#like they exist in the setting the setting isn't 'for' them

[thatonebirdwrites]

To add some nuance here: In regards to Discord and places like it: this is why ventrooms are actually useful. It keeps such things to a very specific place, so people can mute that channel entirely.

It's also why having multiple channels for different topics is good. It gives power to the person to choose to mute or not mute those channels.

Having channels or spaces for different things works well when those spaces are well-defined, moderators exist, and have in plalce options to mute (block etc) those channels / specific words / people. All of these elements give power to those who have different needs. If one is building a fandom group (like those in Discord), using these tools can really assist, plus it helps a lot with moderation too.

These tools also make spaces accessible. Accessibility isn't just alt-text, transcripts, etc. It's also about providing the tools a person needs to curate a space for their own needs.

Fandoms are a community, and yes, people within that community have different needs. So establishing very specific and well-defined spaces can help mitigate that, as will providing tools for curation. If some folks don't need those spaces in the fandom, great! Don't use it. For those that do use it, it can help them feel supported and connected.

AO3 is actually a good example of this. They have excellent accessibility features that make curating the space there relatively easy. Can adjust searches to exclude all sorts of things, can block or mute people, and the tags make it very easy to check if a piece may trigger oneself or not.

Discord groups can be a good example if set up well. Because the tools to make curation easy (thus easing the burden on moderators) exists within Discord. Yes, some of it might require some specific bots to aid in providing the curation choices. That is part of the community's responsibility.

So as much as an individual holds responsibility for their portion of their own needs, the moderators of larger spaces has a responsibility toward those in that space. By making it accessible, it spreads that responsibility between individuals and moderators and makes the space easier to manage over all.

Ok I want to say something controversial

But you are responsible for your own safe spaces. You can block tags, block words, block people.

“But i thought fandom was supposed to be a safe space” —yeah you have to curate it.

Unfortunately one persons’s safe space may be another persons’ trigger. That’s ok. Simply block them, block the tag, block the word etc. They can do the same for you.

Maybe I’m just out of touch, but I’ve been around since the days of “don’t like, don’t read” and that’s a good philosophy. If it squicks you, scroll past. If it causes you anxiety or upset, block! Plenty of people are responsive if you ask them to tag an upsetting trigger. And if they’re dicks about it, block em.

[annaseidr]

I don't think that we appreciate Viktor's plan enough. It is my firm belief that not only did he want to erase Hexcore and himself from existence, but also do some good in the process.

It was established that Hexcore found a way to corrupt the very water, spreading like a disease and infecting the environment. What this means is that by simply killing Viktor Hexcore problem wouldn't be resolved as wild rune remains and will lead to catastrophic consequences in the long run. Only Viktor himself could defeat Hexcore by consciously making the choice to destroy it. And Jayce was the only one who could make this outcome happen - he very well knew about it and the power he had, armed with Viktor's own feelings.

So the question remains: why did Jayce wait till the very last possible moment to show Viktor the power of love? He didn't try to earnestly talk to him even once, and always looked like a person set on a mission throughout. He also seemed to know the outcome of some encounters beforehand.

For instance, when Viktor is entering Hex vault? Jayce isn't even trying to attack Viktor here or be on a defensive, as if confident Viktor would do nothing and just walk by.

And of course this scene, where Jayce kneels by his weapon and closes his eyes, resigned for what is about to happen.

It is my opinion that Jayce had a pretty good understanding of the future events and his role in it, which leads me to believe that the severe escalation of Viktor's evolution, leading to the final fight, was necessary.

I honestly feel like animators did an amazing job showing how incredibly hard it was for Jayce to straight up crush Viktor time and time again, especially when knew about Viktor's feelings and realised himself that those were reciprocated. Can you imagine the pain Jayce must have felt? Killing the person he loved, warping them into something monstrous and even then, at his worst, Viktor was anything but indifferent to Jayce, and him alone.

But if it weren't for Jayce shooting Viktor the first time, Viktor wouldn't lose his faith in humanity(Jayce) and agree to move on with Singed's procedure. It was stated that his power was finite, so I would speculate that Jayce didn't even try to persuade Viktor because he knew that even if he succeeded either Savior Viktor didn't possess enough power to stop Hexcore, or he died in the process. Neither of those options resolve anything, since Hexcore remains in the world, therefore it was necessary to trigger Viktor's evolution to the Machine Herald form.

So why then Jace yet again isn't trying to convince Viktor in the Council room encounter afterwards? Viktor was even the one who came forward, wanting to talk and bearing news of the hostile intentions of the Noxian. But that's just it, if Viktor were to concede this second and destroy Hexcore, it would still leave completely disorganized Piltover and Zaun facing oppressing Noxian forces. It is only after Jayce rejects and "kills" him once again that Viktor lashes out and completes his evolution. And as a result, it gives a perfect common enemy to unite forces against, which finally brings Piltover and Zaun together.

We shouldn't forget that Viktor shared Jayce's dream to bring magic to people and improve lives. But they brought an impossible anomaly that was destroying the world and not saving it. So is it so far fetched to assume that after witnessing countless timelines and possibilities, knowing all the details and nuances, Viktor and Jayce wouldn't try and create the plan to maximize the good while destroying Hexcore at the same time?

I think this is exactly what Viktor and Jace would do..

[pinkaditty]

HI i love your works sm ,,, and i really love the way you write it just brings out soemtnhign in me ,,, but hear me out on leo kurosagi angst where leo keeps insulting pc and pc just took it well until he said something sensitive (maybe sth ab the way she eats? or sth abt her face etc etc) and hurt pc's feelings and he didnt feel bad when pc cried , but when he saw pc going over to sho and sho giving him dirty looks he feels remorseful but he didnt want his pride to crack so he blamed pc , and then when pc started avouding him he started mocking her but in the inside it hurt him and his pride slightly , afterwards he found out he actually has genuine feelings for pc but denies it , until he found out pc is now his bff's gf WOW i NEED him humbled 🤗🤗🤗

Pavlov's Ghoul (Leo Kurosagi x Reader x Sho Haizono; Tokyo Debunker)

hey anon this existing is UR FAULT. (ilysm ty 4 the idea) and i hope u don't mind that I added my own little twist 2 it... hehe! even if u didn't expect me 2 write anything u can't drop a fresh, juicy steak of an idea like this and expect me not 2 salivate and tear it 2 shreds via writing it out.

OMG also TYYYYYYY IM SOSO GLAD U LIKE MY WRITING YIPPEE!!!!!!!!! i hope this is up 2 ur standards anon

a/n: why does this exist? blame anon and my inner need 4 a bitchy boy 2 be humbled amen! also i feel like i've completed my tokyo debunker rite of passage... ive finally written leo angst... nirvana at last.

summary: leo gets fuckin pavloved LMAO! considered calling this "ecstasy" or something bc of the pill line but ohh my god "pavlov's ghoul" hit too hard i fear.

cw: this isn't dark imo but be warned as this is just a little bit crazy, the most insane kind of yearning ive ever written maybe. implied sexual encounters, multiple sexual innuendos, and some odd behavior. MINORS DNI AS PER USUALLLLLL!

Sho's kind, reasonably so. Leo knows this. Sho also has an infinite store of deeply repressed anger. Leo also knows this. It's the reason he's in Vagastrom, after all. A deep, roiling anger that seems to eat at him if he doesn't have an appropriate outlet to balance his mood. That's why he's such a good cook, why he's so good at fighting, why he's got an excellent sense of balance and rides his bike smoother than anyone else he knew. He's using these things as outlets for his anger. It's not Leo's fault that the occasional outing to trick and deceive another sexually repressed rich old man for money is something else Sho seems to derive stress relief from. And it's not Leo's fault that Sho continues to stick around with him after those jobs are done. It's never been a problem for either of them, as far as he can tell. At least, there were no problems until Little Miss Inspector showed up.

Suddenly, Sho didn't want to lie anymore. Suddenly, Sho wanted to go as far as to address you with the proper honorifics, ask for your help with setting up his food truck, and even generally spend time with you outside of that. And for what? Some trembling, scared, pathetic girl that knew nothing of the world of anomalies prior to her curse? Some girl doomed to "die" in less than one year, no less? He couldn't understand the kindness Sho showed you. It made no sense, nor any difference. You'd be dead soon, so what did it matter?

It's got to the point where he's begun to randomly put you down with petty insults and biting remarks. They usually consist of things like "Oh my god, even preschoolers know Anomalous Biological Basics! Come on Inspector, is your head screwed on right? Not even the Captain is this stupid." or "You remember your ability is useless when we need it, right? You'd be nothing more than a burden on missions if you can't even control this power. " or even "God, you're such a basic loser. Can't you find something else to do with your free time instead hang around Sho like a lovesick puppy? You're starting to look like that dog that's always around Kagami." and worse insults. He gets the occasional sidelong disapproving glance from Alan or even a slight furrowed brow from Sho, but it didn't matter to Leo. So long as he could slowly plant seeds of doubt in his fellow ghouls and put you down to satisfy his ego, even an odd look was negligible.

