#like worldwide treasure

[tanadrin]

but i take a pretty dim view of the modern conception of citizenship in the first place. anybody should be able to participate politically in the life of the polity they live in and work in and pay taxes in; we tolerate some 200-odd apartheid regimes worldwide because most of them are comparatively soft--it is at least possible under law to be naturalized in the United States, or Mexico, or Canada, or Sweden, and so forth, and many countries also observe various jus soli rules that mean children can become citizens of the place they were born. (the absolute jus soli of the United States is rare, and should be treasured.)

in only a few places like qatar are those regimes not only harder, but taken to an absurd extreme: you can have a country so dependent on "foreigners" that 88% of the country is "foreign"--that it would instantly collapse if everybody there went back to their "home" country!--but which still denies the people its entire economy, its basic infrastructure, is dependent on the right of political participation. there are sections of the economy of some large states dependent on migrant labor (agriculture in many parts of the US is one example), but if every "foreigner" left Qatar or Kuwait or the UAE, it would be a catastrophe on par with the country being nuked. plagues don't kill nine in ten inhabitants of a country, outside science fiction scenarios. this is not citizenship on the modern model; it's not even citizenship on the ancient model, outside of, like, Sparta.

[buggachat]

y'all nathalie drives me so feral. she was some kind of professional treasure hunter / archeological looter who hunted magical artifacts, trained in martial arts and with a crossbow, who got hired by a some rich couple that was having difficulty conceiving. and then while going on a worldwide journey w them, hunting for some magical artifacts that could give them a child, she goddamn?? fell in love with them? ???? and then after she helped them find two miraculouses, they were just like "hey thanks for helping us make a magical son, ms tomb raider. wanna come manage a fashion company" and she was so thirsty for them she was just like. yeah. okay. sure.

cut to 14 years later and she has now engaged in supervillainy and beat up some catboy and argued about how the magical son likes his pancakes and attempted to murder the husband w a crossbow. the couple is dead now and she's just their son's mom now??? also the magical son is the catboy she beat up

[reasonsforhope]

"Irish conservationists report that the magnificent osprey has successfully bred in the wilds of the Emerald Isle for the first time in almost 250 years.

Worldwide, ospreys are doing great—listed as “Least Concern” by the IUCN who add they are increasing in population. However their massive brown and white wings have been absent from Irish skies for two centuries after being hunted to extinction.

The last recorded osprey to nest in Ireland was found in 1779, writes the Ireland-based conservation group Golden Eagle Trust on Facebook.

Visiting ospreys sometimes stop on the island to rest, but almost since the signing of the US Declaration of Independence, no pair has ever deemed it a safe environment to raise young.

A nesting pair (ospreys mate for life) was discovered by experienced birdwatcher Giles Knight, the Environmental Farming Scheme Advisor with Ulster Wildlife, a conservation non-profit.

“Along with my son Eoin, I have watched the adults return to the same site since 2021, so you can imagine my excitement the moment that I saw three chicks and two adults this year,” said Knight in a statement. “It was a rub-your-eyes, once-in-a-lifetime moment; an absolute highlight of my 30-year wildlife career—like finding long-lost treasure.”

“With at least two of the chicks fledging this season, this is a huge conservation success story and indicates a healthy wetland ecosystem with plenty of suitable habitat and fish to bring this apex predator back to our skies and plunging into the Fermanagh Lakelands. Truly the return of a living countryside!” ...

The old Gaelic name for osprey was “Iascaire Coirneach”, meaning “Tonsured Fisherman”, possibly related to how its black eye band and white crown give it the appearance of the semi-bald tonsure typical of medieval Christian monks, the Golden Eagle Trust wrote on Facebook in a celebratory post.

“Now these birds are back in Ireland and breeding successfully, it is critical that they are left in peace so their numbers can continue to grow by returning year on year to breed,” Knight added in the statement. “We believe and hope that this could be the start of a raptor dynasty.”"

-via Good News Network, August 27, 2023

[sanctus-ingenium]

we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

[suibiansubs]

Announcing: The Closure of Suibian Subs

It's never truly easy to make these type of announcements... but what would I know, I've never had to make one like this before:

I am announcing the permanent closure of Suibian Subs. The public discord server and translation work will cease.

As for our downloads, we are still deciding whether to offer them on our tumblr - which will stay open - or if there is a better solution going forward.

Please note that this doesn't mean everyone should race to upload MDZS audio drama to Youtube!! We still do not appreciate our wishes being broken.

However, if you have a friend who's downloaded the audio drama, you can have them share with you privately either online or in person. Do not upload it for the public anywhere.

Treasure Chest subs is currently working on MDZS audio drama subs. Please find their information to get access to their downloads, and respect their rules.

Thank you everyone for your kind words and support these 6-7 years.

If you're truly wondering, this closing is not about the server hack. It's 10% server hack and 90% member interest. The server being hacked is what really brought things into perspective for us. That is:

It's just time.

A little note from kittykat2010 down below:

From kittykat2010:

It's kind of hard to believe this all happened because I was impatient. LOL

I was impatient and decided to try MTL translating the MDZS audio drama, myself. We all know how well that would've worked. Luckily, the first person to contact me was iarrod before I released anything

"Since 2018, Suibian Subs has been providing quality subtitles, especially known for subtitling the MDZS audio drama, for fans to enjoy worldwide."

I never really thought it would be of such significance to hundreds of people. It was simply a passion project between iarrod and I. Then we added a bunch of other members: Gwyn, askcj1, Yen, and several more that have left over the years... and the rest is history.

Yes, people come and go, life changes, they need to take a break, then a "break" turns into leaving. Sometimes personalities clash and drama ensues. And the group either recovers from these types of changes or struggles to come back to its full glory.

I will certainly miss the camaraderie among us, the random chats, the streams, etc. It was all a fun time in my life that I will look back on and cherish.

Thank you especially to all of the team members, translators and subbing team, for sticking around, enjoying the good times and not-so-good times. Thank you iarrod for helping me out when I was so damn impatient - ha!.

Thank you to those members who have left for your work and dedication to the server.

Thank you fans!!!

Those who have donated (when we had donations for the MDZS audio drama team), those who have thanked us for our work, and those who haven't. Those who have told everyone that the MDZS audio drama is the best adaption of the novel and the best/only place to watch is through Suibian Subs.

Again, thank you everyone. Suibian Subs and its fans will truly be missed.

[blackhistorystoryteller]

ALL YOU NEED TO KNOW ABOUT THE HEAD OF OBA

THE BENIN KINGDOM

THE LOOTED TREASURES BY THE BRITISH EMPIRE

BLACK HISTORY IS DEEPER THAN SLAVE TRADE

The head sculptures of the Oba of Benin, also known as the Benin Bronzes, are a collection of intricate bronze and brass sculptures created by the Edo people of Nigeria. These sculptures typically depict the reigning Oba (king) of the Benin Empire and were produced over several centuries, with some dating back to the 13th century.

They are renowned for their artistic and historical significance, representing the cultural heritage and power of the Benin Kingdom. These sculptures often portray the Oba wearing coral beaded regalia, symbolizing his divine status and authority.

Many of these artifacts were taken from Benin during the late 19th century by British colonial forces, and they are now scattered in museums and private collections worldwide. There have been ongoing discussions and negotiations regarding their repatriation to Nigeria to restore their cultural heritage.

The head sculptures of the Oba of Benin remain a testament to the rich artistic and historical legacy of the Edo people and the Benin Kingdom.

HOW THE BRITISH STOLE FROM THE EDO TRIBE

1. British Punitive Expedition: In 1897, a British expedition, led by British officials and soldiers, was sent to the Benin Kingdom (in what is now Nigeria) with the stated objective of punishing the Oba of Benin, Oba Ovonramwen, for resisting British influence and trade in the region.

2. Sacking of the Royal Palace: During the expedition, the British forces entered the royal palace in Benin City, where many of these intricate bronze and brass sculptures were housed. The palace was looted, and numerous artifacts, including the Benin Bronzes, were taken.

3. Confiscation and Dispersal: The looted artifacts were then confiscated by the British authorities and later distributed to various individuals, museums, and institutions. Many of these artworks ended up in European museums and private collections.

The theft of the Benin Bronzes remains a contentious issue, as these artworks are considered cultural treasures of the Edo people and Nigeria as a whole. There have been ongoing discussions and demands for the repatriation of these artifacts to Nigeria, which has gained momentum in recent years as part of broader efforts to address historical injustices related to colonial-era looting.

The head sculptures of the Oba of Benin, like many traditional African artworks, hold deep symbolic significance within the context of the Benin Kingdom and its culture. Here are some of the key symbols and meanings associated with these sculptures:

1. Royal Authority: The Oba's head sculptures symbolize the authority and divine status of the reigning monarch, who was regarded as a sacred figure in Benin society. The elaborate regalia, such as coral beads and headdresses, worn by the Oba in these sculptures signifies his royal and spiritual power.

2. Ancestral Connections: The sculptures often depict the Oba with distinctive facial scarification patterns and detailed facial features. These features can represent specific ancestors or dynastic connections, emphasizing the Oba's lineage and connection to past rulers.

3. Historical Record: The sculptures also serve as historical records, documenting the appearance and regalia of the Oba during their reigns. This provides valuable insights into the history and evolution of the Benin Kingdom over the centuries.

4. Spiritual Protection: Some sculptures may incorporate elements like beads and cowrie shells, which were believed to have protective and spiritual qualities. These elements were worn by the Oba not only for their aesthetic value but also for their symbolic protection.

