#lost count of how many stitches i had so 3 of these squares have 1 less stitch
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colors: vanilla, mocha, olive, waterfall
i made a bigger adult blanket!
really liked these colors but they only came in the large size so i decided to make a blanket a little smaller than the size of my bed
didnât feel like making granny squares this time, wanted something i wouldnât have to join afterwards
my dad says it would have made a cool shawl or i could have put a hood on it when i was around halfway done diagonally; he was right but my original goal was blanket so i kept going lol
@crazy-fangirl-probs-rants suggested blocking it (steaming the ends that were curling to flatten them out)
learned from THIS video and THIS video
#art mine#2023 art mine#crafts#crochet#blankets#made like 5 mistakes#cut the string too early 2 times and had to rejoin them and finish the last square to the edge#lost count of how many stitches i had so 3 of these squares have 1 less stitch#also FUCK undoing all the work just to fix it#i just added an extra when i found out to make up for it#it's fuckin curling at the edges but that'll probably go away as i keep washing it#a little smaller than me (might have stretched while drying) so around 5ft ish
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My Top 5 Disneyland Attractions
Disneyland is home to many fun attractions and rides for guests of all walks of life. When you go to Disneyland, one of the hardest decisions to make during your trip is choosing which attractions to visit first and which attractions youâll have to skip on. So, here are the attractions that I personally deem are the top 5 attractions that every guest should experience at least once during their trip.
5. Mickey and the Magical Map
Image by D23
Itâs important to note that though many guests go to Disneyland to enjoy the rides and food, the live shows really should not be skipped out on. Mickey and the Magical Map is a musical live theatre show located at Fantasyland Theatre near the back of Disneyland park. This show features the titular icon of the Walt Disney Company, Mickey Mouse, but also incorporates some of Disneyâs most popular characters, including Rapunzel, Mulan, Stitch, and many others. I could go on and on about how much I love this show, but there are a few distinct characteristics that make this one stand out above the rest. The fact that so many of Disneyâs most recognized ballads and anthems are performed by live actors and singers really makes you feel like youâre immersed in Disney canon. The dancers have incredibly creative routines and perform them flawlessly. The show uses a visually stunning blend of live characters and set pieces as well as a digital background thatâs really able to capture the magic that Walt Disney had originally intended for all guests of his park to experience. This show runs only about 20 minutes long and itâs a great place to just sit down, relax, and keep yourself entertained. Personally, I think this is the best live show at the park, even topping the live Frozen show at the Hyperion Theater in DCA. Mickey and the Magical Map is definitely worth your short amount of time to go visit and watch and it will really help round out your whole Disney experience.
4. Storybook Land Canal Boats
Image by Disney
The next attraction on this list is one of the original 13 attractions that debuted on July 17, 1955 when Walt Disney first opened the gates to Disneyland park. The Storybook Land Canal Boats take the guests through a calm, narrated boat ride on a river that winds through various detailed dioramas of iconic buildings, scenes, and sets from Disney films. Some of my personal favorites are Pinnochioâs village, the sultanâs palace from Aladdin, and a London-set park from Peter Pan. Though the ride starts with the boats entering Monstro the whaleâs mouth, itâs all smooth sailing from then on. Itâs sad to see that many of the original 13 rides that Walt himself had a hand in creating- including these canal boats- have lost their popularity to the newer, flashier rides at the park. However, this is a ride that guests shouldnât sweep under the rug just because it isnât thrilling; the lines are usually short and move fast and the ride itself is a substantial length, so thereâs no worries about you or your children getting antsy waiting in line. This attraction is especially a must-ride for couples- there is a beautiful fairy-light adorned overhang that the boats pass through that is notably stunning when it gets darker outside, and the overall ambiance of the ride itself is very romantic. The Storybook Land Canal Boats is honestly my favorite ride when I just want to sit, rest my feet, and enjoy that nostalgic old-timey Disney feeling you get when you ride classics like these.
3. The Haunted Mansion
Image by Disney
Now weâre finally getting to the E-Ticket attractions. The Haunted Mansion is a celebrated fan favorite attraction at Disneyland, and this is reflected by its often extensive wait times. The thing that makes this attraction- and the next 2 picks- so fun to ride is the level of in-depth immersiveness that the theming of the ride gives to the guests. The exterior facade of this ride is quite possibly the best themed facade in the entire park. It just fits perfectly in the land that itâs in (New Orleans Square) and the antebellum-style of the mansion accurately emulates the large manors of the old South. When guests are taken in, they are immediately thrown into the story of the Mansion before the ride even begins. The guests are placed into what is known as the âstretch room,â where the walls of the room, by an optical illusion (Iâll talk about this in a future post), look to stretch up vertically to show the morbid demises of the portraits hung up on the walls. While this is happening, the prologue of the story is presented by the Ghost Host, who reveals that he himself is the spirit of a corpse that is hanging from the ceiling of the room. It should be noted that the Ghost Hostâs voice is done by Paul Frees, a voice actor that is legendary for lending his voice to other Disney attractions like Pirates of the Caribbean, and Adventure Thru Inner Space. After the stretch room, guests are ushered down the hallway that has portraits hung up on the walls that look to be changing or following them. The ride itself includes some of the best of Disney Imagineering, and each scene makes great use of Disneyâs animatronics system as well as hybrid-projections. One of the most famous Disneyland characters, the Hat Box Ghost, is from this ride. The Haunted Mansion is a prime example of how perfect theming, memorable characters, and an invigorating story can truly immerse the guests in the fantasy world that it has created. This attraction would be higher up on this list if not for the fact the next two rides are not just my favorite attractions at Disneyland, but are likely my two favorite rides ever.
2. Splash Mountain
Image by Disney
Ever since it debuted in 1989, Splash Mountain has been one of the most popular E-Ticket attractions at the park. Splash Mountain takes the guests on a log-flume ride through âThe Laughing Placeâ and the woods where the Brâer animals live. The story is based off of the controversial live action Disney film Song of the South (again, Iâll go over the controversy in a future article), and the charming woodland creatures are some of the most entertaining animatronics at the park. The joke, they dance, they sing, and the light-hearted tone of the characters really balances with the scarier, darker part of the ride (The Laughing Place), as well as the large drop down the waterfall. Speaking of the drop, I believe this drop is the biggest drop at Disneyland (not counting DCA) at a height of 52.5 feet, a 45-47 degree angle, and up to 40 miles per hour. Personally, Splash Mountain is far and away my favorite âmountainâ at the park, beating out Space Mountain, Big Thunder Mountain, and the Matterhorn. This is objectively the most physically thrilling attraction at Disneyland. Funny personal story about the Splash Mountain ride- I hadnât ridden this attraction until about a year or two ago since, before that, I was too young/scared to get in line. However, I unknowingly already cherished a part of the ride from a young age- the âZip-A-Dee-Doo-Dahâ scene during the Disneyland Railroad was my favorite scene during the train ride and I was pleasantly surprised to see that it was actually a scene from Splash Mountain. Disclaimer- this ride will get you wet. I tend to enjoy this attraction the most in the middle of a particularly hot day, and I try to avoid it at night or on colder mornings.
1. Pirates of the Caribbean
Image by Disney
For my number one, absolute top favorite pick of the attractions at Disneyland, the Pirates of the Caribbean ride was a no-brainer for me. Pirates of the Caribbean is often the first ride Iâll run to as soon as I enter the park, and the last one Iâll visit before I leave. There are not enough words to say all the good things that I want to say about this attraction. Aside from being an iconic, classic attraction at Disneyland, PotC features some of the most impressive and quality animatronics to ever come out of Disney Imagineers. It has one of the largest collections of advanced animatronics at any given theme park and has beautifully designed set pieces. The guests are taken on a boat ride through a Louisiana bayou, passing by an old man on his banjo, before being dropped down a waterfall and transported back in time to an era where pirates openly ruled the high seas. The attention to detail in every single scene of this attraction is what truly makes it, in my opinion, the most immersive ride at Disneyland. The guest is truly made to feel as if they are experiencing the battles of the pirates on Isla Tesoro. From the moment you step foot onto the cobblestone pathways of the queue, you instantly feel the connection to the adventure that youâre about to embark on with the characters. The song âYo Ho (A Pirateâs Life for Me)â plays every now and then during the attraction and, like âItâs a Small World,â itâs a catchy tune that guests will find themselves whistling as they spend the rest of their day at the park. Another thing to note about this attraction is the immediate wave of smell the guests notice when they walk into the building. The famously dubbed âpirate waterâ scent is one that was so popular that it is one of the things that guests remember about the ride, if nothing else. It truly makes the guest feel as if they are sailing the seas with the crew (although technically, the smell of the pirate water is actually the cleansing chemical Disney puts in their water attractions called bromine). A great thing about the PotC ride is that the ride vehicles are constantly moving and seat approximately 20 guests (5 rows of 4) and sends through about 3,400 guests per hour. This means that the line is consistently moving so you and your young ones will never get too antsy. Though it seems as if Iâve exhausted this attraction of all it could offer, thereâs actually one more notable feature about this attraction that makes it stand out from the rest- built right into the attraction is the Blue Bayou restaurant, which is one of the best dining options at the park (and very expensive at that). Though this isnât a necessity by any means, it is just another unique characteristic of this attraction that makes me love it so much. Though Iâm always sad when my day ends at the park, Iâm comforted by the fact that I can end the day right by riding Pirates one more time and then, if itâs early enough, grab a snack from the Mint Julep Bar right beside it.
So there you go guys, my top 5 Disneyland attractions of all time. Let me know if you agree, disagree, or if you just want to talk about anything Disney parks related with me!
*Revised 2 Oct 2019
#disney#disneyland#wdw#anaheim#california#theme park#universal#walt disney#adventureland#new orleans square#pirates of the caribbean#potc#pirates#splash mountain#haunted mansion#mickey#mickey mouse#mainstreettalk#disnerd
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Gun in my hand, chapter fiveÂ
A/N: I. Am. A. Pile. Of. Mush. Thatâs all. Oh, and also, this is the last chapter, but thereâll be a oneshot epilogue/sequel to deal with more of the fall out. Now. thatâs all.Â
Chapter 1Â Chapter 2Â Chapter 3 Chapter 4
Chapter summary: Tommy is left to deal with the aftermath.Â
Pairing: Alfie/Tommy
Warnings: Descriptions of insomnia/sleep deprivation and injury. Discussions and thoughts about death.Â
Wordcount: 7100. (I KNOW!!! WHAT???)Â
AO3:Â https://archiveofourown.org/works/14313621/chapters/35168402
Tommy is still surrounded by darkness. He thought heâd finally escaped, but now heâs drowning in it again. It fills his mouth and lungs like ice cold water- There are hands everywhere, tearing at him, hurting him, and he canât hide from them.
He wakes up at the sound of someone screaming.
âShh, itâs okay Tom, calm down.â Gentle hands grab his shoulders, holding him down and Tommy thrashes against them. âYouâre going to hurt yourself. Itâs just me. Just Arthur.â
He opens his eyes, convinced heâll see nothing but the dark interiors of the cellar again, and blinks dazedly as the brightness in the room stings his eyes.
Heâs lying in a bed, and Arthur is seated on the edge of it. Tommy scrambles to get his mind working. Why is he here? Blurry memories are resurfacing, disjointed and fragmented⊠Alfie lying on the warehouse floor, bleeding out in his arms. The ride to the hospital. Pacing the corridor as they rushed Alfie off to surgery.
Alfie.
âWhereâs Alfie?â he rasps out, the words tearing a rattling cough from his lungs. Arthur holds a glass of water to his mouth, and the cool liquid soothes his burning throat. A shadow comes over Arthur's face.
âTommyâŠâ
âWhere is Alfie?â he repeats, sitting up despite the pain that shoots through his ribcage.
Arthurâs answer comes after far too long. âHeâs⊠resting.â
âBut heâll be okay? Heâs⊠heâs just resting?â Tommy isnât sure if this is a question or something he tries to state to himself. The delay in Arthurâs response causes his heart to sink in his chest.
âHeâs lost a lot of blood. The bullet didnât hit any internal organs butâŠâ Arthur runs a hand over his mouth. âThey say that if he wakes up from the anesthesia heâs got a fighting chance. But itâs hard to tell. Until he does.â
If he wakes up. Cold sweat breaks out over his entire body as he fights the nausea that overwhelms him. If he wakes up. Youâre going to lose him. And itâs your fault⊠Â
The voices have followed him from the cellar.
âI need to see him,â Tommy says in an attempt to drown them out. Clutching his bandaged chest, he swings his legs over the edge of the bed. Arthur catches him gently by the arms.
âYou need to stay in bed.â He tries to guide Tommy back down onto the mattress. âCanât have you passing out again. Youâve got enough bruises already.â
A vague memory flutters by in his mind: wandering back and forth in the hallway, looking down at his blood soaked hands as he ignored every concerned nurse trying to get him to lie down. The blood is gone now, and his hands are wrapped in gauze. Did he injure them somehow? He canât remember. Â
It's not important
Completely ignoring his older brotherâs protests, Tommy gets out of bed on unsteady feet. The second his feet touch the cold stone, he nearly crumples to the floor as the pain makes his vision go white. Itâs as if his entire body has been crushed and is held together by just a few remaining tendrils of bone.
Arthurâs arms are around him again, but this time they just hold him upright. Tommy leans into the touch.
âEasy there, Tom. Not really in shape to be walking around, I think. Pretty sure you bashed your head a bit when you fainted.â
âI have to-â
Arthur nods and lets out a defeated sigh. âSure, sure. Iâll help you.â
They make their way out in the corridor, Arthur supporting almost his entire weight against his side. Tommy tries not to breathe, the expansion of his ribcage is too painful.
