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hanniesbrat · 22 hours ago

Text

the boy is mine | k.mg

pet play w mingyu

pairing: kim mingyu x reader, reader’s best friend is yuqi! ((g)i-dle) also cheol lol

wc: 5597 (can you believe i cut it down?)

genre: strangers -> fucking, smut, little cracky at some parts

synopsis: when one of your best friends (who also happens to be a frat bro), seungcheol, invites you to his halloween party, you hesitantly accept. you were never really the party type… but one guy, one of his new friends to be exact, might single handedly change that.

!other kinktober fics!

a/n: ......heyyyyy... no one hate me. i know im almost a whole month late ): prepping for the svt concert took more time than i anticipated, i live in america so... yeah all that happened, work got in the way, i had a lot of yap days with my wife @jenoslutie which has been so nice!! <3 and i JUST (literally today) got back from visiting my bestie @goblynnrockz for their birthday :p BUT in between all that, i managed to finish this bitch. (pun intended) ALL OF THAT BEING SAID, i really hope you guys enjoy this as much as i enjoyed writing it. and if it seems like its eluding to there being a potential relationship between mc and gyu, well... maybe there will be in the future ;p

(P.S. you must picture long, wavy haired mingyu in this :3 more like the pic on the right. i just put the lolla pic bc it fits the vibe you CANNOT argue w that lol okay imma stop yapping now. ENJOY LUVLIES!!!!)

you weren’t the party type, but when one of your best friends, seungcheol, invited you to his frat’s halloween party with a nearly quivering bottom lip, you couldn’t say no.

“you have to let me bring whoever i want as my plus one.” you deadpanned while crossing your arms.

“so you’ll go?!” he nearly squealed.

you sighed before nodding with an annoyed, “yes.”

“fuck yeah!” he yelled before swooping you up in a big hug. you couldn’t help the laughter that erupted from your chest.

you loved when cheol got all giddy. it was such a silly contrast to his wide, strong build, and that’s always been so enduring yet hilarious to you. you didn’t think anyone else like him existed in real life.

until you met him.

“remind me again why you are dragging me to a party?” your best friend, yuqi, chuckled out from the passenger’s seat of your car.

you took the last right before reaching the house. “cheol asked nicely and… i’ve been needing an excuse to wear these boots,” you smiled, looking for a parking spot.

yuqi silently pointed to a spot on the street, and as you parked, she went on. “i just can’t help but wonder why cheol wanted you to go so bad like… he knows you’re not a partier.”

“he wants me to get out of my shell more.” you shrugged, getting out of the car.

“well you’re definitely out of your shell, fucking look at you. a full latex outfit and tits out? girl…” yuqi gawked at you for a moment.

dressing as blackcat was far out of your costume comfort zone. normally you went the horror route. billy the puppet, jennifer check (in the prom dress with the contacts, blood and all), freddy krueger, etc. so, wearing a latex set that left nothing to the imagination except for any ink you may have on your skin was out of character, but you wanted to spice it up this year.

“i think the little mask helps be feel a bit hidden,” you giggled seen as it’s a thin black eye mask, not hiding who is under it at all. yuqi jokingly scoffed and you then took the attention off yourself. “look at you, catwoman. you look devious with that whip,” you cooed, then took her hand in yours and gave her a spin on the sidewalk.

“oh stop it,” she blushed. “let’s get inside before it starts getting too crazy.”

you two walked in practically attached at the hip. you scanned the front room for cheol, yuqi doing the same. “ah! there he is,” she pointed toward the kitchen.

you looked over, immediately making eye contact with him. he waved you guys over to stand with him and some frat bro you didn’t recognize.

“y/n!” he greeted you with a bear hug, unfazed by your tits practically spilling from your top. “and yuqi! hey long time no see!” he said sweetly, giving her a side hug.

“hi! it’s good to see you, cheol,” she giggled.

“are you gonna introduce us?” you motioned to his friend beside him and smiled.

the friend smiled and reached a hand out, “hey, i’m chan! nice to meet you both.” after shaking both of your hands, a warm smile across his face, he turned around to finish concocting a drink for himself.

“you know we have a spare room. if you guys want, you can have some drinks! chan makes a mean lemon drop.” cheol offered you both.

yuqi got a devilish smile on her face, “don’t mind if i do, fred. one lemon drop, please, daphne!” she giggled leaning backwards on the counter next to chan, watching what he was doing over her shoulder. she faced forward after a moment and motioned her head toward you. “what about you miss latex?” she smirked giving you a once over. the girl wasn’t even drinking yet and she was already getting flirty. typical. (<3)

“don’t even let her answer that,” seungcheol quickly intervened. “make blackcat a drink, please. the pretty lady deserves it,” he grinned, wrapping an arm around you.

“well thank you, cheolie… but deserve it? for what?” you asked cutely, looking up at him.

“putting up with my bitchass. thank you for coming tonight. i’m glad you did,” he stated sweetly, giving you a kiss atop your head. you just leaned into him, silently telling him “you’re welcome” and “me too”.

“what’s up?” you look over at chan who’s finishing your drink up, and he’s got his phone between his ear and shoulder. “oh shit okay! we’ll be right out!” he hung up, sliding the phone in his pocket, then turned around handing you your drink. “pretty lady,” he smiled. “cheol lets go. that was vernon, they’re outside.” he said, patting cheol on the shoulder, making his way out of the kitchen hurriedly.

“okay! you two wait right here, i’ll be back.” seungcheol requested, then ran after chan.

“oh god,” you walked forward to the counter and turned so your back was leaning on it with yuqi. you two looked out from the kitchen, into the crowd of people that had seemingly gotten significantly larger since you’d arrived minutes ago. “they’ve all gotta be members of the mystery inc huh…” you trailed off.

“i wonder what poor guy they got to be scooby,” yuqi empathized.

“i bet it’s soonyoung.”

“be so fucking for real, y/n. he’s a fucking tiger every year,” yuqi said pointedly. she was right.

just then, the room got significantly more quiet meaning- oh those boys and their group entrances…

it was never anything elaborate, but they did have to make their presence known. cheol almost always walking in first as the rest of the boys followed.

you and yuqi made your way out of the kitchen to the living room, disregarding cheol’s words from earlier. you two managed to push toward the front of the swarm of people that were gathered near the door. shouts then could be heard from all over, praising the commitment of all the boys. first was cheol as fred, then chan as daphne walking alongside wonwoo as velma, and last but not least vernon as shaggy with… not soonyoung as scooby. “who the fuck is that?” you nearly drooled leaning over into yuqi’s ear.

“wonwoo?” she suggested.

“no, dumbass, obviously i know wonwoo… who’s scooby?” your voice dropping a cool octave or two in curiosity.

“i don’t know but… fuck is he fine,” she said bluntly.

you both had your eyes locked on him until yuqi’s gaze redirected to wonwoo… her main interest right now and always. “if you’ll excuse me,” she hummed, grazing a hand across your shoulder and handing you her whip as she strolled forward toward the tall boy wearing thicker framed glasses than normal.

you made your way back to the kitchen to wait for one of your friends to come back, knowing one of them would find their way to you.

or so you thought.

someone did definitely make their way to you, but it wasn’t cheol, yuqi, or even chan.

“i didn’t know blackcat carried around a whip,” scooby shot you a cheeky smile while reaching beside you on the counter for a drink.

you smiled, leaning your hip on the counter to face him. “she doesn’t, but cat woman does and she needed me to hold it for her.”

“well… i’m glad she needed you to because it gave me an excuse to talk to you.” you both chuckled, your face getting flushed. he turned, mirroring your position against the counter. “i’m mingyu. i just joined the frat,” he explained rather shy in comparison to his confident demeanor that he approached you with. it was charming.

“well hello mingyu,” you chuckled, chugging the rest of your lemon drop. “i’m y/n. i’m friends with cheol.”

“oh no way! you’re like… his best friend,” he laughs trying his drink. you giggled watching his face contort at the potency of the alcohol. “hey don’t laugh! bleh! but it’s nice to finally meet you.”

“it’s nice to meet you too,” you covered your mouth to snicker a bit more as if that makes it any less “mean”.

once he recovered a moment later, he sat his cup down and spoke up again. “you know, y/n, you make a beautiful blackcat,” he complimented, giving you a once over as respectfully as he could. from the minute he laid eyes on you when yuqi had walked way from you, he knew he had to talk to you. your little whip that didn’t go with your costume was his perfect excuse, and… you looked amazing. that could’ve even been enough of an excuse on its own.

your cheeks grew warm at the compliment with his demeanor and tone. it’d shifted to something more sensual than before. his eyes getting darker, but still soft.

“thank you,” you smiled before reaching up to play with one of his ears. “and you make an adorable puppy.”

his body stiffened, but it was so subtle you almost didn’t notice. you chose to ignore it, moving to his collar. “did minghao make this?” you asked, tilting your head admiring the well recreated scooby dog tag. you pulled on it a little, as if to test its durability, but really you wanted to see if this was doing something to the tall man before you. sure enough, you watched as he swallowed rather hard under your touch. you wouldn’t have noticed had you not been staring at his throat already.

“y-yeah he did. he’s really talented,” he said softly, slightly tilting his head back as you took your finger from the collar, and slowly traced it down his chest that was only covered by a thin, tight brown t-shirt.

“what’s the matter, scooby? cat got your tongue?” you asked in a very playful way, not wanting to come off too strong too fast as you were already mere centimeters away from his body now.

when he looked down at you, his eyes were pleading. desperate. like he was silently begging for you to do something more. he couldn’t find the words to answer your silly question. instead he sent his eyes to scan your face, lingering longer over your lips.

“gyu!” you both jumped back from each other. up pranced soonyoung, but he wasn’t a tiger. “and y/n? hey!” he gave you a hug and you squeezed him back.

“hey soonyoung!” you gathered your composure far quicker than mingyu who was still trying to comprehend what the fuck just happened. “a cowboy this year?” you motioned your hands to his costume.