5. Cultural Identity: Beyond their specific symbolic meanings, the head sculptures are integral to the cultural identity of the Edo people and the Benin Kingdom. They represent the rich artistic traditions and heritage of the kingdom and its rulers.

It's important to note that the symbolism of these sculptures is deeply rooted in the cultural and historical context of the Benin Kingdom, and their interpretation can vary among different individuals and communities.

[reality-detective]

EXPOSED: The Hidden Network of 10,000 Deep Underground Military Bases (D.U.M.B.s) – A Global Conspiracy Unveiled

Beneath our feet lies a world shrouded in darkness and secrecy—a network of over 10,000 Deep Underground Military Bases (D.U.M.B.s) that stretch across the globe. These aren’t just military bunkers; they’re part of a sinister plan by the global elite to maintain control over humanity, operating far beyond the reach of any government oversight.

The Dark Underworld: 10,000 D.U.M.B.s Across the Planet Imagine a vast labyrinth of underground bases, hidden from the public eye, where the most horrific activities take place. Over 10,000 of these bases exist worldwide, with 1,800 in the United States alone. These facilities aren’t just military outposts; they are massive underground cities connected by high-speed trains, built for purposes that defy the imagination.

Unthinkable Atrocities: Human Captivity and Bio-Experiments Within these bases, unspeakable horrors are said to occur. Reports of human experimentation, especially on children, are whispered among those who dare to investigate. These facilities allegedly host bio-research labs developing weapons designed to target specific DNA, viruses meant to decimate populations, and other forms of biological warfare. These aren’t just theories—they’re terrifying realities hidden from the world.

The Elite's Secret Army: Engineered Super Soldiers One of the most disturbing revelations is the existence of engineered super soldiers, bred and conditioned within these D.U.M.B.s. These soldiers, created through a twisted combination of genetic engineering and cybernetics, are designed to be the ultimate weapons—loyal, fearless, and nearly invincible. Their purpose? To protect the secrets of these underground bases and to enforce the will of the global elite.

The Vatican-Jerusalem Tunnel: A Sinister Connection Adding to this web of deceit is the recent discovery of a 1,500-mile tunnel connecting the Vatican to Jerusalem, reportedly filled with a staggering hoard of gold. This treasure trove, transported by an armada of 650 planes, is rumored to be part of the Vatican’s secret wealth, hidden away for centuries and now uncovered as part of this global conspiracy.

A Global Web of Control: The Super Elites At the heart of this conspiracy are the so-called "Super Elites"—a tiny fraction of the global population who pull the strings from the shadows. These are the same elites who control the military-industrial complex, the media, and even the highest levels of government. Their reach is so vast that over 800 million individuals within the global military and intelligence complex answer to them, ensuring that their grip on power remains unchallenged.

The Puppet Masters: Rothschilds, Rockefellers, and Khazarian Bloodlines Behind the scenes, powerful families like the Rothschilds and Rockefellers, along with ancient Khazarian bloodlines, have been orchestrating this control for centuries. Their influence spans continents, manipulating world events to maintain their dominance. Their goal is not just to amass wealth but to control humanity itself.

The White Hats: A Glimmer of Hope But not all hope is lost. A group of brave individuals within the military, known as the White Hats, are fighting back. These warriors operate in the shadows, working tirelessly to expose the truth and dismantle the structures of oppression. They are the last line of defense against this global conspiracy, dedicated to restoring justice and freedom to humanity.

The Final Hour: A Call to Action We stand on the brink of a new era, where the truth will finally be revealed. The age of ignorance is over. The forces of darkness will be exposed, and the world will see the light of truth. But we must be vigilant and ready to act. The future of humanity depends on our willingness to confront the darkness and reclaim our freedom. The time for revelation is now—will you be ready when the final battle begins? 🤔

- Julian Assange

[demonstars]

MY PART FOR THE WORLDWIDE DTEAMIES COLLAB. thank you @suenitos for the wonderful idea born in our dms xoxoxo. Anyway. have some ecuadorian dteamies with snf being victims of my favorite carnaval tradition which is To throw water at any traveler during carnaval. translation under the cut!

DRIM: U guys ok? SYLV: ?!? *LAUGH* JORGE: I'm never going out with this guy in carnaval. DRIM: ... At least your hair looks good? JORGE: Don't come at me with faggotery, THEY MASSACRED US. SAPITO: DON'T FUCK WITH ME—

Some details :333

sylvee is drinking inca kola which is actually a peruvian drink but eh. i see it plenty in ecuador. she is also wearing a barcelona (ecu team ver) shirt.

dream is wearing a guayas shirt, which is the costal south region of the country. he is also sporting marathon shorts, which are The sports brand.

it is currently illegal to wet people on the street just because. this doesn't mean that it doesn't keep happening. i like to think snf got the short end of the straw in going outside and through a carnaval street and lost to kids with water guns and balloons, which is something that has happened quite a lot of times to me. i have also thrown water at many people from the sky, to be clear (BEFORE IT WAS MADE ILLEGAL. SMILES.)

george is also wearing marathon and also probably a white shirt because february in ecuador is so hot and humid you really shouldn't be wearing black. sapnap is wearing black because he wanted to use his don ramon shirt. that is a national treasure too, btw. every self respecting man should use one.

i like to think they're coming from super despensa aki for no reason other than I miss my local super despensa aki.

in ecuador you use "man" as you would use "dude", with the thick spanish accent, which i find very funny.

hey kudos to you for making it down this far!

[judassmyvirtue]

Hey folks, just dropping some resources here for those of you who, like me, are always on the hunt for free reading material, whether it's for research or just to satisfy your curiosity. Check these out:

Library of Congress: Absolute goldmine for academic researches and historical documents. You can spend hours diving into their collections.

Z-library: A treasure trove of books, articles, and papers on pretty much any topic you can think of. Quick downloads, no fuss.

Project Gutenberg: Free e-books galore, especially if you're into classics. Saved me from many a boring commute.

Internet Archive: A digital library offering free universal access to books, movies, and music, plus archived web pages. Endless hours of browsing joy.

Google Books: Sometimes you just need a quick peek inside a book without committing to buying it. Google Books has got your back.

Google Scholar: It scours through scholarly sources, journals, theses, and more. Just be ready to sift through some dense material.

JSTOR: Another heavyweight in the academic world. JSTOR is packed with scholarly articles, books, and primary sources across various disciplines. Some stuff may be behind a paywall, but there's still plenty to explore for free.

Newspaper Archive: Want to browse through historical newspapers? This site has a massive collection spanning centuries and covering a wide range of topics. Perfect for digging up primary sources.

Newspapers.com: Need more historical newspapers? Look no further.

Perseus Digital Library: Focuses on ancient Greco-Roman materials, perfect for those deep dives into classical history.

Digital Public Library of America: Another treasure trove of digitized materials, including photos, manuscripts, and more.

Europeana: European cultural heritage online. Images, texts, the whole shebang.

DOAJ: Open access journals. DOAJ indexes and provides access to high-quality, peer-reviewed open access research journals.

Open Library: Another digital library offering over 1.7 million free eBooks.

Librivox: Audiobooks for when your eyes need a break.

National Archives (UK): Offers access to a wealth of historical documents, including government records, maps, photographs, and more.

Sci-Hub: For the rebels. Access to scholarly articles.

Directory of Open Access Books (DOAB): Looking for free scholarly books? DOAB has got you covered with a vast collection.

Digital Commons Network: Free, full-text scholarly articles from hundreds of universities and colleges worldwide.

Directory of Open Access Repositories (OpenDOAR): Find open access repositories worldwide.

Gallica (Bibliothèque nationale de France): French flair for your research.

DigitalNZ: Your gateway to New Zealand's digital heritage.

[rhysdarbinizedarby]

Couch surfer in his 30s. Oscar winner in his 40s. Why the whole world wants Taika

**Notes: This is very long post!**

Good Weekend

In his 30s, he was sleeping on couches. By his 40s, he’d directed a Kiwi classic, taken a Marvel movie to billion-dollar success, and won an Oscar. Meet Taika Waititi, king of the oddball – and one of New Zealand’s most original creative exports.

Taika Waititi: “Be a nice person and live a good life. And just don’t be an arsehole.”

The good news? Taika Waititi is still alive. I wasn’t sure. The screen we were speaking through jolted savagely a few minutes ago, with a cacophonous bang and a confused yelp, then radio silence. Now the Kiwi ­ filmmaker is back, grinning like a loon: “I just broke the f---ing table, bro!”

Come again? “I just smashed this f---ing table and glass flew everywhere. It’s one of those old annoying colonial tables. It goes like this – see that?” Waititi says, holding up a folding furniture leg. “I hit the mechanism and it wasn’t locked. Anyway …”

I’m glad he’s fine. The stuff he’s been saying from his London hotel room could incur biblical wrath. We’re talking about his latest project, Next Goal Wins, a movie about the American Samoa soccer team’s quest to score a solitary goal, 10 years after suffering the worst loss in the game’s international history – a 31-0 ­ignominy to Australia – but our chat strays into ­spirituality, then faith, then religion.

“I don’t personally believe in a big guy sitting on a cloud judging everyone, but that’s just me,” Waititi says, deadpan. “Because I’m a grown-up.”

This is the way his interview answers often unfold. Waititi addresses your topic – dogma turns good people bad, he says, yet belief itself is worth lauding – but bookends every response with a conspiratorial nudge, wink, joke or poke. “Regardless of whether it’s some guy living on a cloud, or some other deity that you’ve made up – and they’re all made up – the message across the board is the same, and it’s important: Be a nice person, and live a good life. And just don’t be an arsehole!”

