#machine gun - jimi hendrix

[rastronomicals]

5:21 AM EDT April 19, 2024:

Jimi Hendrix - "Machine Gun" From the album Band Of Gypsys (March 25, 1970)

Last song scrobbled from iTunes at Last.fm

★★★★★

[jt1674]

[matt1965]

JImi Hendrix's Machine Gun by The Moon Tsunami Band

[pisswizrd]

rainy day music

[the-flying-tora]

Machine Gun (Live)

Stop the madness......

[thedepartmentofdiscoveries]

Watch "Jimi Hendrix - Ezy Ryder (Audio)" on YouTube

[ask-sebastian]

I'm starting to forget what I've sent... Perhaps I need to go further back in time! Psychedelic rock? Mhm

It's the best music to just zone out to, absolutely!

I cannot believe I almost forgot about The Moody Blues.

[reasoningdaily]

Machine Gun - Band of Gypsy’s Music Video Live

During the Vietnam Invasion this tune was one of the biggest on the charts everywhere because it was loved by those who hated the war. This was his protest, because he had done his service and was not speaking out against war

[oldmanpeace]

My favorite album from each year, 1960+.

1960. Blues & Roots - Charles Mingus 1961. Blue Hawaii - Elvis Presley 1962. Jazz Samba - Stan Getz with Charlie Byrd 1963. The Freewheelin' Bob Dylan - Bob Dylan 1964. The Times They Are A-Changin' - Bob Dylan 1965. Bringing It All Back Home - Bob Dylan 1966. Blonde on Blonde - Bob Dylan. 1967. Are You Experienced - Jimi Hendrix 1968. Beggars Banquet - The Rolling Stones 1969. Let It Bleed - The Rolling Stones 1970. Bridge Over Troubled Water - Simon & Garfunkel 1971. Led Zeppelin IV - Led Zeppelin 1972. Harvest - Neil Young 1973. Pronounced - Lynyrd Skynyrd 1974. Pretzel Logic - Steely Dan 1975. Born To Run - Bruce Springsteen 1976. Turnstiles - Billy Joel 1977. Rumours - Fleetwood Mac 1978. Excitable Boy - Warren Zevon 1979. Rust Never Sleeps - Neil Young 1980. Heartattack And Vine - Tom Waits 1981. Moving Pictures - Rush 1982. The Number of the Beast - Iron Maiden 1983. Kill 'Em All - Metallica 1984. Purple Rain - Prince 1985. Hounds of Love - Kate Bush 1986. Graceland - Paul Simon 1987. Appetite For Destruction - Guns N' Roses 1988. ...And Justice For All - Metallica 1989. Doolittle - Pixies 1990. People's Instinctive Travels and the Paths of Rhythm - A Tribe Called Quest 1991. Nevermind - Nirvana 1992. Rage Against the Machine - Rage Against the Machine 1993. Enter The Wu-Tang - Wu-Tang Clan 1994. Weezer (The Blue Album) - Weezer 1995. Jagged Little Pill - Alanis Morissette 1996. Beautiful Freak - Eels 1997. Either/Or - Elliott Smith 1998. Mezzanine - Massive Attack 1999. Californication - Red Hot Chili Peppers 2000. Heartbreaker - Ryan Adams 2001. Toxicity - System of a Down 2002. Yoshimi Battles the Pink Robots - The Flaming Lips 2003. Deja Entendu - Brand New 2004. Hot Fuss - The Killers 2005. Takk... - Sigur Rós 2006. One-X - Three Days Grace 2007. Oracular Spectacular - MGMT 2008. 808s & Heartbreak - Kanye West 2009. Man On The Moon: The End of Day - Kid Cudi 2010. My Beautiful Dark Twisted Fantasy - Kanye West 2011. Watch The Throne - Jay-Z 2012. Born To Die - Lana Del Rey 2013. Pure Heroine - Lorde 2014. Ultraviolence - Lana Del Rey 2015. To Pimp A Butterfly - Kendrick Lamar 2016. Puberty 2 - Mitski 2017. Cult Drugs - Blood Command 2018. Goodbye & Good Riddance - Juice WRLD 2019. Norman Fucking Rockwell! - Lana Del Rey 2020. The New Abnormal - The Strokes 2021. The Horses and the Hounds - James McMurtry 2022. It's Almost Dry - Pusha T 2023. World Music Radio - Jon Batiste 2024. The Past Is Still Alive - Hurray For The Riff Raff

