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blaster-aichi · 4 years

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Cardfight!! Vanguard Extra Story IF 15 things

belated edition because brain went on a marathon

The opening scene with Aichi appears to insinuate one of two things: either the Sanctuary Knights need Kai-kun to help stabilize his condition or, as part of a theory below, maintaining the IF World is putting a strain on Aichi that’s becoming more than he can handle with time. The latter would solve why the team suddenly intended to have him visit Sanctuary considering the lengths Aichi’s gone to to keep them apart, but just how he could fulfil the role, haven’t been able to think up anything.

Ibuki switching to Aichi’s first name being a permanent thing now. Yes. (It’s a nice idea if they’re going to play on the both switching places from high school arc)

Had theorized Kai-kun was in an otherworldly/pocket dimension location with the colouring of the scenes in the preview but Takuto summoning him begs the question of how much he has as Prisoner; why not summon Emi and the others into the castle? Or Rekka and Ren, as a means of reintroducing them to the story now that their objective overlaps with that of Suiko’s group? Also Takuto being soft mint Takuto, you little shit, don’t just dangle a life like that over a kid’s head when you know it’s more “real” than the dream he’s living in.

Someone actually drag Aichi home, he’s way too dangerous. He’s pointing swords at anyone and everyone. It speaks for how deep the distortion in him is seeping, with the pacifist we’ve seen him be over the years, to raise a sword at even Kai-kun, to attack Ibuki(’s cards, but somehow not his fingers) with it — and tossing Ibuki into the void — one can only imagine how badly he’s going to react to how far off the rails he went if he has a PsyAichi-esque realization.

Kai-kun confirmed to never hold a girl’s hand before.

How dare Bushi make the Kai Parents the softest, chillest parents when we’ve been privy to what their real selves are like. (Papa Kai mixing up Shuka and Emi slays. Sir, do you mix up your employees too?)

SHIZUKA — seeing her anything other than bubbly is painful, particularly when it’s used to contrast the happiness of the Kai family; it serves to hammer home how only one of Kai and AichiEmi is allowed to have a family remain in tact and their happiness preserved, driving home how the other serves to be a sacrifice.

“I’m not the kind of guy who still plays Vanguard in high school!” a) did he just roast his real self (and 90% of the cast)? b) side-eyes the preview, ahaha.wav

IF then: presents itself as the most light-hearted season to date IF now: threatens murder at every turn and has the two boys who’ve been protagonists in the past both run away from home in a single season

The episode all but said in as many words that the price of Aichi’s creating/altering IF World to ensure Kai-kun’s happiness was his own presence so as not to trigger any awakening to Kai-kun’s Outside World memories, sacrificing his own happiness to be around his friends in order to allow his best friend a content, fulfilling life. But in recognizing that, and willingly giving up the illusion for the sake of someone else demonstrates just how good a kid Kai-kun is, no matter the world, no matter how cold and distant he’d portray himself in the card-centric seasons. — Season 1 (of 2011, so different continuity but go with it) initially painted Kai-kun as a more selfish individual in order to mask the complexities of his predicament, his goal appeared to be about power in order to topple a rival, but it was demonstrable that his motivations weren’t so cut and dry: it was about getting Ren back from a state that warped him, the fear that the same was happening to Aichi before his eyes and he was scared due to his inability to prevent it. And Link Joker followed the same line of thinking: his giving into Reverse was never about power, but his fear of falling behind and not being able to keep up — bearing in mind, he had done so thus far without the involvement of any power like Ren and Aichi had experienced — his motivations had always been driven by helplessness, fear and any inability to face them head-on, finding it easier to handle if he ran away — which was a big part of why it bothered me that people would nail him as being completely selfish and stupid when giving into temptation and accepting Reverse’s power. IF’s iteration of him gets to demonstrate what would happen if he was able to communicate himself properly and follow through with what he believes, in similar vein to Legion Mate, but without the shackles of guilt and atonement; he’s experienced a happy life, and wishes not to deprive someone else of the same, but without the pride of his usual self, he doesn’t run himself into the ground overthinking, but takes action based on the emotions he freely allows himself to feel and express.

Eager to see the extent of Kai-kun’s power; Kourin stated he’s in an incomplete form, but he’s able to perform the same as Emi without the need for Shuka’s involvement and even Ride units the same way had hoped Emi was going to prior to the season’s airing. Which poses the question of how is he able to and why Aichi would allow it within a world that he tampered with to erase the relationship, unless it’s a facet beyond his reality warping ability.

Kamui’s appearance in the preview brought a thought to mind: although they’re in different branches of the school ordinarily, there’s been no evidence that Kai-kun attends Hitsue within IF, and that, in fact, with his family’s wealth, it’s possible he could even attend Miyaji instead. The line of thinking is wholly dependent on how Kai-kun reacts to Kamui and/or his uniform come epi 16, but it would be a nice nod to the dividing up of the Kai/Miwa/Ibuki trio to have them each in different schools in a similar manner to their initial divided stances in the season’s plot.

Also IF 16? Did someone order extra-cute?

A couple of theories to add to the pile (partially yanked from discord logs)

Aichi:

Something corrupted him and started fucking with his head to implant the insinuation that Kai-kun's life would have been better had he never pursued Vanguard as a hobby and the two of them never met. It could be that Ibuki Deleting Kai-kun and the subsequent struggle he had was the means for this line of thinking to worm its way in. — In the same vein as VoidAichi, said corruption gave him the ability to warp reality, allowing for a completely happy and harmless life for Kai-kun, though it distorted things around him as a result, hence binding his page in the Akashic Records; that's a defence tactic Aichi took to prevent the change from being recognized by the Tatsunagis and an effort to correct what was clearly altered from their understanding For the sake of not risking himself being a trigger that would bring to the surface any memories of his real life, Aichi ran away from home and holed up in Sanctuary, removing any chance of Kai-kun being enlightened to the truth and allowing his perfectly happy life to continue without a hitch, and by having him get bored of Vanguard, there is no tie between them But the corruption is poisoning him and/or the strain of upholding such a world is taking its toll on Aichi, hence the beginning of the episode, and they already spelled out he himself isn't happy, it kills him to not see the person he wants to most, but sacrifices his happiness for Kai-kun's. Why he wanted Kai-kun brought to Sanctuary, idk, maybe as a brief respite, to serve as a reminder of why he's doing this, and keep his eroding spirit strong — The corruption is what's turned him into a violent monster who's fine with hurting or pointing a sword at whoever gets in his way. VoidAichi was passive and sealed because he was a threat to his friends' peace, trapped in a position where he was a ticking timebomb, but IF Aichi is proactive and cut himself off because he's a threat to Kai-kun's happiness and can do something about it.

