#literally all they have to do is change the settings

[salemlunaa]

✰THE “I AM” STATE: do you understand? ✰

let’s clear things up!! a revamped logical, explanation to the void state

a lot of you are “failing” to induce pure consciousness because you don’t understand.

If you feel like you need a routine to shift/tap into the “I AM state”, you don’t properly understand what it is

If you feel like you need a good “mental diet”, you don’t properly understand what it is.

If any doubt has creeped into your mind about the void/“I AM” state, you definitely don’t properly understand what it is.

If you feel like you need a method, you don’t property understand what it is.

If you feel as if you MUST stay still, you don’t properly understand what it is.

And if you compare your story to others, you don’t properly understand what it is.

The void state is a deep mental space where you let go of thoughts, emotions, and any sense of “you” as a person, almost like floating in a blank, quiet space. In this state, your brain shifts to slower frequencies, like theta waves, which are linked to creativity and openness in the subconscious. With the conscious mind quiet, your subconscious is more receptive, so any intentions you set can bypass mental barriers like doubt and self-limiting beliefs. People often reach this state through meditation or deep relaxation, opening a space where you can set intentions that stick. This isn’t magic—it’s a psychological and neurological process that aligns your subconscious with what you want to achieve, making you more likely to act in ways that bring those desires into reality.

So you see, it’s literally just a state where all your intentions can come into fruition without the barriers of the 3d. It’s not some magical thing where your soul lifts to some higher places and a genie grants all your wishes. It’s just pure consciousness.

So you don’t need a routine for something effortless. You don’t need to have a “good void concept” or a “good mental diet” to do a basic ability. You don’t need an elaborate ten step method to induce pure consciousness. You don’t need to be a productive manifestor who has a routine where you repeat the same affirmations till your brain goes numb, where you listen to the same subliminals over and over and over. It’s not something you need to do. Not for something as easy as breathing, not for something that is in your fucking brain. You can have the worst day with the worst thoughts and still induce pure consciousness. Because it’s not something you need to mentally prepare for, it was never and is never that deep. Doubting that just shows you don’t truly understand what you’re dealing with.

Having doubts means you don’t truly understand. why? because it’s not something you get to doubt. It’s not some belief that can be speculated against, some superstition that can be proven wrong or some conspiracy theory that can be debunked. It’s a basic ability, it’s law, something that is law cannot fail, no matter how much you want to convince yourself, it’s just not possible for it to fail. Why wouldn’t you doubt that humans have the ability to breathe, because it’s not that deep, it’s not something that you speculate on or something you get suspicious of, because its nothing, just like the void.

There are people who fell asleep in an apartment and woke up in a penthouse, there are people who went to bed with nothing in their wallet and woke up a billionaire. There are people who went to sleep hating their family, the way they look, where they live and woke up with all of that changed. And why? because they induced a state where their intentions can come to life with out any limitations.

You can do it, and i’m not saying that to be sappy and motivational, im saying that because it’s a fact that it’s a basic thing that you can do.

It’s just pure consciousness, nothing too serious 🤭💋

[mistresscitrusslice]

The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

[snuffysbox]

Some thoughts on Dragon Age Veilguard and Rook.

I'm currently only halfway through Act 2, so no endgame spoilers, but I have thoughts about the game that I doubt will change with the ending.

It should have been the Inquisitor's continued story.

Straight up.

I don't hate Rook, far from it, I think they're charming most of the time and the VAs do a good job with the acting, but Rook is just a Guy ™️

They're literally just a person who has no special qualifications for leading the Veilguard, aside from being Varric's partner. All of your companions are far more qualified experts in their field who easily outshine Rook in their chosen faction. Rook is just their manager, making sure they all have what they need in order to save the world. They're the Commander Shepard to their crew, if you're generous. But Rook doesn't hold the rank of commander, they're just a mildly controversial figure within their faction. Yes, Solas is in their head, but he's not particularly helpful most of the time (likely because his role was diminished after the pivot from Dreadwolf to Veilguard).

Like, I like a regular dude being thrust into a story as much as the next guy, but when the motivation is just 'Rook wants to save the world because they live in the world and it would kinda suck if it was blighted by the gods', I feel like that's not quite enough. Yes, you get some more direct stakes if you play as an elf, but that's one choice of four potential races, so I don't think that counts.

The Warden was also just a Guy™️before Duncan recruited them, but they were one of the only few wardens left. Hawke was just a Guy™️but their story was much more personal, and what was at stake was moreso Hawke's family and friends. The Inquisitor was just a Guy™️but their ability to close rifts gave them a unique role within their organization.

None of the other protagonists were replaceable (within their story circumstances). I feel like Rook is kinda replaceable. If they got knocked out for a week and couldn't lead the team, any of the other companions (especially Harding or Davrin) could easily take over.

Imo, it would make a lot more sense if Varric and the Inquisitor had been the ones to track down Solas. It would make a lot more sense for Solas to be stuck inside the head of the Inquisitor. It would make more sense for them to be leading a new, smaller team after the dissolution of the Inquisition (or even if not disbanded, they could have left Cullen or Cassandra in charge).

I know Veilguard went through production hell. I know they had to pivot away from live service multiplayer. I know it's insane they even made a final, polished single player game after such a pivot. I know they were probably expected to make something to please the masses or risk studio closure.

I just think it's such a shame that what we got has so little in common with earlier titles, especially lore-wise. Rook is not a terrible protagonist. But the Inqisitor would honestly have been a superior choice, in my mind. Same new companions, same setting, same antagonists.

I'm sure a version of that exists out there somewhere, as an early concept. I'm just sad we didn't get to see it.

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[httyd-art-requests]

Heya! I wasn't sure if this was a legal request since it wasnt listed in your bio, but it is an official httyd video game

I'd love to see the goofy guy Patch from dawn of new riders! Chimeragons really made one appearance, became way too op, and then disappeared into obscurity. But look at the guy...he so ugly and goofy I love him

Your art is gorgeous btw!

( @yuendelahoya )

So funny story. I watched a playthrough of this game when it first came out in 2019, and it's been on my wish list ever since (mostly because of the flight mechanics lol) And now that I found these asks in my inbox again, I checked the Nintendo Store just in case, and it had a 55% discount??? So I got the game and spent the last 2 days playing it and now I'm a changed man (as of posting this, the discount lasts for 2 more days!)

Dragon #124 - MLM Patch (and Scribbler)

I hope they're doing well, wherever they are...

More thoughts and spoilers for the game under the cut!

I made Patch MLM colored instead of some other random Chimeragon, because the game has shown us that he can change colors with every rebirth, which I think is pretty neat :) It also explains why neither Scribbler nor Eir recognize Patch, even after he grows to be a Broadwing and then a Titanwing- if he changes his colors every time he hatches again, then yeah, no wonder they believed there's more than one Chimeragon

I knew what the big twist was going to be at the end because of the playthrough, but MAN does this game not hold its punches. The writers really asked "How can we elevate the Best Friends Forever thing to a whole new level?" and then made Scribbler witness the death and rebirth of his best friend, and now I have to draw these guys with literal tears in my eyes 👍

The sentiment that their friendship literally transcends life and death is so meaningful to me. Patch will continue to die and resurrect, and Scribbler will be there every time to welcome him and forge their bond all over again. The mystery of Scribbler's past, his involvement with Grimmel, and the open ending leave so much room for speculation and theorizing and it's just so incredibly up my alley, it's like it was made in a lab for me lol

This game ended up being a lot darker than I was expecting, but it was honestly so refreshing. The mechanics are simple enough for younger kids to learn, and the artstyle is very evidently targeted at kids as well, but some of the dialogue and the entire theme of death and inevitable loss feels surprisingly mature in contrast. They make you go to Vanaheim and hold a burial for Patch before he resurrects, literally what other kids' game does that?? /pos

Anyways play this game, it's a short and sweet little self-contained adventure, which accomplishes the one task it set out to accomplish: making me cry, specifically

[synthaphone]

Allowing myself to go on a tangent about the nearly 26 year old virtual pet website that i am way too invested in.

