#lukka chuppi

[g0j0s]

turning 25 is so strange. i feel like i’ve lived so much yet everything seems to have just started. i remember being five and frolicking through my dada’s khet, climbing trees and playing lukka chuppi. my dadi would apply surma on my waterline & mehendi on my palms while humming folk tunes. 10 was even more fun as we moved away from my ancestral home into a bigger house of our own. i would spend my days watching senseless television with my sisters getting to know them even more closely. out on our terrace we wish upon shooting stars like kajol from some movie. i’m glad i didn’t know this then, that after 12 a girl is no longer a girl but an entity. as an incomplete being, she travels towards a different reality. but it’s not until a decade passes that she becomes whole and gains that kind of agency. by 15 things had changed drastically. the world became very bleak and constantly changing. my girlhood was slipping from my fingers and everyone was teaching me to be more careful. a rage had started to brew in the pit of my stomach. with that kind of fury, i could’ve burnt villages and cities. 20 was tormenting. i was almost a woman but still a girl. love and hatred claimed me equally as i swayed from one side to the other constantly. a lot of lessons and choices were thrown in my face until i dealt with them diligently. but 25 has arrived in all its glory. liberation permeates through every part of my being. finally, the colors have returned, bringing along an array of fragrances and melodies. i realize now that everything that happened was just to bring me to this moment. oh, how glad I am that it did!

[maxcuntstappen]

Max Verstappen & Sophie Kumpen - 'Mother's Child'

conor oberst - you are your mother's child / camp cope - i've got you / gp fans / conor oberst - you are your mother's child / essentially sports / a.r. rehman - lukka chuppi / the times uk / lucy dacus - my mother and i / bruce springsteen - the wish / conor oberst - you are your mother's child / the times uk / camp cope - i've got you / conor oberst - you are your mother's child / prachi desai - thank you letter / the sports rush / tupac - dear mama / essentially sports / camp cope - i've got you / a.r. rehman - lukka chuppi / kacey musgraves - my mother / taylor swift - the best day / conor oberst - you are your mother's child

F1 Web Weaves

[musicverse11]

Inside the Mind of a Genius: The Musical Techniques of AR Rahman

AR Rahman is more than a name in the music industry; he's a phenomenon, a pioneer whose work has continuously pushed the boundaries of what music can achieve. His approach to composition, production, and sound engineering set him apart as an innovator and creative genius. Often described as a "Mozart of Madras," Rahman has not only transformed the Indian music industry but has also introduced the world to an entirely new sound that bridges various musical traditions. This article explores the distinctive techniques and unique approach that Rahman employs to craft his mesmerizing compositions.

Blending of Genres and Cultural Sounds

One of AR Rahman’s hallmarks is his seamless blend of genres and sounds from across the globe. His compositions often incorporate elements of Indian classical music, jazz, electronic, rock, and Western classical music, creating a fusion that is unmistakably his. This diversity in sound is not just a matter of adding different instruments or tones; Rahman’s technique lies in blending these elements in a way that feels organic and cohesive.

For example, his famous song “Chaiyya Chaiyya” from the movie Dil Se includes Sufi-inspired vocals and percussive beats layered with orchestral strings. By pairing these distinct elements, he crafts a piece that feels both ancient and contemporary, bridging traditional and modern sounds. His music reflects India’s diversity, but its universal appeal transcends geographical boundaries.

Use of Layering and Complex Arrangements

Another essential technique in Rahman’s music is his intricate layering of sounds. He doesn’t merely rely on one melody or a repetitive rhythm; instead, he carefully arranges layers upon layers of sound, creating a rich, immersive auditory experience. In many of his tracks, listeners can hear different instruments and harmonies emerging with each listen, revealing hidden textures and subtleties.

In his song “Taal Se Taal Mila” from Taal, he uses a combination of tabla, electric guitar, and flute, interwoven with choral harmonies and vocals, all arranged with precise attention to detail. Each layer complements the other, resulting in a composition that is almost orchestral in its complexity. The layering is done in such a way that it doesn’t overwhelm but enhances the listening experience, allowing listeners to immerse themselves fully in the world he creates.