Not being an arsehole seems to have served Waititi, 48, well. Once a national treasure and indie darling (through the quirky tenderness of his breakout New Zealand films Boy in 2010 and Hunt for the Wilderpeople in 2016), Waititi then became a star of both the global box office (through his 2017 entry into the Marvel Universe, Thor: Ragnarok, which grossed more than $1.3 billion worldwide) and then the Academy Awards (winning the 2020 best adapted screenplay Oscar for his subversive Holocaust dramedy JoJo Rabbit, in which he played an imaginary Hitler).

Waititi playing Adolf Hitler in the 2019 movie JoJo Rabbit. (Alamy)

A handsome devil with undeniable roguish charm, Waititi also slid seamlessly into style-icon status (attending this year’s Met Gala shirtless, in a floor-length gunmetal-grey Atelier Prabal Gurung wrap coat, with pendulous pearl necklaces), as well as becoming his own brand (releasing an eponymous line of canned ­coffee drinks) and bona fide Hollywood A-lister (he was introduced to his second wife, British singer Rita Ora, by actor Robert Pattinson at a barbecue).

Putting that platform to use, Waititi is an Indigenous pioneer and mentor, too, co-creating the critically acclaimed TV series Reservation Dogs, while co-founding the Piki Films production company, committed to promoting the next generation of storytellers – a mission that might sound all weighty and worthy, yet Waititi’s new wave of First Nations work is never earnest, always mixing hurt with heart and howling humour.

Waititi with wife Rita Ora at the 2023 Met Gala in May. (Getty Images)

Makes sense. Waititi is a byproduct of “the weirdest coupling ever” – his late Maori father from the Te Whanau-a-Apanui tribe was an artist, farmer and “Satan’s Slaves” bikie gang founder, while his Wellington schoolteacher mum descended from Russian Jews, although he’s not devout about her faith. (“No, I don’t practise,” he confirms. “I’m just good at everything, straight away.”)

He’s remained loyally tethered to his ­origin story, too – and to a cadre of creative Kiwi mates, including actors Jemaine Clement and Rhys Darby – never forgetting that not long before the actor/writer/producer/director was an industry maven, he was a penniless painter/photographer/ musician/comedian.

With no set title and no fixed address, he’s seemingly happy to be everything, everywhere (to everyone) all at once. “‘The universe’ is bandied around a lot these days, but I do believe in the kind of connective tissue of the universe, and the energy that – scientifically – we are made up of a bunch of atoms that are bouncing around off each other, and some of the atoms are just squished together a bit tighter than others,” he says, smiling. “We’re all made of the same stardust, and that’s pretty special.”

-----------------------------------------------

We’ve caught Waititi in a somewhat relaxed moment, right before the screen actors’ and media artists’ strike ends. He’s ­sensitive to the struggle but doesn’t deny enjoying the break. “I spent a lot of time thinking about writing, and not writing, and having a nice ­holiday,” he tells Good Weekend. “Honestly, it was a good chance just to recombobulate.”

Waititi, at right, with Hunt for the Wilderpeople actors, from left, Sam Neill, Rhys Darby and Julian Dennison. (Getty Images)

It’s mid-October, and he’s just headed to Paris to watch his beloved All Blacks in the Rugby World Cup. He’s deeply obsessed with the game, and sport in general. “Humans spend all of our time knowing what’s going to happen with our day. There’s no surprises ­any more. We’ve become quite stagnant. And I think that’s why people love sport, because of the air of unpredictability,” he says. “It’s the last great arena entertainment.”

The main filmic touchstone for Next Goal Wins (which premieres in Australian cinemas on New Year’s Day) would be Cool Runnings (1993), the unlikely true story of a Jamaican bobsled team, but Waititi also draws from genre classics such as Any Given Sunday and Rocky, sampling trusted tropes like the musical training montage. (His best one is set to Everybody Wants to Rule the World by Tears for Fears.)

Filming in Hawaii was an uplifting experience for the self-­described Polynesian Jew. “It wasn’t about death, or people being cruel to each other. Thematically, it was this simple idea, of getting a small win, and winning the game wasn’t even their goal – their goal was to get a goal,” he says. “It was a really sweet backbone.”

Waititi understands this because, growing up, he was as much an athlete as a nerd, fooling around with softball and soccer before discovering rugby league, then union. “There’s something about doing exercise when you don’t know you’re doing exercise,” he enthuses. “It’s all about the fun of throwing a ball around and trying to achieve something together.” (Whenever Waititi is in Auckland he joins his mates in a long-running weekend game of touch rugby. “And then throughout the week I work out every day. Obviously. I mean, look at me.”)

Auckland is where his kids live, too, so he spends as much time there as possible. Waititi met his first wife, producer Chelsea Winstanley, on the set of Boy in 2010, and they had two daughters, Matewa Kiritapu, 8, and his firstborn, Te Kainga O’Te Hinekahu, 11. (The latter is a derivative of his grandmother’s name, but he jokes with American friends that it means “Resurrection of Tupac” or “Mazda RX7″) Waititi and Winstanley split in about 2018, and he married the pop star Ora in 2022.

He offers a novel method for balancing work with parenthood … “Look, you just abandon them, and know that the experience will make them harder individuals later on in life. And it’s their problem,” he says. “I’m going to give them all of the things that they need, and I’m going to leave behind a decent bank ­account for their therapy, and they will be just like me, and the cycle will continue.”

Jokes aside – I think he’s joking – school holidays are always his, and he brings the girls onto the set of every movie he makes. “They know enough not to get in the way or touch anything that looks like it could kill you, and they know to be respectful and quiet when they need to. But they’re just very comfortable around filmmakers, which I’m really happy about, because eventually I hope they will get into the ­industry. One more year,” he laughs, “then they can leave school and come work for Dad.”

Theirs is certainly a different childhood than his. Growing up, he was a product of two worlds. His given names, for instance, were based on his appearance at birth: “Taika David” if he looked Maori (after his Maori grandfather) and “David Taika” if he looked Pakeha (after his white grandfather). His parents split when he was five, so he bounced between his dad’s place in Waihau Bay, where he went by the surname Waititi, and his mum, eight hours drive away in Wellington, where he went by Cohen (the last name on his birth ­certificate and passport).

Waititi was precocious, even charismatic. His mother Robin once told Radio New Zealand that people always wanted to know him, even as an infant: “I’d be on a bus with him, and he was that kind of baby who smiled at people, and next thing you know they’re saying, ‘Can I hold your baby?’ He’s always been a charmer to the public eye.”

He describes himself as a cool, sporty, good-looking nerd, raised on whatever pop culture screened on the two TV channels New Zealand offered in the early 1980s, from M*A*S*H and Taxi to Eddie Murphy and Michael Jackson. He was well-read, too. When punished by his mum, he would likely be forced to analyse a set of William Blake poems.

He puts on a whimpering voice to describe their finances – “We didn’t have much monneeey” – explaining how his mum spent her days in the classroom but also worked in pubs, where he would sit sipping a raspberry lemonade, doodling drawings and writing stories. She took in ­ironing and cleaned houses; he would help out, learning valuable lessons he imparts to his kids. “And to random people who come to my house,” he says. “I’ll say, ‘Here’s a novel idea, wash this dish,’ but people don’t know how to do anything these days.”

“Every single character I’ve ever written has been based on someone I’ve known or met or a story I’ve stolen from someone.” - Taika Waititi

He loved entertaining others, clearly, but also himself, recording little improvised radio plays on a tape deck – his own offbeat versions of ET and Indiana Jones and Star Wars. “Great free stuff where you don’t have any idea what the story is as you’re doing it,” he says. “You’re just sort of making it up and enjoying the ­freedom of playing god in this world where you can make people and characters do whatever you want.”

His other sphere of influence lay in Raukokore, the tiny town where his father lived. Although Boy is not autobiographical, it’s deeply personal insofar as it’s filmed in the house where he grew up, and where he lived a life similar to that portrayed in the story, surrounded by his recurring archetypes: warm grandmothers and worldly kids; staunch, stoic mums; and silly, stunted men. “Every single character I’ve ever written has been based on someone I’ve known or met,” he says, “or a story I’ve stolen from someone.”

He grew to love drawing and painting, obsessed early on with reproducing the Sistine Chapel. During a 2011 TED Talk on creativity, Waititi describes his odd subject matter, from swastikas and fawns to a picture of an old lady going for a walk … upon a sword … with Robocop. “My father was an outsider artist, even though he wouldn’t know what that meant,” Waititi told the audience in Doha. “I love the naive. I love people who can see things through an innocent viewpoint. It’s inspiring.”

After winning Best Adapted Screenplay Academy Award for JoJo Rabbit in 2020. (Getty Images)

It was an interesting time in New Zealand, too – a coming-of-age decade in which the Maori were rediscovering their culture. His area was poor, “but only ­financially,” he says. “It’s very rich in terms of the ­people and the culture.” He learned kapa haka – the songs, dances and chants performed by competing tribes at cultural events, or to honour people at funerals and graduations – weddings, parties, ­anything. “Man, any excuse,” he explains. “A big part of doing them is to uplift your spirits.”

Photography was a passion, so I ask what he shot. “Just my penis. I sent them to people, but we didn’t have phones, so I would print them out, post them. One of the first dick pics,” he says. Actually, his lens was trained on regular people. He watches us still – in airports, ­restaurants. “Other times late at night, from a tree. Whatever it takes to get the story. You know that.”