So today they released the Candy Pteri. While I appreciate what they were trying to do here with it effectively having two designs that you get to choose between (The "Melted Candy Pteri" on the left is a Paint Brush wearable that can be removed to reveal the customizable base pet on the right), I think in this case, they have created two extremely boring designs when they could have easily created one strong design, or hell, even two strong designs if they wanted to do extra work.

Because with this release, we get a base Candy Pteri with no real lineart changes (like the rounded hair tufts and spines on the Candy Zafara), and an alternate design that's just... a drawing of a Marshmallow Peep™???

I would have WAY preferred a base Pteri where they did something like give it a little marshmallow dollop shape on its head and in place of the tail tuft, like my friend @darieyrie suggested. Or they could give it the Peep dot eyes and more rounded features! There's all kinds of ways you could do this concept.

I'd be less frustrated if the Peep wearable had any Pteri traits whatsoever, but its JUST a Peep that's been slightly microwaved. Which is a little funny, but even more than the Toy Poogle is just an iDog, the Candy Pteri does not have any deviation from its base inspiration at all. It's not actually an execution of the concept of "Candy Pteri thats based on a Peep" if there's no Pteri left at all!

(also are they just banking on the Just Born corporation (who make Peeps) never taking any action on this? it kind of goes beyond 'cheeky reference', its EXACTLY their product. I mean, it seems unlikely that they'll notice or bother doing anything if they do, but i don't really know why you'd risk that.) The saving graces of this design, imo, are that the pink and cream color scheme of the base pet IS pleasant (though the lineart and shading treatment aren't really my bag), and some people will enjoy the novelty of having a pet Marshmallow Peep™.

But really this is just the latest of a number of recent outfit and color releases that feel like they don't think people want Neopets. Like. This cardinal outfit that they also released today.

I love the idea of a cardinal Pteri! But this outfit literally takes away every distinguishing trait of the Pteri to make a high effort, nicely rendered, but stylistically incongruous generic cartoon cardinal????? Its not even a Neopet anymore!!! Even if I set aside my personal dislike of the overly rendered style they're using for more and more of the site assets, this wouldn't work with most of the rendering removed either, because it would still be a Pteri in pose and proportions only.

Not every new design and outfit that's come out in the past couple years has these issues and there have been a number I've really liked, and I DO think its great that the quality of the art has improved since the JumpStart era. But I would really appreciate it if the new pet colors in particular were designed a little more thoughtfully, so that they at bare minimum still resemble the species they're supposed to be outside of the rough pose and proportions. It sometimes feels like there isn't a rough draft or workshopping progress for new colors, and the members of the art team just kind of do their own thing and then the very first draft of an idea is what gets polished and released.

The current art direction for the customization aspects of the site just has me feeling like they've decided to throw out years of relatively cohesive art and world design for a strange jumble of ideas that don't really capture the appeal or feeling of Neopets to me.

[i-do-not-even-know-why]

Some people were talking about Vi's "hypocrisy"...

(Spoilers below. Read at your own risk.)

And nope. Those are lies. Slander. And here are receipts proving the same...

Saw a few folks calling Vi a hypocrite because she prevented Caitlyn from taking the shot at Jinx. Since there was a kid in the way. Even though, APPARENTLY, Vi was all for it during season one when Jayce was concerned.

Jayce didn't want to kill the boy. He was aiming for someone else. The shot hit the little man because Jayce didn't even notice him there. He thought there was no one in the way.

That's why it hurts so much. That's why it stings and breaks Jayce's resolve. That's why he is disillusioned. He just wanted to do magic. Make the world a little better than before. And instead, he is now playing politician and soldier. And claiming lives.

This is Jayce's reaction when he sees the boy who died because of him...

And this is Vi, realising how much it's affecting him...

It's the intent that matters here.

Jayce didn't mean for the blow to land on the boy. If he knew the kid was there, Jayce wouldn't have taken the shot.

Caitlyn on the other hand wanted to shoot at Jinx while knowing Isha was in the way. She wanted to do it despite a kid literally acting as a human shield for Jinx.

I don't care how great of a shot Caitlyn is. When you risk a child's life, even if it is for the greater good, that's already taking it too far. And considering the fact that Vi clocked Caitlyn going in for the kill, you really think Isha wouldn't have?!

Once the bullet is out, no one can control it. Not even Caitlyn. And that very well could have led to Isha's death.

That kid wants Jinx around. And she is willing to die in the process.

Another point to note is the context.

Vi and Jayce were trying to dismantle the distribution of Shimmer. And when Jayce saw what it took, he pulled away. Vi didn't want to.

Silco's death was important to her. But it was now even more imperative because a kid died in the process. His demise would have been in vain if they didn't finish what they set out to do.

Vi and Jayce almost come to blows over it. And once Jayce lets her keep the gauntlets and walks away, there is Vi mourning the needless loss of a life...

I don't really understand what part of all this is hypocritical on Vi's end.

In the first instance, the kid had already died. In the second, Vi was making sure that didn't happen again.

And you know what? Even if it was hypocrisy, people are allowed to alter their motivations and decisions in the face of such fucked up and traumatic experiences.

Or in general, even! That's essentially the whole point. It's the push and pull of everyday occurences which help us evolve. Either for the better, or the worse.

Here's Jayce. Broken over the life he took...

Vi sees it. And of course she wouldn't want for it to happen to someone else. Especially Caitlyn.

Vi knows Cait is not the kind of person who would go through with it in her right mind. And that's the thing. She isn't in her right mind. Grief has overtaken her and now she will make sure it becomes everyone else's problem.

Also, if not being hypocritical is so important to you... How can you still stand with Caitlyn? What she is doing goes against not only who she is as a person, but also what she set out to do.

And that's the kicker, isn't it? Change is the whole point. They are undergoing tremendous amounts of irrevocable damage that will leave lasting impressions.

Caitlyn is so blinded by her desire for revenge that she doesn't even register any remorse. She is adamant on going after Jinx, no matter the cost. Even when it's at her own expense.

And for the people limiting Caitlyn's arc to nothing more than a sexy lady telling the world to go to hell...

Please open your eyes, or at least allow the others, to understand the layers of oppression she represents now. Not only to Zaun and the people of the Undercity, whose only fault was being born in the wrong place at the wrong time, but also for Vi.

That blorbo has gone through so much already. And obviously she has made mistakes. The whole premise of the show revolves around this facet. 'Cause that's what people do.

However, it's how you deal with it that counts more. And maybe it's just me, but holding your favourite characters and people accountable does not really lessen your love for them. Being blind in your devotion will definitely. 'Cause the disillusionment which follows is not pretty.

Know that I don't mean to offend anyone. Nor do I wish to criticize your perspective. If you feel attacked by my points because you made a joke or something over the issues I talked about here, that's not my fault. Nor my intent. Don't take it personally.

At the end of the day, it's just a show. You do you. I just cannot sit back when people spread misinformation or make baseless ignorant comments that are NOWHERE close to the truth.

It just takes a few minutes to fact check yourself. Seconds even, if you know how to do it. Maybe it's my fault for expecting better.

Anywho, that's it on this from me. Enjoy the show! And live and let live!!!

[gotskamstuff]

Jonas Pate better be on the phone with Rudy Pankow right now as we speak BEGGING him to do it for one more season and change the script for S5, find a way to fix it… ‘cause this ain’t it.

How can you do that to a show and character you’ve been dedicating almost 6 years of your life? And not doing it for literally only ONE MORE season!

That’s what I can’t wrap my head around, it’s not like they are planning to go on for years and years so you’re like “nah can’t do that” and it’s understandable… BUT ONE MORE YEAR, 6-7 more months on set, to give a dignified conclusion to a story and a character you’ve been playing for YEARS and that started your entire career. BOY GO FINISH WHAT YOU STARTED FOR ONE LAST TIME!

I truly hope this backlash is being heard by both writers and actor, ‘cause this for real ruined the legacy of the show and of the character.

