#look I know I’ve been drawing the exact same outfit on various characters over and over again

[mcskullmun]

[Image Description: a digital drawing of Alex Rider. Alex is a blond teen wearing a red jacket and jeans, and a nervous expression. He is hanging precariously off a ladder, and in the background in sky-blue bold font are the words,

“Don’t Look Down”

End Description]

[that-ghosts-art]

“Come on buddy, don’t ya wanna make a lil deal with lil ol’ me?”

I’ve been on a bit of an equivalence high recently as anyone following me may have guessed haha ^-^

For anyone who’s interested I’ve written some of my thoughts on demon!Mabel below the cut :3

First things first let's talk about her style and general appearance, cause I feel like I’ve deviated a fair bit from the previously established fancy suit she’d been portrayed as having like Dipper.

My logic for the change (outside of wanting to try drawing something that isn’t a suit haha) is that I feel she would have more varietyin the outfits she wears compared to Dipper. Looking at the show Dipper was out there wearing the exact same outfit for an entire summer while Mabel (admittedly wearing the same type of clothes) had significantly more variety, wearing a different sweater every episode, some episodes even having more than one, and I feel this would continue to reflect here.

Dipper has his suit and doesn't venture much further then that if he can help it (obviously not to say he doesn't but you know what I mean). Mabel mean while would have a new outfit every day, multiple per day sometimes!

Most of the time I think she would default to a more punk, diy aesthetic because of the inherent creativity of it (which for a typically detail averse artist such as myself was certainly a decision haha), not to mention I can imagine Mabel being like “I’m a literal demon Dipper I gotta go for the outfits with the spikes and chains!”

At the same time she would definitely enjoy trying out a whole host of different styles (to a point though. Some just aren't comfortable, not any more at least, a part of her stolen away with the Transcendence).

I'd need to do some research into clothing styles to say specifically what else she would enjoy, but I can say it's a lot of black with small splashes and highlights of colour. She's also, regardless of style wear lots and lots of jewellery and piercings cause I think she’d like them :3

Switching things up a bit I wanna quickly go over her pins (ie, her queer identities). My hc for demon!Mabel is the same for normal Mabel, being bisexual with a masc preference, and a demigirl (she/her/they/them exploring and trying out various neo pronouns as she encounters them, rotating through them depending on her mood).

Slightly serious tangent, but I know the previously established lore for EAU was that she would be aroace, but in all honesty that never quite sat right with me. Like the only reason she, or subsequently Dipper in the main TAU canon, are aspec is because of the demon-ness, and while I love demons and the demonic as much as the next aroace person, and I adore representation of my identity, the implications aren’t my favourite in the world. Obviously no disrespect to the people behind that decision, (in fact I applaud them on exploring how a character like Mabel might react to people assuming she wants that in this lil fic here :3). Only the maddest of respect to the people who make characters the identities they want them to be :) I just wanted to address it for anyone who like me has read every bit of eau content they can get their grubby lil hands on and noticed that particular difference :p

Besides, this way we get to explore the logistical and moral implications of a character being allosexual while also being an incredibly powerful and immortal being, especially when you get into questions of how she ages herself compared regular humans :3c (I think I'll leave that for another post though haha)

On a different note, another design idea I had was that it'd be really cool if she had a dynamic and moving tattoo that would constantly change and show new (typically pig and star related) designs :) this definitely wasn't inspired by my own inability to come up with and stick to a particular singer design, definitely not.

I also thought it would be neat to differentiate the demonic aspects of her and Alcor's design by giving her feathered wings, rather than the typical bat wings. I mostly just thought it could be nice to try drawing something different, and while Dipper and Mabel are very close and have a fair amount in common they are still very different characters, so it would make sense for their demonic features to differ, even is only slightly. On that note I also gave her a pink outline to her pupils as inspired by this art cause I thought it was neat :3

Anyway I accidentally posted this before I was finished so Imma just take that as a sign to stop and put my other thoughts in a different post haha 😅

[ffwriteradvisor]

The Mary-Sue Phenomenon

What is a Mary-Sue?

Back in the heyday of the term, nobody could really agree on the exact qualifications. It was one of those ‘I’ll know it when I see it’ type things, though there were always the ‘red flags’ that most people agreed meant one was present. Importance to the plot, being favored or at least being noticed by the rest of the cast in some way or another, highly competent for their situation and background, excessive levels of detail in the design compared to everyone else, incredible powers that may or may not align with the canon up to that point, being ‘special’ in some sort of way,... and being ‘girly’ in some fashion.

Yeah.

The first and most readily visible problem with this is that a lot of this covers the standard protagonist role. More often than not, your protagonist is ‘special’ in some sort of way, possibly because they have a unique ability that sets them apart from their peers or are at least competent enough to get through the story to reach a good ending, making them both memorable and important to the plot. Being relatively important and ‘on-camera’ more, they tend to have interesting designs, though how flashy and complicated those designs are vary on creator tastes and the allowances of the medium.

The second is that this ‘list’ of qualities is that the primary ‘targets’ of a ‘Mary Sue hunt’ are going to be female or non-traditionally masculine characters who have the quality of... well. Existing. The few that I would say don’t run that risk are those that are in the background (thus being shoved out of the protagonist role or even being part of the secondary cast in most cases) or ‘prize’ characters of some description, typically some form of damsel or romantic conquest role.

Even being a ‘canon’ character isn’t exempt from this. It’s not even uncommon. You can find a dozens, if not hundreds of lists of characters canon to their works that have been called Mary Sue based on the lightest of ‘sins’. I saw Barbie make the list for having a number of movies (that are often tongue and cheek and rarely subject to any form of continuity) that put her in various careers and roles based on the various outfits she’s been put in over the years and being *gasp* blonde.

Yes, someone gave her hair color (one that a fair few real-life people have) as a reason why Barbie (a doll designed to represent a blank slate for her owners to use as whatever they need her as, who also has media based around that base concept) is a Mary Sue.

Again... Yeah.

So that gives you an idea of how meaningless the label is in practice.

Let’s take a look at a couple ‘qualifiers’ from a few different quizzes and lists concerning the subject.