âWhereâs John?â A blurry image of his younger brother being there in the car floats up from somewhere in the back of his mind. But he disappeared once they reached the hospital. Tommy canât remember how.
âThey had to stitch him back up a bit,â Arthur explains as he leads Tommy down the too bright hallway. âA little scratch on the upper arm.â Tommyâs knees give up for a moment and he bites back a sob in pain as Arthur tightens the grip around his waist to keep him upright. âThe bullet went straight through. No bones hit or anything. Heâs just supposed to be lying down so he doesnât rip the stitches.â
This is all your fault. Â
He stares down at the floor, focuses all his attention on putting one foot in front of the other until Arthur finally stops by an anonymous looking door.
A nurse comes to meet them just as Arthur is about to reach out for the door handle.
âOnly family allowed, Iâm afraid,â she says gently, furrowing her brow as she looks Tommy up and down. âWhat is your relationship with Mister Solomons?â
Tommy sways on his feet, wrapping the free arm around his stomach to keep it from shaking. Her voice seems to come from so far away. And the question catches him off guard
âHeâs, heâsâŠâ What is he supposed to say?
How is he supposed to explain, when he knows nothing he says will be good enough for them?
âWho are you?â the nurse wonders, still with that questioning expression on her face. âA friend? Brother?â
âIâmâŠâ Thereâs nothing he can say. Nothing that will make her understand. It doesnât count, what they have. Not to the rest of the world. If he dies, you wonât even get to bury him. âNo-one,â he finally says, choking out the words. âIâm⊠no-one.â
Arthurâs arms are strong around him, and his voice is firm as he speaks up. Â
âHeâs Thomas Shelby, and weâre going in there whether you fucking like it or not. Send the doctor my way if heâs got any objections.â
With that, Arthur leads him past the nurse, and into a room furnished with a single bed, two  chairs, and a small bedside table. A bleak sun is shining in through the window, washing the already indistinct colours out to a light grey. Â
Tommy barely recognizes the pale figure lying in the bed. It canât be Alfie⊠Alfie, with his constant hand gestures and bright smile and loud voice⊠who is so full of life that it just seeps into everything around him. The person in the bed canât be him.
But it is. And itâs Tommyâs fault heâs there.
His knees feel weak, but Arthur holds him upright, carefully helping him limp up to the bed and sit down in the chair next to it. Tommy canât tear his eyes from Alfie. If he just keeps looking at him⊠If he just keeps looking at him, Alfie will wake up. He knows that Tommy needs him. Heâll feel it, and wake up.
âTom, itâs going to be alright.â Arthur crouches down in front of him. âHeâll pull through, the stubborn bastard. And youâll be back to⊠giving me gray hair in no time.â
Tommy nods. Because he has to.
Silence fills the room. Itâs a loud silence, somehow. Deafening. Tommy listens to Alfieâs almost inaudible breaths, struggling to hear them through the sound of his own heartbeat, and too loud breathing. His own breaths rattle in his chest. Â
âIâll just go check on John,â Arthur tells him. âBut Iâll be back in a second.â He gets up, and runs a hand through Tommyâs hair in an uncharacteristically gentle gesture. It somehow makes Tommy realise he must look like an absolute wreck.
Arthur leaves.
Then itâs just him. Â
He feels lost. Unsure what to do now. So he just sits there on the chair, staring at Alfieâs unmoving frame.
How could you let this happen?
After several minutes of hesitation, he reaches out to take Alfieâs hand, terrified that heâll find it cold. Itâs not. Not as warm as it usually is either, but still warm. They've removed the rings, and the jewelry is lined up neatly on the nightstand. Picking the rings up, Tommy gently slides them back onto Alfieâs fingers, carefully making sure they are in their normal spots -the wide gold band on his thumb, the one with square shaped plate on his index⊠One by one. Until itâs Alfieâs hand again. Tommy pulls the chair as close to Alfieâs bedside as possible, clutching the hand like a lifeline. As long as Tommy stays by his side, Alfie canât die. Heâll wake up. And everything will be okay again.
He just has to stay here.
He does. For the entire day. Hours pass âthe passage of time is only apparent because people constantly come to bother him. A nurse comes in several times to see if thereâs any change in Alfieâs condition, but there never is. A doctor does the same, writing things on a clipboard as he hums to himself. They try to make him leave the chair, go lie down, eat, drink- all these useless things.
Eventually they all turn to an indistinguishable chorus of voices, meaningless and droning. There are so many voices in his head already, a few more make no difference.
At some point, the nurse puts a tray of food on the nightstand, and Tommy forces himself to drink the water. But he doesnât touch the food.
Eventually she comes to carry it away.
âYou really should be in bed, Mister Shelby.â
He ignores the voice. Partly because he doesnât know what to say. His throat has closed up completely, making it impossible to speak.
A hand comes to rest on his shoulder, and he flinches at the touch.
âYou are severely dehydrated and sleep deprived. And-â
The voice goes on. How can they talk about Tommy when Alfie is just lying in that bed, looking as if heâs moments away from fading way completely? Â
When the hand on his shoulder wraps around his upper arm and gently tries to pull him up from the chair, Tommy tears himself loose. Finally giving up, the nurse leaves him alone.
Arthur comes instead, pulling up a chair next to him. Tommy looks at the steady rise and fall of Alfieâs chest. In and out. Heâs still alive. Just resting. In and out-
âHey, Tommy, I know you want to be here with Alfie alright, but you need to rest.â
He doesnât want them to talk, because then he canât hear Alfieâs breathing. He clings to that, just the way he clings to the warmth of his hand, to every little sign that heâs still alive -just resting, just resting, and heâll wake up, and everything will be okay again- Â
In and out. Slowly. Everything will be okay.
âYou hear me?â
If he just stays silent, Arthur will go away. They will all go away and leave him alone here with Alfie. He tries to breathe in the same rhythm as Alfie, but itâs hard- every breath makes him painfully aware of his broken ribs.
In and out. Heâs just resting. Everything will be okay. You just have to stay hereâŠ
Finally, Arthur says something about stretching his legs, and disappears from the chair.
...
The sun sets outside the window, and the exhaustion weighs heavily on his shoulders, willing him to rest his head on the mattress for a while. But he resists the urge, sitting up straighter instead.
Heâs stayed awake through countless of nights. Whatâs one more? Â
It would be impossible to sleep anyway, with the state his head is in. The guilt is gnawing at his insides, chipping away at him piece by piece. This is his fault. He shouldâve seen this coming miles away. Shouldâve kept more weapons in the house. Shouldâve made sure they moved to a safer location. Shouldâve fought back harder-
If he hadnât gotten caught up in this-
If heâd been quicker, if heâd shot the man earlier, Alfie wouldnât be lying here.
You canât do anything right, can you?
How is he going to live with himself if Alfie dies?
The nurse comes in again, placing a new tray of food on the table. Tommy can feel her gaze, but he ignores it.
Arthur returns not long thereafter, and gives the tray a weary look, fingers digging into his eye sockets. âCould you at least tryto eat?â The irritation in his voice is palpable now.
Tommy canât eat. If he opens his mouth heâs afraid his insides will just decide to start pouring out of it. The mere thought of having to force down food makes his gut churn.
âYouâre fucking⊠wasting away.â With a deep sigh, Arthur slumps down on the chair. âWhatâs Alfie gonna say, eh? When he wakes up and sees you.â
âHeâs not going to wake up,â Tommy says numbly, finally unable to keep the thought away. Blinking in surprise, Arthur stares dumbly at him for a moment.
âSure he is-â
The anger bubbles up suddenly, red-hot and uncontrollable. No one understands a single fucking thing.
âNo, heâs not,â Tommy cuts him off. âHeâs going to die- and- and Iâll just have to fucking sit here and watch it happen.â He coughs. âAnd all you fucking do is pester me about all these useless bloody things-â The room spins around him when he gets to his feet. Â
âTommy-â Arthur stands too, and Tommy backs away, trying to put himself out of reach.
âIt doesnât matter. Nothing fucking matters, donât you see that?â Arthur comes towards him, hands outstretched as if approaching a skittish horse. âTommy, you need rest. Or it wonât matter if Alfie pulls through or not. Because you sure as hell wonât. Have you seen yourself? You look about one second from keeling over.â
Tommy stumbles backwards until he hits the wall.
âStop fucking telling me to rest and eat and all this fucking bullshit,â he spits venomously. âIâve spent the latest years trying to keep you off the fucking ledge, while youâve just been spiraling. And now you want to play the big brother?â
Arthur clenches his jaw and swallows. âAll Iâm asking is that you lie down for a while.â
When Tommy resorts to just shaking his head, Arthur grabs him gently by the shoulders. Tommy pushes him, doing little to budge his larger frame. He hasnât realized how weak his limbs are until now. But Arthur takes a step back nonetheless.
âGet out.â Tommy pushes him again, ignoring the sharp pain it sends up his arms. âGet the fuck out and leave me alone.â He stares wildly at Arthur. Â âGo back to snorting coke and behaving like an unhinged basket-case. Youâre better at that.â
A flash of hurt comes across Arthurâs face and he takes another step back.
For a moment, the words hang in the air between them as they stare each other down. Arthur is the one to break the silence.
âFine, Iâll go. Whatever you say.â
Tommy sways on his feet, chest heaving in frantic breaths as he watches the door slam shut. The air gets caught in his throat, and he begins to cough, clutching the windowsill for support as  the pain shoots like knives through his ribs. White lights dance behind his closed eyelids as he fights to regain his bearings and when the cough finally subsides, he just barely makes it to the chair by Alfieâs bedside  before his knees buckle. He leans forward, head cradled in his hands, and swallows the bile that rises in the back of his throat.
The room seems a lot darker when he straightens up again, and he huddles a bit closer to the side of Alfieâs bed, reaching out to take his hand again.
If he just stays here, everything will be okay. Alfie canât die while Tommy is sitting here, waiting for him to wake up.
He just has to stay here.
But Alfie looks so paleâŠ
Heâs dying. You know that, right? And thereâs nothing you can do to change that.
The voices become louder as the night drags on.
You donât deserve him. Thatâs why this is happening.
He tries to think of something happy, something that will shine a bit of light in the dark and chase the shadows away, drown out the voices. Alfie is the first thing that comes to his mind: Alfie smiling at him when theyâre lying in bed. The safe feeling of his strong arms around Tommyâs back. His mouth right next to Tommyâs ear, whispering hushed reassurances when he needs it the most: âYou deserve to be loved. Wish I could make you see that.â
You deserve nothing. No, but Alfie said-Alfie is going to die because of you. and you have the gall to believe you deserve him? Â
He can see shadows moving in the corners, creeping closer with each passing hour. Itâs just like the walls in the cellar. His eyes drift to the door. What if itâs locked? What if he canât get out? He's overwhelmed by an almost irresistible urge to open it, but ends up just sitting frozen on the chair, alternating between looking at Alfieâs unconscious form and the door. Walking that far through the darkness is impossibleâŠ
A white figure appears in the room, and heâs certain it only exists in his head- but then it walks up to the bed and leans over Alfie. Instantly tensing up, Tommy stares wide eyed at it.
âItâs alright, Iâm just checking on him,â the figure says and he realises itâs one of the nurses. A different one this time. âCan I get you anything, love? A blanket maybe? You look awfully cold.â
He shakes his head and a soft smile crosses her lips. She has kind eyes.
âWell, Iâll get you one anyway. If you change your mind.â When she leaves the room, she doesnât close the door fully.
The nurse returns, carrying a blanket and a lamp that burns with a warm, dim light. He can breathe a little easier, suddenly.
âSo you donât have to sit here in the dark,â she explains and places it on the bedside table. âIâll just leave this here,â she adds and puts the folded blanket on the foot of Alfieâs bed.
Then she leaves.
Tommy canât bring himself to reach out for the blanket, even though he's forgotten what it feels like, to be warm. But the cold keeps him from falling asleep.
The small lamp has created a tiny pool of yellow light around him. The darkness canât get to him here.
He stays in that pool of light, watching over Alfie for the rest of the night. Trying to ignore the shadows towering over him. They donât disappear until the morning sun breaks through the thin, white curtains.
Around him, he vaguely hears the hospital coming to life, filling with distant conversation, footsteps, clattering of trays being carried to the different rooms. Tommy blinks, fighting desperately against his heavy eyelids. The steady rise and fall of Alfieâs chest is still there, no change for the worse. But thereâs no change for the better either.
Footsteps are approaching him, but he doesnât look up to see who it is. It doesnât matter.
âMister Shelby, I must insist that you return to your bed-â He recognizes the voice from the day before. One of the nurses. Â
Why wonât they leave him alone? Â
âOr Iâll be forced to have you escorted there.â
A hand comes to rest on his shoulder, and he shies away from the touch, tensing up. After a dejected sigh, the voice and the footsteps disappear out the door.
Tommy smooths out a wrinkle in the duvet and lets his hand brush over Alfieâs cheek in passing. He allows himself to linger, tracing the delicate skin under his eye with his thumb. If he tries hard enough, he can almost imagine theyâre at home, in their own bed. Alfie is just sleeping peacefully, and any second now heâll wake up and look at Tommy that way only he can⊠as if heâs the most precious thing in the entire world. And itâs almost enough to make Tommy believe him for a moment⊠Heâll smile, say something stupid and sweet that causes Tommy blush and call him a fucking sap, even as he basks in the feeling of being wanted by someone⊠and by someone like Alfie, who could have his pick of far less dysfunctional peopleâŠ
His blissful little fantasy is interrupted when two looming figures appear in front of him. Large hands take a firm grip on his upper arms, attempting to lift him out of the chair. Itâs two white clad men. The fear surges through him, shocking his body into action and he struggles against them.