They can try to find some poetic explanation behind JJ’s death as much as they want, there’s literally none and the people who are watching their story and have followed the journey are telling them so. It doesn’t make sense in a show like Outer Banks that always ended on positive notes and doesn’t make sense for a character like JJ who endured all that pain for nothing, throwing away all his journey like that.

Any final ending that doesn’t include ALL the Pogues together seeing the results of their fatigue isn’t worth it. They can get rich again, save the house again, get revenge, get a happy ending but it will never be worth it, it will never be a dignified conclusion to the story they went through together and it will never be worth it if they lost JJ in the process. Their found family and doing it together was the whole core of this show and now it’s gone.

If JJ stays dead there will never be any type of happy ending for any of them, it’s a tragic ending and it will stay tragic forever.

All 6 Pogue should be there for the ending, without one of them and specifically JJ, the entire story has gone to waste.

If they have to change the script then change it, if they have to beg Rudy Pankow to do it for one more season then beg him, because as of now the finale of this story is already set and it’s already ended in tragedy, no “happy ending” can cover this and nothing is gonna make the story move forward. With the death of a Pogue the story ends ‘cause this what it was all about, THEIR GROUP.

THIS is what we mean when we say “the show is over” because there is no S5 and no ultimate finale that can fill this emptiness left in the story by JJ and that can change the perception of the story in retrospective.

If they don’t see the final victory ALL together then it wasn’t worth it, none of it and we watched this story for nothing… we were rooting for the Pogues for nothing.

[drdtappreciation]

There is a lot things that I love about DRDT fandom but my favorite one is definetely AUs. The thought, creativity, ideas, everything in them is perfect. The way people come up with conpletely different ideas even if the theme is the same? I absolutely ADORE it.

Like I'm literally obsessed with every single one AU I see. Just a minor change? Silly and fun AUs? Ok, I will be thinking about it for weeks. A whole different setting? Oh well I guess I have to stop sleeping because there is not enoigh time to think about it. Mastermind AUs? Talent Swaps? Crossovers? PLEASE tell me everything.

To everyone who makes AUs- just thank you. You give me motivation to actually do something, I love you platonically with all my heart. Please never stop.

In conclusion, I want to show my personal favorite that really touched me, Alternative CH2 by @fatherfigurefusion :D

^

[mixelation]

Literally all i know about wicked is the poster bc i think its nice. Can i ask you what its a fic of? Or just about?

uuuuh so wicked is actually weirdly complicated in terms of being a fic/adpatation/whatever. it's a fanfic of the wizard of oz but it gets weird:

the wonderful wizard of oz is a children's book published in 1900. it went on to have 13 sequels by the original author, and then literally tens more sequels by other authors. most of the books are about someone going on a journey and assembling a party of strange magical people and creatures and running into various strange places and occasionally dodging things trying to kill them. this means that there is a LOT of lore and zany characters to draw from.

the book is of course not nearly as famous as the 1939 movie, which is what most people think of when they think of the wizard of oz. the movie adaptation has the same basic plot outline as the first book, but streamlined and-- most importantly for understanding wicked-- it changed a lot of aesthetic details. the reason for this is that color movies were new, and they wanted to show off, so everything is ultra bright and colorful. in the book, the dorothy's magic shoes are silver. they changed them to ruby red because it pops more. also in the book, everything in the emerald city is white, but everyone entering the city must wear glasses to make everything appear green (for emeralds, you see). the movie producers were evidently like "what the fuck?" and instead made the emerald city extra color and bright and loud. oh, and the movie made the wicked witch green. in the book, she was not green and instead had one magic eye.

wicked is a 1995 novel which is of a specific genre which basically asks: what if the villain of the story secretly had a sympathetic backstory this whole time? what if the good guys weren't that good and the wicked witch was actually kind of the better person?! i did really like these as a kid, but they kind of appeal to me less now outside of nostalgia because as takes they're usually.... kind of immature? or else come off like they dislike the source material. anyway, wicked is about the origin story of the wicked witch of the west (now named elphaba), who is born green and discriminated against for it. i read the book back in high school and therefore don't remember a ton of details about the plot, but the world building involved feels like a bizarre fever dream and sort of lazy in its lack of canonical detail if you're an oz fan. i remember finding it especially bizarre because there's details drawn from the books, but the main premise is entirely in movie land, and a lot of major book details are basically just discarded/never acknowledged. this is what makes it, imho, a bad fanfic. i won't comment on the writing because it's been too long, but in terms of being a fanfic..... yeah, it's weird & kind of bad?

however, i don't think most wicked fans have read the book. most people talking about wicked mean the 2003 musical (which will have a movie adaptation this month and why i'm thinking about it). like the movie, the musical is more streamlined than the book it's based on, and fun songs are added!!! i've seen it twice and literally don't remember the plot. i do think the actually spectacle of it is cool, but i don't like most of the songs, and again, it feels like it hates the source material. some of the weirder things, off the top of my head:

i cannot begin to stress how being green is one of the more normal physical differences to have in oz. like i get that the "hated because she's GREEN" thing is just a vehicle for the metaphor, but what is the point of intentionally picking this setting if you're just going to discard it?

there's a subplot about the talking animals wanting rights. this could actually be super interesting to explore, because the status of animals in the land of Oz is never made super clear? it's stated that they can all talk, and yet we see farmers and people eat animal products. there are animal characters who are treated equal to humans, and animal characters that are very explicitly pets. yet wicked does not engage with this in any interesting way (at least in the musical -- in the book i just remember an animal sex club?!); it's just a very generic "we want rights!!!" thing happening without the actual method and system of discrimination being made clear

glinda's function in the books is to be a wise adult figure. she rides around in a flying chariot pulled by swans and hires only beautiful women to work for her and gives them swords. in wicked, she's a shallow prep character. i get it's supposed to be an ~origin story~ or whatever but my feeling was that there's no foundation for her future character being laid. unless you're only going with "pink, appears in a bubble" as your basis for character

the book and the musical are both set against highly political backdrops, but most of the politics are made up wholecloth because canonical oz is.... chaos. the land of oz is more like a bunch fo loosely tied city-states, many of which are so isolated they probably don't know they have a ruler. again, "the politics of oz" is something i think would be interesting to explore in a fanfic, but wicked seems to just want to have some politics around and slapped a vaguely oz aesthetic on it, making it feel shallow and preventing any sort of conversation with the source material

like i'm not saying that all fanfic NEEDS to be in conversation with the source material; i'm just saying, why write a fanfic if you literally only want the aesthetics of the movie? to help sell copies? sure. and i don't even think that automatically makes a piece of work bad (no hate, wicked fans), it's just makes it frustrating and unpleasant to consume if you're a fan of the source material

[demigod-shenanigans]

Actual lengthy reply time finally (sorry this took me literally forever)

Yeah I did not want Leo to be alone right after this, and I didn’t want Piper to be alone with it either. Canon may refuse to let them go to Jason’s funeral, but I will let them grieve together, damn it!

The backstory/pre-plot part actually ended up being quite a bit more than just a prologue, it’s the first few chapters, but I hope it’ll still feel well-paced and fitting when we get around to the rest of them! I wanted to take the time to get into all the feelings and set up/resolve some stuff, plus sticking to the ToA timeline I had to get to the point where Apollo is back on Mount Olympus, which takes a minute. Most of it is relevant and will be back to haunt Leo later!

Responding to the bullet points by putting the relevant numbers in front (not sure why it apparently changed all of yours to 1. in this reblog, they’re correct if I look at your post?? Very strange)

2. Yep! Leo not feeling loved/worthy of love was a huge deal in HoO, and all canon did was put a girlfriend on it and pretend we’re good now, but we will not be doing that here! Leo will learn to recognize that he’s loved, and if it’s the last thing he does :)

4. This bugged me so much in HoO you have no idea. I actually kind of prefer HoO to pjo just because I adore all the characters, but plot wise it’s all over the place and we really miss out on a bunch of friendship stuff because it’s so focused on all the love triangles. I need more platonic Argo bonding!! Let them all be buddies!!

