#m=E/c2

[avieaerie]

Have some sword dancing 🗡️

Description under the cut:

[ID: Mollymauk Teafleaf from Critical Role. Mollymauk is a purple skinned tiefling, wearing a heavily embroidered red and teal coat around his waist as a skirt, patterned leggings and a long teal scarf around his chest, trailing it's ends over his arms. He is facing away from the viewer, standing in a spotlight up on his toes on one foot, throwing a sword in the air while holding another behind him. End ID]

[more-mara]

F1 Fanfic Masterlist

I WRITE NSFW SO IF THATS NOT FOR YOU THEN CLICK AWAY!!

Here is a list (with links) of all of my fics!

I also have some shorter things on this page that you can find by clicking the ‘maras fics’ tag on this post!

(Just click on the fic title and it will bring you to AO3!)

MY AO3 👉 HERE

Take Me As I Am - E - Lando and the consequences of calling Oscar ‘Osc’

Lando Norris/ Oscar Piastri

Lando Norris/ Carlos Sainz (briefly)

Misunderstanding - T - Lando thinks he’s pregnant and freaks the fuck out. This is NOT mpreg, Lando is just an absolute moron who lacks cognitive function

Lando Norris/Oscar Piastri

We’ve Been Compromised! 5+1 - E - Five times Oscar caught Lando in compromising positions with other men + one time he was the other man.

Lando Norris/Oscar Piastri

Lando Norris/Max Verstappen

Lando Norris/Carlos Sainz

Lando Norris/Charles Leclerc

Lando Norris/Alex Albon/George Russell

Lando Norris/Daniel Ricciardo

A Letter to My First Love - G - Lando, Oscar, and a love letter

Lando Norris/Oscar Piastri

The Price of Your Love - E - The much needed Carcar sugar daddy AU

Oscar Piastri/Carlos Sainz

Call Me - E - Carlos takes Oscar’s virginity and doesn’t call back in the morning

Oscar Piastri/Carlos Sainz

Heat of The Moment - M - Oscar goes into an unexpected heat.

Oscar Piastri/Carlos Sainz

Radio Silence - E - This is just Carcar hate sex lmao

Oscar Piastri/Carlos Sainz

Unwanted Changes - M - Carlos and Lando have a domestic dispute over facial hair

Lando Norris/Carlos Sainz

How Did It Ever Come To This? - M - Carlos and Lando struggle with their PR relationship.

Lando Norris/Carlos Sainz

Lando Norris/Daniel Ricciardo

Under-negotiated - M - Lando and Max make out in the changing rooms after their little padel date.

Lando Norris/Max Verstappen

Looking for attention, needed intervention - G - Oscar can shapeshift into a cat and that’s pretty much the entire plot.

Oscar Piastri/Max Verstappen

Draped in Red - E- Oscar calls Charles daddy and gets railed by C2.

Oscar Piastri/Carlos Sainz/Charles Leclerc

Singular Tastes - E - Oscar struggles with his identity as an alpha and Carlos helps (fucks) him through it.

Oscar Piastri/Carlos Sainz

Thats My Boy - E - Morally ambiguous OscarMark smut.

Oscar Piastri/Mark Webber

Time And Time Again - E - Oscar accidentally time travels and meets Carlos from 17 years in the future.

Oscar Piastri/Carlos Sainz

The Illusion of Coincidence - M - Oscar ends up in the wrong place at the wrong time and has a run in with a man who happens to be a mafia kingpin. (ONGOING)

Oscar Piastri/Carlos Sainz

• Under The Radar - E - Carlos and Oscar join the mile high club.

Oscar Piastri/Carlos Sainz

• One More Night - E - Catboy Oscar gets dicked down. Oscar Piastri/Carlos Sainz

• Voiceless Whispers - M - Lando trying to get his dick wet throughout the 2024 season but Oscar is oblivious as hell. But it’s never that simple

Lando Norris/Oscar Piastri

[postsofbabel]

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[ladyhoneydee]

Fic Recs - Expanding Hyrule Bingo!

