#like yeah its bad for everyone but its also the point

[goopgirlie813]

I wanna add another thing now that ive been thinking about it; y'all ever notice how right-wingers like to play the victim? "Reverse racism" "blm wants to oppress white people" "women actually have privilege now, men are the oppressed ones" "gays are trying to force us to all gay marry" etc etc etc.

Yeah, uh, they have a very obvious persecution complex. Its kinda their thing, a defining feature. It has been the backbone of fascist regimes (nazis said "the jews are ruining our society!! Theyre out to hurt your children and fuck up your life!!"). Bullying them only feeds this tendency. It gives them more material to work with.

But if you refuse to be mean while also refusing to budge from your position? They cant weaponize that as easily. They cant dismiss you as easily because you didnt give them the out of victimhood. You robbed them of an opportunity for martyrdom, their strongest propaganda tool.

Facists thrive on meanness, hatred, and anger. Not only does it shape their views of other people, but they thrive in environments where they are hated. It makes them stronger because they know how to flip the script.

But you know what facism isn't equipped to handle? Stubborn kindness. They cant weaponize it. They cant make themselves the victim to gain sympathy. They cant twist it their way and make themselves look powerful. Because bullying in the face of kindness makes a person look bad. It damages reputations.

Being kind without comprimising on your views puts fascists between a rock and a hard place. Because if they keep fighting you they erode their own cause. Because so much right-wing indoctrination relies on them being the victims fighting for a rightous cause. That falls apart if they attack people who are being kind. They need to make the person a villain first or else they expose their own lies. If they cant effectively convince people you're a villain, they lose a lot of their power.

This is not about holding their hand and making them feel happy. This is not about blaming marginalized groups for their own oppression. This is about ackgnowledging the enemy's weak points and using them to our advantage. We are not pointing fingers or casting blame, we are trying to strategically break the facades of facism.

Thats what people in these comments are failing to understand: kindness is not a reward only given to good people who do good things. Kindess is genuinely the most devastating weapon against fascist propaganda. Meanness on the other hand? That just waters their crops. Being mean to fascists helps them. It reinforces their beliefs, and opens opportunities for them to lure people in by exploiting their empathy for victims.

I am not asking you to be soft and quiet and compromising. I am not asking you to tell fascists "its ok I forgive you." No. I am asking you to observe the reality of the situation and react accordingly. Strategically. I am not saying that you are to blame for the spread of fascist rhetoric, I am telling you how fascists are exploiting your behavior for personal gain so that you can course correct and cut off their propaganda supply lines.

Let me reiterate:

I am not blaming you for your oppression. I am telling you that fascists are taking advantage of you and how to stop it.

Remember that story that went around about the Karen yelling at the cashier and OP putting money in the tip jar every time she yelled, while making eye contact to make it clear what they were doing? Yeah that kind of thing.

You dont have to be kind to the bigots, you just have to refuse to be mean to them. Every time they say something mean, say something kind about their target. Every time they harass someone, do something kind for their target. And do it immediately, publicly, in their face and everyone else's.

Another element is to behave in good faith. Aggressivley assume good intentions. Explain why harmful behaviors are harmful while emphasizing the assumption that they have good intentions. If they, like most people, do just want the best but have misguded views of how to achieve that then this approach can and will make them change their behavior and mindset. If they genuinely do want to cause harm then sticking to the bit even when its absurd becomes a kind of mockery. The only mockery that they cannot weaponize. Their meanness contrasts so starkly with the aggressive positivity that they turn themselves into satirical charicatures if they double down.

Kindness is fascism's most devastating enemy.

I couldn't have said it better myself.

[nevertheless-moving]

binged dungeon meshi anime + manga after numerous tumblr posts and leg injury. thoughts based on fandom > manga> anime ride:

[SPOILERS FOR MANGA]

senshi pantyshot fanservice much appreciated but... should really be more lingering and inexplicably glistening if its gonna match up to fanservice in other animes

no yeah TOTALLY get why toshiro just said fuck it and went home after... all that. days of no food. blase dark magic/you were too late reveal. long repressed slapfight that he probably felt equally guilty and angry about. girl he loved appeared as GIANT MONSTER and BRUTALLY killed HIS FAMILY.

girl he loved STOPPED TO PULL HER TITS OUT midway through BRUTALLY KILLING HIS FAMILY.

