#makes me feel bad as a writer

[leviismybby]

When you start working on a request and see that another writer got the same thing: 😐

[essektheylyss]

been reading through Lincoln Michel's substack article following the post about writing prose as if describing happenings on a screen and it is phenomenal

[elpeadro]

If the writers wanted CaitVi to be their canon OTP so damn bad, they had two ways of going about it:

THE GOOD ENDING:

Caitlyn doesn’t turn to fascism in her grief and rage. Ambessa still takes advantage of the council bombing to goad Piltover’s elite toward supporting martial law, likely installing Salo as her puppet as she originally planned to, but Caitlyn is one of the few who protest and refuse to be swept up in the authoritarian fervor Ambessa stokes. Because:

1) there’s no way she wouldn’t notice how fishy the attack on the memorial was. This is the same person who pieced together the conspiracy surrounding Silco and his criminal empire without ever stepping foot in Zaun. She’s a great detective who has been shown to see through the surface level cover-up. Not to mention the list of potential suspects with both motive and means is very small. Add on Mel’s insight, who she would interact with as one of the other Piltover characters who resists Ambessa’s scheming, and they would definitely pin Ambessa as their prime suspect. The problem is that they have no proof. All of the attackers are dead. Ambessa covered her tracks well, a nod to Noxian subterfuge in the wider lore. 

And most of all, and most horrifyingly, Piltover doesn’t care. They’re angry. They’re outraged. Their bigotry is being preyed on by Ambessa, but they hardly need a push to go from the indifferent oppression of Zaun to active, overwhelming oppression. They already saw Zaunites as a monolith: criminals, street scum, dirty people who need to stay out of Piltover’s golden streets.

That Jinx is the lone guilty party is irrelevant. Her attack threatens their status quo. It has disrupted the utopia of Piltover living in its ivory towers without a care in the world, and they will bring back that false sense of security by crushing any possibility of Zaun fighting back ever again.

and 2) even with the grief of losing her mother fresh on her mind, this is still Caitlyn Kirammen we’re talking about. The woman who gives up her rifle - not just a prized possession, but her means of self-defense and safety when she’s deep in the worst parts of Zaun - without a second thought to save Vi’s life. The woman who hugs Huck, a homeless drug addict with a cancerous-like growth on half his forehead, of her own volition.

Because she cares.

As we are reminded time and time again in season 1, while Caitlyn is an incredibly naive, privileged, idealistic woman with an exceptional ability to put her foot in her mouth and say the most tone deaf things, she has a good heart, and more importantly, is willing to learn. It isn’t easy at the start, but when confronted with the irrefutable proof of how awful Piltover’s treatment of Zaun is, she listens. She feels sympathy for Zaunites, even if they are drug addicts (Huck), convicts (Vi), or gang leaders (Ekko).

That same Caitlyn, the one we see a small glimpse of in episode 1 when she protests that innocents will be caught in the crossfire, would not stand for Piltover’s martial law and mass imprisonment of Zaunites. She would try to fight it alongside Mel, using her position and influence in the enforcers as Mel uses hers as a politician.

(While she still develops an obsession over Jinx and getting justice for her mother’s death, she doesn’t see collective punishment and chemical weapons as acceptable costs of achieving said justice.)

And if the writing stayed true to the themes of class conflict in season 1, then she would quickly be forced to confront the horrible realization that there is no fixing this. The faults are systematic, not individualistic.

It doesn’t matter if it’s Marcus or Salo or Ambessa or whoever. The enforcers and Piltover will always be corrupt institutions stepping on the necks of Zaun. Piltover’s society is rotten from the inside out. And if she isn’t going to stand by and let it happen (because she refuses to compromise her morals and enforce martial law, because she cares - not just about Vi, but about Ekko and the Firelights, Huck, all the innocent people who will be swept up in Piltover’s thirst for blood), then the only way forward is to fight against Piltover.

So she becomes a class traitor. She fights alongside Vi and Ekko in repelling enforcers and Noxian soldiers from Zaun, protects the innocent. 