He couldn't even stand looking at you. The uniform they'd chosen for you was awful, didn't even highlight your curves. He hated the way you styled your hair, and always thought he could totally do it better. The way you seemed so relaxed around other ghouls pissed him off, why couldn't he be good company? He found you repulsive, unable to resist glaring at you from the corner of his eye whenever he could. He had to get rid of you somehow. He would never admit to feeling threatened by you; instead choosing to focus all that energy into believing you were simply throwing a wrench into his plans to live an easy, get-away-with-anything university life.

It's all come to a head today. Leo thinks he's had enough of seeing you at the food truck after hours, chatting it up with Sho. It's like he can't even catch this guy alone anymore. Before he knows it, he's made a beeline for the truck. His brand new shoes scuff on the brick path in his rush, and eventually begin to stain green on the grass, his brisk stride tearing through the verdant lawn. He tries not to let his anger show on his face, but it's evident in his posture and pace. He forcefully sidles himself into the conversation, leaning on the service counter next to you, not even waiting for you to finish speaking before he pipes up. "Wow, here again, huh? And here I thought a basic bitch like you would know her place! That mouth of yours must be good for something if he keeps a chatterbox like you around."

The chill settles into the air almost immediately despite his candid tone and relaxed, smug smile. He's so focused on your reaction that he hardly notices the look Sho gives him, twisted with displeasure and confusion. He watches as you visibly falter, your lopsided smile fading into a barely-there frown. He stares, unrepentant, laughing internally. This was the reaction he wanted.

He turns towards Sho and raises an eyebrow at his look. "What? She can take it." Sho's expression visibly wavers, and Leo fully expects him to back down, as he usually does. But instead, Sho turns to you and his face grows pale. Leo rolls his eyes, assuming Sho is totally overreacting, and turns to you. He stiffens at your visible tears. Okay, totally not what he expected, but come on. This was the insult that made you cry?

Leo notices Sho is at your side in record speed, wrapping an arm around your shoulders, and gently drawing your hunched form away, giving Leo a harsh look. Leo simply scoffs. As far as he was concerned, your reaction was pathetic. It wasn't going to stop him from having any fun.

This. Under no circumstances should this hurt. At all.

Leo had noticed you'd been avoiding him. You would slink away if he so much as entered the same room as you. You wouldn't look him in the eyes if he approached, keeping your expression impassive. Sometimes you'd just outright ignore him. It was beginning to become a bit of a nuisance. He couldn't properly mock you if you weren't there to witness it happening, or didn't give him the reaction he wanted. It was odd. When he faced these feelings head-on, it almost felt like he wanted your attention somehow, even if he didn't quite want it to feel like that. A nagging feeling told him that maybe he went too far with his latest insult. He didn't want to admit that, but something told him he did. It was in the way both you and Sho acted around him.

Sho was missing a lot of Leo's calls lately, sometimes not even bothering to call back. Leo partially understood, what with the food truck business booming and all, but he didn't appreciate being made to wait for his own best friend who's usually at his beck and call. Not to mention the flat, terse responses he would get from Sho more often than not nowadays. Leo knew Sho was miffed with him from last week's incident, but as far as Leo was concerned, things still ended in his favor. He hadn't seen you around Sho much anymore, which means he could go back to how things were. No more pesky little honor student to reign upon his days any longer! Sure, there was the biting underlying feeling that maybe he'd screwed things up, but one ride on the back of Sho's motorcycle, going wherever Leo wanted as per usual, and he was living the dream again. No way everything would change over a silly, insignificant insult.

For a short while, he begins to get bolder, openly mocking you when he does come across you. His originally surface-level remarks become rather personal, even using your eventual death as a way to tease you. From "You know, I'm surprised you haven't done anything to change up that unflattering look, considering you're dying soon. Ever considered dressing up a little? You might get some attention before you die." to "Hey, Little Miss Inspector! With the number of men you talk to around campus, I'm surprised nobody's written you off as a whore yet!", and worse, of course. He continues to get no such reaction out of you, and it frustrates him to no end. Why couldn't you just frown? Shrink away? Or even retort something just as scathing back to him? Your lack of entertainment towards his endless ridicule reduced his motivation, and slowly, it ended up dying off. Soon, he left you alone altogether, not talking to you unless necessary, mimicking your actions. In a way, some part of him hopes maybe this will be what gets your attention. Even if he can't quite admit to himself that your attention, regardless of whether it's positive or negative, is what he wants.

It's late, but Vagastrom students don't go to bed until far later. And Leo needs a favor.

His crushing lack of success in garnering any sort of attention or reaction or rise from you had driven him to a point. He didn't want to apologize to you or anything, but this new habit of you ignoring him was beginning to stoke his displeasure. In his pondering, he remembered how easily Sho captured your gaze and wondered if maybe he'd have any idea of what Leo could do to at least put an end to this stalemate.

Leo's reluctance shows in the way he drags his feet on the path to Sho's room, less than eager to confront him for his opinion on something so shamelessly trivial. Why was he wasting his time with this anyway? Surprisingly, the lack of a solid answer to that question did not stop his trek. A twinge in his chest told him he knew exactly why he was "wasting his time".

In the month it had been since he'd made you cry, the nagging feeling had only gotten harsher. His mind kept flickering back to the shock of your tears and how he'd not bothered to consider it much further. An uncomfortable guilt had made itself known starting then. He never really expected you to cry; he just wanted a mild reaction. He wanted your eyes on him, flashing with anger, just for a moment. Your ire was a saccharine pill laced with ecstasy that he'd gladly crush with his teeth to speed up his high. Maybe it'd be too much to say he got off on it, but he enjoyed the way you used to roll your eyes at any comments from him a little more than he cared to admit. Now, he wouldn't even get that. It'd be rare for you to so much as make fleeting eye contact with him, not that something as small as that would be enough for Leo. Part of him was willing to accept that maybe, he'd gone too far. Maybe. But how else was he supposed to monopolize your attention when you give that out so freely? To his best friend, even?

He didn't know it was possible to covet something so terribly. He found himself wondering why he couldn't catch your attention in the same way as the other ghouls? In his quest for the same attention you gave so freely to the kinder, softer ghouls, he found another version of your attention. It was negative, but it was attention nonetheless. Your sweet, honeyed rage seemed to fill his cravings and then some, so he continued to devour it under the guise of "chasing you away" or "putting you down" or "satisfying his ego". In truth, for whatever reason, there was a rather bothersome and persistent envious longing, a covet, for your attention. Leo wants to vomit. A part of him denies it still, pushing his needless feelings to the back of his brain. He had something to do, and he ought to focus on that. What good would mere wallowing do?

He makes it to Sho's room and almost considers turning back. He stares at the door, his expression morphing into a complicated look. He shifted his feet, his slippers sliding against the floor. It was quite clear he really did not want to do this. At all. He sighs and grumbles indignantly, putting his head in his hands in an attempt to gather some courage. This couldn't be that hard, right? Just in, ask Sho a question, get an answer, then out. The only reason this was easier said than done was just because it could potentially show Leo was capable of feeling remorse, which would make this conversation leagues harder than it needed to be. He shakes his head and straightens up, preparing to knock, when he notices something.

Sho's room was... unusually quiet. Usually, Leo almost always heard some loud music or a cooking show running in the background, but he couldn't hear anything this time. Sho couldn't possibly be asleep. As late as it was, the only person who Leo knew for a fact could stay up past him was Sho, regardless of how much sleep he had gotten. There was no chance Sho was asleep. Believe it or not, Leo doesn't like to spy on Sho. But curiosity overwhelms him. What could he possibly be doing that would render the whole room in silence?

"Haxs," he whispers, listening closely.

The first thing he hears is the cling-clanging of Alan hard at work on a car in the garage. Not the sound he was meant to be focusing on. Then he hears endless jeering and loud insults shouted, though they're all muffled like they're underground. Another pit fight? Still, not the sound he's looking for. He sifts through the sounds he hears before he settles on the one coming directly from Sho's room.

Voices. Groaning, strained voices. The sound of wet skin against wet skin. Panting. Sho's panting, specifically. He could tell by the slight nasally tone of it.

Leo felt his face gradually warm. Christ, of course it'd be this he'd be up to. Leo muffles a laugh into the collar of his pajamas, keeping his hand clamped over his mouth as his body shook with mirth. When he finally calms down, he slinks off to the corner down the hall, and hides himself there, shamelessly still listening to it. Sho's a sly dog. Leo certainly didn't expect him to be getting up to anything this soon. He leans his body against the wall, crossing his arms and drumming his fingers on his arm, waiting for Sho to finish. He smirks to himself, as though enjoying the vocal show.