‘Name is weird / name is too fitting or special for character’

‘No distinct personality / Personality traits are informed but do not actually come across in the text’

‘Too perfect / lacking flaws / stated flaws do not actually exist’

‘Dark and troubled past / backstory is contradictory and doesn’t make sense / given a mental illness’

‘Too many skills / skill set is vast and poorly defined / too competent / always better than everyone else’

‘Beautiful / fashionably or flashily dressed / unusual or remarkable appearance that doesn’t detract from attractiveness’

‘Unique weapons / unique magic / unique resources’

‘Chosen one / special destiny / has one or more traits that allows both angst and specialness’

‘Unique appearance / strange eyes and hair color’

‘Doesn’t play by the rules of the setting / changes the rules of the setting by existing’

‘In a relationship with one or more canon characters / gets special treatment from those in the setting / changes the personality of the characters in setting’

‘is clearly the most important character in the story’

Most of these - outside of the parodic Sues, who tend to be over the top by design and are usually the result of people going down lists like this while trying to check off every box - are marks of authorial inexperience, either on a technical level or with the setting they’re using. Others are simply character design choices. I’ve never noted a character as being terrible just because they were designed with blue hair or pink eyes. Yes, it could be obtrusive in a setting where nobody else has such things, naturally or not (hair dye is a thing, as are colored contacts), but it’s not an automatic fail. Some characters are going to be beautiful or care more about their appearance than others do - it helps make for a diverse cast.

And then there are things like the mental illness bullet point.

Speaking as someone who lives daily with mental illness, part of which is the result of my ‘dark and troubled backstory’ - which, while not the most awful thing that’s ever happened to anyone in real life, would be taken as over the top in fiction because there’s roughly 18 solid years of incredibly varied and occasionally absurd traumatic events, such as having a carafe of hot coffee poured over my head once during a social event while not being allowed to make noise -, I don’t necessarily have a problem with characters who have the same thing.

I do have a problem with people who make characters like that and then proceed to do none of the research and/or never bring it up outside of the one mention of it, but that trait on its own is not a sin.

Research and respect make for a world of difference when it comes to writing, if nothing else because it’s better than just using something that many other people deal with on the daily as a source of draw-and-discard drama or a quick and easy path to character sympathy.

I mentioned earlier that a lot of the most ‘obvious’ Mary Sues tend to be parodies. Even the one that originated the name ‘Mary Sue’ was so over-the-top that nobody in their right mind would think that the author was doing anything else than sporking the archetype they had just named. There’s other cases that are less obvious, but I prefer to defer to the law of ‘Is it hurting anyone? No? Then mind your own business and don’t ruin anyone else’s day’ when it comes to such things.

Sure, I have a marked dislike for a few particular ‘Sue’-types - Possession Sues, INOS (In Name Only’s), and Gary Stus are a particular annoyance to me, usually because they enjoy a level of popularity for things I don’t appreciate, such as harems, casual douchery, and ‘hard men making hard choices’, often at the cost of characterization or a decent plot. But that’s more a matter of taste than anything else.

Now, if there’s one take away that I would say everyone should avoid (not just as a matter of taste, but from a point of view of an author that likes to make quality work), it’s to make a character who warps everything around them to the detriment of everyone else. There’s no problem with a little wish fulfillment - hell, there’s no problem with a lot of it either! Go wild, have fun! Don’t make fun of other people for doing that too, so long as you’re all following the laws of common decency! - , but you should always remember that no character is perfect and that the rules set for the story (regarding other characters, the society, the plot, and the physics) should apply to all of them.

If you so happen to pick a silly version of those rules because you are writing a silly story / just out to have some silly fun, GO FOR IT. It’s all fanfiction. It isn’t ‘real’. You don’t have to prove yourself to anyone, even if there are some people who really want to start that fight.

As a final point - I’d like to say that the only unifying trait of ‘Mary-Sue’ characters is that someone decided to call them that at one point or another and that there’s nothing wrong with having a little Mary Sue as a treat.

[bubblegum-snowdrop]

Might get attacked for this;;;; but yeah, seriously.

I’m a busty lady, I’ve got curves and my entire life has been riddled with that mentality of “busty/curvy girl existing = oversexualized”. One of the most important people in my life, when I complained that everyone freaks out over busty girls in fiction and that I was upset over one such character being censored, he full stop told me, to my face that “well there’s enough characters like that, it’s men doing it because it’s sexy”.

Mentalities like that have affected me all my life. In high school, me and a flat chested girl wore the same shirt to gym class. 100% followed dress code, covered us, just had a v-shaped neck that didn’t even show anything. My gym teacher, an old wretch of a lady, pulled me aside and told me at twelve years old that I was oversexualizing myself and needed to stop “dressing like a slut”. In a class with that same teacher I was groped multiple times, to the point where I started sobbing, and when I tried to tell my teachers I was uncomfortable and wanted to sit out for a bit or at least be moved to a different area than the boys, she said “it wouldn’t happen if you didn’t look like a whore”. Still was twelve, and I was wearing a loose t-shirt that covered me entirely and leggings. I was more covered than most of my class- boys included- but I got shamed for my body shape. It didn’t matter what I had on, because I was a specific body shape that instantly meant that (regardless of my age) I was being inappropriate. It didn’t matter that I was the most conservative girl in the school when it came to clothes and even romance, to the point where bullied called me a “stuck up prude” over it, people like that teacher just saw my body shape as bad. Therefore, it being even slightly visible was inappropriate.

I wear tank tops in summer that cover more than enough, just trying to stay cool, and I’ve been told I need to stop “appealing to the male gaze” or “being such a slut” for years upon years.

And you know what? I see the exact same stuff about fictional girls too, and the same damn people say the same damn things about those female characters as they do me. Rosaria from Genshin Impact? I was excited for her, but the devs had so much screeching about how she was oversexualized just because she was a busty girl that they literally decreased the chest size on her model. I was excited to play a character that looked like me, and that got ruined because she was instantly branded as “oversexualized” just because she happened to have big boobs.

The idea that showing some skin or even just being busty = bad directly harms women in real life. I am one. I’ve been completely desensitized to being called a “slut” or “whore” because of it, and been shamed about my body ever since I had visible curves. Let artists- regardless of gender- draw women in various outfits, with different figure types.

And for hell’s sake, STOP GETTING UPSET OVER BUSTY CHARACTERS. BEING BUSTY IS NOT, AND NEVER WILL BE, AN ISSUE.

Every so often I see people complaining about “sexualized” fanart, but when I look at the fanart in question its just like.. women sometimes just look like that.

Like im not talking about anime art of some girl with giant disproportionate breats but like. Sometimes its just a busty woman in a tank top and I hate to break it to you but those exist in real life.

Summer is coming up. People are going to draw their faves and oc’s in sundresses, tank tops or at the beach in swimsuits and there’s nothing inherently sexual about that. If you think that it is sexual maybe its time to come back from church camp and go to a park in summer to see how women actually dress.