5. This is partially me being demiromantic but many if not all my favorite ships are characters that have strong platonic bonds first. Something something marrying your best friend. I also feel like Leo and Jason both took forever to realize they were into each other (Leo grumbling about Jason constantly being hot in his general vicinity being the reason why he doesn’t have a girlfriend will always crack me up, lol, and Jason spent so long doing what he thought he was supposed to/what was expected of him, including his relationship with Piper, that he didn’t really get to stop and properly have a sexuality crisis for ages) so I wanted to re-establish that for the fic, especially since valgrace fics are kind of split on whether they have jiper happen and break up like they did in canon or just never have them date at all

6. I couldn’t resist sneaking that one in. Insert lame Apollo dodgeball Leo Valdez joke LMAO

7. <3

That’s such a smart way to put it!! Leo is dealing with a lottt and we’re going to get into it a bit more in future chapters but yeah he’s definitely avoiding talking about some of it (in both the way that we the audience don’t see all of it and in him and Piper actively coping via distracting themselves and not talking about some of it)

Honest confession: I really struggle with Shel. I’m glad she exists, but she’s basically an OC when you try to work with her in fanon, because she really only exists to confirm Piper is sapphic and canon gives us absolutely no information on her. I know she’s Cherokee, I know she’s sapphic, I know she likes hiking and I think she has a piercing? That’s it. She’s just kind of a nothing character, which is fine in the books but makes it very hard to work with her in fanon content. Can we have at least a little additional input on her please? 🤲

Glad you think that works well!! Especially because I actually don’t find myself that funny? Though I think it probably helps that I’ve got a general tendency to get attached to traumatized joke coping characters, so I’m pretty familiar with it conceptually. The last book series I fixated on also did this a lot (intense explorations of grief briefly interrupted by memes LOL)

The audience knows stuff!! But Leo was not around for that! And he’s processing a lot at the moment but that just really makes it sink in how much he missed, both because he was gone for so long and also when he was there but so caught up in his own problems (and especially in seeing how “happy” Piper and Jason were apparently without him, because again Leo doesn’t feel worthy of love and has spent a lot of time in foster families who weren’t that great and made him feel like they’d eventually decide they didn’t want him anymore) that he didn’t see the cracks that Piper now tells him were there basically for the whole relationship. So yeah it’s a shock. On a lot of levels. But it’s a lot less earthshaking than the shock of Jason being gone, and therefore easier to focus on. The Piper related changes may or may not also hit him sometime in the near future ;)

Quotes section (please just in general know I’m delighted you did this it brings me suchhh joy to see what bits touched my readers the most):

-No spoilers, but I will say there’s a reason the fic starts out with memories of Esperanza. And yeah, the whole Jason situation is tearing open a lot of old wounds, specifically because of how similar it is: a situation Leo was unable to do anything to change that he feels responsible for (even though, realistically speaking, he isn’t). A loved one that got ripped away from him far too soon that he never got the chance to say goodbye to. A kind of desperate ache that nothing is ever going to fix.

I have a couple of grievances with ToA, and the way none of Jason’s loved ones are allowed to stay mad at Apollo is definitely one of them. Like, it’s established Jason died because of Apollo’s broken Styx prophecy! We’re told that’s the reason it happens!! Piper is the only one who gets to be mad at him at all, and even then she’s only upset for a single scene and has forgiven Apollo the next time they meet. Grief can be messy and nasty and people lash out sometimes! Not everyone needed to immediately be totally fine with the fact that Apollo got Jason killed!

-Glad you enjoyed that joke! I’m not super good with machinery so I worried I’d struggle with working that part into his narration but there’s some references to it I’m actually really happen with, and this is one of them :)

-Something something Leo is of the opinion that Piper should hate him how he hates himself! Also in this context, feeling a little evil about the fact that one of the reasons Leo doesn’t go to the Camp Jupiter funeral is that he thinks everyone would blame him for Jason’s death. The reality of it is that they wouldn’t! But when his mom died his aunt did blame him and so he automatically assumes that this time everyone will look at him and see that same blame written all over his face.

-English being my third language (technically second language going off of how well I actually speak it, I learnt French first but my French is shit lol), I’m really glad to hear it haha

-All of their lives are fucking weird, it’s a demigod thing, but Leo’s almost got everyone beat just based on the fact that the Queen of the Gods went out of her way to come babysit him. It’s even funnier because I’m pretty sure none of the others know this except for Piper and Jason. I wish we’d seen him tell Percy and Annabeth, I feel like that would have been a very funny interaction.

-There is something related to Leo in that box, which may or may not be something I’ve mentioned on this blog before ;)

-Unfortunately for Leo, there’s a bit more stuff he has to deal with before the Plot can start. For instance, the fact that he is (theoretically) in a relationship right now.

I’m so so glad you enjoyed this!! I’ve read and reread your comment a whole bunch of times now, and every time I do I get this huge grin on my face. This is the kind of comment i don’t get a lot but that when I do get it I’ll treasure literally forever. You made my whole month with this and it’s made me very excited to get back to the fic (which between exam phase and hospital stuff I haven’t gotten to work on nearly as much as I hoped lately)

The choiceless hope in grief

Summary: Leo Valdez has lived and died for the gods. Their war has shaped his life since he was a baby. With Gaia defeated, he sort of hopes he can finally rest. He has friends and some semblance of home to return to for the first time since he was eight years old. Just this once, he allows himself to hope the good things might stick.

But the gods aren’t done with them just yet, by the time Leo finds his way back, Jason is gone.

This time, Leo decides he’s done just taking the Fates’ bullshit lying down. If getting his best friend back means striking a deal with the gods and venturing into the Underworld… well, it’s probably not even the most reckless thing he’s ever done.

The caveat of said deal? He has to trust Jason will follow him, or his self-doubt will doom them both.

And after the life he’s lived, Leo is so intricately familiar with self-doubt that he could probably trademark the word.

Or: The only possible way for Orpheus to succeed is if he learns to think of himself as a person worth loving.

Word Count for chapter 1: ~5k

Rating: Teen and Up

So! *claps hands together* I’ve been threatening you guys with my Orpheus Eurydice valgrace fic for a while! Technically I wanted to wait to post this until I’m completely done writing the fic, and I mostly intend to stick to that! I’m only posting this now because I have a minor surgery tomorrow and I’d rather be anxious about fic related things than about the surgery in question. So, take this chapter as a preview of sorts, more to come soon-ish but probably not immediately!

A couple of important notes before we start:

-TW for suicidal ideation. It’s less Leo actually wanting to die and more his canon behavior of “I’m doing something extremely reckless that might succeed but if it doesn’t, my death is an acceptable consequence”, paired with general grief related self-loathing, but if you think you’re not in the right headspace to read about that, come back when you are or at least tread carefully. This fic pics up at the end of The Burning Maze, so especially the beginning is pretty heavy on the grief stuff.

-Since ToA is vaguely canon to this fic, Leo and Calypso are technically dating in the beginning, but they don’t really interact positively as a couple (honestly they don’t interact that much in general) and break up pretty early on. Just be aware in advance that they’re still together for a little bit.

-Fic title is from Talk by Hozier which is maybe a painfully obvious pick but it was too perfect for me not to use it.

Chapter 1: Leo and Piper have an extended sleepover

It wasn’t a discussion between Leo and Piper whether or not to go to Jason’s funeral. They came to the decision that they wouldn’t silently—or as silently as one could come to an agreement when all parties involved were sobbing.

Maybe it should have been a discussion. There was a part of Leo that worried he’d regret this later—his refusal to take this chance to say goodbye and let himself grieve.

But Leo remembered his mother’s funeral. Remembered the way his aunt Rosa had looked at him like she knew his mother’s death had been his fault. Leo couldn’t stand the thought of people looking at him like that again.

