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lunapaper · 5 years ago

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Album Review: ‘Petals For Armor’ - Hayley Williams

You’ve probably heard Hayley Williams’ debut album by now…��

Originally split into three parts, the Paramore frontwoman aimed to ‘include people on the journey in the same way that I experienced it.’ But with each EP delivered in such quick succession, it killed some of the hype for Petals For Armor. At least for me, it did. Either release it as separate EPs or as a whole album. Otherwise, it just feels redundant.

When criticised for this approach, Williams called out the ‘men of Twitter that just hate the way that I’m putting out my album’ and wondered ‘How have you released YOUR albums?’ Which is rather unfair considering some female fans also felt that so many singles at once was unnecessary, myself included. That and it’s a little arrogant to suggest that just because I haven’t released an album of my own, I don’t get to have an opinion. How many times do I have to say it already: ‘You don’t get to dictate how others respond to your work. That’s the risk you take releasing it to the public.’

That’s not to say Petals For Armor isn’t good. In fact, it’s downright compelling, the singer providing a rather brutal examination of her past while imagining femininity ‘in different ways than people are used to seeing – it is primal and ferocious and gross and beautiful.’

First single ‘Simmer’ attempts to draw a line between ‘wrath and mercy’ amidst a fidgety, Radiohead-meets-Fiona Apple-meets-HAIM bass thrum; where rage begins as a ‘quiet thing’ but grows into something raw and visceral as Williams projects her maternal instinct onto her younger self (‘And if my child needed protection/From a fucker like that man/I'd sooner gut him/'Cause nothing cuts like a mother’).

‘Sudden Desire’ sees lustful urges explode in a haze of fuzzy bass and galloping snares, along with the post-coital angst (‘Don't know if I can deny/A sudden desire/Your fingerprints on my skin/A painful reminder’). ‘Leave It Alone’ is a mellow, bass-flecked ballad that has the singer coming to terms with grief in all its forms, written after her grandmother suffered serious head trauma in a fall. ‘Dead Horse’ confronts old shame with a deceptive, West-African-inspired pop lilt, Williams admitting to having an affair with her former husband, New Found Glory’s Chad Gilbert, who was married to Eisley’s Sherri DuPree-Bemis at the time.

‘Pure Love’ is carefree 80s pop that more than snatches Carly Rae’s wig, complete with power ballad high notes. The New Wave punk of ‘Over Yet’ finds ‘it’s the right time/to come alive,’ while ‘Sugar On The Rim’ celebrates rave culture with 90s techno club decadence; rediscovering love under neon lights.

‘Crystal Clear’ is a semi-duet with Williams’ grandfather awash in skipping beats and other atmospherics to reflect the singer’s newfound romance (allegedly with longtime friend and Paramore bandmate Taylor York, who also helped produce the record). On ‘Creepin,’ Williams confronts a ‘poor little vampire baby’ that sucks the life out of her atop a sluggish yet menacing bass crawl. ‘Roses/Lotus/Violet/Iris,’ though, is a force of divine feminine energy, with Williams backed by the haunting harmonies of female supergroup boygenius (Phoebe Bridgers, Lucy Dacus and Julien Baker) as she proclaims: ‘I myself was a wilted woman/Drowsy in a dark room/Forgot my roots/Now watch me bloom’).

Standout track ‘Cinnamon’ also revels in femininity, this time in the context of domestic bliss (‘Eat my breakfast in the nude/Lemon water, living room/Home is where I'm feminine/Smells like citrus and cinnamon’). Twitchy, syncopated beats find themselves entangled in a knotty bassline, all frayed around the edges. The result is a feverish blend of 90s indie, sultry RnB and folk pop, indebted to a host of other female artists who exude strength, individuality and fearlessness, including Kate Bush, Janet Jackson, St Vincent, Tune-Yards and the aforementioned Apple. And there’s no better way for Williams to pay tribute than on her solo debut, where womanhood sits front and centre.

Petals For Armor doesn’t reach any comfortable conclusions. There’s no neat bow tied around it nor is there any sudden epiphanies. Rather, it’s an ongoing journey, mostly imperfect and at other times heartbreaking. It’s a natural progression from Paramore’s 2017 album After Laughter, the sparky, colourful yin to Petals For Armor’s dark, turbulent yang.

Something that’s always bothered me is how some people try to curb your anger, that you must always choose forgiveness, to be diplomatic, to always give the benefit of the doubt. That it’s somehow a sign of maturity to stuff your feelings down.

Here, Williams completely obliterates that concept. Rage is now a beautiful, restless creature. It’s something to savour, to embrace, something to revel in. Dating all the way back to ‘Misery Business,’ the singer always been a fine purveyor of rage.