[murasaki-murasame]

Monogatari Series Rewatch Part 4: Bakemonogatari [Nadeko Snake]

I’m doing it, I’m finally getting around to this, aah. Here we go.

Who else is ready for two episodes of ‘if only you could understand how much drama and pain your superficial understanding of Nadeko’s emotional problems is gonna cause you down the line, Araragi’, cause I sure am.

Thoughts under the cut.

[This got way longer than expected. Can you tell that I really love Nadeko as a character, and love talking about her?]

PART ONE:

-I haven’t talked a whole lot about any art-related things in a while [since I never know how to phrase my praise for this sorta thing without being kinda repetitive and aimless], but I really love the plain colour/gradient effect used for stuff like the bamboo forest. It’s definitely a cost-cutting measure, but for some reason I really like it. I guess, in a weird way, I really like the simple backgrounds that draw more focus to the characters, and make the show feel like even more of a stage play where everything other than the characters themselves are just props.

-It still gives me the warm fuzzies, that Araragi and Kanbaru immediately got back to being friends after the last arc. Their friendship is a wonderful part of the series.

-And here she is! Snake girl! Hoo boy, this is where we get into the start of some of the extended story elements. Though from what I remember, you tend to leave this arc for the first time not thinking that there’s anything deeper to her character and that she won’t show up again. LOLNOPE.

-Just to get it said right off the bat, Nadeko is honestly one of my favourite characters in the entire show, at least from my vague memories of my first time watching the series. I found myself relating to her and understanding her issues way more than I thought I would. I think it wasn’t until Otori that I paid much attention to her, but I feel like that goes for everyone. I totally get why she’s such a divisive character, though. I respect that.

-And here we have one of the single most iconic and memorable anime OPs of all time. Holy shit this song used to be EVERYWHERE. So many parodies and mash-ups and remixes. It’s weird to look back at the original. Especially since there’s so many little elements to it, mostly in the lyrics, that really bluntly hint at her various issues, and the direction her story takes. One of the very first lines in the OP is, more or less, ‘if words will destroy our relationship, then silence is fine’. Though it’s hard not to see this entire OP as being really meaningful when it’s so connected in my head to the Nadeko Medusa OP. I still adore how Renai Circulation is basically Nadeko’s idealized view of herself and her unrequited crush on Araragi, while Mousou Express is a more objective look at how obsessive her feelings actually are. I love it so much. But I’m getting ahead of myself.

-Also, as a side note, I think this OP was my first exposure to the series before I actually sat down and watched it about three or so years ago, and for the longest damn time I seriously thought that Nadeko had green hair. It took me a while to get used to her normal hair colour.

-Oh yeah, this is the first time we see the shrine, as well as the talisman thingy. Huh. I at least thought that the talisman didn’t appear until as far as Nise or SS. Weird. It makes me remember how sorta surprising it was to see the shrine become such a recurring setting, and such a big element of the overall story. But it really does just keep popping up. It’s probably one of the things I have the least of a grasp of, though, especially with how the various goings-on with it fit into the timeline. But I at least remember that the whole deal with the shrine is that it’s like the spiritual hotspot of the town, and that everyone wants to use it for their own purposes, mostly in terms of using it to maintain ‘balance’ in the town.

-Senjougahara continues to be utterly savage even when she’s not part of the scene. NICE.

-Huh, I genuinely forgot that apparently Kanbaru’s arm is gonna heal over the next five years or so. Huh. That’s a pretty major thing to forget. I feel like they never bring it up after this point, though. So that’s probably why. I guess it slightly lessens the whole tragedy of what happened to her, but I guess it was probably a bit too fucked up of a concept for her to be stuck with a monkey arm for the rest of her life.

-For some reason I thought that the shrine was intact by this point in time and just got destroyed in a later arc. Guess not. [[If it’s not clear already I have a surprisingly shit memory of a lot of specific story details with this show. Especially in the early arcs like this. Since I haven’t watched them in several years. Also I’ve only read the LN versions of the first three Bake arcs, and have been procrastinating about the rest, so this is the start of where I truly haven’t really experienced the story in years]]

-Obviously this is a bigger aspect of later arcs, and I’ll discuss it more then, but holy shit does Araragi have the WORST memory possible. It’s almost hilarious how many issues in his life are caused by it. I can’t exactly blame him for not remembering one of his little sisters’ school friends who he hasn’t seen in six years but still. This is just a hint of what’s to come, I guess. And really his issue with Nadeko is less him forgetting her, and more him just not paying that much attention to her or trying to investigate her issues. Which, again, I can’t blame him for. Most of the things Araragi does like this are completely realistic and understandable even if we as the audience can see the dramatic irony involved.

-[Oh man, now that I’m remembering more of Nadeko’s story, it’s just now dawning on me for the first time how similar a lot of her story is to that one character from Umineko who I won’t name because of spoilers. They’re very different characters in general, but wow there’s at least some pretty overt superficial comparisons to be made. Huh. I need to remember to make a post about that character once I’m properly done with Umineko]

-Oh yeah, by this point in the story Nadeko was already going off into the mountains to ritualistically murder small animals. Yep. This sure is a thing that’s already happening. I forget the exact context of this, but yeah in hindsight this is a pretty clear indicator that she has some serious issues. Even if I can at least remember enough to know that she was trying to take the snake curse off herself. Still, stabbing hordes of snakes to a tree is messed up.

-I love all of Hanekawa’s shifty/squinty expressions during the whole scene here at the bookstore. She really does have a way of coming across as really composed, even though you can always tell, especially in hindsight, that she’s not as composed as she might let on.

-It’s still interesting to me how Nadeko’s hat makes her look a bit like a snake. Even her loose jacket kinda reminds me of shed snake skin. I know that basically all of the main girls have elements of their oddities incorporated into their designs, but I feel like Nadeko is probably the most subtle about it. Other than maybe Hanekawa. Either way, I really love this outfit of hers. I sometimes feel like wearing a jacket like that, but it always feels a little silly and pointless, and I’d probably worry about it not sitting still properly.

-I just got reminded by this one particular shot where he looks really nice, but, I really do think that Araragi is pretty dang attractive. I only really notice it with certain scenes, though. But when it’s there, it’s there. Obviously I’m sorta alone in feeling this way, lol.