Also it's made pretty obvious that Aichi's tampered with Kourin, Naoki and Shingo's (and probably Miwa's) memories, which is why they're so fixated on his will and their dedication which feels kind of cult-ish, because of Naoki's glimpse of the real history after he lost the fight In his own, even more twisted way than Legion Mate, Aichi thinks he's doing the right thing, and the interference with that dreamworld isn't something he has the patience for due to the corruption, which is why he freaks out whenever Vanguard is brought up or someone opposes him

Ibuki:

The theory is Ibuki's been cast into an illusion where he relives his childhood, or maybe an ideal childhood is given to him in the same vein as IF Kai-kun to lessen his will to fight, whether to enforce just what he's up against and the hurt he could face again or to give him a glimpse of what he could be blessed with if he stops interfering with Aichi's world Shuka seeking out Emi gets a little more strength to it as well, as the only person in the world who would recognize that anything is wrong with the atmosphere at home the way it is after Aichi ran away, and no-one else knowing him because of his isolated childhood, so she's the only anchor to drag him back down.

Courtney also came up with the suggestion that Ibuki might instead be forced to loop through his torment at the Deletors’ hands, living through cycles of his attempt to erase Vanguard, to twist the knife but also try to remind him of why Vanguard is a terrible thing.

Kai family:

“I’ll see you again someday”.

The use of this line as Kai-kun’s parting words to his parents is striking: as given Shuka’s warning, the likelihood of him actually achieving this is minimal, unless for a few scenarios: — he returns home to be with them as IF World is erased and the timeline corrected, allowing them one last time together — post-IF, the real Kai-kun seeks out his parents. In doing so, he’s able to demonstrate to them what he was able to grow up into despite their abandonment, even if for that purpose and then to part ways with them. For the real Kai-kun, such a meeting would serve as closure and for the IF version within him, it would be one last show of love and gratitude for the life they gave him. (the latter part could apply to the real Kai-kun, appreciating the childhood he was given until they left.) — Also the irony that they absconded for selfish purposes, shirking all responsibiliy of their child, left to fend for himself against the ire of his relatives, but when he runs away from home, it's to protect them. What a good boy.

#Cardfight!! Vanguard #Cardfight!! Vanguard IF #cfv spoilers

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etspera · 4 years

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@ Tagging Game

i was tagged by @hitsuaya who is fantastic!

rules: tag 10 people you think would like to be tagged, and copy/paste the asks into a new post. Answer all/as many of them as you want!

1. do you prefer writing with a black pen or a blue pen? meh, i don’t mind either: writing with my hand is what makes it special!

2. would you prefer to live in the country or in the city? i love Budapest, don’t get me wrong, but as @hitsuaya mentioned, living by the sea together is an absolute Goal. Hitsu could decorate our walls with their drawings Jean Cocteau style (https://www.atlasobscura.com/places/la-villa-santosospir)

3. if you could learn a new skill, what would it be? i am learning knitting at the moment, don’t at me... also, i would love to know how to use photoshop!

4. do you drink your tea/coffee with sugar? no.

5. what was your favorite book as a child? Baráth Katalin, a Hungarian write, had this book where a girl gets lost in Greek Mythology, cause HERMES asks her one day after school. It basically shows Jason’s story with the Golden Fleece through a Hungarian teenage girl’s eyes.... AMAZING. Also. Hungarian Shaman book: Gergő and the Dream-Catchers!! Meg Cabot was also a fave, I remember eating her books.

6. do you prefer baths or showers? showers, cause they energize or sooth me. I can feel actually clean after them idk; it’s not a rational thing.

7. if you could be a mythical creature, which one would you be? Vampire - why be dead when you can continue to be funny and sexy.

8. paper or electronic books? there is nothing like paperbooks, though i understand the pain of not knowing where to store them.

9. what is your favorite item of clothing? i have a long cotton dress that is covers me BUT lets air in and since it’s a simple beige thing, i can accessorize boldly :-)

10. do you like your name? would you like to change it? i love my name, thank You.

11. who is a mentor to you? a what.

12. would you like to be famous? if so, what for? not famous, but i want to have something to be remembered by. :-) A book or several.

13. are you a restless sleeper? depends on my moods: when there is a lot of work, i sleep like a baby, when something has upset me, i find it hard. also, many mock me cause i can fall asleep VERY easily.

14. do you consider yourself to be a romantic person? i know i am, it is my hybris.

15. which element best represents you? water - last year and this year taught me humility and how emotional i really am. i fought a lot over the years to hide this part in me, or “correct” this sensitivity, but what i learnt that it’s a core part of my personality and who i ultimately want to be.

16. who do you want to be closer to? i want to be loyal and supportive of the friends i have, and be much stricter who i let in close.

17. do you miss someone at the moment? yes.

18. tell us about an early childhood memory. i remember memorizing floor tiles at my grandmother’s house with my brother. It was summer, the window was open, my grandmother slept in the afternoons and we connected imaginary dots and names different shapes through the tile geometry. it’s a good memory.

19. what is the strangest thing you have eaten? Bayou stew with alligator tails in it.

20. what are you most thankful for? every opportunity to learn something new, and also that fate (however you call it) let me meet loving people whom i can freely love too!! YOU KNOW WHO YOU ARE.

21. do you like spicy food? YES. Hungarian cuisine is also more than ideal for this purpose.

22. have you ever met someone famous? i’ve seen them from afar and that was enough.

23. do you keep a diary or journal? continuity?? in this brain??? less likely than you believe.

24. do you prefer to use pen or pencil? pen

25. what is your star sign? libra sun, cancer moon, capricorn rising... control freaks united.

26. do you like your cereal crunchy or soggy? I love CRUNCHY cereal, but imma be honest with You, i usually forget i have breakfast ready and it gets soggy.

27. what would you want your legacy to be? i would like teenage/ young adult/ adult girls from a modest or abused background in my present and my future feel understood and represented; to make them feel and make them know it gets better and we are not alone. i would like to teach a lot of children and teenagers about the absolute humanity and joy and selflessness and cruciality of art.

28. do you like reading? What was the last book you read? Yes! I reread Joseph and His Brothers by Thomas Mann. That book series fucks.

29. what are you afraid of? being shamed and misunderstood.

30. what is your favorite scent? cinnamon; the air before a great storm.

31. do you address older people by their name or surname? nicknames, though i check with them. i rarely use people’s first names in person, it is a very intimate act for me.

32. if money was not a factor, how would you live your life? “in a small house near the ocean in Italy of course” :-)

33. do you prefer swimming in pools or the ocean? T H E D E P T H O F T H E O C E A N.

34. what would you do if you found $50 in the ground? i mean. i would search for its owner a bit, but otherwise keep it and buy myself and/or someone a gift?

35. if you were to get a tattoo, what would it be and where would you get it? have already a scale sign on my left arm; i’m thinking of tattooing a quote too.

36. what can you hear now? cars outside and some music from my brother’s room.

37. where do you feel the safest? when i am alone. but that can also bug me or take me down in the long run.

38. if you could travel back to any era, what would it be? i am not that interested in time travelling - human nature remained and remains as terrible and terrific as before (though i’d check out 16th century Europe).

39. what is your most used emoji? 🙃 🙃 🙃 🙃 🙃 🙃

40. describe yourself using one word. wistful.