âPlease calm yourself. You need to rest-â They try to explain things again. Say that heâs got a concussion, broken bones, is sleep deprived- not thinking clear. Why are they behaving like any of that matters when Alfie is-
As long as Tommy is there by his side, Alfie canât die. He promised heâd never leave. And now theyâre trying to take him away-
Helpless against the strong hands in his weakened state, Tommy finds himself pulled to his feet and dragged away from Alfieâs bed. His heart races in his chest.
They will lock him up somewhere. And heâll be alone in the dark again. Alone, and cold-
He fights. The piece of glass is gone, and heâs got nothing to defend himself with, but he fights nonetheless, squirming and kicking as best he can with his damaged limbs. When It doesnât help, he screams, a wordless, desperate cry that rips from his throat. Then finally, the hands lose their grip, and his knees hit the floor. He curls inwards on himself, squeezing his eyes shut as he clasps his arms over his head- making himself small, so small that he becomes nothing and they canât take him away... canât hurt him, canât take him back to the darkness.
âThe fuck do you think youâre doing?â
Arthur.
âHe really must lie down-â
âAnd you figured this was a good way to get him to do that? Thought you were supposed to be professionals here. Bloody hell, donât need no fucking schooling to see heâs fucking terrified. Â
âSir-â
âJust get the fuck out of here. Fuckâs sake. Iâve got this.â
He feels the presence of a body next to him.
âTom, itâs okay, youâre safe. I've got you, alright?â Arthurâs voice is soft and reassuring. Something warm is draped over his shoulders, and heâs enveloped by a familiar scent of rum. âThere we go. Got Alfieâs coat cleaned for you.â As Arthur is talking he carefully pries Tommyâs arms away from on his head and guides his hands into the coat sleeves. âGuess youâll have to stitch that hole up. But Alfie can probably do that⊠Good at that sort of thing I imagineâŠ
Arthur helps him up, carrying more than leading him back to the chair. Steadier than heâs been in years. Tommy reaches out and takes Alfieâs hand again to keep his own from shaking, before settling back in his chair, sinking deep into the warmth of the coat. He buries his nose in the thick collar and breathes the scent into his nose, wishing it could fill him up completely, replace the fear seeping like icy water through his veins. It smells like Alfie. Like home.
Something scrapes against the floor, and Arthur heaves a sigh as he sits down on the chair, opposite him. But itâs not followed by another comment on how he should get some rest, ore eat⊠He just silently stays by his side.
Arthur sits with him as another night begins to fall, and the shadows in the room grow longer again. He still doesnât tell him to sleep. And no one else comes to force him to do it either.
The realisation doesnât hit him suddenly. It creeps up on him. With each passing hour, he can feel the lump in his throat grow bigger, feel his chest tighten and the hand clenched around his insides hold them a bit harder.
Arthur is snoring in his chair, and the room is dark.
The nurse comes in just briefly, giving them a onceover, before leaving again.
Alfie is going to die. Thatâs why theyâre not bothering him anymore, because they all know, and finally understand how pointless everything else is.
For a moment, Tommy is certain heâs back in that warehouse, his ribcage caving in under the brutal force of steel pounding against it. Â
Heâs breaking into a thousand pieces.
All the cracks that Alfie spent so much time trying to mend, to make him a little less broken⊠all those jagged edges he smoothed out so he wouldnât always hurt anyone who came too close⊠Itâs all for nothing right at that moment. He can feel himself falling apart, piece by piece.
The tears seeping down his cheeks are not accompanied by any sobs. They just silently fall, painting burning hot trails over his cold skin.
Hands still clasped around Alfieâs, Tommy rests his forehead against his knuckles and prays. For a miracle. For just one fucking miracle, even if he doesnât deserve it. He prayed sometimes in the tunnels, and it shouldâve taught him that itâs no use. God doesnât listen to people like him. But he does it, still, for Alfie.
Alfie deserves a miracle.
Please let him wake up. Please let him be okay. Please donât take him away from me, because I donât know what Iâm going to do without him. Iâll do anythingâŠ
The God he was raised to believe in wonât listen. But maybe Alfieâs God will.
...
The night has faded into another dawn, a grey, rainy one. Tommy raises his head to watch the droplets whip against the windowpane, eyes stinging. A grunt is heard from the chair next to him as Arthur begins to stir. After rubbing the sleep from his eyes and blinking sluggishly a few times, he turns his attention to Tommy, eyes shifting between him and Alfie. His mouth falls open to ask a question, but he apparently figures out the answer before finding the right words.
âJust going to see if Johnâs allowed out of bed yet,â Arthur says and gets up from the chair, rolling his shoulders. âHe might start biting the nurses otherwise.â Â
Alone once again, Tommy finds himself unable to fight the weariness weighing down on his shoulders. Itâs no use. Before he can make a conscious decision, his body just gives up and slumps forward. He lays his head down on the mattress, closing his eyes to will the nausea away. His muscles refuses to support him any longer, and he remains there.
Theyâll have to carry him away when they come to fetch Alfieâs body.
When the hand heâs holding shifts slightly, fingers gripping weakly around his, he is certain heâs imagining it. But he straightens up nonetheless, using some unknown source of strength.
The lack of sleep has finally gotten to him, and now heâs seeing things.
âAlfie?â His voice is raspy from disuse, but he manages to get the word out.
Alfie looks at him through a veil of lashes, mouth twitching under the beard.
âMorning, love. Been waiting here for long?â Â Â
It takes a few unfathomably long seconds before he finally pulls himself out of the stupor. Then he pitches forward and kisses Alfie, cradling his face between his bandaged hands.
The relief flooding his chest is unlike anything heâs felt in his entire life, and the tears come before he can stop them, filling his eyes and seeping down his cheeks. The lips under his are warm and undeniably real and Alfie is alive everything will be okay nowâŠ
âI love you,â he breathes out. âGod, I love you so much.â Itâs all he manages to say. And right at that moment, itâs all he needs to say.
When a choked sob escapes him, Tommy quickly straightens up and wipes the tears away, swallowing down the ones threatening to well his eyes. Alfie shouldnât have to see him cry the first thing he does.
âOh, itâs alright sweetheart,â Alfie mutters wearily, looking up at him with soft eyes. âBetter to let it out. â
No. He canât just fall apart now. Alfie needs him. Biting the inside of his cheek, he takes strained breaths in through his nose until heâs regained his bearings enough to speak.
âHow are you feeling?â
âJust peachy.â Alfie grimaces in pain as he shifts slightly on the mattress, eliminating any credibility the words may have had.
âIâll get a nurse.â Tommy makes a move to stand, ignoring his entire body protesting violently by sending a wave of pain through all his limbs. Alfie tightens the grip around his hand slightly.
âStay.â
âJust to let them know youâre awake,â he promises. He can feel himself slurring, struggling against his uncooperative tongue. âSo they can give you something for the pain.â Alfie lets out sigh, releasing his hand.
The floor is rocking under him as he unsteadily makes his way over to the door, clutching the frame for support as he scans the hallway. Arthur and John are stood a little ways down, and the second they see him, they both come walking in his direction. Â
âYou look like you should be in the fucking morgue,â John exclaims and earns a sharp elbow in the ribs from Arthur.
âAlfieâs awake,â Tommy says, grasping for words as he ignores this comment.. âCould -â Fuck, he canât even string a sentence together. âA nurse. Could you get a nurse?â
âIâm on it,â John states and marches off, while Arthur ushers Tommy back into the room and towards the chair right in time before his legs give up.
âLook at you, you stubborn bastard.â Arthur beams at Alfie, slapping his shoulder and earning a sharp glare from Tommy. âJust knew I wouldnât get rid of you that easily.â Alfie lets out a quiet chuckle.
âWell, I was standing there by the pearly gates and all, but then I said to myself: who will pester Arthur, then?â
âEasy with the talking.â Tommy brushes a stray hair away from Alfieâs forehead. âYou need to rest.â
âBut Iâve got several daysâ worth of it, love.â Alfie smiles at him. Itâs faint, and tired, but it still makes Tommyâs heart swell in his chest. ââLeast I think so. How long-â he makes a pause, taking a pained breath. âHow long was I out for?â
Tommy looks to Arthur for an answer. Itâs all just been a daze.
âThree days,â Arthur tells him. âWas about time you decided to wake up. Iâve been left to run things all on my own here.â
John enters with a nurse and a doctor in tow. Tommy is pretty sure theyâve both been in there before, but he canât remember when.
âSolomons! You look like shit, mate,â John exclaims and gives Alfie a bright grin, walking up to the bed. This time, Tommy manages to stop him before any unnecessarily violent slaps of affection are handed out. âAnd you didnât even get to hear the shit that went down! Do I have a story for you. Me and Ishmael, weâre hiding behind this crate, right, when we see these blokes, definitely not ours, come in through the back door so we-â
When John is relieved, he rambles. So for a while, the room descends in a rather pleasant kind of chaos, as the doctor tries to ask Alfie questions, Alfie tries to answer them, John talks about the shootout with Changrettaâs men, Arthur does the same, and the poor nurse just does her best trying to hush them.
Tommy sits quietly in his chair and watches the whole thing unfold, still caught in some confusing mixture of disbelief and dizzying happiness.
âWell, Mister Solomons. As long as we steer clear of infections, I recon you will be quite alright after a good few weeks of rest-â The doctor puts great emphasis on this as he talks about the recovery process ahead, resting. Tommy needs to remember that. Â
The doctor leaves, and after giving a few admonishing comments to both John and Arthur concerning the volume, the nurse states sheâll come back with something to eat, before following suit.
John canât stop talking, it would seem. On any other occasion, Tommy would tell him to shut up, but he canât bring himself to do so now.
âKnow what, John, think we should leave these two alone,â Arthur finally says and grabs his shoulder. âIf I know them right they need to stare longingly into each otherâs eyes for at least half an hour now.â
John grins and lets himself be dragged towards the door
âWe should call Pol,â he declares. âGive her the absolutely devastating news that sheâll just have to continue putting up you.â And with that, they close the door, and peace settles in the room again Â
Tommy runs a hand through Alfieâs hair, noticing the a tension around his eyes
âYou sure you donât want any morphine?â
âNahâŠâ Alfie mutters. âLike to keep me wits about me. âs just a bit of pain.â
Tommy nods tightly.
âWhy donât you lie down for a bit?â Alfie stretches out his arm gingerly in an inviting gesture. âLooks like you could use some rest.â Tommy wants nothing more than to take him up on the offer. Â
âWhat about the-â the nurses, the doctor, fucking everyoneâŠ
âFuckâem,â Alfie huffs, immediately wincing in pain. âGet in here.â
Tommy carefully climbs into bed next to him, stretching his aching legs out. The pain in his side keeps him from doing anything but lie perfectly still on his back, but he feels the warmth of Alfieâs body next to his, and soon enough, their fingers are laced together under the duvet.
âYou okay?â Alfie squeezes his hand. âWhat sort of things did he do to you, eh? Changretta.â
Tommy keeps his eyes fixed on the duvet.
âI was just locked up somewhere. Nothing to worry about.â
When Alfie opens his mouth to protest, Tommy turns his head to capture his lips in a soft kiss instead.
âWeâll talk when youâre feeling better. Just rest now. You heard the doctor.â He settles his head back onto the pillow. Theyâre not going to talk about the cellar. Â âAnd then weâre also going to talk about that incredibly stupid fucking plan of yours.â Â Â
For once, Alfieâs stubbornness canât help him; he resorts to running his thumb over Tommy's knuckles, before closing his eyes and announcing that heâs just going to sleep for a bit.
âYou should too, love.â
What Tommy really should do is stay awake and make sure that Alfie wakes up this time-
Heâs asleep before he can finish the thought.
...
When Tommy wakes up again, confused but not quite as terrified as the last time, he much to his surprise finds Polly is sitting in the same chair heâs been occupying the past few days. Arthur and John are seated by the opposite wall, engaged in a conversation of unknown nature and at an uncharacteristically reasonable volume.
âWhat are you doing here?â he rasps out. Polly smiles and reaches out to stroke his cheek.
âHad to look after my boys, didnât I?â she says. âAnd not a minute too soon, it would seem. You look awful.â
âOh, donât listen to her, love,â Alfieâs voice comes from above him, a fraction stronger than the last time he heard it. Heâs sitting leaned against the pillows and looking down at Tommy with a fond smile. âJust a little pale. Some food and another week of sleep and youâll be as radiant as ever.â
His fingers rake against the nape of Tommyâs neck, and Tommy furrows his brow, still rather confused. Outside the window, the rain has turned into a steady snowfall, and the gray light gives no indication of what hour of the day it is.
âHow long have I been sleeping?â Â
âLittle over a day, the good doctor told me,â Alfie says. âWas out myself for a bit of it too, so I had to check.â
With some help from Polly, Tommy also manages to sit up, and is just about to ask who is taking care of things at home, whoâs looking after Finn, when the question answers itself.
âYouâre awake!â Finn comes rushing into the room, and Polly just barely manages to stop him from throwing himself over Tommy. Behind him, Ada and Esme appear in the doorway.
âYouâre⊠all here?â Tommy asks dumbly.