Her relationship with Vi develops healthily compared to the canon season 2 - or as best it can in the midst of fighting a war and given their personal issues (Caitlyn’s grief and rage; Vi's self-loathing and guilt) - and they are good for each other.

It becomes a loving, supportive relationship and a wonderful piece of queer representation.

It would be beautiful. Not just the love and trust they have in each other, but that such love can flourish even in dark times. That people are capable of being defined not by their class and the systems they are born into, but by their actions and morals.

(Would such writing be too radical for the higher-ups at Netflix, Riot, and Fortiche (i.e. writing a class traitor and class war)? Most likely, but that discussion is for another time.)

Part 2: The Bad, Tragic Ending

Part 3: The Disjumbled, Tonal Mess of an Ending We Got

[homefryboy]

idk if there’s some kinda term for this, but I like when writers give real props to adaptations of their work:

-akira Toriyama admitted the bardock father of goku TV special made him cry, he said it told a great story in a way he would’ve never come up with. This led to him giving the special a direct nod in the manga

-dav pilkey loved the captain underpants movie and saw it in theaters multiple times. He said he appreciated the movie giving Principal Krupp a softer side, saying he kinda wishes he’d done the same in the books

-dunno if this counts but some bits from western sonic media (such as Sonic’s love of chili dogs) were worked into Japanese works/stuff SEGA made

-above all, Gary K. Wolf thought the who framed Roger rabbit film was so much better than his book (who censored roger rabbit), that he retconned the original story into being a bad dream Jessica had and the rest of the book series is based on the movie instead

feel free to add any more pls

[itsabouttimex2]

“You need to do better.”

(This gets vitriolic, and is a full-blown criticism of Macaque’s portrayal in Season Four and Five. If criticism of a character/franchise you like upsets you, I do not recommend reading.)

Wow. I had no faith in his character writing, and I’m STILL disappointed.

And it only took one episode! How impressive!

Macaque, who has put in ZERO on-screen effort to become a better person or make amends to his victims, is criticizing Wukong for being a bad mentor! And does Wukong criticize him back? NOPE!

After getting screamed at and berated, does Wukong defend himself? NOPE!

Ooh, but there was a second long reference in a dual yelling match that mentioned that Macaque was a genuinely bad person who took glee in hurting innocent people! Oh, fucking delightful! Ooh, Wukong even points out in one episode that Macaque goes without consequences!

Pointing out a flaw in your writing does not make it less of a flaw.

Macaque will always be allowed to do whatever he wants to anyone he wants- power theft, attempted murder, insults, deceit, assault-

And the narrative and characters will never hold him accountable or force Macaque to look inwards or become a better person.

Macaque will always fall upwards into redemption without any obstacles or pushback.

There will never be a struggle to goodness with a satisfying conclusion. There will never be a moment where falters in his newfound goodness and questions going back to his old ways. There will never be explicit remorse or regret. He will never have deep introspections on his crimes and atrocities that provide a reason for him to want to change.

The sum of his “arc” will always be “you were a good guy all along”, and that lack of depth is where it will stay.

RIP Seasons 1-3 Macaque. You were fun and interesting and cool and lovable.

But the man they replaced you with was destined to be a boring and brooding “anti-hero” who has no real connection to the actions you selfishly and violently performed with your own two hands-

And you will always be a less interesting character for it.

The execution of the actual arc boils down to a single heroic (but ultimately self-serving) moment and then Macaque is immediately forgiven for all the crimes he’s committed and is a magically better person without any effort and nothing he’s done is ever brought up again.

It severely weakens any character’s arc to cut them off from their past actions. If MK forgot his traumas every season instead of carrying them forward- we’d all agree that doing so was a case of poor writing.

It was the reason that people disliked Mei’s portrayal in Season Four- she immediately moved on from the Samadhi Fire arc and “no longer wielded it” after spending a whole season gathering and learning to use it.

Why can’t we agree that it’s bad for Macaque, too?

You can’t “develop” a character by dropping an entire plotline and writing it off with one line.

You can’t “redeem” a character by pretending that they were a good person right from the start.

