#lockdown in markets

[shesnake]

the problem with mainstream fictional media today is it is predominantly made for people who don't like fictional media all that much

[wyrmmaster]

I haven't checked up on Girls Frontline in a while, so let's- Ah! Slow Shock was recent, neat! Let's see how badly everyone's fucked-

Oh! That's fucking horrifying, Pinocchio!

[thevalleyisjolly]

It's impossible to describe the experience of watching Total Forgiveness to people, like how do I explain that this is one of the most compelling shows I've ever watched and it's even one of my comfort rewatch shows but also I cannot rewatch a good third of the series because it makes me so viscerally uncomfortable and this would absolutely never be greenlit by the Dropout of today but it's also essential viewing for understanding not only the development of the company but the public personas of many of the key people involved in Dropout. It's funny and then it's painfully dark and then at the last minute it's hopeful and heartwarming again but damn if it isn't raw all the way through. From the crushing pressure of living under late-stage capitalism to the severe toll on personal relationships that the very premise of the show enables. Also there's a jaunty little soundtrack. 11/10 will rewatch again and again. Except the MLM challenge. I am psychologically unable to watch that again for any sum of money on this planet.

[culmaer-sideblog]

please forgive me, but I need to complain and over-share or my brain is going to explode please feel free to ignore

[hasdrubal-gisco]

this is all transparently the fault of the fact that Western Civilization has radically reoriented itself to cater to the sick, infirm, and incontinent elements within it, which necessarily means stifling anything with dynamism and will. state's fiscal policy during covid was transparent wealth transfer from the young, who were left with scarcer job opportunities and worse education (very lucky to have finished uni before this), to the old. billions of euros sucked out of the veins and arteries of the 23-35 crowd to oldmaxx society so we have even more polymorbid 85 year olds

[j-esbian]

i’ve gotta admit that, 4 years in, im still real fucking tired of people who act like Everyone In the World Had To Stay Home 24/7 when the covid pandemic started, bc as best as i can tell, that was mostly like. white collar workers and students

[grunge-mermaid]

re: last poll reblog

I just went through the community centre events calendar from September to December to see if there's anything I missed

for all the events at the location in my town: I'm under 65, I don't have diabetes, and I'm not a recovering addict

for the all but one of the events in the next town: I'm under 65, over 30, don't have diabetes, I know how to crochet granny squares, I'm not a mother, and I don't have specific chronic illnesses

the one event in the next town that I'm eligible for? "colouring for adults 16+". colouring...

[sortanonymous]

Well this rots

[anthonybialy]

Memories Not Erased

It’s not to be unforgiving, which is something to announce right before doing so.  These particular subjects of vengeance cherish the irony deep down.  Reminding the inherently vindictive of all the terrifically kind things they professed should even out things.  A factual review can’t hurt anyone’s sensibilities.  Progressive goons who ruined everything for everyone else should be proud of what they inflicted.

Quietly erasing history is befitting of goons who sought to smash biology labs.  Pronoun silliness has finally peaked so we can catch up to existing in this advanced year.  There’s a rather easy way to scientifically verify what gender one definitely is, which should please fans of announcing their commitment to the process of understanding.

Being assigned a gender by indifferent fate in this uncaring universe is super mean.  Life is cruel in that you don’t get to select equipment upon reaching voting age.  But we learn to cope with such stifling limitations as being in certain bodies.

Calling the country racist was a popular hobby until guilt wore off.  This place might not be the bigoted Fourth Reich hurtful cesspool portrayed.  People keep emigrating and not illegally immigrating, right?

Stand still for progress.  This particular party has always dedicated to idling people.  Either by scheme or an inability to anticipate consequences, Democratic doctrine always demotivates people from creating more.

The mandatory seclusion merely made it official.  It’s not worth the effort to work in these very productive times.  If you sense being restrained by government bribing you to not work, you should value when you didn’t even get the option.  Ungrateful subjects never even thank Washington for granting rights.

You can tell who believes in science by how they adulate the shoddiest cult leaders.  One would think practitioners of rationality would eschew religious behavior entirely and definitely.  Instead, congregants genuflect to messianic dolts who disprove their faith by implementing it.  Smugness should be a sin.

Professing such a belief negates it.  Now, that’s scientific.  The process disproves the mouthiest worshipers are praying in the proper direction.  The only thing worse than trusting people over a process is when it’s these people.  Treating an arrogantly doltish bureaucrat like Anthony Fauci as their savior and autocratic serial killer Andrew Cuomo as their prophet sums up the faith neatly.  Inadvertent exposure as buffoons works in a way their system doesn’t.