âWe commandeered a boat!â Ada tells him with a grin. âWe figured women and children would just have to step in and make sure you lot didnât get yourself killed.â
âIâm mostly here for the sights,â Esme shrugs, but the vase of flowers in her arms contradict this statement.
This is all a bit too much to take in, and Tommy canât quite come up with a response. Luckily he doesnât have to, because Finn is as usual full of them.
âIâve been looking after the horses.â He seats himself on the edge of the bed. âThey got very scared when I told them you were missing, but now theyâre happy again, so donât worry.â Without hesitation, he digs up Tommyâs bandaged hand from under the cover and very gently takes it between his smaller ones, patting it carefully. âI went to the stables every day. Because horses sense a lot of things, so I figured it was better to just be upfront with them.â Tommy has a feeling this has more to do with Finn than the horses.
âThese are for you,â Esme tells Alfie and puts the flowers down on the nightstand. Â âBetter get back on your feet quickly,â she adds with a rare smile. âIâve gotten used to having help in the kitchen. Would be a shame if we lost the only decent man in the household. â
âRecon John can step in,â Alfie gives a pointed look in his direction, and John takes great offence. Â Â
âIâm severely injured!â
âIndoor voices, please,â Polly says sternly, before turning her attention to Alfie. âIf you need me to escort this lot out of here, just say the word.â
Alfie sinks a little deeper into the pillows, giving her a dismissive wave. âItâs fine.â
âWell, this is what life in the Shelby family is like.â Ada shakes her head and seats herself on the edge of the bed next to Finn. âConstant chaos. Always. In any situation. No mercy.â She reaches out to pat the general area on the duvet where Alfieâs knee presumably is. âAnd now youâre stuck with us. Congratulations.
Tommy glances up at Alfie to make sure this virtual storm of impressions isnât too much. Granted, he still looks quite pale and exhausted, but a smile is hidden behind the beard, and his eyes are bright.
He rests his head lightly on Alfieâs shoulder and hugs the arm close to his chest, twining their fingers together. Alfie gives his hand a reassuring squeeze.
Soon, the family has made themselves comfortable in different spots around and on the bed, filling the room with a chaos only comparable to the one usually reigning over their dinner table. Alfie gives Tommy a piece of bread from the tray on the nightstand with the comment:
âSaved this for you love. Figured you hadnât eaten in a while.â And curled up against Alfieâs warm body, Tommy manages to eat. Slowly. And only one tiny bite at the time. But still.
Finn is talking constantly. Itâs his first time in London, so obviously just the walk to the hospital has given him about a million things to reflect upon. And much like John, heâs incapable of being quiet whenever heâs overcome by some strong emotion.
âAnd there are so many tall houses? I saw one- one with a clock. Thereâs a picture of that house my history book in school, but someone has drawn all over it so you canât see it that well-â
Itâs impossible for the Shelby family to be in one room together without trying to all talk at the same time, and despite the welcomed contrast from the last few daysâ crippling loneliness, Tommy begins to worry itâs going to tire Alfie out.
âJust tell me if you need to rest,â Tommy whispers softly into his ear, as to not let Finn hear him. âThey wonât mind.â Â
âWas just about to tell you the same, love,â Alfie answers in the same quiet voice. The rest of the family seem quite unaware of this exchange, currently listening to Finn describe what could be Buckingham palace, or simply any other large building. âI donât mind.â
Tommy relaxes against his side, the familiar atmosphere enveloping him in blissful safety. Heâs still wearing Alfieâs coat, so the cold he thought had permanently settled in his bones has finally melted away. And suddenly, the past days just feel like a distant nightmare. Even the memories from the cellar, the musty air, the darkness, seem far away at that moment. Heâs not alone now.
âI recon I could swim across that river!â
âNo, Finn!â
Tommy glances down at the bandages covering Alfieâs stomach, and a jolt of guilt twists his gut. He hugs the arm a little tighter and tears his eyes away from the injury, shifting them to Alfieâs face instead, and the happy expression that still lingers under the veil of exhaustion.
âEverything okay?â Alfie mutters into his hair as he kisses the top of his head and Tommy gives what he hopes is a reassuring smile.
Alfie is alive. Heâs here with Tommy, and thatâs all that matters right now.
âYeah. Everythingâs okay."
#alfie/tommy#alfie x tommy#tommy shelby#alfie solomons#arthur shelby#wtma au#gun in my hand#peaky blinders fanfiction
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Hello! Could you explain how you manage your marker stitches without the stitchens on the front of the aida looking slightly off/not as clean as the other stitches, please? Because I stitched a pattern that went zig zag and when I changed direction it sometimes looked off in the front (I frogged the whole leaf I did last year because it looked unclean). Or is this because of 14ct aida and 2ply, if I did it outside of kits with 16 or 18ct and 2ply, would it look better?
(ask refers to the stitch variation shown in this post)
Hi! This is going to get a bit long, Iâm afraid, but hopefully something of it is helpful to you!
Since I canât actually look at the offending stitches you had, I did some experimenting with counts and plys to see if there was any particular difference. I grabbed a representative sample of fabrics from 14ct to 22ct, including some looser evenweaves in 18 and 16, and tried plys of 1 and up depending on the counts (1 and 2 for all, 3 for 14ct through 18ct, and even 4 ply on the 14ct). I also tried a few stitching variations in 14ct with 2 ply, at the end, as stitching technique can affect stitch evenness as well. All of that testing is shown below the cut in as fine a detail as my camera can manage. In each test row shown, the sixth stitch is a single marker and the tenth and eleven stitches are double markers.
[Image: the test stitch rows, with marker stitches indicated and fabric count + thread ply labels.]
I do want to note, first of all and more for anyone else reading this, that there is always going to be some variation between stitches. Usually itâs going to be pretty minor, but fabric is never quite perfectly even and ply thickness varies along each strand even if your stitching itself is flawless. That sort of thing is really, really hard to avoid and for the most part no oneâs going to notice or care in the slightest. So not every oddball little thing needs to be taken out and redone, necessarily. Even if you know itâs there, anyone else looking at the piece is going to be seeing the whole big forest rather than a stray vine here or there within it. Messiness within a mass of stitches tends to vanish within the whole, and a simple backstitch outline can do wonders to hide messiness along the edges of a piece. And again, truly, not many people even have the experience to identify what seems to the stitcher a blatant mistake. Perfection is, on the whole, overrated.
(This is a really hard thing to internalize, to be sure. I used to pull out a lot more stitches than I do now because I couldnât stand it, and saw everything as a flaw. Nowadays I tend to fix things on the fly with weird thread tricks/whatever comes to mind, or adjust the pattern to suit if itâs a wrong color/too many stitches issue, and that habit really honestly just came with time and the realization that for me adaptation is faster and easier than frogging for what is effectively the same result.)
Anyway. My experience, both previously and repeated in these tests, is that it is easier to get clean stitches in general with a thread ply count that suits the fabric count. 22ct can be done with 2 ply for better coverage/bulkier stitches, but 1 ply will be cleaner. 18ct and 16ct do well with 2 ply, in terms of uniformity, and 14ct plays best with either 2 or 3 ply. This is not to say that you shouldnât play with plys, by any means! Varied plys can create some very fun texture and visual effects when used well. But itâs worth knowing, if uniform stitches are your preference.
Other factors that can affect stitch cleanliness, both in general and with marker stitches in particular, are:
Fabric style â a loose fabric, like some types of evenweave or an Aida that has lost its starch, will allow more variation in stitch appearance than stiffer fabrics. Marker stitches change the direction of the line of tension in the thread, and if your squares have give to them this might show up more.
Stitch tension â quite tight and quite loose both tend to showcase stitch differences. With marker stitches, high tension will tug your fabric weave out of line, allowing changes in thread tension direction to be more obvious; low tension wonât affect your fabric but eaves the thread itself loose enough to curve into the line of tension rather than laying straight across each square. In the bottom row of my 14ct testing, I pulled the left side tightly and kept the right side very loose.
Needle positioning â when inserting a needle from the back through a hole with a horizontal thread already in place (such as with a marker stitch), there are three options. You can insert the needle inside the horizontal thread, which tends to tuck the top leg of that cross under the bottom leg of the previous one and therefore not look quite right; you can insert the needle straight through the horizontal thread, which splits the ply and almost always makes the corner look messy; or you can insert the needle outside the horizontal thread, which keeps the horizontal threads tight to the square and usually looks cleanest.
Having said all that, I will note that a multitude of stitch direction changes, especially stacked top to bottom as can happen with zigzags and diagonal lines, is more likely to result in messy stitching than just a marker stitch here or there. The more horizontal threads you have stacked on top of each other on the backside, the more that will show in the stitches themselves. Itâs just the way physics works, Iâm afraid â any thread that goes outward from a stitch rather than inward across it is a thread that breaks the square and might cause trouble when another stitch needs to share the corner. So you may well just be running into that, in which case an adjustment of your technique might be worthwhile for future zigzags.
Specifically, when I have a lot of diagonals or zigzags involved in a project, I often prefer to adjust my stitching so that no outward horizontals are used on the back â only verticals, diagonals, or inward horizontals. If stitching one by one, as you might do with a variegated floss, it means that in one row the stitches all start from the bottom left, then in the next row the stitches all start from the top right instead. If stitching down the row and back, as is typical with solid-colored floss, it means that I can cross horizontally back to the right to start a new row, but if I need to go to the left Iâll go vertically instead and then horizontally across the bottom of the new stitch to continue the row. (Itâs a horizontal stitch in the same place as it would have been otherwise, which can make the intricacy a little hard to see at first. The difference between the two is that going horizontally immediately takes you from one row to the next, pulling the thread diagonally across the hole and therefore muddying the lines for other stitches at that corner, whereas going horizontal after placing the first leg of the new row pulls the thread exactly horizontally across and back up within the row, leaving the corner accessible.)
This method can be a little weird to get used to if youâre only used to doing stitches one way, and does require a little more attention to what youâre doing, but I find that it both keeps the stitches neater and also helps prevent the stitches from warping my fabric if Iâm using a high ply for the count.
I hope something in this ramble was useful! Feel free to poke me if you would like clarification or visuals for anything â words can be hard to translate into sense sometimes. ^_^
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Stealing Second
Summary: Eddie Kaspbrak is the best player in all of Derry, there is only one problem. He plays for a Catholic school where being gay is the absolute biggest sin. Baseball is his ticket out of his shitty town but as he batters up against Derry High, a smart mouth boy pulls his attention away from the game.
A/N: Wow, how long has it been? I was going to update Pink Lemonade but I decided to do this one first! Still canât believe this has a following, lol. Y'all crazy.
Word Count: 3488
Masterlist
Part (1) (2) 3
âCan you just hold this for me? Fuck, help a kid out.â
Bill scowled, grabbing hold of the sign with a huff. âTh-this is literally for another team, why do yuh-you even have this Richie?â Stan smirked from beside him, Beverlyâs hushed voice saying something that couldnât be heard from the trunk of the car.
âOh calm you tits Billy.â Richie joked, pulling out another piece of cardboard with their school colors. âWe made one for you and your lover too.â
âWatch it.â Stan warned, eyeing his friend. âYou better keep your mouth shut if we are going to watch Mike and Eddie with you, last thing we need is an altercation.â
âIâll keep my mouth shut this time.â Richie replied, a smirk curling at the corner of his lips. âUnless I have to fight some homophobic parent, then all bets are off.â
âBehave.â Beverly nipped, âYou fuck up another of Eddieâs games and he will never forgive you.â Richie flinched at her words, the reality of the situation seeping deep. He shrugged, having lost his charm, and closed his trunk with an eye roll.
âSo when is your first game again?â Beverly asked, pulling the schedule out of her back pocket with a frown. âI can never read these bracket things.â
âOut game is in an hour, so we will probably only be able to watch about half of their first match before we have to warm up, but we should be able to catch all of the next one.â Bill explained, the group beginning to make their way to the field where multiple schools had scattered around, figuring out where they stood in the tournament. âI mean if they make it to the next bracket, if they win.â
âThey will.â Stan muttered, âTheyâve got the best player in the league, I guarantee they win the entire thing just like they do every year.â
Bill led them to the bleachers where Ben was already waiting, his warm and inviting smile washing over his new friends. âHey guys, long time no see.â
Beverly beamed, sitting next to the stout boy who blushed at their closeness. âWe told you guys last week weâd watch the match, we even made signs.â
âThatâs nice of you.â Ben commented, looking over the poster that Richie held. âI know they are going to love it.â
Mike and Eddie were already out on the field warming up when they finally found their place in the bleachers. Richie couldnât help but allow his eyes to rake over the boy with the number twelve stitched into his back, his uniform leaving very little to his imagination. His heart swelled when Eddie caught a glimpse of the group, a smile growing on his face as he pointed and spoke to his teammate who turned around.
They jogged the short distance to the edge of the field, slipping though the entrance and heading towards their friends. Before they were able to make it to where the others were a large player wearing the same colors rudely threw his shoulder into Eddieâs as he passed by, making the shorter boy stumble. As the two turned to inspect who had initiated the encounter the other kid hissed, âYou better watch where youâre going faggot. Wouldnât want you fucking up another game.â
Richie watched Eddieâs face twist in disgust, the slur etching hatred into those who had begun to watch the encounter. Mikeâs hand lifted to hold onto the shorter boyâs shoulder, weather it was for support or as a silent warning, it seemed to work because Eddie shook his head and turned to leave. This infuriated the other kid who pushed on Eddieâs back, sending him into the dirt.
