#like the statue in his tomb
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nyaskitten · 10 months ago
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"The Forbidden Five," "the fifth source," Ninjargon for the number 5 on a book said to contain "dark secrets" by the set designer, and depictions of SOMEONE in that book wielding extreme energy, and seemingly using a scroll to combat a dragon... ooohhhhhhhhh someone fucked up biiiiiiig tiiiiiiime
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unhonestlymirror · 3 months ago
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The most tragic character in the history of manga, Kurosawa Mutsumi
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corkinavoid · 3 months ago
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DPxDC Glass Coffin
Weirder shit has happened in DC universe, but hear me out, Young Justice finds a glass coffin with Danny sleeping inside it. Maybe it's in some ancient tomb and hidden away for centuries, maybe it's in some villain's private collection of artifacts, maybe it's in some museum in plain sight.
And then Kon hears a heartbeat from it.
(I'm going with the version of YJ that is Kon, Tim, Cassie, and Bart here, fyi)
Assuming they didn't come to wherever they found the coffin just for the sake of it, they, as the responsible teenagers they are, finish their business first and take it to Mount Justice later to figure out what the fuck. Meanwhile, Danny is sleeping peacefully like a princess, all up in his King garb, with the Crown of stars, cape of night sky, and whatever else pretty stuff you want him to have. Point is, he looks majestic.
Tim looks up the records for the coffin. The files say it's hundreds of years old, and no one has been able to open it yet. The boy inside is stated to be either a statue or some kind of really well-preserved corpse - no amount of scanning registered any signs of life, so it was treated like a piece of art for the most part.
Yet, Con is absolutely positive he heard a heartbeat inside. What's more, he can still hear it now. It's impossibly slow but still recognizable.
Cassie finds a whole lot of legends about it, most of them speaking of 'only those from the other side can open the casket', and there are no clarifications to what kind of other side they are all talking about.
Of course, they all try. Because this is some kind of Snow White or Sleeping Beauty shit, and besides, none of them even think they would be able to open it anyway. And, sure, as soon as they are done having fun with it, they will report to the JL about their finding. Maybe the magic users will know something about the weird Sleeping Prince. They even go as far as to reason with the casket, loudly proclaiming where they are from, because they all come from very different 'sides'.
Bart goes first, explaining how he is from the future. The casket doesn't budge. Cassie goes next, stating herself as Themyskirian, but to no avail. Kon is next, with his half-Kryptonian heritage, but the glass coffin doesn't accept him as worthy either.
And then it's Tim's turn. And somehow, he flips the glass lid open with no effort at all.
A moment of silence follows, all the YJ members frozen in place, waiting for anything to happen, but the boy inside keeps just laying there, unmoving and with his eyes closed. Then Cassie makes a joke about kissing the princess to wake her up, and all of them start arguing on ethics and stuff because why is Robin the one that has to do the kissing, do you have any idea where that boy has been? Fuck off, you kiss him if you want it, and also, do you really want him to wake up, what if he is some kind of villain or an evil spirit, or-
"Which one of you assholes is dead enough to wake me up from my nap?"
And that's as far as I got with this idea. Maybe Danny was put into some magic sleep, maybe it was Clockwork's time shenanigans, maybe someone locked him inside and he decided to sleep it off, maybe he is there on his own volition, taking a vacation from Kingly duties.
I'm just having this vision of eternally beautiful Danny in a glass (oh, maybe it's not glass, maybe it's ice) coffin, and the YJ arguing over it. There's also Dead Tired potential here, because I love them, yes.
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ryin-silverfish · 7 months ago
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A Guide to the Chinese Underworld (and what it isn't)
As many FSYY and fox posts as there were on my blog, I am actually a huge fan of the Chinese Underworld mythos. Mostly because I was once a morbid little kid that loved reading about the excavations of ancient tombs, and found the statues depicting hellish torture in the Haw Par Villa "super cool".