Sorry, bud.

I really did like you. I just wish I could like your writing.

——————

And, what is more clear to me now than ever?

People only defended Macaque’s shitty writing because they think he’s hot.

I know this now, because I’ve seen white-hot Li Jing arc hatred from fervent Macaque arc defenders.

So we all agree that an “I didn’t really mean it!” isn’t an excuse to abuse the people around you? That you don’t get to mistreat innocent people just because you’re stressed and upset?

Hmmm.

Hmmmmmmm.

I wonder why people despise Jing for his dogshit “one nice thing redeems all your bad actions” arc but love Macaque for his??

(Because they think the monkey is hot.)

The funny thing, though?

Li Jing apologizes to at least one of the victims of his actions. He expresses regret and remorse.

Macaque doesn’t even have that.

——————

Anyways here’s a line that I hate because Macaque has in no way developed enough to have the right to deliver it-

AND NO, SUDDENLY HAVING AN AFFINITY FOR PERFORMING KIND OR SACRIFICIAL ACTS IS NOT GOOD CHARACTER DEVELOPMENT

HIM MAGICALLY OFFSCREEN BECOMING A GOOD PERSON WHO CARES ABOUT INNOCENT LIFE IS NOT GOOD CHARACTER DEVELOPMENT

IF ALL IT TAKES TO “BE BETTER” IS ACTING LIKE A HERO, WUKONG IS LITERALLY A THOUSAND TIMES BETTER OF A PERSON THAN HE IS

THIS LINE IS DOGSHIT

“You need to do better.”

Really, Macaque? Maybe you should take your own damn advice- try apologizing to one of the people you tried to hurt and tried to murder in cold blood!

Like when you trapped MK under his staff after stealing his powers and tried to murder him when he was helpless?

Or when you kidnapped MK’s friends and tortured the kid by forcing him to fight them?

Or you led a violent assault against a palace full of innocent people?

Or violently beat his dear friends until they were screaming in pain?

Or assaulted Tang, who posed no threat to you?

Or threatened to murder an innocent girl if you didn’t get your way, then ran away (and encouraged MK to abandon her) first thing when it put her into a life-threatening meltdown of raw power?

(Isn’t it cool how NONE of these people have interesting or varied reactions to him doing this and ALL immediately are cool with him like a gelatinous hivemind.)

(Oooh ONE mildly questioning line from Pigsy but no anger over his adoptive son nearly being killed multiple times over)

(Isn’t it cool that no one has complex or interesting thoughts on this.)

(Isn’t it cool that by robbing them of unique feelings on the matter they robbed Macaque and the Monkie Kids of compelling and interesting interactions that could’ve helped flesh out their personalities and strengthen their characterization.)

(Isn’t it cool that Macaque and the Monkie Kids are actively denied intriguing character dynamics so Macaque’s shitty “redemption arc” can happen faster.)

(Isn’t that cool.)

Why don’t YOU do better, Macaque?

(In a way that is more satisfying than “one kind-hearted speech from a kid that I tried to murder changed my mind and now I am a better person but all my character development happened offscreen and without personal introspection”, at least.)

Also what the fuck do you mean by “do better”?

Be heroic and put your life in danger? He already does that! He’s done it more than you have!

Just tell MK that he’s not alone? YOU COULD DO THAT YOURSELF, MACAQUE!

Help MK with his traumas and fears? MK doesn’t tell anyone about those! He keeps them bottled up, lock and key, and actively refuses attempts to help!

Wukong TRIED to reach out to him, and MK PUSHED HIM AWAY! Was he supposed to tie the fucking kid down and torture the information out of him?

He respected MK’s boundaries by not pushing any further and letting him leave!!

WHY IS THAT A BAD THING??

What the fuck, man

[lucky-clover-gazette]

tbh i think volo would have been significantly more normal and fine if he hadn’t been hiding so much of his true feelings and personality. like when you deny yourself genuine human connection to that degree you’re probably going to come off as a machiavellian monster who wants to make the world and the lives of others worse, but looking at his actual stated motivations and intentions it’s clear to me at least that the guy is deeply empathetic and idealistic and more than anything disappointed that the world can’t be better

[redshoes-blues]

At first when I saw Echo in that armour I was like awe how cute, he’s looking just like Fives! I love a Domino twins accidental matching moment!