“had to change it up,” he shrugged. “still got my date, though,” he grinned. you knew it was the stupid plastic skeleton he dragged along every year in the spirit of the holiday.

“well, wherever you set her down, i can imagine she goes way better with this outfit than the tiger onesie,” you both laugh.

“girl… a whip? i don’t think blackcat-“

“shutup, i know. it’s yuqi’s. she’s catwoman.” you deadpanned.

he put his hands up as if to surrender, “got it, no need to use it on me.” you two laughed together again.

mingyu wasn’t enjoying this conversation like you and soonyoung were, however.

he gently grabbed your wrist while patting soonyoung on the shoulder. “excuse us,” were the first words to come out of his mouth in the past couple minutes. it came out low and demanding, an extreme contrast from the state you had him in before soonyoung showed up.

you looked at soonyoung then shrugged your shoulders in confusion and blew him a quick kiss, whip in hand as mingyu pulled you away. “have fun!” he yelled after you both.

“mingyu, where the fuck are we going?” you finally ask as he's pulling you up the stairs.

“my room,” he states bluntly.

“your room? why didn’t you just get ready here then?” your genuine curiosity taking over.

mingyu stopped you both in front of his door. “except for cheol and chan, we all got ready at vernon’s,” he answered very matter of fact, then his eyebrows furrowed remembering what he was doing.

he opened his door, pulling you in with him. once he closed the door, he grabbed you and pushed you against it, hands cupping your face, instantly attacking your lips with his own. your hand naturally found its way to his long, wavy hair while your other rested on his chest. you slightly tugged at his hair, a groan escaping his lips. you smiled and chuckled against his mouth, knowing exactly how this was gonna end, despite his attempts at taking control of the situation.

he ignored your cockiness, moving a hand to the zipper of your top, toying with it just to be a dick. after about 10 seconds of that, you decided it was enough.

“why don’t you be a good puppy and unzip me already,” you pull on his hair hard enough to pull him away this time. his eyes desperately searched yours, not understanding, himself, why every time you called him that, it made him feel weak in his knees.

“o-okay,” he stuttered before unzipping your top the rest of the way. his mouth hung open at the way your tits broke free from the tight latex. “god..” he whispered. eyes still locked on your chest, he tried to speak, “c-can i please-”

“yes,” you breathed, not letting him finish his sentence, knowing exactly what he wanted.

mingyu wasted no time, latching his mouth onto one of your nipples, desperately sucking on the skin as if his life depended on it. a low groan escaped your lips as you finally dropped the whip on the floor, and moved that hand to his back, lightly scratching at him through the thin fabric of his shirt. he moaned against your chest, sending a chill down your spine.

“on your knees,” you demanded. he pulled away from your chest with a rather puzzled expression on his face. “don’t make me say it again,” and with that, he practically dropped to the floor, looking up at you with the most beautiful eyes you’d ever seen. “good boy,” you praised, petting his head between his ears. you walked over to his bed, sitting yourself down at the edge of it.

“come,” you said gently. mingyu started to stand up. “nuh uh,” you stopped him. “on all fours.”

“i- but i-,” he tried to protest, stumbling over his words.

“crawl. or i’ll walk out that door right now,” you threatened.

he immediately got back on his knees, then bent forward, using his arms to help him crawl over to you. he didn’t break eye contact as he made his way to where you sat on his bed, your legs slightly opened. you leaned down, reaching in between your legs for his collar. you hooked two fingers underneath it and pulled him forward. he wrapped his arms around your waist, knees still planted on the floor as he looked at you longingly.

“what a good puppy,” you cooed, moving your hand from his collar to his hair along with your other hand. you petted him right next to his ears on either side of his head. he hummed, tilting his head to the side, you moving your hand so he could rest his face on it. you thought this was just gonna be a typical dom/sub dynamic, but you quickly started realizing that it was far more than that.

you leaned down giving him a soft kiss to his lips, making him crave more. he moved his hands up to your face, pulling you back down. you both hungrily attacked each others lips, breathing in every bit of the other. “what the fuck are you doing to me,” he growled between kisses. to be quite honest, you had no idea either. you didn’t even know this man, really.

“get on the bed,” you demanded, out of breath. he mumbled, “okay,” then stood up and sat in the middle of his bed. “lay down, obviously,” you deadpanned. he felt like an idiot as he laid himself down. he watched you with big eyes as you crawled up his body. you sat yourself on top of him and reached to hook your fingers under his collar again. you used it to pull him up to your level.

“take your stupid shirt off.” he fumbled with the hem of his shirt, lifting it up and over his head. you ripped it from his hands and threw it across the room to god knows where. you pushed him back down, diving after his neck with your mouth. his back arched slightly from the bed as a whimper escaped his lips. as your teeth sunk into his skin, beginning to suck, his chest pressed against yours.

he knew it wasn’t physically possible for him to get closer to your body, but he could try. he was desperate. he craved your warmth. he craved you. a complete stranger. “y/n, please,” he whined.

“please what?” you whispered into his ear, then proceeded to kiss down his neck to his chest. all he could do was make pathetic little noises in response. “cmon, use your words like a good boy, huh?” you cooed looking up at him. you traced your fingers over his large pecs sending chills through his whole body.

“f-fuck,” he threw his head back into the pillow. “fuck me, y/n, please!” he panted, grabbing at the sheets beneath him.

“you’d like that, wouldn’t you?” you teased as you slipped a hand under his pants, grabbing him through his boxers. you couldn’t help the sigh that escaped your mouth when you felt how big he was. he looked down at you with flushed cheeks, embarrassed at how easily he was being turned on by your words alone.

“i- i would love that, y/n,” his eyes were so desperate, so needy. “c-can i take my pants off?” god, he was so obedient. it excited you beyond your own comprehension. before you could even think about it, you hooked your fingers under the waistband of his pants and started shimmying them down his thick, muscular thighs.

“fuck,” you mumbled under your breath. the tent in his boxers was intimidating to say the least. you sat on his thighs as you pulled his cock out, admiring the way it grew even more at your direct touch. mingyu was panting like a bitch underneath you and you hadn't even started stroking him yet. “easy there, big boy,” you giggled at his uneasiness. as you started pumping him with one hand, you used the other to stabilize yourself above him.

a deep groan ripped from his throat as he screwed his eyes shut at the sensation. “does that feel good, puppy?” you asked innocently. mingyu whimpered and looked into your eyes again, mere inches away. he used all his extra strength to push his head up to capture your lips with his. this kiss was far deeper than the others. it felt… more intimate than before.

“please y/n i need you,” he whispered against your lips. honestly, you needed him too, so instead of continuing the torture any longer, you got off the bed to remove your top completely, and took your pants off. before getting back on top of him, you pulled his pants the rest of the way down, then stood at the edge of the bed, gawking.

this man’s body was godly. skin the perfect shade of gold, soft muscle curves, the slight glisten on his skin as the moonlight from the window reflects off of his sweat. and his face… fuck, his face. the way his eyes glisten with lust and need, his lips swollen and slightly parted as he’s nearly drooling, waiting for you to do something, and to top it all off, his puppy ears on his head with the collar on his neck making him all the more irresistible.

you climbed back on top of him, his eyes not leaving yours, whether you were looking back at him or not. he only looked away when you started grinding your soaked cunt against his cock. he watched intensely as your slick coated him from top to bottom, his tip leaking precum each time you slid forward. “ready for me to fuck you, gyu?” you nearly whined out, your hands firmly placed on his chest to balance yourself.

“b-been ready, mo-” he stopped himself. “fuuuck please, y/n, please.” he begged.

“what a good fucking boy you are. don’t even have to ask you to beg.” you lifted yourself, and as if there was a form of telepathy happening, he reached down to lift his cock straight up, ready for you to do nothing but line yourself up and sink down in him. however… you both knew that was going to be painful for you. your nails began to dig lightly into his chest as you slowly sunk yourself down on him. a long string of whimpers falling from your lips while he gripped your hips, helping you steady yourself as you now sat all the way down on his cock. you swiveled your hips a couple times before slowly lifting them and slamming back down onto him without warning. a gasp escaping your own lips.

“ah! Fuck!” mingyu cried out, throwing his head back into the pillows again. the grip he had on your hips only tightened.

you moved your hands to his neck, applying only slight pressure as you started moving up and down on his cock. his breathing became sporadic, and you could feel his veins on his neck starting to bulge under your fingers as you started to pick up your pace. “collar getting too tight?” you breathed.

“n-no,” mingyu choked out. “mmmph~ i like it,” his voice was hoarse, but soft. his hands finally moved from your hips to roam your body. he dragged them up your waist until he was cupping your tits. he started kneading the flesh, licking his lips as he watched your face start to contort with pleasure. you let go of his neck and put your hands on top of his, over your chest.

the scene was so beautiful before him, he was growing more and more impatient, needing to chase his high. you threw your head back crying out a “fuck!” as mingyu started meeting each bounce of yours with a sharp thrust.

“a-am i doing a good job?” he whined, “does it feel good?” all he wanted was your validation and praise.

“y-yes~ fuck- such a good boy for me,” you cooed as stable as possible. you brought a hand down and combed your fingers through his hair right below his puppy ears. his thrusts slowed and so did you. you hadn’t realized how much of the “fucking” was being done by him now instead of you. he hummed and closed his eyes while you ran your fingers through his hair again. both of your movements came to a complete stop. nothing but cockwarming and heavy breaths while you petted the pretty boy beneath you.

once he opened his eyes, you gave him a soft smile and he nestled his face into your hand. looking up at you with those puppy eyes, the next words that came out of his mouth were jarring to say the least. “w-will you sit on my face? please?” you could’ve sworn he batted his lashes too.

you giggled before teasing him, “are you seriously asking to pleasure me right now?”

“no im fucking begging, y/n please.” he whined.

