#louise Brooks*

[littlehorrorshop]

Louise Brooks in Diary of a Lost Girl (1929)

[classicfilmblr]

PANDORA'S BOX | Die Büchse der Pandora dir. Georg Wilham Pabst | 1929

[citizenscreen]

Louise Brooks by Eugene Robert Richee, 1928

[redhairclara]

Louise Brooks featured in Artists and Models Magazine, 1925. From my collection.

[onefootin1941]

Louise Brooks, 1929.

[gatutor]

Louise Brooks

And your bird can sing

[neil-gaiman]

hi neil! just on the off chance it interests you, over at the hotvintagepolls tumblr we're having a knock-down drag-out tournament over our favorite old movie stars, sharing trivia and writing impassioned essays, and your name's come up in both louise brooks' and elsa lanchester's posts as being on the record as a fan of theirs. both are struggling in their polls right now (unbelievably), so consider tossing them a vote if you feel so inclined! (i don't run the blog i'm just an aghast louise brooks fan)

https://www.tumblr.com/hotvintagepoll/745959888667181056/who-is-the-hottest-old-movie-woman-louise

https://www.tumblr.com/hotvintagepoll/746011281746739200/who-is-the-hottest-old-movie-woman-round

Louise Brooks was the best of the best...

Also a brilliant writer and critic.

[weirdlookindog]

Louise Brooks

Die Büchse der Pandora (1929)

[emmieexplores2]

Louise Brooks

[hotvintagepoll]

Propaganda

Louise Brooks (Pandora's Box, Diary of a Lost Girl)—Louise Brooks started off as a dancer and went to work in the Follies before going to Hollywood. Disappointed with her roles there, she went to Germany and proceeded to make Pandora's Box, the first film to show a lesbian on-screen (not her but one of her many doomed admirers in the film), and Diary of a Lost Girl, both of which are considered two of the greatest films of the 20th century. She helped popularize the bob and natural acting, acting far more subtly than her contemporaries who treated the camera as a stage audience. After the collapse of her film career and a remarkably rough patch as a high-end sex worker, she was rediscovered and did film criticism, notably "Lulu in Hollywood," which Rodger Ebert called "indispensable." Also, christ. Look at her.

Vilma Bánky (The Son of the Sheik, The Eagle)—She's famous now for being a silent star ruined by the transition to talkies, unlike her frequent co-star Ronald Colman. I think that's a shame, as she has a real vivaciousness and charm in The Winning of Barbara Worth. In this *checks notes* western about environmental engineering, she rides around the desert and gets wooed by both Colman and a young Gary Cooper (good for her dot gif.) Even in stills from films that are sadly lost, I think there is a distinctive warmth and individuality to her. Also she is extremely hot in her extremely pre-Code dress in The Magic Flame.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Louise Brooks:

"Defined the style of the modern flapper. A gaze that could make a stone fall in love."

"Louise Brooks left a legend far greater than her real achievement as an actress, but even today few people have seen her films. In our own time, the fascination with Brooks seems to have begun in 1979 with a profile by Kenneth Tynan in the New Yorker, which revealed that the actress who made her last movie in 1938 was alive and living in Rochester, N.Y. Such was the power of Tynan's prose that people began to seek out her existing films, primarily this one, to discover what the fuss was about. What we see here is a healthy young woman -- she was 23 when the film was released -- with whom the camera, under G.W. Pabst's influence, is fascinated. There is a deep paradox in Brooks and her career: the American girl who found success in the troubled Europe between two wars; the vivid personality who briefly dazzled two continents but faded into obscurity; the liberated woman who had affairs with such prominent men as CBS founder William S. Paley as well as with women including (by her account) Greta Garbo but wound up a solitary recluse. And all of this seems perfectly in keeping with her most celebrated role in Pandora's Box. For despite her bright vitality, her flashing dark eyes and brilliant smile, Brooks's Lulu becomes the ultimate femme fatale, careering her way toward destruction, not only of her lovers but eventually of herself."

"She invented having bangs to indicate that you have borderline personality disorder"

"chances are if youve ever seen a "flapper girl" character or even just art of a generic flapper type made after the 20s it was based on her appearance - particularly the bob hairstyle! she had some pretty rough experiences through her life before during and after her tumultuous acting career which ended in 1938 but she made it to the 80s, wrote an autobiography and did a lot of interviews that she was never afraid of being honest in about her own life or peers of the age, and apparently was unabashed about some affairs she had with well known women (including greta garbo!!)"

"She read Proust and Schopenhauer on set between sets. She was one of the original flappers/new women of the 1920s. She had a one night stand with Garbo and was the inspiration for Sally Bowles in Cabaret. Truly a stone cold fox."

"on her wikipedia page it says her biographer said she "loved women as a homosexual man, rather than as a lesbian, would love them" and while i have no idea if this is true or not i thought that was very gender of her"

"despite being american she was big in german expressionist films and thus her aesthetic was unmatched!!"

So far ahead of her time in regard to portraying complicated women. Timeless elegance. "I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.” - Louise Brooks

Vilma Bánky:

I love Vilma Bánky! She was called "the Hungarian Rhapsody" and apparently had a thick Hungarian accent which I think is cute. Several men fighting over the same women can be very cliche but when I saw her in The Winning of Barbara Worth (1926) I got it because my god she really is that drop dead gorgeous. She's also a wonderful actress though, expressive yet natural. I read once that seeing her in The Dark Angel (1925)—a film now seemingly lost—inspired Merle Oberon to become an actress :)

This is more of a factoid but she was apparently the women's golf champion at Wilshire Country Club through the 1940s. [link] I just think she's neat.

I love herrrrr she’s my everything. Watching her kiss Rudolph Valentino in Son of the Sheik made me so flustered I had to pause the movie to cool down. She’s the prettiest the most beautiful the most incredible woman I’ve ever seen. I could look at a picture of her for hours

[littlehorrorshop]

Pandora’s Box (1929)

[screengoddess]

Louise Brooks

[roseillith]

DIARY OF A LOST GIRL (1929) dir. G.W. PABST

[citizenscreen]

Louise Brooks (November 14, 1906 – August 8, 1985)

[evviejo]

STAR TREK: DEEP SPACE NINE // S2E3 The Siege I've done everything I can to help. I'd die for my people, but– Sure you would – dying gets you off the hook. Question is, are you willing to live for your people – live the role they want you to play? That's what they need from you right now.

[voguefashion]

Louise Brooks photographed by Robert Eugene Richee, 1928.