i'd go home too

also , Maricelle, all the love in the world, but i get why everyone was mad about the dark magic. i mean it looked bad. WE know that thistle interfered but the situation looked BAD ngl maricelle i would not want you healing me either after falin appearance.

feel like changeling maricelle should have been half half-foot/half-dwarf or something like that. would have been fun half-elf reveal to party. actually bothers me that she wasn't? the more i think about it. i mean itzumi was still cat/kobold.

incredibly belated but looking back at changeling episode...is senshi shirtless the whole time???

okay nevermind did some extensive research and i'm fairly sure he wasn't

also thinking back about senshi — he absolutely knew what he was doing with setting off the traps and pissing chilchuck off...my man was living here for decades.

kabru/laois is both more and less textually present than i would have thought based on fandom.

like on one hand they barely interact. on the other hand they barely interact and Kabru is VERY much obsessed . they have ONE (1) conversation. much hilarity has been observed about that dialogue so i digress

and there is ZERO new information between that interaction and kabru planning on putting the man on a THRONE. at some unclear point his career goal becomes having his lips at this man's ear and a dagger at his neck ???

i cannot stress this enough: he invests SO EARLY in king Laios. willing to sacrifice his life for this to be realized. goal oriented. unhinged. good for him.

you could say it's just him being practical and choosing the best option based on available information but incredibly relevant new information becomes available and Kabru is STILL locked in

i'm crying over kabru 'compressing' mithran's backstory. sure as a meta framing device fine. but in universe? BONKERS. narrative critiquing clinically depressed man's tragic backstory. Super normal move.

so much nuance and different perspectives on fantasy interracial marriages and adoptions and its SO SO GOOD.

gnawing on the walls kinda worldbuilding seriously

so thistle was a teenager when this all started. that's what i'm getting. that's... man there's a lot of layers of tragedy.

wait so if elves and half-foots look ambiguously young do tallmen look ambiguously old?? wrinkly gangly old old wrinkly fuckers??? or burning the candle at both ends terrible looking tall child???

hey i'm starting to think that the monster who controls all monsters... might not be a good guy

'Delgal' holding thistle at the end ... i'm not crying. you're crying.

impossible to say if laois won the final battle on purpose or not

genuinely no idea

11/10 no notes about that fact

[mixelation]

Literally all i know about wicked is the poster bc i think its nice. Can i ask you what its a fic of? Or just about?

uuuuh so wicked is actually weirdly complicated in terms of being a fic/adpatation/whatever. it's a fanfic of the wizard of oz but it gets weird:

the wonderful wizard of oz is a children's book published in 1900. it went on to have 13 sequels by the original author, and then literally tens more sequels by other authors. most of the books are about someone going on a journey and assembling a party of strange magical people and creatures and running into various strange places and occasionally dodging things trying to kill them. this means that there is a LOT of lore and zany characters to draw from.

the book is of course not nearly as famous as the 1939 movie, which is what most people think of when they think of the wizard of oz. the movie adaptation has the same basic plot outline as the first book, but streamlined and-- most importantly for understanding wicked-- it changed a lot of aesthetic details. the reason for this is that color movies were new, and they wanted to show off, so everything is ultra bright and colorful. in the book, the dorothy's magic shoes are silver. they changed them to ruby red because it pops more. also in the book, everything in the emerald city is white, but everyone entering the city must wear glasses to make everything appear green (for emeralds, you see). the movie producers were evidently like "what the fuck?" and instead made the emerald city extra color and bright and loud. oh, and the movie made the wicked witch green. in the book, she was not green and instead had one magic eye.

wicked is a 1995 novel which is of a specific genre which basically asks: what if the villain of the story secretly had a sympathetic backstory this whole time? what if the good guys weren't that good and the wicked witch was actually kind of the better person?! i did really like these as a kid, but they kind of appeal to me less now outside of nostalgia because as takes they're usually.... kind of immature? or else come off like they dislike the source material. anyway, wicked is about the origin story of the wicked witch of the west (now named elphaba), who is born green and discriminated against for it. i read the book back in high school and therefore don't remember a ton of details about the plot, but the world building involved feels like a bizarre fever dream and sort of lazy in its lack of canonical detail if you're an oz fan. i remember finding it especially bizarre because there's details drawn from the books, but the main premise is entirely in movie land, and a lot of major book details are basically just discarded/never acknowledged. this is what makes it, imho, a bad fanfic. i won't comment on the writing because it's been too long, but in terms of being a fanfic..... yeah, it's weird & kind of bad?