“well, when you beg like such a good boy, how could i tell you no, hm?” you hummed before moving your hands to his headboard, climbing up his body, stabilizing yourself over his face.

he wasted no time trying to attack your core with his tongue, but you didn’t want to let him have it that easily. you moved a hand down to tug at his hair, pulling him off of you. “nuh uh. stick out your tongue,” you demanded.

“w-what?” his eyes were big with uncertainty.

“did i stutter? stick out your tongue and stay like a good puppy.” you spit at him, no patience left in your voice.

so, mingyu did just that. slowly but surely he opened his mouth wide, laying his tongue out for you like the good boy he was.

you lowered yourself back down onto his tongue, slowly moving your soaked cunt back and forth. he just looked up at you with such adoration in his eyes, but tongue out like an absolute idiot. it was driving you crazy.

mingyu was going arguably more crazy, though. he wanted to devour you. taste every single inch of you, and lap up every last drop of your arousal like there was no tomorrow.

you let out a whimper that drove him over the edge, and he couldn’t contain himself anymore. he brought his strong arms up, wrapping them around your thighs, locking you in place on his face. you gripped onto his bed frame tighter as he began to suck on your clit with such vigor, you almost came on the spot.

fuck he’s good at this.

he then started fucking his tongue in and out of you, using his own strength alone to bounce you up and down slightly on the muscle.

“mmph~ fuuuck~ mingyu please, don’t stop,” you pleaded, knuckles white from holding onto his headboard for dear life. who was he to deny you? he moved one of his hands from your thigh to the bundle of nerves above where his tongue was fucking in and out of you. as soon as he started rubbing gentle but fast circles on your clit, you knew you weren’t gonna last long. the familiar knot in your tummy forming far faster than you’d like to admit.

“p-puppy i’m c-close. gonna make me cum,” you half panted, half wailed.

he moved his mouth away to talk, fingers still working on your clit.

“cum for me please baby, cum all over my tongue,” his voice had dropped to a dangerously low tone. he went back to tongue fucking you and your grip on his headboard became so tight you thought you might break it.

“gyu! fuck! i’m- fuck!” a wave of pure euphoria flooded your whole body faster than you could comprehend. mingyu lapped up every last bit of cum dripping from your cunt.

“jesus christ,” you panted.

“okay y/n, all fours.”

“what?” you looked down at mingyu’s big brown eyes in complete shock.

“i- i’m sorry please can i fuck you on all fours?”

“mingyu i’m not worried about how you wanna fuck me-”

“then, please? can i? I’ve been a good boy…”

“you definitely have,” you reassured, moving a piece of his hair out of his face. “i just don’t know if i have the energy for that right now.”

“you don’t have to do anything, just- y/n just let me take care of you…” his voice was so soft and genuine. nothing like you were used to from a hookup.

“fine… then can i just lay on my back?” you both chuckled.

“whatever you want.”

once you guys repositioned yourselves, mingyu on top of you for the first time tonight, you couldn’t help but let your mind race. i could get used to this view… y/n stop it’s just a fucking hookup, you’ll only ever see him again in passing. but his voice… the way he’s speaking to me is so… sweet… so? he’s probably just fucking pussy whipped. and pussy whipped he was, but it wasn’t that simple.

“are you ready, baby?” his eyes scanning yours intently as if to catch any trace of uncertainty that may reside in your eyes.

“y-yes. at least i hope,” you giggled. a fangy smile gracing his face. fuck, his smile.

as mingyu started to push himself into you, you winced at the stretch. it was almost like he’d gotten bigger since you were on top of him earlier. “ah~ fuck gyu,” you whined.

“too much? do you want me to stop?”

“no, no please don’t stop,” you just gripped onto his arms and closed your eyes.

a couple seconds later and he finally bottomed out, causing both of you to let out a string of low moans as you both adjusted to the feeling of his rather fucking huge dick inside of you. (how else was i supposed to word that like c’mon now)

within a minute mingyu was drilling into you at an animalistic pace. the grip you had on his biceps probably close to breaking skin with your nails. your back arched at its limit. both of you sounding like you're in one of the most hardcore pornos ever filmed. the bed creaking, slamming into the wall… you get it.

the rest of the world had completely withered away at this point when suddenly…

BANG BANG BANG! “jesus christ, mingyu! that you in there?” seungcheol… fuck.

mingyu stilled all movement, “uhhh yeah… what do you want?” he dropped his head onto the pillow right next to your head. you couldn’t help but giggle.

“Sorry.. just uh… have you seen y/n?!” he yelled from the other side of the door. mingyu’s head shot up, both of you looking at each other with complete panic in your eyes.

“you could… you could say that i’ve seen her… yeah?” mingyu yelled back, wincing as he awaited his response.

when seuncheol didn’t answer right away, you decided to speak up. “hi cheol…” you said softly but loud enough for him to hear you.

“you’re fucking kidding,” seungcheol scoffed before walking away yelling, “you two fuckbirds have fun!”

you and mingyu just laid there for a second before bursting out laughing.

“okay that was embarrassing,” you covered your face.

“oh don’t act like you didn’t like it,” he grinned, leaning down to start kissing on your neck. “you think i can’t feel how much wetter you got?” he bucked his hips into you without warning, making you yelp. he just chuckled, lifting his head up to look at you again.

your mouth was hung open like an idiot, unsure of how to respond, actually embarrassed now.

“look who’s the tough guy now, huh?” he taunted, beginning to slowly pump in and out of you again. your eyes rolled back into your head and your hands reached for his hair. sensing that the puppy fun would be ending now, you tried to focus your vision enough to unclip the ears from his hair and throw them elsewhere in his room. “oh, are we done with those now?” he asked in such a bitchy tone, you could’ve slapped him back into his submissive state, but you were over the playing now.

“mingyu, just fuck me,” you panted now able to put your hands in his hair how you please.

“that’s no way to get what you want now, gorgeous.”

“mingyu, please just fuck me already!” you whined, wrapping your legs around his torso.

the groan that escaped his lips at that action was inhuman as he sped back up to his pace from before, however, far harder.

“fuck! Mingyu!” you cried out, unable to do or say anything else.

“what? wanted me to f-fuck you, no?” he teased, stopping to lift one of your legs over his shoulder, then removing your mask in one quick motion before pounding into you again. the new angle pushed you to your limit once again, far too fast for your own sanity. “let go for me again baby, i can feel it. you’re c-close aren’t you?” he cooed softly in contrast to his brutal movements. “touch yourself for me,” he breathed.

you moved a hand down to your clit, rubbing away at the bud while your other arm moved to his back, pulling his body closer to yours as you reached your high. the close proximity bringing his clingy self closer to his own breaking point.

now forehead to forehead, the knot in your stomach about to snap, you moved your other hand up to his back, fingertips lightly pressing into the skin. mingyu brought a hand to your neck, holding it gently, but firm as he railed into you for the last few times.

“-m cumming!” you cried, now digging your nails into his back.

“fuck!” he growled at the lovely sting of the scratches you were leaving. your cunt fluttering around his cock however was the final straw. “ah~ baby~” he groaned before crashing his lips into yours as his orgasm hit.

“so… you always have wipes conveniently available on your nightstand?” you giggled, curled up in his arms under his blankets.

“you know, it was actually pure luck,” he started. “cheol did a grocery run today and when he brought me my bag there were a couple of our toiletries and i was gonna go put them in the bathroom bu-”

“hey, gyu?” you looked up at him.

“yeah?”

“shhhhh…” you smiled, placing a soft kiss to his lips before laying your head back down on his chest.

he kissed the top of your head and whispered with a chuckle, “sorry. i talk too much.”

“uh uh just… sleepy,” you yawned.

how you two managed to tune out the party is beyond anyone’s guess. he didn’t have to run his fingers in your hair for a full minute before you knocked out, but he did anyway until he fell asleep himself.

tag list: @skzooluvr @jenoslutie @iluvhoshi @goblynnrockz @map0fthes0ul7 @unlikelysublimekryptonite @actuallynarii @glttrlix @ninigyuuu @starcandybby (i hope that was everyone! i feel like my list got messed up but hopefully it's right!)

#svt smut #kinktober #mingyu smut #mingyu x reader #hanniesluvr

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stillness-in-green · 24 hours ago

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Some thoughts on The Discourse about the last BNHA cover

(Note: This Discourse was on Twitter. I don’t know how much of this may have been said here on Tumblr, so consider this either my contribution or just me reporting back on drama from other fronts.)

So, I saw a lot of back and forth over there between people who didn’t like the cover and people who did, and I spent a little while mulling it over. It seemed to me that the people who didn’t like it had a good point, but one they were not articulating particularly well, possibly thanks to the character limit and possibly also because the people talking about it tended to phrase their objections in sarcastic, consciously exaggerated terms because that’s the language months and months of dealing with the truly insufferable Horikoshi Defense Squad on Twitter primed them to use.

So what is the point? Basically this: In going for the lazy/easy callback in both the cover design and Dai (plate-hair kid)'s role in the final chapter more generally, Horikoshi landed on an "everything comes full circle" ending when what the story desperately needed was an indicator of change.

We didn't need to know that a kid with low self-confidence and nothing to speak of in the quirk department can still become a Pro Hero if he[1] wants to. We already knew that because it's what the whole story of BNHA was about! Deku passing the torch/paying it forward is nice if all you care about is Deku's personal arc, but it's sheer reductiveness if you care about literally anything else. If there was going to be a kid getting Deku's encouragement and help at the end, if that's the ending Hori was absolutely set on, it shouldn't have been the Deku Redux kid; it shouldn't have been the weak kid who has already been metaphorically proven capable of becoming a Hero.

1: And of course it would be a boy.

It should have been the troubled kid, the one from the bad family situation, the one who isn't sure whether he even believes in this Hero thing. It should have been the kid who, if nothing about Hero Society had changed, would’ve been rejected by the whole corrupt system—in so many words, the Tenko Redux kid. That's the one who we saw could not become a Hero under the previous system. That's who we needed to demonstrate the system's improvement.