-I appreciate Hanekawa taking the time to try and explain to Araragi that he’s way too wishy washy with his feelings, and way too nice and open with girls in a way that can come across as a lack of faithfulness to his actual girlfriend. It’s a lesson that he really needs to learn, as do many such protagonists. You can really get why Senjougahara is so clingy and distrustful in her own way. [Although I also do feel like Kanbaru is a weird character to use to set up this topic considering that she’s, you know, a lesbian. Oh well. Hanekawa’s point still stands]

-Huh, they’re already bringing up her intentions to travel the world once she graduates. Huh. I thought that only got bought up around Neko:Shiro. It’s also making me even more antsy about waiting for the eventual adaptation of Off Season because I REALLY wanna see that one arc that’s apparently about her travels.

-Oh boy, all these not so subtle hints about Hanekawa’s home life. My heart is not ready for when we actually focus on that.

-I seriously love every scene in this show that has red/orange lighting like this. It looks so fantastic. It really sets the mood.

-Of course the first thing Kanbaru does upon entering Araragi’s room for the first time is to loudly search for his porn while taunting him about how much she’s aware of his kinks and fetishes. Isn’t she the best?

-Yeah this whole scene is just as creepy as ever. Christ. Although I still cannot fucking believe that they reference that one goddamn meme during this scene as well. It’s surreal. Though not quite as surreal as Attack on Titan referencing it for a recent magazine cover spread. I’m still reeling from that one.

-I’m pretty sure that Nadeko is still only like two or three years younger than him, but this whole thing is still . . . iffy. But obviously it’s meant to be iffy and weird.

-Especially in hindsight, it’s really sad seeing Nadeko talk about hating her body, and wanting to be saved by the person she has a crush on. Damn. Though the whole idea of her actively asking to be saved really sets up the big issue with this arc [so to say] and how it sets up Otori. I just feel bad for everyone involved.

PART TWO:

-I’m loving the shadow puppet hands going on that look like snakes. It really adds to the creepy atmosphere. Same with the really stark contrast between the dark shadows and the bright bluish-white lighting. Also, I dunno if I’ve mentioned it yet, but I love how Oshino is just the master of setting up school desks and chairs in increasingly elaborate ways, and sitting on them in increasingly implausible ways. In general I just love the use of props, staging, framing, and body language to construct a scene, in addition to the dialogue that makes up the meat of it. Obviously this is where Shaft’s influence shines through the most, since this is exactly the sort of stuff that’s fundamentally not part of the LNs. It’s really interesting to me how they took something like the basic descriptions of Oshino sleeping on a makeshift bed made of desks and blankets and whatnot, and went completely wild with the imagery of it.

-This is just a matter of the version of the subs I’m reading, but man is it throwing me off how the dialogue subtitles translate certain terms differently than the on-screen text subtitles do. Especially since I can also obviously hear the Japanese term being used and I have a vague idea of it’s inherent meaning, so I wind up with like three separate terms for the same thing being thrown at me at once and it’s sorta disorienting. 

-[On the note of subs, I probably should have mentioned this before but it’s so weird to me seeing Hanekawa’s catchphrase translated any way other than ‘I don’t know everything. I just know what I know’. Anything else feels kinda blasphemous, even though it’s by far the most petty issue I could have translation-wise. I at least feel like any translation of that line should be consistent, to get across the fact that it’s the same line being repeated. I feel like the subs I’m using have translated it inconsistently once or twice, and it bugs me.]

-OK I guess this is another sub note, but I must have glazed over the line of ‘Living without words, no, dying, huh?’ in the OP the first time round. Huh. It comes across slightly mangled in English even though it’s a kinda neat pun in Japanese [it’s basically using ‘shi nuki’ vs ‘shinu ki’. I’d use the actual kanji they use if I knew what they were, but yeah that gets it across well enough]. Either way, it’s one of the various lines in this OP that really bluntly hint at how much of an issue it is for Nadeko to hide her true feelings behind a mask of cuteness and silence. I like how, via puns, it manages to effectively equate silence with death, which is pretty accurate and foreboding, considering that her repressed issues turn into murderous violence.

-It’s one of those things that makes me seriously wonder how much of Nadeko’s character arc Nisioisin had planned from the start. I know that he kinda plays it off as ‘haha, her voice actress wants to play an evil character, let’s make Nadeko into the final boss lol’, but I’d be surprised if it was anything so spontaneous and unplanned. So much of this arc really blatantly hints at how disturbed and unhealthy Nadeko is, and her issues are left so blatantly unresolved in this arc in a way that feels almost counter to the entire theme of the story [which is exactly why it comes back to bite everyone later]. I at least like to think that he was planning it all from the start, and was kinda messing around with stereotypes to try and make both Araragi and the reader glaze over all of Nadeko’s problems, and the logical consequences of this arc, while just seeing her as a cute girl. I dunno. Maybe I’m giving him too much credit. I know that it sometimes bothers me how much the series really, unironically plays up the ‘look what a [superficially] cute and innocent and naive little girl she is! So moe!’ angle at times, even though pretty much the entire idea of her character is how damaging it is to ignore and glaze over a person’s depth and their problems by valuing them solely for their cuteness or youth or purity or whatever, so . . . eh.

-It’s definitely interesting how it looks like Oshino never even sees Nadeko for himself in this arc, and just hears about her problem from Araragi. Given how good he tends to be at noticing when a person isn’t a pure, innocent victim in their whole story. I wonder how things might have gone if he’d seen her up close. I could at least see him noticing the thing she does where she hides behind her hair.

-I just thought after seeing the scene describing the invisible snake that’s constricting her body and about to kill her, but there’s a lot of parts of the story that are interesting to examine if you want to interpret the oddities as mostly just being reflective metaphors for emotional problems. Obviously in the context of the story they’re literally real, but still, I think it’s valid to interpret things this way if only as a way to understand what role each oddity plays, and what they show about each character. [And it seems relevant to bring up with Nadeko in particular, since the entire twist of Otori is that the oddity in that was literally just a reflection of her emotional issues and not even a ‘real supernatural thing’]. It’s interesting to look at how, at least thus far [I forget what else we learn about the snake curse incident later in this episode since I have it paused partway at the moment so I’m probably gonna feel real dumb in a few minutes lol], we’re dealing with a case of Nadeko being bitterly hated by one of her classmates for simply turning down a guy that the other girl liked, and now she’s off in the mountains killing small animals to try and lessen this horrible, constricting pain that makes her feel like she’s about to die, which is making her hate her body, and just want somebody to save her. I mean, I know I’m just literally describing what’s going on at this point, but it’s definitely easy to not quite consider the extent of what’s going on here if you get caught up in the snake curse concept. It’s a bit too easy to get the order of events wrong and assume that this magical curse is the sole cause of her problems and her negative feelings, and that it’ll be totally fine to just exorcise it. And it’s kinda sad how even Nadeko, understandably, sees it that way too. It’s pretty obvious that she doesn’t want to examine her feelings and their root causes and how they affect her life and how she thinks, and as a young, sheltered girl she might not even have any real idea HOW to do that sort of introspection. It’s pretty depressing, really.