Contempt for daily living is what really made it bearable.  The lockdown hasn’t ended.  We endure a slightly diluted version that only seems bearable compared to mandated pod living a few years ago.  Like Idiocracy, the joke is it’s happening right now.  Heck: it’s now set in the past.

Retracting scoffing doesn’t work for those equipped with feelings and memories.  Pretending your betters didn’t mock anyone who believed in trifling niceties like rights is just the latest way they lamely attempt to revise history.  Casually keeping you from doing as you wish is still a habit despite promising to return authority back after the crisis was over.  Self-appointed royals went on with their lives despite what they inflicted upon ours.

We’ve returned to Democrats ruining commerce at a relatively calm pace.  Setting a quick rate for autocracy so usual harassment doesn’t seem so bad is their most effective plan.  Economic strangulation is almost as thorough a rate of devastation as shutdowns that couldn’t have been engineered more precisely to destroy small businesses.  The strongest evidence against a conspiracy is that such a successfully devious plot would mean government knew what it was doing.

Violators will try to make their heedless indulgence of shady fads disappear.  If your solution is to alter history, you may have spurred bad days.  Endless revisionism is a goal to redefine truth by the same very aware types who keep hitting the alarm about their foes warping facts.  Claiming Ron DeSantis wants to call slavery awesome as they hide their trail of inept statism is a nice touch.

Wholesale authority is no bargain.  It’s totally in our best interest to have a disinterested government work on our behalf without profit.  Now, obey politicians who got rich off bossing you around.  Use dominion to modify perception.  Can’t you sense the economy bursting?  Orwell was an optimist.  

There’s surely no effort to distract by blaming everyone else.  Liberals claim everyone who disagrees with them craves controlling the narrative.  They can’t change the definition of projection.  Thinking everyone else is an autocrat resembles how they think every conglomerate proprietor is a greedy ripoff artist who can’t wait to exploit employed proles in what’s totally not a description of their legacy.

People aren’t buying silly alterations.  Consumers fed up with woke lunacy are shopping elsewhere.  Retailers peddling it are on the defensive.  And grateful Americans don’t stand for anthem-kneeling.  Claiming facts are counter to understanding is as warped as living in a country that’s allegedly oppressive despite unlocked exits.

Sober citizens still feel hung over from the least intoxicating experience.  Oversight peaked around 2020 in what should have made everyone safe while wallowing in limitless assistance.  The apex of micromanaging human activity while imposing social justice should have made everyone grateful.  But it was tough to see the sunrise from the nadir.  We don’t treasure vaults crammed with free money, either.

Struggle session fans should appreciate the taste for vindictiveness.  Inherently pushy beliefs were always silly and got even more so the deeper implementation went.  The great thing about objective standards is how they don’t change during bouts of pious lunacy.  Facts win out, which is another aspect this White House wishes to change.

[batshit-auspol]

So a bit of background first for our international followers: Clive Palmer is one of Australia's many mining billionaires who like to meddle in our country's politics, and as such he is utterly despised by all of Australia.

Picture for context:

He is most commonly known online by the title "Fatty McFuckhead", (problematic as it may be) because he tried to sue a youtuber for $500,000 for calling him that - and he lost. So the name stuck.

Up until his most recent foray into parliament, the legally certified Fuckhead was best known for his batshit business ventures, such as attempting to build "The Titanic 2" (failed) and trying to build a dinosaur theme park (also failed, but at least nobody got eaten by a T-Rex in this one).

For a very long time Clive played the role of sugar daddy to Australia's largest conservative party, the ironically named Liberal Party, until they had a falling out in 2012 after Clive claimed there was too much money influencing politics (lol), at which point he started his own party, days after saying he totally quit and wasn't fired and he only left because he didn't want to be a distraction.

His initial run at parliament was actually kinda successful, with Palmer's group winning 4 seats, plus a member from the "Motoring Enthusiasts Party" joined them too after accidentally getting elected and not knowing what the fuck to do.

Despite this initial success however, Palmer's party (which ran on basically no platform other than "I'm rich") hit an iceberg (titanic 2 achieved) and seven elected state and federal politicians quit within the first year.

By the time the next federal election rolled around, only one Palmer party candidate was still running for re-election. The most successful of this group - Jaquie Lambie - quit to sit as an independant and is still in parliament today.

Here she is with a painting of herself strangling Clive (she sells signed copies of this)

And here the senator is posting about liking sausage:

Anyway, we're getting to the point: which is the yellow posters. By the 2016 election, just two years after forming, the party was in complete freefall. It won just 0.01% of the vote at their second election, and it was announced shortly after that Clive was quitting politics and the party was being shut down. Australia breathed a sigh of relief.