He went to the Wellington state school Onslow College and did plays like Androcles and the Lion, A Midsummer Night’s Dream and The Crucible. His crew of arty students eventually ended up on stage at Bats Theatre in the city, where they would perform haphazard comedy shows for years.

“Taika was always rebellious and wild in his comedy, which I loved,” says his high school mate Jackie van Beek, who became a longtime collaborator, including working with Waititi on a Tourism New Zealand campaign this year. “I remember he went through a phase of turning up in bars around town wearing wigs, and you’d try and sit down and have a drink with him but he’d be doing some weird character that would invariably turn up in some show down the track.”

He met more like-minded peers at Victoria University, including Jemaine Clement (who’d later become co-creator of Flight of the Conchords). During a 2019 chat with actor Elijah Wood, Waititi ­describes he and Clement clocking one another from opposite sides of the library one day: a pair of Maoris experiencing hate at first sight, based on a mutual suspicion of cultural appropriation. (Clement was wearing a traditional tapa cloth Samoan shirt, and Waititi was like: “This motherf---er’s not Samoan.” Meanwhile, Waititi was wearing a Rastafarian beanie, and Clement was like, “This ­motherf---er’s not Jamaican.”)

With Jemaine Clement in 2014. (Getty Images)

But they eventually bonded over Blackadder and Fawlty Towers, and especially Kenny Everett, and did comedy shows together everywhere from Edinburgh to Melbourne. Waititi was almost itinerant, spending months at a time busking, or living in a commune in Berlin. He acted in a few small films, and then – while playing a stripper on a bad TV show – realised he wanted to try life behind the camera. “I became tired of being told what to do and ordered around,” he told Wellington’s Dominion Post in 2004. “I remember sitting around in the green room in my G-string ­thinking, ‘Why am I doing this? Just helping someone else to realise their dream.’ ”

He did two strong short films, then directed his first feature – Eagle vs Shark (2007) – when he was 32. He brought his mates along (Clement, starring with Waititi’s then-girlfriend Loren Horsley), setting something of a pattern in his career: hiring friends instead of constantly navigating new working relationships. “If you look at things I’m doing,” he tells me, “there’s ­always a few common denominators.”

Sam Neill says Waititi is the exemplar of a new New Zealand humour. “The basis of it is this: we’re just a little bit crap at things.”

This gang of collaborators shares a common Kiwi vibe, too, which his longtime friend, actor Rhys Darby, once coined “the comedy of the mundane”. Their new TV show, Our Flag Means Death, for example, leans heavily into the mundanity of pirate life – what happens on those long days at sea when the crew aren’t unsheathing swords from scabbards or burying treasure.

Waititi plays pirate captain Blackbeard, centre, in Our Flag Means Death, with Rhys Darby, left, and Rory Kinnear. (Google Images)

Sam Neill, who first met Waititi when starring in Hunt for the Wilderpeople, says Waititi is the exemplar of a new New Zealand humour. “And I think the basis of it is this,” says Neill. “We’re just a little bit crap at things, and that in itself is funny.” After all, Neill asks, what is What We Do in The Shadows (2014) if not a film (then later a TV show) about a bunch of vampires who are pretty crap at being vampires, ­living in a pretty crappy house, not quite getting busted by crappy local cops? “New Zealand often gets named as the least corrupt country in the world, and I think it’s just that we would be pretty crap at being corrupt,” Neill says. “We don’t have the capacity for it.”

Waititi’s whimsy also spurns the dominant on-screen oeuvre of his homeland – the so-called “cinema of ­unease” exemplified by the brutality of Once Were Warriors (1994) and the emotional peril of The Piano (1993). Waititi still explores pathos and pain, but through laughter and weirdness. “Taika feels to me like an ­antidote to that dark aspect, and a gift somehow,” Neill says. “And I’m grateful for that.”

-----------------------------------------------

Something happened to Taika Waititi when he was about 11 – something he doesn’t go into with Good Weekend, but which he considered a betrayal by the adults in his life. He ­mentioned it only recently – not the ­moment itself, but the lesson he learnt: “That you cannot and must not rely on grown-ups to help you – you’re basically in the world alone, and you’re gonna die alone, and you’ve just gotta make it all for yourself,” he told Irish podcast host James Brown. “I basically never forgave people in positions of responsibility.”

What does that mean in his work? First, his finest films tend to reflect the clarity of mind possessed by children, and the unseen worlds they create – fantasies conjured up as a way to understand or overcome. (His mum once summed up the main ­message of Boy: “The ­unconditional love you get from your children, and how many of us waste that, and don’t know what we’ve got.”)

Second, he’s suited to movie-making – “Russian roulette with art” – because he’s drawn to disruptive force and chaos. And that in turn produces creative defiance: allowing him to reinvigorate the Marvel Universe by making superheroes fallible, or tell a Holocaust story by making fun of Hitler. “Whenever I have to deal with someone who’s a boss, or in charge, I challenge them,” he told Brown, “and I really do take whatever they say with a pinch of salt.”

It’s no surprise then that Waititi was comfortable leaping from independent films to the vast complexity of Hollywood blockbusters. He loves the challenge of coordinating a thousand interlocking parts, requiring an army of experts in vocations as diverse as construction, sound, art, performance and logistics. “I delegate a lot,” he says, “and share the load with a lot of people.”

“This is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.” - Taika Waititi

But the buck stops with him. Time magazine named Waititi one of its Most Influential 100 People of 2022. “You can tell that a film was made by Taika Waititi the same way you can tell a piece was painted by Picasso,” wrote Sacha Baron Cohen. Compassionate but comic. Satirical but watchable. Rockstar but auteur. “Actually, sorry, but this guy’s really starting to piss me off,” Cohen concluded. “Can someone else write this piece?”

Directing Chris Hemsworth in 2017 in Thor: Ragnarok, which grossed more than $1.3 billion at the box office. (Alamy)

I’m curious to know how he stays grounded amid such adulation. Coming into the game late, he says, helped immensely. After all, Waititi was 40 by the time he left New Zealand to do Thor: Ragnarok. “If you let things go to your head, then it means you’ve struggled to find out who you are,” he says. “But I’ve always felt very comfortable with who I am.” Hollywood access and acclaim – and the pay cheques – don’t erase memories of poverty, either. “It’s more like, ‘Oh, this is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.’ ” Small towns and strong tribes keep him in check, too. “You know you can’t piss around and be a fool, because you’re going to embarrass your family,” he says. “Hasn’t stopped me, though.”

Sam Neill says there was never any doubt Waititi would be able to steer a major movie with energy and imagination. “It’s no accident that the whole world wants Taika,” he says. “But his seductiveness comes with its own dangers. You can spread yourself a bit thin. The temptation will be to do more, more, more. That’ll be interesting to watch.”

Indeed, I find myself vicariously stressed out over the list of potential projects in Waititi’s future. A Roald Dahl animated series for Netflix. An Apple TV show based on the 1981 film Time Bandits. A sequel to What We Do In The Shadows. A reboot of Flash Gordon. A gonzo horror comedy, The Auteur, starring Jude Law. Adapting a cult graphic novel, The Incal, as a feature. A streaming series based on the novel Interior Chinatown. A film based on a Kazuo Ishiguro bestseller. Plus bringing to life the wildly popular Akira comic books. Oh, and for good measure, a new instalment of Star Wars, which he’s already warned the world will be … different.

“It’s going to change things,” he told Good Morning America. “It’s going to change what you guys know and expect.”

Did I say I was stressed for Waititi? I meant physically sick.

“Well…” he qualifies, “some of those things I’m just producing, so I come up with an idea or someone comes to me with an idea, and I shape how ‘it’s this kind of show’ and ‘here’s how we can get it made.’ It’s easier for me to have a part in those things and feel like I’ve had a meaningful role in the creative process, but also not having to do what I’ve always done, which is trying to control everything.”

In the 2014 mockumentary horror film What We Do in the Shadows, which he co-directed with Jemaine Clement. (Alamy)

What about moving away from the niche New Zealand settings he represented so well in his early work? How does he stay connected to his roots? “I think you just need to know where you’re from,” he says, “and just don’t forget that.”

They certainly haven’t forgotten him.

Jasmin McSweeney sits in her office at the New Zealand Film Commission in Wellington, surrounded by promotional posters Waititi signed for her two decades ago, when she was tasked with promoting his nascent talent. Now the organisation’s marketing chief, she talks to me after visiting the heart of thriving “Wellywood”, overseeing the traditional karakia prayer on the set of a new movie starring Geoffrey Rush.

Waititi isn’t the first great Kiwi filmmaker – dual Oscar-winner Jane Campion and blockbuster king Peter Jackson come to mind – yet his particular ascendance, she says, has spurred unparalleled enthusiasm. “Taika gave everyone here confidence. He always says, ‘Don’t sit around waiting for people to say, you can do this.’ Just do it, because he just did it. That’s the Taika effect.”

-----------------------------------------------

Taika David Waititi is known for wearing everything from technicolour dreamcoats to pineapple print rompers, and today he’s wearing a roomy teal and white Isabel Marant jumper. The mohair garment has the same wispy frizz as his hair, which curls like a wave of grey steel wool, and connects with a shorn salty beard.

A stylish silver fox, it wouldn’t surprise anyone if he suddenly announced he was launching a fashion label. He’s definitely a commercial animal, to the point of directing television commercials for Coke and Amazon, along with a fabulous 2023 spot for Belvedere vodka starring Daniel Craig. He also joined forces with a beverage company in Finland (where “taika” means “magic”) to release his coffee drinks. Announcing the partnership on social media, he flagged that he would be doing more of this kind of stuff, too (“Soz not soz”).