âWhat the fuck!â Richie hissed, standing from his seat. He felt a hand grab hold of his wrist, stilling his actions. Looking down he saw Beverly who shook her head as a warning. More than anything he wanted to rip himself away and beat that asshat to a pulp, he wanted to drive his smug face in to the dirt and make him eat shit but he knew that was an overreaction. The interaction ended when Mike pulled Eddie to his feet, the other kid laughing as he walked out on to the field.
âItâs fine.â Eddie whispered to his teammate, shaking his head. âIâm fine.â Mike only nodded, dropping the subject when they finally made it to where the rest of them were. Eddie smirked, eyeing Richie who could only offer a sheepish smile as he sat back down.
âWell look who the cat dragged in.â Mike jeered, nodding at Bill and Stan. âYou two here to see how a real game is played.â
Stan snorted, a playful grin dancing on his face. âYeah, here to watch Eddie carry your team Hanlon. Try and keep up.â
Mike laughed, biting his bottom lip in amusement. âOh I could run circles around you Uris, guaranteed.â
âAlright, thatâs enough testosterone.â Beverly cut, rolling her eyes. âLook at what we made you guys!â Richie recognized his cue, holding up the poster. âSee, so you know how annoying your friends are!â
âDude, thatâs awesome!â Mike beamed, grabbing hold of the bottom of the sign to inspect it closer. âYou really didnât have to do this, it looks like it took a long time.â
âNonsense, âtwas nothing.â Richie retorted, âWe figured we might as well root for a winning team for once.â
âH-hey now.â Bill nipped, shooting his friend a crude glance. âN-no need for th-that.â
Richie shrugged him off, jumping from his spot on the bleacher to nearly shove the poster in to Eddieâs face, his pride getting the best of him. âWhatcha think Eds, pretty awesome right? Bev and I worked all night and-âHe paused, noticing the confusing look on his friends face, making his heart drop. Tears? Why were there tears? âWhat? You donât like it?â
Eddie laughed, shaking his head shyly. âI love it Rich, itâs just-uh well-âWhipping his eyes he looked up to Beverly and smiled before returning his gaze back to the trashmouth. âNo one has ever made me a sign before, hell the only person who shows up for my games is Ben. I just don't know what to say.â
There was a pull in Richieâs chest, his stomach twisting in to a tight not. âWeâre friends remember? You donât have to say anything, itâs what friends do.â
The shorter boy opened his mouth to reply but was cut off by the coach calling the two players names, demanding they return back to the field. Eddie nodded, giving Richie one last look before heading back with Mike. The trashmouth watched him leave before returning back to his seat, the lingering buzz from Eddieâs smile dancing on his skin.
The game was quite a sight. Richie gaped as Eddie took the pitching mound, fire dancing behind his eyes. There was a quick rush of air as his pitch slipped past the batter, landing squarely into the catcherâs glove. It had been a blur, and if he had blinked he would have missed the entire thing. Ben chuckled, nudging him playfully. âI take it youâve never actually seen Eddie play full strength?â
âN-no, I havenât.â Richie admitted, his eyes glued in the seemingly disappearing ball that cut through the air.
Ben smirked, âAh, well youâre in for a treat.â
Richie soon found out that he wasnât lying.
It was a clean sweep for Eddie and Mikeâs Catholic School, wining every game in their bracket by a landslide. Derry High lost their second game, and Eddie explained that he was impressed by the spread due to the fact that their opponent was the state runner up. Bill and Stan explained later that what the short boy had said was true, but the fact that Eddie had lead his team to state championship every year he played was reviled only when it spilled from the other two players.
Richie admired Eddieâs modesty.
The sun was low in the sky as Mike hit the final run for the last game, the ball flying over the fence and sealing their win. As he ran to home plate the group of friends cheered, hollering and hooting with such enthusiasm that Mike shook his head from embarrassment. There was many students around them, some amused most annoyed by the results whispering rude and untruthful things about the star members on the team. It took all of Richieâs strength not to give them a piece of their mind but refraining because he knew that it would only piss everyone off.
âYou are the most amazing fucking player Iâve ever seen!â Richie gushed, the group of friends now walking through the parking lot. Eddie groaned, rolling his eyes in annoyance. âIâm serious, how did you even learn how to play like that?â
âOh come on, Iâm not that good.â Eddie replied, shaking his head.
This made Stan scoff, âPlease, you can out play some of the pros on TV. You donât need to be modest, Iâve hated you since freshman year.â
âYeah, Stanâs been having wet dreams about your skills since he was 14.â Richie jeered, narrowly missing Stanâs bag as it swung at his head. âThatâs got to be nice to know, huh Eds.â
âThatâs still not my name.â Eddie corrected.
âOh you love it.â Richie played, ignoring the way his heart pounded in his chest. His face caught fire as he threw his arm around his friends shoulder, pulling him closer and pinching his cheeks. âI just know you do.â
Eddie huffed, pushing him off. âBeep beep Richie.â
The trashmouth gasped. âEt tu Eds?â He gripped at his heart dramatically. Glaring at Beverlyâs smug smile. âYou told him about that? How rude Bev!â She only shrugged in response.
âS-So are we g-gonna hit th-the after party? Itâs a-all that our t-teamâs been talking about. S-Some kidâs parents a-are out of town a-and itâs guh-gonna be a rager.â
Eddie cringed, âI donât think so. I donât do well at parties.â
âOh come on Eddie.â Beverly whined, âThereâs going to be liquor, everyone does better with liquor.â
âJust go without me.â He replied, shrugging. âIâll be a drag, ask Mike.â
Mike offered a sincere smile but eventually nodded his head in agreement. âEddie attracts the worst type of attention, heâs like a small target. No offense.â
âItâs true.â Eddie admitted. âBesides, if I donât get home my mother will think Iâm off giving in to my sinful ways.â
âNoâ Richie whined, tugging on Eddieâs arm with a frown. âYou have to go Eddie spaghetti! Please, just tell your mom that youâre going on a date with a girl or something, Bev can pick you up. Iâm sure your ma would wet her panties at the idea of you actually being with a female.â
âI donât know.â Eddie replied, eyeing his desperate friend with doubt. âI feel like this is a bad idea.â
âEverything Richie comes up with is a bad idea.â Stan replied coldly.
Richie shot him a sharp eye, his annoyance radiating from his chest. Stan held his hands up in defeat, turning to toss his gear in to the trunk of the car. Looking back to Eddie he felt his stomach churn, the idea of going anywhere without the small boy making him nauseas. âEddie. Eds, Eddie spaghetti, Eddiebear, come on. Whenâs the last time youâve lived a little?â
Eddie sighed, pulling his arm from Richieâs grasp. âFine. Iâll tell my mom I have a date but Bevâs going to have to sell it.â
Beverly smiled, smirking over to where Richie stood, âIâll even leave hickeys if need be, no worries on this end.â Slowly she leaned down and kissed Eddies cheek, patting him on the shoulder in support. Eddie blushed, touching his cheek fondly before nodding.
Richie had never been more excited or more jealous in his life.
Eddie Kaspbrak hated parties, loathed them. The stench of hormonal body odor mixed with weed and alcohol wafted back to him, making his entire body cringe. Bill had been right, the entire thing was a compete blow out. There was kids from every school, players bringing anyone that would agree to come. People spoke too loudly, drank too much, it was a complete shit show and Eddie had never felt more out of place in his life.
He stood near the back corner, his cup feeling like a lead weight in his hand. His friends had scattered, Mike and Beverly were currently defending their champion beer pong title with Ben cheering them on, San and Bill were keeping themselves busy with other members of their team and RichieâŠ.well Richie was all over the place.
One moment he was beside Eddie, making crude gestures and horrible jokes, the next he was being pulled towards the dance floor by some girl who looked as if she had one too many. Eddie had smiled and told him that it was fine, because it was right? Richie was single, and apparently was the apple to many girlsâ eyes as he was kept on the dance floor for a good long while.
There was a bubbling feeling under Eddieâs skin that he couldnât pinpoint. It gnawed at his flesh, demanding more and more attention with each passing gaze that others offered the trashmouth. Richie always found his way back but was almost immediately dragged back in to the sea of students. Eddie couldnât shake the sinking feeling in his stomach every time Richie left him, an underlying need for attention making him feel neglected.
Eddie shook his head. This was stupid. So what if girls fawned over his friend, it was all in good fun right? Most high school boys would kill for the type of attention Richie was receiving, they would soak in in and allow themselves to drown under it. Eddie didnât understand why it bothered him at all, it wasnât like they were together and it wasnât like Eddie actually liked Richie that wayâŠright?
Right?
âHey Kaspbrak, what the fuck are you doing here?â
The small boy looked up, noticing his teammate as he barreled his way to where he was. It was the same kid from earlier, a constant problem in Eddieâs life. Some other students glanced their way, curious about the altercation. âI thought I made it clear that this party wasnât for faggots.â
âLook I donât want any problems.â Eddie squeaked, falling himself back into the wall behind him. âI just came with some friends, please just leave me alone.â
âLeave you alone? Your type isnât welcome here!â The glares from other people burned Eddieâs skin, the hatred seeping from his words like poison, infecting those around them. âNo one wants a fucking sissy boy breathing the same air as them.â
âHey back off!â Richieâs voice cut, his body suddenly appearing beside Eddie. âHeâs not bothering anyone, this was an open invitation celebration, he is just as welcomed here was the rest of us.â
âOh what are you his boyfriend? You a cock sucker too?â
Richeâs body tensed up beside him, his body jolting forward. Eddie caught him by the arm, shaking his head firmly. Richie looked like he was going to burst, his eyes like darkened orbs staring blankly back at his friend. âViolence wonât help.â Eddie whispered softly in to his ear, bringing the trashmouth back to earth. He blinked, his body relaxing and his eyes softening.
Bill and Stan appeared, their brows raised in confusion. âWhatâs going on here?â Stan asked, glancing to Richie and then back to the other kid. The party seemingly stopped around them, all the attention being drawn to the altercation. âDo we have a problem?â
âYeah we do, Kaspbrak isnât welcome here. He needs to fucking leave before I beat his ass.â
âW-why nuh-not? He j-just wants to cel-uh-brate too.â Bill replied, his stutter becoming more pronounced with the rising pressure in the air. âH-he played guh-good today, h-he des-deserves to-â
âO-oh duh-does he?â The boy mocked, laughing at Billâs obvious nervous tick. âFucking freak, why donât you go back to therapy, maybe they can decipher your mutant talk.â
Eddie didnât realize what he was doing until his fist made contact with the much larger boyâs face, the force from his punch knocking him out cold. There was an accumulated gasp among the group, the sound of the body hitting the floor the only sound around. Eddie could feel his body catch fire, his small frame looming over the other kid as he spat on his unconscious body. âNo one talks to my friends like that. No one.â
âHoly fucking shit Eds!â Richie boomed, grabbing hold of his shirt. âOh my god, you knocked him out in one punch! Oh-oh fuck.â There was shouting from the opposite end of the room, a group of large boys pushing others aside as they yelled profanity at Eddie.
âShould we run?â Eddie asked, unsure how to even process what was going on.
âYeah. Run.â
The two bolted through the back door, running around the house and out to the street. Eddie could feel the cold air bite at his skin, his heart pounding loudly against his ribcage. The shouting continued to follow them as they ran, the vulgarity echoing through the empty neighborhood.
Eddieâs feet carried him further and further away from the house, eventually losing the group of boys. Still they contained to run, their laughter like music and their footsteps like a pounding beat. Never in his life had Eddie ever done something like this, never did he stick up for himself let alone someone else. There was a type of high coursing through his veins, making his body catch fire.
âOkay.â Richie breathed, stopping short of the city limits. âOkay I think we lost them.â
âHoly fuck, did you see that? Did you see what I did?â Eddie yelled, unable to control his excitement. âI punched him, holy shit, I punched that kid!â
âYeah.â Richie smiled, biting his lip and shaking his head. âYeah, you did. Way to go Eds, out could after one punch.â
âMy hand fucking hurts.â He confessed, suddenly aware of his aching knuckles. âHe had a hard head.â
âLet me see.â Richie nipped, pulling his at his wrist. âShit, youâre hand is swollen.â
âYeah because I punched a guy.â Eddie replied proudly, bouncing on the balls of his feet. âI defended a friend! Iâve never felt more alive in my entire life.â Richie didnât reply, shaking his head as he rubbed the tender flesh. Eddie winced in pain, surprised that he hadnât felt the pressure of his joints.
âAre you drunk?â Richie asked.
âNo, I didnât drink. Alcohol doesnât mix with my medications.â
âWhat were you doing with all those refills I got you?â
âLetâs just say their plants wonât need to be watered for a while.â
âWow.â Richie sang. âJust wow.â
âFeel this.â Eddie demanded, pulling Richieâs hand to his chest and placing it above his pulsating peck. âYou feel that? My heart is beating so fast.
Richieâs face began to turn red, his mouth gaping open in surprise. âI-uh yeah, I feel it. Itâs fast.â Eddie laughed, his smile growing. âReal fast.â Richie whispered, his gaze dropping to their conjoined fingers.
There was a bright light shined at the two as a car turned the corner, heading their way. Richie dropped his hand, taking a cautious step away from his friend as the vehicle neared. âThere you two are!â Stan hissed, stopping in front of the two. âGod way to make an exit!â
âG-Get in lo-losers, we a-are going fuh-for ice cream.â Bill said from the passenger side, smirking at the two.
âWhereâs the rest?â Richie asked, glancing at the empty back seat.