It was, of course, short lived.

Clive, in desperate need of attention, restarted the party for the 2019 election, fielding candidates in every seat and spending $60 million in advertising in an attempt to win votes.

Every single candidate lost.

It was in this campaign however that Australia really started to fall out of love with Palmer, because most of that $60 million went towards putting up the world's least compelling marketing billboards on almost every single free space in the country.

For a good six months this was basically the only thing you would see in Australia if you went outside:

Clearly Graphic design is his passion. And yes, the genius did just straight up try and copy Trump's homework while changing a few words, hoping nobody would notice.

Very quickly these all got vandalised and it seemed the ad companies didn't care enough to replace them.

We could go on posting examples, there are thousands, but the best is definitely the one Ikea put up shortly after Clive lost the election:

In 2022, Clive's party contested the election AGAIN, this time also opting to send millions on spam text messages to every person in Australia begging for people to vote for him, as well as buying almost every youtube ad for a year, at the cost of $100 million.

He won a whopping one seat.

During this election Clive ran on an anti-lockdown, anti-vax platform with the slogan "freedom, freedom, freedom". That message, however, was slightly undermined when his goons, dressed in 'Freedom!' shirts, made national news for trying to beat up a protester who turned up at a rally dressed as an annoying text message, shouting "pay your workers" at Clive.

As if that wasn't bad enough, at another rally Clive knocked himself unconscious while trying to jump up on stage, and then a few weeks later was rushed to hospital with covid, while his anti-vax ads were still in regular rotation on TV, at which point it was also leaked to the press that Palmer had been alledgedly trying to buy Hitler's car.

Utterly humiliated, the party deregistered again shortly after the election.

Can't wait until he runs again in 2025.

Anyway, on the other "Clive tweeting Miss Kobayashi's Dragon" thing, we have no idea what that means but here's a screencap:

[clanwarrior-tumbly]

Can you please do a part two of the Sebastian fluff where he lets his thoughts get the best of him and gets anxious that reader now sees him as a monster because of what they read on his document so he prepares extra good items and plans to give them heavy discounts and even some free but reader barges in like

"MANTIS SHRIMP??? PUNCH SOMETHING RIGHT NOW"

And after a bit of reassuring(possibly some punching too bc reader is too starry-eyed for him to say no to em) Seb realizes he trully never had anything to worry about and just, generally grows fonder of reader?

Ps. Adore your writing, keep up the awesome work!!

"God, why did I let them take it? Stupid, stupid, stupid.."

Sebastian couldn't stop beating himself up, even though he knew he shouldn't care about the opinion of any human sent by Urbanshade--especially one of the "expendable" class.

Yet because it was you, specifically--who was currently in possession of his document--he began to wonder what you'd think of him once you found out the truth:

That he was nothing but a horrible monster. Plain and simple.

If not the knowledge that he was a hideous chimera of several sea creatures' DNA...then surely the revelation that he caused the lockdown of the Blacksite would ultimately make you resent him.

He released all those creatures, who stopped at nothing to prevent you from reaching the crystal and had you running, fighting, or hiding for your life.

He was responsible for all the injuries you've sustained while crawling into his shop, desperately needing a medkit and a place to rest.

He would understand if you'd never want to visit him again after what they documented about him..but the image of your furious expression and overthinking the words you'd possibly say to him left him feeling incredibly anxious.

Suddenly, Sebastian found himself gathering more supplies. Medkits, code breakers, and every light source he had currently in the shop, trying to market down whatever he could. He was even willing to let you take batteries for free...which was something he'd never normally do.

Would it be enough to make up for everything horrific you discovered about him and the terrors he indirectly put you through? Absolutely not.

Was he willing to try it anyways just for the small chance that you'd keep visiting him? Maybe.

No other human has shown him a single ounce of kindness or gratitude for his services. Nobody except you, of course, and he refused to lose that.

-thump, thump-

"Shit.." He froze, hearing movement in the vent duct, hands trembling for his light to shine brighter. Part of him wishes he could stay in the dark, as he didn't wanna see your face and whatever hurt expression it could possibly hold.

But he knew it'd be rude if you actually needed to buy something, so he forced himself to look as your familiar figure crawled out of the small opening. You seemed out of breath, like you were just running from something, and stood up to dust the dirt off your pants.

"Sebastian..I need to know something, and you need to be 100% honest with me."

The moment you pulled out his document, the shopkeeper could feel his heart sink.

"Wh..What did you want to know?" He asked, already bracing himself for the worst.

You sounded dead serious, and he was convinced you were finally going to let him have it.