Waititi has long been sick of reverent portrayals of Indigenous people talking to spirits.

There’s substance behind the swank. Fashion is a creative outlet but he’s also bought sewing machines in the past with the intention of designing and making clothes, and comes from a family of tailors. “I learnt how to sew a button on when I was very young,” he says. “I learnt how to fix holes or patches in your clothes, and darn things.”

And while he gallivants around the globe watching Wimbledon or modelling for Hermès at New York Fashion Week, all that glamour belies a depth of purpose, particularly when it comes to Indigenous representation.

There’s a moment in his new movie where a Samoan player realises that their Dutch coach, played by Michael Fassbender, is emotionally struggling, and he offers a lament for white people: “They need us.” I can’t help but think Waititi meant something more by that line – maybe that First Nations people have ­wisdom to offer if others will just listen?

“Weeelllll, a little bit …” he says – but from his intonation, and what he says next, I’m dead wrong. Waititi has long been sick of reverent ­portrayals of Indigenous people talking to kehua (spirits), or riding a ghost waka (phantom canoe), or playing a flute on a mountain. “Always the boring characters,” he says. “They’ve got no real contemporary relationship with the world, because they’re always living in the past in their spiritual ways.”

A scene from Next Goal Wins, filmed earlier this year. (Alamy)

He’s part of a vanguard consciously poking fun at those stereotypes. Another is the Navajo writer and director Billy Luther, who met Waititi at Sundance Film Festival back in 2003, along with Reservation Dogs co-creator Sterlin Harjo. “We were this group of outsiders trying to make films, when nobody was really biting,” says Luther. “It was a different time. The really cool thing about it now is we’re all working. We persevered. We didn’t give up. We slept on each other’s couches and hung out. It’s like family.”

Waititi has power now, and is known for using Indigenous interns wherever possible (“because there weren’t those opportunities when I was growing up”), making important introductions, offering feedback on scripts, and lending his name to projects through executive producer credits, too, which he did for Luther’s new feature film, Frybread Face and Me (2023).

He called Luther back from the set of Thor: Love and Thunder (2022) to offer advice on working with child actors – “Don’t box them into the characters you’ve ­created,” he said, “let them naturally figure it out on their own” – but it’s definitely harder to get Waititi on the phone these days. “He’s a little bitch,” Luther says, laughing. “Nah, there’s nothing like him. He’s a genius. You just knew he was going to be something. I just knew it. He’s my brother.“

I’ve been asked to explicitly avoid political questions in this interview, probably because Waititi tends to back so many causes, from child poverty and teenage suicide to a campaign protesting offshore gas and oil exploration near his tribal lands. But it’s hard to ignore his recent Instagram post, sharing a viral video about the Voice to Parliament referendum starring Indigenous Aussie rapper Adam Briggs. After all, we speak only two days after the proposal is defeated. “Yeah, sad to say but, Australia, you really shat the bed on that one,” Waititi says, pausing. “But go see my movie!”

About that movie – the early reviews aren’t great. IndieWire called it a misfire, too wrapped in its quirks to develop its arcs, with Waititi’s directorial voice drowning out his characters, while The Guardian called it “a shoddily made and strikingly unfunny attempt to tell an interesting story in an uninteresting way”. I want to know how he moves past that kind of criticism. “For a start, I never read reviews,” he says, concerned only with the opinion of people who paid for admission, never professional appraisals. “It’s not important to me. I know I’m good at what I do.”

Criticism that Indigenous concepts weren’t sufficiently explained in Next Goal Wins gets his back up a little, though. The film’s protagonist, Jaiyah Saelua, the first transgender football player in a FIFA World Cup qualifying match, is fa’afafine – an American Samoan identifier for someone with fluid genders – but there wasn’t much exposition of this concept in the film. “That’s not my job,” Waititi says. “It’s not a movie where I have to explain every facet of Samoan culture to an audience. Our job is to retain our culture, and present a story that’s inherently Polynesian, and if you don’t like it, you can go and watch any number of those other movies out there, 99 per cent of which are terrible.”

*notes: (there is video clip in the article)

Waititi sounds momentarily cranky, but he’s mostly unflappable and hilarious. He’s the kind of guy who prefers “Correctumundo bro!” to “Yes”. When our video connection is too laggy, he plays up to it by periodically pretending to be frozen, sitting perfectly still, mouth open, his big shifting eyeballs the only giveaway.

He’s at his best on set. Saelua sat next to him in Honolulu while filming the joyous soccer sequences. “He’s so chill. He just let the actors do their thing, giving them creative freedom, barely interjecting unless it was something important. His style matches the vibe of the Pacific people. We’re a very funny people. We like to laugh. He just fit perfectly.”

People do seem to love working alongside him, citing his ability to make productions fresh and unpredictable and funny. Chris Hemsworth once said that Waititi’s favourite gag is to “forget” that his microphone is switched on, so he can go on a pantomime rant for all to hear – usually about his disastrous Australian lead actor – only to “remember” that he’s wired and the whole crew is listening.

“I wouldn’t know about that, because I don’t listen to what other people say about anything – I’ve told you this,” Waititi says. “I just try to have fun when there’s time to have fun. And when you do that, and you bring people together, they’re more willing to go the extra mile for you, and they’re more willing to believe in the thing that you’re trying to do.”

Yes, he plays music between takes, and dances out of his director’s chair, but it’s really all about relaxing amid the immense pressure and intense privilege of making movies. “Do you know how hard it is just to get anything financed or green-lit, then getting a crew, ­getting producers to put all the pieces together, and then making it to set?” Waititi asks. “It’s a real gift, even to be working, and I feel like I have to remind ­people of that: enjoy this moment.”

Source: The Age

By: Konrad Marshall (December 1, 2023)

[satoshi-mochida]

Like a Dragon: Pirate Yakuza in Hawaii announced for PS5, Xbox Series, PS4, Xbox One, and PC - Gematsu

Publisher SEGA and developer Ryu Ga Gotoku Studio have announced Like a Dragon: Pirate Yakuza in Hawaii for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, and PC (Steam, Microsoft Store). It will launch on February 28, 2025 worldwide.

Get the first details below.

■ About the Game

A new legend begins as you step into the steel toe boots of Goro Majima, a man who has lost his memory and reinvents himself as a pirate on the open sea. Embark on an over-the-top, modern-day pirate adventure with an ex-yakuza, now pirate captain and his crew as they engage in exhilarating combat on land and sea in the hunt for lost memories and a legendary treasure.

Pirate Yakuza Adventure Ahoy!

Goro Majima, a notorious ex-yakuza suddenly finds himself shipwrecked on a remote island in the Pacific. Unable to remember even his own name, he sets sail in search of clues to his lost memories, accompanied by a boy named Noah who saved his life. Before long, they’re caught up in a conflict between cutthroat criminals, modern-day pirates, and other scoundrels over a legendary treasure.

Get Your Ship Together

Assemble a one-of-a-kind crew while upgrading your ship as you explore the open sea and forge your legend in the cannon fire of foes, unexpected friendships, and immense riches made along the way. When an enemy pirate ship catches you in their sights, an exhilarating real-time cannon battle breaks out. Quickly maneuver into position while avoiding fire, then deliver devastating damage to board the enemy ship and take down the captain in all-out crew vs. crew brawls. Conquer the seas, discover hidden islands and acquire loads of loot like a true yakuza pirate!

Kick Arrrss With Creative Combat

Dynamically switch between the “Mad Dog” and “Pirate” fighting styles to mix-up attacks and deliver explosive combos, juggles, and aerial takedowns that reward your creativity with over-the-top action. With “Mad Dog” style, utilize speed, agility, and flair to deliver precise yet powerful blows that stun your enemies into submission. Or make enemies walk the plank with the “Pirate” style that has you dual-wielding short swords and deploying tricky pirate tools to kick some serious booty.

■ Story

After losing his memory, Goro Majima, a once-feared legend in the yakuza world, sets sail in search of treasure. Half a year ago teaming up with Kiryu for a massive battle in the Millenium Tower, Goro Majima washes up with the wreckage of a boat on the shore of a remote, sparsely populated island. With no memories—not even his own name—Majima joins forces with Noah, the young islander who saved his life, and embarks on a search for clues to his forgotten past. However, what waits for them is a powder-keg world where scoundrels vie for a legendary treasure.

■ Cast

Goro Majima (voiced by Hidenari Ugaki)

Patriarch of the former Tojo Clan’s Majima Family.

An ex-yakuza with no memories who has washed ashore on a remote island.

Noah Rich (voiced by First Summer Uika)

Local boy on Rich Island.

A youth who dreams of the outside world, hoping to leave the confines of Rich Island.

Jason Rich (voiced by Kenji Matsuda)

Bar Owner on Rich Island and Noah’s father.

A former treasure hunter who, despite being a drunkard, is still a true sea dog.

Masaru Fujita (voiced by Ryuji Akiyama (Robert))

Bodyguard and ship cook.

A skilled chef for hire who’s sailed the seas on a long line of pirate ships.

Teruhiko Shigaki (voiced by Munetaka Aoki)

Patriarch of the former Tojo Clan’s Shigaki family.

An ex-yakuza with no memories who has washed ashore on a remote island.

Rodriguez (voiced by Ayumi Tanida)

Palekana disciple.

A burly warrior who guards Nele Island, Palekana’s holy site, with his massive sword.

Mortimer (voiced by Shunsuke Daitoh)

Head of the Mortimer Armada.

A handsome pirate with a charismatic persona who inspires fervor in the lowlifes around him.