Bold, lush instrumentals also help to strengthen it, thick with the kind of basslines you can bounce a 20¢ piece off thanks to the nimble fingers of Joey Howard; the synthwork tight yet playful; the beat forever steady. Nature motifs prove incredibly vivid, but, much like life, take on a certain ugliness. Some tracks can feel repetitive here and there, especially in the record’s second half, but overall it’s a pretty consistent effort.

A cathartic slow burn, Petals For Armor is Hayley Williams (almost) born anew. Now watch her while she blooms…

- Bianca B.

#music #hayley williams #paramore #petals for armor #new #reviews #albums #Bianca B

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eddycurrents · 7 years ago

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For the week of 19 March 2018

Quick Bits:

30 Days of Night #4 gets into the first assault on Barrow from the vampires. It’s bloody and beautifully illustrated by Piotr Kowalski.

| Published by IDW

Avengers #685 is a whole load of fun and despair as a large portion of the US Avengers team (and Lightning, Vision, and Quicksilver) attempt to stave off the assault of the Immortal Hulk. It really feels like we’re headed towards the endgame now and the braintrust of Mark Waid, Jim Zub, and Al Ewing are just churning out an epic. Also, the art from Paco Medina, Juan Velasco, and Jesus Aburtov is gorgeous.

| Published by Marvel

Avengers: Back to Basics #2 concludes the first arc with Iron Man, Hulk, and Thor attempting to stop Fenris and the Disir from bringing about Ragnarok. It’s a fun and action-oriented story from Peter David, with some great humorous moments, and the art from Brian Level (with colours by Jordan Boyd) is pretty much worth the price of the book alone. Great panel compositions and page layouts that greatly help the issue’s story feel meaty.

| Published by Marvel

Big Trouble in Little China: Old Man Jack #7 gets us close to the end, but of course it’s not as easy as rescuing Egg Shen and defeating Ching Dai, there has to be funny misadventures, in-fighting, and heaps of betrayal.

| Published by BOOM! Studios

Cable #155 is pretty damn great. It begins the “Past Fears” arc from the new creative team of Zac Thompson, Lonnie Nadler, Germán Peralta, and Jesus Aburtov and leaps headlong into Cable’s past mixing it up with some body horror. Thompson and Nadler have a nice grasp on Cable and Hope’s characters, showing off their heart and stubbornness. Peralta’s art puts the book over the top, though.

| Published by Marvel

Dark Fang #5 brings to an end the first arc of the series, finally giving the lead character a name in-story itself. It’s a bizarre approach to vampires from Miles Gunter, almost like a twisted Disney fairy tale, but it’s entertaining and has some great artwork from Kelsey Shannon.

| Published by Image

Death of Love #2 features more wacky hijinks as Philo tells his friends about seeing the little Cherubs/Cupidae and...naturally they don’t believe him. It just gets more absurd from there as Justin Jordan and Donal DeLay push the series into new and more disturbing territory.

| Published by Image

Dept. H #24 ends what has been a good series with a nice bit of quiet reflection, Mia reminiscing about her father, her first case, and morality as she struggles upward for that last leg of survival.

| Published by Dark Horse

Dissonance #2 dives deeper into the machinations of the Fantasmen as they plot and scheme to control humanity. Singgih Nugoro and Ryan Cady are laying it on pretty thick, while making you wonder what all of it is truly for.

| Published by Image / Top Cow - Glitch

Doctor Strange: Damnation #3 is basically an issue’s long fight between the damned Avengers and the Midnight Sons. There’s some nice character bits and humour thrown in. Plus, a seemingly most ineffective plan.

| Published by Marvel

Evolution #5 sees Joe Infurnari and Jordan Boyd step up their game, and the art on the series was already incredible. It seems as we go on, the designs and presentation of the infected just get more and more impressive.

| Published by Image / Skybound

Harrow County #29 returns with the beginning of the end. Emmy is trying to come to terms with her actions in the last arc, while Hester’s return heralds more nightmares to come. Tyler Crook’s artwork is stellar, horrifying and evocative, elevating the terror with each subsequent panel.

| Published by Dark Horse

Ice Cream Man #3 is weird, trading in the more traditional horror notes of the past couple of issue for absurdist science fantasy, following a washed-up, fading musician who penned a one-hit wonder as he fades into obscurity. W. Maxwell Prince’s story gets pretty strange, but it allows for Martín Morazzo to really flex his muscles.

| Published by Image

Infinity 8 #1 begins adapting in English and North America’s standard comics format the Infinity 8 series that was previously published by Rue de Sèvres, created by Lewis Trondheim and Olivier Vatine. Part of the pitch for the book is an 8-part series each containing three issue arcs. The 8 parts certainly play into the structure of the story as each part will be done by a different creative team, and focus on a recursive time loop of agents exploring a debris field.