You were going to force him to explain himself and his actions, and tell him what a monster he truly was. Literally and metaphoric-

"Its it true that you have mantis shrimp DNA????"

Silence.

Of all the possible outbursts he expected from you, that certainly didn't cross his mind.

Sebastian just stared down at you, utterly dumbfounded. He blinked several times, unsure if he was truly seeing the wide smile and starry-eyed look on your face.

He had been waiting for a deep scowl, eyes full of anger and betrayal and sadness that he wasn't the "friend" he claimed himself to be when you first visited his shop.

Yet now? He saw nothing but pure delight in your expression.

"Um..yes. But of alllll the things you read about me, that shocked you the most?" He was still treading carefully.

"Well, it sucks that you were an innocent guy who got thrown into a shitty situation." You gestured to him, frowning a little. "And I'm sorry you never saw justice, but...it's just SO cool that you're part mantis shrimp!" A grin returned to your face. "They've fascinated me for years! I used to watch videos of them all the time. Did you know the velocity of just one of their punches is equal to a .22 caliber bullet-?"

"Stop." He put a hand up, huffing. "At least some part of you must resent me. I mean...helloooooo, did you skip over the bit where I'M the reason those monsters are after you?! There's no way you could've ignored that..unless your brain turned off the moment you read "mantis shrimp"."

"I read everything, Sebastian." You huffed back. "Look, if I ever had to go through what you did..I think I'd wanna rebel, too. And as much as those monsters scare me, they've probably endured the same experiments as you. They probably felt just as trapped and afraid. You must see at least a few of them as your friends, right?"

"Eyefestation and the PAInter are the only ones I consider "acquaintances"." He answered after a long pause, shoulders slumped. "The anglers are primitive, but they recognize me as the one who freed them, so they don't bother me or my shop. The only creature that tends to be an issue is-"

-thump-

-thump-

Tensing, you looked over your shoulder to see a Wall Dweller emerge from the vent behind you, its mouth split open and drooling with hunger, standing on two legs.

"-that." Sebastian glared at the creature; and before it could run away, he blocked the entrance with his tail fin. "Oh no you don't." He swooped over to grab ahold of its head with his third hand, causing it to shriek and kick its legs as he held it up high. "You seriously need to stop eating my customers when they're trying to BUY SOMETHING!!"

The Dweller just growled at him, to which he ignored it and glanced down at you. "What should I do with this thing?"

"Punch it!" You grinned, your fists balled up in front of you as you hopped up and down. "I wanna see how fast you could throw one!"

He raised an eyebrow. "Really?"

"Pleeeeaaase?"

"..ugh, if it gets that stupid puppy-eyed look off your face, fine." He looked back at the Dweller, grinning widely as he cracked his knuckles. "You wanna eat something so bad? Try this."

"....grahh-?"

In a blinding flash, his fist went through the creature's skull, effectively turning its head into dust. Then he dropped the whole body onto the ground with a grimance. "Eugh..never done that before.."

Then he looked down at you again, seeing your smile brighten. "Hope that made you happy."

"It did, that was amazing!" You laughed, kneeling down to rip off a chunk of the Dweller's flesh. He eyed you strangely, his expression changing to a look of horror as you shoved a piece in your mouth.

"What the f...why would you eat that?!"

"It's okay! I've had this stuff before." You swallowed, feeling rejuvenated already.

"B....Before?! What you're eating is clay and acid-"

"Actually, it's fresh meat. Reminds me of poultry, almost. I found a document somewhere saying that it has regenerative properties." You explained to Sebastian, whose eyes only widened the more you talked. "I didn't believe it at first until I saw the Angler kill one. I was hungry and...eating it healed my electrical burn somehow."

".......why was that not in its actual document?" He muttered.

You shrugged, ripping out another piece and offering it to him. "Care for a bite?"

"I'll..pass. But thanks." Lowering his body closer to you, he frowned. "Are you absolutely sure that-?"

"I'm sure."

"..you didn't even know what I was going to-"

"You were worried about my reaction to your file. I could tell from the discount signs and how you were scared to even look at me."

"............."

"But I promise it doesn't change anything, okay? We're still friends, Sebastian, and I'll still swing by to do business with you." You reassured him, smiling as you patted the back of his hand, before noticing the bandage on his third arm seemed bloody. "Um..when's the last time you changed that?"

"...oh this? Erm..it's fine." He attempted to hide it behind his back. "Nothing you should be concerned abou-"

"Too late. It's my concern now. Let me repay you for saving my tail."

He had no time to protest, as you were already on your feet and running for the medkit that was on the table. You weren't worried about getting to the next zone right now.

Not that Sebastian planned on kicking you out anytime soon.

No.