Goro (voiced by ???)

Noah’s little friend.

An adorable little cat (?) that Noah found on Rich Island.

■ Battle

Push Combat to the Extreme with Two Battle Styles

In addition to his signature Mad Dog style, which is all about speed, Majima can also use his new Sea Dog style to wield a cutlass and other buccaneer gear. Pick the style that works for you to kick, pummel, and slash your way through the filthy bilge rats who stand in your way!

■ Adventure

Go wild and unleash chaos around the waters of Hawaii as Goro Majima!

Rich Island

A remote island that an amnesiac Goro Majima washes up on. Noah and his family are some of the island’s few inhabitants. Despite fishing being the mainstay of the local economy, pirates reminiscent of the Age of Discovery can be inexplicably seen sauntering around.

Madlantis

A secret island where multiple criminal organizations coexist. In a cave on the island hides a sprawling pleasure district built around a fleet of massive tankers. The Pirates’ Coliseum, a hub where pirates constantly engage in naval battles, is here.

Nele Island

A holy site of Palekana, a long-standing religious group based in Hawaii. The Haku, the most fervent believers of Palekana, inhabit the island. The island is notably larger than Rich Island and has a proper harbor.

Hawaii

One of the world’s most famous tourist destinations. You can learn a lot about Hawaii from the owner of a bar called Revolve in Honolulu City.

■ Early Purchase Bonus

Ichiban Pirate Crew Set

Crew Member: Ichiban Kasuga

Backup Crew: Nancy

Ichiban Special Outfit Set

Kasuga Outfit (Infinite Wealth)

Kasuga Outfit (Yakuza: Like a Dragon)

■ Game Editions

Standard Edition (physical / digital) – $59.99 / £54.99 / €59.99 / 6,930 yen

A copy of Like a Dragon: Pirate Yakuza in Hawaii

Deluxe Edition (digital) – $74.99 / £64.99 / €74.99 / 8,690 yen

A copy of Like a Dragon: Pirate Yakuza in Hawaii

Downloadable content

Legendary Pirate Crew Pack – Have Kazuma Kiryu, Daigo Dojima, and other fan-favorite Like a Dragon characters become shipmates with the Goro Pirates!

Legendary Outfit Pack – Give Majima more outfits to wear, including a T-shirt exclusively designed for this title and the iconic get-ups sported by yakuza legends such as Kazuma Kiryu and Taiga Saejima.

Ship Customization Pack – Personalize the appearance of your pirate ship, the Goromaru! Choose from designs based on popular characters from the franchise, including Kazuma Kiryu and Ichiban Kasuga.

Extra Karaoke and CD Pack – Add the Majima Construction Song to karaoke and gain the option to play karaoke staples while exploring.

Complete Box (Japan / Asia) (physical) – 19,800 yen

A copy of Like a Dragon: Pirate Yakuza in Hawaii

Goro Majima Pop-Up Pirate Jr.

Goro Majima Eyepatch

Like a Dragon: Pirate Yakuza in Hawaii acrylic art board (A4 size)

Art book

Downloadable content

Legendary Pirate Crew Pack – Have Kazuma Kiryu, Daigo Dojima, and other fan-favorite Like a Dragon characters become shipmates with the Goro Pirates!

Legendary Outfit Pack – Give Majima more outfits to wear, including a T-shirt exclusively designed for this title and the iconic get-ups sported by yakuza legends such as Kazuma Kiryu and Taiga Saejima.

Ship Customization Pack – Personalize the appearance of your pirate ship, the Goromaru! Choose from designs based on popular characters from the franchise, including Kazuma Kiryu and Ichiban Kasuga.

Extra Karaoke and CD Pack – Add the Majima Construction Song to karaoke and gain the option to play karaoke staples while exploring.

Watch the announcement trailer, battle gameplay, and reveal event archive below. View the first screenshots at the gallery. Visit the official website here: English / English (Asia) / here.

Announce Trailer

English

Japanese

Battle Gameplay

English

Japanese

RGG Summit 2024

English

Japanese

[sapphicbookclub]

The Bone Spindle trilogy by Leslie Vedder

(The Bone Spindle, The Severed Thread, The Cursed Rose)

Fi is a bookish treasure hunter with a knack for ruins and riddles, who definitely doesn't believe in true love.

Shane is a tough-as-dirt girl warrior from the north who likes cracking skulls, pretty girls, and doing things her own way.

Briar Rose is a prince under a sleeping curse, who's been waiting a hundred years for the kiss that will wake him.

Cursed princes are nothing but ancient history to Fi--until she pricks her finger on a bone spindle while exploring a long-lost ruin. Now she's stuck with the spirit of Briar Rose until she and Shane can break the century-old curse on his kingdom.

Dark magic, Witch Hunters, and bad exes all stand in her way--not to mention a mysterious witch who might wind up stealing Shane's heart, along with whatever else she's after. But nothing scares Fi more than the possibility of falling in love with Briar Rose.

Genres: fantasy, fairytale retelling, romance

Order from Blackwell's and get free worldwide shipping! (1, 2, 3)

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[siflshonen]

The Greatest Robot on Earth: Astro Boy and Pluto Part I

So you’ve just watched Pluto on Netflix, but you didn’t know that it is the best Astro Boy fanfiction ever made. Great! Or maybe, hypothetically, you’ve read classic Astro Boy but don’t know about Pluto, or, as it was called for the Viz release, Pluto: UrasawaXTezuka. Well, awesome, because I’m about to give you all the details behind their creators and creation and give you a side-by-side of the classic Astro Boy and this new(ish)-fangled Pluto.

C'mon. Look under the read more line. You know you want to.

If you want to skip to the manga side-by-sides, check out part II and part III. Or, you can read the whole thing in one go on Ao3.

Context and Background

Tezuka, Urasawa, and the Showa Era

So, let me start with the basics: What is Astro Boy? What ain’t Astro Boy?

Tetsuwan Atom, known in the west as Astro Boy, is the most well-known manga created by the “Godfather of Manga/God of Manga” Osamu Tezuka in the 1950s, but it metastasized into multiple anime series, games, merch, spin offs of various types, and that one CGI movie in 2009. The series follows the adventures of robot hero Atom (called Astro in the west) as he fights for the benefit of humans and robots to create a harmonious future for both.

Here’s a timeline of Astro Boy- and Pluto-related events to help you visualize what came out when and why there were multiple runs of the Astro Boy manga. For our purposes, the most important thing to understand is that, even though Astro Boy was a kids’ series, its attitude and themes, as written by Tezuka, reflected the incredible shifts in Japan after World War II and the ever-present shadow of it still left in the minds of its citizens.

But before we get into all that, let’s talk about Osamu Tezuka himself.

Osamu Tezuka's Legacy and His Monster

If you, sweet reader, are a self-appointed weeb and you don’t know the name Osamu Tezuka, I’m personally scandalized. Still, here’s the short version: he was a workaholic mangaka that many hail as the creator of modern shonen manga (historians get heated about when, how, and if Japanese comics made the jump to modern manga, so do your own research, but Astro Boy is definitely the most famous worldwide contender for this title instead of, say, Tezuka’s first work Shin Takarajima/New Treasure Island), and he’s the guy who created the world’s first serialized made-for-TV anime with a sequential plot and sold it as a loss leader to get it on the air.

Arguably, the precedent he set in order to get the anime-ified Astro Boy to screens everywhere is a major reason that the anime industry is so unsustainable, but we’re not here to talk about that.

Tezuka-sensei was a prolific, passionate, and deeply beloved artist from Osaka who tackled damn near every manga genre and arguably created some of them before he died of stomach cancer (and overwork, if we’re being honest here.) I’ve only shown a few of the 400-plus titles he created to give a brief overview of the scope of his work. Since I’m talking to you as a fan, not a historian, I specifically chose titles I own or have read most closely.

Message to Adolf, which was also published as Adolf, is about Nazis. Okay, that’s only part of what it’s about, but we’ll revisit this one in more detail later.

Black Jack is probably Tezuka’s second most famous work, and yeah, it’s broadly categorized as a shonen. It follows the adventures of underground doctor and genius surgeon Kuroo Hazama who dresses like a vampire, acts like a black-hearted and preachy douchebag, and endears himself to everyone who interacts with him.

Dororo is a historical fantasy thriller about a guy regaining parts of his sacrificed-upon-his-birth body by slaying demons and uncovering the mysterious past of his companion, the child thief Dororo.

On the flipside, Princess Knight is a shojo for younger kids about a princess with the heart of a boy and the heart of a girl who uses her two hearts to genderbend as needed to maintain her claim over her kingdom and keep it out of the hands of the wicked.

Meanwhile, Ode to Kirihito is an extremely mature medical fantasy drama that questions when and how a person still maintains their humanity and when they become a beast in their own eyes and the eyes of others. As I’m sure you can tell, such themes exploring what humanity means are almost as common to Tezuka’s works as a medical professional featuring as a main character. He needed to use his degree for something, I suppose.

In fact, the common conflict between Tezuka’s bright, young, optimistic, passionate, independently-minded, and opinionated doctor main characters and the corrupt, constricting, slow-moving, old-fashioned medical institution probably offers the most insight as to why Tezuka chose to pursue manga over medicine. I don’t think this was the only reason, but from reading his manga, I feel founded in asserting that the stifling status quo of established medicine was a contributing factor.