Experimentation with Unconventional Instruments

One of Rahman’s distinguishing factors is his willingness to experiment with unconventional instruments and sounds, creating novel auditory experiences. From using electronic sounds to African djembe drums, Rahman doesn’t limit himself to traditional Indian or Western instruments. His song “Jai Ho,” which won an Academy Award for Slumdog Millionaire, features a mix of orchestral elements, electronic sounds, and Indian percussions, creating an uplifting anthem that resonated worldwide.

In Lagaan, for instance, Rahman incorporates instruments like the tambourine and tabla but also uses synthesized beats and sounds to elevate the film’s period feel. He often experiments with obscure or ethnic instruments, making them accessible to a global audience and proving that music, at its core, is a universal language.

Creating Emotionally Resonant Melodies

Rahman’s genius also lies in his ability to create emotionally resonant melodies that connect deeply with listeners. His compositions are often designed to evoke specific emotions, blending technical expertise with an intuitive understanding of human emotions. Whether it’s the haunting sadness in “Lukka Chuppi” from Rang De Basanti or the joyous energy in “Mukkala Mukkabala” from Kadhalan, Rahman’s music has an unmatched emotional depth.

In “Kun Faya Kun” from Rockstar, Rahman employs Sufi-inspired melodies that invoke a sense of devotion and surrender. The repetition of lines and subtle crescendos creates a trance-like effect, immersing the listener in a spiritual journey. Rahman’s ability to convey emotions through melodies alone shows his remarkable talent for connecting music with the soul.

Digital Innovation and Sound Engineering

Rahman has consistently embraced technology, positioning himself as a leader in digital music production in India. He is known for his state-of-the-art recording techniques, and he was one of the first in India to adopt computer-based recording setups. His work with digital audio workstations allows him to layer tracks with pinpoint accuracy and blend electronic sounds with acoustic ones, producing a polished, cinematic quality.

Rahman’s use of electronic tools also allows him to manipulate sounds in ways that create a unique auditory landscape. For instance, his album Connections incorporates electronic beats and digital reverb, adding a futuristic quality to his music. His technical skill, combined with his musical expertise, allows him to produce tracks that sound fresh, even after repeated listening.

Working with Vocal Layers and Harmonies

Rahman’s approach to vocal arrangements is another aspect of his musical technique that deserves attention. He often uses multi-layered harmonies to enhance the emotional impact of his songs. By layering different voices, each with its tone and texture, Rahman adds a depth that amplifies the song’s overall effect. He is known for creating complex harmonies, especially in songs where he works with choirs or multiple vocalists.

In songs like “Vande Mataram,” Rahman combines voices from different ranges, blending them seamlessly to produce a powerful anthem. This layering technique can also be heard in his work with playback singers; he knows precisely when to add backing vocals and harmonies to enhance the lead singer’s voice without overpowering it.

Conclusion

AR Rahman’s musical techniques are as diverse as they are masterful. His approach—combining genres, layering sounds, experimenting with instruments, and using innovative recording methods—has redefined music for generations. Rahman’s work transcends traditional music-making; it is a deep, immersive experience that appeals to listeners worldwide, irrespective of language or culture. His compositions are not only groundbreaking for their technical excellence but also for their emotional impact, making Rahman one of the most influential composers in modern music.

[limsjaebeom]

lyrics I love

[seovillan]

Luka Chuppi Movie Plot

Luka Chuppi (transl. Hide and look for) is a 2019 Indian Hindi-language lighthearted comedy movie coordinated by Laxman Utekar. Delivered by Dinesh Vijan under Maddock Films, it stars Kartik Aaryan and Kriti Sanon and recounts to the account of a TV columnist who lives together with an adamant lady. Bedlam follows when their conventional families accept them to be hitched to one another.

Important photography for Luka Chuppi started in August 2018 and was finished the next month. It was discharged on 1 March 2019 and has earned over ₹126.03 crore (US$18 million) around the world.

