#like what is even the point of the jedi if this lil dude can apparently do their jobs for them

[weregonnabecoolbeans]

They keep saying the jedi will track them or find them or whatever but like…will they?

No really…will the jedi actually track down osha and qimir?

Is it really the jedi who will do that?

Because it seems to me that all they’re gonna do is hire their designated rat/beaver/bloodhound(?) friend who they rely on so heavily

And who is clearly the most competent person ANY of them know

[mspbandj]

More on The Mandalorian Season 2 and Why its so Frustrating and Also Why Lucas Film Should Just Hire Me as a Writer Goddman it coz this is My Blog and I have Feelings™

Okay so again, this pertains to the finale of The Mandalorian Season 2 so............ spoiler warning.

Lets talk about Dins face

I feel like that final scene, when [redacted] came in and took Grogu away to train as a Real Jedi rang really hollow. It didnt feel rushed so much, but it just felt really anticlimactic. We all knew it was coming (sure we didn’t know for sure it would be [redacted] but we knew someone was going to come get Grogu) but even with that knowledge, they had real potential to make the scene super emotional and touching, which the final cut just didn’t really have and heres why.

Most of the emotion was supposed to come from Din taking off his helmet to let Grogu see his face. Baby Yoda had never seen his Adopted Dads face before, and this moment was set up to be a really touching moment of connection and vulnerability. But it was dampened by the fact that we had already seen his face, multiple times, and in detail. We the audience. And because of that, we couldn’t relate to what Grogu must have been feeling in that moment. 

Like, for Grogu, that must have been such a Big Deal yk? He’s spent so much time with this man, they’d been through so much together at this point, but he hadn’t even seen his face because of the very strict Mando Creed that Din had been raised under (the cult or not cult thing is a discussion for another time btw.) So this must have been huge for him. For Din to finally make the decision that Grogu was more important than his Creed... thats a huge thing!

But! For us, the audience, Din removing is helmet was old news by now. He’d taken it off twice before (in Season 1 with the droid, and then in Season 2 at the Imperial Stronghold (dont even get me STARTED on that craptastic episode)) so we didn’t have that sense of anticipation or importance. We were very much treated like we werent in that moment with them, and I find that hugely underwhelming.

So here’s how I think it should have gone, because that moment could have been set up perfectly all throughout the series.

Din very much could have taken his helmet off the first time, with the Droid. The whole arc there was about What Makes a Life, and Are Droids Counted as Living Things right? The Mando cult Creed dictates that no other living being can see the face of a Mandalorian (with very very few exceptions, and with death being preferable to being exposed.) And the argument in that moment is that the Droid is a machine and not technically a living thing, even tho it acts and behaves like a living thing, and is capable of the same “emotion” as a human. In the end, the Helmet comes off, and we are left to make up our own minds about whether this is a violation of the Creed or not - that was my take away.

But by allowing us, the audience, to see Dins face also calls into question our own place in the Mandalorian Universe. Are we Living Beings here? Apparently not, according to this we’re not a part of the scene at all, which is a decision I disagree with because, as I said above, it dampens the emotional potential of the entire show. Allowing us to be an exception to the Strict Mandalorian cult Creed limits the use and/or very purpose of the Creed at all.

How I believe that scene should have gone is more like this:

The Is a Droid Alive philosophy is discussed, and as they talk it becomes urgently apparent that the only way to save Din is to take the helmet off and allow the Droid to attend to Dins wounds. We see a close up shot, as we did, of the Helmet being raised, with a cut away at the crucial reveal moment - denying the audience a view of Dins face. The next shot is of the Helmet being laid down beside them, which informs us that Dins face is now definitely fully exposed, but we are not allowed to see it, which confirms our place in the Mandalorian Universe, and gives the sense that we are very much there with them in that moment.

Cut in some extreme close ups of a hair line, a patch of cheek, some disinfectant being administered, with further voice overs of the discussion, and we’re golden. The scene takes on a much more intimate feel, with a heightened sense of anticipation. We get a tease of Will We Ever See Dins Face, and are left with the question of What Will it Take to Make Him Cast Aside His Creed, which is raised in light of the knowledge that a Droid does not count, but we the audience do. We ponder this for a moment and then the next time we see The Mandalorian, hes restored to full armour, and we’re reminded that this is The Goddamn Mandalorian motherfuckers, and hes here to Fuck Shit Up with his Little Green Gremlin Child.