Tezuka never made any bones about putting himself and his feelings directly in his work. He spoke what was on his mind throughout his manga, and his introductions to various Astro Boy stories are no exception. He was also transparent about his struggle to make sure his works maintained popularity even when he resented any changes others suggested he make  in pursuit of this goal. In general, Tezuka-sensei didn’t take kindly to the idea of others influencing the direction of his creative visions basically ever, if the story of the Jungle Emperor: Onward, Leo! anime is any indication. (He’s just like me for real.)

If Tezuka-sensei wanted to write about war, he did. If he wanted to write about rape or trauma or abortion or racism, he did. He jumped on the chance to write about sex ed and, well, several of those other topics in Apollo’s Song.

If that scares you, don’t worry. Most of the time, Astro Boy was usually about the nature of war, human rights, the nature of humanity, and robots. It was also written for grade school kids.

Tezuka’s penchant for frank honesty wasn’t limited to commentary made within his manga, but also about his manga, and his statements on Astro Boy are some of his more standout claims on that front. That he called Atom a “monster” and said he created him “for the exposure and the money” doesn’t paint a flattering picture of his attitude towards his most famous work.

But, in truth, his distaste for compromising the truth of his characters at others’ suggestions probably betrays his real feelings about Atom. As much as he may be Tezuka’s monster, he is also his pure-hearted hero of justice and beloved creation. And, by his own admission, his feelings towards his work during the creation of “The Greatest Robot on Earth”, the Astro Boy story on which Pluto is based, were distinctly positive (even if at one point the background characters remark that Atom is a monster!)

The readership’s opinions on “The Greatest Robot on Earth” were likewise pretty positive. Among those readers was Naoki Urasawa, who credits the story with inspiring his deep love of manga. (His recounting of the impression the story left on him in this interview with Netflix Anime is incredibly sweet.)

Naoki Urasawa and His Monster

Who is Naoki Urasawa, besides the guy who co-wrote and illustrated the 2003 Pluto manga? Well, Urasawa-sensei is my favorite mangaka, so jot that down, and he’s known for his suspense thrillers, layered narratives, melodramatic showstopper moments, and also stories about cute girls doing sports. He is also a musician and guest professor alongside his editor and Pluto co-writer, Takashi Nagasaki.

20th Century Boys, named in part for a T.Rex song, is arguably his most famous work and it is heavy on the 1960s-1970s nostalgia, but in a good way! The inherent optimism, kindness, hope, and passion (and sometimes outright cheese) of every Urasawa character and title never feels insincere. The series is a seinen with the heart and whimsy of a shonen (and personally, I feel like such a description holds true for even Uraswa’s darker works.) 

If you don’t want to read 20th Century Boys or its sequel, 21st Century Boys, you can watch the live-action movie adaptations.

Meanwhile, Monster is my favorite manga and anime. Herr Doktor Tenma (yeah, like Astro Boy’s Tenma), a Japanese brain surgeon practicing in 1980s Germany, saves the life of a little boy only to learn years later that the kid is a mass murderer, his murdering ways continue into his adulthood, and he will likely never be caught. Only Tenma knows the truth, so he embarks on a quest to stop the “monster” he revived. 

I have less familiarity with Yawara! and Happy!, but the first is a sports comedy about a girl struggling to balance an athletic career and a normal life, and the second is a sports drama about a girl pursuing tennis to avoid becoming a prostitute. 

Pineapple Army is about an ex-merc’s adventures working as a self-defense instructor. Urasawa illustrated this one, but did not write it. I suppose I could have included Billy Bat as a representative work instead, but I honestly didn’t want to start unpacking that—though I will say that Billy Bat is probably the closest answer Urasawa has to Tezuka’s Message to Adolf since they both spin around the concept of a rumor or idea causing the world to lose its collective mind.

So what motivated Urasawa to add Pluto to his body of work? Mostly his editor/producer and co-writer, Takashi Nagasaki, probably. Er, that’s not very flattering. Let me try again.

Japanese media loves to emphasize passing its passions and convictions to the new generations (source: have you ever read or watched a mainstream action shonen in your life? If you’ve been paying attention to anything I’ve written about My Hero Academia or read the manga itself, I’m sure you think as much as I do that pointing out such a thing feels like beating a dead horse), and Urasawa’s (and later, the M2 team’s) motivation in creating Pluto is no exception. As Urasawa put it in his Netflix interview, “It’s like we received the baton from Tezuka-sensei, and would pass it on to the new generation."

And Osamu Tezuka-sensei’s son, Macoto Tezka (who probably spells his name that way so people don’t get him mixed up with his dad) let Urasawa and Nagasaki do it so long as they made sure the new retelling was something new, exciting, and unique when compared to the original! And while the pressure to succeed in this endeavor probably damn well near killed Urasawa-sensei, I think Tezka made the right call!

But if the goal was to pass on this Astro Boy story, which was written by a REALLY old dude, beloved by kinda-old dudes to the new generation, and practically unheard-of by today’s anklebiters, what kind of direction was the damn thing meant to take?! And why was the answer “fantasy Gulf War Astro Boy fanfiction”?!

Astro Boy in the Eyes of the New Breed

Astro Boy may be a series meant for younger kids, but it didn’t exist in a vacuum separate from the climate of the world from which it came. Tezuka would probably roll over in his grave if it did. The work, its messages, and its sensibilities were grade-A, postwar Showa stuff—particularly its reflections on pacifism, war, and power. 

Nagasaki’s summation from the postscript of Pluto: UrasawaXTezuka volume 8 sums up Tezuka and his generation’s outlook pretty handily, but I think it’s helpful to show exemplify this outlook and contrast it with the outlook of Nagasaki and Urasawa’s generation through manga!

Please observe this key moral-of-the-story panel from “The Greatest Robot on Earth” published in 1964 alongside this panel from late-1980s Dragonball featuring Muten Roshi stating the core idea of his series. I’ve chosen Dragonball as a point of comparison not just because of its notoriety as a big shonen title created for a similar audience as the original Astro Boy, but because creator Akira Toriyama was born in 1955 and, much like his contemporary Urasawa, who was born in 1960, “The Greatest Robot on Earth” left a deep impression on him. (Despite what the caption implies, the photographed page in this tweet actually features Toriyama’s admiration of Tezuka, though I don’t doubt the article from which it is pulled also includes Tezuka’s feelings about Toriyama. I ran it through Google Translate a few times and then laughed when I realized Toriyama made a self-deprecating joke about his poor reading skills, since he points out that he was in third grade when he read “The Greatest Robot on Earth” in the magazine Second Grader.)

To Astro Boy’s Ochanomizu, strength ain’t all that great, and strength for strength’s sake is foolish and vain. In fact, Professor Ochanomizu, who is the moral compass for most Astro Boy adventures, doesn’t value the pursuit of strength the way modern shonen, and several other characters within his own series, do. Hell, he doesn’t give Uran any superpowers even though Atom, the robot boy with nuclear power fueling his 100,000 horsepower (later 1,000,000 horsepower) and seven special powers is her brother! 

At the time of Ochanomizu’s creation, real-life Japan still freshly remembered World War II and the bombings of Hiroshima and Nagasaki; no the fuck Ochanomizu (and Tezuka, through him) wasn’t about to endorse or create robots that doubled as weapons. That nonsense was for other, “more violent” robot manga, or the slew of other misguided and corrupt roboticists within the Astro Boy canon. Well, except there was that one time Ochanomizu helped create the artificial sun, but he didn’t ever intend for it to become a weapon.

Meanwhile, while Roshi also does not believe in strength for strength’s sake, he absolutely pursues it and encourages his pupils to do the same while fostering their awareness of the hardship, dangers, and fun of their path. Even with his warning, the Dragonball cast’s pursuit of strength is portrayed as alluring despite the double-edge, much like promoting national pride (and power) increases a nation’s convictions in its unity and identity but also draws the negative attention of other, possibly more powerful nations. Andy Yee succinctly frames this still-impending crossroads about how Japan might use its nationalism—its “pursuit of strength” in Dragonball lingo—in his 2013 article “The Twin Faces of Japanese Nationalism”. In it, he quotes this 2012 Project Syndicate article by Joseph S. Nye, Jr. pointing out that nationalism could be a force for positivity if tempered with reform and control, but could also cause the country to start conflict with its neighbors and shit the bed if left to run wild. (The conversation surrounding the topic of Japanese nationalism continues beyond 1980s manga or the 2013 socio-political scene, of course.)

Unlike Atom or Ochanomizu, Dragonball’s Goku finds such attention alluring: his heart’s desire is to fight strong opponents. It is his ikigai (“reason to live”) and at the end of the Cell Games, it becomes his, uh, shinigai (“reason to die”), if you will.

Did I lose you? I just asserted that the messages in these shonen about acquiring strength = messages about acquiring national pride and power. At its best, the Dragonball-esque attitude towards increasing national pride (and combat strength) is empowering, inspirational, and bolsters the good-hearted. At its worst, it could feed into a cycle of toxicity, unproductive self-importance and, ultimately, flat-out Japanese nationalism and war (and at its stupidest, it just becomes Let’s Fighting Love. Protect my balls.) Since classic Dragonball is a gag manga, I doubt Toriyama was ever thinking this hard about the messages of his work in regards to world history, but that’s sort of the point: Toriyama and his generation likely weren’t thinking this hard about it. Dragonball’s authorship lacks the crushing, firsthand memory of the consequences of unbalanced and misused power that the authorship of Astro Boy has.