If you're looking for some hot fresh recs that you may not have seen before, boy do I have the post for you!

For the last few days, I have been compiling answers for the @expanding-hyrule TBR Bingo Community Challenge! If this is the first time you're hearing of it, EH is a LoZ fandom project that intends to popularize a tag and create an archive for Original Legends, or LoZ fics, art, etc that create their own version of Hyrule, characters therein, and plot different from the canon games. The Bingo Challenge is a project to get people viewing and talking about more of these stories!

Of course, as a chronic overachiever when it comes to fandom, I got blackout on my bingo card. And because several of the works I counted aren't yet in the Expanding Hyrule Fic Archive, I felt this would be the perfect way to get the word out about even more cool works!

If it has a * asterisk, I had already read or been reading it prior to the announcement of the challenge. If two ** asterisks, I had already read or been reading it prior to discovering EH!

A1 - Recommended by a friend: Cycle of the Stars by @daeyumi

A2 - A genre I don't normally read: The Ritual of Lomei Labyrinth by @pocketseizure **

A3 - Caught up on a work: The Legend of Three by @fablesfables **

A4 - An incomplete project: Mark of a Hero by @amelias-zelda-calamity-quintet **

A5 - I made an Original Legends work: Too Old to Keep by @ladyhoneydee (me) **

B1 - Updated this year: Uneasy Lies the Chosen of Farore by @drsteggy **

B2 - Less than 5000 hits or 500 notes: Hero of the Dunes by @webhead3345 **

B3 - Picked because of the synopsis: Vessels by @ro-blaze **

B4 - A comic: Chained Truths by @mirensiart

B5 - Subscribed to an ongoing work: All That Hurts Us by @karama9 **

C1 - A familiar creator: A Link to the Stars by @abbyz-elda **

C2 - An Original Legends work not in the archives: The inconsistencies of fate by @stinkyguar

C3 - Show Us Your EH TBR: The Hunt by andrhars **, A Link to the Stars: Constellations *, Divine Gemstones by @divine-gemstones, all updates for ULtCoF, THotD, ALttS, AVftD, and CotS since Jan 2

C4 - By a mutual or someone I'd like to be a mutual: The Princess's Heart by @loz-untold-myths **

C5 - Multiple POVs: The Legend of Zelda: A Crossing of Stars by @ixtaek **

D1 - A new favorite: A Voice From the Desert by @avoicefromthedesert *

D2 - A reread: The Conviction to Save by @advocaado **

D3 - A fic: The Promise by @zeldaelmo ** (rated E)

D4 - A genre I love: In the Blood by @zeldaseyebrows ** (rated E)

D5 - Picked because of the title: Linkubus by RoughInTheDiamond * (rated M)

E1 - A compete project: Cherished by @sparklyhyperbole **

E2 - Last updated more than a year ago: Path of the Infinite by @shadow-djinni ** (rated M)

E3 - A new creator: Depth of Darkness by VeeLilu **

E4 - Less than 1000 hits or 100 notes: On My Honor by @pelicanpig **

E5 - Left a review in EH's Story Spotlights: The King's Lament by @transmascgerudo ** (rated E)

If you pick up any of these, I hope you enjoy! They all come with my blessing <3

[tj-dragonblade]

TJ Dragonblade's Dreamling Bingo 2024 Masterpost

Extremely pleased to have reached a blackout on my first time participating in a bingo, even if two of them are snippets rather than full fics. Did not get the movement I was hoping for on old WIPs but I got new things and recent wips finished and I got started on a fic I've been wanting to write for awhile. So I am satisfied overall.

A1 Trapped in the Frequency: Until We Meet Again (rated G) A2 Creature: Veela swapped for Identity Reveal: Past the Wit of Man (or, Bottom's Dream) (rated M) A3 Crossover swapped for Monster Fucking: Adoration (rated E) B1 Hurt/Comfort + Forehead Kisses: Til Death Do Us Part (rated T) B2 Free Space: Loyalty Rewards Program (rated E) B3 Roleplay: Hot For Teacher (snippet) (rated E) C1 Sugar Baby: With Every Nerve Alive (rated E) C2 Almost Caught + Injury Recovery: Good Luck Charm (rated G) C3 Creature: Selkie: (untitled snippets) (rated G)

Links go to Tumblr posts; posts contain AO3 links, tags, wordcounts, summaries, etc (snippets may lack some of this info)

Many many thanks to the @dreamlingbingo mods for organizing this event and making it run so smoothly!