He also didn’t remember his mother’s funeral bringing him any sense of closure or comfort. He’d stood at her grave, afterwards, just as desperate and afraid and utterly inconsolable as he’d been before the funeral, except it had suddenly felt sickeningly final. The wound it had torn in his soul had kept bleeding for years, and the scars would stay forever. He didn’t need any of Apollo’s shitty oracles to know Jason’s death would be exactly the same.

At this point, Leo was pretty sure his sanity was being held together by a combination of jokes and a truly questionable amount of duct tape.

Beyond all that, though, Camp Jupiter was a battlefield right now. It would continue to be a battlefield for the foreseeable future.

Leo wasn’t a coward. It wasn’t that he didn’t want to go back and help. But one of his best friends was already in a box, and there was no way in hell he’d risk the other.

With how tightly Piper was clinging to him, maybe she was thinking the same thing. 

For all his big talk about dragon escorts, Festus did most of the actual escorting on his own, occasionally torching what Leo hoped were monsters and not random public monuments. Leo, for his part, spent most of the journey crammed into the backseat of the car next to Piper, sandwiched between her and a bunch of moving boxes that seemed determined to flatten him into a Leo-shaped pancake whenever they took a sharp turn.

He’d spent so long thinking about seeing her and Jason again. 

He’d talked Calypso’s ear off about them the whole journey, to the point where it had clearly started to annoy her. He’d thought about various ridiculous entrances he could make, and the fact that he’d probably get yelled at, but he’d also thought about sitting together by the campfire, sharing nachos. He’d thought about Jason hugging him so fiercely that he couldn’t breathe, and Piper cussing him out while she held him, making him promise never to do anything that reckless again.

Now Piper was actually holding him, and Leo couldn’t feel anything. There was a numbness in his chest. He wasn’t sure he had it in him to ever feel happiness again. Hell, even if he did, what was the fucking point? Every time anything even remotely good happened in his life, it got ripped away from him again.

They didn’t talk a whole lot for most of the drive. They cried until it felt like they couldn’t anymore, clinging to each other like desperate children.

Even if they’d wanted to talk about what had happened, Piper’s dad was right there, and despite the Mist usually working overtime for them, having him overhear seemed like a gamble. Or, well, maybe that was what Leo told himself. Maybe he just wasn't sure he was ready to hear it all. He still felt like he couldn’t think. He was overwhelmed to hell and couldn’t stop fidgeting.

Several hours into the trip, his stomach started grumbling. Piper dug through the bag at her feet and offered him one of her PB&J sandwiches, but Leo couldn’t eat. He hadn’t skipped a meal in forever—he’d been homeless and unsure when he’d even get access to the next meal enough times that it had been all but tattooed into his skull that he couldn’t afford to—but he couldn’t even think about eating without feeling sick. He thought about Jason. He thought about the state he’d left Camp Jupiter in and the fact that they hadn’t even been able to give the dead their proper funeral rites.

Had Leo’s help made any difference at all? Had anything he’d done in his life changed things even slightly?

Leo knew the Fates had intended for it to be fire that fell—for him to burn in a bright, hot blaze and turn himself to charcoal. But he’d refused to stay dead like a good little pawn, and now Jason was gone, and it was all his fault.

He wasn’t sure how Piper could even look at him right now, but he was beyond grateful that she was holding onto him as tightly as she did. It was the only reason he didn’t fall to pieces completely. The cog at the heart of Leo’s machine had broken in a way that made it utterly beyond repair, and now it felt like a matter of time before the whole thing came apart. Piper holding him was the only reason his remaining pieces were still functioning. 

It should have been impossible for Leo to fall asleep under these circumstances, but he’d been traveling for hours and fighting before then and he’d cried out his remaining energy, so eventually, the world started to fade around him, reduced to just the sound of Piper’s breaths, until finally, those went, too.

~~~~

It would have been kinder, maybe, if Leo had dreamed up some shitty visions promising violent death and/or the end of the world. That would have been business as usual. 

Instead, he dreamed of his time on the Argo II—of one of those early nights when the different groups were still getting to know each other, having a brief moment to breathe between their ridiculous tasks and saving the world. 

It had seemed reasonable to catch each other up on what had happened on their end. Percy, Hazel and Frank had talked about rescuing Thanatos, and Piper, Jason and Leo had told them what had happened with Hera in turn. 

This would have been a boring intel conversation at best, seeing as Leo had been there for all of their part, but they’d grabbed snacks and sat on cushions on the floor and made it a whole bonding activity. Jason had been wedged between Piper and Leo, and they’d taken turns storytelling. 

And Jason had bragged. So much. But he hadn’t even had the decency to brag about himself like a normal human being. Instead, he’d talked about how capable Piper and Leo had been, somehow managing to make Leo sound like the coolest person he’d ever met. Which was ridiculous, considering he’d met everyone else on their team.

And sure, Leo made it sound like he thought he was amazing all the time, but he was exaggerating, which everyone, himself included, knew. 

Jason didn’t seem to have gotten the memo, though. He had one arm wrapped around Leo the whole evening, and he got all starry-eyed when he talked. 

“Leo took on three Cyclopes by himself. Three!”

“Dude, stop!” Leo had laughed, shaking his head. “I know I’m incredible and you’re blessed to be friends with me and stuff, but you weren’t even conscious for that part.”

“Still happened, though.” Jason had beamed at him. “You’re amazing, dude. I would have died about fifteen times on that mission if it hadn’t been for you. You guys should’ve seen him.”

It would have been easier if Leo had thought Jason was just trying to talk him up to the others to make them more willing to trust him after how badly he’d messed up in New Rome, but Jason wasn’t the type. He’d looked like he honestly believed every single word he was saying.

So, of course, Leo had refused to seriously deal with any of the things that made him feel.

“Sorry, Pipes, but I’m pretty sure your boyfriend is in love with me. It’s the fire powers, I’m afraid. I’m just too hot to resist,” Leo had joked instead, and Piper had untangled herself from Jason’s other side to throw Doritos at Leo, and everything had been right in the universe.

~~~~

Waking up from that, blearily blinking himself awake in the car full of moving boxes and remembering… that was a worse punch in the gut than waking up from most nightmares had been. And Leo should know. He’d had so many of those over the years that he was basically a certified nightmare expert at this point.

Leo wanted to go back in time and spend forever in that one evening, living it over and over and over again until the Fates or a temporal paradox or something eventually killed him. He wanted to hold on to what they’d been back then—the three of them together and happy and whole,back before they’d realized what the prophecy really meant. 

He wanted to stay wrapped in Jason’s arm and hear him laugh at whatever stupid joke Leo came up with while he and Piper threw snacks at each other like ten year olds. He wanted to believe he could actually be the person Jason was bragging about—this invincible hero that could do just about anything and saved people’s lives.

But Leo had never been that hero. Even his sacrifice had been the selfish decision of a coward who wasn’t ready to die just yet. Jason had been their Superman. The guy who could fly and threw lightning and saved people from falling to their deaths. Jason had been the hero. And ultimately, that had been what killed him.

Leo wasn’t exactly sure what he planned to do once they got to Oklahoma. He should have been heading back to the Waystation, to give Calypso the normal life he’d promised. But he wasn’t thinking about Calypso, or the Waystation, and the thought of a normal life had gone out of the window the second he’d seen the coffin. Besides, the Waystation would mean people asking questions, wanting to know about his mission and asking him to talk about his feelings, and he didn’t want that.

The only thing Leo really wanted to do right now was not think. 

By the time they got to the house, it was so late that cross-country dragon flight seemed inadvisable for visibility reasons alone, so Leo agreed to stay the night. Festus nuzzled him for a bit, got a fuel snack from the canister Leo had brought and then folded down into his million pound suitcase form for the night.

It took a little under two hours to carry all the boxes inside, which was an annoying amount of time to be carrying boxes but seemed like an absurdly short amount to move the contents of an entire life.

They spent some time in search of the necessities that needed to be unpacked, but the house was still furnished and also had running water and electricity as of a few days ago, so it wasn’t that bad.