Instead, all we get is Deku helping himself. And it fits, I guess, because “himself” is the only sort of person Deku ever wanted to save anyway—remember that in the very first chapter, Deku tells All Might that he wants to be a Hero because he was never “saved” as a kid and so he thinks saving is the coolest thing ever. Implicitly, then, Deku wanted to be the kind of Hero who could have saved the kid he was, and that tendency to reserve his compassion for people he can recognize himself in—the crying children and the Hero wannabes—is consistent throughout the series. Dai, then, simply becomes the very last of these examples, the chance for Deku to tell his middle school self that he, too, can be a great Hero.

And that’s quite a choice, isn’t it? Take a second to consider the implications there. The metaphorical parallel Deku helps is his middle school self, not his childhood self—there’s no evidence that Dai was bullied on the same level young Izuku was, and we sure didn’t see anyone telling him to jump off a roof. So, who does save those children, then, in this grand, improved version of Hero Society? Does anyone?

Well, not really. Not that we’re shown. Indeed, the child who was the closest analogue to young Izuku—a weak and seemingly quirkless boy who stuck his neck out for other rejected children, who still stubbornly wanted to be a Hero despite a parent's disapproval—was Tenko, and Deku pointedly did not save him.

To be clear, I don’t mean that just in the sense that Deku failed to save the adult Tenko became, but even in the emotional sense that the series clearly wants me to believe Deku succeeded at, the saving of the boy's heart? I don’t think Deku even managed that. Sure, he might have protected the echo of that child from a few memories, might have held his hands for a few exchanges of dialogue, but then the boy transformed back into the form of the Villain he'd become and was swallowed down the spiritual maw of the man from whom society failed to save Tenko to begin with! And what was Deku doing as this happened? Absolutely nothing but yelling impotently as he got blown backward and out of the mindscape.

Imagine that Deku had found some way to cheer up Izumi Kouta only for Muscular to kill the kid thirty seconds later. No one would be saying, “I think Deku still saved him—his heart, anyway,” if Deku got Kouta to smile and admit that Heroes were actually pretty cool only to do nothing but scream helplessly as he watched Muscular pulverize Kouta’s ribcage with one gentle squeeze.[2]

2: Mind you, this comparison is flawed! Unlike AFO’s vestige, Muscular doesn’t turn up to kill a child as a direct result of Deku’s own actions. Also unlike the events of the final battle, Deku doesn't jump up and personally administer the killing blow to the still-screaming victim, either.

It just leaves me thinking about some of the stuff @codenamesazanka has said about how the narrative treats Shigaraki and Deku helping him: not as something Deku has a duty to do, not something Hero Society on the whole owes Shigaraki (and all the other metaphorical expy/future Shigarakis), but rather a bonus, a nice extra, a demonstration to shine up Deku's Hero cred because he's making efforts no one else would bother with and that no one would reasonably expect him to make. It's not Deku’s job to save the Tenkos or the young Izukus of the world; apparently that just falls to society at large.

So then, what was the point of making Tenko/Tomura such an extreme case of someone who started in a similar place to Deku? Why make him, also, a weak kid who was told he couldn't be a Hero, if you're not going to have Deku save him in the way no one saved Deku himself?

From where I'm sitting, the answer is, "It seemed like a good idea to Horikoshi at the time, but proved to be poorly thought out." But if Deku failing to save his own closest childhood analogue was where the story was going the whole time, then Shigaraki should never have been used to parallel Deku to begin with. It's just a damned waste of Shigaraki as a character, an insult to everything he represented, to use him for ~the parallels~ throughout the entirety of the story except the very beginning and the very end.

Anyway, Pro Heroes are bullshit and the ending should have been them being radically reconceived from the ground up with input from all the people they failed to save. But again, if you have to still have Heroes-qua-Heroes at the end, and you have to have some stupid thematic echo because you as an author think callbacks are the single most compelling storytelling tool of all time, then everything we got on Dai should have been for Scissors-kun instead, and here I am very much including Dai's scene before the first war. An unsettling scene of a strange child with his mouth sewn shut, stuck in a straitjacket in a dark room should have been the last thing we saw before launching into the day of the raids, an apparent element for the future in the same way that so many future Villains were first shown in the wake of Stain's arrest.

See, Shigaraki’s own destructiveness is what ultimately frees Scissors-kun from the basement, “saving” this rejected, abused child in a way no Hero ever managed or even knew to try, just as Shigaraki brought light and a strange sort of hope to the lives of so many others whom Heroes failed. However, Shigaraki couldn't carry his ambitions through to the end. He was never able to meet the kid he indirectly saved, never able to offer that appallingly abused victim an avenue for his signature brand of rough justice. Heroes stopped him from doing so. So then, who will help Scissors-kun?

If we’re to believe that the story's protagonist has made a real difference, that Deku and his classmates have changed the world for the better, then we don't need to see them helping a kid who we already know is going to turn out fine because “he” aleady did. We need to see them help the people that previously only Villains would have helped, picking up the torch they struck from Shigaraki’s hands.

So sure, keep the scene with Granny Evil and Scissors-kun if you must, to show that it’s not only Heroes but also the broader Hero Society that’s changed. After that, though, show Deku stepping in. Show him taking an interest in this kid as a way to keep his promises—to Shigaraki, that the rejection and obliviousness that he sought to destroy have indeed been destroyed and will remain so, and to Spinner, that Deku will remember Shigaraki for the rest of his life.

When Deku is older and in a position to give advice to a kid who’s floundering and uncertain of what to do with his life because of what people around him say about him, make that character echo the characters the old system failed to save, not the character who the entire story proved would do just fine.

For god's sake, ditch Deku Redux.

Now, I know the obvious rejoinder here: We can’t use Deku’s story to say that BNHA already showed us that Dai would be fine because Dai has a quirk where Deku did not, therefore Deku’s path would not be open to Dai. To this, I would reply that neither Deku nor Dai specify that Dai wants/is able to be a top Hero, merely that he be the kind of Hero people can admire—which the story has also already proven true!

Ojiro got into UA with nothing but one (1) extra limb.

Manual has a perfectly middling quirk that turned out to be absolutely crucial in two different wars because it was the right quirk at the right time.

Wash’s quirk makes strong bubbles.

Like, this list is not short. Manifest Plates might or might not make Dai Hero Billboard material, but one of the major points of the endgame was the sublime and noble value of helping when you can, in the way that you can. So to reiterate, we didn’t need that to be proven again in the epilogue.

If anything, going the route of retreading the same story makes the epilogue much worse! Not only do we not get to see how this society is helping the people the old society most profoundly failed—victims who fall through the cracks and become Villains—but in seeing yet another a weak kid being mocked for his heroic aspirations, we find that we’ve barely moved a step beyond the exact same place we started.

That’s the message Horikoshi chose to go with, for both the closing chapters of the story and the story’s final volume cover. Truly, as art that summarizes the story goes, it’s a masterful choice! And that's the whole problem. The cover of Volume 42 is a perfect illustration of the self-absorbed, cynical, cyclical nature of BNHA's endgame. Little wonder, then, that it's hated by the same people who hated said endgame.

#bnha #bnha critical #green no. 2 #shigaraki tomura #bnha scissors-kun #more protag slander for the discerning palate #stillness has salt #bnha endgame

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armandaughter · 1 day ago

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Interview With the Vampire + Perfumes

i posted about wanting to make this and people were also curious, so here it is :) i absolutely have no qualifications to be making this. i just love perfumes and iwtv and wanted to combine em!! lmk ur thoughts <3 fyi this gets pretty long-winded and analysis heavy at times

louis de pointe du lac (new orleans/paris eras)

very slow world in my mind. i think he'd gravitate to the warm spice of it and the hints of whiskey. this also smells a bit like incense, which i think is fitting for him. louis' religious upbringing will always inform how i approach him. but this scent also reminds me of the clubs in new orleans, cigars and rich drinks, and that transfers over to him exploring new sides of himself in paris with photography and engaging with art and cafe scenes. i question the inclusion of the balsamic top note, it's actually much more tea-aligned! this is also quite masculine to me, which makes sense as, particularly in nola, he had to be a little overly masculine-- older brother, man of the house after the death of his father, business owner, and a black business owner in an extremely racist setting. i like this for him, i'd even go as far as to say maybe it's not quite masculine enough.

runner-ups: full incense by montale, nothing but sea and sky by une nuit nomade (this one is very bergamont heavy, which i also think he'd like) foreshadow by curatrix (this one is in my rotation rn and i am almost out because i use it SO much. musk, tobacco, incense, cypress)

louis de pointe du lac (dubai)

this one isn't similar to the above at all, but i think it sort of stays in line with what we know of louis in dubai. it's a very fresh scent, with residual fruity and cedar/fig accords snuck in there that are more noticeable with longer wear. this feels performative like most of dubai, put-together and appealing to the senses but deceptive at the end of the day. i think it's still something louis genuinely likes, but i see him, when he's happy, wearing something a bit more explicitly sweet-spicy, less wood-spicy. this is an amalgamation of the above scent and other sweeter, floral accords he'd drift to, but not quite leaning into it the way i suspect he'd be were he actually healed, had he actually confronted his past in full and emerged content with his circumstances.

runner-ups: of true minds by liis (this is inspired by shakespeare's sonnet 116, also smells like sooo complex. floral spicy with a bit of suede) angel dust by fugazzi (cashmere, pepper, bergamont)

lestat de lioncourt

i actually took so long to decide for lestat. after consulting @operahouses (thank you for enduring my lengthy perfume character analysis) i'm happy w this. it's very very floral, mostly rose, with jasmine and iris too. there's also the underlying patchouli and according to what i read, a sort of rosewater wine-y feel about it. walks the line of intense and mysterious with an elegant softness that feels very true to lestat coming off of paris and finding his footing (and the love of his life) in new orleans.