...

He had to admit, whoever he was with had gorgeous moans. He'd have to ask Sho if he'd be willing to pass this girl's number. He could use a couple things to get his mind off of you.

...

Okay, he had to stop listening to this now. He lifts his stigma and holds his hands over his ears for good measure, partially trying to hide the furious red blush across his face. As pretty as that girl's moans were, he was not going to listen to his best friend's climax. No thanks. He huffs out an impatient breath as his cheeks cool down, leaning his back against the wall, leaning his head back until it hit the wall with a dull thump. Now he just had to wait it out. He knew damn well Sho would never let a girl stay over. He'd never hear the end of it from yours truly, Leo.

Leo's right. It isn't long before he hears the door to Sho's room click, and hears murmured voices travel down the hall. He smirks, rushing down the hall in the opposite way, so it doesn't look like he was listening the whole time. He listens, waiting for a cue of some sort.

"Shame you have to go, you know." Sho's voice. Laced with relief, pleasure, and a thick tiredness. Leo's skin crawled. He could practically feel the smile in Sho's voice.

"It's not so bad." The girl responded with a light and playful tone, her voice seemingly much more put together than Sho's despite all that moaning. The voice sounded oddly familiar, but Leo brushed it off. Must be someone he shares classes with. "I've got things to do anyway. But it was nice to spend some time with you, Sho." Eagh. Leo internally hopes this girl isn't the type to get easily attached.

"...Yeah. Same to you. Goodnight."

"Goodnight."

Finally, he heard the girl's footsteps trailing down the hall, heading in his direction. Leo hurriedly pulls his phone out of his pocket, making sure the screen was bright as he flipped through the latest trends. He made a point of not looking up until he heard the footsteps nearing him.

He looks up, prepared for a simple glance, but ends up being rooted to the spot.

It was you. Of course, it was you. Who else would be taunting enough?

Despite himself, his gaze remains glued to you, his head turning as you walk past him. For a moment, Leo thinks you're just going to ignore him again. Then, suddenly, your gaze meets his in a flash, and he stiffens, almost out of fear. The way your eyebrows crease and the way your lips twitch downward almost makes him salivate. You were clearly displeased to see him. Even so, he notices you don't slow down, continuing your way down the hall, not bothering to crane your neck to look at him.

Leo remains rooted to the spot, watching your figure as you leave. His jaw hangs open slightly, his chest heaving with shocked breaths. His eyes are wide open, pools of gold reflecting your retreating form. His hand trembles as he holds his phone, the latest trends left neglected in the wake of a single mean-spirited glance from you. He feels his heart pound mercilessly in his chest, as though confirming what he'd tried so desperately to deny.

All at once, anger and arousal seem to grip him simultaneously. Anger at himself for feeling arousal from a mere negative glance from you. He couldn't possibly have craved your attention so viscerally he'd happily accept mere scraps. And yet here he was, a lap dog, watching you as you leave as though silently begging for another glance, another chance to watch your eyes burn with that familiar, delicious anger, another meal to satisfy his starved heart.

For a moment, he would have gladly followed you, and pestered you to death, just to irk you and become a willing victim of your wrath. Anything... just for that attention.

a/n: wow. no stop why am i kind of in shock at the poetic lines i kinda think i did a great job! but 4 whatever reason it's always the writing i think was total shit that does actual numbers *sob*

aghhhh in any case. no i don't have an excuse 4 this. my requests are still technically closed. i just... couldn't help myself... so consider this a freebie. regardless though if u like my writing feel free 2 fill the fuck out of my inbox idnc i love hearing from y'all.

also TUMBLR KEEPS TURNING OFF MY REBLOGS!!!! GRAH!!!!!! tumblr hates me y'all they keep catching on2 me 4 writing porn :( so please if u really wanna show appreciation and tumblr won't let u reblog, leave a comment! those make me happy :)

anyways. usual note that i adore likes, comments, and tagged reblogs!! please tell me how much you like my writing, i love to hear it and it keeps me going! until next timeeeeeeee!

EDIT: I FORGOTTT QUICK EXPLAINATION: im assuming everyone knows pavlov's dog and the whole classical conditioning theory. this story is basically that mixed with the mere-exposure effect.

neutral stimulus: mc's presence

natural response: leo's arousal/excitement

response-producing stimulus: mc's anger

mere-exposure effect: psychological effect in which a like or dislike of things is developed merely due 2 familiarity.

[cosmerelists]

Ranking Cosmere Families Based Whether I'd Want to Attend Their Thanksgiving Dinner

If they, you know, actually celebrated Thanksgiving or if I existed in their universe and could attend. But anyway.

[Last Thanksgiving special: How They'd Cook a Turkey]

1. Kholin Family Dinner: No Thank You

Let the various eras of the Kholin family spread out before you: is there ANY iteration of that family whose Thanksgiving Dinner you'd want to attend? We have the Blackthorn Era, where Dalinar is getting drunk and trying not to make eyes at his brother's wife and also Sadeas is probably there. We have Way of Kings era where Dalinar thinks he might be going crazy and is always in a lowkey fight with Adolin. We have post-Oathbringer where you sit at that table knowing that Dalinar killed his kids' mother. Is there any moment when a Kholin family dinner wouldn't be awkward for a guest? Even Shallan being there isn't enough to win me over. I'm staying home.

2. Kelsier's Crew: Sure!

I think a holiday dinner with Kelsier's crew would actually be delightful. I think that whatever else they had going on at the time, they'd make an effort to put that aside and have a good time.

3. Kiin's Family Dinner: Hell yeah

Kiin (Sarene's uncle in Elantris) is canonically an amazing cook. Like, I'd LOVE to be at their family dinner. Plus, Sarene seems to have a nice time hanging out with them. Sure their kids squabble a bit, but nothing major.

4. Stormblessed Family Dinner: M-Maybe?

I feel like this is strongly era-dependent. Join them when Kaladin and Tien are kids? Yeah, I think that would be all right. There might be tension between Lirin and Kaladin, but Hesina and Tien are there to defuse it. After the two kids are taken to war? I-I'm leaving that couple alone to grieve, I think. Post-Kaladin-Radiant time? That's REALLY book-dependent. Got weird between Kaladin & Lirin for a while there. I don't want to be there for their yearly argument about whether it's ever okay to kill someone. Maybe I'll just help Hesina in the kitchen.

5. Tress Family Dinner: Definitely!

Yeah! Tress is a great cook, her parents are AWESOME, and if Charlie is there too, all the better. Like, this one is a no-brainer yes please.

6. Bridge 4 Dinner: Yeah!

Especially if it's post-Radiants, so that (a) we're not all enslaved in Sadeas' war camp and (b) there are women too. I bet Rock's Thanksgiving stew would be delicious. Kaladin would be late, but you know what, it's okay. He's very busy.

7. Court of the Gods Thanksgiving Dinner: Maybe If I Were Younger...

Listen, I'm sure it's a raucous good time. There's lots of food, it's really good, everyone looks hot, and everyone is very drunk. Not REALLY my scene, though. I might go if I were invited, but if Tress's family had already offered, I mean...

8. Idrian Royal Family Dinner: I'll Pass

For one thing, I feel like the food would not be very good since my impression of Idris is that everything is...gray. But even beyond that, the family dynamics do not sound fun. I mean, their dad sold his least favorite daughter into what he thought was deadly sex slavery. Their mom doesn't even have a name. It just feels so awkward.

9. Noodle Shop Thanksgiving Dinner: Yeah!

Going out to eat is a great way to not have to cook for Thanksgiving dinner. And Design's Noodle shop--or even later under the new owners--feels like a great place to get some food. Depending on why I'm there, I might even get some free sympathy noodles if I have nowhere else to go! Y-Yay!

10. Lopen Family Dinner: Yes!

I definitely would say yes if invited to eat with Lopen and his many cousins. Remember when Elhokar was there for a minute, and Lopen's mother kept making him eat more? I am going to be SO STUFFED and it is going to be SO worth it.

11. Ladrian Family Dinner: Totally

I'd love to have dinner with Wax and Steris and presumably Wayne and Marasi and possibly MeLaan! I bet the place settings will be fancy and that I'll have to bone up on my etiquette rules--but then, Wayne will be there so surely my using the wrong fork will go largely unnoticed. Anyway, these people seem pretty fun to hang out with, and I bet the food and whiskey are both good.

12. Montane Family Dinner: S-Sorry, Can't Make It...

As much as I love Threnody as a concept, I don't want to hang out in a small circle of silver-ringed "safety" while knowing that murderous ghosts await any mistake outside. I just don't feel like it would be a relaxing time. Plus, you know, Silence's grandmother is literally a ghost in a locked room like right over there. That's a family dynamic I don't care to experience.