The film begins with journalists asking a film on-screen character Nazeem Khan (Abhinav Shukla) on the off chance that he lives in a live-in relationship. He says that it is his life and he can do anything he desires to. The film at that point goes to Mathura where Vishnu Trivedi (Vinay Pathak) a lawmaker goes to nearby news divert in their town to get his girl Rashmi Trivedi (Kriti Sanon) a temporary job with the goal that she doesn't need to go to Delhi. There he acquainted them with Vinod Kumar Shukla "Guddu" (Kartik Aaryan) and Abbas Sheik (Aparshakti Khurana). Rashmi begins working with them and Guddu and Rashmi begin beginning to look all starry eyed at and begin dating. At that point, Guddu and his oldest sibling Vikas (Himanshu Kohli) get into a quarrel over who will get hitched. The following day Guddu meets Rashmi and requests that she wed him however she says that she wouldn't like to get hitched and needs to become acquainted with Guddu first. She recommends a live-in relationship however Guddu wouldn't like to be in a live-in relationship since where they live a live-in relationship isn't permitted in light of the fact that it not a piece of their way of life. What's more, over that Rashmi's dad is the government official who needs to boycott live seeing someone. Guddu likewise says that since he is the fundamental journalist of the news channel everybody knows him so they will know whether they have a live-in relationship. Guddu and Rashmi meet Abbas and they ask him what to do and he says that when they go on the excursion for work to Gwalior for 20 days they can remain to complete a live-in relationship. Rashmi excitedly concurs yet Guddu still believes that it will be a poorly conceived notion. mp4moviez.

The three heads for Gwalior. When they achieve they get aloft by the assistance of some person. The condo previously had things in the loft in light of the fact that the proprietor kept it there. When they are in the condo a neighbor Mrs. Srivastava (Sapna Sand) comes and inquires as to whether they are new and where they are from and Guddu, Rashmi, and Abbas all-state three better places. The other person realizes that they are not hitched so tells the lady that everyone is from one of the particular spots. The neighbor leaves and afterward, it's nighttime. Abbas additionally leaves and doesn't live with them. Around evening time Guddu attempts to get Rashmi to have intercourse with him however she says that she is worn out. She inquires as to whether he has "assurance" and he gets glad and says that "obviously, a wide range of assortment". The following morning while Guddu is making breakfast Rashmi said that she will make the sustenance and do some other stuff and Guddu will do other work however should do the restroom and advises Guddu to make her tea. Guddu pursues her around the loft and from the outside Mrs. Srivastava watches. At that point, Mrs. Srivastava tells another neighbor that she imagines that they aren't hitched and will check. During the evening Mrs. Srivastava goes to their loft and inquires as to whether she could have some milk. Mrs.Srivastava goes inside a sooner or later asks to what extent they two have been hitched and the two of them take a gander at one another with a confounded look. Guddu says a half year while Rashmi says 1 year then they state it again exchanged Rashmi says a half year and Guddu says 1 year. Mrs. Srivastava leaves and tells everybody that they don't have the foggiest idea to what extent they are hitched so they should be in a live-in relationship. Everybody says that in the first part of the day they will get them to leave. Guddu and Rashmi hear this and medium-term they make counterfeit photographs of their wedding and they put them all around the house. The following morning every one of the neighbors come inside their home and are stunned to see the wedding pictures. Mrs. Srivastava tells everybody that they are lying yet nobody trusts her. The Rashmi accompanies desserts to provide for everybody and says to everybody to have the desserts since it is their 1-year commemoration. At that point the two go to a spot to visit and conclude that they will return to Mathura, address their families about their wedding, and complete a goal wedding in Jaipur. While they are over yonder Guddus oldest siblings (Vishwanath Chatterjee) wives (Neha Saraf) sibling Babulal (Pankaj Tripathi) sees them while he is there visiting. At the point when the two head home Babulal tails them home and Rashmi opens the entryway for him and sees the photographs of the phony wedding pictures they made and feels that Guddu got hitched and fled. watchonlinemovies.