runner-ups: l'olympia music hall by histoires de parfums (floral, also the name is very lestat in the vampire lestat to me) baccarat rouge 540 by maison francis kurkdjian

rockstar lestat

this is zoologist, which literally makes perfumes off of animal scents. i think that is so fucking cool. anyway-- this is a very bold scent that takes the sweetness of the initial perfume i shared and expands upon it with some really interesting notes. there's passionfruit, leather, teakwood, and incense. (INCENSE, which i think he'd intentionally wear for the nostalgia it could potentially evoke in louis!!) but, overall, a very impressive and borderline questionable miasma of smells. because of this, it's startlingly unique. verrrry memorable, which is kind of the desired experience of a rockstar trying to get his ex-husband back.

runner-ups: triumph of bacchus by argos (this one has such an insanely diverse array of accords i feel only he could pull off) do not disturb by vilhelm parfumerie (this leans into femininity a bunch, which i am down for with lestat. also has some questionable accords but again i think this era welcomes that)

armand

so i'm not even going to pretend i'm not projecting with my first choice for him because i am-- press gurwitz 0.3 is soooo criminally underrated. it's got the knockout combo of the cinnamon and vanilla but when the smoky spice of it hits... it HITS! it also isn't overly sweet at all. the vanilla subdues the sweet notes and leaves sort of a smoky yet clean spiciness over time. i think also the idea of him wearing a gourmand scent has a lot of interesting character connotations in it-- wanting to be desired, wanting to be almost edible, to attract that sort of temptation. if not a gourmand, i can see him preferring fresh, clean, sharp scents-- hence the choices for him as rashid.

runner-ups: milk by commodity (amber, firewood, tonka bean; ultimately the marshmallow accord felt a bittttt out of line for him but this scent is GOOD. a pinch sharp but in a way that's striking rather than obtrusive) female christ by 19-69 (eucalyptus, woody, with cashmere and cinnamon at the base notes, emerging the longer the scent is worn)

armand as rashid

this one has a lot going on but i NEED you to stay with me and hear me out. first of all-- there's notes of pineapple here, which i feel are soooo good given the 'honey and pineapple' exchange. there's also a lot of sweetness here and while the 'honey' part isn't explicit, i feel like it's still reminiscent of it. also, who's to say rashidmand doesn't wear honey body oil with this? wouldn't put that past him. otherwise, this is also pretty floral, fresh, and long-lasting. my one flaw is it is intense, especially for his playing as rashid. my defense here is this: he's already gone with the slutty shirts and the speaking out of turn, so a memorable scent doesn't seem suddenly too far, at least not to me. also, the bottom notes like the vanilla stabilize the intensity. for the first hour or two after application, i'm sure this lingers in a room (which is what he'd want) but as it fades, you'd have to be in closer proximity to notice it.

runner-ups: honey & crocus by jo malone london (this is the honeyed scent that could replace the pineapple one, with traces of saffron and lavender included too which go nicely) fleur de délice by reminiscence (VERY herbal and fresh)

daniel molloy (1973)

ok i am pretty sure i'm not the first to say this but he's SO jazz club. to me. this on top of probably perpetually smelling like cigarettes. and i've heard it's more masculine-leaning, with the rum, spice, and tobacco staying on the longest. i think in devil's minion canon armand would also be all over this like a bloodhound. not much else to say aside from boozy and kinda sexy. the kind of thing you'd wear to go out and score drugs or a fatal vampire encounter.

runner-ups: none! i stand by this one. possibly book by commodity, which uses cedar and sandalwood to come shockingly close to putting your nose in a book. also accomplishes a sort of smokiness.

daniel molloy

this is kind of like if jazz club matured a bit. from what i read (i haven't smelled this one) it's very leathery and dry with a slight sweetness at the end. it has some pine and dates in the list of accords, which works for me too. it is also a bit sensual and i think daniel would wear this in dubai to see louis for the first time since '73. not too intense, which i think he'd prefer. @operahouses suggested a new car smell and i STRONGLY agree.

runner-ups: ombré leather (2018) by tom ford (this went too herbal for me to attribute to him, but i still think leather is good for him)

claudia in new orleans

getting into headcanon territory. this scent is sweet, light, and rosy. i'm imagining this is a gift from lestat before things soured. also something to wear before she branched out and developed her own preferences. i personally think this one is a bit strong and just a tad like a bath, but then again it's very clean and satisfying when the initial scent sits for a little. the sugarcane there brings it together too. this would also contribute to the infantilization both louis and lestat force upon her, the shared--whether explicit or implicit- idea that she's theirs, only the 'girl' part of daughter and too young and naive to be the 'woman.' i feel like she'd grow to hate this smell eventually the same way she grew to resent what lestat and new orleans meant for her.

runner-ups: rose of no man's land by byredo (i didn't think the spices fit, but could be that's a stepping stone for her)

claudia (paris)

i haven't tried this scent but i do love curatrix. so i think in a similar way to daniel's progression this is an older, sultry, woody-sweet rendition of what a younger claudia would enjoy. knowing curatrix, it's probably a bit intense, but for a woman duelling with the reality she will not ever be properly seen as a woman, i think it's very fitting! the cloves and tobacco lend age to it while the honey and vanilla sweeten it up a bit, dries down into a suggestion of ginger. i think the name would attract her as well. claudia owns being a vampire-- she loves it, wants so badly to be loved by the coven for loving vampirism, so the idea of fatale is definitely something she would gravitate to in my mind.

runner-ups: hypnotic poison by dior (similar wood themes with a bit of floral and fruitiness mixed in, but mostly, the bottle is cute) carmilla by immortal perfumes (the name, naturally-- also has a blood accord!! was my first choice until i remembered fatale exists)

madeline

gets a classic. i wore this for years before i started to present less feminine. it's clean, floral, sweet, a bit powdery, and stays on forever. not too overwhelming but def alluring. one of thee ultimate femme lesbian choices to me!

runner-ups: immortelle by chloé (still white floral with some tonka snuck in. i like the name for her a lot!)

santiago

i really have nothing to say other than this scent doesn't get very good reviews and it kind of pisses me off and that's perfect for him. def wears way too much of this and it pisses off everyone in the coven. the HEIGHT of gay man who is about to infuriate you.

okay i had a lot of fun doing this. so if anybody else matched my freak ab this i would LOVE to do more.

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cursedextrovert · 21 hours ago

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People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

#arcane #caitvi #vi arcane #caitlyn kiramman

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alpaca-clouds · 2 days ago

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Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

#arcane #arcane season 2 #arcane critical #arcane spoilers #league of legends #riot games #media criticism #character writing #pacing #netflix

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a-fatal-word · 1 day ago

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I saw the Theatre Du Châtelet production of Les Miserables, and here's a rundown wyth my thoughts:

In the Prologue, the first set of prisoners are on a boat, then a second group is brought in to help move it. I loved this direction, as we see the physical feats they are forced to do. Valjean is brought on separately to these groups. Guards also beat the men, conveying the aggression of this environment which impacts Valjean’s character.

Part of the set is a ramp up stage left, which gets used a lot. During the Runaway Cart scene, we actually see the cart go down the hill and fall on Fauchelevent and the actor really milks it, it's brilliant. The set has these two huge curved pieces, which are used to create multiple settings, plus box sets which helps separate different locations.

Claire Perot is a perfect Fantine, we understand her immediately. She is watched by all the men in the factory, which she's aware of but hasn't grown hardened as a protection. She's so vulnerable and clearly uncomfortable with the attention. I really enjoyed the 'J'avais Reve' ('I Dreamed a Dream') lyrics, and Perot's delivery of the line about Cosette being close to dying was PERFECTLY delivered. She stopped to take the moment, and it was the best I've ever seen it done. My favourite Fantine, maybe even including the film adaptations I've seen.

The pimp comes on with Bamatabois and has the lines with the sex worker that in the English version says 'only joking, deary knows her place'. When Javert arrests Fantine, the other sex workers start towards her but stop, clearly on her side but unable to stand up to Javert. This asserts the dynamic between these men, who always have more power in the situation, and the powerless women.

Champmathieu and two guards walk in from of Valjean during 'Le Proces' ('Who Am I'), so he sees whose life his decision will impact. It's a shame the actors look nothing alike, I feel like they could've given the actor portraying Champmathieu a beard 😂

I preferred the 'Une Poupee Dans la Vitrine' lyrics to 'Castle on a Cloud' lyrics, they're so much more specific to her experience as she dreams of playing with the doll Catherine. love that she sings about Catherine. I wish that the Catherine that Valjean gives her was bigger, though, it more resembles the size of a doll you would buy today instead of the large doll of the novel. Her broom is literally twice her size though, it's a perfect staying to reflect the famous artwork of Cosette sweeping.

The Sergeant of Waterloo Inn is a box set which covers half the width of the stage so you can see the snow outside behind this set piece, which really makes it seem that the inn is bursting with people. This really highlights how far the Thenardiers fall. We see Cosette and Valjean meet in the space away from the set, which is cold and isolated.

These Thenardiers feel genuinely dangerous; they're funny but there's less playing up to the audience. They dress similarly to the rest of the cast, but there's always something out of place. For example, in Maitre Thenardier (Master of the House), Thenardier's outfit is identical to an ensemble member's, but then his hair is unusually styled compared to the rest of the casts'. During the wedding, everyone wears black and white (white dresses and black suits), whilst the Thenardiers arrive in black and white striped outfits. It's like they try to fit in, but they're always off. I also enjoyed that the Patron Minette are in Maitre Thenardier, backing up Thenardier as he over charges someone (his wife has a go at him in a nice touch of ensemble work). It's like they're mates who then went into crime together. The 'Colette' line also remains.

During the confrontation, which happens whilst the nuns are present, Javert whacks out a giant gun which he points at the nuns, after that the nuns throw a bucket at him. When I say I DIED.