As for the Imperial Terminal WELL

This was a very good opportunity for a second removal, and I definitely think that part was a good choice however the execution of the scene was poor as shit.

Having Din change out of his armour was a good start, it showed us that he was Serious about finding Grogu, and that he was willing to bend the rules and push the boundaries of his Creed without technically breaking it. This was discussed pretty well in the script, so it was a strong start.

Now, again, I dont disagree with the decision to have Din remove the helmet at the terminal in order to complete the face scan and access the information he needed - in fact I agree with that part entirely. Again, is shows us how far Din is willing to go to get Grogu back, and it’s a solid recall to the What Would it Take to Have Din Cast Aside His Creed question from Season 1. Furthermore, it really drives home the fact that Din will get Grogu back at any cost. Its exciting, and emotional, and drives his character development.

So heres how I think it should have gone:

Mayfield makes his attempt, sees his former superior, and turns back. Tells Din that no, it wont work, he cant do it, just as the scene originally goes. Din says no, fuck that, I havent come this far to turn back now, Ill go do it. Mayfield says lol good luck, the terminal needs a face scan for access so have fun with that, Din hesitates, and then very deliberately makes the choice to go - this is all pretty much in the scene.

Where it differs is after the failed face scan when Din still has the helmet on. The Countdown starts, Din hesitates, clearly torn between his Creed and Grogu, and we leave him there. Next shot is of Mayfield in the doorway when he looks over and sees the back of Dins head. We see this too, and we know that holy shit the madman actually did it. Hes *exposed* and his body language tells us he knows this. Maybe throw in an extreme close up of a drop of sweat on his chin, give us a lil glimpse of his bottom lip even, more than we got the first time he took his helmet off, but still not the full thing. Really get that anticipation going, you know?

As soon as Din gets the info, and the officer dude comes over to investigate, we get a half shot of Din turning while simultaneously stuffing his helmet back on his head, and the scene continues as it did. Maybe we see the same section of chin and neck in the process, maybe we dont, but the helmet is firmly back in its place, and so are we. I strongly feel like these events would have ramped up the emotion of the scene and, like i said above, the anticipation. We got closer this time! When will be the next time? Third times the charm right, so we can conclude that the next time he takes his helmet off will be The Big Moment™ so whats it gonna take???

Lets skip to that moment now.

The Final Scene. The Big Reveal. The Reunion, and the Parting of Ways.

Imagine the series went the way I just described. Imagine that in this Final Scene of Season 2, you, personally, had not seen Dins face. You’ve watched this Mandalorian trek and fight and blast his way through the Universe, been there in the room when hes been at this most badass and his most vulnerable. You’ve come so so so close to seeing his face, of seeing him break the Creed he’s clung to for two whole seasons, but you never have. Not yet. And now you’re watching him reunite with Grogu, Baby Yoda, The Kid. The one thing in the entire Universe that Din cares most for. Its a touching and emotional scene, after the fight, after the reveal of [redacted] after it becomes clear that This Is The End.

And then... he reaches up.... is he going to??? is he going to????? HE IS!

He lifts his helmet. Theres no danger, theres no threat, theres no pressure or incentive. This is completely his choice. This is Din, The Mandalorian, raised under the Mandalorian cult Creed, choosing to reveal his face, not only to Grogu, but to everyone in the room, including you.

How much more personal is that? More intimate, more emotional. We get to experience the moment that Grogu, who we all love and care for, is experiencing. We get to feel like we’re in the room. Everyone in that room knows how Strict the Creed is. Sure, the other Mandos dont live by it, but they know what it means to Din, so even they know the sheer significance of this act.

As it is, we the audience dont get to experience this on the same level. We have to think about it after the fact, after we’ve calmed down from the hype. We’ve already seen Dins face, many times, so we dont get that same intimacy. And its a real, real shame.