41. what do you regret the most? cruelly and very suddenly cutting one specific person out from my life in fear of intimacy and as a remnant of deep-seated childhood issues.

42. last movie you saw? Mother/Madeo (2009) superb film.

43. last tv show you watched? Santa Clarita Diet, netflix you fucking coward.

44. invent a word and its meaning: hypatheon - a sense of dread actually paralyzing you.

if the following people have time and energy and are in the mood, please don’t hesitate: @trulytheoretical @neverfeedthesarcophagi @mybrainishealthy @niquesse @wolfhalls @woman-wolf-witch @vividfantasy7 @via-whitmore @merfaerie @sovietspies

#about me

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chanoyu-to-wa · 4 years

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Nampō Roku, Book 5 (58): Two Poetic Aphorisms Related to the Practice of Kane-wari, Attributed to Rikyū¹.

58) [Two aphorisms in poetic form related to the practice of kane-wari, that were written on the back side of the document translated in the previous post; and attributed to Rikyū by Tachibana Jitsuzan².]

￮ [From] the chigai-dana [違棚], ō-toko [��床], shoin [書院], [to the] wabi-zashiki [ワヒ座シキ = ワビ座敷], [the arrangement of the utensils] is based on the five kane of the daisu³.

￮ In the small room, as well as in a room of one-thousand mats, the numbers of objects [displayed] should be based on the daisu’s nanatsu-kumi [七つ組]⁴.

(These two poems were written on the back of the sheet of paper on which the previous manuscript was written. The poems were composed by Rikyū, and inscribed with his own brush⁵.)

_________________________ ◎ As with the previous document (on which they were written), these poems are probably spurious, since the first utilizes the five-kane system (that was, in fact, favored by Rikyū), rather than the eleven-kane system that was mentioned in the document to which these poems were supposedly appended)*; while the language of the second one conflicts directly with details that are found in several of Rikyū’s own densho. ___________ *This does not necessarily preclude this poem’s having been composed by Rikyū. Indeed, writing a poem that was commonly believed (at that time) to have been written by Rikyū would argue for the authenticity of a forgery.

¹According to the postscript appended to this entry, the poems were attributed to Rikyū by Tachibana Jitsuzan, apparently based on the handwriting, and the fact that they were written on the back of the letter (or densho) explaining the different kinds of kane-wari -- that was translated in the previous post.

²This entry was not provided with a title in the Enkaku-ji manuscript (or in any of the other versions of the text).

The use of the waka form was intended to make the details easier to remember. This is why teachings (especially those that were important for the beginner) were often stated in poetic form.

³The first poem reads:

chigai-dana・ō-toko・shoin・wabi-zashiki moto ha daisu no itsutsu-kane nari

[違棚・大床・書院・ワヒ座シキモトハ臺子ノ五ツカネナリ].

“The chigai-dana, the ō-toko, the shoin, [and] the wabi-zashiki: the foundation of these are the five-kane of the daisu.”

⁴The text of the second poem is:

ko-zashiki mo sen-jō-shiki mo mono-kazu no moto ha daisu no nanatsu-kumi nari

[小座鋪モ千疊敷モ物數ノモトハ臺子ノ七ツ組ナリ].

“Also in the small room*, also in the thousand-mat room, the number of objects is based on the nanatsu-gumi of the daisu.”

Mono-kazu [物數] means the number of objects, how many things.

Nanatsu-gumi [七ツ組] is a machi-shū term, used in the Nampō Roku†, that refers to the “complete” arrangement of objects on the daisu: on the ji-ita, the furo, mizusashi, shaku-tate, koboshi, and futaoki; and on the ten-ita, the chaire and chawan.

In other words, the arrangement of objects on the chigai-dana, in the ō-toko, on the dashi-fu-zukue [出し文机] (the built-in writing desk, sometimes referred to as the tsuke-shoin [付書院] today), as well as in the wabi setting, all of these are based on the idea that the numbers should be yang (odd)‡ -- since yang numbers are auspicious.

About this poem, Tanaka Senshō writes**: “The number seven is a yang [i.e., an odd] number. Such numbers as seven, five, three, and so on, are auspicious numbers. For this reason, even in the small room, the toko, tana, and [things placed directly on the floor of the] room, the total number of objects displayed should follow the same pattern as the seven [utensils] that are displayed [on the daisu]. (It is important to point out that this [use of the number seven] has nothing to do with the seven-kane system that is employed in the inakama; therefore, one should be careful [not to confuse the one with the other].)

“But, having said that, the nanatsu-gumi of the daisu, and the seven-kane that are employed on the inakama-daisu: both make use the auspicious number seven. Likewise, this number seven is also found in the mitsu-ori [by adding the four interstitial kane], in the four seasons††, and so forth.

“When divided into two parts, [seven] yields three and four; or two and five. The number of objects can also be broken down into sets that have an auspicious meaning: one, two, three; or, seven, five, three, and so on. When you think about it, the root number is always the seven objects arranged on the daisu: from this [example of the daisu] comes the teaching that is described in this poem.”

However, the difficulty in accepting the authenticity of this poem has less to do with the meaning (which may well be authentic to the point of being a truism -- assuming we do not take the number “seven” too literally -- at least during the daytime), than with the terminology used in this poem -- which pointedly deviates from the usages prescribed, in detail, in several of Rikyū’s own densho‡‡. __________ *Ko-zashiki [小座鋪] is another way to write ko-zashiki [小座敷] that seems to have been favored (in certain circles) during the Edo period.

†This is used as an example used in the support of the argument that the Nampō Roku was written by Tachibana Jitsuzan by those scholars (who are by and large not affiliated with any of the modern tea schools) who prefer to hold that opinion. (Often these people prefer to keep this opinion to themselves, since publishing such things, in Japan, would be tantamount to committing professional suicide -- as can be attested by the repeated attacks that have been made on this blog, initiated by people affiliated with a certain modern school.)

‡Perhaps the full count should be yin (even) at night.

**此七ツの数は陽の数で、七五三抔と云ふて芽出度い数である。故に小座敷でも、床、棚、座敷、此合計の道具数を七ツ飾る事がある。是は田舎間の七ツ曲尺の問題とは何の関係も無い事である事に注意せねばならぬ。

けれども、台子の七ツ組、田舎間台子の七ツ曲尺、共に七と云ふ数の吉数である事には共通の思想がある。又此七ツを三ツ折、四季抔云ふて、三と四に二分したり、二と五に二分して、一二三、七五三抔と祝意を表する数に分解するのも、考へて見ると、其根元の数は台子の七ツ組と云ふ故実から起源して居ると云へると云ふ歌意である。

††Perhaps Tanaka is referring to the seven classical “seasons” that traditionally governed the practice of chanoyu:

◦ shun [春], spring (the planting season);

◦ u-zen [雨前], the month or so before the rainy-season begins (characterized by increasingly frequent overcast skies and rain);

◦ u-chū [雨中], during the rainy-season;

◦ u-go [雨後], the spell of intense heat that follows the end of the rainy-season;

◦ shū [秋], autumn (the harvest season);

◦ shō-kan [小寒], early winter;

◦ dai-kan [大寒], the period of intense cold that occurs around the beginning of the new year.