[kittenwriter]

Cure narratives: when fiction depicts a disability being cured. Because no one on the internet has nuance, it wound up getting overwhelmingly presented as "you should never depict curing disabilities because that's ableist." This rested on the fact that for neurodivergence-type disabilities, "curing" the disability means fundamentally changing the person; you're born neurodivergent and it's an integral part of who you are. (And also this slides really, really easily into eugenics.)

But disability is a broad umbrella! Even with the social model of disability (and if you want a beautiful fictional examination of the social model, look up The Fledging of Az Gabrielson; the author thought through every detail of what it would mean to not have wings in a world where everyone has wings), chronic pain is disabling no matter how well society accommodates it. The vast majority of people with chronic pain would like to not have chronic pain.

There are also some things that exist on a spectrum. I'm not qualified to give an expansive discourse on Deaf culture, but there is a schism between the people who are culturally Deaf and see that as worth preserving and the oralists who lean into cochlear implants and seeking to eliminate it. (For that matter, while it's highly taboo to talk about it and I don't think it's common, neurodivergent people who want a cure do exist. I'm not going to get into all the complications and controversies of John Elder Robison because that's an essay in itself, but look at his book Switched On for something adjacent to that perspective.)

So you wind up with a lengthy set of discussions about what is and isn't acceptable to depict-- and it's a lot like every other diversity discussion in that market-level generalizations wind up getting held against individual authors. It's a problem if every depiction of disability shows cures (and then you get the related things like the "not really blind" trope where you have characters who are supposedly blind but magic or technology allows them to function as though they weren't with no problems)-- but that got turned into (because no one on the internet has nuance) "you should never depict cures and if you do you're ableist," which in turn sparked backlash from the people for whom the cure narrative is wish fulfillment. (I have myself joked about being a Bad Disabled because my own desires as regards cure do not align with the "You must be proud of your ENTIRE DISABILITY" narrative.)

There's also the fact that even among the wish-fulfillment people, sometimes you want to read about someone who is suffering what you're suffering the way you're suffering it without it being magically cured at the end! Or what's desired is fantasy assistance devices that function like actual assistance devices in that they have drawbacks and trade-offs and assist without making the character functionally not disabled.

So I feel like the people in anon's fandoms probably got into the "it is ableist to depict cures" thing with the same level of nuance typical of People On The Internet (which is to say, none) and then mangled it even farther. There's probably also some influence here from a related conversation, that of using fantasy substitutes instead of giving your character real-life actual disabilities, but again, that's a spectrum and depends a lot on how well you do it, and I see it happening more frequently with people wanting to write Stereotype Neurodivergence without considering whether it has any resemblance to actual neurodivergence than I see it with physical disabilities. (See also Sheldon Cooper.)

So now that we've gotten to the end of my essay (this is probably a bit more than you thought you were getting when you asked the question), further reading if you're still so inclined:

"The Trope of Curing Disability" at Disability in Kid Lit

"Disability Tropes 101: The Magical Cure" at Dis(abled) Embodiment

Brilliant Imperfection by Eli Clare

The Disability Visibility Project

"The Complexities of Curing Disabilities" by Emily Ladeau

And finally, a bunch of people having a conversation on Reddit.

(And now we have proved once again that you can take the girl out of the library but you can't take the librarian out of the girl.)

Tagging question! In canon, a character has a magic-induced health problem. Basically, every so often, he has days moving his back in any way causes staggering amounts of pain and he has severe fatigue. He can't get upright under his own power during severe episodes. Painkillers do not work. The frequency of episodes starts off once every few months but by this point in canon has become a once or twice a week problem. It can hit right out of nowhere even if he was fine all day today or he can wake up with it.

Fandom wank being what it is, people keep insisting to me that this is not a disability. I tagged the fic with Disabled Character because since he's the main character of the fic and this... look, I'm not disabled? I could be wrong. But to me this feels like a disability. If I met someone with this IRL with a non-magical cause I would go, "I 100% believe this qualifies as a disability" without question. But oh, wow. The fandom does NOT agree with me on this. I've gotten several annoyed remarks by people informing me that this is belittling the pain actual disabled people have because disabilities, unlike curses, can't be lifted. And I can see that there's a difference. Thing is, he can't canonically afford to pay to have the curse lifted. He's stuck with it.

Because every single person in this conversation is abled, though, I feel like they're not who I should be listening to. OTNF, I know your readership includes disabled people. Do you/they have any suggestions? Does he qualify as disabled, or am I too attached to my headcanon-y idea of him as being a metaphor for disability?

--

I don't think that's a metaphor. I think that's a canonically (magically) disabled character.

What say you, readers?

[kittymizuki]

something i like about mizuki and rui's interactions is that the first time he addresses her with the suffix "-kun" when he's asking about her name? but in every instance after this, he drops it even though he uses it to address /literally everyone/ (including the cis girls, he calls nene "nene-kun" for instance). makes me wonder if mizuki herself voiced her discomfort with it after explaining that she's trans to him or if he picked up on this on his own? either way, i like that he's considerate towards her even if he doesn't fully Get her...

i also love that mizuki here immediately assumes (perhaps a little unfairly towards rui even if it's understandable) that there's some narrativization on rui's end towards her which is rooted in a voyeuristic fascination in her as a person with a unique gendered experience that ties into how she's often treated as an object or an exhibit by everyone? it also makes sense in the context of her genre awareness and performativity bc mizuki is /very/ hypercognizant of tropes and the archetypes she's often forced to occupy?

it's this the expectation of herself as a source of entertainment to others. trans girls often exist in media to be ogled at and othered. she doesn't see reflections of herself in the world. she sees caricatures. so of course she'd assume tht this is what rui wants of her. of course that isn't the case, but trust is so difficult. commodification of transfemininity and transfemininity as performance being widely seen as a source of entertainment and comedy are things that are very normalized in pop culture and media… even when trans girls aren't treated as jokes, they merely exist to reinforce the femininity of cis girls as innately more authentic. this is something mizuki absolutely knows considering her genre awareness and how much she loves to engage with fiction, but i think it's also interesting that in the context of her relationship with the other girls in niigo there's this conflict taking place in terms of being the manic pixie dream girl who purposefully elevates the cis girls by setting the stage for them and helping them address their problems (she does this in carnation recollection, mirage of light, our escape for survival and many other instances) versus using them to affirm her own femininity … we see this the most with ena, but i think this is present with mafuyu too especially in the way she represents mizuki's hope.

mizuki's introduction to the other girls in person also establishes that she's very openly genre savvy and goes out of her way to point out narrative conventions of 'isekai stories' and other media tropes relating to her social situations in a way that feels very deliberate as a parallel to being cognizant of societal prejudices and gender constructs and the way they're sustained through pop culture so she has to co-opt them for her own benefit bc so much of mizu1 is about mizuki using fiction and horror stories as a medium through which she can engage with herself and the other girl but i think this is meaningful insofar as it tells us that mizuki always understood how abuse and misogyny work bc it's been her experience for her entire life… it's interesting that she's one of the few characters in the cast that's an active Anime Fan (ie, going out to try and get merch, tickets, the soundtracks, etc), but the expression around it is /very much/ like trans culture, like how a girl is engaged with things. it isn't about figures or being the ultimate oshi, she enjoys the characters, she enjoys what goes into the creation, she's engaged with how she relates to characters over them being "attractive." there's so much… about her and her genre awareness and also her social awareness… it feels very special bc very few stories go out of their way to acknowledge the fact that trans girls are usually the demographic with so much perspective on women's issues, both bc of their own lived experience and bc they feel like they /have/ to be knowledgeable to prove their own abuse and make up for the taking up so much space in women's spaces? it's motivated by internalized guilt but it's also out of a genuine desire to connect with women and womanhood … so many anime fandoms are often sustained by trans girls and that's something i always notice whenever i'm on twitter or tumblr? magical girl and idol series fan spaces are always occupied by trans girls and the same can be said for things like gundam? mizuki is the type of trans girl who's more into the former than latter but it's still important to note, and it makes me wonder how much of an overlap there is between how that works in english speaking fandoms and japanese ones? i imagine there's a big overlap, but it's still something i'm interested in seeing something more concrete about.