The following morning Babulal conveys Guddu's whole family to their home including Guddus mother (Alka Amin) and father (Atul Srivastava). His family observes the wedding pictures and they continue posing inquiries and Abbas appears. Guddu's family inquires as to whether he thought about the wedding and Abbas asks when did they get hitched. Guddu's at that point sees the phony pictures and says that he thought about the wedding. Everybody returns to Mathura and Guddu's family goes to Rashmi's dad to reveal to them what they did. Trivedi approves of it and says that they ought to be happy that they got hitched and weren't in a live-in relationship. Rashmi then goes to live with Guddu and his family since everybody believes that they are know hitched. Everybody is alright then about their marriage. Rashmi says that she wouldn't like to continue deceiving everybody and says Guddu to rapidly get really wedded. Guddu advises Abbas to book a Mandir for their wedding. Guddu says that they will go tomorrow and rapidly get hitched. While they are talking Guddus nephew hears there discussion and utilizations his Guddu to get himself things that he needs, for example, a bike and a computer game. The following morning when Rashmi and Guddu go to the Mandir Rashmi sees individuals from his father's ideological group and they'll understand that it is her. Rashmi puts her "dupata" down and Guddu had worn a phony facial hair from home as of now. Guddu and Rashmi got to the Pandit and asks them that they are here to get hitched while they are in the process the Pandit sees that Rashmi is wearing a "mangalsutra" and feels that Guddu is wedding somebody who is as of now hitched. The Pandit calls the gathering individuals and they let Rashmi go however they beat up Guddu and call his family. His family inquires as to why he is attempting to get hitched again and guides them to simply take him home. During the evening Guddu, Rashmi, and Abbas are discussing how to get hitched and Abbas gets a thought regarding how to get hitched. Abbas places the paper in a bowl and lights ablaze at that point puts mantra's on his telephone. Guddu and Rashmi begin strolling around the bowl yet Abbas' telephone's information runs out and he leaves. Abbas returns and says that he has another thought. He demonstrates a flyer where 50 couples can get hitched. The film slices and goes to the following morning where Rashmi and Guddu state they are heading off to Rashmi's Kuldevta's Mandir yet are really going to go to what Abbas delineated for them. Babulal and his sidekick (Arun Singh) tail them. Rashmi and Guddu see them and asks them for what valid reason they are tailing them and Guddu says that in the event that they continue tailing them he will put awful news about Babulal on the channel. Rashmi and Guddu come to there and Abbas causes them. The Pandit asks who Abbas is and says that he is Rashmi's sibling. A couple of minutes after the fact Trivedi and his correct hand man (Ajeet Singh) come to them to compliment everybody one by one. Abbas sees and leaves. At the point when Trivedi praises Rashmi and Guddu. He doesn't see it was Rashmi in light of the fact that she wore her dupatta down and Trivedi doesn't see it is Guddu on the grounds that he has a Sehra yet when Trivedi requests Guddu's name Guddu says it in his ordinary voice and Trivedi has a doubt that it is Guddu. When he asks Rashmi her name Guddu extends his voice and says that she can't talk since she is unequipped for talking. The Pandit says that her sibling was simply here and reveals to Trivedi that he is over yonder. Trivedi calls Abbas and inquires as to whether Rashmi is his sister and he says yes yet Trivedi says that since Abbas is Muslim for what reason is his sister getting an Indian wedding. He says that she just calls him sibling by utilizing a rakhi. Trivedi abandons them and calls Guddus sibling Vikas and asks where Guddu and Rashmi are and Vikas says that they went to Rashmi's Kuldevta's Mandir and Trivedi says that he doesn't have a Kuldevta and lets him know and instruct him to call his family there. Trivedi advises his correct hand man Shrikanth to holler Guddu into the mic. Srikanth shouts Guddu into the mic while Guddu and Rashmi are strolling around the flame. Guddu stops and turns upward and Trivedi goes over yonder and lifts his Sehra. filmyhit

Trivedi continues hollering at Guddu and his family comes and everybody continues inquiring as to why he is doing this and where Rashmi is. Rashmi gets distraught and advises everybody to quit hollering at Guddu and that it wasn't his deficiency and that she needed to be in a live-in relationship. Guddu discloses to Trivedi that the motivation behind why Trivedi continues losing the races is on the grounds that the new age needs numerous things, for example, live seeing someone and will offer votes to individuals who really need to help them. Trivedi concurs and everybody gets Guddu and Rashmi at long last wedded. At last, Rashmi and Guddu are at a political rally in Mathura where they are both completing a report together and demonstrating that Trivedi currently solidly trusts that life seeing someone are great. Nazeem Khan is additionally with him and supports Trivedi.