âThey are meeting us there, just get in.â Stan replied rolling his eyes, âYou two look like youâre up to no good.â
Eddie laughed again, opening the car door and sliding in. âWerenât you at the party, Iâm not.â
âYeah, youâre going to have to watch out Monday, that kid is going to hunt you down.â Stan replied, the doors slamming as he began to drive down the street. âThat was real stupid Kaspbrak.â
âIt was worth it.â He admitted, shaking his head. âI donât regret a thing.â
âGood.â Richie replied, âBecause any one of us would have done the same thing if the roles were reversed.â
âReally?â Eddie asked, surprised at the sudden confession. Looking to the front seat, the two boys nodding, approving to the statement. He laughed. âWhat a night.â
âYeah,â Richie agreed, staring at Eddie as a blush began to crawl up his neck. âWhat a night.â
Eddie had never been happier.
Tag:@rrichiettozier @lolrichie @multifan-multishipper @decaffeinatedpostmoon @hausofnikyhausofu @reddieset @eds-kaspbrak @notagoodplace4gods @losersclubreddie @eds-trashmouth @lolahood @bcckybeaver @nocapesyd @lemonaayyee @deux-mille-deux @lonewolfhard @little-miss-hellraiser @kaspbrak-boi @eds2fannypacks @finnwolfwolf @grasshopper @luxluga9 @finnhardwolf @directaylor-klaus @richiestoziiers @thatonedramaperson @lilyridehalgh2 @jem-carstairs-is-perfection @richietoaster @trashmouthreddie @reddiesetandgo @jalonii @sunplanter @hearts-that-strain @hazedandc0ncused @zoinkstoto @plastiicpower @starry-nightflyer @reddietofall @fu-ckinggazebos @tyrror @richietozierrrr @sleepykaspbrak @tilleee
â@studentplusdyingequalsstudi  @the-truest-blue @multifan-multishipper @lizwillstealyourgirl â @pretzelstoday @ihavesympathyforthedevil â @tonitozierprimary @kyliee827-blog @whos-bitch-is-this @richietozierrrr @the-sarcastic-wannabe-awakens â @starsstrucknerdgirl @dandeliontozier @eddie-kaspbrat
#reddie#it#it au#richie tozier#eddie kaspbrak#baseballplayer!eddie#stealing second#mine#meh#still not feeling this#better tho#should have done pink lemonade#here ya go ya filthy animals
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Wednesday 4 July 1838
6 Ÿ
10 40
were to have been off at 8 â could not get our passport till 9 â very fine morning â breakfast at 8 ÂŒ left Josephine â took George, and A- and I (with merely our night things, a change of linen and our journal books in one sac de nuit) off at 9 50 in a calĂȘche and 3 horses for St. Jean de Luz having our passport visaed for Spain at the French mairie, and at our own consulate and that of Spain â A- and I both in good spirits â A- had taken of letter paper to date to her sister from St. Sebastien â excellent road â very pretty interesting drive â the mountains fine on our left and in less than an hour about 10 Ÿ the sea fine on our right â at 11 20 passed the poste aux chevaux at Bidart (1 Âœ poste) and Tamarisk hedges â at St. Jean de Luz (1 Âœ p. more) chez M. Junca, maitre de poste aux chevaux, hotel de la poste, at 12 50 â gave him the letter from our host M. Theodore DĂ©troyat Ă Bayonne, begged him to arrange all about our passport â not safe to go by land â must go by a sea â in a steamer if there happened to be one â if not there might be a boat going â or we might hire one â M. Junca un petit homme vif â sent off a woman to see about a boat â the boats not here, but Âœ hour off â ordered a mutton cutlet for A- and she having
SH:7/ML/E/21/0139
 fastened her door, I went into the nice little town for ÂŒ hour â singular church â one large lofty vaulted space â the large organ and large organ-loft to contain the clergy at the west end and the high altar in a richly-covered gilded bay or apse at the east end â 3 oak ballustred oak-pillar supported galleries on each side â the 1st gallery perhaps 5 yards from the ground (the floor boarded) and the 2 above about 4 yards each from the lower gallery and from each other and about 2 or 3 yards perhaps from the square of the roof â called at the poste aux letters â the courier goes Fridays and Tuesdays but now goes by land â so that the idea of crossing with the courier is at an end â on my returning found A- had put on stocking for fear of monsieur how unlucky on my return A- had had her cutlet, and M. Junca had heard of a Patron de Chaloupe (Captain of a boat) just going to start for St. Sebastian with a little cargo and would return on Friday â ended by agreeing to give him 50/. for a boat to ourselves to return with us tomorrow or if we chose to stay till Friday to give him 55/. â Corrigo [or Conigo] Eguia, Patron de Chaloupe a Spaniard but trĂšs honnete [honnĂȘte ] homme that M. Junca knew well and could count upon â we could not be better â to be ready in Âœ hour â A- and I walked down to the church to spend the time there â she made a little sketch of the exterior while I stood by watching a man making linen-listing sandal-soles, and a woman sitting by him serving on the bit of upper-linen (coarse string stitched together by button-hole stitch) to cover the toes â Mr. Junca came to see us embark on the quai in the grande place â
Embark at St. Jean de Luz
written out Monday eight
on one side the house where the d. of Wellington spent 2 or 3 months â on another the old chateau like house while Louis xvi. lodged and on another the house where the infante of Spain his bride Marie ThĂ©rĂšse lodged â A- seeing no rowers hoped there were rowers â yes! four â she had not thought the boat was so small (a little chaloupe about the size of a Scarbroâ cobble) â however we embarked at 2 â there is always a little surf at the entrance of the little harbour â I saw A- was nervous â our little sail made us lean a little on one side every now and then and there was little bit of up and down â A- grasped my hand â said she could not bear it â would return â there was no danger â the afternoon was beautiful â the little wind or air was in our favour and it was a pity poor A-âs nerves were not stronger â but I saw she was right to return â our captain could only speak Spanish â I had difficulty in making him understand that he must put in at Choco (the fort of ) I really could not make him understand to turn back â but by dint of âtimore â ella â morire â io âpagare â intrate [rientrate]â pointing to the fort of Socoa (pronounced as if Choco (tschoco)) I got him to put in there â there was no time to deliberate â besides our 4 rowers we had a stripling boy and a lad about 12 or 13 on board â left the latter to go back with A- and carry her cloak and the travelling bag â took out merely my night-chemise and cap and 50 francs and left all the rest with A- except my umbrella and parasol and 2 cloaks â asked her if she would like me not to go â said if she had least wish for me to stay, I would â no! she had rather I went â in 5 minutes poor A- was landed, and left, and I was re-embarked and off at 2 35 â In a moment I had lost sight of her â and I was pitching in the bay of [?] in a small open boat with a Spanish smuggler (for such is Corrigo) and 3 Spanish rowers and one old French basque rower and my servant George! â about Âœ dozen words of French were all our crew could muster and about as Many English (âgood bye â very quickâ) â in 40 minutes (at 3 ÂŒ) Andaye (pronounced AndÄiah) in sight (a village or little town â with a little tower (church tower or steeple?) and at 3 35 lost sight of Fontarabia (FontarrÄbbÄa) [Hondarribia? ]nearer the sea than Andaye and on high ground â looking like a convent, or fort, or what? Irun (could hardly distinguish the building) forms the apex of the triangle between the two (at Andaye and Fontaribia) at the foot of the high 3 or 4 pointed torso or crest of mountain that is so striking from the top of Bayonne cathedral â at 3 35 re-embarked at Socoa â in 40 minutes (3 ÂŒ) Andaye in sight â lost sight of Fontarabia at 3 35 â and ten minutes before this had had the 1st distant glimpse of St. Sebastian or rather the high tower (fort) on the top of the hill on the west of the harbour â the tower of Biarritsâ (pronounced BÄeÄris) closes the wide bay towards Bayonne â and the rocky pointe de Figuieras [Figueres?] shuts out the embouchure of the Bidassoa (on which are Andaye and Fontaribia) â Sick at 5 20 â fine as is the afternoon and I quite warm the sea here seems to me as swelling as it was the night we went to Antwerp â land at 6 ÂŒ - having passed the citadel-rock and high conical little rock doubled the island and entered the harbour to the westwards of it between it and the tower fort â 2 English steamers in the service of the queen of Spain lying at anchor â [?] up to the jetties under the west side of the town, and landed by stairs so narrow, deep, and rough one could hardly get up â at the Fonda (n°5 Plaza ricja (place vielle)  reuve Inciarte) in 10 minutes at 6 35 â queer dirty looking place Corrigo introduced me to the especial care of the people â I could not tell which was the mistress â several women  sat together at a large table full of washed but apparently ungot up linen â the daughter (Luisa) could speak French â asked her to send someone with me to see the town and citadel, and to let me have dinner â she said she would go with me herself and sent a woman to shew me my room â it was au 3me but lofty, and large enough â one common chair and ditto table and ditto bedstead, no curtains â no look of comfort â I was down again among the women in a few minutes but had to wait till young lady was dressed (1/2 hour) when she and Madama appeared in their mantillas quite dressed for promenade â the old lady was one who had been driven from the country â lost all she had and come into the ville, and was at the Fonda I could not make out on what terms â but the young lady could not trust herself with me and George without a madama â I said I was sorry they had made so much toilette and that I really was ashamed of my travelling costume â However the young lady aetatis 18 looked very well pleased and out we sallied â to the church â one large lofty domed space unbroken by anything save the large organ and its large loft at the west end â the clergy (now 21) sat or officiated the organ loft â the bay or apse of the high altar one mass of gilt carving â and a lessen altar on each side of it, transept-wise â imposing looking interior â large odd heavy old plain building outside with 2 low west towers â then to the citadel very few soldiers â saw perhaps a dozen â several people walking along the traverse walks along the rocky hill side â towards the sea one or 2 tombs â that and among 2 [?] of Sir Oliver de Lancy railed off â I went up to read the inscriptions but a solider called me back â not allowed to go! the sea-view very fine from one side â the tower as if laid down upon a map on the other â the grand place (arcaded) and another place and one or 2 straight streets all round round them seemed to compose the ville â 3 convents destroyed by the carlists (the girl said) and houses in all directions unroofed
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and made unhabitable by them (for fear of xtians should take shelter in them) gave all around a look of ruin â one whole village just on this side the river on the road to Hernani quite destroyed â could go very safely to Hernani now â no carlists between here and there â could also go to Passages â but no farther â asked the girl to get me a guide to Hernani in the morning â determined to be off at 6 and back in time to breakfast and embark at 11 â out from 7  5 to about before 9 when I had seen all there was to see â had to wait a little for dinner â they seemed to expect George to dine with me, but on my saying it was not selon [?] habitude, he fined in the kitchen or somewhere, and I told the young Louisa to come and sit by me or I should be triste â I had soup, ham, chicken and potatoes â I dined on the 1st and a little cheese and bread, nothing else looking tolerable â finding no chance of a guide who could speak word of anything but Spanish took a man to shew me the way (not far) and off about 9 20 to our consul â not at home â would return at 11 to supper â this would not do â at the moment 2 English officers went upstairs â spoke to one them â said what I was come for, and begged to have a solider to accompany me in the morning â the officer very civil â Lieutenant of the artillery as I afterwards found â promised me a solider at 6 tomorrow am â returned to the fonda and went upstairs with the fille to see my bed prepared â ready by 9 Ÿ - very fine day â doubted for a moment whether to undress â my sheets not feeling very dry â took them off
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Bad Blood - Part 7
Characters: Reader, Dean, Benny, Sam, Martin
Series Summary: You stop at a small cafe in Louisiana on your way home from hunting with the Winchesters. There is something about the man behind the counter that makes you hungry for more than just the pie.
Warnings for this chapter: Angst, language, Mostly-ok-Martin
Word Count: 2,600 (including dialogue from ep 08x09 Citizen Fang - in italics below)
A/N: This is loosely based on Season 8 Episode 9 âCitizen Fangâ but I adapted the storyline to fit into this series. I did use a few lines of dialogue from the show and I have italicized it below. All credit and rights go to the writers of the show.
Masterbetaâd by my friend and soul sister @wheresthekillswitch. As well as the every lovely @hannahindie. You are both amazing and I adore you. Thank you!
Behind? You can catch up here: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6
Tags are below the cut - please send me an ask if you would like to be added or removed from my tag list! :) Your feedback is so appreciated! (The gif is not mine)
Gif Credit - X
Bad Blood
Part 7
âWhatâs this really about Dean? Huh? Is this really about whether you trust him or not? Or are you just mad because I chose him instead of you?â
The words are out of your mouth before you can stop them. The look on Deanâs face is a mix of hurt and anger and he stomps out of the room without saying another word, slamming the door behind him. Sam glances uncomfortably around before following Dean out the door.
Tears pour hot and wet down both of your cheeks as guilt consumes you. Benny moves to stand in front of you, and places a hand on your arm. You recoil involuntarily from his touch and he drops his hand. His gaze shifts to the carpet and he nods. When he looks at you again, he smiles sadly and nods curtly.
âWell, I think I best be on my way. Take care of yourself, cher.â
You clench your eyes shut as the door closes behind him. Loud, painful sobs echo mockingly throughout the empty room as you crumble to the floor.
-----
Guidryâs Cajun Cafe - Carencro LA
âI'm actually looking for an old friend of mine. I heard he's kicking around these parts. His name's Roy.â Deanâs words are crystal clear as they travel the short distance from his lips to your ears. Itâs been two weeks since youâve seen him and still the sound of his voice makes the hair on your arms stand on end.