This Grantaire isn't the Grantaire we know, he's way too optimistic and put together. When he first started singing, I thought he might be Prouvaire or Courfeyrac and they'd given one of those characters those lines! It made me think that having Courfeyrac make fun of Marius would be so much fun, they'd get to have a bit more of a relationship there, and Courfeyrac could keep his snarkiness from the novel. But I still enjoyed his performance. This Grantaire still makes fun of Marius in jest, but he is as passionate as Enjolras and can easily jump into action mode. Their dynamic slightly resembles Achilles and Patroclus' in Madeline Miller's novel, in that Enjolras and Achilles are focused and charismatic, whereas this Grantaire, like Patroclus, jumps in to help the wounded. His protection of Gavroche is there, and Gavroche sings his final lines to Grantaire, before falling into his arms dead (Gavroche throws the bag of ammunition over before stumbling back to their side of the barricade with his hand clutching his stomach, resembling Eponine's demise).

The costumes for everyone are stunning. Fantine's deshevelled look is gorgeous and Javert has an incredible black leather coat. Enjolras wears a gorgeous slightly orange toned red coat, then a red striped waistcoat at the barricade, whilst Grantaire is in a green suit, with a top hat in the early Musain scenes.

In 'Bonjour Paris' ('Look Down - Paris') we see a group of middle class men walking to the front of the stage, surrounded by the poor they appear disgusted by, whom we are encouraged to judge.

Minor characters portrayed by the ensemble are given chances to shine, and this production really feels like it is presenting a society, as the novel does. A father and daughter appear in Paris, and this father then joins the revolution. He kisses his wife goodbye as she leaves the barricade, and it's heartbreaking when we see his corpse when they are defeated. We also see a member of the ensemble listen in to Javert's confession to Valjean when he has suspicions that he's an ex-convict. This moment especially evokes the small town attitude of Montreuil-sur-Mer in the novel.

Stanley Kassa's Enjolras is one of the best I've ever seen. He's commanding, serious, and clearly empathetic; having told Courfeyrac to keep watch whilst Valjean sings 'Comme un Homme' ('Bring Him Home'), he also keeps watch, and a couple of times looks back to watch over his sleeping comrades. You can really see that he has a lot going on internally, and is reflecting on the previous day and what is to come. Before sending the fathers and women home, he does this sigh to himself, and lets us in on the inner torment and regret that the people didn't join them. Kassa also dies leaning back off the barricade with his arms out, and he keeps them there until the barricade is removed, which is impressive given the time he has to keep this position for.

In 'Dans ma Vie' ('In my Life'), there are bars to the garden stage left, then bars projected on a screen in front of the set, so Cosette actually feels boxed in and isolated from the outside world in her garden.

Cosette telling Valjean about the 'four men scheming' (replacing 'three men I saw beyond the wall' makes more sense. She and Marius actually see the end of the Eponine, Thenardier and Patron Minette scene, so she tells Valjean as she has reason to worry.

They make the decision to have the barricade rise outside the Musain rather than the Corinthe, probably to simplify things. This also creates an emotional link, as they dream of creating a new world and it's next to that space that they try to achieve that new world.

This production's Prouvaire has a beautiful openness as a performer, he carries a little book on the barricade which feels very apt.

After the defeat, two national guardsmen, plus Javert, survey the barricade, which is covered in the dead, making them face up to what they have done. We also have the national guard giving the orders at the back of stage, visible through the barricade.

'Le Suicide de Javert' ('Javert's Suicide') is heart stopping; he is on top of one of the large set pieces and towards of the song is raised higher. His death is achieved by falling back 90 degrees and the screen in front shows a projection of him falling in slow motion into the Seine. This production takes place 5 minutes from the Seine, which really hits you in this moment.

'Seul Devant ces Tables Vides' ('Empty Chairs at Empty Tables') is done with projections of shadows on the Musain set, which is a wooden piece stage right. Of course we see Grantaire drinking, recognisable as the shadow with the top hat.

'Tourne Tourne' ('Turning') is performed as the moment the families have to identify the dead, such a unique staging choice.

When things get awkward at the wedding, the master of ceremonies asks the 'Maestra' to play a specific song. When things get awkward again when the Thenardiers are eating all the food, Thenardier tries the same thing and asks the 'Maestro' for a song (there was a joke were he said something that wasn't a song, but I can't remember what). The Musical Director is then revealed upstage when she corrects him that's she's a 'Maestra', which got a big clap.

Eponine doesn't duet with Fantine in the Finale until later than usual, so we get a beautiful scene between Fantine and Valjean where she puts his hand on the book before he gives it to Cosette.

Once Valjean dies, he gets to greet everyone in death, included Myriel, who he hugs, and Javert, who he shakes hands with. And Enjolras, who feels very central to this production. He's used a lot in the trailer and Stanley Kassa has the most amazing charisma, you really root for him.

Overall, I loved this production. A lot of the lyrics are tell the novel's story more explicitly and are still poetic at times. I especially loved Fantine's lyrics, and it's so refreshing to see a different take on the material visually. I really hope this production gets a longer life, and I'm so glad we have an album with this cast. They all have golden voices, especially Oceane Demontis as Eponine. I also have to shout out Juliette Artigala for her portrayal of Cosette, I thought she was so endearing.

#les miserables #les mis #Theatre Du Châtelet

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idolomantises · 2 days ago

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I’ve seen people make excuses for the writing by mentioning it’s all just set up for spin offs and sequels but… I don’t want that? Why on earth would I want to wait 3 years for a show to say “oh by the way these characters will get proper conclusions in the spin offs”.

Just tl:dr I’m over this series and don’t plan on watching any of the sequels or spin offs. Maybe if they introduce a hot robot character I’ll check it out.

There’s not even a promise that every single character that has an inconclusive ending (which is all of them btw) will have spin offs and sequel shows. I’m pretty sure they’re likely going to just use a completely different cast since League has a lot of characters.

I’ve seen arguments that the season is bad because it has very few episodes and wasn’t spaced out, and while I do agree the pacing is terrible I also… don’t even think this show could have been salvaged if they gave it a full 4 seasons. Because either way, it was going to end with a lot of characters being badly written, sideline and having arcs unfinished so it can be explored in sequels and spin offs (if that even happen).

One thing I liked about arcane is that it avoided a lot of really bad tropes that I’ve seen modern queer media weirdly struggle with. Arcane avoided the pitfalls written female characters, female characters used to push male relationships and very clearly abusive couples that are dismissed just because they’re gay.

Then season 2 happens and Mel becomes a disposable black woman trope, Sky only existed for male angst, Maddie is literally there for shock value and adds nothing to the narrative, Vi just… turned into that and Caitvi is toxic yuri in a way that’s very unfun and frustrating. These two are seriously so incompatible for each other, but they make out and have sex a lot so I’m sure this destructive relationship with warring idealogies will be fine. Please queer shows for the love of god stop assuming gay characters kissing and fucking makes up for their lack of communication and horrible behavior to each other.

Honestly I’m really disappointed that all these things happened to Sky, Mel and Maddie because watching fans tear apart female characters for 4 years just for existing and getting in the way of ships only for them to be exactly that and for fans to cheer about their suffering pisses me off so bad like girl… what the hell happened did the writers have amnesia. How do you write this show right after season one and fuck up this bad.

Maybe we should stop making videos about how tv shows write female/queer characters well until they’re actually done because this is getting ridiculous.

And yes I want to come back to the issue with how black characters were treated because I do find it pretty gross for Mel and Ekko to be absent for most of the show but then come back to basically save the day so fans don’t complain about how they were obviously sidelined for the sake of other characters. I dont really care for Ekko/Jinx but I did enjoy their time together in the AU.

And another annoyance is that this show did such an incredible job at introducing moral greyness to the show but then got scared to really commit to giving these characters any consequences. And I don’t mean like death or going to jail, but I mean holding grudges. I think Jinx is a very interesting and tragic character but she’s also… a terrorist? She caused the death of their friends and father? Like she’s a grown woman making these decisions. Having characters run around and risk their lives to save her felt a bit frustrating because yeah circumstances lead to this but half of these circumstances are also her fault. I really wish the entire season was about Vi choosing whether or not she was ready to forgive Jinx instead of basically accepting her back because Vander is back.

And VANDER…. Actually I won’t say anything because the more I mention him the more it pisses me off.

I have more thoughts but I gotta draw some comics so I’ll just leave at that. Disappointing season that I think is a lot worse than fans insist it is. It’s not one or two issues, it’s just compounding problems that won’t improve.

Thoughts on Arcane season 2

I didn’t like this season

It’s not bad, but I found it incredibly rushed, cramped and deeply unsatisfying

While season 1 had several protagonists it was also pretty obvious that Vi and Jinx were the emotional core of the entire show so why on earth was their dynamic barely explored here

Vi went from being my favorite character to a character I found deeply frustrating and annoying. What the hell is her personality of getting her sister back and fucking the hot lesbian. She has no consistency whatsoever and it’s something I don’t think the show realizes how batshit the constant flip flopping in. What do you mean you sister tells you she’s going to kill herself and then you start fucking your messy situationship

I don’t really care for Jayvik but I found Jayce’s confession very sweet.

Mel my beautiful queen they’re gonna call you a Mary Sue

What the fuck was with all that Witch shit and Ambessa’s death was incredibly unsatisfying

Victor fans who kept begging the team to not make him a hot buff robot so he can still be a skinny twink pisses me off so bad because now we have an inferior twink robot design. I know fans probably didn’t influence this but I also need to complain about their lack of taste like what do you mean you didn’t want to see a hot buff robot man.

Ekko feels like an incredibly unimportant character and I’m pretty sure fans only like him because of what he can do for Jinx. A part of me wished he actually did hold a grudge just to see how fans reacted.

Season 1 was all about setting up emotional complexities and how nobody was truly evil and the show made it seem like there was no way for anyone to fully recovery from this but everyone is holding hands and singing kumbaya’s so alright nevermind then

This show was honestly a little too in love with Jinx. I did not enjoy her writing in acts 1 and 2.

The jokes were really bad this season

The songs oh my god the SONGS. I didn’t mind them in season 1 but in season 2 it started to remind me of love is blind and anyone who has watched that show would know what a massive insult that is.