Or, perhaps (since he characterizes this as “the four seasons,” when, in fact, there are seven) he was not really clear about this ancient (and secret) series, and was simply relating something that his source (one of the last surviving of the Enkaku-ji scholars) had mentioned to him in passing (without that person’s having gone into the details).

This series of seasons is extremely important, since it defines the way that we stage a gathering at any given point during the year -- including how we select the utensils. Unfortunately, this is another teaching that has been lost to many of the modern schools.

‡‡According to Rikyū, nanatsu-kazari [七ツ餝] refers to the (1) kama, (2) furo, (3) mizusashi, (4) hishaku, (5) shaku-tate, (6) koboshi, and (7) futaoki (rather than to the (1) kama-furo, (2) mizusashi, (3) shaku-tate, (4) koboshi, (5) futaoki, (6) chaire, and (7) chawan, as used by the machi-shū).

Furthermore, he continues that the word kazari [餝] should be used when talking about the things arranged on the ji-ita, while kumi [組] should be used when discussing the things displayed on the ten-ita.

He then goes on to explain that this was all a secret teaching, the purpose of which was expressly to distinguish those persons who had been initiated into the orthodox teachings of the daisu, from those who had not -- the latter (he writes) being people who use nanatsu-gumi (to mean the furo and kaigu, plus the chaire and the chawan).

The machi-shū affiliated with Imai Sōkyū appear to have preferred this later terminology, and that is why it is commonly used by the modern schools.

It is because of differences such as these, between Rikyū's actual writings and what is found in the secondary sources (the Nampō Roku is, at best, a secondary source), that certain modern schools argue that Rikyū's actual writings are fake, while the documents that they cherish (which are largely the writings derived from the machi-shū tradition) are the only true representation of the ancient teachings.

⁵Kono uta ni-shu ha migi no kami no hiki-kaeshi tokoro ni ari. Rikyū no ji-ei ji-hitsu [此歌二首ハ右ノ紙ノ引カヘシノ所ニアリ、利休自詠自筆].

“With respect to these two poems, they were [found] on the back side of the page mentioned at the right. [They were] self-composed [and] self-written by Rikyū.”

The poems were written on the back side of the sheet on which the drawings of the various sorts of kane-wari were found. Rikyū both composed the poems, and inscribed them there “with his own brush.”

According to Shibayama Fugen, this note was appended by Tachibana Jitsuzan. Tanaka Senshō, while he does not explicitly ascribe the authorship to Jitsuzan, notes that it was written in the margin of the page, in red ink.

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sendousha · 4 years

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@kaitoshiki

The noise of city chatter and traffic flooded the air, but this wasn’t Hitsue. It wasn’t anywhere he recognized. Emi might have berated his ability to get lost, but this was a whole new level. The haze wafting through his mind drowned all thought deeper into confusion, summoning a hand to his head. Removing it, Aichi gazed upon the fighting glove wrapped about the palm. Ah... that was right. He had been examining his deck with eager anticipation for the Nationals now that Q4 had qualified beyond their original failure of the group stage.

But this wouldn’t do... if he had gotten himself wrapped up in something that removed him entirely from the picture. He had to show Kai his strength, after all, the enhancement Psyqualia and the Shadow Paladins Ren had gifted him brought to his growing ability. Within the azure of his eyes, those lights flickered, consuming his sight briefly and striking his head with a twinge.

It registered only then that from the hand unmoved, a sword hung; not the black of Blaster Dark, his adopted sword, but the original. The weaker which he’d abandoned. What a peculiar choice... But how was it he handled the weapon to begin with? “Oh, I understand. The image is growing strong enough that... maybe... this is Cray?”

Beyond a handful of distinct locations, the planet had been largely unexplored, so it wasn’t beyond the realm of possibility. United Sanctuary was spoken of in the game’s lore to harbour many a modern city. Then perhaps, this was it. A sign, something he needed to share with Kai! That would win him back to the team, surely.

The possibility to discover that very answer had come abruptly when Aichi flinched on the spot to discover the very boy walking on the opposite side of the road, dressed in a sports kit (not a sight he’d witnessed before). “Kai-kun?” he had to question it, for the other to have manifested, and so clearly? “Kai-kun! Wait!”

#kaitoshiki #Event 30 | Proxy #brain: okay let's not write an essay #hands: one storm coming up #can i pin the blame on him? yeah let's do that

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mariaurore · 8 months

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I love watching them play chess ♟️. It's the most adorable thing in the world 🥰

LOL at one point Hitsu points behind Takashi with this "Oh my god, Look!" gesture, and Takashi looks, like "What?!"

Meanwhile, Hitsu is doing something totally sus to the board.

When Takashi looks back, Hitsu is just like "I don't know" 🤷🏻‍♂️, "must have been the wind".

🤣 (OOC: It all happened so fast, I wish I got more screenies.)

I was just thinking "Omg! Hitsu that was so cheap!" 🤭

Of course Takashi lost the game, but I mean... he might NOT have if Hitsu didn't play dirty like that 😂

Someday you'll win a game against your Dad. Keep persevering 🤭

Edit: He did it again! I got some more screenies this time.

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final-aria-fantasy · 5 years

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✎ - Can your muse draw? How well?

Cetah: She’s not too bad, good enough to be able to doodle clothing concepts and the like, but nothing super extravagant nor does she focus a lot on drawing when she’d much prefer putting her creativity into actually making clothes or baking cute cakes.

Kaiko: Kai is actually a surprisingly talented painter, but hasn’t picked up her paints in a very long time, at one point deciding it was a pointless and wouldn’t get her anywhere. Perhaps someday she’ll get back into it or someone will see her old art and encourage her, perhaps not. Who knows.

Emanuel: He’s good at technical drawing for schematics and things of that nature, but anything more creative he’s completely lost on.

Andelaux: He can doodle simple things ok enough but for the most part no, he’s not much of an artist nor does he aspire to be.

Rose: She’s a fairly decent artist, though most of her creativity is more put into the crafts she makes. For some projects though she does like to draw it out first before making it, specially anything involving fine detail or sculpt work. Also any furniture or items that would involve art being painted onto them she’s pretty good at recreations.

Hitsu: Girl can draw a mean stick figure but that’s about it, not that she’s tried much further, she ain’t got time for that silliness.

Kihruh: She can draw really damn well, but the stuff she draws nobody probably wants to see. Nightmare fuel, all of it, lol.

((Thanks @rinhkitty!))

#cetah #kaiko #emanuel #andelaux #rose #hitsu #kihruh #mun answers for muse #rinhkitty

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kobahitsu · 2 years

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AHHH i came here when i discovered you had a tumblr through your hitsu fic on FF!

I used to read it many years ago and still do; i probably go back to reread it a few times every year ;w; when it got updated last year I just about lost my mind!!!