While Piper went in search of some ancient camping gear so Leo wouldn’t have to sleep on the floor—this seemed silly to him, the floor was far from the worst place he’d ever slept—Leo asked Piper’s dad if he could help with dinner. 

Tristan looked relieved at his offer, actually. He’d been staring at the assorted vegetables with a slightly lost expression, trying to hack at one of the zucchinis with a butter knife. It seemed like he was trying to remember how cooking worked and had just discovered he had absolutely no idea. 

Considering how long he’d been an insanely rich guy with a personal cook, Leo guessed that actually might have been a pretty accurate read on the situation. 

“You might want to try a sharper knife,” Leo suggested, which made Piper’s dad look absolutely mortified. “Try not to chop off any of your fingers, though. I think Piper’s been traumatized enough for one week.”

The words were out of his mouth before Leo could think to stop them. Tristan didn’t laugh, but at least it didn’t seem like he’d be tossing Leo out of the house over this. Maybe he realized people sometimes said stupid shit when they were grieving. Maybe Piper had just warned him in advance that Leo was like this sometimes.

Tristan just went to find a different knife, which would have maybe been concerning if he hadn’t gone back to hacking at the vegetables a moment later.

“Well, at least this one is actually cutting through the zucchinis. That’s already an improvement.”

“Yeah, I’m basically a cooking expert,” Leo said with a grin, only half-joking. He went to peel and chop up the carrots, and was done with those and about half the mushrooms by the time the poor zucchini had been hacked to bits.

“You and Piper went to school together, right?” Tristan asked after a while of them quietly chopping vegetables for the casserole, trying to make sense of things with information he didn’t have and that, judging from past evidence, probably would have made his skull crack. “You and her and Jason.”

“Yeah. We went to Wilderness school together.” Leo winced, trying not to think too hard of Jason while also trying to remember the lies they’d already told Piper’s dad. At this rate, he was pretty worried his own skull would crack, too. “Then all three of us switched to a different school. Then I was gone for a while.”

Tristan nodded like this made perfect sense, though he mostly seemed lost in thought. That was a little rude, in Leo’s opinion. If he went through all that effort to remember their elaborate setup of lies, the least Piper’s dad could do was appreciate it!

“I’m glad you’re here now, with everything that’s happened. Piper was really upset when you left,” Tristan said, still with that faraway look in his eyes. “The last few months were hard for her. Between the move and the breakup, she really could have used a friend.”

Leo promptly lost all rights to make fun of Piper’s dad and his vegetable chopping skills because at the word ‘breakup’, the knife slipped and he nearly sliced off two of his fingers.

“Fuck! Ow!” he said eloquently, trying to avoid bleeding all over the cutting board in his attempt to get to the sink. “Jason and Piper broke up?”

The question sounded absurd even to his own ears. Why would Jason and Piper break up? They’d been happy together.

Surely, Piper’s dad had to be talking about something else.

To Leo’s shock, Tristan nodded.

“A while ago, yes,” he said, but he didn’t go into details—possibly because Leo was bleeding all over the sink. “We should bandage that. Do you think you need stitches?”

“No, the cuts aren’t that deep,” Leo decided, turning on the faucet and holding his bleeding hand under the stream of cold water. Maybe he should have been more concerned about the injury, but his mind was still whirring at the thought of his best friends breaking up. Unfortunately, the cold water stung like hell. He hissed with pain. “Sorry for making your kitchen look like a crime scene right after moving in. Usually, I at least have the decency to wait a day or two.”

Because the house was a small, cozy place and Leo had not had the decency to curse quietly, Piper appeared in the doorway a moment later, an alarmed expression on her face.

“What happened?”

“I’ve been bested by a stupid potato,” Leo cursed, holding up his bleeding hand and wiggling his fingers for emphasis. He figured out immediately that this was a mistake. “Ow.”

“Stop that, dumbass!” Piper cursed, moving to stand beside him. “Sink was the right call, but you need to use soap or the cuts could get infected. Dad, any chance we have gauze lying around somewhere?”

Tristan didn’t seem to question why his daughter had immediately jumped into emergency medical treatment mode. He just abandoned the cutting board and headed for the front door.

“Not exactly sure what box our regular medical supplies are in, but I’ll get the first aid kit from the car. I’ll be right back.”

“Do we have to do the soap?” Leo whined, because fuck, that stung, but Piper nodded with a scary expression on her face, so he complied. “How do you even know this stuff? Are we sure you’re not secretly an Apollo kid?”

“I know this stuff because I’m friends with a bunch of morons who have zero sense of self-preservation,” Piper cursed, gritting her teeth. “You shouldn’t be around knives when you’re this distracted.”

“I can usually cook just fine when I’m distracted. Your dad was the one who told me you and Jason broke up in the middle of this stupid potato,” Leo said defensively. “Is that the Mist messing with him?”

That was the only explanation his mind had supplied so far that made any sense to him.

Piper shook her head. “We really did break up. That was a few months ago.”

Leo felt his jaw hit the floor. 

“What the hell happened? You were together for ages. I thought- you always seemed so happy.”

“I know, but-” Piper broke off abruptly when her dad came back inside with the first aid kit. Demigod stuff, then?

Leo’s mind was racing. The breakup was a completely stupid thing to focus on, considering everything that had happened in the last few days. He knew that.

But it was easier to try and make sense of this than it was to try and make sense of the fact that Jason was gone and he’d never get to see him again.

“Is it alright if we do this somewhere else?” Piper asked her dad, taking the first aid kit from him.

“Of course. It might be easier to patch him up when you’re both sitting down, anyway.” He turned towards Leo. “Thank you for your help, but I think I can take it from here.”

Leo sent a silent prayer to whichever deity was responsible for protecting vegetables—Demeter, probably?—and gave what he hoped was an encouraging thumbs up with his uninjured hand before he followed Piper into the hallway to presumably be reprimanded some more.

~~~~ They ended up sitting on an old bed that looked like it had lived a long, miserable life and was excited for retirement, but the wooden frame thankfully didn’t break down under the weight of the new mattress or the additional weight of them sitting on said mattress. Piper explained that this had been her dad’s room when he’d lived here as a child, and that it would probably become her room now. Then she went very quiet and focused on bandaging his hand, clearly avoiding looking at him.

“It wasn’t because of me, was it?” Leo asked. The thought made him feel ill. “Please tell me it wasn’t something like, I don’t know, you two being unable to stand being around each other after what happened to me. I think I’d actually have to blow myself up again if it was.”

He tried to make it sound like a joke, but it didn’t feel like one at all. The thought that he'd managed to ruin his best friends’ relationship on top of everything else made it hard to breathe.

When Piper shook her head, it felt like a whole boulder was lifted off his shoulders.

“I actually think we would have broken up sooner if you hadn’t gone missing. We leaned on each other a lot after you disappeared. It wasn’t until we realized we wouldn’t find you and things started to settle down a little that I had time to think. And when I did…” Her voice went very quiet, and she still didn’t look up at him. “I realized I wasn’t happy in the relationship. I don’t think I ever was.”

“How did I not know that?” Leo wondered quietly. “I just… you two seemed happy to me. What kind of garbage best friend am I?”

Piper shook her head. “It isn’t your fault. I was telling myself I was happy for a long time. It’s almost- sometimes I wonder if I was charmspeaking myself. That maybe I kept saying I was in love with Jason until I convinced myself I actually was. And with Hera and my mom setting it up… I love-” her voice caught in her throat, and Leo felt like maybe he needed to throw up, “-loved Jason, but not like that.”

“Pipes, I’m really sorry.” Leo squeezed her shoulder. “That sounds like it was super hard for both of you.” Leo felt awful about the fact that he hadn’t even been around to comfort either of them, but it wasn’t like he could fix it now. It was just another item on Leo’s unending list of epic screwups he’d never be able to make up for.

“Jason was… well, he took it exactly like I expected him to. He was surprised, but he didn’t get angry or anything. He mostly seemed okay. Part of me wonders if maybe…” But whatever Piper had been thinking about, she seemed to decide it wasn’t important. “It was hard to get a proper read on him, and as nice as he was about it, things were still super awkward after. I'm terrified he died thinking I didn’t care about him.”

And then she was tearing up again, and Leo thought he would shatter if she cried. 

“He knew you cared,” he said as earnestly as he could manage, pulling Piper to his chest again. “You love way too annoyingly for him not to have known. Hell, even I know you love me, and we both know I’m a fucking nightmare when it comes to this stuff.”

“I missed you so much,” she whispered, wrapping her arms around his back like it was the easiest thing in the world.

“Oh, I’m about to make you regret saying that,” Leo said, forcing himself to smile. “I’ll bring it up each and every time you say you find something I do annoying.”

“You’re annoying as hell, but you’re still my best friend.” He could feel her tears dripping onto his shoulder, and he knew that would make him start up again too. “I don’t know how I’d do this without you.”

And well, passing away from dehydration after crying too much would be a really lame way to die the second time, but everything was just too much right now, so if that was how he went, Leo wasn’t sure anyone could blame him.