-They even point out that ‘the curse’ was mostly caused by Nadeko’s whole ‘killing small animals’ thing, but Araragi of course thinks it’d be totally fine if Nadeko just did the animal-killing in a different place. In terms of the in-universe logic at hand, yes it might have prevented the supernatural curse placed upon her by it, but even with that in mind, we’re still dealing with someone who’s ritualistically killing animals to try and alleviate their psychological pain and the self-loathing tied in with that. The story even implicitly spells out the fact that Nadeko’s actions weren’t caused by the supernatural cause, but by her own emotional pain, when it talks about how the animal-killing caused her curse. So the blindingly obvious issue at hand here really has barely anything to do with the curse itself. The curse isn’t really the cause of anything, it’s the RESULT of everything else. It’s almost physically painful to see Araragi saying all this and obviously not even considering that there’s issues at hand that will persist even after this exorcism. But again, it’s the sort of thing where it’s just dramatically ironic that he isn’t noticing something that we can more easily see as outside readers. Still doesn’t make it any less painful to watch, though.

-I seriously cannot even state enough that the story is really openly talking about how Nadeko was *ritualistically killing small animals* before any sort of a life-threatening snake curse was involved. Again, it’s super hard not to think that the author was totally aware of all this, and was planning her arc out from the start. I mean, the big thing with each arc, especially in Bake, tends to be about Araragi being mistaken about the order of events involved in a case, and/or not letting himself notice something about the girl in question that should be obvious to anyone else. But in each arc he’s usually told about the things he’s about about, and he figures out the truth in the end. So it’s super obvious how in this arc that point just . . . never quite connects. Araragi gets his moment of pointing out that the curse came after the snake-killing, but nobody steps in to push him to consider what that actually MEANS. And honestly I know that I give him a lot of slack for not really trying to get deeper into her problems, but at the same time it feels like you should really look into getting someone actual, non-supernatural help when they start killing animals to cope with their emotions. JUST SAYING.

-And yeah here’s a big reason why I find Araragi’s role in this to be kinda tragically realistic and understandable. He DOES, in his own way, start to consider Nadeko’s own emotional pain and her unhealthy way of repressing her emotions, and he DOES tell her that she doesn’t need to do that, and that she can open up to him if she wants. I think he handles the situation much better than a lot of people might. So I can’t really blame him much. Really, the major issue is just that even after hearing all this, Nadeko still doesn’t really follow his advice. Which is realistic and understandable and tragic in it’s own way. She clearly appreciates his kindness and dependability, but it doesn’t change the fact that she probably barely even knows how to comprehend and vocalize her feelings, and it doesn’t change the fact that she presumably doesn’t want to do anything more to violate her cute-girl image. She probably doesn’t want Araragi hating her, or being grossed out by her, or anything. Which just reminds me how much it also hurt me when she literally started crying when Araragi admitted that he felt kinda dirty seeing her mostly naked body. Like damn. I didn’t really talk about it at the time, but it’s honestly kinda just sad to watch how even when she was at her most exposed and vulnerable, even when she was literally begging Araragi to save her from her pain and self-loathing and how much her body feels constricted and stifling, his and Kanbaru’s reaction was mostly just to talk about Nadeko’s bloomer shorts and whatnot. Again, not really casting any blame here, but . . . damn. I don’t really know if I would have reacted any differently if I was in her shoes.

-On a different topic, I love the shot of the winding path and the river looking like two intersecting black and white snakes when seem from above. It’s a really neat image.

-’I don’t really remember that much from my childhood. My memory’s not that great’. I’m just gonna sit here and keep laughing at this whenever it gets bought up in the story. This is seriously the root of like 50% of his problems in life. It’s hilarious.

-But on a more serious note, we get yet another moment where he makes a vague yet sincere attempt at learning more about her and understanding her situation more accurately, but she doesn’t really tell him the whole truth [since he doesn’t really remember her and it’d just make things awkward if she discussed it openly] and so he obviously doesn’t really have a chance to understand the true overall situation. He clearly just ends up seeing it as something he can forget about and not dig too deeply into because ‘it doesn’t concern him’, but HOO BOY is that so not the case. It’s seriously painful how accurate and relatable it is for Nadeko to be hiding the exact truth from him, though, even if it’s unhealthy. It’s obviously worth pointing out that, just like Araragi, she also isn’t exactly aware how bad things will get for her and how much her own lack of action and communication will mess with her. And so she just continues to be evasive and quiet, while letting herself be happy that Araragi is at least being nice to her, and talking to her, and trying to understand her.

-I can just imagine Nadeko as a little girl, being pretty much alone, and envying the idea of having an older brother. Aww :C Especially when, as we learn way later in Koi, she’s pretty emotionally distant with her parents as well, and they also just mostly see her as being their cute daughter [I’m getting WAY ahead of myself and will discuss this more when we get to Koi itself, but I still vividly remember the moment of Kaiki trying to ask Nadeko’s parents to actually describe her as a person and they just . . . can’t.]

-Along the lines of what I said about the scene at the end of part one, it’s seriously uncomfortable and awkward how Nadeko gets put in a school swimsuit for this whole scene. Seeing her severe self-esteem issues and whatnot be framed through a lens of sexualization is . . . kinda disturbing. Even the fact that, even though she’s clearly not entirely comfortable with the entire situation, she still wants Araragi to look at her is kinda sad.

-Why you gotta twist the knife in my heart with all these flashbacks, anime? :C My heart just hurts so much for Nadeko on so many levels. I can perfectly understand how she so quickly and obsessively developed these feelings of romantic love and a broader desire to be seen and understood and cared for. [[Also this is a really nice instrumental remix of Renai Circulation]]

-Part of me wonders what’s going on in Nadeko’s head while she’s sitting there, praying to have her pain taken away. Part of me thinks it might just make me feel even worse if I knew.

-Oh yeah, right, this ends with them just . . . throwing the snake away and being like ‘eeeeh it’s not our issue anymore’, doesn’t it? And then lo and behold, the snake goes back to it’s sender who then gets manipulated by Ougi into attacking Kaiki. WELP. Like seriously so much of this arc is just ‘well this surely won’t come back to bite us, right???’ it’s hilarious. In a sad way. Also, I forget, but wasn’t the person who attacked Kaiki a boy, implying that the sender of the curse was the guy who confessed to Nadeko and not her friend? I can’t remember, and I forget if it’s ever even discussed. I guess it doesn’t matter that much.