[shimeji-mint]

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[soniccrazygal]

M's Cores

Here's all the cores M's taken under his wing. C2 got his nickname as a joke as the name is normally two 'C's, but C2 seemed to like it and it stuck. C2 is very attached to M, usually literally and it's very rare not to see the core resting on M's head or shoulders or clinging to M's arm.

CS got his nickname because he's the scared CC. CS was one of the first cores captured by Alice and was alone and isolated for a long time. CS is often hiding under furniture or under M's shirt. CU's nickname also started as a joke because CU always watches everyone with a wide eye so Gregory joked that CU can 'C U'. CU is very curious and likes to watch people do their various activities, usually from a high position such as on M's head.

EV got her nickname because Gregory refers to her as the 'Evil E'. EV is basically a feral cat, hissing at those that get too close that isn't M or her fellow cores and likes scratching things with her claws. She's also pretty protective of CS, though they were form different squads.

MN got his nickname because he's a "Mini" version of M. MN tends to act as the leader of the cores whenever M or Vanessa aren't around. Otherwise, he just sticks close to EW and CD, as they're his squad/siblings.

EW got her nickname because she hiss at things she finds disgusting, such as Gregory's messy room. She acts like a pampered princess and loves accessorizing as best she can in her current state.

CD got his nickname because he loves music and often communicates his mood via short melodies.

[usafphantom2]

Major Jerry Crew, an RSO, told Air & Space/Smithsonian that he used a jammer to try to confuse surface-to-air missile sites as their crews tracked his airplane, but once his threat-warning receiver told him a missile had been launched, he switched off the jammer to prevent the missile from homing in on its signal.

RSO Jerry Crew the first time the SR-71 was shot at by a missile. Turning inbound on our first sensor run, I noticed the “R” light on my electronic countermeasures (ECM) panel was illuminated. A North Vietnamese SAM site was tracking us on its radar.

What we didn’t expect was the illumination of the “M” light, followed closely by the “L” light! This meant that the North Vietnamese had actually fired one or more SAMs at us. (The “R” light meant they were searching for you, the “M” light meant they were tracking you, and the “L” light meant they were launching at you.) Attempting to seem calm (I failed),

“I told Tony we had just had a SAM shot at us.

“This news couldn’t have occurred at a worse time. We had just started our sensor take, and evasive action was not an option. Tony asked how long ago was it launched, and I replied, “About five seconds.” The time of the missile launch was important; we were told countless times by our intelligence experts that the SA-2 missile’s total flight time was only 58 seconds. In other words, if nothing happened by then, we were probably safe.

“We had practiced what to do in the event of a SAM launch many times in the simulator. My duty was to turn off the ECM jammer because we didn’t want the missile tracking the jamming frequency during flight. The purpose of our jammer was to confuse the missile prior to launch. My other duty was to start the stopwatch to time the missile’s flight.

“My reaction time seemed terribly slow. It took forever to turn off the jammer (actual time: five seconds), and I never started the stopwatch. However, I did notice the position of the second hand on the clock when Tony asked how long ago the missile had been fired.

“The next 50 seconds are in dispute! I thought the whole time was spent answering Tony about the length of the missile’s flight. “How long has it been?” he asked. “Five seconds since the last time you asked,” I answered. Interphone tapes show that Tony only asked four times. I do know it took much longer than the missile’s predicted flight time to convince us of our safety. We hit a tanker over Thailand. And then flew back over North Vietnam. Our cameras confirmed that they shot two missiles at us luckily they shot too early and too low.”