~~~~

For the next couple of weeks, Leo stayed.

Helping Piper and her dad unpack was the perfect way to keep himself occupied and not have to think. Usually, a mundane task like this probably would have driven Leo nuts. But right now, it was a bit of a godsend—if not literally, at least figuratively. Being productive was always so much easier when it was done in order to avoid something you wanted to do even less. There was a reason his spaces in the foster homes had only ever been tidy when he had exams coming up.

He helped cook, too, and Piper’s dad became increasingly less garbage at it the longer this went on—like muscle memory was finally kicking in after years of disuse.

It was mostly good—listening to Piper reminisce about trips she’d taken with her dad and where she’d gotten the weird variety of items she kept in her room. When they weren’t unpacking, Leo and Piper played video games or watched movies or explored the area. Twice, during the night, they took Festus on a little flight to a nearby fast food place. Finding a parking spot was a bit of a nightmare, unfortunately. Leo would submit a complaint about their inability to accommodate celestial bronze dragons the first chance he got.

The first time they tried hiking—Leo didn’t even like hiking, he’d spent enough time outside for several lifetimes, why did he do this to himself—they got hopelessly lost in the woods, and of course, due to demigod bullshit, neither of them had brought a phone, so Google Maps wasn’t an option. It was probably for the better. The last thing that situation needed on top of them being lost was a monster attack. 

They were already jokingly planning out their new life in the woods when, thankfully, a girl their age came to their rescue.

“A human being! Thank the gods. The squirrels weren’t talking to us,” Leo greeted her, which had Piper shout “Please ignore Leo!” loudly from the branches of the tree she’d been climbing.

The girl lifted her head, spotted Piper and promptly burst out laughing.

“What in the world are you doing up there?” 

“Trying to get a better vantage point,” Piper sighed, making her way back down the tree. “We’re hopelessly lost.”

“Well, nice to meet you, hopelessly lost. I’m Shel,” the girl said, still grinning. Leo decided immediately that he liked her.

Piper had almost made it back down when she somehow missed a branch and fell the rest of the way. In comedic movie fashion, Shel moved before Leo had the chance to and caught her mid-tumble. “That was a bit of a dramatic way to get my attention, but you’re cute, so I’ll allow it.”

“Oh yeah, Piper’s got a bit of a thing with falling for people that way,” Leo commented, and Piper gave him her most murderous look while she got back on her feet.

“You guys need help getting back?”

“Please, yes,” Piper said immediately. “It turns out we’re both garbage with maps.”

“Maybe you just need a tour guide next time,” Shel suggested, winking at Piper, whose face turned scarlet. Leo wasn’t even mad about being the third wheel for once. He’d give her so much shit about this later.

And he did. And then Piper properly came out to him—no label or anything, mostly as extremely confused but sure she liked girls, which also made a few additional pieces click into place regarding her breakup with Jason. She ended her anxiety-riddled explanation by thanking Leo for being so normal and annoying about all this. 

Which was how Leo realized he’d apparently never told Piper he was bi.

Or maybe he had, and it had gotten lost along with their other memories of Wilderness. Stupid memory-stealing babysitters.