This first arc, written by Lewis Trondheim and Zep with art by Dominique Bertail, focuses on Agent Yoko Keren, a woman looking for a compatible mate among the ship’s crew so she can get pregnant and basically retire better off than she is currently. She gets to be the first guinea pig for the Captain’s time loop exploration of the debris, and it gets a bit weird when some of the ship’s complement of aliens decide that eating it is of the utmost importance. This story is weird sci-fi in the vein of Heavy Metal, but to me the draw is Bertail’s art. I’ve really been enjoying Bertail’s art in Ghost Money and he proves equally adept with wacky space stuff.

| Published by Lion Forge / Magnetic Collection

Iron Fist #78 jumps head first into Danny’s unresolved issues in what’s probably the best Damnation tie-in thus far. Ed Brisson uses the chaos of the event and the trigger of the penance stare to dredge up Danny’s feelings and reactions to what he considers his loss and failures, giving some really deep cuts into continuity in an organic, natural fashion. The art from Damian Couceiro and Andy Troy is also up to the heavy lifting. The layouts and panel designs at the beginning of the book as Danny navigates the surreal landscape of his memories and fears are particularly impressive.

| Published by Marvel

James Bond: The Body #3 has some great art by Rapha Lobosco, in the first of two series that have his work this week. His art is in a similar style to Eduardo Risso and it lends itself well to this dark tale of neo-Nazi arms dealers from Aleš Kot.

| Published by Dynamite

Kick-Ass #2 asks some important questions as Patience backslides into justifications for her criminal behaviour. Mark Millar steps up the moral quandary from just the vigilantism of the original Kick-Ass, even as she later protects a child from an abusive father figure.

| Published by Image

Lucy Dreaming #1 is fun. For starters, it’s nice to see Michael Dialynas again on another sci-fi/fantasy series after The Woods, even if it is just a limited series. His art naturally lends itself to the fantastical and it pays off in spades in this first issue, with nice designs for aliens, starships, and more. It’s also great that Max Bemis is bringing more of that weirdness and altered realities from his works like Centipede here. I’m really looking forward to seeing where this goes from here.

| Published by BOOM! Studios

The Mighty Thor #705 will break your heart. Epic storytelling and gorgeous art. Jason Aaron, Russell Dauterman, and Matthew Wilson should be proud.

| Published by Marvel

Ninja-K #5 brings the battle to the Acclimation Bureau and sparks off a deadly confrontation between Ninja-C and Ninjak. Christos Gage and Tom��s Giorello bring this first arc to a stylish conclusion.

| Published by Valiant

Pathfinder: Spiral of Bones #1 brings the adventuring party back for a new expedition, this time far beneath Kaer Maga, the City of Strangers. Crystal Frasier is a new voice to the Pathfinder comics, but old hat to the roleplaying game, so she slides in nicely to the writer’s chair here. There’s a good amount of set-up and humorous banter as the Iconic character Imrijka is introduced in the comic as an old friend of Valeros.

| Published by Dynamite

Punks Not Dead #2 gets into more of Fergie’s ordinary life and the supporting cast of characters at his school and beyond. David Barnett fleshes them out fairly well, setting up some interesting hooks for what might be coming next. Combined with Martin Simmonds artwork, this series really is a must buy for anyone who enjoyed the British supernatural flavour of mid to late ‘90s Vertigo or the later series Vinyl Underground.

| Published by IDW / Black Crown

Regression #8 sees Adrian explore the nature of the cult and their grounds a bit more, although there is a weird bit in that he’s seemingly all right with the past lives, the demons, the cult itself and such, but apparently an orgy is a bridge too far. Death, murder, and demons are copacetic, but as soon as sex is introduced, Adrian wants to bug out. I’m hoping that Cullen Bunn does more with that theme in a future issue.

| Published by Image

Rumble #4 mainly deals with the fallout from Bobby’s injuries, with John Arcudi penning a growing divide between Rathraq and Del. David Rubín’s art perfectly capturing the insanity and the heart of the entire situation.

| Published by Image

Runaways #7 begins the “Best Friends Forever” arc with the team trying to adjust to their new status quo and “normal” life. Rainbow Rowell is great at these kinds of interpersonal relationships and it makes for an entertaining read.

