There was a connect. Watching Ryan Coogler's Wakanda Forever helped me bridge that disconnect. I finally realized what had been missing for me. It was Emotional Context.

Namor is historically an abrasive character. He's an angry character. He's got fury and rage, and he doesn't suffer fools. He's headstrong and unrelenting. He's an unyielding force. And he's great and fun that way, historically handled by mostly White writers (with rare exceptions, such as Greg Pak). But it was also, for me, an anger and rage and fury framed and constructed in such a way that it could be broad-strokes. It could be anything and everything from the pollution and climate ruination to perhaps some other tragic thing involving someone he cared about.

Ryan Coogler and Tenoch Huerta to me granted the character an emotional context here that clarifies everything he is, and all that shapes his thought. He's not angry at the surface world and its clownshit in abstract. It's not just the anger of a distant warrior-king of the oceans. It's the anger of the colonized, of the Othered.

What Ryan Coogler and Tenoch Huerta did is give him specificity. He's not just a broad-strokes figure in White hands, for White writers to write as an archetypal broad-strokes morally murky angry bastard guy. No, there's a specific history to this guy, there's a cultural specificity and context to his very existence.

And so Namor isn't some weird racially ambiguous/sorta white figure in largely White hands, but is instead an Indigenous Mexican hero and legend. He's a Mesoamerican figure and he's Mayan.

Coogler dispenses with the vagueries and broad-strokes thinking of the comics, and like any interesting creator should, asks good, rational questions. And that specificity, that's really what makes it for me. That's what I was missing. This is an attempt at using genre to speak to truth, to realities and real experiences, which are important to Black and Brown people. It's a far cry from some abstracted away thing to serve a primary White audience and its sensibilities or interests. - Ryan Coogler's Namor and Specificity

An example I'll give, as far as one reinvention that can make sense but I didn't find so interesting: The conception of Deadshot I like, from Suicide Squad (1987) and bits of Secret Six, is heavily informed by him being a privileged rich white man, a morally catatonic and emotionally rotten self-serving piece of shit in large part because of his privileged background and experiences, as well as a guy who's purposefully evoking the image of white western cowboys and providing commentary on their archetype. Deadshot, to me, is heavily informed by his whiteness, by his American elite background, and by his toxic masculinity, and thus the cocktail of what Deadshot is, comments on and speaks to comprises specific things that I think you'd have to approach very very differently if Floyd Lawton is a black man. I think the specificity of what that character is saying or tends to stand for is lost in adaptations that fudge those elements to make him more like the Will Smith version - you can definitely have another kind of meaningful and cool take on Deadshot, but it's a Deadshot who's gonna have to be saying different things, if he is to be saying anything at all - and most of the time, he isn't, and so to me, that context behind Deadshot is lost with not a lot gained in return. Under no circumstances does this mean you shouldn't be allowed to do it, but I feel like if you're dedicated to doing this to an existing character, there should be at least some commitment to what they are and do.

Getting back to that first question, it also really depends on what exactly are you changing. Like regarding the Penguin specifically, is it his race? His gender? His nationality? It's a very broad question to apply a single Yes or No to so I'm gonna say it's kind of both. On one hand, obviously some major aspects of his presentation and origin and defining traits would have to be altered to better correspond to that defining change. On the other hand, he is already extensively defined around his issues with his self-image and his surroundings and how people treat him, a person who is ostracized and Othered because of his looks or his background and where he stands in the city he grows up in. One of the consistent cornerstones of Oswald as a character is that he's trying extremely hard to overcompensate in wealth and class and power partially to override the ability of others to marginalize him over his weight or stature or poverty or disability and so on, in no small part that's what allowed him to take on protagonist status in recent years. If he was just a regular white guy, he'd be Rupert Thorne. Although, on the other other hand, I must stress here that treating marginalized traits as if they are equally interchangeable is how you get the X-Men school of representation, and we simply have do better than that.

I was very intrigued by the idea of turning Oswald into a woman. Fat men are very often shamed and ridiculed due to traits they are perceived to have in common with women, to be a fat man is to be dehumanized and stripped of masculinity and thus stripped of your worth of as man. To be accepted, fat men are forced to overperform masculinity just as fat women are forced to overperform femininity, and that element of overperformance is never not present in Oswald Cobblepot, who essentially lives in drag 24/7. A genderbend take on Oswald could certainly add a whole different meaning to his typical overreaction to jokes about his weight or looks, things that are commonly played as a joke. Fat women get consistently treated like absolute garbage by most people in ways that are different, more pervasive and frankly nastier than the ways fat men are also treated like garbage, and if people didn't treat him like garbage, The Penguin wouldn't be the person they are.