[elizabethrobertajones]

(part 1) this is random but something im curious about is do you think the next few years will see a radical shift in more lead lgbt couples in shows? i feel like when supernatural started it was all about subtext/queerbating between characters we would never see canon (maybe), the last few years have seen an update in more side lgbt characters/couples and while not a lot, more main lgbt characters then we had before. I don't know if tumblr/twitter fandom translates to general audience...

Yeah, I mean, the only way is up. I feel lucky that I managed to encounter a fair amount of queer content in my formative years, whether targeted programming on TV, or taking the route of not really differentiating the perceived cultural value of independent media like webcomics and webnovels etc from the mass media as I was young enough to naturally grow up on the internet as the internet itself was growing up and web 2.0 was pretty much taking off alongside my use of the internet. And that I had liberal parents who didn’t regulate our internet, and lived in a community where culturally I didn’t really fear being discovered casually accessing all this like in particularly this terrifying seeming evangelical christian community in America.

Which really makes me feel like A: everyone should feel that comfortable in themselves via the media as I did as a mass accessible thing or B: that the world at large should be soaked in as much representation and more that I encountered as a curious teen because at the very least it did me no harm and at best helped handhold me through an awful lot. 

And then brings us to the problem that the world isn’t actually like that and for a lot of people their media is restricted one way or another, from everything such as the era of social media weirdly making us much LESS broadly travelled on the internet as I was back in the day (SO many bookmarks - I had like 100 that I would check either daily or on their weekly update schedule, with enough habit that I had pretty much memorised it all without using an RSS feed or just following everyone’s twitter and waiting for update announcements, never mind the vast pit of things which I occasionally checked to see if their sporadic but very worth it updates had occurred somewhere in the last month/year) to the vastly overwhelming amount of media accessible to us. It seems almost to flood the market and creates this panic about watching the worthiest shows and campaigning for them and raising awareness and the FOMO and how things slip by and zomg you have to watch this that and the other, when even just making this list on Netflix now contains more hours of TV than a human lifetime and also one liable to disappear from the service at some point or another without warning. 

And then on top of that you have the absolute cultural monoliths that if you’re not going to have a cohesive culture - which now includes the entire population of the world because of our connectivity on the internet and mass-joining of services - based around smaller shows and stuff, then at the very least everyone is going to watch anything under the main Disney umbrella, other superhero flicks, animated things, and all the really big studio franchises and remakes, as well as a few TV monoliths which manage to get enough people talking to make it seem like “everyone” (again - these days it seems like that’s presumed to be the entire western world plus everywhere else these things air) are watching, like Game of Thrones or whatever… THESE properties are the inescapable ones and on that basis they’re the things we have to lean on the most for representation and then again barely get any, when it comes to gender and sexuality, due to them shooting for such worldwide markets that they can’t imply gay people exist to censors in places such as China. And it exposes the cultural awfulness inherent just in getting a white female character in the lead role of some things, or the absolute garbage fire lurking underneath that if you dare have a black stormtrooper or make one of your female ghostbusters black when you’re already ruining the childhoods of so many how dare… 

In those respects, having side characters who aren’t even major well-known superheroes or jedis or ghostbusters or whatever also be gay (because even well-known lesbian Kate McKinnon didn’t manage to get her ghostbuster to be canonically gay even if we All Knew) would be absolutely groundbreaking, even if it was, like, a role that could be snipped out for the Chinese market or something. And that’s probably exactly what would happen, and cue ensuing riot from whichever fandom, along with everyone rightly pointing out that even for us who got to watch it it was still a tiny side character… I mean Disney is still at the stage of what they did with Beauty and the Beast’s ~canonical gay character~ 

So yeah… that’s thrown back to TV and smaller movies to lead the way and because the generations showing most likely the real global percentages but actually just the young western world stats on queerness in any form (like… 25% instead of 1% or whatever and that’s STILL probably too low) are still teens to young adults. The previous gayest generation above them are still just arriving in power and settling in, and the excellent changes we already have from the generation before that is what we are seeing now... But given THEIR cultural context, even their best can still seem to younger eyes, moderate and not generally placing queer characters in lead roles except in niche or indie or otherwise “acceptable” places to take those risks. I think change is always coming and culturally each generation being more open and accepting that the last is really making changes and so on, hopefully things WILL change rapidly and what was the common state of affairs in the sort of indie media I consumed as a teen will be the mainstream soon because a lot of those creators 10 years later are kicking off… 