Really love that series, and i don't know if it'll be continued (i intend to read Scarborough at some point when i hv time because Kol is 😍) but your Hitsu fic is honestly one of the best out there and fueled my Hitsu dreams for years🥺😊☺️

Thanks so much for reaching out!

I have to admit, I’ve been lazy with Daisy for a long time xD But, the fact that Bleach will be coming back in autumn.... hehehe more updates to come, I’m sure :D

What can I say, the best praise an author can get is when they hear that someone re-reads their work or binges it Q.Q It’s surreal and means so much to hear that! I will do my best to give another update soon :D I’m definitely not done with Daisy yet :D

Scarborough Fair is a good one, but I’m biased :P I’ve been writing it like a maniac xD Kol is bae. He needs more fics about him xD I hope you will enjoy it :)

I will do my best to keep fueling your Hitsu dreams :P

Take care and thanks so much once more for writing to me! All my best <3

#styomi answers

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aome-chan-official · 6 years

Text

Lost Memory - Capítulo 2: No todo lo que ves es cierto

Muchos Piensan que Si se alejan de los problemas las cosas mejoraran. Pero no es así... El problema volverá y mucho peor, es capaz hasta de destruir lo que creaste con el tiempo. 2 Años Después Kinaiya caminaba hacia la escuela. - ¡Kina-chan! – Un chico corre hacia ella alocado con una enorme sonrisa y una energía increíble. El tono de voz del chico era extremamente agudo, fingiendo una voz mas joven. - Eh? – Kina voltea al escuchar su nombre, pero al ver que se percataba de ese chico, su cara cambia a una de fastidio. Se hace a un lado y pone el pie para que este caiga al suelo por el impulso. El chico cayo de cara en el suelo, tras unos segundos, el levanto su cabeza y llevo su mirada hacia Kina – Kina-chan ¿Por qué eres tan mala conmigo? – Decía el chico con una cara de tristeza. - ¿Por qué actúas tan infantilmente? – Devolvió la pregunta. - Porque te amo – Respondió el chico con total seriedad. - I-Idiota – Kina se sonrojo levemente ante su respuesta – No juegues con eso – Desvía la mirada. - Jejeje – Se ríe y se levanta del suelo – Admítelo, te gusta que lo diga – Se acerca a ella un poco provocador. - ¡Claro que no! – Niega rápidamente – Y será mejor que dejes de decirlo – Se cruza de brazos – De lo contrario comenzare a creerlo – Lo mira de reojo. - ¿Y si fuera cierto? – El tono de voz se oyó más varonil a lo de minutos antes y se posiciono frente a frente con Kina. Kina lo miraba sonrojada, su respiración se volvió algo irregular y su corazón comenzó a latir con rapidez – E-Eso... no pasara – Desvió la mirada algo molesta y siguió su camino dejando atrás al chico. El chico suspira y la mira alejarse. Tras unos segundos el decide ir tras ella de nuevo - ¡Vamos Kina! ¡Solo jugaba! – Se excusa el chico quien la seguía algo insistente. Kina por su parte lo ignoraba totalmente. Él es Kitsune Amanayo-kun, aunque en realidad yo lo llamo Amano. Es mi mejor amigo desde que llegue a esta escuela, aunque... - ¡Kina! – Amanayo gritaba más fuerte. Una chica estaba cerca de ellos, estaba apretando un poco su falda, pareciera que tenía miedo – Ki-Kitsune-san – Llamo temerosa. Al instante, Amanayo se incorporó, la miro y metió sus manos a los bolsillos. Su mirada se volvió fría y ya no mostraba ese ánimo de antes - ¿Qué? – Respondió con la voz con la que hablo intimido a Kina. - ¿¡Eh!? – La chica se asusta al instante – Y-Yo... – Desvió la mirada mientras jugaba con sus dedos. Amanayo la miraba con algo de molestia, ella solo se asustaba cada vez más al tener que lidiar con él. - ¿Eh? – Kina se dio cuenta de lo que estaba pasando así que decidió acercarse – ¡Mitsuki-san! – Llamo con alegría. - Eh? – Mitsuki la miro – K-Kina-san. Buenos días – Saludo cordial algo tímida, al parecer ella es así. - Jejeje, Buenos días – Saluda – Bueno, ¿Qué se te ofrecía? – Pregunto amable. - B-Bueno... y-yo... – Titubeaba. - ¡Tsk! – Amanayo se harta - ¡Habla! – Ordeno. - ¡Ah! – Mitsuki se asusta – E-El señor director solicita a Kitsune-kun en su oficina – Hablo rápidamente mientras cerraba los ojos fuertemente y ponía sus manos frente a su cara. - Tsk... como sea – Comienza a caminar en dirección a la oficina del director. Mitsuki al percatarse de que Amanayo se fue suelta un suspiro aliviada. - Jejeje – Kina se ríe ante la escena que acababa de ver. - Tienes tanta suerte Kina-san, te envidio – Comento Mitsuki. - Eh? – Kina la miro confundida. - Él nunca se comporta de esa manera contigo, es totalmente diferente – Explica. - Mm... – Kina lo piensa mientras lo mira irse. Él se comporta de una manera seria e intolerante con los demás, sin embargo, conmigo es alguien infantil cariñoso y sobre todo empalagoso. A pesar de todo él es alguien muy inteligente, constantemente los maestros o el director lo llaman, esto para que sea tutor o por ser de los mejores en las clases piden que se encargue de algunas cosas. Aunque todo eso no impide que nos veamos y que hable conmigo, pero a decir verdad, nuestro encuentro no fue de los mejores. Hace un año Kinaiya se encontraba sentada en su asiento mirando hacia la ventana. Ella se encontraba perdida en sus pensamientos, pero un grito de parte de su maestro la desconcentro por completo. - ¡Señorita Shigiru! – Alzo la voz el maestro. - Eh? – Kina de inmediato lo voltea a ver y se levanta de su asiento – P-Perdón Sensei – Se disculpa. Al fondo se escuchan risas de parte de sus compañeros ante la situación. - Iras a la oficina del director después de clases – Ordena. - Si... Maestro – No se opuso y su mirada estaba baja, volvió a sentarse de inmediato, pero ahora su vista estaba en el asiento, aun no podía superar lo que paso tiempo atrás. Sin embargo, un chico en particular que se sentaba al frente la miro algo extrañado, tras unos segundos, la mirada del chico volvió hacia el frente de la clase. Después de clases. Todos se había ido, solo quedaba Kina en la misma posición como antes, mirando hacia su asiento sin animo alguno. De pronto se escuchan pasos cerca de ella y se detienen