however, i don't think most wicked fans have read the book. most people talking about wicked mean the 2003 musical (which will have a movie adaptation this month and why i'm thinking about it). like the movie, the musical is more streamlined than the book it's based on, and fun songs are added!!! i've seen it twice and literally don't remember the plot. i do think the actually spectacle of it is cool, but i don't like most of the songs, and again, it feels like it hates the source material. some of the weirder things, off the top of my head:

i cannot begin to stress how being green is one of the more normal physical differences to have in oz. like i get that the "hated because she's GREEN" thing is just a vehicle for the metaphor, but what is the point of intentionally picking this setting if you're just going to discard it?

there's a subplot about the talking animals wanting rights. this could actually be super interesting to explore, because the status of animals in the land of Oz is never made super clear? it's stated that they can all talk, and yet we see farmers and people eat animal products. there are animal characters who are treated equal to humans, and animal characters that are very explicitly pets. yet wicked does not engage with this in any interesting way (at least in the musical -- in the book i just remember an animal sex club?!); it's just a very generic "we want rights!!!" thing happening without the actual method and system of discrimination being made clear

glinda's function in the books is to be a wise adult figure. she rides around in a flying chariot pulled by swans and hires only beautiful women to work for her and gives them swords. in wicked, she's a shallow prep character. i get it's supposed to be an ~origin story~ or whatever but my feeling was that there's no foundation for her future character being laid. unless you're only going with "pink, appears in a bubble" as your basis for character

the book and the musical are both set against highly political backdrops, but most of the politics are made up wholecloth because canonical oz is.... chaos. the land of oz is more like a bunch fo loosely tied city-states, many of which are so isolated they probably don't know they have a ruler. again, "the politics of oz" is something i think would be interesting to explore in a fanfic, but wicked seems to just want to have some politics around and slapped a vaguely oz aesthetic on it, making it feel shallow and preventing any sort of conversation with the source material

like i'm not saying that all fanfic NEEDS to be in conversation with the source material; i'm just saying, why write a fanfic if you literally only want the aesthetics of the movie? to help sell copies? sure. and i don't even think that automatically makes a piece of work bad (no hate, wicked fans), it's just makes it frustrating and unpleasant to consume if you're a fan of the source material

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[balleater]

i just want something to come up about the bright queen being older than ludinus in-game. i want them to have that moment of knowing that there was someone who was at least 200 at the Start of the calamity.

[inkedmyths]

Oh god not the bad Steven Universe takes on Twitter please I forgot people suck at media comprehension so BAD

[cozylittleartblog]

Just wanted to mention this to someone who does art and get their opinion on it:

Sometimes I see some artists do redraws of their old artworks or characters and think "Wow, uh... their older art looks better." Sometimes it's only mildly better, but other times it's vastly better. Like the Upgrade, Go Back! meme.

I understand that art skills are supposed to develop and change, hopefully for the better, but sometimes it just feels like they got... worse? Somehow? Idk. Maybe it's because they were copying another artist's style while finding their own, and it's their own style that doesn't vibe with me? Just curious what your thoughts are about this.

Also, your art has consistently been great, so this isn't directed at you.

I do see this on occasion yeah! usually (in my experience anyway) its because people take a sharp turn towards a stylization that either isn't to your or most people's tastes, or that they don't understand or are still developing. switching up how you stylize your art is like starting over in a sense, you're changing from what you have practice with and that's always going to cause you to revert some as you have to re-learn things you understood in your previous style. i had a pretty big style shift in 2014 when i took up the basis for how my art looks now, and i remember feeling like some of the stuff i was drawing might have looked better if i was using my older style instead. that's something artists just have to push through and figure out, and they'll likely come out of it a better artist than they were before. constructive critiques are a good way for them to figure out why their art might not be as "good" as it used to be, if they're open for those.

art is not always a linear journey, and i would also say things like passion and motivation have a part in it too. feeling inspired sparks you to make something the best it can be, if you're not feeling it (and esp if that feeling lasts for a long time) it'll leave you making decisions you otherwise would not have let fly, and that can result in worse art. and some of it is just personal preference! it's not that their art is better or worse, it's just different now, and maybe that doesn't vibe with you the same way their old stuff did. and that's fine 👍

(thank you! :3 i admittedly struggle a bit with Not Feeling It sometimes like i just described, so it's nice to know people still enjoy what i make when that feeling hits.)