Now that he was able to confide in you, he was genuinely beginning to enjoy your company--especially as you asked him to rest his arm across your lap. From there, your gentle hands went to work changing the bandage out for a fresh one, using an alcohol spray to keep the wounds from getting infected.

He hissed and cursed a few times at the stinging pain, but not once did he try to get you to stop.

Suddenly, it all began to hit him in this exact moment.

You were willingly playing nurse to a giant sea monster that has killed a man and was responsible for the terrifying things you had to witness down here.

He couldn't understand..but at the same time he felt relieved that all along he had nothing to worry about.

"Th-That's fine..thank you.."

Hearing a sniffle, you glanced up as Sebastian hastily took his arm away, "standing" back up and turning away from you. You just smiled and patted his tail comfortingly, not saying a word as you waited for him to collect himself.

For once, that snarky and sarcastic fish you've come to know was gone, and he was letting his walls down, finally realizing he could trust you.

Eventually he fell silent, and you wondered what to do now. You bought everything you wanted to earlier, so you didn't wanna overstay your welcome-

"Do you mind staying for a little bit longer?"

The question surprised you, but you smiled and nodded. "Sure. As long as you don't mind, shrimpy."

There was a pause, and he slowly looked back at you, pouting. "Big talk coming from someone as tiny as you, friend." He playfully sneered.

You just laughed and shook your head, glad to see him in better spirits.

Thanks to that scrambler on his back, you didn't have to worry about HQ getting on your ass about continuing the mission or threatening detonation.

You could definitely stay awhile and ramble about more mantis shrimp facts to Sebastian...if he was willing to hear them, of course.

[chinamarketingblog]

520 – Dritter Valentinstag in China

Heute feiern wir in China „520“. Das Datum 20. Mai (五二零, wu er ling) klingt im Chinesischen wie „Ich liebe dich“ (我爱你, wo ai ni). Einige Marken bezeichnen den heutigen Tag neuerdings auch als Valentinstag. Das wäre bereits der dritte in einem Jahr, den chinesische Verbraucher feiern: den westlichen Valentinstag am 14. Februar, 520 in der Jahresmitte, und das Qixi-Festival, auch bekannt als…

[badger-writes]

one thing that’s becoming more and more apparent is how much of the plan for the Mandoverse got wrecked because Gina Carano just would not stop fucking tweeting. Just imagining trying to piece that perfect stained glass tapestry of storytelling spin-offs back together into something workable because their next big star drove a semi truck slathered in Trump shit straight through it makes my head hurt

[aronasouris]

Digital Market Research Activities Surge During Lockdown

A strong reliance on digital market research methodologies and online-mobile panels enabled Borderless Access to carry out our insights gathering functions exceptionally well even during the lockdown. The comparative heat maps show a significant increase in panel activity during lockdown across desktop and mobile platforms. Note: Each of the heatmaps is based on 3 million+ clicks for each instance of 45 days before & during the lockdown period. 

 Contact us for your insight gathering needs - https://bit.ly/2ThCpgz

[mostlysignssomeportents]

Kickstarting the audiobook of The Lost Cause, my novel of environmental hope

Tonight (October 2), I'm in Boise to host an event with VE Schwab. On October 7–8, I'm in Milan to keynote Wired Nextfest.

The Lost Cause is my next novel. It's about the climate emergency. It's hopeful. Library Journal called it "a message hope in a near-future that looks increasingly bleak." As with every other one of my books Amazon refuses to sell the audiobook, so I made my own, and I'm pre-selling it on Kickstarter:

https://www.kickstarter.com/projects/doctorow/the-lost-cause-a-novel-of-climate-and-hope

That's a lot to unpack, I know. So many questions! Including this one: "How is it that I have another book out in 2023?" Because this is my third book this year. Short answer: I write when I'm anxious, so I came out of lockdown with nine books. Nine!

Hope and writing are closely related activities. Hope (the belief that you can make things better) is nothing so cheap and fatalistic as optimism (the belief that things will improve no matter what you do). The Lost Cause is full of people who are full of hope.

The action begins a full generation after the Hail Mary passage of the Green New Deal, and the people who grew up fighting the climate emergency (rather than sitting hopelessly by while the powers that be insisted that nothing could or should be done) have a name for themselves: they call themselves "the first generation in a century that doesn't fear the future."