a su lado, por lo cual, Kina termina mirado hacia su derecha y alza la mirada para encontrar la cara de la persona. Cuando Kina encontró la cara de la otra persona se le quedo mirando unos segundos, mientras que el hacía lo mismo. - ¿Quién... eres? – Pregunto Kina. El chico se molestó un poco ante la pregunta – Kitsune Amanayo – Respondió – Yo te llevare con el director – Agrego. - ¿Eh? – Olvido por un momento que debía ir con el director – Oh, si – Se levanta del asiento. - ¿Estás bien? – Pregunta Amanayo. - Sí, no te preocupes – Respondió con una sonrisa forzada. - Igual no me importa – Da media vuelta y camina hacia la puerta. Kina se sorprendió ante su respuesta – Entonces... ¿Para qué preguntas? – Algo molesta. - Por cortesía – Contesta y se para en la puerta - ¿Vas a venir? – La mira. - ¿Eh? Si – Camina rápidamente hacia él. Amanayo camino delante de ella guiándola hacia la oficina. El camino fue silencioso, eso incomodaba a Kina, por lo cual intento hacer un tema de conversación. - Amm... Kitsune-san – Llama algo dudosa. Amanayo la miro de reojo - ¿Por qué viniste tú en ves del maestro? – Pregunto algo intrigada. - Porque quieren molestarme – Respondió rápidamente. - ¿Eh? – Kina no entendió su respuesta. - No convivo mucho con la gente, no me gusta – Explico. - Amm... ¿Se puede saber por qué? – Curiosa. Amanayo se quedó callado por unos segundos – No lose – Respondió secamente. Kina bufo – Eso no es una respuesta – Protesto. - Simplemente no lose – Alzo un poco la voz. - Está bien, está bien. No necesitas repetirlo – - ¿Por qué preguntas? – Interesado. - Curiosidad – Sonríe. La mira y se sorprende. Se detiene en seco. Kina lo mira algo confundida, pero él decide hablar – Llegamos – Se hace a un lado para que ella entre. - Muchas gracias Kitsune-san – Pone la mano en la manija. - Suerte – Comento Amanayo. - Gracias – Se despide y entra a la oficina. Kina al entrar se encuentra con un hombre sentado en la silla detrás de un escritorio. - Señorita Shigiru – Hablo el señor. - Hitsu-san – Kina lo mira. - Según la queja del maestro – Se levanta – Últimamente has estado distraída en clases – Explica. - Si, así que me disculpo – Hace una reverencia. - Te hemos ayudado en lo que nos pediste, tú y tu padre por supuesto – Comenta. - Lose y se lo agradezco mucho – - Sabemos que lo que viviste fue muy difícil, pero solo pedimos que utilices como excusa eso para que no prestes atención en clase – Aconseja. - Si, lo hare, muchas gracias – Sonríe cortes, da media vuelta, abre la puerta y sale de ahí. Esa ocasión estaba muy mal, aun no podía procesar todo lo que me había pasado, pero ellos tienen razón. No es fácil, ya no puedo hablar con la gente, tengo miedo a que me rechacen o me dañen de la misma manera. Pero lo que nunca espere, fue que alguien estaba esperándome a fuera de esa oficina. Amanayo se encontraba recargado en la pared mirando hacia la nada, al escuchar la puerta su vista va hacia Kina – Hola – Saluda. - ¿Qué haces aquí? – Pregunto algo extrañada. - Bueno... – Pensó por un momento su respuesta – Quería saber tu nombre – Soltó, como si fuera una excusa. - ¿En serio? – Algo fastidiada suspira – Shigiru, Shigiru Kinaiya – Hablo y lo miro a los ojos. - Vaya... que nombre tan peculiar – Se burla. - ¿Qué quieres decir con eso? – Algo molesta. - Jejeje, nada – Sonríe. - ¿Sabes? Estas empezando a irritarme, Kitsune-kun – Confiesa. - Llámame por mi nombre – Habla rápidamente. - Ah... – Kina se queda pensado un momento - ¿Cuál era tu nombre? – Pregunta. Amanayo totalmente molesto le responde – ¡Amanayo! Me llamo Kitsune Amanayo – Se cruza de brazos. - ¿Amanayo? Que nombre tan peculiar – Se burla igualmente – Te llamare Amano – Sonríe. - ¿Quién te dio el derecho a cambiarme el nombre? – Molesto. - Te aguantas – - Tsk – Molesto – Por cierto Ki... – Piensa. - Kinaiya, puedes llamarme Kina – - Kina, es un lindo sobrenombre – Le toca la mejilla – Igual que tu – Confiesa. - Eh? – Kina se sonroja al instante – Y-Yo... – No sabía que decir. Amanayo sonríe burlonamente – ¡Jajaja! No puedo creer que lo creyeras – Ríe descontroladamente. - Eh? – Kina aun sonrojada comienza a enojarse. - ¡Jajaja! Debiste ver tu cara – No contiene su risa. Kina no soporto más, aprieta su puño derecho y golpea a Amanayo fuertemente en su estómago. - ¡Auu! – Se quejó mientras sobaba el área afectada. - ¡Idiota! – Molesta se va del lugar. Amanayo la sigue rápidamente – Kina, era una broma, no seas aguafiestas – Insiste - ¡Kina! – Alza la voz. Nuevamente en la actualidad Él es un... Idiota En el receso Kinaiya estaba comienzo dentro de la cafetería junto a una compañera de clase. - ¡Kina! – Amanayo corre hacia donde esta ella. - ¿Acaso nunca se cansa? – Comentaba la compañera de Kina quien estaba frente a ella. - Un cabeza hueca nunca piensa – Kina estaba dando la espalda a la entrada de la cafetería – Así que ahí tienes tu respuesta – Muerde su sándwich. Amanayo estaba a punto de llegar hacia Kina, pero una piedra ocasiono que cayera a centímetros de ella - ¡Kina! ¿Por qué me haces esto? – Se queja. - ¿Cuándo pusiste esa piedra ahí? – Pregunto la chica. - Antes de que llegaras – Kina responde, guarda su almuerzo, se levanta y sale de la cafetería. - ¿Eehhh? – La chica la mira irse – Kina a veces es alguien muy reservada – Comenta. Amanayo se levanta del suelo, se sacude, mira a su alrededor y bufa – Como sea – Da media vuelta y sigue a Kina. - Ah, claro. Déjenme sola – La chica habla irónicamente y con tono molesta. Kina caminaba por el pasillo camino a su salón de clases, pero unos brazos le rodearon el pecho en un abrazo. - Mi amor... Te he buscado durante un largo tiempo – Amanayo comento mientras la abraza por detrás – He cruzado ríos, mares, incluso- Amanayo fue interrumpido por Kina. - ¡Solo saliste de la cafetería! – Le da un codazo en el estómago. - ¡Auu! – Se aparta de ella y se cubre el área afectada - ¿Por qué eres tan mala? – Le pregunta haciéndose la víctima. Kina suelta un suspiro pesado, da media vuelta y se acerca a Amanayo, él se incorpora y la mira. Ella se pone de puntillas por la diferencia de estatura, toma las mejillas