[coollyinterferes]

"Back by unpopular demand:"

"Us!"

[wellzofyouth]

That one post of my mine predictably aged like fine wine. Never let somebody on comic twitter in the writer's room😭😭😭 Like imagine a 1 to 1 adaptation of literally any event?? -1b at the box office. "Who are these people???"

[bowtiestash]

one of the things i find funny now with my past shitty dnd experience is the fact that the problem player only seemed to really care about their own character, and whenever they drew dnd art it would look like this:

[puppyeared]

Atla live action 😐

[webcomic-character-tournament]

Genuine question. Why are comics from online only publishers discouraged? What is the goal behind discouraging paid webcomics?

sorry for taking so long to answer this!

i got really excited about answering this but also am not very good at communicating things clearly, i often get lost in the details in my passion about stuff like this, so i hope this is still interesting to read and intelligible lol!

i dont think there is any one thing that inherently defines what is and isn't a webcomic, it's an amorphous category that i enjoy the ambiguity of. but for me, what first led to my wonder for them as an 11 year old, and what has been a major factor in my passion for them even as an adult, was their low barrier to entry in both making them and accessing them. if you have internet access and time, almost anyone can make a webcomic if they want to! of course, without editors (or often even full story plans) or sensitivity readers or more people on a team to collaborate and contribute to the comic's vision, and the huge effort that it takes to do all the tasks of writing, inks, coloring, lettering, etc. all on ones own often without professional resources to facilitate that, that means that a lot of webcomics are really rough in some way or another. but a lot of people have interesting ideas they want to work with, but don't have the technical skill, desire or ability to market themselves or be beholden to external work deadlines, or connections in some way or another to be able to share those ideas through traditional publishing. regardless of skill or ability, a lot of marginalized people are barred from having their stories accepted by publishers due to bigotry and expectations about what kind of story is profitable.

as a disabled lgbt kid, i definitely read a lot of really bad webcomics i wish i hadn't, but also some of the media i was exposed to that most represented me back then was in the form of webcomics from people a lot like me. and i could read so much of it easily and for free without having to risk much to access it behind my parents' backs!

obviously that isn't the case for every webcomic, but for me and my history with them, them being easily accessible to both publish and read has been really important.

there are absolutely a lot of good points to be made about how publishing free to read webcomics isn't always the most accessible thing for a lot of people, especially for poor and disabled people. making webcomics takes a huge amount of time and effort, and sometimes even if people are passionate about making a comic, they just can't afford to find the time for that around all the other responsibilities of their day to day lives unless it can be a consistent income source. thats why even if paid online comics arent my platonic ideal of webcomics, i absolutely would never exclude them. i want small creators making stories i want to read to get the money they need to survive and keep telling stories without burning out!

it could be argued that online publishers who specifically focus on webcomics don't always present the same barriers to entry as traditional publishers, and many don't restrict the scope of marginalized creators' stories at all or to the same extent as people have struggled in other more mainstream avenues. and from my outside understanding of publishers like hiveworks, i'd absolutely agree with that! i love a lot of hiveworks comics and think its an awesome thing! (of course literally my icon is from a hiveworks comic, tiger tiger!) nonetheless however, part of my goals with this tournament is to highlight lesser known comics, and as publishers like hiveworks help advertise and promote their comics, even if i still want everyone to read all my favorite comics published by them, and certainly there are limits to those advertising resources, they still don't need as much help as other comics without that support. so its not as much 'try not to submit these' and more 'as you submit stuff like this, try to submit stuff with less advertising resources and popularity too!'

going into this tournament i also had a similar sentiment for stuff like webtoons originals. there was an added element to me in how i feel like i know a lot of people nowadays who read webtoons but don't have much awareness of other forms of webcomic, but even if in my love for webcomics i want people to come to appreciate all the breadth of ways they can exist in, thats obviously not something to make a huge priority. it's incredible the amount of forms comics can take (sidenote but reading scott mccloud's "understanding comics" a couple years ago was really formative for me in cementing how much i appreciate that, i'd highly recommend it!!!), and the way infinite scroll comics like webtoon style comics more fully make use of their digital medium, using time scrolling to pace things in place of traditional gutters and panelling, is really really cool. of course they're becoming more popular in a world where more people have smartphones, where webtoon style comics are a lot easier to read than many other forms. i love a lot of webtoons, and id feel regressive to discourage stuff like line webtoon original comics any more than stuff like hiveworks comics, just to go against current trends in what comics people seem to prefer. they have a similar low barrier to entry (through contests) as other online publishers, and it's cool to see creators get the opportunity to get paid for their work and get help from professional editors and stuff