I fear the future. Unchecked corporate power has us barreling over a cliff's edge and all the one-percent has to say is, "Well, it's too late to swerve now, what if the bus rolls and someone breaks a leg? Don't worry, we'll just keep speeding up and leap the gorge":

https://locusmag.com/2022/07/cory-doctorow-the-swerve/

That unchecked corporate power has no better avatar than Amazon, one of the tech monopolies that has converted the old, good internet into "five giant websites, each filled with screenshots of the other four":

https://twitter.com/tveastman/status/1069674780826071040

Amazon maintains a near-total grip over print and ebooks, but when it comes to audiobooks, that control is total. The company's Audible division has captured more than 90% of the market, and it abuses that dominance to cram Digital Rights Management onto every book it sells, even if the author doesn't want it:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

I wrote a whole-ass book about this and it came out less than a month ago; it's called The Internet Con and it lays out an audacious plan to halt the internet's enshittification and throw it into reverse:

http://www.seizethemeansofcomputation.org/

The tldr is this: when an audiobook is wrapped in Amazon's DRM, only Amazon can legally remove it. That means that every book I sell you on Audible is a book you have to throw away if you ever break up with Amazon, and Amazon can use the fact that it's hold you hostage to screw me – and every other author – over.

As I said last time this came up:

Fuck that sideways.

With a brick.

My books are sold without DRM, so you can play them in any app and do anything copyright permits, and that means Amazon won't carry them, and that means my publishers don't want to pay to produce them, and that means I produce them myself, and then I make the (significant) costs back by selling them on Kickstarter.

And you know what? It works. Readers don't want DRM. I mean, duh. No one woke up this morning and said, "Dammit, why won't someone sell me a product that lets me do less with my books?" I sell boatloads" of books through these crowdfunding campaigns. I sold so many copies of my last book, *The Internet Con, that they sold out the initial print run in two weeks (don't worry, they held back stock for my upcoming events).

But beyond that, I think there's another reason my readers keep coming back, even though I wrote a genuinely stupid number of books while working through lockdown anxiety while the wildfires raged and ashes sifted down out of the sky and settled on my laptop as I lay in my backyard hammock, pounding my keyboard.

(I went through two keyboards during lockdown. Thankfully, I bought a user-serviceable laptop from Framework and fixed it myself both times, in a matter of minutes. No, no one pays me to mention this, but hot damn is it cool.)

https://pluralistic.net/2022/11/13/graceful-failure/#frame

The reason readers come back to my books is that they're full of hope. In the same way that writing lets me feel like I'm not a passenger in life, but rather, someone with a say in my destination, the books that I write are full of practical ways and dramatic scenes in which other people seize the means of computation, the reins of power or their own destinies.

The protagonist of The Lost Cause is Brooks Palazzo, a high-school senior in Burbank whose parents were part of the original cohort of volunteers who kicked off the global transformation, and left him an orphan when they succumbed to one of the zoonotic plagues that arise every time another habitat is destroyed.

Brooks grew up knowing what his life would be: the work of repair and care, which millions of young people are doing. Relocating entire cities off endangered coastlines and floodplains, or out of fire-zones. Fighting floods and fires. Caring for tens of millions of refugees for whom the change came too late.

But with every revolution comes a counter-revolution. The losers of a just war don't dig holes, climb inside and pull the dirt down on top of themselves. Two groups of reactionaries – seagoing anarcho-capitalist billionaire wreckers and seething white nationalist militias – have formed an alliance.

They've already gotten their champion into the White House. Next up: dismantling every cause for hope Brooks and his friends have, and bringing back the fear.

That's the setup for a novel about solidarity, care, library socialism, and snatching victory from defeat's jaws. Writing it help keep me sane during the lockdown, and when it came time to record the audiobook, I spent a lot of time thinking about who could read it. I've had some great narrators: Wil Wheaton, @neil-gaiman, Amber Benson, Bronson Pinchot, and more.

I record my audiobooks with Skyboat Media, a brilliant studio near my place in LA. Back in August, I spent a week in their recording booth – "The Tardis" – doing something I'd never tried before: I recorded a whole audiobook, with directorial supervision: The Internet Con:

https://transactions.sendowl.com/products/78992826/DEA0CE12/purchase

When it was done, the director – audiobook legend Gabrielle de Cuir – sat me down and said, "Look, I've never said this to an author before, but I think you should read The Lost Cause. I don't direct anyone anymore except for Wil Wheaton and LeVar Burton, but I would direct you on this one."

I was immensely flattered – and very nervous. Reading The Internet Con was one thing – the book is built around the speeches I've been giving for 20 years and I knew I could sell those lines – but The Lost Cause is a novel, with a whole cast of characters. Could I do it?

Reader, I did it. I just listened to the proofs last week and:

It.

Came.

Out.

Great.