-And then literally thirty seconds after I resume watching the episode, Araragi literally spells out that the guy did indeed send at least one of the snakes. Welp. I sure feel awkward now, lol. I guess I was kinda right, though, even though I forgot that BOTH of the other people sent her curses.

-Yeah this entire scene is just so goddamn uncomfortable to watch. Urgh. Seeing her writhing in pain like that is just disturbing.

-It’s still kinda surprising to me how this series manages to be more graphically violent and bloody than a good amount of anime out there. You really wouldn’t expect it. I always feel so bad for Araragi in these moments where he just gets the ever-loving shit beaten out of him.

-Oh yeah I forgot that Araragi is totally aware that it’s a really bad idea to let the snake go but he has to do it or else it’ll kill him. Huh. I guess it’s yet another thing where Araragi isn’t necessarily stupid about everything going on and the consequences of certain things, but they still turn out in such a dramatically ironic and tragic way. Welp. Though I do also like how it furthers the recurring deal with how the answer is pretty much never for Araragi to just physically beat down or tear away an oddity and solve the problem that way.

-Also, mad props for my girl Kanbaru for stepping in to stop him from getting murdered. He seriously needs people like her around or else his hero complex would have gotten him killed a thousand times over.

-It really is pretty messed up that they’re forced to perpetuate this cycle of curses and pain in order to save themselves and Nadeko. But it’s perfectly fitting for the pretty damn tragic nature of this arc and how the consequences of it play out for all involved.

-So I guess we’re meant to think that the snake sent by the other girl got successfully exorcised, and it was just the snake from the guy that was still around?

-Oh boy, and here we get into Araragi’s own issues with self-loathing. It really is sad seeing him feel undeserving of Nadeko’s gratitude because of how he had basically tried to protect the dude that placed a curse on her, and had almost died in the process. And of course it gets into his issues with being not fully human and how that messes with his self-image/worth. But at the same time I also get why Nadeko is sincerely grateful to him for saving her.

-Of course, this also leads to a really awkward yet understandable scenario where the story just . . . ends here, with Araragi clearly too defeated and depressed to even think about whether or not this actually fixed Nadeko’s root problems. Again, he’s pretty much always entirely understandable and realistic with how he never quite figures out her issues in time or succeeds in getting her to completely open up to him. He doesn’t really have the time or energy to think that he might have stopped short of the truth, so to say. And Nadeko is obviously unwilling to talk about her deeper issues, and wants to just express her genuine gratitude to him for having ‘saved her’, even if it’s pretty much only a temporary measure, as we get oh so brutally shown down the track.

-So that’s it for this arc. Now onto Tsubasa Cat. No idea how long it’ll take me to get around to it at this rate. I’m probably going to split it into two posts, focusing on parts one and two, and then three, four, and five. I’m not about to try and attempt five entire episodes at once, with this sort of set-up.

OVERALL THOUGHTS:

Inaction and miscommunication are pretty horrible, toxic things, but they’re still fundamental parts of human nature that will probably never go away. People will always have things about themselves that they don’t want to share. They’ll always have a constricting pain that’s too much to put into words. A person’s body can become something that they hate, even if it’s only so they can have something to direct their inexpressible, vague frustration and agitation and pain at. Especially when communicating and connecting with others on a deep level can be so painful. When it can lead you to just hurting them and burdening them with your feelings. When it can lead to them not properly understanding you [even if it’s partially because you don’t let yourself be properly understood]. It can be so much easier to wrap yourself in comfortable, romanticized, unchanging silence, even though a life without words is the same as dying. I’ll get more into the topic of Nadeko’s self-image and the concept of ‘being a cute girl’ later on when it becomes a bit more relevant.

This arc is an interesting one, especially in hindsight. But even the first time around, it’s still surprisingly dark and disturbing and uncomfortable to watch in a way that you’d never quite expect from how incredibly fluffy and upbeat of an OP it has [at least on the surface]. I’ve been on the outskirts of the fandom for a few years now, and it’s pretty obvious that this is among people’s most commonly disliked arcs, along with ones like Neko:Kuro and Tsuki. Though I’ve also seen people have issues with some of the pacing/exposition elements of Oni and the second half of Owari S1. But back onto this arc, I totally get why a lot of people dislike this arc. Especially when viewed on it’s own. Considering that it’s mostly interesting to examine as the first section of the overall Nadeko story arc. And obviously it’s not exactly clear to the viewer that there even IS an actual wider story arc for her until we get to about a third of the way into SS. It also doesn’t help that the TV version of this arc was apparently godawful, but I can’t really talk about that since I’ve only ever watched the BD version.

Personally I find this arc to be a fascinating start for Nadeko’s character, even if I probably didn’t like it much the first time around. But in a sense, I like it in hindsight for the same reasons I disliked it at first. Like how it seems to subtly but noticeably go against the structure of the show by having Nadeko’s issues not get truly solved. Especially if we look at it in terms of Nadeko’s perspective of events and where she’s at by the time things end. I imagine I probably also felt that the whole idea of Nadeko killing snakes felt sorta pointless, and that nobody in the story really cared about it. But that’s what makes it so tragic, I guess. It’s another way in which it goes against the grain of how the past arcs worked in a way that feels really subtly dissonant. Even when the characters acknowledge that Nadeko was doing these fucked up, violent things BEFORE she even had a curse placed on her, they don’t really stop to think ‘what exactly would lead to someone doing that?’ or ‘will those sorts of feelings and thoughts truly go away if we just get rid of this curse?’. You can’t really blame Araragi or Kanbaru for not properly understanding, for not realizing how much is going on in Nadeko’s head, and how much is festering in there and waiting to burst out in the most unhealthy way possible. She only lets people see a certain, relatively superficial side of her. And so this arc ends with the true issue not even being solved, and with only a temporary bandage put over it. And even then, the curse plaguing Nadeko just ends up stuck on it’s sender, so even that’s barely solved or gotten rid of. And obviously we end specifically on the note of Araragi being depressed and unable to accept any praise for what genuine good he did, and Nadeko being genuinely grateful for what he did, while not even fully understanding for herself what’s in store.

So basically this arc doesn’t resolve anything, it simply introduces Nadeko and her problems, and sets the stage for how these issues become so much more serious and lethal later on. And in that sense it’s pretty fascinating, even if it’s divisive.