de Amanayo entre sus manos y le da un beso en la mejilla. - Perdóname ¿Sí? – Lo mira a los ojos de una manera amable. Amanayo retrocedió unos cuantos pasos sonrojado y desvía la mirada – N-No... Hagas eso – - Jajaja – Se ríe – Es la única forma en la que pague tus bromitas – Da media vuelta y se aleja un poco. Amanayo la sigue con la mirada. Kina se detiene y voltea a verlo. - No querrás llegar tarde a clases ¿verdad? – Sonríe. - ¿Eh? – Algo confundido. - Ya casi toca el timbre – Aclara – Así que es mejor apresurarse. ¿No es así? Amano – Sonríe, vuelve a girar y sigue su camino. Amanayo sigue embobado, pero tras unos segundos reacciona – ¡Ki-Kina! ¡Espera! – Corre un poco y la alcanza. Amano a veces es muy curioso. Cambia de actitud repentinamente, claramente solo cuando estoy yo. Pero... a pesar de todo él es un gran amigo. Desconoce mi verdadero pasado, pero creo que ha llegado la hora de decirle, quien soy y lo que me paso. Un año de amistad, por ello, se ha ganado mi confianza, aunque... no es lo único que se ha ganado. Al día siguiente, en la oficina del director Amanayo se encontraba consultando unas cosas con el director respecto a unos planes de estudio. - Muy bien, muchas gracias Kitsune-san – Agradece mientras pone los lentes en la mesa. - No hay de que – Se levanta de la silla – Siempre estoy a su disposición – Sonríe amable. Alguien toca la puerta - Adelante – El director alza la voz para indicar que podían entrar. La persona que entro, era un hombre bien vestido, elegante y alto – Buenos días – Saludo cordial mientras entraba a la oficina. - W-Wow... – El director se levanta de su asiento – U-Usted es... Konogua, Konogua Tatsu ¿verdad? – Pregunta nervioso. - El mismo y único – Bromea carismático. Amanayo lo miraba algo sorprendido, no era una persona que conviviera con muchos, así al ver a alguien tan importante enfrente de él era algo increíble. - B-Bueno, siéntese, siéntese – Ínsita mientras él también tomaba asiento ansioso – Dígame, ¿Qué se le ofrece? – Pregunto prestando total atención. - Bueno vera – Se acomoda – Quiero meter a mi hijo en su escuela – Propone. Amanayo se sorprendió al escuchar sus palabras. En cambio, el director ríe algo nervioso. - Claro que sí, ahora mismo hacemos el papeleo para que entre hoy mismo – Comenta alegre. - Jejeje, muchas gracias, me alegra saber que está dispuesto – Agradece. - Claro que si – Afirma – ¡Oh! Cierto. Le presento a mi estudiante estrella, Kitsune Amanayo – Presenta. - Un gusto – Amanayo hace una reverencia. - Jejeje, mi hijo estará rodeado de muy buenas personas – - Se lo aseguro – Vuelve a afirmar – Bueno, Kitsune-san, eso es todo por hoy. Muchas gracias, ya puedes retirarte – - Gracias, con permiso – Se despide, abre la puerta y sale de esta sin antes escuchar lo último de la conversación. - Bueno, dígame ¿Cómo se llama su hijo? – Pregunta dispuesto a escribir. - Konogua Daidagua – Amanayo suspiro aliviado, estaba nervioso tener a alguien como el tan cerca. Pero algo era más importante que eso, así comenzó su caminata para buscar a Kina. En la entrada de la escuela - ¡Misaki-san! – Kina corría hacia su compañera de clase. - ¿Eh? – Misaki la volteo a ver al instante – Kina-chan, buenos días – Saluda. - Buenos días – Le sonríe. - Vaya, que milagro no verte con Amanayo-kun – Comento traviesa. - Lo volvió a llamar el director y tuvo que irse más temprano – Aclara. - Ya veo – Asiente – Amanayo-kun tiene una vida muy pesada – Se queja. - Jejeje, si un poco – Se rasca la nuca. - Oye... – Misaki miro hacia detrás de Kina - ¿Qué es eso? – Señala. Al parecer había una multitud de personas. - Quien sabe – Kina alcanza a ver a Mitsuki venir de la esa dirección - ¡Mitsuki-san! – Llama. - ¿Eh? – La mira – Kinaiya-san - Se acerca. - ¿Qué está pasando? – Pregunta refiriéndose a la multitud. - Pues... a lo que alcance a escuchar es que unas personas dicen conocer a alguien famoso y mostraron pruebas y la gente fue rodeándolos – Explica. - ¿De quién se trata? – Pregunto Misaki. - Lamentablemente no alcance a escuchar, lo siento – Se disculpa. - No te preocupes – Kina le acaricia la cabeza. - Mejor vámonos, no creo que la gente importante se fije en alguien como nosotras – Da media vuelta y comienza a caminar. - Jejeje, tienes razón – Apoya Kina. - Eso espero – Mitsuki dudo un poco. Una persona se asomó del centro de la multitud – ¡Oh! Dios mío – Sale de entre toda la gente - ¡Kina! – Grita mientras corre hacia donde está la chica. - ¿Eh? – Kina volteo al escuchar que alguien la llamaba. - ¿Lo conoces? – Misaki pregunto curiosa. - Ni idea – Respondió confundida. El chico la alcanza y le dio un abrazo repentino. - Amm... ¿Qui-Quien eres? – Pregunta Kina con algo de miedo. El chico se separa inmediatamente. - ¡Oh! Lo siento, soy Yankar Shinkar, un gusto – Saluda. - Je-je-je – Insegura y nerviosa El chico miro hacia la multitud - ¡Oigan! ¡La encontré! – Hacia señas. Otras tres personas salen de la multitud haciendo a un lado a todos los demás. Kina, los identifico de inmediato, sujeto su mochila con fuerza y retrocedió un par de pasos. - ¿Quiénes son ustedes? – Pregunta Misaki algo molesta. - Somos amigos de Daidagua, Konogua Daidagua – Responde una chica quien parece ser la cabecera del grupo. - ¡Daidagua! – Mitsuki y Misaki dijeron en unísono. - ¿Konogua Daidagua? – Pregunto Misaki incrédula. Kina seguía retrocediendo – N-No... – Choca con alguien y levanta la mirada. - ¡Kina! Hola – Amanayo la saluda con una sonrisa. - A-Amano... – Logro pronunciar con temor. - ¿Eh? ¿Qué pasa? – La sostiene de los hombros - ¿Qué tienes? – Preocupado. Mitsuki volteo a mirar a Kina – Kinaiya-san – Estaba confundida ante todo lo que estaba pasando. - ¡Kina-chan! – Misaki se acercó de inmediato - ¿Qué te pasa? – Le pregunto preocupada. - ¡Mira! – ¡Ahí está! – Shinkar señala a Kina. - Gracias, ahora vete del camino – Una chica empuja a Shinkar. - N-No... – Kina se sujetó de los brazos de Amanayo. - ¿Eh? – Amanayo confundido mira al grupo algo molesto. Una de las chicas se acerca a Kina, la mira frente a frente. Kina solo podía mostrar temor – L-Lucy-chan – Pronuncio. - ¡Kina-chan! – Saluda