[mredlich21]

Luka Chuppi Review (No Spoilers): The Rare Romance Where the Hero and Heroine Never Fight

Luka Chuppi Review (No Spoilers): The Rare Romance Where the Hero and Heroine Never Fight

What a nice little romance! Not totally awesome and stunning, but decent. And with an unfortunately slightly dated political message that I will be ignoring because it doesn’t really work at this exact moment. But the romance part is definitely decent, especially how it handles the whole “live-in” topic.

(more…)

[ad1thi]

Real talk: have you seen Lukka Chuppi? Bc 'oh shit we were just in a live in and now we have to pretend to be married bc my desi fam is so strict' would work beautifully with desi!Tony and steve bc steve woild be so ?? But its just a live in? NOPE MY MUMMY WILL SMACK ME YOU DON'T UNDERSTAND

listen i fucking LOVE karthik aaryan and that film is such a time-pass film i so badly want to write a rhodeytony fic based on it but where's the timeee

(still gotta finish my dostana au and like 7483928 wips)

[voidsteffy]

Hii it's @bishh-kanya

How are you doing 🤍

1. what’s your aesthetic?

8. describe your taste in music?

9. who do you love the most in this world?

16. are you religious or spiritual?

17. your favourite book(s)?

For the asks 🤍

hey bunny boo, thanks for the ask!!!

i'm hanging in there, i wrote like 5k words in one day and was gonna complete it the next day but came down with fever symptoms (writer's block doesn't distinguish between physical and mental lol)

anyway how are YOU??

- 1 -

my aesthetic is currently Madhuravani from the movie Mahanati. She's a journalist just unsure of herself but confident in her writing abilities (lol remind you of anyone?) my aesthetic irl is sort of... messy? like i still live with my parents and have to wear my mom's hawaii-like chudidaars so i dont really have space for my own taste(??) but if i had the mental patience and physical space for an aesthetic, i'd say i'd be the baby pink/lavender hued, always in pjs with jhumkas and payal, hair up and stray wisps doing a desi Daphne Bridgerton on my forehead... yeah, also don't forget surrounded by food and always dancing to music

- 8 -

my taste in music... hmm... *pretending this is a celeb interview* i'll say it's erratic and cynical to the new. in the sense, i listen to anything and my brain, without my permission, goes this is the copy of that one song you listened to, it came out in 2005 and you were practically a baby then but you get it. and it turns out to be true. i'm more on the desi (and south) side of the spectrum. i always get into music trends late (like arijit singh was the rave and i liked him.... 5 years after that) but i haven't seen almost any person dissect music the way i tend to do (annoyingly so sometimes). my taste goes like this: - Lata di (duh) - Only some Illayaraja - some arr like lukka chuppi and chaiyya chaiyya - op naiyyar - Camila Cabello - old mani sharma - early shreya - early arijit

- 9 -

i love two people the most in this world.

the person i could be if this wasn't it. maybe some alternate universe where instead of "hamari beti kaise kar sakegi" they'd say "hamari beti kuch bhi kar sakegi".

and the person i will be because this is it. this universe, where they say "hamari beti kaise kar sakegi" and i show them exactly kaise kar sakegi. the person whose means are not that royal but imagination always was.

- 16 -

religious or spiritual?

i think these days my parents and grandparents have confused the both. call me naive, but i consider them both to deal with faith. i'm currently figuring it out like some other things in life. for now i'm leaning towards spiritual.

- 17 -

fav books:

Little Women (Marmie my beloved) by LM Alcott

The Kiss Quotient by Helen Hoang

Malgudi Days by RK Narayan

Triple Dare by CM Owens (yeah sometimes i have crappy taste)

thanks for the asks again hon💌💌

[sweet-child-of-night]

singing lukka chuppi when they offline

[khaleesiofalicante]

okay I’m here with another lbaf song rec list-

1. Rosewood- kitni baatein yaad aati hain by Shankar Ehsaan Loy

2. Mavid- Ya Rabba by Kailash Kher

3. Malec- Lukka Chuppi Bahut Hui from Rang De Basanti- (y’all this one will break you cause this is literally the saddest song I’ve ever heard about losing a child)

bonus-

4. Gigi and Roman- Mileya Mileya by Rekha Bhardwaj

(I would do this for other couples too but we don’t have enough info about them so;)

desi lbaf fans throwing hands at me after listening to these songs (specially the third one)

OKAY THIS WAS SO GOOD OMG.