All that said, TV in the mainstream is still controlled by Mark Pedowitz types exercising their power over the Bobos who have their Wayward Sisters pitches with the clearly labelled main character for the main teen demographic being queer. The culture is very much that we’re now pretty open and can happily have queer characters, but the main characters are still largely held separate. A good example is Riverdale, which is on the CW, a newer show with writers such as Britta Lundin, who is young, queer, and wrote a novel blatantly based on being a Destiel shipper and fan interacting with the cast and crew in fandom spaces, and whose first solo episode of Riverdale featured a looooot of the gay stuff (yay). 

But while she’s a story editor and writer for the show and can use it as a platform for writing stories for its audience using a whole range of canonically queer characters, the show still keeps all 4 of its mains at a strict remove from this. Cheryl can come out as a lesbian in the second season after a lil ho yay in the first but no clearly marked storyline about her identity, but even though Betty and Veronica kissed in the first episode it was blatant fan service (for Cheryl in-story, lol) and mostly just set the tone that they are the sort of seemingly straight girls kissing for attention while having strong romantic or physical attraction to guys. In the second season the kiss comes up again in joking that Jughead and Archie are the only ones of the main 4 who haven’t kissed, Archie gets one planted on him by a dude as a “judas kiss” moment of betrayal in season 3 and he and Jug are teased that they were expected to get together because they were close but in the same sort of homophobic undercurrent tones as early Destiel snarking from side characters, seemingly less about their relationship and more to unsettle them with implications… I mean it was a complicated moment but in the long run it didn’t seem entirely pleasant to me, especially given the overall emotional state they were in and later plot etc etc. (My mum is 1000% invested in Riverdale now as a former Archie Comics reader as a kid so this is now my life too as I was in the room when my brother callously exposed her to it, hi :P) 

Anyway that’s just one case study but aside from SPN it’s probably the most mainstream teen demographic thing I watch… Other examples would be things like B99 which had Rosa come out as bi and that’s awesome, and made us all cry a lot, but Jake, the clear main character even in a very strong and well-treated ensemble, has a great deal of bi subtext, there’s no way given Andy Samberg’s apparent habit of ad-libbing MORE progressive jokes that he’d ever be intentionally harming people if that’s how his brain works (you know, like other people quick-fire offensive stuff from their mouth working faster than brain sense of humour :P). But at the same time for all Jake’s quipping about crushes and such and the fact the show clearly knows how to be sensitive to bisexuality with Stephanie Beatriz being a strong advocate, just because Jake’s the main character and adorably married to Amy. In NO WAY can that be threatened because they’re SO GOOD, so there’s STILL uncertainty that this will pay off in the same special episode “I love my wife but I am bi” kinda way that seems obvious that could just be said. We all carry on without it affecting anything because obviously Jake’s found his soulmate so we don’t mess with that but they should know it’s important to clarify it… Even with B99′s track record, I’m nervous solely because Jake’s the main character and main characters tend not to get self-exploratory arcs about latent queerness and ESPECIALLY not if they’re happily married. If ANY show was going to do it right and trailblaze in this exact era it would be them, but… gyah :P 

Anyway I guess the conclusion right now is that the more mainstream you are the more uncertain it feels, but we are right at that cliff edge, especially with shows putting in SOME of the work. If B99 doesn’t get us there (or the Good Place where they’ll happily confirm Eleanor is bi in interviews but I believe she hasn’t said it outright on the show despite clearly showing attraction to female characters, again, the denials we know so well in SPN fandom reflect a wider audience view of dismissing this stuff as jokes and not reflective of character feeling and identification without a Special Episode dedicated to confirming it >.>) then we’re very clearly on the cusp of SOME mainstream or massively well-known show doing it at least once in a meaningful way that has an Ellen-style cultural impact on TV writing. 