but yeah, the way mizuki is so invested in the process of creation and connecting with the characters very much parallels how she's the MV animator/editor for niigo and how her entire work process is predicated around having an intimate connection with ena's art, kanade's music and mafuyu's lyrics to display them in the best way possible? we know that she was creating edits for her favorite magical girls anime before she joined niigo (and she probably still does in her own time). trans girls often connecting and finding worth in things that cgirls have cast off as childish as well - "i don't need this" versus "this makes me feel like i can have the girlhood i was denied." the lesbian contingent in these spaces is also very strong. i feel that a lot of cgirls get disillusioned and have to come back and address the internalized misogyny around it. magical girls being co-opted by misogynistic otaku also makes it difficult, but it feels broadly meaningful to actually engage with magical girls and how they are genuinely made for young women and even more than that. also the editing … the AMVs and stuff and how it's about fixating on a piece and going through all the clips, closely editing … she's probably rewatched her favorite shows and episodes so often that it's easy for her to think about what she wants to go where. i imagine she would feel self conscious actually sharing her thoughts but also … we know how mizuki is so active in the nightcord chat and how much she fills the space with ena so i wouldn't be surprised. there's a side story where mizuki invites the others out to see a movie bc she doesn't want to watch it alone, she wants someone to exchange thoughts with … it feels so personally driven, this rare chance of hers to … try to show herself to others? she never wants to tell others directly, but through fiction and other things…

mizuki is also a fan of minori but not once does she identify as Anything More than that and of course idols are relevant to mizuki, bc her being Genre Aware extends to anime/manga (specifically magical girls and idols) and films (mainly horror). in the broad context of 'oshi' as a term this is important bc mizuki likes her and thinks she's cool and admires her, but she sees idols as ppl ... she sees girls as ppl.

i also think about mizuki and "loneliness" here in the context of transmisogyny as a system to isolate transfems, to deny them safety and community and solidarity in order to enable everyone else treating them like disposable sex dolls. many ppl will pretend that the idea of transfems being uniquely threatening or predatory is something that came from genuine concerns about sexual safety (especially terfs with their "concerns" about "males in women's spaces") when the truth is that it's a deliberate campaign to convince ppl that transfems don't deserve to be treated as human beings, never mind women, they're degendered objects (aka second class women). ppl aren't /born/ believing that transfems are more dangerous than cis men; nobody independently arrives at this train of thought as much as they're conditioned into it by the patriarchy in order to do their part in maintaining the exploitation of transfems as scapegoats for the sins of cis men even if they're not conscious of it. this just makes them gullible agents of the system.

a huge difference between how 'average' misogyny & transmisogyny operate is isolation. if you're a cis woman who's the subject of constant misogyny, it's still possible to find community within cis women. transmisogynistic oppression goes unnamed, isn't shared by any peers bc transfems rarely know other transfems growing up, and is never called out by anyone even adults. it's true that all systemic violence masquarades as personal violence, but i think this goes doubly so for transmisogyny especially bc the 'mainstream' understanding of transmisogyny even in queer spaces is that it doesn't exist as long as you use a trans woman's correct pronouns or recognize them as women (and even then ppl will always make excuses when they're called out for using they/them and it's not even called transmisogyny; it's just transphobia).

when trans women exist around others they're either reduced to sex objects/freaks or mothers/manic pixie dream girls who take on the brunt of emotional labor in social dynamics, and i think all of this informs mizuki's idea of loneliness here? rui may be well intentioned, but there's an inherent power imbalance between them as a cis guy and a trans girl (even though she's pretransition, it doesn't change this) that contextualizes their isolation and this is something mizuki is obviously bitter about… it's true that her family is supportive and gives her refuge in the form of her own room to retreat back to when the world is too cruel to her, but this is simply not enough when the goal of transmisogyny as an oppressive systemic force is to erase transfems like her from public spaces, which in some part also explains why mizuki feels so insecure about her coping mechanism being avoidance and running away bc it probably feels like she's letting transmisogyny 'win', so to speak? despite how much we see her being treated like an object and an exhibit in incredibly dehumanizing ways as well as all the microaggressions from so many ppl (even the ones who care about her like an and rui) we never see any teachers standing up for her? all they care about is getting her to attend enough so she doesn't have to repeat a year and such, which reads more like they're doing bc it's inconvenient for /themselves/ otherwise to have to deal with her more if she's held back a year. the fact that she tells rui that she hopes he can find friends that he has more in common with than just solitude in response to him trying to tell her that being lonely isn't all that bad is so loaded bc rui is a cis boy, so there's no way he understands the kind of isolation she's had to endure and the fact that he's able to speak positively about isolation understandably makes her bitter for these reasons.

mizuki joking about 'losing' to rui at making friends even though she has "better communication skills" when by that she means that due to her lived experience as a transfem she's had to become very hypercognizant of social norms and conventions in order to mold herself into a very palatable expression of femininity to be accepted by others but her hypersensitivity towards these things still isn't enough and rui can surpass her simply due to the fact that he's a cis guy...

[dcdreamblog]

How many types of kryptonite are there? I know this isn't quite history, but you seem incredibly knowledgeable and there so much misinformation. The wiki page is constantly vandalized, people making nonsense up; crazy stuff like plaid kryptonite ruins Kryptonian fashion sense and then it's cleaned up and locked. Even when it seems normal it gets messed up. Someone once edited blue kryptonite from "only hurts Bizarros" to "only hurts Bizarros, will mutate normal people into Bizarros and then hurt them"

Ah yes, the green stuff. So in the public imagination, seemingly omnipresent despite the fact that there's never been enough of it in one place for study to fill a gym locker. Yes, I would like to set this particular record straight because for god's sake I'm sure Superman would to.

(A brochure of the 6 types of Kryptonite on display at the opening of Metropolis' Superman Museum)

So, groundwork for those of you who may not know. Kryptonite is a radioactive element that was created when Superman's home planet Krypton detonated due to a chain reaction in its unstable core. The detonation irradiated the planet's crust and mantle as they were flung outward into space and various aspects either of that radiation or the material irradiated formed it into different kinds of kryptonite each manifesting a unique form or effect.

To cover up the first and biggest misconception. No it is not "everywhere", nor is it actually that common.

The amount of Kryptonite, all told that exists on Earth at this point in time is theorized by STAR Labs to be less than 10 tons. Which sounds like a lot but is less than what 2 elephants weigh.

Krypton was a large planet, larger than Earth by orders of magnitude and even then the amount of Kryptonite that would have naturally made its way to Earth probably wouldn't have fit in a coffee cup. Most of that weight hitched a ride on the warp engine the brought baby Superman to Earth and all of the exotic stuff has been brought here intentionally by alien villains and gotten lost or confiscated.

There are 5 "Core" varieties, two that have been seen in a few prominent instances and a few that are know to theoretically exist

About 95% of the Kryptonite mass on Earth and the universe is standard Green Kryptonite, made up of the standard, stable earth elements flung outward in Krypton's explosion. Metal, stone, etc. It is radioactive, giving off "K Radiation" that is highly damaging to the solar energy held within Kryptonian cells. It causes weakness, fatigue and a weakening of Kryptonian powers and over prolonged exposure can be lethal.

Misconceptions Debunked: It is still radioactive, if you keep it around you WILL get cancer. No, Superman is not instantly helpless to it. Better men than you have tried. No, technically it is not illegal to own but unless you own a mid sized country you can't afford any and none is legally for sale anyway, G Gordon and Alex Jones lied to you.

The next 4% of Kryptonite mass is Red Kryptonite formed by the already radioactive elements within Krypton when it exploded. Uranium, Plutonium, etc. The mingling radiations created a truly dangerous and unpredictable material that has wildly mutagenic effects on a Kryptonian exposed to it. Literally anything can happen, good, bad or indifferent. The same chunk also cannot effect the same Kryptonian twice. It's theorized that once the mutation is corrected for, the hyper effective Kryptonian immune system is able to stamp it out if it ever crops up again.

Misconceptions Debunked: This one is even MORE radioactive, it will kill you FASTER. Yes, all of the stories you have heard are true. Yes, even that one.

The final 1% of natural Kryptonite mass is Gold Kryptonite formed when standard Green and Red K, still molten from Krypton's explosion, collided, alloying together. It causes a chain reaction that destroyed the Kryptonian ability to metabolize solar energy, destroying their powers. Permanently.

Misconceptions Debunked: This one is the MOST radioactive, time until lethal radiation poisoning at arms length is lower than the elephant's foot under Chernobyl. Every single ounce of this stuff is accounted for, we know how much of it is on earth down to MICROGRAM and where every one of those micrograms is at every second of every day.

The final of the varities that exist in any quantity are artificial or do not exist on Earth in any permanent amount.

Blue Kryptonite was created to ward off Bizarro, only Superman know how to or has the resources to create it. Only a single sample of it exists for study and use in emergencies, all extras made in those emergencies are destroyed for the sake of them not being used against the Bizarro race accidentally or on purpose

White Kryptonite is lethal to all plant life on any world due to is radiation basically melting Chloroplast it has only been seen in a single large meteorite that Superman averted, no one knows for sure what he did with it and most people do not want to.

Jewel Kryptonite is formed only from the shards of Krypton's Jewel Mountains it has some ability to manifest connection to the mysterious Phantom Zone. Because of this security risk it is not allowed to exist once discovered. All other varieties quickly listed below are either fictional, theoretical or have never been studied because they existed for times measured in minutes or less.