I've said this before but lbaf song recs are just pure serontonin bro.

These are so spot on.

Also idk how tf I don't remember Lukka Chuppi Bahut Hui cause Rang de Basanti is like one of my fave movies. I actually put this song in repeat and added it to my playlist too ;)

And aaahhhhh that GigixRoman song was so soft.

A song rec (actually one of my top fave Hindi songs) for Max and Rafael and their respective love stories :): Bheegi Bheegi from Gangster.

[rasnak2]

Makroh Fics

AO3 series | Makroh Week

1. Bad News - Combustion benders are going undercover. Good News: I'm Alive. Aka, an explosion leaves people thinking Mako was dead.

2. One Letter - One letter. One letter makes all the difference between life and death.

3. Hair Styling - 3 times Iroh styles Mako's hair and the one time Mako does Iroh's.

4. The Hair is on Fire!!! - 5 times someone walks in on Iroh setting fire on Mako's hair. And the one time Mako retaliates.

5. Bad Day - Iroh has a bad day and Mako does his best to comfort him. (Prequel to Drowning)

6. Of Rainy Days and Art - Mako is engrossed in drawing while Iroh wants to go out in the rain.

7. The Man From The Docks - Mako was exhausted. Luckily there had been a kind soldier who was willing to help him out.

8. We Part... Only to Meet Again - It was time to leave. It was inevitable. Doesn't mean it does not hurt.

9. Vinnaithaandi Varuvaaya - Mako is the one who has to go on a long mission this time.

10. Healing - Companion fic to Vinnaithaandi Varuvaaya where Mako recovers from his injuries

11. Over the Course of Bus Rides - Just some Makroh College AU which mostly concentrates on the bus rides (Endgame Lu Ten/Iroh/Mako)

12. Fire Lord - Iroh has to leave for the fire nation. The time has come to take up his responsibility. (Makroh Week)

13. Scars of the Past - One misplaced touch and everything goes to hell. (Makroh Week)

14. Drowning - Iroh is sick and has a pretty bad flashback. Mako tries his best to comfort him. (Sequel to Bad Day) (Makroh Week)

15. Operation Makroh - Bolin and Lu just want to see their brothers happily together. And maybe they might've gone overboard a tad bit in the process. Will their dream ever come true? (Makroh Week)

16. Of Con Artists and Royalty - Con artist. Bodyguard. Prince Consort. Fugitive spy. All these transformations in just a span of a year. And all of it was centered around just one person - Prince Iroh. (Ongoing) (Makroh Week)

17. Kids... - Iroh and Mako are planning on adopting children! Only... (Makroh Week)

18. Ae Mere Dil - Iroh had trust issues when it comes to dating. It shouldn't be surprising, considering that people had broken his heart multiple times... (Makroh Week)

19. Finding You - Makroh Soulmates AU (Makroh Week)

20. The Comet's Return - The Sozin's comet was striking once again. One started a war. One ended the war. And now it was striking once again in a time of peace... (Sequel to Fire Lord) (Makroh Week)

21. Unexpected Happenings - Mako just wanted to help some random guy. He never in his dreams thought that it would end up with him marrying the stranger. (Endgame Makrohsami)

22. Lukka Chuppi - Iroh dies while on duty. The rest is a domino effect on what happens immediately after.

23. I'm Tired - Mako is struggling to cope and he turns to the blade. (TW FOR MENTION ATTEMPTED SUICIDE)

24. Pranks (Or Not) - Mako was not really having a good day, even though it did seem to start good. And yay! Its April 1st again.