Caitvi lesbian sex scene and I couldn’t even enjoy it because the writing was pissing me off

Caitlyn should’ve continued her little fascist arc.

Mel’s arc this season felt like weird fanfiction.

A bunch of random side characters die off unceremoniously after the show gave them so much unnecessary screen time

I hated Isha sorry. I’ve never seen a character more clearly made to die.

Jinx death means nothing to me because I know she isn’t dead so why even do all that lol

I will never call this show sexist but it has done a massive disservice to its female characters.

#txt #arcane spoilers

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brownnbears · 2 days ago

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Yeah as I suspected the end of Arcane was incredibly unsatisfying and just too busy. They tried to cram so many characters and situations in all at the same time and it just made it to where everything they intended to be emotionally impactful didn’t even have any time to sink in before the next thing happened. Mel, Isha, Cait, Jinx, Vi, Jayce, and Ekko all had way too much in their story for just 9 episodes. With the amount of stuff they wanted to put in there it should’ve been like 4 or 5 seasons AT LEAST.

I’m incredibly upset with how they finished with Jinxes character. They strayed so far from the 2 sisters plot and at the end they had no idea how to wrap it up so they pulled a stupid emotionless cliché.

Spoilers past this point

I was sick of the whole Vander Beast thing after like the 2nd episode. He either should’ve stayed dead since the beginning or died when Isha blew them up. Essentially him and Victor surviving meant Isha sacrificed herself for nothing.

There was a whole scene where Jinx was literally trying to end her life and Ekko came to tell her that she could break the cycle by making the world better rather than killing herself. I believed her whole arc was going to finally breaking free from her past and moving on with her life as someone new, her true self unrestrained by Vi or Silco or anyone. So she could make a world that Isha would’ve been happy to live in.

And then all that gets thrown out the fucking window because they wanted to pull a “oh the evil sister sacrificed herself for the good sister so that in her final moments she’s good ohhh aren’t you feeling emotional right now” literally makes me sick. A pointless death and a waste of a character, honestly a waste of a couple of characters because everything Ekko said? Meaningless now. Isha’s sacrifice? Meaningless. Jinxes character arc for the last 2 years? Doesn’t matter just poof. All so Vi can do the same thing she’s been doing since day 1. Genuinely what did Vi learn or gain from Jinx sacrificing herself other than another stone on the pile of “people I killed indirectly by being ignorant.” It’s genuinely fucking stupid lmao

#arcane #isha arcane #caitlyn kiramman #jinx #jinx arcane #caitvi #jinx and isha #arcane s2 #arcane season 2 #caitlyn arcane #jayce arcane #arcane spoilers #vi arcane

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silcobrainrot · 2 days ago

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***SPOILERS FOR THE FINALE DO NOT READ UNTIL YOUVE WATCHED***

I know TBSkyen has told us to sit with it for a while before deciding how we feel about the ending but I’m sorry I don’t think any amount of sitting with it is going to make me okay with them killing Jinx. The way she died wasn’t satisfying, the sacrifice meant almost nothing, and all the effort of those around her to keep her alive ended up going nowhere. Isha ends up being completely pointless because she’s only a plot device not a proper character and Jinx dies anyway. I don’t see how this was a satisfying conclusion to her narrative arc and character arc, I just don’t. Any supplemental material that makes it so she’s still alive in the games doesn’t matter to me because in the Arcane canon she is dead. To anyone not playing the games she is dead.

It’s making it hard for me to even want to rewatch it or enjoy what else was there because I’m just. I’m so goddamn fucking tired of seeing mentally ill characters have to die to lift the burden of their existence from others. Vi was so well adjusted and happy after. No mourning. No funeral/end of life rights. Her death was sudden and contrived just for some extra shock value. It didn’t feel like a tragic death, like out of a tragedy, bc this season wasn’t structured like a tragedy the way the first season felt. Her death didn’t feel inevitable and I’m furious because out of everyone. Out of EVERYONE. She deserved to live through this. She deserved to come out the other side of all her pain and suffering. She deserved to walk away from it all. But she didn’t. Because Borderlines are evil people and people with DID are evil and the only way they can redeem themselves is to die. The only happy ending is with them dead. The other two characters who showed suicidal ideation are also functionally dead. Whether or not they’re literally dead, the story’s over, they’re as good as dead.

Dont even get me started on how in her last moments she doesn’t see Isha or Silco (the two characters we SEE HER have a genuine familial bond with), only Vander (whom she has two sequences with in s1, the longer of which had no dialogue and was still less than a minute). She burned down The Last Drop—which she associated with Silco more than Vander now—to break the cycle of violence by killing the last connection to her past, she’s finally free, and then she fucking. Dies. Anyway.

God I want to enjoy what we did get but I just. I’m so tired of the end of my story always being that I have to die so other people can live.

#yeah yeah yeah I’m projecting onto a character fight me that’s why characters exist #that’s why we invented fiction. to project and relate.#jinx is everything I would have been if I hadn’t gotten help #if you don’t like anything I’ve said here just block me or whatever cuz I’m not taking criticisms at this time #arcane #arcane spoilers #arcane season 2 #arcane s2 #arcane s2 spoilers #season 2 spoilers #spoilers #arcane jinx #jinx arcane #jinx #rant #rant post #vent post #personal vent

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the-algebra-thing · 1 day ago

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the misogyny deal that I'm hearing about with the lesbian ship being endgame and everybody now discarding them and being more invested in the straight ship or the gay one is like. god like i get it I do. it is tragic it feels wrong. it's so fucked up that everyone is going utterly insane over jayvik and caitvi is kinda in the dust. we literally scored a show with a central lesbian relationship that is fully canon and in theory this should be insane and awesome, and in some ways it is, but it's somehow not nearly as exciting as it was supposed to be. and I don't think the misogyny is completely on the viewers, if at all.

the reason that people are not as invested in it now as they were in season one is because the writing ended up accomplishing basically nothing solid in the whole damn show, and there were no through lines to latch onto that had meaningful or new themes attached, and so now everybody is flailing for anything to grasp onto. and they just didn't write caitvi in season 2 to be a good handhold. they started a lot of cool things with them and then changed direction in the middle, maybe even several times, and I also feel like the fuckass end to jinx's storyline and involvement (which I have plenty of thoughts about that I shan't get into here) kind of wrecked anything they would've been able to salvage from it. it just wasn't written in a way that is easy to parse or navigate—the ship OR the show in its entirety.

and so people are reaching for the easiest things to latch onto: timebomb had a simple, straightforward storyline and tragic ending, and it was pretty cute I guess. jayvik had one of the most central storylines to the narrative, was supremely gay, and did the howl's moving castle thing. I'm sure you can see which of the camps I'm closer to LMAO but like. caitlyn and vi DID have lesbian sex in a prison cell and I think that was very important, and they had some other concrete things going for them, but beyond that?? they're still alive and together but now they're kind of physically and mentally destroyed, and grieving, and for what. what was their story even about. what was the theme here; what were we trying to say with this. that oppressed people and cops can get married to each other and we should be happy about it?? like I dont get it; it didn't DO anything. and that's why it's falling into the background. and that's not on shippers or any of us, that's on the writers, for failing lesbians Again.

a theme isn't just a word or a statement. you've got to say something new, or say something old in a new way, or point out something new in something old. none of those things happened. they just threw some characters onscreen and some of them had very meaningful relationships, but because those relationships weren't tethered securely to one of these things, they didn't stick. vi and caitlyn had nothing to stick to. I don't like it either but I think that's why this is happening. the idea about lesbians getting trampled on is still relevant, I just wouldn't blame each other so readily

#arcane #caitvi #jayvik #arcane spoilers

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ashlynnfall · 3 days ago

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group project with jayce and vi - arcane x reader

summary: blurb about you being stuck with vi and jayce for a group project

tags: arcane fluff (because we deserve it after this show), no spoilers (but mentions of s2 scenes and characters), silly, stupid, reader insert, school au, no trauma au, hextech exists in this world, somewhat ooc vi and jayce

warnings: cussing

word count: about 2.4k

a/n: this is inspired by the current vi and jayce accomplishing nothing memes. i love that joke so much, so i decided to write a little story about it! also jinx remains as powder in this since no tragedy has happened. this is my first fic ever, so any advice on how to be a better writer would be greatly appreciated! thanks for reading, and i hope you enjoy <3

------------------------------------------------------------------------------it's your favorite class about your favorite subject full of your favorite people, so what could go wrong?

literally everything, apparently.

your teacher, mr. heimerdinger, announces a group project to the class. soon after, everyone chatters in excitement because you all like each other, so no matter what, you'll all end up with a good group. he starts calling names and organizing people into groups of three. as the options for your group narrow down, you look around to see who hasn't been called yet.

vi...ekko...ooh mel would be great for this, you think to yourself as you survey the crowd.

"mel, ekko, and caitlyn! you're a group," heimerdinger calls out, causing you and the class to frown.

"ugh, talk about unfair," one student murmurs.

"viktor, skylar, and elora, you're a group."

the options keep getting smaller, and as you look to see who hasn't been grouped yet, a horrible realization hits you. all that's left is you, vi, and...

no.

"jayce," heimerdinger says.

stop it now.

"vi."

this isn't happening.

to your dismay, heimerdinger calls your name. you turn to look at vi and jayce who are sitting next to each other, currently celebrating the pair up.