You watch his interaction with the pretty brunette behind the counter where all of this mess had begun. Carefully tugging the brim of your baseball hat down a little further over your eyes, you sigh. Dean has always had a way with women, a fact that youâd known of the elder Winchester before youâd ever laid eyes on him. His years of bouncing around from place to place over the years has helped him to hone his wooing skills to perfection and this âElizabethâ seems to be no different. Her easy smile and the light blush dusted across her cheeks does little to change your opinion on the matter.
This is the same schtick youâve seen him use on women in every setting imaginable for as long as youâve known him; a strategically played smile here and a well timed nibble on his lower lip there, and soon they are eating from his hand. However, for the first time in your work with the Winchesters, a pang of jealousy strikes you, twisting and weaving itself through your stomach.
Not that what you are doing at the moment would be considered working with the Winchesters. That would imply that either one or both of the brothers knew you were here. Sam had been the one to call you the day before, though heâd had implicit instructions to stay away and just let them handle it. From the hushed tones Sam had used during your brief conversation, it was obvious Dean was in the dark that heâd called you at all. He had to know that you wouldnât be able to sit back and do nothing once youâd heard that Benny hadnât been able to control his bloodlust. You feel responsible for it, really. If you hadnât encouraged him to bite you, there wouldnât be a body count.
So, the decision to make the drive to Carencro wasnât a hard one. The diner was your first stop. You hadnât even been sitting here for more than five minutes when the bells on the door chimed and Dean Winchester had come strolling in. Youâd expected to have a significant head-start over Sam and Dean, but apparently they were closer than youâd thought.
In the two weeks since you last saw Dean, youâve had the opportunity to think long and hard about his admission. Of all the things youâve come to expect from Dean, confessing his feelings for you has to be toward the bottom of the list.
Youâve known the Winchesters for a couple years, but youâd known of them for longer than that. While you can count on one hand the number of hunts youâve been on with them, youâve spent plenty of time in close quarters with them. You definitely arenât one to go for the model type, but there was something about Dean that had drawn you in from the beginning.
In so many ways, Dean is hard and rough; all strength and cunning. The monsters of the earth that hide in the shadows - the same creatures whose horrific existence have been the basis for fairytales and childrenâs nightmares for centuries - they know the name Dean Winchester and they are afraid. And yet, behind all that fierceness and swagger, is a man that would move heaven and earth to save his little brother from the fiery pits of hell and loves pie more than some people love their children; a man whose smile alone can light up a thousand rooms. Dean is all of those things at the same time and, rather than those facts contradicting themselves, they instead seem to only further illustrate their own truths.
Somehow, this complicated, intelligent, sexy man cares about you. Or at least he did. There is no way to take back what youâd said and you wouldnât blame him if he never wanted to see you again.
âWhat are you doing here, Princess?â
Deanâs tone is flat. You square your shoulders, suppressing a cringe and sucking in a breath before you turn to look at him. His mouth is set in a grim line, his eyebrows creased together as his green eyes bore into yours. The look on his face is a complete departure from the playful banter heâd been using on Elizabeth just moments ago.
âLooking for our fanged friend; same as you.â
âOh, is that what you are calling him now. A âfriendâ?â
âOh for fuckâs sake Dean! Can you grow up? Please?â The room has grown deathly quiet and you glance around to find the smattering of patrons staring in your direction. You sigh heavily and stand, jamming your hand into the back pocket of your jeans. After fishing out a couple of dollar bills and slamming them on the table, you glare at Dean as you march out of the restaurant.
You have no idea if Dean follows you out or not, and frankly you donât care. Heavy footfalls on the creaking wood of the porch sound from behind you, but you donât bother to turn around. As you reach your car, Deanâs fingers land on the crook of your arm, spinning you around to face him.
âWhat do you want?â You expect the anger you are feeling to show in your voice, but instead it just comes out sounding tired. Frustrated with yourself, you drop your gaze to the ground and kick at a piece of gravel.
âYou look like shit, y/n.â
Shocked, you look back up at him, mouth agape. His face has softened and whatever aggression youâd seen inside has been replaced by weariness.
âAnd the hits just keep on coming, Winchester. Boy, you really know how to make a girl feel special.â You roll your eyes, knowing you sound just as childish as youâd accused him of being.
âI didnât...itâs just...I meanâŠâ Dean self assured facade flickers briefly as he struggles to come up with the words. Itâs kind of nice to watch him fumble around for a bit, so you cross your arms in front of your chest and wait. Dean huffs out a breath, trying to gain his footings.  âI am just concerned that you are not taking care of yourself. How are the stitches?â
That isnât the answer you were exactly expecting. You shrug. âFine, I guess. You know, a girl could really get whiplash from being around you.â
Deanâs eyes drop to the ground as his tongue sneaks out, wetting his lips before chewing nervously on the bottom lip.
âI didnât think Iâd see you again.â He is so quiet you arenât sure youâd heard him correctly.
âYeah, I know the feeling.â You rub your palms together anxiously, looking anywhere but at Deanâs face.
âSo, I guess Sammy called you?â You nod as Dean rolls his eyes. âOf course he did. He tell you what Martin said, or were you in on this little scheme?â
Confusion ripples across your face as you stare hard at him, hoping to find the answers there.Â
âThe only thing Sam said is that he had received information that there were some Vamp kills in Carencro and he was fairly certain Benny was involved. He said he thought I should be aware.â
âSo you had no idea that Sammy sent his little watch-dog, Mostly-Okay-Martin-Creaser to keep an eye on Benny?â
âWhose Martin? What the hell are you talking about Dean?â You shake your head and Dean frowns.
âGet in, I will explain it on the way.â
-----
The cool air swirls around you and Dean as you make your way through the dense, wooded area, the dry, dead leaves crunch helplessly under your boots. The faint sound of digging makes you pause with a glance at Dean. He places a finger against his lips before tucking his machete carefully behind his back and flicking his head in the direction of the noise.
A small clearing comes into view; an old, dilapidated camper parked near the treeline. Dean holds up his free hand and you stop, waiting for his cue. He motions wordlessly at you in a way that seems to indicate he wants you to stay here and he is going to move in. You give him about a minuteâs worth of a head start before you creep along carefully behind him.
âItâs not me, Dean.â Bennyâs rough hewn twang has lost none of itâs appeal, you note as you duck behind a tree.
Dean slinks from behind the beat up pickup truck and Benny doesnât even bother to glance behind him.
âOh yeah? I got a dead body or two that seems to disagree with you. Who'd you plant, Benny?â Deanâs voice is low, an obvious attempt to sound non-threatening.
âSomebody seems to be doing their best to make me look bad, Dean.â Benny throws a thumb over his shoulder toward the recently disturbed earth. âThatâs victim number three back there. I know how it looks, but I promise you Dean, it isnât me. You wanna hide in the trees all day, y/n? Or you gonna come on out and play nice?â
You wince, your shoulders drooping as you peek out from behind the tree.
âHeya Benny.â You offer an uncomfortable smile.
Benny stares at you wordlessly, his eyes full of regret and sadness. Dean clears his throat, pulling both of you out of your daze.
âAnd how do we know youâre telling the truth?â Dean narrows his gaze toward Benny.
âI guess youâre jusâ gonna have to trust me on this one, chief.â Benny sighs.
âOh you mean like how I trusted you to keep your word that you werenât gonna go around biting people? Or how we trusted you to keep y/n safe in Baton Rouge a few weeks ago?â
âDean, thatâs enough.â
âNo, cher. Heâs not wrong. I know I done made mistakes.â Benny huffs out a breath, leaning across the hood of the battered truck. âBut I know whoâs doing this. And Iâm gonna take care of it. I promise you that.â
âOk, so if it isnât you, who is it?â You move to stand across from him, elbows propped on the hood, mirroring his pose.
âYou donât look so good, cher. You feeling alright?â Bennyâs brow wrinkles in concern. You let out a frustrated squeal.
âI really fucking wish people would stop asking me that!â You glance pointedly at Dean, who shrugs innocently. âDonât try to change the subject, Benny. Who is it?â
âHis nameâs Desmond. He was connected to that nest in Baton Rouge. Heâs a little less than pleased at having had his buddies killed. Seems to think thereâs nothing worse than taking out one of our own. He stopped in a few nights ago at the cafe, saying he wanted me to either join his nest under him or he was gonna make my life here complicated.â
Dean tips his head questioningly and you cock an eyebrow.
âI told him no. But now thereâs been three bodies in two days. No amateur is gonna kick me out of my hometown, Dean. Not this time.â
âAlright,â Dean sighs, planting his thumb against his temple and rubbing two fingers along the lines in his forehead. âWell, that makes two problems to deal with.â
âWhadaya mean, brother?â
âI mean youâve got two hunters on your ass, and apparently a pissed off frat brother that we need to take care of.â
âOh you mean your little brother and that dumbass thatâs been following me around the last week or so? Iâm not too worried about that.â
âMy brother's not someone you want to mess with, Benny. He thinks that you wonât be able to control yourself now that youâve had fresh blood again.â Dean frowns, refusing to meet your eyes.
âThat donât mean itâs true. And as far as Desmond goes, this is my fight. Itâs me he wants; Iâll take care of it on my own.â
âLike hell you will!â You growl at him, rounding the front of the truck. âItâs my fault youâre mixed up in the middle of all of this to begin with.â
Benny turns, and for a moment his blue gaze swallows you whole and a current of heat dances through to your core. He smiles sadly as he reaches up hesitantly, pausing before brushing the backs of his knuckles against your cheek.
âNo, itâs not. I am what I am and I have been since long before I laid eyes on your pretty little face. I wonât let you get hurt again, cher. I already canât forgive myself for Baton Rouge.â
âAlright, well enough with the Days of our Lives, you two.â Deanâs voice makes you jump. Benny drops his hand and you turn to find Dean rolling his eyes. âY/n, you go back and find Sam and Martin, let them know it isnât Benny. The two of us will go track down this Desmond and take care of him.â
âYou know what, Winchester? Iâm about done with you telling me what to do.â You arenât sure what is more infuriating; him giving orders or the fact that he looks completely unfazed at your razor sharp tone.
âLook, we tried things your way last time and how did that go?â His features have softened and his eyes are pleading with you. âIf you want to help, go find Sam and Martin and hold them off until we find this fanged douche and chop his damned head off.â
-----
âIâm telling you Sammy, it isnât him!â
Sam is squinting at you from across the cramped motel room. A middle aged, balding man with a noticeable tick is pacing back and forth in front of the two beds, gnawing on the nail of one of his thumbs. Dean had called him âMostly-ok-Martinâ earlier and now it is easy to see why.
âWhy the hell should we believe you?â Martin stops in front of you, pointing a long, shaking finger in your direction.
âBelieve me or donât but if you go after Benny, you are only gonna get yourself killed.â You look at Sam, who is lost, deep in thought.
âYou gonna take the word of this fang banger Sam, or are we gonna go take care of this the way your daddy taught you?â
You are on your feet and charging across the room but Sam moves quickly to block your path before you can reach the other man.
âEnough!â Samâs deep voice echos off the cheaply papered walls. âMartin, you need to back off. Now.â A satisfied smile curls your lips. âAnd y/n. I told you to stay home. Youâre too close to this. You let me and Martin handle this, orâŠâ
âOr what, Sam?â You narrow your eyes at him as you plant your fists on your hips, refusing to be intimidated by all 6â4â of him.
âOr youâre not going to like what happens next.â Sam returns your glare, and for a moment you almost flinch.
Movement behind you catches your attention and as you are beginning to turn around, Martinâs fist connects with the side of your face. The sound is like a crack of thunder inside your skull, and your head lurches backward. You feel the pain spreading like wildfire through every nerve and taste something like copper just seconds before everything goes black.