25. Mangoes - Written for ATLA Poly Week (Endgame Wumakroh)

26. Pride - Written for ATLA Poly Week (Endgame Wumakroh)

27. Pining Over You - Written for ATLA Poly Week (Endgame Wumakroh)

[raghavxarora]

raghavaroara: Playing lukka chuppi with my fave. @therealzaara #baarbaardekho #justanotherdayatwork 😉

[theysaywhatasadsight]

Tag your mutuals as your favorite Bollywood movie characters

Why didn't i see thissss ughh anywayyy

@ad1thi is Rahul from k3g

@rxmanoff is Bulbbul from Bulbbul

@will-die-without-chai is Dr. Aditya from Bhool bhulaiya

@thebookwormslytherin is Vicky from Stree

@masakalli is Guddu from Lukka Chuppi (aka the only valid kartik aryan character sksks)

@hoeticulture is Piku from Piku

@infj-slytherclaw is Shashi from English Vinglish

And yours truly is babu rao, who else

[ambidextrousarcher]

1, 11, 21, 24, 28, 36, 45, 54, 70, 84, 89 for the asks :)

Hi, Rippy akka! 

I’ll start from the beginning. 

1. 6 of the songs you listen to most?

1. Unkoodave Porakkanum (both versions) from Namma Veetu Pillai

2. Teri Mitti (all three versions) from Kesari

3. Kal Ki Hi Baat Hai from Chichhore

4. Lukka Chuppi from Rang De Basanti

5. Remember from Troy

6. Satham Illatha Thanimai from Amarkalam

11. Do you have any strange phobias?

I...don’t think so? I had a phobia of smallpox as a kid, I have a phobia of marriages, but I don’t think that’s strange.

21. Who is your celebrity crush?

Well, I don’t have the ‘holy hell, he’s hot’ variant of crushes most of the time, I fall for actors who play characters I love. (Most of whom are hot, too, but I’m not the sort who goes all ‘thirsty’) Anyway, for now, I have a crush on Dev Dixit from Kuch Rang Pyaar Ke Aise Bhi, aka Shaheer Sheikh.

24. Do you have a collection of anything?

I do! I have a collection of books. I’ve collected books for over 14 years. But I’m not...sure it actually counts?

28. What’s your biggest “what if”?

What if I fail? What if I do not meet my parents’ expectations? What if I can’t make a difference? 

This is my worst nightmare of a what-if.

36. Define Art.

Art, for me, is one word. Creation.

45. What’s the worst injury you’ve ever had?

The worst artificial injury I’ve ever had are my surgical injuries. The worst natural one I got was when I was pushed off a climbing contraption for kids. Ended up with a split forehead and a limp for nearly a week.

54. What’s the last thing you purchased?

A packet of sugar, a sharpener and an eraser. #quarantineshopping.

70. Are you the kind of friend you would want to have as a friend?

For the most part, yeah. I think twice before talking to people, because I usually get scared of hurting them. I try to be there for friends whenever I can.

 But, there’s an issue with me. There are some topics I am VERY passionate on. Prick one of them, and I’ll hold a grudge for a LONG time if you keep pricking in spite of one warning. One warning is the most you get.

84. What is a saying you say a lot?

Some sayings I use are ‘As you sow, so shall you reap’ and ‘No pain, no gain’ but I don’t think I use them a lot. @medhasree and @ambitiousandcunning would know more about my speech patterns than I myself do, to be honest.

89. What would be a question you’d be afraid to tell the truth on?

I...don’t know, honestly? I’m usually an open book. But ‘stuck between a rock and a hard place’ type questions, probably.

Thank you for such a sweet and thoughtful ask, @rippys-chai!

[forbiddnsky]

What’s your favourite bollywood movie? :D

Currently its Tamasha and lukka chuppi 🥰

[doonitedin]

The rise of Kartik Aryan, trade analysts speak

The rise of Kartik Aryan, trade analysts speak

Like it or not, Kartik Aryan is ruling the entertainment business. Equally popular on the large screen and on social media-he is now the first Bollywood actor to have his own Instagram filter-this youngster’s rise to fame is pretty much phenomenal.

After delivering a solid hit Lukka Chuppi earlier this year, Kartik has encored the feat with Pati Patni Aur Woh which, by all yardsticks, is a winner…