"hell yeah!" vi exclaims, raising a hand up to high five jayce. jayce enthusiastically moves his hand to hers-

and misses her hand.

seriously, how do you miss an unmoving target?

you watch as these bumbling fools try two more times before they can actually hit the high five.

you've got to be fucking kidding me.

jayce talis, the golden boy of the grade. he's a genius inventor with incredible ideas that will take him far in life. known to be smart and charismatic, most people would love to be grouped up with him for any assignment. as one of heimerdinger's star pupils, being his partner should be good news right?

wrong.

vi, the cool girl of the grade. she's not the most academically gifted person, but she does all of her work and tries her hardest to contribute to the group. she's known to be an amazing fighter and has a gift for making people feel better. rumor has it that caitlyn kiramman once went on a total rampage after losing her mother's expensive necklace. she was a raging asshole for a week, spewing mean things to anyone who stood in her way. vi was out sick for that week, so there was no one to console caitlyn.

when vi returned to school, she called caitlyn "cupcake" one time, causing her to switch sides immediately, reverting back to the sweet girl she's known to be. oh, and vi found the necklace too!

so a team up between a boy genius and a girl with a big heart should be amazing news. however, despite all of their incredible traits, when jayce and vi work together, all of that shit disappears.

they've been paired up together for projects before, and they're the only ones who love this match up. everyone else reacts in horror.

they're always onto absolutely nothing, cooking up plans and ideas that fail so miserably, it's almost impressive. during a lesson on hextech, they had the simple task of using a comically large hammer to aim and hit a target. the hammer was too big for vi to hold alone, so they used the power of friendship to hold it up together. they aimed for the target, and shot a blast.

it completely missed.

in fact, they missed so bad, that it ended up shooting through a window, resulting in it completely shattering. students had to dive for cover from flying glass shards. this prompted a severe tongue lashing from a very angry heimerdinger, who now had to pay for window repairs and do paperwork.

there was another time where they were sparring with some older classmates, got way too into the fight. they were in the middle of hyping each other up when a kid accidentally got in the way of their brawl. they totally knocked him on his ass, the poor thing got sent straight to the ground.

he recovered soon after, but he went home with a bloody nose the day of the impact. jayce was the one who dealt the punch, so he was wracked with guilt for the child he just injured. he sent the family some flowers as an apology, to which the mom responded with dead roses and a note saying: "eat shit".

he is not popular in that family.

knowing you're in for a disaster, you accept your fate, and walk over to a beaming jayce and vi. they are so excited to be partnered up with you, and it would be sweet sight if they weren't, well, them.

"this project is due next class, so please decide on a time outside of school to complete this. we have a lecture to finish," heimerdinger instructs.

vi offers her house, to which you and jayce agree. you're supposed to meet there about four hours from now, which isn't nearly enough time for you to prepare for the bullshit.

here we go.

------------------------------------------------------------------------------

four hours later, you're knocking on vi's door, trying to calm your already spiked nerves. it swings open to reveal a small girl with two blue braids.

"hi!" powder exclaims as she wraps you into a tight hug. it's been a while since you've seen vi's little sister, and you're relieved to know that at least one person in this house has sanity.

the two of you catch up for a bit while you wait for vi to bring you upstairs. powder tells you about her little crush on ekko, rambling happily about their adventures while you laugh at their antics.

ten minutes pass and vi still hasn't come down to get you, so now you're annoyed. that annoyance quickly turns into concern as a loud bang from upstairs shakes the entire house.

what the hell?

you and powder rush upstairs to see what the commotion is about. nearly ripping vi's bedroom door off its hinges in fear, you two run inside to make sure everyone's alright.

you look at the scene with disappointment as you see dumb and dumber standing in shock, eyes directed to the damage they just created. there's a giant dent in the floor, no doubt made by the hammer in jayce's hand. vi's giant gauntlets are at her side, which leads you to infer that they were sparring before the impact.

jayce is always doing some type of extreme damage with that hammer, you facepalm as you take in the scene.

you give them both a withering glare then yell at their foolishness.

"you idiots do realize that we're supposed to improve the hextech, not destroy buildings with it, right?"

powder runs downstairs to tell uncle vander what happened, and you sigh in frustration while the other two carefully set their weapons onto the ground.

"sooo...we should get started on the project now, yeah?" jayce offers as his hand rubs the back of his neck, clearly trying to fix the mood.

you let out an exasperated sigh.

"yeah, let's get started."

vi and jayce add another disastrous duo moment to their record. you've lost count of all their failures at this point.

during the entire project, they say stupid ideas or do reckless things. jayce swings the hammer around with zero regard for his surroundings, and laughs whenever vi sticks up her middle finger in the gauntlets. whenever one of them says something that sounds remotely smart, the other one says, "EXACTLYYYYY."

"do you think if we wrap the hammer in foam, we can prevent it from breaking things?" vi asks jayce, who shoots her a look of disbelief.

"you can't be serious," he responds in a critical tone.

you nearly jump for joy as you watch their interaction. for the first time ever, there's hope that one of them will finally be smart in the other one's presence.

"we should wrap it in air pillows, not foam. regardless, that's a great idea! we should test it out," jayce enthuses as he reaches for the hammer.

your hope shatters into a million pieces, just like that window they destroyed.

"no, no, no, no, no!" you interject as you swat his hand away, preventing them from causing more destruction.

"what crawled up your ass today?" jayce asks, offended by your behavior.

"heimerdinger's foot definitely did because you keep screwing up on his exams. don't hate on us because you have a D in this class," vi insults as she completely airs out your business in front of jayce.

jayce yells "OHHHHH" in response, then goes to dap up vi for flaming you. putting your head in your hands, you practice deep breathing so you don't completely lose your shit. it's not your fault that runes and hex crystals are so confusing!

uncle vander stops by shortly after the argument to inspect the damage, loses his mind, then goes to call uncle silco for assistance. you, vi, and jayce continue the project and pretend like vander isn't infuriated with all of you. you didn't even do anything but you still get wrapped up in this mess.

halfway through the project, vi gets a facetime call from caitlyn, to which she immediately responds. if you had a dime for every time vi called her "cupcake", you'd be a millionaire.

things get even more annoying when jayce gets a facetime call from mel, who he also immediately responds to. your friends yap to their girlfriends while you continue working on the project, silently reflecting on how terrible your luck is.

despite their annoying tendencies and horrific performance as a duo, they're somewhat helpful during the project. jayce uses his hextech knowledge to create solid ideas for improving the weapons. the secret to getting him to be his genius self? tell vi she isn't allowed to speak or be in the room while he works. you gave the same rule to jayce when it was vi's turn to contribute, and she actually came up with solid ideas for weapon functionality and protection.

turns out, separating them is a brilliant idea. you mentally pat yourself on the back for your effective plan.

the three of you finish the project and decide to do a movie night in celebration. jayce and vi miraculously land a high five first try, which makes you smile. they then take turns giving you a high five, making your smile wider. the pair gets too confident and tries to do a complicated handshake, which per usual, goes terribly.

jayce accidentally smacks vi (how does this even happen?), and vi punches his arm in return. the two playfully duke it out while you pull out your phone to record them for your private story. you caption the video "mfs when they horrifically fumble a situationship".

when they finish the fight, you realize you can't be their babysitter anymore. desperate to not be stuck with the moron brigade, you ask to invite the rest of the friend group, and vi agrees, complimenting you for coming up with a great idea.

"it's pretty easy to have great ideas when you two are full of terrible ones," powder shouts from the kitchen.

even though vi is taller, older, and arguably stronger, she is always getting destroyed by powder in a verbal battle. it's what makes their dynamic so amazing. vi opens her mouth to shout something back, but you put your hand on her shoulder and shake your head, letting her know it's no use arguing back.

about thirty minutes later, you're sitting in the living room with vi, jayce, mel, caitlyn, ekko, viktor, skylar, elora, powder and her new friend isha, claggor, and milo. you all watch a comedy movie to unwind from the stress of the day, and soon become thoroughly entertained by the movie's ridiculous humor. jayce and vi throw popcorn at each other, which annoys everyone. knowing there was no stopping them, you and mel make a bet on who will win. you choose vi and she chooses jayce like a supportive girlfriend.

mel slides you a crisp five dollar bill halfway through the movie.

as you sit and watch, surrounded by your friends who are full of the happiness and light that they deserve, you decide that maybe a group project with vi and jayce didn't turn out to be such a bad thing after all.

the hangout is full of jokes, silly arguments, laughs, and unbridled joy. even vander and silco stop by to check in on everyone from time to time, smiling at each other as they reminisce about their days as students. whenever those two enter the room, vi and jayce's bodies go rigid with stillness, trying to attract as little attention as possible from the angry set of uncles.

it was an amazing night of bonding with your friends and basking in the comfort of good company. you make a mental note to plan more of these, hoping to give your friends the enjoyment they deserve. when the movie ends, everyone gets off the couches to clean up as they discuss their thoughts on the movie. vi approaches you with a big grin on her face, then has the audacity to deliver the following line:

"this was so fun, the three of us should totally be partners again!"

since you're in such high spirits, you consider giving jayce and vi another chance. maybe they aren't all that disastrous, and maybe, just maybe, they can prove to be a competent duo-

"totally! for our next project we should try seeing how powerful a hextech blast can get! maybe we should go to the park and shoot it into the sky?" jayce schemes while vi's face lights up in excitement at the prospect of another hextech hangout.

never mind, you roll your eyes and mentally chastise yourself for even thinking of giving this another shot. these morons couldn't find a way out of their own asses if they were handed a map.

you fervently shut down their plan before they try making any more.

"absolutely not."

jayce and vi are definitely going down in history as one of the worst duos of all time.

#arcane #arcane x reader #arcane fluff #ridiculous #vi and jayce #vi arcane #jayce arcane #arcane league of legends #arcane season 2 #arcane au #arcane season 1 #arcane oneshot #arcane drabble #jayce and vi drabble #jaycetalis #vi

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hestzhyen · 3 days ago

Text

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

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DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

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All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

#kagurabachi #sazanami hakuri #Being an abuse survivor isn't the crux of who a person is #But it leaves permanent invisible scars that they define themselves around- knowingly or not #Promise I'll never get this personal again #long post #Only partially fueled by annoyance over how many people don't seem to understand Hakuri's character #He didn't get so much thoughtful and intricate development to be written out or killed off either #This is just my extremely long Hot Take but dammit I'm so tired of people asking why he's still around or why he's pushing himself so hard #Don't get me started on the BS about him “needing” to be nerfed either #Or giving up his sorcery to wield an enchanted blade #Writing another essay in the tags is how we roll around these parts

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