[rastronomicals]

12:13 AM EST December 12, 2023:

Jimi Hendrix - "Machine Gun" From the album Band of Gypsys (March 25, 1970)

Last song scrobbled from iTunes at Last.fm

★★★★★

[trendfilmsetter]

Apple Music’s ‘100 Best Albums of All Time’ list:

#1. Lauryn Hill — The Miseducation of Lauryn Hill

#2. Michael Jackson — Thriller

#3. The Beatles — Abbey Road

#4. Prince & The Revolution — Purple Rain

#5. Frank Ocean — Blonde

#6. Stevie Wonder — Songs in the Key of Life

#7. Kendrick Lamar — good kid, m.A.A.d city

#8. Amy Winehouse — Back to Black

#9. Nirvana — Nevermind

#10. Beyoncé — Lemonade

#11. Fleetwood Mac — Rumours

#12. Radiohead — OK Computer

#13. Jay-Z — The Blueprint

#14. Bob Dylan — Highway 61 Revisited

#15. Adele — 21

#16. Joni Mitchell — Blue

#17. Marvin Gaye — What’s Going On

#18. Taylor Swift — 1989 (Taylor’s Version)

#19. Dr. Dre — The Chronic

#20. The Beach Boys — Pet Sounds

#21. The Beatles — Revolver

#22. Bruce Springsteen — Born to Run

#23. Daft Punk — Discovery

#24. David Bowie — The Rise and Fall of Ziggy Stardust and the Spiders From Mars

#25. Miles Davis — Kind of Blue

#26. Kanye West — My Beautiful Dark Twisted Fantasy

#27. Led Zeppelin — Led Zeppelin II

#28. Pink Floyd — The Dark Side of the Moon

#29. A Tribe Called Quest — The Low End Theory

#30. Billie Eilish — WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

#31. Alanis Morissette — Jagged Little Pill

#32. The Notorious B.I.G. — Ready to Die

#33. Radiohead — Kid A

#34. Public Enemy — It Takes a Nation of Millions to Hold Us Back

#35. The Clash — London Calling

#36. Beyoncé — BEYONCÉ

#37. Wu-Tang Clan — Enter the Wu-Tang (36 Chambers)

#38. Carole King — Tapestry

#39. Nas — Illmatic

#40. Aretha Franklin — I Never Loved a Man the Way I Love You

#41. OutKast — Aquemini

#42. Janet Jackson — Control

#43. Talking Heads — Remain in Light

#44. Stevie Wonder — Innervisions

#45. Björk — Homogenic

#46. Bob Marley & The Wailers — Exodus

#47. Drake — Take Care

#48. Beastie Boys — Paul’s Boutique

#49. U2 — The Joshua Tree

#50. Kate Bush — Hounds of Love

#51. Prince — Sign O’ the Times

#52. Guns N' Roses — Appetite for Destruction

#53. The Rolling Stones — Exile on Main St.

#54. John Coltrane — A Love Supreme

#55. Rihanna — ANTI

#56. The Cure — Disintegration

#57. D’Angelo — Voodoo

#58. Oasis — (What’s the Story) Morning Glory?

#59. Arctic Monkeys — AM

#60. The Velvet Underground & Nico — The Velvet Underground and Nico

#61. Sade — Love Deluxe

#62. 2Pac — All Eyez on Me

#63. The Jimi Hendrix Experience — Are You Experienced?

#64. Erykah Badu — Baduizm

#65. De La Soul — 3 Feet High and Rising

#66. The Smiths — The Queen Is Dead

#67. Portishead — Dummy

#68. The Strokes — Is This It

#69. Metallica — Master of Puppets

#70. N.W.A — Straight Outta Compton

#71. Kraftwerk — Trans-Europe Express

#72. SZA — SOS

#73. Steely Dan — Aja

#74. Nine Inch Nails — The Downward Spiral

#75. Missy Elliott — Supa Dupa Fly

#76. Bad Bunny — Un Verano Sin Ti

#77. Madonna — Like a Prayer

#78. Elton John — Goodbye Yellow Brick Road

#79. Lana Del Rey — Norman F*****g Rockwell!