but in the past couple weeks of running this tournament, i ended up reading a lot more about the behind the scenes of what its like to be a line webtoon original creator. line webtoon's expectations for their creators are incredibly unrealistic and exploitative, with grueling deadlines leading to a lot of creators to get repetitive strain injuries, all while working for well below industry standards. obviously a lot of webcomic creators make an inconsistent poverty level income out of it as independent creators, and that shouldn't happen either, but it's absolutely inexcusable for a company to profit off this labor and then manufacture these same conditions. without any organized labor movement surrounding that issue, that of course isn't an argument against reading or promoting these comics on its own, creators are more likely to get more income if their comics get more popular, and despite the promise of popularity by becoming an official comic, they absolutely still aren't all promoted equally. what has made me want to slightly more discourage (but still absolutely not disallow!) stuff like line webtoon official comics has been the combination of that along with learning that much of the editing of webtoons originals carries less of the benefits of having experienced creatives collaborating with creators to elevate their stories to new levels, and very often instead ends up taking the form of 'simplify this plotline and make this character look more attractive and fit this archetype more fully so we can market this better and have readers easily consume each update while they're scrolling their phone without having to think about it too much'. while obviously there are a lot of amazing webtoon official comics in spite of what i've heard anectdotally, hearing that just really went against so much of what i've most valued about my experience with webcomics!

i want creators to be able to tell stories no matter how weird and unmarketable, where they'll never have to worry about pushback for making stories with characters and themes that resonate for them as a member of any oppressed group, and where there's as little pressure as possible pushing them to work harder or faster than they healthily can or want to! so for me, even if i still love a lot of online published comics and want them to be celebrated and want their creators to be able to make a comfortable living out of them, i still just want to highlight stories that had that level of freedom that has created some of my favorite experiences with webcomics just a little bit more.

[arolesbianism]

Earlier I encountered another fun isat glitch while fighting the king but this time instead of Odile crashing my game she decided to just stop taking damage and tbh that's how it should be all the time. About to take damage? Don't.

[suffarustuffaru]

Im the rem x otto anon, so just to be clear bc i dont think i was in that ask

Rem is an amazing character and has a key role in the story, her character arc in arc 1 and 2 was amazing. BUT after she falls in love with Subaru, i feel that everything we saw of her gets sorta of erased? Its not the same Rem, and even though she did go through a major cathartic event, i think her character could have taken another direction than of being resumed as Subaru's love interest (when she is not fighting)

I feel tappei wasted some potential, bc i wanted to see her being confident about herself without the Subaru obsession (and we got this on arc 7 and 8 and i loved it)

oh yo hello again!! :o and oohh ok i think i kinda see what you mean? bc i do agree. (also my bad im gonna ramble again aljdflsj but i thought this topic is pretty interesting :o)

ok so. while i know the whole point of rems development in arc 3 is that while she means well, shes ultimately developed an unhealthy devotion to subaru, i still feel like arc 3 rem kind of. narratively speaking, i feel like her arc 2 traits and all her traits pre-subaru get kind of flattened. or ignored?? im not quite sure how to explain this but ill try my best aljdflsd. like ok this is complicated to talk about bc yeah rems arc as it is does serve a purpose, and arc 2 rem was different bc she was operating off of what she knew at the time and she only knew subaru as a stranger and/or enemy at first. her arc 2 to arc 3 development was rem trying to move on from her fixation on ram, but in the process ends up moving that fixation to subaru. but i do wish that tappei emphasized her personhood outside of subaru more EVEN WHILE she was placing her whole life around him. bc thats exactly what tappei does when hes writing otto.

otto as a character is a whole fleshed out person, and if you cut away all the parts that have to do with subaru, otto the character still stands on his own. with rem, the moment you hit arc 3, everything pre-arc 3 kind of. fades away, almost? of course its not that rem cant stand on her own as a character. the rem and ram prequel novel for example takes place from rems pov and shes absolutely fascinating throughout the entire story. but when you look at arc 3 rem and compare her to pre-arc 3 rem, i feel like tappei forgets to still show her outside of subaru. i feel like the narrative needs to call out rem a bit more for her unhealthy behavior bc tappei doesnt hold back when it comes to someone like otto. so where is the equal treatment for rem....??