In other words, Astro Boy’s cast pursued scientific advancement while lamenting the inevitable folly and destruction mankind brought forth with it so that Son Goku could fish naked, kick ass, get his ass kicked, meet god, kick ass, ghost god, ghost his family and friends, come back, kick more ass, repeat this cycle like twice, and get everyone to thank him for it. Dragonball’s more optimistic, power-fantasy-ish outlook broadly categorizes the outlook generation of New Breeds (shinjinrui) born around the 1960s like Toriyama, Urasawa, and Nagasaki before the reality introduced in their emerging adulthood hit them like a fucking truck.

The New Breed generation earned its name because their outlook and values, which were developed during a time of economic plenty and peace, seemed totally divorced from the values of the generations that lived during or immediately after World War II.

“They might as well be a different species,” snarked their elders, probably, though not necessarily out of bland hatred—Yoshiyuki Tomino’s Gundam series portrays his Newtypes, who are meant to be at least somewhat analogous to the real-life shinjinrui, in a generally more sympathetic light and occasionally a positive one (if they aren’t being used by someone else, that is.)

Tomino, who was born in 1941, also worked on Astro Boy at Mushi Pro.

Baggage between generations is not unique to any one country, obviously. But in this case, it seems Urasawa and Nagasaki decided to tap into it and incorporate the core beliefs, hopes, and grief of their generation and those of the generations before them into Pluto. 

Taking this approach was also the perfect excuse for Urasawa to distill everything he knew and loved about Tezuka’s works into one transformative manga. And don’t just trust Tomohiko Murakami on that—trust me as a fan of both Tezuka and Urasawa. It’s very noticeable that Urasawa and Nagasaki pulled from all things Tezuka to create Pluto even as it incorporated new ideas, including criticism of the Gulf War.

…So it’s probably a good thing I took the time to explain all this stuff to you so that you can now start to see it too! You can thank me later. Let’s see how the classic “The Greatest Robot on Earth” compares to Pluto.

[undeadlyclawjob]

More icons from Wolverine: Origins

LOOK, I LOVE HUGH'S FACE SO MUCH I MADE A MILLION ICONS. YOU'RE GOING TO VIEW THEM AND YOU'RE GOING TO LIKE IT. BECAUSE IT'S HUGH'S FACE. A worldwide treasure

[demifiendrsa]

Like a Dragon: Pirate Yakuza in Hawaii | Announce Trailer

Battle Trailer

RGG Summit 2024

Like a Dragon: Pirate Yakuza in Hawaii (known as Ryu ga Gotoku 8 Gaiden: Pirates in Hawaii in Japan) will launch for PlayStation 5, Xbox Series X|S, PlayStation 4, Xbox One, and PC (Steam, Microsoft Store) on February 28, 2025 worldwide.

Key visual

First details

■ About the Game

A new legend begins as you step into the steel toe boots of Goro Majima, a man who has lost his memory and reinvents himself as a pirate on the open sea.

Embark on an over-the-top, modern-day pirate adventure with an ex-yakuza, now pirate captain and his crew as they engage in exhilarating combat on land and sea in the hunt for lost memories and a legendary treasure.

Pirate Yakuza Adventure Ahoy!

Goro Majima, a notorious ex-yakuza suddenly finds himself shipwrecked on a remote island in the Pacific. Unable to remember even his own name, he sets sail in search of clues to his lost memories, accompanied by a boy named Noah who saved his life. Before long, they’re caught up in a conflict between cutthroat criminals, modern-day pirates, and other scoundrels over a legendary treasure.

Get Your Ship Together

Assemble a one-of-a-kind crew while upgrading your ship as you explore the open sea and forge your legend in the cannon fire of foes, unexpected friendships, and immense riches made along the way.

When an enemy pirate ship catches you in their sights, an exhilarating real-time cannon battle breaks out. Quickly maneuver into position while avoiding fire, then deliver devastating damage to board the enemy ship and take down the captain in all-out crew vs. crew brawls. Conquer the seas, discover hidden islands and acquire loads of loot like a true yakuza pirate!

Kick Arrrss With Creative Combat

Dynamically switch between the “Mad Dog” and “Pirate” fighting styles to mix-up attacks and deliver explosive combos, juggles, and aerial takedowns that reward your creativity with over-the-top action.

With “Mad Dog” style, utilize speed, agility, and flair to deliver precise yet powerful blows that stun your enemies into submission.

Or make enemies walk the plank with the “Pirate” style that has you dual-wielding short swords and deploying tricky pirate tools to kick some serious booty.

■ Story

After losing his memory, Goro Majima, a once-feared legend in the yakuza world, sets sail in search of treasure.

Half a year ago teaming up with Kiryu for a massive battle in the Millenium Tower, Goro Majima washes up with the wreckage of a boat on the shore of a remote, sparsely populated island. With no memories—not even his own name—Majima joins forces with Noah, the young islander who saved his life, and embarks on a search for clues to his forgotten past. However, what waits for them is a powder-keg world where scoundrels vie for a legendary treasure.

■ Cast

Goro Majima (voiced by Hidenari Ugaki)

Patriarch of the former Tojo Clan’s Majima Family.

An ex-yakuza with no memories who has washed ashore on a remote island.

Noah Rich (voiced by First Summer Uika)

Local boy on Rich Island.

A youth who dreams of the outside world, hoping to leave the confines of Rich Island.

Jason Rich (voiced by Kenji Matsuda)

Bar Owner on Rich Island and Noah’s father.

A former treasure hunter who, despite being a drunkard, is still a true sea dog.

Masaru Fujita (voiced by Ryuji Akiyama (Robert))

Bodyguard and ship cook.

A skilled chef for hire who’s sailed the seas on a long line of pirate ships.

Teruhiko Shigaki (voiced by Munetaka Aoki)

Patriarch of the former Tojo Clan’s Shigaki family.

An ex-yakuza with no memories who has washed ashore on a remote island.

Rodriguez (voiced by Ayumi Tanida)

Palekana disciple.

A burly warrior who guards Nele Island, Palekana’s holy site, with his massive sword.

Mortimer (voiced by Shunsuke Daitoh)

Head of the Mortimer Armada.

A handsome pirate with a charismatic persona who inspires fervor in the lowlifes around him.

Goro (voiced by ???)

Noah’s little friend.

An adorable little cat (?) that Noah found on Rich Island.

■ Battle

Push Combat to the Extreme with Two Battle Styles

In addition to his signature Mad Dog style, which is all about speed, Majima can also use his new Sea Dog style to wield a cutlass and other buccaneer gear. Pick the style that works for you to kick, pummel, and slash your way through the filthy bilge rats who stand in your way!

■ Adventure

Go wild and unleash chaos around the waters of Hawaii as Goro Majima!

Rich Island

A remote island that an amnesiac Goro Majima washes up on. Noah and his family are some of the island’s few inhabitants. Despite fishing being the mainstay of the local economy, pirates reminiscent of the Age of Discovery can be inexplicably seen sauntering around.

Madlantis

A secret island where multiple criminal organizations coexist. In a cave on the island hides a sprawling pleasure district built around a fleet of massive tankers. The Pirates’ Coliseum, a hub where pirates constantly engage in naval battles, is here.

Nele Island

A holy site of Palekana, a long-standing religious group based in Hawaii. The Haku, the most fervent believers of Palekana, inhabit the island. The island is notably larger than Rich Island and has a proper harbor.

Hawaii

One of the world’s most famous tourist destinations. You can learn a lot about Hawaii from the owner of a bar called Revolve in Honolulu City.

■ Early Purchase Bonus

Ichiban Pirate Crew Set

Crew Member: Ichiban Kasuga

Backup Crew: Nancy

Ichiban Special Outfit Set

Kasuga Outfit (Infinite Wealth)

Kasuga Outfit (Yakuza: Like a Dragon)

■ Game Editions

Standard Edition (physical / digital) – $59.99 / £54.99 / €59.99 / 6,930 yen

A copy of Like a Dragon: Pirate Yakuza in Hawaii

Deluxe Edition (digital) – $74.99 / £64.99 / €74.99 / 8,690 yen

A copy of Like a Dragon: Pirate Yakuza in Hawaii

Downloadable content

**Legendary Pirate Crew Pack – Have Kazuma Kiryu, Daigo Dojima, and other fan-favorite Like a Dragon characters become shipmates with the Goro Pirates!

**Legendary Outfit Pack – Give Majima more outfits to wear, including a T-shirt exclusively designed for this title and the iconic get-ups sported by yakuza legends such as Kazuma Kiryu and Taiga Saejima.

**Ship Customization Pack – Personalize the appearance of your pirate ship, the Goromaru! Choose from designs based on popular characters from the franchise, including Kazuma Kiryu and Ichiban Kasuga.

**Extra Karaoke and CD Pack – Add the Majima Construction Song to karaoke and gain the option to play karaoke staples while exploring.

Complete Box (Japan / Asia) (physical) – 19,800 yen

A copy of Like a Dragon: Pirate Yakuza in Hawaii

Goro Majima Pop-Up Pirate Jr.

Goro Majima Eyepatch

Like a Dragon: Pirate Yakuza in Hawaii acrylic art board (A4 size)

Art book

Downloadable content

**Legendary Pirate Crew Pack – Have Kazuma Kiryu, Daigo Dojima, and other fan-favorite Like a Dragon characters become shipmates with the Goro Pirates!

**Legendary Outfit Pack – Give Majima more outfits to wear, including a T-shirt exclusively designed for this title and the iconic get-ups sported by yakuza legends such as Kazuma Kiryu and Taiga Saejima.

**Ship Customization Pack – Personalize the appearance of your pirate ship, the Goromaru! Choose from designs based on popular characters from the franchise, including Kazuma Kiryu and Ichiban Kasuga.

[bfpnola]

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