The electronic defense was the RSO’s job. Over its operational life, the Blackbird carried various electronic countermeasures (ECMs), including warning and active electronic systems built by several ECM companies and called Systems A, A2, A2C, B, C, C2, E, G, H, and M. On a given mission, an aircraft carried several of these frequency/purpose payloads to meet the expected threats.

Not one single SR 71 was ever shot down by the enemy. What a proud record the Blackbird has.

Linda Sheffield Miller

@Habubrats71 via X

[my-dark-lord]

Hello, all! I come to you with an experimental fic commission idea! For now, it's just a small grid to see if there's much interest in it. But I know there are lots of fankid breedable grids, and I got to thinking, why not a grid for ship fics? It sounded like a fun idea for me, so I wanted to go ahead and try it!

RULES:

1. All payments must be made before I start on your fic. Payments can be made through PayPal, Venmo, or CashApp.

2. If you would like to purchase an entire row for a polyship fic, it will still be the standard tier price plus $8 each for a total of $16 extra dollars.. If you purchase A1, B2, or C3, then the fic will center around the character of choice and may not have any other characters in it as main characters.

3. Please see tier list for pricing. My commissions are also open should you want to purchase more words than are allowed here, but it will incur an extra fee of $8 per 100 words.

4. I would prefer not to take commissions outright bashing Valentino. He is my favorite and a comfort character to me, so it would be better if he was not being treated like a one-note monster.

5. I will write smut, angst, fluff, romance, and humor. These are genres I’m very well-versed in.

6. Once a purchase has been discussed, I will send you my commission form for you to fill out.

7. Fanfic examples can be found here. Please feel free to check both pseuds listed! Sunshinecackle is my main, and E-M-P-Error has all of my fics based on my rp blog interactions!

TIER LIST:

A Tier - $52 - 1,000 Words

A Tier is my standard 1k word price. You will not be charged for anything 1,001-1,099 words. A compromise can be worked out if it is a couple of words over strictly for this grid only. If you purchase a polyship fic, it will be $68.

B Tier - $31 - 700 Words

B Tier is my standard 700 word price. You will not be charged for anything 701-799 words. A compromise can be worked out if it is a couple of words over strictly for this grid only. If you purchase a polyship fic, it will be $47.

C Tier - $15 - 500 Words

C Tier is my standard flat 500 word price. You will not be charged for anything 501-599 words. A compromise can be worked out if it is a couple of words over strictly for this grid only. If you purchase a polyship fic, it will be $31.

SLOTS:

A1 - Vox-Centric Fic- Open

A2 - VoxVal Fic- Open

A3 - VoxVel Fic - Open

A4 - Polyship Buyout - Open

B1 - VoxVal Fic- Open

B2 - Valentino-Centric Fic- Open

B3 - ValVel Fic- Open

B4 - Polyship Buyout- Open

C1 - VoxVel Fic- Open

C2 - ValVel Fic- Open

C3 - Velvette-Centric Fic- Open

C4 - Polyship Buyout - Open

All images belong to Vivziepop, Spindlehorse, and A24

Breedable Grid made by Wolveswoodglenadopts of DeviantArt

[melbournetrains]

current queue count: 73

MELBOURNETRAINS MASTERPOST

- the first tag is always the type of train, e.g. #hcmt or #siemens

- the second tag is always the destination, e.g. #flinders street or #sandringham

- the third tag is always the train car number(s)

- if a photo has multiple trains, they are tagged left to right separated by #// for two trains, #/// for three trains, etc

- any information found in tags and not in photos has been sourced by my own means

- trains that terminate prematurely, such as laverton trains on the werribee line, or ringwood trains on the lilydale line will be tagged with both their terminus and overall line

- special / named trains will be tagged with their name, such as #flinders flyer or #westernport

- out of context quotes are tagged with #mt ooc

- if there are multiple variants of the same type of train, they are labelled as both their overarching type and their sub-type, e.g. an alstom comeng would be tagged with both #comeng and #alstom

- meme edit pics are tagged as #meme edit, and are not part of the regular flow of train photos. they are also not tagged with their respective model and route tags

- THE train representing this blog is EDI Comeng 477M

--

types of train

hcmt - #hcmt

siemens nexas - #siemens

xtrapolis 100 - #xtrap

all comeng - #comeng

alstom (connex) comeng - #alstom

edi (m-train) comeng - #edi

vlocity vline - #velocity

sprinter vline - #sprinter

evie (she/her) - #evie

the non-train section

ignore the name of the blog <3

trams

- the tram labelling system is the same as trains, where applicable.