| Published by Marvel

The Spider King #2 is more glorious madness blending Vikings and bizarre alien technology. The artwork from Simone D’Armini just fits this action perfectly.

| Published by IDW

Summit #4 concludes the first story arc, with Val coming to the realization of Lorena’s motivations and Foresight’s shadiness that readers of the broader Catalyst Prime line already know. It comes a bit suddenly after a moment of misdirection, but it makes more story sense to get Val back to her friends at the MIT labs.

| Published by Lion Forge / Catalyst Prime

Tales of Suspense #103 is that issue that tells us exactly what has been going on with Black Widow while Hawkeye and Winter Soldier have been running around chasing after her body count. It’s kind of dark and has some fairly complicated potential Alien Resurrection style implications. Matthew Rosenberg still throws in some humour with Ursa Major, but this one’s really an opportunity for Travel Foreman to showcase some of the darker end of his skill set.

| Published by Marvel

TMNT Universe #20 continues the excellent “Service Animals” arc from Ian Flynn, Dave Wachter, and Ronda Pattison that’s getting to the core of what Null has been doing, and providing an interesting, humanizing look at Raphael and Alopex. The art from Wachter and Pattison is wonderful. There’s also a great back-up from Matthew K. Manning, Adam Gorham, and Brittany Peer that tells a humorous and heartfelt tale of Raph trying to get some sleep.

| Published by IDW

Thanos #17 is the penultimate chapter of “Thanos Wins”, featuring both Thanoses against the Fallen One, with a few surprise guests. Geoff Shaw really gets the opportunity again to showcase just how damn good he is at action and spectacle.

| Published by Marvel

Usagi Yojimbo: The Hidden #1 is the first of the series to follow the series of series format Dark Horse tends to use for Mike Mignola’s Hellboy universe. Regardless of the approach, this still has the same great Stan Sakai taste. Ostensibly we’re dealing with some fugitives, and a secret package, being tracked down by agents of the shogunate, but we’re light on details so far and high on mystery.

| Published by Dark Horse

Vampirella #11 is the second of the books illustrated by Rapha Lobosco this week as he and Jeremy Whitley bring this current volume to a close. This issue serves as a recap of Vicki’s adventures with Vampirella as she comes to a new understanding of herself, opening up to find a solution for the fake heaven and missing God problem.

| Published by Dynamite

Weapon H #1 is probably better than any one would have thought as ridiculous a concept as a Hulkverine would be. Spinning out of the “Weapons of Mutant Destruction” crossover and subsequent Weapon X follow-up arc, this series follows Clay, a former soldier and test subject for some mad science experiments blending Hulk and Wolverine DNA. Greg Pak blends those two aspects in the story itself, taking elements from both the Hulk and Wolverine legacy, and wisely begins this with a new take on the tale that introduced Wolverine to the world in the pages of Incredible Hulk with a new Wendigo. The art from Cory Smith, Marcus To, and Morry Hollowell sticks the landing.

| Published by Marvel

Witchblade #4 continues the trend of being another great issue of this series. Caitlin Kittredge is beginning to get into the meat of the lore behind the Witchblade and the thirteen Artifacts, tying the reboot in to the mythology of the original Witchblade/Darkness universe, while also fleshing out more and more of Alex’s backstory. The art, again, by Roberta Ingranata and Bryan Valenza is some of the most beautiful on the shelves today.

| Published by Image / Top Cow

Other Highlights: Amazing Spider-Man: Renew Your Vows #17, Archie #29, Babyteeth #9, Berlin #22, Corto Maltese: The Golden House of Samarkand, Descender #28, The Further Adventures of Nick Wilson #3, Ghostbusters: Answer the Call #4, Go Go Power Rangers #8, Incredible Hulk #714, Jim Henson’s The Storyteller: Fairies #4, Kill or Be Killed #17, Mata Hari #2, The Mighty Crusaders #4, Monsters Unleashed #12, Monstress #15, Moonshine #8, Ms. Marvel #28. Outcast #34, Quantum & Woody! #4, Southern Cross #14, Spider-Gwen #30, Star Wars #45, Star Wars: Poe Dameron #25, Superb #8

Recommended Collections: Aliens: Dead Orbit, Black Science - Volume 7: Extinction is the Rule, Giant Days - Volume 7, Harrow County - Volume 7: Dark Times A Coming, Iron Fist - Volume 2: Sabretooth Round Two, Moonstruck - Volume 1, Rick & Morty: Pocket Like You Stole It, Spider-Men II, X-Men Blue - Volume 3: Cross Time Capers

d. emerson eddy is doing stuff, Lori. Things!

#This Week in Comics

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