The Lost Cause goes on sale on November 14th, and I'll be selling this audiobook I made everywhere audiobooks are sold – except for the stores that require DRM, nonconsensually shackling readers and writers to their platforms. So you'll be able to get it on Libro.fm, downpour.com, even Google Play – but not Audible, Apple Books, or Audiobooks.com.

But in addition to those worthy retailers, I will be sending out thousands – and thousands! – of audiobook to my Kickstarter backers on the on-sale date, either as a folder of DRM-free MP3s, or as a download code for Libro.fm, to make things easy for people who don't want to have to figure out how to sideload an audiobook into a standalone app.

And, of course, the mobile duopoly have made this kind of sideloading exponentially harder over the past decade, though far be it from me to connect this with their policy of charging 30% commissions on everything sold through an app, a commission they don't receive if you get your files on the web and load 'em yourself:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

As with my previous Kickstarters, I'm also selling ebooks and hardcovers – signed or unsigned, and this time I've found a great partner to fulfill EU orders from within the EU, so backers won't have to pay VAT and customs charges. The wonderful Otherland – who have hosted me on my last two trips to Berlin – are going to manage that shipping for me:

https://www.otherland-berlin.de/en/home.html

Kim Stanley Robinson read the book and said, "Along with the rush of adrenaline I felt a solid surge of hope. May it go like this." That's just about the perfect quote, because the book is a ride. It's not just a kumbaya tale of a better world that is possible: it's a post-cyberpunk novel of high-tech guerrilla and meme warfare, climate tech and bad climate tech, wildcat prefab urban infill, and far-right militamen who adapt to a ban on assault-rifles by switching to super-soakers full of hydrochloric acid.

It's a book about struggle, hope in the darkness, and a way through this rotten moment. It's a book that dares to imagine that things might get worse but also better. This is a curious emotional melange, but it's one that I'm increasingly feeling these days.

Like, Amazon, that giant bully, whose blockade on DRM-free audiobooks cost me enough money to pay off my mortgage and put my kid through university (according to my agent)? The incredible Lina Khan brought a long-overdue antitrust case against Amazon while her rockstar DoJ counterpart, Jonathan Kanter, is dragging Google through the courts.

The EU is taking on Apple, and French cops are kicking down Nvidia's doors and grabbing their files, looking to build another antitrust case for monopolizing GPUs. The writers won their strike and Joe Biden walked the picket-line with the UAW, the first president in history to join striking workers:

https://doctorow.medium.com/joe-biden-is-headed-to-a-uaw-picket-line-in-detroit-f80bd0b372ab?sk=f3abdfd3f26d2f615ad9d2f1839bcc07

Solar is now our cheapest energy source, which is wild, because if we could only capture 0.4% of the solar energy that makes it through the atmosphere, we could give everyone alive the same energy budget as Canadians (who have American lifestyles but higher heating bills). As Deb Chachra writes in her forthcoming How Infrastructure Works (my review pending): we get a fresh supply of energy every time the sun rises and we only get new materials when a comet survives atmospheric entry, but we treat energy as scarce and throw away our materials after a single use:

https://www.penguinrandomhouse.com/books/612711/how-infrastructure-works-by-deb-chachra/

Anything that can't go on forever will eventually stop. We have shot past many of our planetary boundaries and there are waves of climate crises in our future, but they don't have to be climate disasters. That's up to us – it'll depend on whether we come together to save ourselves and each other, or tear ourselves apart.

The Lost Cause dares to imagine what it might be like if we do the former. We don't live in a post-enshittification world yet, but we could. With these indie audiobooks, I've found a way to treat the terminal enshittification of the Amazon monopoly as damage and route around it. I hope you'll back the Kickstarter, fight enshittification, inject some hope into your reading, and enjoy a kickass adventure novel in the process:

https://www.kickstarter.com/projects/doctorow/the-lost-cause-a-novel-of-climate-and-hope

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/02/the-lost-cause/#the-first-generation-that-doesnt-fear-the-future

[tangibletechnomancy]

The reason I took interest in AI as an art medium is that I've always been interested in experimenting with novel and unconventional art media - I started incorporating power tools into a lot of my physical processes younger than most people were even allowed to breathe near them, and I took to digital art like a duck to water when it was the big, relatively new, controversial thing too, so really this just seems like the logical next step. More than that, it's exciting - it's not every day that we just invent an entirely new never-before-seen art medium! I have always been one to go fucking wild for that shit.

Which is, ironically, a huge part of why I almost reflexively recoil at how it's used in the corporate world: because the world of business, particularly the entertainment industry, has what often seems like less than zero interest in appreciating it as a novel medium.

And I often wonder how much less that would be the case - and, by extension, how much less vitriolic the discussion around it would be, and how many fewer well-meaning people would be falling for reactionary mythologies about where exactly the problems lie - if it hadn't reached the point of...at least an illusion of commercial viability, at exactly the moment it did.