- the first tag is always the type of tram, e.g. #b class or #e class

- the second tag is always the route, e.g. #route 6 or #route 75

- the third tag is always the tram set number

- if a photo has multiple trams, they are tagged left to right separated by #// for two trams, #/// for three trams, etc

types of tram

z3 class - #z class

a class - #a class

b2 class - #b class

c1 class - #c class

c2 bumblebee - #c2 class

d1 class - #d class

d2 class - #d2 class

e class - #e class

[utilitycaster]

Pls ignore if the spectre of ruminating on old god-diskhorse is far too obnoxious but it's rather a jump-off point for a more general question; an issue brought up pushing back against the most obnoxious "vanguard is right eradicate those tyrant gods rq stole vax hate that bitch" ppl, aside from other things like just being deeply myopic even just from an in-universe perspective, but on a wholler narrative level requires completely ignoring or discarding campaign 1 and 2's theses and genuine connections. Largely i think these ppl's takes are more interested in self-validation than concerned with what they're actually saying when they want these things to be true (which they aren't, Matt and cast and plot progression from the peak of those discourses have made that clear), but now here's my wondering: what would it say if c3 were to be these things? By what metrics do you judge a sequel installment should it, in the pursuit of its own story, undermine or contradict the earnest, complete, already told story that preceded it and was built upon?

Hi anon,

This is a good question, and necessarily one with a subjective answer, so I hope I at least explain my thought process below! Also: this does have some spoilers for a Midst episode in Season 3 (which aired a few weeks ago). I mention this because it's a really useful example for me but this wasn't a question about Midst so you might not be expecting me to talk about it.

Firstly, I agree with you that a lot of the people who want this want the story to validate their personal beliefs. Some want it to validate political/philosophical beliefs, which is a complicated thing: on the one hand, I very much don’t want to watch a show that’s like “hey slavery is neat-o!” and doubt such a show would have much merit. On the other hand, when we’re dealing with much more complicated issues like religion, which simultaneously exists as a tool of oppression; an aspect of identity that makes one a target of oppression; a source of meaning and comfort; and a source of justification of terrible practices all in one; I think it’s extremely valuable to be exposed to a multitude of perspectives and to not just endlessly look for those that validate one’s own experiences.

Others just want the story to validate their feelings about the happenings within the narrative, which is on the one hand usually less close-minded, but on the other hand, kind of stupid. You are permitted to dislike that Vax died. I disagree, but you can feel however you want (indeed, you don’t need my, or anyone’s permission to dislike that Vax died). The story saying “The Raven Queen isn’t perfect” or even “The Raven Queen is Bad” isn’t necessary for you to have those feelings; and the Raven Queen being slaughtered isn’t per se necessary for Vax to come back (which I think would be cheap and stupid, but like, if that’s what you want you could just have him come back.) You don’t need to story to tell you that your response to the story is good, so this is ultimately a case of “why are you even doing this."

I also suspect there’s just some degree of subversion for subversion’s sake (or change for change's sake) people who were into the idea of killing the gods just to flip C1 and C2 on their respective heads. The thing is, subversion for the sole purpose of subversion has always been the province of the dull. There’s a reason why culturally we treat M. Night Shyamalan as a joke and it’s because “THERE’S A TWIST” without a strong and compelling build-up to said twist nearly always is, as the post I recently reblogged said, something that only hits hard if you’re stupid.

What I need from a story to be good is internal consistency and a strong execution. I am frequently surprised, in a very positive way, by stories that are so well-executed that they sell me on a premise with which I was less than enamored. If you’d told me that I’d feel sad about FCG’s sacrifice or extremely in favor of Phineas and Jonas’s romantic relationship during early C3 or, frankly, even the minute before I listened to Trustfall, respectively, I would have said “huh, really?” But both of these events were thoughtfully built to a point where they felt like meaningful and interesting choices for the story to take, even if that was not apparent to me earlier on.