Black Kryptonite: Causes violent psychosis in Kryptonians, created on Apokolips.

Artificial Kryptonite: You would have better luck atomically turning air into gold bars but yes, we do know what it's made up of so we could theoretically make some.

Silver Kryptonite: Might exist in the form of magically altered artifacts? Historicity unclear.

Pink Kryptonite: In your AO3 fanfics only, you know who you are.

Kryptisium: ULTRA theoretical, would allow for the increased absorption of solar radiation. The creation of this material is a green energy holy grail and the main reason Kryptonite is actually studied.

Slow Kryptonite: Some dingbat artificially decreased Kryptonite's atomic mass. To "effect humans the way K effects Kryptonians". What he had done was "invent" Plutonium.

Anti-Kryptonite: Kryptonite from the Antimatter realities. Does not exist for very long for obvious reasons.

Blood Kryptonite: You are in a cult, please, grieve and move on. Its what your loved one would want.

Looks up

If that is not the whole shebang I don't wanna know what is.

[covid-safer-hotties]

Also preserved in our archive

I have no clue how this guy hasn't divorced his wife. If my partner looked at me with disgust about anything that wasn't literally disgusting, I'd be googling "divorce lawyer."

by Sam Williams

A week ago, my wife and I went to John Lewis to look at air fryers. As we entered the store, I put on an FFP3 mask because of Covid. My wife looked at me in disgust and said, “Oh, you’re wearing a mask?” I replied, “Yes. There’s a lot of Covid around, and I don’t want it. Do you?”

She responded, “Well, the trouble is, I’m not wearing a mask”.

I said, “Yes, I can see that. I wish you would. The trouble is, every time I’ve caught Covid, it’s been from you. I’m disabled with long COVID, and every time I get reinfected, it makes me really, really ill”.

So here’s my question: does my wife not care?

I want to use this piece to spark a debate about who we are as people. Are we kind and virtuous, or are we selfish and indifferent? Writing an article about what stops people from wearing masks, while I live with the pain caused by my wife not masking, feels like an oddly meta activity.

That’s right, folks: it was probably my wife who gave me Covid in the first place. Although, to be fair, neither of us knew about masking or long Covid back then.

The case for masks amid rising Covid I need people to wear masks or ensure clean air so it’s safe for me to go out—especially in healthcare settings. Yet, most people refuse. I asked my wife why she doesn’t wear a mask, and she said, “There’s no point, because nobody else does.”

I understand the futility in her statement. Many people don’t wear masks simply because they don’t care or because they think Covid is over.

If my wife were a cruel or unkind person, it would be easier to accept her refusal to wear a mask. But in my experience, even many kind people—even those on the political Left—can be cruel when it comes to disabled individuals.

Although my wife has struggled with my disability, she is generally a kind person. In my autistic brain, it seems perfectly logical that she should wear a mask to protect me from airborne viruses. Yet, logic loses when it comes to personal choices and disability.

Misconceptions about Covid and masks People think Covid is “just a cold.” Some even believe masks themselves make you ill. I think people don’t mask because of ableism and because they’ve been conditioned to associate masks with the pandemic itself.

It’s the same conditioning that leads them to blame lockdowns and vaccines for Covid, rather than recognising these measures were designed to mitigate its spread.

When people see me in a mask, they’re reminded of the acute phase of the pandemic. My presence confronts them with an uncomfortable truth: their refusal to mask contributes to the deaths and disabling of others. It reveals they may not be as caring as they like to think.

I wish more people would remember the Covid dead and choose to wear a mask to prevent further loss of life.

Why people don’t mask The biggest reason, I believe, is a failure of public health communication over wearing a mask. The government declared Covid “over,” and most people still trust what they’re told. Many would resume masking if asked, but the government is too afraid of the right-wing media and too indifferent to disability to make that request.

Then there’s the pervasive idea of “health supremacy”:

The belief that only people with pre-existing conditions get long Covid.

The notion that a “healthy” immune system can fight off the virus.

The argument that we don’t need vaccines or other preventative measures.

Some even suggest that “living your best life” and going out for brunch are more important than protecting loved ones. The low mortality rate of Covid is used as justification, with a dismissive attitude towards the elderly and those with long Covid.

Many fail to consider the quality of life endured by those with long Covid or the rising number of children affected. Parents, it seems, don’t care enough about their kids, or they’re unaware that long COVID in children has doubled in the past year.

There’s also peer pressure and groupthink. No one wants to stand out by wearing a mask. “If it were really unsafe, wouldn’t everyone else wear one? Wouldn’t the authorities tell us to mask up?”

When I do convince others to wear masks, it’s usually a flimsy surgical one—barely adequate protection.

The personal cost of not wearing a Covid mask If we continue as we are, everyone will eventually develop long Covid. Those who still mask are only delaying the inevitable because we’re so outnumbered.

I know people who’ve lost friendships and family connections over masking. Others restrict their contact with loved ones to stay safe. Some have even been lied to by family members about masking.

And all because people must have brunch.

It feels grossly unfair to be forced to choose between family and health. For me, it’s not just about Covid. With a weakened immune system, other airborne viruses are just as harmful. Every cold or similar illness sets me back by months.

The fatalist in me whispers: stop masking. If no one else is wearing a mask, why fight it – just let long Covid take me. Every reinfection only worsens my condition.

A systemic failure The government—New Labour or otherwise—has shown little interest in preventing the spread of Covid or developing treatments for long Covid. The societal denial of this reality is overwhelming.

Until we build a society and government centred on community and care instead of selfish individualism, we’re doomed. Is thinking of others really too much to ask?

If only long Covid weren’t an invisible disability. If it caused something visible—like the loss of a limb—perhaps people would be forced to act.

The point of wearing a mask: not just for Covid Here’s why masking matters:

It reduces your viral load if you get infected.

It sets a good example for others.

It shows courage and strength.

It protects vulnerable people, including the disabled, chronically ill, and immunosuppressed.

It proves you have empathy and intelligence.

[fantasiac]

Sonic X Silver Unleashed would be really cool

especially for 2026, which seems like it might be year of Silver, as Sonic 4 has rumored to have Silver in it, sega would probably want to do the Sonic X Shadow generations success again, as well as finally establishing Silvers origin and finally Sonic Unleashed for modern consoles, and a pc port that people have been BEGGING for

Giving silver the chance to fix his origin would be a great chance to take if they decide that his Rivals story isn't canon (because of the way it breaks Eggman Nega), or just isn't well known enough by fans, finally setting why everyone knows him would be cool

although, he wouldnt actually meet sonic in this game, but maybe he could interact with characters that aren't in the original story, adding more to it, and maybe could have sonic and silver meet in an epilogue short like Dark beginnings

it would also probably just fit really well, with silver coming back in time to fix the ruined planet, not that I want another "silver comes back to the past to fix the future" plot, but it could work, especially if they decide to rewrite him, and because it would take place during unleashed, it could definitely work as a good introduction for his character to the world, as it's the next main game after 06 (besides secret rings) so it could probably be much more of a "this is what happened instead of 06 because the timeline reset", if they decide to lean into that (it would live up to the stuff 06 was claiming to be, a cool new direction/reboot to the Sonic world, setting Unleashed as what happened instead of 06 would not only make that statement correct, but also reintroduce silver around that time period in the series)

they could also put shadow in it, because all the fans new and old would want more of him in games, especially in "the best game in the franchise", also seeing shadow post shadow 05 would be cool, Ian Flynn could work in the Super Hard Mode being canon, where he joins GUN at the end, bringing "Shadow's best characterisation" not only into main canon finally, but also into the best game in the franchise

it would print millions for sega

and Silver's powers could get reworked for the boost engine, which would be interesting, and his powers could react with the dark Gaia energy somehow, changing the playstyle to match up with base unleashed

and I somehow didn't mention that I DESPERATELY want more of that peak unleashed world building, with the distinct cultures in the world, it would blend into silvers story really well, as he's not used to all the people and life, finally capturing that "woah, this time period is beautiful" element that wasn't there very much in 06, despite it helping his motivation to save his world so much

and because unleashed is already one of everyone's favorites, bringing it to the forefront of the Sonic franchise for new players to enjoy would probably put sonic back on top as a gaming icon

also a mixing up more of the anthros from Forces into the humans of unleashed, would not only be cohesive, but add to sonics world, Sonic, Tails, and Amy wouldn't be the only animal characters seen in the game where you see the entire planet, making sonic seem special among them and explaining why nobody really questions sonic's existence

unleashed is one of the only games that really builds up a full world for sonic, and all the other games subsequently forgot about it all instantly, I desperately want to know where Station square is on the map, or White Acropolis, or Westopolis, or Seaside Hill, or Sunset Heights, I want all the stages from the games on one big map.