i do feel like theres smth to be said about the writing being a little more neutral when rems doing smth Unhealthy bc of her subaru obsession. its fascinating. we have to read into it. but also then tappei turns around and takes the time to shit on otto for doing subaru obsession things and also tappei shits on subaru for being obsessive too and its like. tappei ............ what about rem........

roswaal too is another character whos big motivation is devotion for a love interest (yeah ok i know i too am metaphorically crying and vomiting at the idea of calling echidna a love interest for roswaal but that IS how he sees her) but he also stands on his own as a character even if you ignore everything connecting him to echidna. with roswaal and otto you get a good balance of them being Heavily connected to the people theyre respectively devoted to while also being able to stand on their own Narratively. bc i know the whole point of roswaal, otto, rem, etc is that theyre Dependent and Obsessed, but writing wise, they should still be able to take the spotlight when the spotlight is on them even when the person theyre devoted to has nothing to do with it.

and when you have multiple characters whos motivation is being Dependent and Obsessed, the differences are gonna be a bit stark. its a very fine line to walk with characters like this bc you cant have Everything about them revolve around another character. but also thats the point at the same time. its a very Very thin line to walk. subaru himself is also/was a Dependent and Obsessed character and like. well we all know how nuanced subaru is as a character. you could write essays and essays on him alone.

rem though, i feel, gets a little too flattened into the role of subarus love interest, but at the same time i can sort of forgive it for arc 3 bc of the plot beats being one after the other and her general Purpose in the story. but at the same time i really do wish tappei still emphasized WHO SHE IS outside of subaru. bc even while someone like otto is thinking about subaru A Lot (see: the ottos diary shorts, aka the episodes where ALMOST EVERY DAMN SHORT is about subaru), you still get a sense of ottos personality. hes analytical but easily flustered. he does get a little jealous. hes anxious and a bit of a coward. but also hes so brave when it really counts. hes in denial about how much he cares about people sometimes, even when its abundantly clear. hes practical but kind of emotional at the same time?? hes very perceptive. but also he can be a little dumb with perceiving himself and his own feelings bc of the aforementioned Denial and also theres the fact that he doesnt know Why he gets jealous of emilia talking about subaru. but also hes pretty smart with reading other people and their emotions. but at the same time hes a little egocentric at times and overly focuses on himself and forgets things like how other people actually perceive him. but at the same time hes focused on how people see him bc hes a merchant. thats the basis of his job. and also he has anxiety so he does care about that. etc etc.

rem in arc 3 though is like. shes soft sweet protective caring loyal....................... which is nice and all but its definitely a big difference from arc 2 rem and pre-arc 3 rem in general where we see a whole RANGE of different traits, emotions, etc. like even in her relationship with ram theres complexities - theres the envy, theres the kind of "debt" that she owes ram for saving her life, the kind of brief sick burst of joy that ram lost her horn and is now "equal" to rem in status, the guilt from feeling that way, but also is her life even worth Anything if shes not making herself useful, etc etc. and also - yes the softness the loyalty etc etc is part of rem. a crucial part of rem that she shows to her loved ones (ram and subaru) the most. but yeah as you said anon - arc 7 and 8 was really fascinating bc we finally get to see her outside of her fixation on subaru. i mean one example is that we see her act Cold in some parts of arc 2 and the coldness does carry over a bit in some parts of arc 7 (see: rem being mean about natsumi, rem defending herself against subaru bc being an amnesiac she used to just see subaru as Some Guy who was acting a little too chummy with her, etc etc).

but also in general. its nice to see her stand more on her own now. i do wish though that tappei emphasized her more even while she was deep in the subaru obsession, bc tappei has made MULTIPLE characters with similar plot beats to her and they were still very nuanced and complex :o !! not that rem isnt that bc she HAS all this depth and i adore her for that!! but shes definitely a little lacking in a few areas of her writing, imo. i am however interested to see where she goes in arc 8 for sure!!

[anotherpapercut]

personal vent post/diary entry incoming:

I've struggled on and off over the years with varying degrees of agoraphobia and in the past like year or so I've made massive strides and got to the point where I was able to regularly attend social or otherwise crowded events. since breaking my foot I've gone backwards so much. I'm like terrified to leave my apartment even for work and have missed a lot of it. I've only tried hanging out in public places a handful of times and haven't gone to a single show since I got hurt over a month ago. it's extremely fucking frustrating having so much progress completely lost in a fucking instant