Read Part 8 Here
Like what you see? Want more? My Masterlist is here. Thanks for reading! :)
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The Insidious Inquiries: 21 Questions, 21 Answers
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Dear Snicket Fans, On this Friday the Thirteenth, it is with immense pleasure and pride that I present to you the answers to our questions. Congratulations to the ones who wrote winning questions, and thank you to everyone you participated in the brainstorming. I hope you enjoying reading this as much as I did -- the replies from Daniel Handler made me laugh, smile, and cringe, as expected. But more importantly, they filled me with hope... I think you will agree that it is quite clear that The End was not the end at all. Please use this thread to discuss the fascinating questionnaire you see below. If you are a 667er, keep up the excellent work. I get the sense that, like the tale of the Baudelaire orphans, the story of 667 Dark Avenue is far from over. - Tragedy
The Insidious Inquiries 1. Captain Widdershins's personal philosophy was "He who hesitates is lost." What is your personal philosophy? - Libitina âNever refuse a breath mint.â 2. If you could pose one question to any writer, living or deceased, who would the writer be and what question would you ask? - Sixteen Vladimir Nabokov; âHow in the world did you do it?â 3. By now, you must have noticed the striking similarities between the Baudelaires' imprisonment in the Village of Fowl Devotees and Paris Hilton's current predicament. For example, the Baudelaires and Paris Hilton are both inheritors of enormous fortunes and have ties to internationally recognized hotels. What are your feelings on Paris's dilemma, and would you suggest the use of a pitcher of water, a loaf of bread and a wooden bench? - Misery I must confess I donât follow Ms. Hiltonâs exploits very closely, but it does strike me that she could use a nonalcoholic beverage, a square meal and a few moments of seated contemplation, which those three props could easily supply. 4. As a consolation to 667 Dark Avenue on its fifth anniversary, what previously unrevealed secret from A Series of Unfortunate Events can you now reveal, even if we might be better off not knowing? - Ben âA rolling stone gathers moss. A stitch in time doesnât save nine. The knowledge that you have been a fool hurts just as much, is just as hard to admit to yourself if you are young as when you are old. Every error that people make is repeated over and over again, ad infinitum, ad nauseum, as if they know what they are doing and cannot help themselves. The curtain goes up night after night on the same play, and if the audience weeps, it is because the hero always arrives at the abandoned sawmill in the nick of time, the heroine never gives in to the dictates of her heart and marries the man with the black mustache. There is not only a second chance, there are a thousand chances to speak up, to act bravely for once, to face the fact that sooner or later must be faced. If there is really no more time, it can be faced hurriedly. Otherwise, it can be examined at leisure. The result is in either case the same. Windows that have been nailed shut for years are suddenly pried open, letting air in, letting love in, and hope. Cause is revealed to be, after all, nothing but effect. And the long, slow, dreadful working out of the consequences of any given mistake is arrested the very moment you accept the idea that for you (and for your most beautiful bride, who with garlands is crowned, whose lightness and brightness doth shine in such splendor) there is an end.â 5. You are currently writing a novel about pirates; what new information can you reveal about your latest work? - Emily I have purchased a very nice map of the San Francisco Bay which will suit my purposes perfectly. 6. Uncle Monty had a superlative collection of snakes. Which snake would you least like to ride on a plane with if it were loose? Which one would you most like to fly with? Do you think having Samuel L. Jackson on the plane would help or hinder you? â Pandora In my admittedly limited experience, movie stars are scarcely any help in any circumstances whatsoever, whereas a long thick python would cause oneâs fellow passengers to shrink back, giving one more room, which is what one always wants on a plane. As to the snake I would least like as a fellow traveller, I believe Iâve already discussed the film industry and its inhabitants sufficiently. 7. Kindly relate one incident that has caused Lemony Snicket to feel as though he must avoid the eye of a camera. - Thistledown That incident would have to be a poster, illustrated with photographs and captioned âHave You Seen This Man?,â appearing in the public sector. 8. What question do you wish fans would ask you about A Series of Unfortunate Events, and how would you answer it? - Dear Dairy âMight you explain the way in which the following narrative threads are intertwined?â I would answer evasively but with pleasure. 9. If an apple a day keeps the doctor away then what fruit would best keep away persistent realtors? Would you suggest something heavy like a watermelon or something easy to throw like a grapefruit? - Charlotte The durian is a fruit produced by a plant pollinated by flies. To attract its pollinators the flowers of the plant smell like rotten meat. You can imagine how dreadful the fruit smells, particularly if ripe and damp. In many countries where the durian is available it is illegal to carry it onto public transportation. I once had a piece of candied durian and it still felt like a zombie meal. I imagine having durians around the house would cause property values to plummet, and realtors would no longer be interested. 10. What new plotlines did Lemony Snicket intend to create based on clues in The Bad Beginning Rare Edition (such as the pirates, the Royal Garden fire, the OFD)? - Antenora Donât think of them as plotlines. Think of them as groundwork. 11. What was the darkest hour in the lives of the Baudelaire orphans? Please keep in mind that "darkest" here means "most woeful," not "lacking in light," and hour is not a literal measurement of time in this case. - Philip Jucker I suspect their most woeful hour is yet to come. 12. After five excruciating years, the 667 Dark Avenue forum can now be described as old, large and stubborn. This is almost never a pleasant combination. Kindly write your own candid review of the message board. - Tragedy A critic never turns in a review before the drama is over, though he may permit himself a smile as he sips brandy and leafs through the program at intermission. 13. Will information on the sugar bowl, the Great Unknown, what became of the Quagmires, the fate of the Baudelaires, or even the truth behind V.F.D. ever be disclosed, or is it left up to the readers to draw their own conclusions? Do you know all of the answers? - Dupin If readers draw their own conclusions and speak of such conclusions out loud, then this information will indeed be disclosed; otherwise one might wait for more Snicket books, which would likely contain shrouded answers and further frustrations. 14. If there's nothing out there, then what was that noise? - LemonyFreshr1 Why donât you step outside and see for yourself? Iâll wait here. 15. Is it rude to bring an uninvited guest to a dinner party? Should you be excused if it's your boyfriend? What if he's dumb? -J Dumb boyfriends are inexcusable under any circumstances, and this goes triple if heâs an uninvited dinner party guest. However, one cannot counter rudeness with rudeness, so such an event must be faced with a frosty smile and something along the lines of âHow charming of you to bring Mickey! I wish weâd expected him, because thereâs simply no room at the table. Iâm sure we can find a seat for him near the oven. Mickey, come with me. And shall I remind you which end of the fork is for food and which for your hulking grasp?â 16. The V.F.D. disguise kit is filled with a plethora of interesting items. What is your personal disguise of choice, and why? - Gigi/Cybermystery The easiest and most effective of disguises is formality. No matter the age or occasion, formal dress makes everyone nervous. When I was a young man I had a job playing piano at private parties, which required owning a tuxedo. You wouldnât believe the buildings I could enter, the favors I could request and the secrets entrusted to me simply because I looked the part of a reputable person. 17. Since the business card that appeared at the end of The Beatrice Letters was not torn in half, I assume Lemony Snicket did rendezvous with his niece. I realize he will not wish to give away too many details of that meeting, but I have to ask; did it go well? I worry about the two of them, and I hope that they are no longer quite so alone in the world. - Phoebonica You are wise to worry, and Iâm afraid that if I tell you the details of their crucial conversation you will stop worrying. 18. If love conquers nearly everything, can literature defeat the rest? - Alice Oh Alice, all my hopes are pinned to such an idea. 19. You've said you had to change your plan because of the line from The Bad Beginning, "Klaus read through Count Olaf's papers and books." What would have happened differently if you had never written this line, and what were the Baudelaires going to find? - Dante Early research indicated that the Baudelaires had stopped at Count Olafâs home on the way to the island, and discovered there, rather than beneath the roots of the apple tree, certain materials described in The End. Further investigation, including the sentence you cited, made it clear that this was most certainly not what could have happened. 20. After all this time, is Lemony Snicketâs pen's name still Alphonse? - Dellagatta Like me, Mr. Snicket loses pens constantly. A more accurate moniker might be Alphonse XXXVII. ____________________________________________ GRAND PRIZE WINNER: BSam will be sent a hand-written reply from Lemony Snicket. Dearest Mr. Snicket: - You went though an awful lot in order to bring the terrible plight of the Baudelaire orphans to our attention. What can your loyal fans do to show their appreciation? Would you like a hug? - BSam Thank you, but I distrust physical embraces from people I donât know very well. I prefer the aesthetic and ideological embraces Iâve already received from my readers, and can only offer my gratitude, at least until my next bout of research is complete.
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Hobbycraft Knitcraft Social 5-1-17
Couldn't make it to this week's Knitcraft Social at +Hobbycraft Milton Keynes? Catch up on all the gossip with Emma Harrison-Brown @pidgmaleon's awesome new weekly review.
So, the very 1st Knitcraft Social at +Hobbycraft Milton Keynes has really taken off and I am absolutely loving hosting it!
I only wish more of you around the world could come!!
But you can still join in the fun by tagging your work every Thursday 11am to 3pm across social media with the tag #knitcraftsocial... me and +Hobbycraft love to see what you are working on!Â
Since November, our weekly meeting has forged real friendships and with one member missing for 3 weeks on holiday at the start of this year, gorgeous lady Emma @pidgmaleon decided it would be a fun idea to write a little note to Jude every week to keep her updated on our crocheting shenanigans...Â
So I thought maybe you guys would also like to know what yarny-mischief we get upto for 4 hours a week playing hooky and knitty nora, so every week you can now catch up on the gossip with Emma's weekly Knitcraft Social review.Â
 Knitcraft Social Thursday 5th January 2017
I was a little nervous about coming to this week's social because it was so busy before Christmas â both in terms of +Hobbycraft itself and people shopping and asking us questions whilst they are choosing yarn, and also in terms of having quite a few of us around the table all competing for Mikiâs attention in making the baubles!
And what to bring to work on â I wonder how many granny squares Jude has whipped up out there in the sun? I really like crocheting in different places, I feel like you are stitching memories in a way, you can look at the squares you have made and remember where you were when you made them. Â So, I didnât know what to bring to work on because last time we were doing the baubles altogether, and sometimes in the nattering environment I do find it quite hard to concentrate, so I wanted to bring something that was not going to take too much concentration or counting. Â
Then, there was a lady called Kate coming along who Miki knows through the social media app Instagram.  And you know, this social media business is all a bit UNSOCIAL sometimes really â I think that people invest so much time in putting things on facebook and Instagram accounts and taking perfect pictures that it takes away from real life socialising which is why the knitcraft social is so special because it happens in real life with real people like you!  And I wouldnât have met Jude, Peggilini and more wonderful ladies through Instagram! Kate @lanaboushop and Miki had never even met before in real life! Â
Miki and Kate and I got on together really well which was really nice because neither Miki nor I had met Kate in person only chatted on Insta. Â Kate runs an online shop 'lanaboushop' through Etsy here, like Miki does and sells some absolutely amazing jewellery and crocheting bits and pieces, Click here after you have read this. Â Kate is very good at crocheting, but like the rest of us sometimes, did struggle with the old concentration with all the giggling and me talking lots and lots! Oh... and I did do the impression of the shark head on the trigger stick and the groan tube for her so she was up to speed!
Acrylic Crocheter necklaces ÂŁ10Â + P&P lanaboushop EtsyÂ
The manager of +Hobbycraft Milton Keynes â Levi, had been busy over Christmas and put a lot of effort into making our space more spacious so now we are right in the corner and less disturbed by people shopping.  I think you will really like it and if you visit us you will be able to make some nice crochet decorations to help brighten it up even more!
When I arrived, Kate and Miki were already there and of course, already crocheting. Â My adoptive Granny Peggilinni had a terrible cold so couldnât make it... Â I was gutted, I was ready for my big granny hug squeeze and to make her laugh with my shark head on the end of a trigger impression!Â
I sat down and got my chosen project out â I am making a scarf. Â Itâs in very boring colours, the colours of the Harry Potter school Hogwartâs house Slytherin... panels of silver and sludgy green. I am really hoping that you know about Harry Potter from your own reading, children or grandchildren, but basically in Harry Potter the school has houses in an old boarding school style. Â When you first start at the school of wizards and witches, you put this mad hat on (there are patterns to crochet one of these!), the hat is called the sorting hat. The head teacher â Dumbledore â sticks the hat on your head and it determines which house you go into....
You know those quizzes in magazines, that determine whether you are (A) mostly Aâs you a mad fer it party animal and may need to think about rehab or (D) mostly Dâs â yawn are you still awake isnât it past your bedtime and have you had your Horlicks? Well... Depending on how you answer a number of questions, the author of Harry Potter, JK Rowling has done the official sorting hat quiz on her website to determine what house you go into in a sorting hat style... You tick the answer that you find most applicable to you in a given scenario, an example might be that you encounter a troll under a bridge do you (A) give the troll a bear hug (B) fight the troll (C) run away from the troll (D) bellow âwho's that trip trapping over MY bridgeâ.Â
Which one would you pick?? I went for fight the troll! Â I went through and answered all my questions and waited, and do you know what?! It put me into Slytherin! Â How rude. Â Slytherin is the house that the bad wizards and witches are in! Â Powerful black magic wizards! Â Which is better than being in Hufflepuff because they are a bit of a waste of space in magic circles, but still! Â I volunteered to fight that Troll and that was how I was repaid?! But then I decided to embrace my inner-Slytherin and I am crocheting a Slytherin scarf. Â
I am a bit bored of it, itâs been kicking around the lounge since I started it mid September, but I want to finish it for two reasons. Â One, if I finish it David the husband will take me to Harry Potter world, and two, I have lost count of how many bloomin scarves I got about a quarter way through when I was a slow scared knitter and then abandoned. Â I think I need to complete at least just one scarf in homage to all the abandoned knitted ones that never got finished!
Levi the manager also found time to sit down with us and Miki put her amazing crocheting teaching skills to practice and taught Levi to do a chain â remember when you did your first chain? Â We were saying today how we've now had a few graduates!
  We also had someone who needed a tape measure and Kate had one in her trusty pencil case of hooks and crocheting bits and pieces.  I really think that having balls of yarn on the table and hooks in our hands makes people more sociable and talkative to us â everyone wants to tell us what they are making or thinking of making when they are looking at the yarn, you just donât get that sort of interaction in other situations!  I think itâs a great ice breaker, say you were going somewhere and were a bit nervy, whip out the crochet, gives nervous hands something to do and people are always bound to ask what you are making or tell you a story of someone that they knows crochets, or say that they wish they knew how to crochet.  Itâs great that we have something that brings us together, chaining friendships, literally and metaphorically.
Towards the last hour of the social, Kate had to head off, and we were joined by another +Hobbycraft customer who wanted to learn to crochet. She was a left handed knitter like Jude!  Miki has perfected teaching left handed knitters and this lady left the store well on her way to crocheting lots of granny squares and did say that she would return next week!
So, all in all, it was much less manic than the social before Christmas. Â I did miss Jude, we all missed her actually â the lady that was learning, it would have been brilliant if she had been there because she was giving herself such a hard time as she was learning â just like Jude did â and if she had been there Jude would have been able to say âI was just the same and look where I am nowâ â hopefully she will return and everyone else will get to meet her.
I hope you are all having a great week and getting lots of time to crochet!
Lots of love
Emma  xxx
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