So: the metric I’d use to judge a god-killing C3 is the same as that of any long-running story. I think there is a universe in which Campaign 3 could have made the demise of the gods a good and compelling story. But that work simply has not been done. The atrocities of the Vanguard, Weave Mind, and the Dwendalian Empire under Ludinus Da’leth; the callousness shown towards all Exandrians and Ruidians by the Vanguard and Kreviris Imperium; and most importantly the fact that there haven’t been new reveals of terrible things done by the gods and the story has instead striven to paint them as more fragile and complicated than what we’ve seen in past means that a sudden twist would, well, be cheap and only hit hard if you’re stupid. You can contradict a past story in an installment (or the earlier work in a long-running series) in a way that is not undermining if you are able to tie it together and show new information that was not available earlier! But that’s the key: it needs to be clear that the earlier works were showing a specific perspective (already a very tall order given the protagonist-only POV of D&D campaigns) or that the situation has drastically changed. If you fail to do this, then as you said, it’s undermining and it’s poorly done and a bad story.

I think that last point is also really important in thinking through the fandom response. I mentioned that I can be sold on a premise that didn’t win me over initially if the execution is strong. I think some people, and especially those gunning for a “The Gods are All Bad” story are so terrified of not being validated or of being wrong in their predictions or of criticism from other fans that they can no longer enjoy a story or comment meaningfully upon it. To which I say skill issue. I am thrilled and even grateful that, as previously mentioned, FCG had an arc that deepened their character and addressed my earlier criticism such that I could enjoy episode 91 as much as I did. I was mildly spoiled on the potential of Jonas and Phineas getting together and was, to be honest, slightly dreading it as I’d always preferred a platonic interpretation of their relationship, and then the scene in which it happened (and everything since) has been so deftly handled that I’m fully on board.

I am a far better analyst and critic of fiction than a creator of it, and I’m open about this. I am constantly surprised in ways both positive and negative by how other people tell stories, and that’s why I come back to them. I want the story to be so good that it expands my horizons and comfort zone and shows me something new. I find little joy in a story validating who I already am and what I already think. I want the story to make a better argument for what it has to say than I can make against it. If this is a competition between the story and me, I am rooting for the story to win over me and in doing so, win me over; and I am disappointed when it doesn’t.

I am also a physicist, and, famously within our understanding of physics, pretty much anything can happen; it’s all just a matter of probabilities. And so it’s hard for me to say “there’s no way this could ever be done well.” It’s very easy, however, for me to say “the eye of the needle one must thread to do this well is a micron in diameter and constantly moving.” I think it’s possible to turn the concept of a god-slaying Campaign 3 into a story that, rather than clumsily ignoring or discarding C1 and C2’s theses, transforms them and puts them in a new and unexpected light. But the narrative dexterity check required for that has always been high, and only gets higher as the actual Campaign 3 story continues along its current path.

[evelyneirinn]

Tentatively posting my thesis project (graduated with my Bachelor in Fine Arts this may :D):

m=E/c2

(mass= energy/speed of light2)

Left: Restless Mass

Right: Potential Energy

Center: Speed of Light

Life is creation and destruction, inescapably linked in their dance.

Their polarities reflect the fractal of dualism, the self-creation born of contrasts’ very existence.

Humans- and all things- are expressed in mass— creations borne of energy, endless emergence butterfly-effecting into matter. Matter oft forgets the energy it’s made of, the energy it never escapes— its dualism.

We may interact in matter-oriented means, forever obsessed with the tangible, an endless echo-chamber of our egos and ideals. We may embody Restless Mass.

Or, we may step beyond- or within- ourselves, seeking to balance our physicality with the energy that guides and becomes us. We may harness our Potential Energy.

Ultimately, life will always be both. Dualisms are never pure; life and death will always ebb and flow into one another.