Nadeko is one of my favourite characters in the show and I’m really happy to have a chance to talk about her. Even if I worry that I might end up repeating myself a lot when the story gets back to her, since I covered so much here already.

[patheticphallacy]

I want to disclose before I even start this post that the day I started writing this, BookTube came out with a whole load of videos inspired by Jin’s birthday that follows the exact same concept. I promise I’m not trying to plagiarise any of their ideas behind the videos, I’ve been planning this series of posts for months! This is a link to a whole playlist of those videos that meltotheany created, I highly recommend watching. 

If you haven’t been around the past year, I have fallen very deep into the BTS rabbit hole. I was always aware of BTS, because I’ve listened to K-Pop for a few years alongside my other music interests, but it was only once I got into BTS in April this year that I fully dedicated invested myself to actually listening to their music as a whole.

With music obsessions comes associating random things with the people in the group, and, as a result, I came up with a whole load of books that remind me of the members of BTS, as well as individual songs/albums/concepts/etc., so I’m… starting another blog series!

Starting off: BOOKS TO READ BASED ON YOUR BIAS. I love all of them, but I always think of my favourite as the one who, if they are in teams, I always hope they will be the one to win the challenge. I’ve done this for pretty much everything I enjoy.

For me, the person I always want to win is Jin, so I’m going to go eldest to youngest, recommending books that remind me of them.

KIM SEOKJIN

Sadie by Courtney Summers: While Jin is very down to Earth and willing to dick around with the younger members of the group, he is very protective and has his serious moments. Sadie is a dual narrative following teenager Sadie as she hunts for the man that she believes murdered her younger sister. It’s a very difficult read– content warnings for pedophilia, sexual abuse, and violence– but I feel like it hits hard when you’re the eldest sibling, which Jin technically is. 

The Adventure Zone: Here There Be Gerblins by the McElroy’s and Carey Pietsch: Okay, so this is a very different approach to Jin, but Taako… really reminds me of him? I can’t shake the vibes. My original notes for this post literally just say ‘look: jin and taako have the same energy’, I am adamant. 

The Immortalists by Chloe Benjamin: Another sad pick unfortunately! The Immortalists follows four siblings who all learn the dates they’re going to die, and the book follows them in order. It’s kind of a tragic read, but the exploration of mortality and fate is great. The familial relationships are complicated and layered, with people drifting apart, and as an older sister, it’s quite terrifying to look into the future and realise I’ve got my whole life ahead of me with these people I’ve grown up with. And that, again, reminds me of Jin.

Scott Pilgrim VS The World Series by Bryan Lee O’Malley: Finish off on a happy one! Jin likes video games, and Scott Pilgrim reads a lot like a video game, if that’s possible. It’s about a guy in his twenties who is kind of a loser and has to beat his new girlfriend’s evil exes. Quite a popular read, and the movie is solid, but the graphic novels are just better. They have more Wallace Wells, and Wallace is a character I could see Jin appreciating.

MIN YOONGI

Alice Isn’t Dead by Joseph Fink: If it’s possible for a book about a woman searching for her dead wife and accidentally uncovering a world of horror to be quiet, Alice Isn’t Dead accomplishes that. Keisha Taylor, our main character, openly struggles with her anxiety throughout, and Yoongi is very open about mental health and struggling to carry on. The book is about finding your strength and refusing to accept apologies until you’re ready to accept them, and I think Yoongi would like the messages this book sends.

I Want to Eat Your Pancreas by Yoru Sumino: Another one I struggle to explain. A teenage boy finds the diary of his classmate, who is suffering from a pancreatic disease and isn’t certain she’ll live through it. A boundary-crossing friendship blooms between the two, and there are so many unexpected moments. It’s a real tearjerker, I’ll tell you that. Something about how real the narrative is makes me think of Yoongi.

Radio Silence/I Was Born For This by Alice Oseman: Yoongi is, again, very open about struggling with his mental health, and mental health is quite a big theme in both of these books. Radio Silence is focused on the pursuit of what makes you happy in a world telling you to focus on academics instead of being creative, a very Yoongi theme; and I Was Born For This has a POV of a frontman of a boy band who struggles with anxiety and is disillusioned with fame.

The Poet X by Elizabeth Acevedo: Just now realising all of my choices for Yoongi are super serious, which is going to be the direct opposite of the next member. The Poet X is written in verse– a great introduction to the form– and follows a young girl who struggles and attempts to understand her mother’s religion through the poetry she writes. Xiomara’s passion for the form is so beautiful and she flourishes in writing, truly feeling herself when she’s performing, and I think that’s something I see in Yoongi, too.

JUNG HOSEOK

The Monster of Elendhaven by Jennifer Giesbrecht: This is a very strange choice, but let me explain. Personality wise, Hoseok is a Gemini: very happy and hopeful, but his mood switches can be scary as heck. The Monster of Elendhaven made me laugh out loud, but it’s really dark– the narrator is a serial killer in a miserable fantasy world, and the main relationship is toxic but entirely consensual. It’s bizarre, and the contradictions remind me of Hoseok. Also, if you search up Hoseok’s Cypher 4 Live outfit where he looks like a Victorian aristocrat about to do nefarious science, he’s exactly how I picture Herr Leikenbloom.

Lumberjanes written by various: Lumberjanes is a series I’ve read for literal years, and it’s the right balance of lighthearted and heartfelt that it reminds me of Hoseok. Ripley, one of the main girls, is so energetic and passionate that I can’t help but think of Hoseok! Lumberjanes is set at a camp where our characters go on fantastical adventures and have to save the day, even if nobody else knows the day is being saved.

Winnie the Pooh by A.A. Milne: Don’t @ me, Winnie the Pooh is everything to me and I won’t be shamed for my passion. So many of the stories turn into ones of hope and friendship, literally the core of Pooh’s character, and Hoseok is like that for me. Him and Jimin, honestly, but Jimin isn’t until later! No getting ahead of myself!

Bravest Warriors by various: You can tell I love my comedies, can’t you? Bravest Warriors constantly edges on ridiculous, reminiscent of Adventure Time, and I love it for how scatter brained and funny it is. It’s just fun, plain and simple, and I think that’s good for us sometimes. Remembering to enjoy yourself, even when the going gets tough, which Hoseok shows.

KIM NAMJOON

In Other Lands by Sarah Rees Brennan: Namjoon, as the leader, has to be very in control and can sometimes seem like he’s drawing himself out of the fun in interviews to focus, but is very driven to change things for the better. In Other Lands focuses on Elliott, a boy who finds himself at a magical school and, against the expectations of magical society, begins to change it from the inside out using pacifism, quick wit and a reluctance to do anything energetic, but finds himself ostracised for it. I think Elliott staying true to his own nature and finding happiness even when it’s difficult is admirable, and also very much a Namjoon thing to do.