la chica con los brazos abiertos. - ¡¿Eh?! – Mitsuki la miro totalmente impactada. - Ki-Kina-chan... ¿D-De donde- Misaki trataba de hablar, pero las palabras no salían. - ¿Qué pasa Kina? – La otra chica se acerca – Solo han pasado 2 años – Sonríe. - A-Ami-chan... – Kina se sujetaba más fuerte de Amanayo. De repente, Kina sintió que Amanayo se alejó de ella, de inmediato giro su cabeza, unos brazos lo sostenían y alejaban de ella. Kina se asustó de inmediato. Lucy se acercó rápidamente y la tomo de los brazos – Vamos Kina, no me digas que no nos recuerdas – Sonríe de una forma sínica. - Te hemos extrañado mucho – Mikami camina a un costado de ella - ¡¿Y así nos pagas?! – La abofetea, Lucy soltó su agarre y provoca que Kina se tire al suelo. - ¡Kina! – Amanayo se intenta zafar del agarre. - ¡Kina! – Misaki corre hacia Kina y se agacha - ¡¿Cómo te atreves?! – Le grita a ambas. - No, ¿Cómo es que se atreven a estar con alguien como ella? – Mikami señala a Kina – Ella es horrible, ella es...- El golpe de una bofetada proveniente de Amanayo impidió que siguiera hablando. Amanayo se había zafado del agarre y dejo a Shinkar y otro hombre en el suelo. - No te atrevas a ofenderla – Amanayo la miro totalmente frio. Por el impacto, Mikami termino cayendo al suelo al igual que Kina. De inmediato, Lucy fue a revisarla – ¡Mikami-san! – Mira a Amanayo - ¿Cómo te atreves? – Molesta. - No. ¡¿Ustedes cómo se atreven?! – Les grita enojado - ¡Ella no les ha hecho nada! – Se acerca a ella. - ¡Te equivocas! – Lucy alza la voz – Ella era mala con nosotras – Dijo en un susurro. Amanayo se detuvo en seco. - Se creía mejor que nosotras... Simplemente por ser quien era – Mikami miraba hacia el suelo. - ¿Eh? – Misaki mira a Kina. Amanayo miro a Kina de reojo, tras unos segundos vuelve a mirar a Lucy y Mikami – Ella es una chica común y corriente. ¡Así que déjenla en paz! – Les grita. - ¿Común y corriente? – Mikami suelta una risa - ¿Cuántas mentiras les has dicho? – - Apuesto que dijiste que tu madre estaba viva ¿No? – Lucy pregunta provocadora. Kina de inmediato levanta su mirada del suelo, la cual estaba cubierta con algunas lágrimas. - Je, lo imagino – Lucy se burla. Se levanta y se dispone a acercase a ella. - No te le acerques – Amanayo se interpone. - ¿Sigues defendiendo a ese monstruo? – Mikami grita desesperada. - ¡Ella no es así! No la conoces, no sabes qui- Amanayo fue callado con una fotografía grupal de ellos hace algunos años. - Ella es Shigiru Kinaiya, hija de Shigiru Konoha y su ya difunta madre Shigiru Daidoji – Lucy revela todo. Amanayo solo se quedó callado, trataba de analizar toda esa información. - Ella se escondió de la sociedad, por ellos los rumores de su desaparición – Mikami aclara. - Siempre era ella y nada más ella, no hacía más que hablar de sí misma y burlarse de nosotras – Lucy seguía. - N-No... ¡E-Eso no es cierto! – Kina alzo la voz, las lágrimas salieron cada vez, a pesar del shock ella no podía quedarse callada. Amanayo la miro sorprendido. - ¡Ja! ¿Esperas que te crea? Por supues- Lucy no termino de hablar ya que Amanayo la interrumpió. - ¡Cállate! ¡Cállate de una buena vez! – Amanayo al miro con total odio – No sé quién carajos sean, pero lo que si se, es que la Kina que conozco es la mejor persona que he conocido en la vida, aun si ella hizo todo eso, solo importa lo que es ahora y no lo que fue. Además... Yo sé que ella jamás haría algo así – Gira su cabeza para encontrarse con una escena espantosa. Kina tenía la boca y nariz tapada con un pañuelo, uno de los hombres de antes la estaba durmiendo. Misaki al parecer había salido corriendo del miedo. De inmediato Amanayo iba a mirar al frente, pero un golpe en la cabeza con un objeto desconocido para el hizo que cayera al suelo y unos segundos después, perdiera el conocimiento. Kina intento ir a su rescate, así que le dio un codazo al chico detrás de ella, provocando que él se apartara levemente de ella, lo empujó hacia atrás y gateo rápidamente hacia Amanayo. Pero un pie se puso encima de su mano derecha. - ¿Qué pasa Kina? – Lucy la miraba con una sonrisa malvada. - ¿Ya no puedes caminar? – Mikami se acerca por el otro lado. - N-No les tengo miedo – Kina trataba de enfrentarse a ellas. - ¿Así? – Mikami hablo con sarcasmo y le dio una patada en el estómago. Kina se tiró al suelo boca arriba por el dolor. - Bien hecho – Lucy choca la mano con Mikami. Estaba por golpear a Kina en el estómago, pero Kina lo tomo y como pudo la tiro al suelo con fuerza – ¡Ahh! – Lucy trata de incorporarse rápidamente. - Maldita – Mikami la mira con odio. Kina quien pensó que la atacaría, pero se llevó una sorpresa cuando un golpe en su costilla la soltar un grito. - Gracias Yamanaka-kun – Agradeció Mikami. - De nada – Respondió. - Acabemos con esto de una vez – Lucy se acercó junto a Shinkar. - Realmente, hubiera preferido que las cosas fueran diferentes – Kina comento son una sonrisa. - ¡Tsk! ¡Eres insoportable! – Mikami le pateo el estómago. Todos comenzaron a patear y golpear a Kina, la cual no podía defenderse o esquivarla, ya que la tenía rodeada en el suelo. Levantaron un poco a Kina para golpear su cara de mejor manera, pero antes de poder hacer cualquier cosa, algo los interrumpió. - ¡Ahí están! – Mitsuki quien había desaparecido desde hace ya hace mucho señalo al grupo de personas al director. - ¡Tras ellos! – Ordeno el director a los guardias. - Rayos... – Dijo Lucy. - ¿Qué hacemos? – Yamanaka pregunto nervioso. - ¡Correr! – Mikami grito y salió corriendo. Todos los demás la siguieron, Shinkar quien fue el que levanto la cara de Kina por el cabello, la dejo caer al suelo de golpe, lo cual provoco que Kina perdiera el conocimiento de inmediato. - ¡Kinaiya-san! – Mitsuki corrió hacia ella para asegurarse de que estuviera bien, lo cual no era así. Rápidamente saco su celular y se dispuso a llamar a una ambulancia. Llevo la ayuda, junto al padre de Kina, quien tuvo una discusión con el director por tal descuido. Al final, Konoha se llevó a su hija y no volvió. Continuara...

#desamor #recuerdos #tragedia

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