The Speed of Light binds us, for in the end, we are one.

Tentatively posting this because I am going to work more on these pieces- most of the semester was spent building their surfaces, and as such, the paintings are under detailed. Stay tuned for her final form :)

[unatipafuorinorma]

Matura - atto I

Amore della zia: "È andato tutto ok" Io: "Benissimo!😘 Sto leggendo le tracce: quale tema hai fatto?" Amore della zia: "C2 Non mi sentivo di fare cose politiche perché non mi sentivo sicura e avevo paura di tirare sfondoni Ho fatto tre colonne"

Titolo in breve "L'indignazione è il motore del mondo social. Ma serve a qualcosa?"

A M O R E D E L L A Z I A ! ! ! ! ! ! ! ❤️ ❤️ ❤️ ❤️ ❤️ ❤️ ❤️ ❤️ ❤️ ❤️

M

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❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

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Domani 2° prova:STAY TUNED!!!

[postsofbabel]

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[fairytale-nonesense]

My map for the descendants universe:

Everything labeled is tied to a Disney movie. Any letters repeated with a numeric value are locations mentioned/inferred in their respective movies.

Not pictured: Agrabah, China, the Americas, London, Isle of the Lost. Incorporating real places is hard and so is making maps, and I didn’t have the space. The grey section on the left is a land bridge that would connect the fictionalizations of these locations. (Also I couldn’t decide where I wanted the Isle.)

Locations:

A. Snow White’s Kingdom

A2. Prince Florian’s Kingdom

B. Cinderella’s Kingdom

C. Aurora’s Kingdom

C2. Prince Phillip’s Kingdom

D. Camelot (The Sword in the Stone)

E. Prydain (The Black Cauldron)

F. Prince Eric’s Kingdom

F2. Atlantica

G. Belle’s Kingdom

H. Fictionalized France

I. Fictionalized Greece

J. Corona

K. Fictionalized Scotland

L. Arendelle

L2. Southern Isles

M. Auradon

Stars= Capitols/Castles

X= relevant movie locations

A X1: home of the 7 dwarves

A X2: the gem mines

B X: the Tremaine estate/Cinderella’s childhood home

C X: Forest where Aurora was in hiding

G X: Belle’s village

J X: Rapunzel’s tower

M X: Auradon Prep

Xa: the horned king’s castle

Xb: YenSid’s tower

[adominguezs]

Chris Cornell - First Ever Hits Collection.

Año 2018. Edición USA. Rock. A&M.

Es un álbum recopilatorio póstumo del músico estadounidense Chris Cornell , lanzado el 16 de noviembre de 2018. Recopila su trabajo en solitario, así como su trabajo con sus bandas Soundgarden , Temple Of The Dog y Audioslave , e incluye una nueva canción titulada "When Bad Does Good".

Sencillo: "When Bad Does Good".

Músicos: Chris Cornell Soundgarden Audioslave Temple Of The Dogs

Producción: Brendan O'Brien - productor.

Tracklist: A1 Soundgarden - Loud Love 4:57 A2 Soundgarden - Outshined 5:12 A3 Temple Of The Dog - Hunger Strike (25th anniversary mix) 4:03 A4 Chris Cornell - Seasons 5:46 B1 Soundgarden - Black Hole Sun 5:20 B2 Chris Cornell - Can't Change Me 3:23 B3 Audioslave - Like A Stone 4:55 B4 Audioslave - Be Yourself 4:39

C1 Chris Cornell - You Know My Name (from Casino Royale Soundtrack) 4:01 C2 Chris Cornell - Billie Jean 4:42 C3 Chris Cornell - Long Gone (rock version) 3:42 C4 Temple Of The Dog - Call Me A Dog (live acoustic) 4:52 C5 Soundgarden - Been Away Too Long 3:38 D1 Chris Cornell - Nearly Forgot My Broken Heart 3:55 D2 Chris Cornell - Nothing Compares 2 U (live at Sirius XM) 5:04 D3 Chris Cornell - The Promise 4:23 D4 Chris Cornell - When Bad Does Good 4:26