Aquicorn Cove by Katie O’Neill: After losing her mother, Lana moves to an island and begins to uncover a hidden magical world that’s at risk because of over-fishing. It’s a soft take on a wider issue, but Katie O’Neill is very good at handling themes like this and making them explicit without losing direction. I think Namjoon would really enjoy O’Neill’s work, but this especially is a very current issue.

No One Is Too Small to Make a Difference by Greta Thunberg: Speak yourself! Express your passions! Greta Thunberg is the embodiment of ‘speaking yourself’ and changing the world for the better, no matter who tries to knock you down.

Taproot by Keezy Young: I don’t know what it is about this that reminds me of Namjoon. In Taproot, Blue is a ghost, and haunting Hamal, his best friend whom he is in love with. There’s a focus on natural colours because Hamal works as a gardener, but it can be quite dark at times, looking at loss and fear of moving on. It just yells ‘Namjoon’ to me. I’ve definitely focused on more environment-focused writing for him.

PARK JIMIN

Truly Devious by Maureen Johnson: I like to describe Jimin as being sweet, but the most likely to commit a crime and get away with it, especially amongst the other members of BTS. So many of Stevie’s actions in this book as she investigates an unsolved crime remind me of Jimin, just because only he could get away with it. He’s been voted as one of the top idols like, 50 times, he’s very intimidating. If I caught him sneaking through my belongings, I’d be too scared to say anything.

Check, Please! by Ngozi Ukazu: Yes, Jimin is intimidating, but I also said he’s sweet, and Eric Bittle is the exact same. Bitty becomes a hockey player after years of competing as a professional figure skater, and finds himself making a home amongst men a lot bigger and a lot physically tougher than him. He overcomes a lot of hardships and works hard, and that’s something you see in Jimin’s dancing and own behaviours in being a part of BTS.

Neverworld Wake by Marisha Pessl: God, this is the exact same reasoning as Truly Devious, I’m sorry. I just really do think Jimin could be sneaky and get away with what these characters do! Neverworld Wake follows a young woman who reunites with her highschool friends and finds herself in a Groundhog Day scenario, repeating the same day over and over again as they attempt to uncover who murdered her boyfriend the year before. It’s very dark and atmospheric, I adore it.

Lovely Complex by Aya Nakahara: I’ll be honest, I’m mostly saying this series because Jimin is short. Lovely Complex follows Risa, an incredibly tall girl, and Atsushi, a boy well below expected height, who become reluctant friends in their pursuit to find romance. It’s very light and cute, probably one of the easiest manga series I’ve ever read.

KIM TAEHYUNG

Animals by Emma Jane Unsworth: This is almost a joint pick with Jimin. Animals follows a young woman in her twenties who parties more than she probably should with her American roommate. Her life slowly begins to unravel as she notices more faults in her relationships, and begins to question if this is what she actually wants from life. There’s something about people in their mid-to-late-twenties partying and making terrible decisions as they have a crisis that reminds me of Taehyung, just because him and the rest of the group have been so open with how much he’s changed and attempted to make himself into a more in-control person.

Snotgirl by Bryan Lee O’Malley: Look. Taehyung is very bougie, and Snotgirl follows socialite and fashion blogger Lottie as she tries to combat her chronic allergies and not get sent to prison for murder. It’s a very exciting series, the characters are self-centred and awful, and I think Taehyung would love it. They are all rich and dress impeccably.

If We Were Villains by M.L. Rio: Taehyung is an actor, we all know this, and If We Were Villains follows several actors at a prestigious (and fictional) conservatory specialising in Shakespearean acting who end up embroiled in a murder plot. It’s dark academia a la The Secret History, but its focus on Shakespeare means it’s much suited to Taehyung. Dark, dangerous and dramatic.

I’ll Give You the Sun by Jandy Nelson: I couldn’t not have a book on art in here when I’m talking about Taehyung, and it was only going through shelves upon shelves that made me realise I have read so few books on art. I’ll Give You the Sun is a dual narrative novel, following artist twins Jude (in the present) and Noah (3 years in the past) as they tackle romance, art and loss. There are so many twists and turns, and the writing is beautiful.

JEON JUNGKOOK

A Head Full of Ghosts by Paul Tremblay: Ah, the book that started it all. This is the one I’m most confident in. We follow eight year old Merry, who finds herself and her family exploited in a reality TV show based on the assumed demonic possession of her older sister, Marjorie. It’s a very difficult read. Even though it’s not clear cut, Merry clearly loves her older sister and wants her to be okay, and that’s something that reminds me of Jungkook. He’s said more than once that watching the older members of the band struggle has impacted him most throughout their career, and that’s really embedded in the narrative of this novel.

The Avant-Guards by Carly Usdin: I had to pick at least one athletic narrative for Jungkook, okay. In this series we follow former sports star Charlie, who ends up being recruited by the basketball team at her new College, and begins to carve a place for herself where she belongs. It’s an easy story and all of the characters are likeable, balancing out the competitive nature of the characters. Jungkook is someone who works out a lot but also comes across as very happy, and that’s what these characters are like!

The Magnus Chase Trilogy by Rick Riordan: One of the things I love about Jungkook is how much he cares about the other members of BTS, and Magnus Chase is exactly the same. He almost becomes a background character in the later books in order to help his friends succeed, and it’s that trait that saves their lives in the end. This is actually my favourite Rick Riordan series, so do with that what you will!

Heavy Vinyl by Carly Usdin: I literally only just realised I’ve recommended two Carly Usdin comic series’s for Jungkook, so that must mean she just writes very Jungkook-esque comics. Heavy Vinyl is set in the late 90’s and follows Chris, who has just got a job working at her favourite record store. Only there’s a bit more to the store than first meets the eye, and she’s about to be embroiled in something far larger than she ever expected. I think the active qualities of Carly Usdin’s characters remind me of Jungkook, very willing to involve themselves and do what’s right.

And those are all my recommendations!

I would love to know if you agree with any of my choices, and if you have any you’d suggest. It was so fun working on this post and I cannot wait to work on future posts in the series.

If you liked this post, consider buying me a coffee? Ko-Fi. 

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BTS and Books #1: Books to Read Based on Your Bias I want to disclose before I even start this post that the day I started writing this, BookTube came out with a whole load of videos inspired by Jin's birthday that follows the exact same concept.