#80. Eminem — The Marshall Mathers LP

#81. Neil Young — After the Gold Rush

#82. 50 Cent — Get Rich or Die Tryin'

#83. Patti Smith — Horses

#84. Snoop Dogg — Doggystyle

#85. Kacey Musgraves — Golden Hour

#86. Mary J. Blige — My Life

#87. Massive Attack — Blue Lines

#88. Nina Simone — I Put a Spell on You

#89. Lady Gaga — The Fame Monster

#90. AC/DC — Back in Black

#91. George Michael — Listen Without Prejudice, Vol. 1

#92. Tyler, The Creator — Flower Boy

#93. Solange — A Seat at the Table

#94. Burial — Untrue

#95. Usher — Confessions

#96. Lorde — Pure Heroine

#97. Rage Against the Machine — Rage Against the Machine

#98. Travis Scott — ASTROWORLD

#99. Eagles — Hotel California

#100. Robyn — Body Talk

[thedepressedpelican]

My Top 20 albums 🎵 🥳😱🥵

In no particular order (started off as my top 10 but that was impossible - I'm exhausted 😭 - need to lie down)

Jagged Little Pill - Alanis Morissette

AM - Arctic Monkeys

Reckless - Bryan Adams

Back in Black - AC/DC

Rumours - Fleetwood Mac

Rage Against The Machine - RATM

Actung Baby - U2

Graceland - Paul Simon

OK Computer - Radiohead

Appetite For Destruction - Guns N' Roses

Nevermind - Nirvana

Led Zeppelin lV - Led Zeppelin

The Stone Roses - The Stone Roses

Kind of Blue - Miles Davis

Born To Run - Bruce Springsteen

The Jimi Hendrix Experience - Jimi Hendrix

101 (Live) - Depeche Mode

The Downward Spiral - Nine Inch Nails

Grace - Jeff Buckley

Parallel Lines - Blondie

[justwalkiingthedog]

Jimi Hendrix - Power of Soul (Machine Gun: Fillmore East 12/31/1969) (Of...

[jazzandother-blog]

Hendrix, Miles and the record that wasn't

Hendrix, Miles y el disco que no fue

(English / Español)

Jimi Hendrix and Miles Davis met in a barbershop. Jimi loved his hair and Miles loved Jimi's hair. That's how it all started. Of course, the music of both was already ruminating in their heads. Hendrix was at the top and Miles was revolutionizing jazz. It was 1969 and drugs and alcohol were very present in their lives. Miles and Jimi started going out together with their respective girlfriends. They would go to bars and have a good time. "They gave us a table in the corner, and even covered us with a curtain so we could smoke a joint. They served us wine and played Jimi's music over the PA system," recalled the guitarist's ex, Carmen Borrero, about one of their visits to the exclusive Small's Paradise, the famous Harlem nightclub.

Jimi started buying jazz records and Miles was completely crazy about Jimi's music. "It's that motherfucking motherfucking Machine Gun." he said after listening to Band of Gypsys. So the idea was brewing. Jimi and Miles would record an album. Jimi cared very little about formalities and contracts, so he agreed one day with Miles to get together to record and told him who he wanted on rhythm: none other than Paul McCartney on bass and Tony Williams on drums. There was one problem anyway. The money. The fucking money. It seems Miles was a little jealous of what Jimi was earning, so he tried to negotiate with Hendrix's manager, Michael Jeffrey, to advance him a few thousand dollars. But there was no case. Thus, greed thwarted what could have been perhaps the best album in the history of jazz and rock.

Maybe there was one lucky guy. His name: Terry Reid, an English friend of Hendrix. In Charles Cross's biography of Jimi, Room Full of Mirrors, Reid recounted that one afternoon he was in Jimi's New York apartment when Miles Davis arrived. The two of them locked themselves in a room and began to play. Trumpet with mute and acoustic guitar. "It was authentically beautiful, it was a tasteful performance, nothing ostentatious or over the top. In the context of jazz, Jimi kept pushing the boundaries, and all those jazz guys respected him like nobody else in the rock world," Reid said.

Shortly thereafter they crossed paths at the Isle of Wight Festival. Jimi had very little time left to live. Miles was more vital than ever. He had been performing Bitches Brew, his most innovative album, for a year, with John McLaughlin on guitar, to whom Miles said: "I want you to play like Hendrix".

During the time that the relationship lasted, Miles and Hendrix shared many other things, such as Betty Mabry, Davis' wife, who had a lot to do with that first hair meeting. In terms of image, it was not only the hairdresser that brought them together. Miles changed his formal attire for a more extravagant one thanks to Hendrix's influence. For the celebrated bassist Dave Holland, "Miles had been deeply enriched by Hendrix's music". It is a logical explanation if one analyzes his music from 1968 or 1969 onwards. In his biography on Miles, Ian Carr quotes an opinion of the tormpetist: "Hendrix knew nothing about modal music, he was just a natural musician; you know, he hadn't studied, he didn't give a damn about the market".