Frontiers also confirms that unleashed is part of the canon, so it would set standards for the next games to add on to it, because the stages in unleashed are considered the best In the whole franchise, in music, stage design AND worldbuilding. we need it to be a base for the rest of the franchise to follow at least a little bit when making new stages, a remake would not only fix that, but also give the silver game that people have been begging for for 18 years, and finally give him a base intro to the story for the wide audience to fall in love with, because silver is rad as hell

also a game that takes place before whatever forces does would be cool, because after unleashed, the games barely even touch on the world of Sonic anymore, Colors? in space, Generations? timeless void, Lost World? Lost Hex, only really touching on it in Forces, where Eggman completely shapes the globe in his image, but they don't even really show what he changed besides "sand hill", and then Frontiers is on a separated island that we don't know where it is on the planet, if unleashed was remade, it would bring back the worldbuiilfing it had, and open up the doors to have games that add on to the main timeline come out while sticking to that worldbuilding without it seeming off because unleashed is a recent and well talked about game by this point

it could work so well sega, pleeeaasse

I just love unleashed so much, and I'm not the only one

[nalyra-dreaming]

Hello Nalyra I want to ask you about Marius and Armand in the books. Do you think Marius ever truly loves Armand? How come Marius has so many lovers and who exactly is his endgame partner? and do you think Armand was made vampire out of love?

Hey nonny!

Please forgive me, but you are applying mortal morality to beings outside of that morality.

Marius is 2k years old, of course he has had lovers.

And if he didn't love Armand, and almost fatally so as well, then he would not have made him. He fought with himself there, for years, and in the books the sickness Armand contracted (actually poison) forces his hand.

Yes, Marius made Armand from love, namely being unable to let him die. (Armand does the same with Daniel, in the books, and despite them using "out of spite" to describe Daniel's turning I cannot quite believe that.)

Yes Marius loves Armand, but Marius is already 1400 years old by the time he encounters Armand. He... thinks differently. He comes from a different time, with different values... and as a perpetual outsider and watcher, he picks up only those values that suit him, because, well - he can just sit through the rest (or literally sleep to skip centuries, as he does book canonically).

I don't think that there is a fixed endgame partner. In the books he spends a lot of time with Bianca and Pandora in the last books, after losing Daniel (yes, Daniel Molloy) who goes back to Armand.

But it isn't as... fixed as it is maybe for others, who call themselves "Blood spouses" in the books. Like Gregory and Chrysanthe - but even they have Davis in their love as well, as much "blood spouse" as they are to each other. It's not set in stone.

The(se) vampires exist outside of the strict relationship terms or jealousies, really.

Oh, of course there are relationships and jealousies. Pettiness. Anger. There's even a rather deadly jealousy encounter between Marius and Arjun in the last books.

But generally, if you have eternity to figure it out? And know you will meet again? Then a lot of outlooks change... there is no pressure of time to make something work right now, you can part and come together again, no matter the heartache or pain that may accompany the ups and downs.

Like, for example, Marius and Pandora, surely they did not stay apart for so long wholly voluntarily, no the means kept them apart (aka no phones or internet to find each other back then did not exist, obviously), but when they did find each other again... they found each other again.

Armand and Marius... find some discussion ground later on as well. Armand loves Marius - and Marius does love Armand. It's just not easy, given history and past choices. And some upcoming events.

But as I said, the books leave us at a certain point but... well. I'm sure they'll figure it out in the next few thousand years :)))))

[homestuckreplay]

Stuffed Grandpa Figurine: Only $413.99!!

(page 911-918)

The color scheme of the Harley fireplace and entryway is VERY interesting. Almost all furniture in the kids' houses is shown in black and white, so a colorful fireplace in itself means we're supposed to take note - and these specific gold/yellow and purple are associated with the luminous and ominous planets, respectively. In the top left above her fireplace looks like an ogre head of the type John just killed. Where exactly is Grandpa Harley exploring? Where is he getting these decoration ideas? Has he been to these planets somehow? Does he have an advanced agenda like uniting the planets or does he just think they look cool?

Jade's grandpa also collects globes, which are reasonable, tasteful and make sense based on his career, unlike some of his other interests. Although on the ground in the dark they are a little bit of a safety hazard. Less sensible are the suit of armor, mummy wearing a pirate hat, moose and Santa Claus sat on the couch.

This sequence is definitely set up to parallel Rose and her mom - on pages 231-232, Rose sneaks past a similarly-composed hallway where her mom stands in silhouette, and on page 389 we find out Strife between them is a daily occurrence. Jade talking about how predictable her grandpa is must be a nod to the reader, like she knows we've guessed the pattern.

When Grandpa Harley appears in silhouette, it's accompanied by a Sweet Bro and Hella Jeff quote. This only works for me because it feels like Jade's thoughts - he appears, just like she predicted, and while doing important sneaking work she accidentally thinks of a silly meme her friend made. That's very good. And he does look powerful, standing there tall with mustache stiff and fun held aloft lit by the roaring fire behind.

And then we get hit with a 3x triple psycheout combo.

Jade falls asleep at the exact moment of leaping across the divide, instead of successfully escaping like Rose.

The narration on page 917 and loading screen on page 918 outright tell us we're switching to Dave's perspective, but we suddenly cut back to Jade.

We begin what seems like a typical Strife between Jade and Grandpa, with an 'Aggrieve' option, except.... he's not responding. The man has zero reaction to being pelted with bullets. He's also standing on a plinth with his name on it, which is odd but I guess not impossible for somebody decorated and self-aggrandizing, but... IS THAT A LINE OF STITCHING GOING DOWN HIS FACE??

THIS OLD MAN IS STUFFED????

This changes everything. I genuinely feel blindsided by this development. I don't think this could have been predicted, no actual hints were dropped, but something did feel off about the way Jade talked about him. Like she was always using the same words to describe him and telling the same anecdotes, the way that someone might if they were pretending to know someone much better than they actually did. But I brushed it off and assumed he was just a predictable guy.

But this? I feel like throwing out everything I've assumed about Jade and starting again. Because there's no way 'talks about a stuffed figure like he's a Real Guy' isn't a defining character trait. I don't know whether this is the corpse of an actual human, like the ultimate big game trophy, or more of an animatronic situation. I don't know if Jade was actually raised by a grandfather or if this is a complete fabrication. I don't know if there are any other people in Jade's house. I don't know if she knows that this figure isn't actually alive.

I'd like some of these questions to be answered before I think about What It All Means! But I am definitely thinking about loneliness, and comfort, and imaginary friends, and the ways people lie to themselves to cope with difficult situations. And I think what there four kids have in common is that they are the most unbelievably lonely people in existence.

That aside, page 918 functions like page 769, where pressing any keyboard button gives a different fun animation of Jade blasting her gun or playing her flute. The earlier page ended up as a 'psyche-out' as it wasn't Jade's true instrument (and therefore couldn't play a haunting refrain) so I wonder if the same is true for Grandpa not being Jade's true guardian and therefore not her true strife page. Jade is all about these sudden tricks and I can still believe that John, Rose and Dave could end up with a different fourth Sburb player.

These pages with their 30+ different keyboard-controlled animations are so cool - the amount of effort they take to make versus the amount they contribute to the story might be out of balance, but I still think they should be there. In a world where the characters are controlled by keyboards (via commands at a terminal or in the forum suggestion threads) it seems only fair that we also get a turn. Every time I have to press a key or click a button within a flash, I remember that my computer is a crucial part of the story.

> Jade: What the hell is going on.

[mixupmycota]

i've felt for years that when solas is arguing with varric about cole, it isn't actually about cole. the arguments he makes, how heated he gets, it clearly struck home in a very personal way to me. cole is the catalyst for the argument, but it's just a continuation in some ways of the other arguments he has been having with varric around agency, the ability of people to change, whether choosing to set down a burden and remain in one place is giving up or thriving in spite of the horrors.

watching a run of inquisition just before veilguard's release reaffirmed this opinion - I said at the time that solas has a very fixed idea of who cole can be, that the custody battle seems less about cole and more about solas reinforcing his own beliefs on what the world is like and can be in the first place.

Cole's whole existence in Inquisition truly must be so viscerally unsettling for him. Compassion keeps reaching out to him, and he turns it away, insists there are others who need it more than he does. He repeatedly gets his historic wrongs exposed in front of the Inquisitor through his banter with Cole, who is trying to help him in doing so. And yeah truly like. Cole becoming more human does demonstrate there was another way, and part of that required caring about people and being curious about their lives and thinking of them as real. Which, given the average incredibly shitty ancient elf attitude towards anyone that isn't an elf, and especially how Solas talks about the dwarves and qunari - that path not one that would have occurred to the ones we see, it seems. Envy, terror, a desperate need to refute it not for Cole's sake but for his own? Seems just textually correct.