Let’s make it a goal for 2019 or 2020, and hope that a NEW show with a canonically queer main from the start is pitched and becomes a mainstream hit in the next 5… Still got a ways to go before Disney level mainstream but again there IS work going pushing the envelope, especially if we get a movie of a franchise such as idk Further Legends of Korra, or Steven Universe or something else that’s massively pushed the envelope with sexuality or gender for their main character on the small screen in the experimental petri dish they’ve had there for children’s TV. Something that would force Disney to blink about a lesbian princess or Star Wars to let Finn and Poe kiss or Marvel to let Steve and Bucky hold hands or something in order to remain relevant.

Once the Big Cultural Monoliths get in on it, I expect culture as a whole to first of all react quickly on the small screen, but honestly I’ve been waiting for them to snap pretty much my whole life since adolescence and they’re taking such wee tiny baby steps, and some factors are enormous geopolitical awfulness, that the story as a whole is unpredictable and we can only really hope that things don’t slow down. 

(Where this affects SPN is just impossible to say right now, given its almost unique position in this mess due to longevity vs fandom vs almost entirely new generation of writers’ room) 

[iabsolutelyresentthiswebsite]

The Last Jedi Sins #8 and #9

Merry Christmas! In honor of the holiday, I’m posting a dual-sin! 

8 and 9. Poe Dameron’s Mischaracterization and The Unnecessary Secrecy of Vice Admiral Holdo

So apparently, Poe is a “trigger-happy flyboy” now. I mean, I get it, people can get a bit cocky when they’ve been called the “Best Pilot in the Resistance” for years or whatever, but this is not who we’re made to believe Poe Dameron is from The Force Awakens. Poe Dameron appeared to be a pretty humble guy, loving, wants to do the right thing. I get Rian’s desire to want to foster character development, but there has to be something to develop upon beforehand. His very first act in TLJ was to defy the orders of General Leia Organa, who he greatly admires and respects, without any real provocation. The real problem with this is...there was no basis to base this change in character off of from TFA into TLJ. He did not even seem to have any kind of problem with authority in TFA and he’s just...arbitrarily ignoring the orders of his commanding officer now? 

I don’t think this is right for him and many others don’t either. 

So, Poe- for some reason- was a lil’ impulsive for a moment and caused the death of a lot people. I understand why someone’s commanding officer would be mad and not trust a guy who just did that, but....really?

He didn’t even ask to know what the plan was, he simply wanted to know that there was a plan. 

That they weren’t simply waiting around for the First Order to blow the Resistance out of the sky. 

But Vice Admiral Holdo refused to even give Poe the validation that there was a plan. What was the goal of that?

And how would you reasonably expect someone to act to that? 

The thing you’ve fought for years for and risked your life for is literally at the end of their rope and you want to know what’s going on and...your commanding officer refuses to even dignify you with a half-answer, but instead bans you from the bridge and insults you. What the hell is that? 

And this whole bad set-up for a conflict comes to a head when Poe, whose still cocky as fuck and thinks he’s never wrong for no reason whatsoever, literally stages a mutiny. 

He wouldn’t do that.

Come on, you want me to buy that? 

And y’know what, I was on Poe’s side for only half the time. I know Rian thought he was being “edgy” and “genius” with withholding the information from the audience so that we would sympathize with Poe and then we’d feel dumb when the plan sorta worked out in the end. I know what he’s trying to do, but really...I didn’t sympathize with him because this wasn’t Poe fucking Dameron and Vice Admiral Holdo was completely unnecessarily secretive. 

She had literally no reason to withhold the information from Poe other than to be a lil’ shit. 

Also, IDK if anyone else caught it, but when Holdo and Poe were having a stare-down, one of the songs that usually plays for the Empire was playing very softly in the background.

Like what the hell was that there for? As a gigantic red herring for no good reason? Like seriously! Did we need to even suspect she might be a bad dude and trying to sabotage the Resistance?

What was the Gotdamn point of it all?

I just don’t understand anything about either of these two things. Nothing. None of it needed to be in the movie! None. Of. It. There was no precedence for Poe’s character change and no logical reason that Holdo withheld the information from him.

Like seriously, Rian...what was your point? 

That Poe had to “learn a lesson”. My dude, if it was a lesson he like...legit needed to learn, that’d be cool...but he didn’t. 

And no one should learn unquestioning, blind obedience, which is really the only thing that I see you were trying to teach Poe.