See, the groundwork was laid in 2020, back during covid lockdowns, when we saw a massive spike in people relying on TV, games, books, movies, etc. to compensate for the lack of outdoor, physical, social entertainment. This was, seemingly, wonderful for the whole industry - but under late-stage capitalism, it was as much of a curse as it was a gift. When industries are run by people whose sole brain process is "line-go-up", tiny factors like "we're not going to be in lockdown forever" don't matter. CEOs got dollar signs in their eyes. Shareholders demanded not only perpetual growth, but perpetual growth at this rate or better. Even though everyone with an ounce of common sense was screaming "this is an aberration, this is not sustainable" - it didn't matter. The business bros refused to believe it. This was their new normal, they were determined to prove -

And they, predictably, failed to prove it.

So now the business bros are in a pickle. They're beholden to the shareholders to do everything within their power to maintain the infinite growth they promised, in a world with finite resources. In fact, by precedent, they're beholden to this by law. Fiduciary duty has been interpreted in court to mean that, given the choice between offering a better product and ensuring maximum returns for shareholders, the latter MUST be a higher priority; reinvesting too much in the business instead of trying to make the share value increase as much as possible, as fast as possible, can result in a lawsuit - that a board member or CEO can lose, and have lost before - because it's not acting in the best interest of shareholders. If that unsustainable explosive growth was promised forever, all the more so.

And now, 2-3-4 years on, that impossibility hangs like a sword of Damocles over the heads of these media company CEOs. The market is fully saturated; the number of new potential customers left to onboard is negligible. Some companies began trying to "solve" this "problem" by violating consumer privacy and charging per household member, which (also predictably) backfired because those of us who live in reality and not statsland were not exactly thrilled about the concept of being told we couldn't watch TV with our own families. Shareholders are getting antsy, because their (however predictably impossible) infinite lockdown-level profits...aren't coming, and someone's gotta make up for that, right? So they had already started enshittifying, making excuses for layoffs, for cutting employee pay, for duty creep, for increasing crunch, for lean-staffing, for tightening turnarounds-

And that was when we got the first iterations of AI image generation that were actually somewhat useful for things like rapid first drafts, moodboards, and conceptualizing.

Lo! A savior! It might as well have been the digital messiah to the business bros, and their eyes turned back into dollar signs. More than that, they were being promised that this...both was, and wasn't art at the same time. It was good enough for their final product, or if not it would be within a year or two, but it required no skill whatsoever to make! Soon, you could fire ALL your creatives and just have Susan from accounting write your scripts and make your concept art with all the effort that it takes to get lunch from a Star Trek replicator!

This is every bit as much bullshit as the promise of infinite lockdown-level growth, of course, but with shareholders clamoring for the money they were recklessly promised, executives are looking for anything, even the slightest glimmer of a new possibility, that just might work as a life raft from this sinking ship.

So where are we now? Well, we're exiting the "fucking around" phase and entering "finding out". According to anecdotes I've read, companies are, allegedly, already hiring prompt engineers (or "prompters" - can't give them a job title that implies there's skill or thought involved, now can we, that just might imply they deserve enough money to survive!)...and most of them not only lack the skill to manually post-process their works, but don't even know how (or perhaps aren't given access) to fully use the software they specialize in, being blissfully unaware of (or perhaps not able/allowed to use) features such as inpainting or img2img. It has been observed many times that LLMs are being used to flood once-reputable information outlets with hallucinated garbage. I can verify - as can nearly everyone who was online in the aftermath of the Glasgow Willy Wonka Dashcon Experience - that the results are often outright comically bad.

To anyone who was paying attention to anything other than please-line-go-up-faster-please-line-go-please (or buying so heavily into reactionary mythologies about why AI can be dangerous in industry that they bought the tech companies' false promises too and just thought it was a bad thing), this was entirely predictable. Unfortunately for everyone in the blast radius, common sense has never been an executive's strong suit when so much money is on the line.

Much like CGI before it, what we have here is a whole new medium that is seldom being treated as a new medium with its own unique strengths, but more often being used as a replacement for more expensive labor, no matter how bad the result may be - nor, for that matter, how unjust it may be that the labor is so much cheaper.

And it's all because of timing. It's all because it came about in the perfect moment to look like a life raft in a moment of late-stage capitalist panic. Any port in a storm, after all - even if that port is a non-Euclidean labyrinth of soggy, rotten botshit garbage.

Any port in a storm, right? ...right?

All images generated using Simple Stable, under the Code of Ethics of Are We Art Yet?