Even if he was also motivated by wanting to spare Cole the same terrible experience he had in becoming Meat, I don't think the negative aspects of his feelings can be discounted at all, it feels pretty core to that entire conflict.

Does anyone ever think how in Inquisition Solas was probably, to some extent, envious of Cole’s journey from a spirit to a person? Of how that would explain why he was holding so viciously to his approach against Varric’s?

Because Cole wants to be a person. By contrast to Solas, no one begged Cole to leave his spirit nature behind against his own wishes;

Cole didn’t kill/mutilate anyone to gain a corporeal form either. More like he took on and continued a life that had already ended.

Does anyone ever think that Solas is unable to accept that Cole can become a person because that would mean he’d also have to confront the fact that his own actions (him and ‘his people’ gaining a body at the expense of Titans) were unjustifiable anymore?

Because... there could be another way, that’s not his, and because he could be wrong. I bet that would terrify any ancient being who’s been struggling with doing the right thing for centuries.

Or who knows, maybe I’m just rambling. Something, something I think we need to talk more about the implications of Cole becoming a person and Varric’s role in it. That quest certainly lands so differently after Veilguard.

[tonyglowheart]

I wish there was qq fic I liked on ao3 cuz I finished rereading qq so once again I'm like, "so now what...."

[yuwuta]

PLS PLS PLSSSSS keep talking about kids with olympic athletes! gojo and nanami pls pls pls i have to Know. everything u wrote about yuuta was already so so cute

(prev olympics au here)

the gojo twins are hilarious because your baby boy looks exactly like satoru, but has very little of his personality—it seems like the only things he inherited was satoru’s love for sweets and love for you. still, even though he’s a strong swimmer, he much prefers to relax in his floaties alongside you if you’re also in the pool, or chill by your side on a lounge chair, glasses too big for his face keeping the sun out of his eyes as he shares his smoothie with you, and asks to borrow your phone to take pictures of his sister and daddy in the pool. 

your baby girl on the other hand… she might have your face but she’s got satoru’s everything else—his competitive streak, his confidence, and definitely his mischievous nature. she’s the one who tiptoes into your bedroom at five in the morning, tapping at her daddy’s shoulders, and putting her little finger over his lip to shush him before he can wake you up; she’s always the one to convince satoru to take her swimming the backyard at the crack of dawn, and why by the time you and your baby boy wake up, she and satoru are already past warm up laps and swimming lessons and onto who can make the splashiest canonball competitions (she always wins because while her tiny body can endure a belly flop, satoru’s years of training physically doesn’t allow him to do it… and maybe because he’s not so competitive when it comes to his baby girl, he’ll always let her win). 

kento’s professional judo career honestly doesn’t last very long. after his first olympic games, you two start dating and he proposes just after he wins gold the second time he’s in the olympics; he does maybe two more years of national competitions while you’re pregnant, and decides that the intense training for the next two years in preparation of a third olympic competition isn’t worth missing time he could spend with you or your baby girl—plus, with all the money he’s made from competitions, winning gold medals, brand ambassadorships, commercials, and collaborations, he had enough money to provide for all of your for the rest of your lives. so, that’s what he does (his dream has always been to be a househusband, anyway...) his previous salaryman career comes in handy when deciding how to invest his money, how to buy a house, how to take care of his friends, how to set up a fund for your daughter, and an extra account or two… just incase more babies come along… 

by the time your baby girl is four, she’s already kento’s biggest fan. she loudly and proudly proclaims to everybody that her daddy was basically superman and won all the shiny trophies and medals in the house from when he was being a superhero. if anyone recognizes kento when they’re out together, she always confirms their suspicions, proudly boasting, “yeah kento is my daddy! he’s a winner!” it always makes kento’s heart swell to hear her praise. he doesn’t compete professionally anymore, but he does train from time to time, and has taken on a few mentees, and your daughter LOVES to watch him coach/train. she’s got her own uniform that she always puts on whenever they go to the gym together, and gets so excited when kento or ino or yuuji pretend to spar with her. 

she’s honestly kento’s mini figure. she’s respectful and reserved, but strong and knows when to fight and how to use her voice. there’s a time when he gets a call from her school saying that she got in a fight, the principal frames it as your daughter needlessly pushing around an older kid, but your daughter is certain in her words when she tells her dad that it was because the kid was being mean to the younger kids, and to her. kento doesn’t say a word to the teachers—doesn’t even fight them sending her home early for the day, because he’s happy to scoop her up and take her out for ice cream and tell her that he’s proud of her.

[canisalbus]

I remember Machete has tiny feet, but exactly what size shoes does he wear?

.

[meat4meat]

One note was all the Prompting I needed.

HOUSE PLACEMENTS

MEL: 3rd House all the way, but 2nd house born.

The third house is most known for its opulence and as a hot bed for political intrigue. I'm 100% convinced she could necro politik with best of them. And given the tension between the 3rd and 2nd house wre know exist thanks to the 1st book, Ambessa sending Mel as a sort of ambassador sets her apart as an outsider both to her home on the second and her peers on the 3rd.

Given her big reveal as a sorcerer in the finale I think she'd be a lay necromancer, maybe even with ties to the Blood of Eden that she isn't aware of.

Jayce: 6th house

Initially I thought 5th house, but I think given his main ambitions involve using knowledge of magic/science to better other lives, yes I might be drawing a handful of parallels with Palamedese, having him come from the smarty pants house feels natural. Especially because one of his core motivations for his pursuit of knowledge is to help people.

Viktor: 7th house. King of dying and coming back wrong.

His entire shtick has 7th house written all over it. Having him be a necromancer of the 7th feels appropriate because of the tension it would create between his very powerful will to survive and the fule for his abilities being the thing that's killing him. I'm gnawing at the bars of my cage.

Caitlyn: 2nd house born necro, 4th house enlisted.

The second house is more associated with Cohort leadership and bureaucracy while the 4th is the actual infantry. Given how Cait joining the enforceres in cannon is seen as a step down from her station I think her being born into an influential cohort family on the second and chosing to join the 4th would be thematically appropriate, and it gives her a wonderful opertunity to meet-

Vi: POW and vassel of the 4th house, formerly Blood Of Eden.

Vi would be lowest on the rung and enlisted against her will with the promise dangled over her of eventually (never, really. This is the 9 houses) earning her freedom. Her hatred for the institution she's bound to and her grief in being forced to fight people she loves (Boe, other rebles, ect) feels like it aligns with her backstory. I think Cait would seek her out both because she's a skilled fighter and because she's also an outsider, seeing someone impartial to Cohort politicking and a fresh set of eyes. I think she'd pull whatever weight she has to get Vi assigned to her as her Caviler, much like she did getting Vi out of prison in canon. Lots of parallels with Gideon's initial arc in the first book, but other people have pointed out theor similarities already.

Last house placement bc I think it fits.

Singed: the 9th house, necromancer.

It's so easy to see him holed up in the 9th house as one of the 9th house faithful who came to lay his daughter to rest in the ossuary and just never left. Especially with a double motive in being close to the Locked Tomb in order to reaserch its wards, hoping to break them and maybe use whatever is inside to revive his daughter, even if it means dooming the whole world. Also former BOE.

BLOOD OF EDEN MEMEBERS

So because of the nature of the conflict in TLT and Arcane both featuring major aspects of class struggle and war, im assigning most of the Zaun aligned characters to the BOE in some way or another.

Ekko: BOE, most visible rebel to the people.

Definitely a 3 times refuge of the houses. At his core he's a community leader, so I think he'd be most busy building grassroots resistance to the 9 House empire and direct community action. The necessary but unglorious work of things like food distribution, health outreach are all his sphere. His direct work with the BOE always goes towards things like sabotoging Cohort supply lines, equipment sabatoge and the like.

He comes into conflict with other BOE because they open civilians up to too much risk and sacrifice. In his eyes protecting people from the houses takes priority.

Sevika: Silco's former right hand and defacto leader of BOE after his passing. She's inherited all of the irons Silco had in the fire and is struggling to turn them into an offensive against the houses in his absence.

Vander and Silco: BOE, both dead. Their conflict and death lead to a power vacuum and a loss of organization within the BOE. Ekko and Sevika both represent the philosophical split between them in the org.

And ofc,

JINX: AWOL BOE, princess of dying and coming back wrong.

Just like how Singed revived Jinx in s1 in this instance I think Silco would have enlisted him to revive her, despite the BOE opposition to necromancy. Jinx gets to see her sister torn from her by the empire that's made her entire life suffering and refashioned into one of its agents, be saved by the morally bankrupt magic of the empire, and see her family devolve into infighting. I genuinely think she'd be a free agent outside of the BOE.

This is the most ever written in years the finale genuinely has me ill.

Shluld I assign Arcane characters Nine House placements just to feel something? That ending has my mind churning.