Penguin as a woman is a concept that could force a lot of his traits to demand renewed consideration, and in some ways you could argue he kinda already is feminized. He certainly doesn't get treated as a man the way Batman and the Joker and Bane and Gordon are. He overcompensates extremely hard in that regard, and it doesn't stick, he can act as tough and grizzled as he wants and he will never not be "the fat one", will never not get pushed around by the real man in Gotham, will never not be the unfit and bloated and squishy lesser-man hiding behind the umbrella because, why, he's not man enough to grit his teeth and hash it out with his fists. If we go back to Count Fosco from The Woman in White, we'll find this is something else they share in common:

"Fat as he is, and old as he is, his movements are astonishingly light and easy. He is as noiseless in a room as any of us women. With all his look of unmistakable mental firmness and power, he is as nervously sensitive as the weakest of us. He starts at chance noises as inveterately as Laura herself."

This passage holds the key to Marian’s complex attitude toward the Count; she is at once fascinated and threatened by him. As Marian’s description reveals, he is both alluring and dangerous, not merely because of his increasingly suspicious behavior throughout the narrative, but because he unnaturally exhibits the qualities of both sexes.

Even though Marian does not explicitly identify the Count’s androgyny as the reason for her discomfort with him, the novel’s keen preoccupation with identifying unknown figures by their sex illuminates the anxiety underlying Marian’s description of the Count. The Count complicates those binary categories, and, in true Victorian fashion, his deviance attracts simultaneous fascination and repulsion - Count Fosco and the Androgynous Mystique

He is Oswald Cobblepot, the pathetic little momma's boy, because even his personal tragedies are depicted as lesser, insignificant, not the right kind of cool cinematic masculine tragedy, and he is The Penguin, the eccentric oddly enthusiastic about worthless little things like his favorite animals and trinkets - things that the narrative deems worthless because Oswald is worthless in the literal term: he is worth less than Bruce Wayne, less than Batman, and we watch him as he fights tooth and nail to deny this, whether it's by beating Batman his own way or seeking power to avert his lot in life and stand above all the men that have put him down, or even just seeking villainy as a form of self-actualization, through that perseverance and ability to outmaneuver men so much bigger and scarier, who think they can nail the Penguin while their world is swiped from under them.

It's not for nothing that, in terms of where they stand in Batman's world nowadays, Penguin is practically sharing an apartment with Catwoman and the Riddler, the other 60s camp queens who won't leave banding together even when they can't stand each other. So, yeah, I was extremely curious as to what direction Caped Crusader was gonna lean into with the idea. Could it go wrong and be offensive garbage? Obviously, but I also thought it promised an intriguing new direction, of context that could add or rework so much about his existing traits. I didn't like the name Oswalda, no, but even besides all that I mentioned above, with The Penguin show coming out with it's new take on the character that's all about modernizing and grounding and twisting him around, I thought going big on Classic Penguin, with the top hat and monocle and sword-umbrella and existing in a Golden Age Gotham, and doing a genderflip, was a very solid idea to place opposite of it. So how did I feel about Oswalda Cobblepot?

...It sucked, guys, I'm sorry, I'm really not happy to say it. Caped Crusader's first episode was ASS, and 6 episodes in, while the rest of it has been better (not great, but tolerable, occasionally good even), that pilot was the most stone-faced I've ever been sitting through a Batman thing and frankly I don't even have anything to say about regarding Oswalda. There were tentative beginnings of a take but not actually anything that rounds out into one (and frankly I'd say this Harley Quinn also has that problem to a lesser degree, this show so far has been just really barebones across the board), and frankly I'm not asking for much, I've lived off breadcrumbs before when it comes to Penguin, I'd be good with something if there was something. She isn't remotely a threat to Batman and seems pretty damn dumb, and she gets dealt with on the pilot to make way for Rupert Thorne in a way that kinda really betrays the escalation theme they're shooting for here and it's, guys what else am I supposed to talk about here, seriously?

I don't even like the design that much, it feels like they started from Penguin's head and shoulders and then tried as hard as possible to cinch her waist and slim her down leaving a weird disproportion between her upper body and legs, it looks weird in some shots but I guess you could say that's just the animation being, uh, sub-par to be polite. I guess I like her ruthlessness and that scene where she murders one of her sons, even though that's her being really stupid not noticing the obvious snitch in the room, and it's more so because that was the only moment in the episode where something almost cool happened. I do like her being a cabaret singer, but, man she sounds way too boring for a character with such a distinct way of speaking, if she didn't look like the Penguin from the shoulders up you would never tell that's who this was supposed to be.

I'm sorry that she continues Penguin's bad streak from BTAS, man what a bummer. Still, I have been really enjoying The Batman Audio Adventures lately, it's not like I'm starved for a more classically flavored take on Penguin, so it's only a bummer. I'm open to the idea that she can come back in a later season for a better showing, and she was far from the worst thing about the episode, in fact by process of elimination she was overall the best, but she was the one part I had the most slight hopes for. Oh well.