Hendrix died on September 18, 1970. Miles attended his funeral and was devastated, so much so that he went to the last funeral he ever attended.

-----------------------------------------------------------------------------

Jimi Hendrix y Miles Davis se conocieron en una peluquería. Jimi amaba su pelo y Miles amaba el pelo de Jimi. Así empezó todo. Claro que la música de ambos ya estaba rumiando en sus cabezas. Hendrix estaba en la cima y Miles estaba revolucionando el jazz. Era 1969 y las drogas y el alcohol estaban muy presentes en sus vidas. Miles y Jimi empezaron a salir juntos con sus respectivas novias. Iban a bares y la pasaban bien. “Nos dieron una mesa en la esquina, e incluso nos taparon con una cortinilla para que pudiéramos fumar un porro. Nos sirvieron vino y pusieron música de Jimi por la megafonía”, recordó la ex del guitarrista, Carmen Borrero, sobre una de sus visitas al exclusivo Small´s Paradise, el célebre nightclub de Harlem.

Jimi empezó a comprar discos de jazz y Miles estaba completamente enloquecido con la música de Jimi. “Es esa Machine Gun maldita e hija de puta”. dijo luego de escuchar a Band of Gypsys. Así se fue gestando la idea. Jimi y Miles grabarían un disco. A Jimi le importaban muy poco las formalidades y los contratos, así que acordó un día con Miles para juntarse a grabar y le dijo a quiénes quería en la rítmica: nada más y nada menos que a Paul McCartney en bajo y a Tony Williams en batería. Había un problema de todos modos. El dinero. El maldito dinero. Parece que Miles estaba un poco celoso de lo que ganaba Jimi, así que trató de negociar con el manager de Hendrix, Michael Jeffrey, que le adelantara algunos miles de dólares. Pero no hubo caso. Así, la codicia frustró lo que tal vez podría haber sido el mejor disco de la historia del jazz y el rock.

Igual hubo un afortunado. Su nombre: Terry Reid, un amigo inglés de Hendrix. En la biografía sobre Jimi de Charles Cross, Room Full of Mirrors, Reid contó que una tarde estaba en el departamento que Jimi tenía en New York cuando llegó Miles Davis. Los dos se encerraron en una habitación y empezaron a tocar. Trompeta con sordina y guitarra acústica. “Era auténticamente precioso, se trataba de una interpretación de buen gusto, nada ostentosa ni exagerada. En el contexto del jazz, Jimi no dejaba de ensanchar los límites, y todos aquellos tipos del jazz lo respetaban como a nadie más en el mundo del rock”, dijo Reid.

Poco después se cruzaron en el Festival de la Isla de Wight. A Jimi le quedaba muy poco tiempo de vida. Miles estaba más vital que nunca. Llevaba un año presentando Bitches Brew, su disco más innovador, con John McLaughlin en guitarra, a quien Miles le dijo: “Quiero que toques como Hendrix”.

En el tiempo que duró la relación, Miles y Hendrix compartieron muchas otras cosas, como a Betty Mabry, la esposa de Davis, quien tuvo mucho que ver en aquél primer encuentro capilar. En cuestión de imagen no sólo fue el peluquero lo que los unió. Miles cambió su vestimenta formal por una más extravagante gracias a la influencia de Hendrix. Para el célebre bajista Dave Holland, “Miles se había enriquecido profundamente de la música de Hendrix”. Es una explicación lógica si se analiza su música a partir de 1968 o 1969. En su biografía sobre Miles, Ian Carr cita una opinión del tormpetista: “Hendrix no sabía nada de música modal, era sólo un músico innato; sabes, no había estudiado, no le importaba nada el mercado”.

Hendrix murió el 18 de setiembre de 1970. Miles asistió a su funeral y quedó devastado, a tal punto que fue al último entierro al que fue en su vida.

Publicado por Martín Sassone en Malbec & Blues

[cantsayidont]

September 1971. The first track of the Isley Brothers' album GIVIN' IT BACK is a potent medley of Neil Young's "Ohio," about the murder of students at Kent State University, and the Jimi Hendrix Vietnam War protest song "Machine Gun." I wish it weren't still very relevant today.