And then I thought…oh god. He looks just like Fives.

WHY is Echo wearing a nearly identical outfit to the one Fives does when he dies?? Um. Someone protect my boy??? Please?! Because I stg if I have to watch Echo die wearing That outfit in Rex’s arms…

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[sukibenders]

Aegon, Aemond, Helaena, and Daeron looking at Alicent after she washes her hands of a war, that she (and Otto) dragged them into, and the throne, that she (and Otto) forced them to grasp/fight over even though they obviously didn't want it, and goes off to live her best life while they are all still stuck in a cycle forced on to them without their input (obviously this is about the s2 final):

[jalluzas-ferney]

I don’t think this is an unpopular opinions but lowkey fannon kailor is sm better than cannon kailor.

(Read the tags)

[twentyfivemiceinatrenchcoat]

unfortunately reoccurring phenomenon in my life where i will overestimate my own limits and read a fucked up fic that leads me into genuine distress so i have to delete all traces of it and block the author

[storm-driver]

from here

[sonknuxadow]

wishing that the hype for sonic 3 would just die already because im tired of hearing about it vs knowing that the suffering wouldnt truly be over because theyre talking about making a fourth movie . hell on earth

[qcomicsy]

I have the controversial opinion that maybe, just maybe we stop wanting to go after people with pitchforks for getting characters wrong and not reading the comics inviting them to easy and accessible ways of and making our own content with comic accurate representation

people might feel less anxious about starting comics and misinformation won't spread as easily

[raineandsky]

#95

The villain appears around the corner at a run, their hair still wet and their coat ridiculously crumpled. The hero raises an eyebrow at them as they practically skid to a halt in front of them.

“Sorry I’m late,” they say between ragged breaths.

“You’re fifteen minutes late,” the hero points out with a pointed check of their watch, “to your own crime.”

“To my crime?” the villain echoes indignantly. “Why would you invite me to my own crime?”

That barely makes sense to the hero. They root through their pocket and shove a tiny piece of paper in the villain’s face.

The villain’s eyes scan over the paper with an increasingly confused frown. “You told me to meet you here, and I have—even though you were, y’know, fifteen minutes late.”

“[Hero],” the villain says slowly. “This isn’t my writing.”

All accusations lining up in the hero’s mind grind to a halt. “Excuse me?”

“This– This isn’t my writing,” they repeat a little more intensely. They rummage through their coat for a moment, slapping a scrap of paper against the hero’s chest. “Did you write that?”

The hero pries the little piece of paper open.

meet me at the back of the bank at 6:30pm. not a fight. - Hero

“I didn’t write that,” the hero says automatically.

“What the hell is going on?” the villain demands. It seems to be aimed more at the air than the hero, but they feel inclined to answer regardless.

“I don’t know,” they say uselessly. “Someone wanted to bring us together. They knew we’d answer each other.”

They gesture with the note for emphasis. “Jesus Christ,” the villain says flatly. “It’s a two-for-one deal. We’re going to die.”

“We’re not going to die, [Villain],” the hero snaps, but the way the villain is glancing over their shoulder is making them want to do the same. 

The villain’s face twitches into some kind of horrible acceptance of fate for a moment. They open their mouth, their breath misting in the evening air as they gear up to probably say something stupid, but a voice cuts them off.

“Isn’t this a nice little gathering?” the henchman says brightly. “I’m glad you both came.”

[majimaisms]

i think my biggest problem with the pirate game is majima's absolutely unhinged emotional sheltering being presented as like. a good and healthy and normal thing. which. like. i SUPPOSE the only acceptable situation to do that in is with a child youre responsible for. but its still not acknowledged at all that its unhealthy..? but then again this is how kiryu saga has been for years too. youre just supposed to look at it and know better. they dont really spell it out. at least they didnt until infinite wealth