Well, at least they got to hug about it now. 

~~~~

It was strange how normal some days felt when nothing would ever truly be normal again. When in every moment Leo and Piper spent together, the gaping hole that had been ripped into their trio was so blatantly obvious.

The benefit and problem of this friendship was that Leo and Piper were both experts at not talking about things they were struggling with. 

This wasn’t exactly news. From what little Leo did remember of Wilderness School, they’d spent months not talking about his mom, or about the fact that Piper’s dad kept canceling their weekend plans. They’d both known there were things left unsaid, but as long as they’d been able to cheer each other up, that hadn’t really mattered. It made sense, honestly. Put two people who hadn’t had a shoulder to cry on for ages in a room together and see what happens!

Right now, this meant they were expertly ignoring the box of belongings Piper had picked up from Jason’s school. It had been pushed so far under the bed during that first night that it was no longer visible, and neither of them made any effort to move it out of its new home since. They ignored the topic of Jason, period, until it inevitably hit them in the face again. 

It was mostly dumb shit that set them off. Piper automatically reaching for vanilla ice cream at the grocery store because it was Jason’s favorite—seriously, who in their right mind even liked vanilla ice cream?

Sometimes, Leo would make a joke and burst into tears instead of laughing because he knew it would have cracked Jason up. They found old photos unpacking. One time, Piper’s dad suggested they make tacos and they started simultaneously bawling their eyes out.

Leo had spent a long time exactly like this—pretending everything was normal and okay when it wasn’t either of those things until he inevitably broke down. Then he’d started to actually feel sort of okay whenever he was with Jason and Piper. Now, he was sure he would spend the rest of his life pretending.

His appetite was too used to being stuck in survival mode for him to bow to nausea for long, so he went back to eating properly after a few days. He still cried himself to sleep most nights. He kept dreaming about Jason. The memories wrapped themselves around him like a safety blanket that he knew would get ripped away again in the morning. He always woke up feeling empty. Sometimes, he wished he could just go to sleep and never wake up again.

But other than that, it was mostly good.

Then demigod communications went back up, and everything went to hell.

———

Chapter notes:

Fun fact! I originally planned for this chapter (as well as the next few chapters) to just be backstory in my head and for me to maybe do a flashback or two. Unfortunately for me, Piper McLean waltzed into the room and refused to leave.

I do actually think the fic works better this way, but it will take a second to get to the plot! Hopefully you’ll enjoy the whole journey :)

I may not be able to have Leo and Piper go to Jason’s funeral without seriously messing with the plot of Tyrant’s Tomb, but I could at least pick the most evil reason possible for them not to go!

Side note: I sort of forgot that Hedge and Mellie were supposed to be here according to TBM, but by the time I remembered I already had this chapter written out and, as someone who cannot be bothered to figure out how to write them, I decided to just leave it. ToA is vaguely canon to this universe, but only for the most part. Some details are inaccurate, and I think that’s okay.

Anyway, thank you so much for reading! Comments and reblogs super, super appreciated as always!!

List of people that at some point asked to be tagged when I post this: @poppitron360 @ginnyluna @keefessketchbook (feel free to comment if you want to get taken off or be put on the tag list for future chapters!)

[chessb0r3d]

i cracked the code.

[confoodles]

SPOILERS FOR TUA SEASON 4 ❗❗❗

I truly admire the writers' dedication to making up for Luther being the least liked character in the earlier seasons. They rlly said GUYSSS we r soo soo sorry abt the being in love with his sister thing and the imprisoning Viktor thing OKAYY?? Look he's gonna be a himbo now !! He's working as a stripper and dressing as an astronaut OKAY?? He lives in an abandoned house that he decorates with trinkets OKAY?? HE IS LOOKING AT SCONCES IN AN ANTIQUE SHOP GUYSSSS PLEASEEEEE FORGIVEEE USSS !!

[vidavalor]

Amazing question & I absolutely think they saw one another because there's stuff that suggests that they did. While I love the fanfic, the idea of a massive breakup that lasted decades between 1862 and 1941 goes against other stuff presented in the show already & doesn't sit right to me with these characters and what we've seen of their love and their history.

-The script book says that Crowley & Aziraphale haven't spoken "for a hundred years" in 1941 but that violates S1's canon because it would mean the early 1840s was the last time they spoke... but we saw them speak in 1862. So, it's already not literal-- it's the figure of speech use of "for a hundred years", which just means "for awhile." Script books aren't the final canon anyway as stuff can change from script to screen as production happens.

When someone says they haven't seen or spoken to someone "for a hundred years", it just means for what they consider to be a long time-- which is wildly subjective. For some people, that might be years. For others, it could be just too long by their own mutual standards.

So, the real question would be: how long is "for a hundred years" to Crowley and Aziraphale prior to 1941?

Other scenes we've already seen indicate that this is not very long at all:

-In 1601, the dialogue at the start of the scene indicates that, while Aziraphale picked the location, Crowley is the one who asked to meet. During the course of the scene, he and Aziraphale find out that they've both been assigned to Edinburgh the following week. While they both knew they each had been assigned there, neither of them knew that the other one had been assigned to Edinburgh... not until the conversation we watch unfold at The Globe Theatre. This means that setting up the one-of-them-doing-both-of-their-work-assignments thing-- that aspect of The Arrangement-- wasn't the reason why Crowley wanted to meet and wasn't what Aziraphale was thinking when he agreed to do so. So...

...since Crowley is the one who asked Aziraphale to meet, when he says this...

...he's saying that he found out he had to go to Scotland for a work assignment in a few days and messaged Aziraphale because he wanted to see him before he left for the trip. They both have assignments that are within the following/upcoming week, which means that they are seeing one another regularly enough by 1601 that finding out that one of them soon has to be away on Heaven or Hell business and might not be able to the other for even just a few days means wanting to see one another before they do.

-Then, Aziraphale's journal in 1827 is worded in such a way that, when you match it with the date Aziraphale writes, it is saying that Crowley was gone for less than a month after he was dragged to Hell in Edinburgh before Aziraphale next saw him again and Aziraphale considered that "quite some time" gone by without seeing him. So, in the 1800s, they are down to trying to see one another at least once a week, unless one of them is on assignment. They have the bookshop by this point so that makes sense, as it's a little easier to manage meeting-- which is one of the reasons why Aziraphale built the shop in the first place-- and while they are struggling a bit by 1862, they're still meeting up and still together.

In the 2008/2019/2023 in S1 & S2, they are seeing one another with the same frequency as they were in much of the 1800s and the few centuries prior to that, if not even more so. By S2, it appears to be daily with Crowley basically living in the shop, per Aziraphale's "plenty of use" comment. The bandstand breakup lasted, like, a couple of hours lol and Crowley was back at the bookshop within the same day as the argument over Gabriel in 2.01. The 1862 Holy Water Argument might have been a really bad divorce-- it could have lasted 3, maybe 4 whole days-- but they seem to be colossally bad at really breaking up with one another and that's very sweet.

I also think that saying that they broke up for decades after 1862 when Aziraphale knew that Crowley was depressed to a point that Aziraphale thought him potentially suicidal seems unlikely. Storming off in a huff in a fight, sure, but I just can't see Aziraphale thinking Crowley might be wanting to harm himself and then just not talking to him. I feel like they would have actually talked, agreed to disagree about holy water, and continued seeing one another for the decades that followed and I think there's enough already to suggest that that's what they did.

-Aziraphale wanting to dance with Crowley in S2 then retrospectively hints at him learning to gavotte with that idea in mind. That was the 1880s-- just 20-ish years after the holy water scene in 1862. If they were still broken up by then, why would Aziraphale be having romantic dreams about dancing with Crowley? Not to mention why have the 19th century euphemistic speak in The Meeting Ball? Yes, it was Jane Austen-centric and prior to 1827 but if the 1800s were a complete disaster for them after Edinburgh, it'd hardly be the most romantic thing to make that era a center point of a romantic night that we all know was designed more with Crowley in mind than Maggie and Nina.

-In 2008, Aziraphale mentions the dozen cases of Chateauneuf-de-Pape that he picked up in 1921 for their "special occasions." Why would Aziraphale be buying 144 bottles worth of wine for the two of them in 1921 if they weren't still seeing one another regularly? This is the very early 1920s and would then mean they were together in at least the 1910s, if not also prior to that.

-Maggie's great-grandmother & her shop in the 1920s... Plenty of theories exist about this but it's unlikely that Crowley doesn't have a role in this story. (He has a rather sizable role in this story if you are someone who thinks he and Aziraphale are Maggie's great-grandparents.) When you factor in the 1921 Chateauneuf-de-Pape purchase, it's even more likely that Crowley was around in the 1920s. Plus, Aziraphale was not missing flapper Crowley, ok? No argument would be worth that much. 😉

-The 1930s are mentioned in S2 twice in relation to Crowley & Aziraphale: Shax first hearing the rumor about them "80, 90 years ago", which puts it prior to 1941 in the 1930s, and Aziraphale referring to being licensed to drive The Bentley since the 1930s. Yeah, that scene is euphemistic as all holy hell lol but it's also a reference to Aziraphale being around when Crowley bought The Bentley in the 1930s and of course he was because can we even imagine Crowley getting that car and not immediately showing up to take Aziraphale for a ride in it? Aziraphale is also not surprised by The Bentley in 1941 (or Crowley's hat, which was also in style in the 1930s and which, based on how he kept leaving it on when alone with Aziraphale in Part 2, he wore that night because he knew Aziraphale was into it.)

-"A Nightingale Sang in Berkeley Square" was written & first performed in a bar in Le Lavandou, France in 1939. There are suggestions in a couple of places that Aziraphale might be the true lyricist in the Good Omens universe. It might be that what people are waiting to see happen with this song in 1941 is actually connected to 1939... which is only two years prior to 1941. It could be that we end up seeing not only a Part 3 to 1941 but also a 1939 scene that gives context to what of 1941 we've already seen.

The "hundred years ago" in 1941 could wind up being not more than a couple of months, or even less. That's especially true when you consider that nothing in the tone of 1941, Part One suggests that they haven't seen each other in decades-- the opposite is actually true.

If you go in the opposite direction, too, and look at the later time gap of 1967-2008? The gap in which the only things that exist so far seem to be the Disco Tony flashbacks? There's that Crowley's answering machine is from the early 1980s but we see in the 2019 present of S1 that Aziraphale has never heard it go to voicemail before. Crowley wouldn't have had a cell phone until sometime circa 2000-2004-ish so that's 20 years right there of not only Crowley always picking up within a few rings of Aziraphale calling him but likely with Aziraphale not having to call him that much at all because he saw him so frequently.

Add in the Into the Woods playbill mentioned in 2008 in 1.01 and the first night performance Crowley's referring to was in San Diego in 1986. (At that other Globe Theatre. 😊) The implication in the scene is that Crowley and Aziraphale were at that performance together, so that puts them as being together during the 1980s and suggests they just continued it through what we saw in 2008 and beyond.

They have ups and downs and disagreements and makeups like everyone else but there's likely enough already to suggest that they've never actually really stopped being together in secret with any real sense of permanence. They've had periods of depression and fasting a bit but they've never really left each other. They had an argument in 1862, not a break up. I think there's enough suggestion already to say that they saw one another through every year of at least the last few hundred years.

Good Omens season 3 finale movie thought of the day:

Do you think there was another time that the Ineffables saw each other between Crowley asking for holy water, and then saving Aziraphale at the church in 1941? If yes, do you think we’ll get a flashback to it in season 3? (Edit: again this was written weeks ago before the finale announcement and then queued. I do not think we’ll get this kind of flashback now) Or was that the last time they saw each other between those two moments?

Personally I think they caught up during the roaring twenties. Because honestly how could they not have.

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[brianskangs]

Young K "Fourever" Concept Photos