Apart from the aesthetics, the history of its evolution is also fascinating. Most of us, Chinese or not, only know the most popular version of the Underworld——the "Ten Kings" system, yet that isn't always the case. So today, I'll start off with a short summary of that.
In pre-Qin era, there was already this generic idea of a "Realm of the Dead" called the Yellow Spring, Youdu, or Youming, but we know very little about it.
Then, in the Han dynasty, two ideas start to emerge: 1) the Underworld is a bureaucracy, 2) the God of Mt. Tai ruled over the dead.
This early bureaucracy might not function as an agent of punishment; the main focus was on keeping the dead segregated from the living so they wouldn't bring diseases and misfortune to the latter, as well as using those ghosts to enforce collective punishments upon people for their lineage's wrongdoings while they were still alive.
Post-Han, after Buddhism entered China and took root, its idea of karmic punishments and reincarnation and the figure of King Yama was merged with folk and Daoist ideas of the Underworld bureaucracy, and, came Tang dynasty, resulted in the "Ten Kings" system that first appeared in Dunhuang manuscripts.
It was very rudimentary and far from well-established, as seen in Tang legends, with some adopting the Ten Kings system, some sticking to the Lord of Mt. Tai and some favoring King Yama, and overall little agreements on who's in charge of the Underworld.
But the "Ten Kings" system would become the mainstream version from then onwards, used in Ming vernacular novels and made even more popular by folk religion scrolls like the Jade Records (Yuli Baochao).
As such, most points in the following sections will be based on the fully matured "Ten Kings" system of the Underworld, as seen in the Jade Records and JTTW.
What happens when you die?
(This is a fictionalized walkthrough of the posthumous fate of souls under the "Ten Kings" system. I try to stick to the very broad progression outlined in the Jade Records, but many creative liberties are taken on the details.)
Let's say there's a guy named Xiao Ming, and he had just died of a heart attack. Bummers. What now?
Well, the first thing he saw would be the ghost cops.
There isn't really an unanimous agreement on who these ghost cops are: they may be a pair of ghosts in white and black robes, wearing tall hats (Heibai Wuchang), they may have the heads of farm animals (Ox-Head and Horse-Face), or they can just be generic ghost bureaucrats. For convenience's sake, let's say it was the first scenario.
"Who are you guys and where are you taking me?"
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"Glad you asked!" The taller ghost cop, being the cheerful one of the pair, replied. It wasn't very reassuring, considering that his tongue was dangling out of his mouth way further than it should. "I'm the White Impermanence, my sour-looking colleague here is the Black Impermanence, and we are taking you to the City God's office."
This City God, a.k.a. Chenghuang, is just like how it sounds: the divine guardian of a city, who also pulls double duty as the head of the local Dead People Customs Office. They are usually virtuous officials deified posthumously, and in JTTW, they fall under the category of "Ghostly immortals", together with the Earth Gods a.k.a. Tudi.
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So Xiao Ming went with the two ghost cops——not like he had much of a choice, made his way through the long queue at the City God's office, and was now standing in front of a gruff old magistrate in traditional robes.
"Name?"
"Wang Xiao Ming."
"Age and birth dates?"
"21, April 16 2003…"
After he was done asking questions, the City God flipped through his ledger, then picked up a brush, ticked off Xiao Ming's name, and told him to go get his pass in the next room. More waiting in a queue. Wonderful.
"I never heard anything about needing a pass to get to the Underworld," the girl in front of Xiao Ming asked the ghost cops, who were standing guard nearby. "Is this a new policy or something?"
"Yeah. In the old days, we'd just drag y'all straight to the Ghost Gate." The ghost cop in black said, then muttered to himself, "Fuckin' paperworks and overpopulation, man…"
(This "Dead People Passport" thing was popularized in the middle-to-late Ming dynasty, as shown by the discovery of such documents inside tombs in southern China. )
(It might have evolved from similar passes to the Western Pure Land in lay Buddhism that recorded their acts of merits. Which, in turn, might be traced back to the "Dead People Belongings List" of Han dynasty, to be shown to Underworld bureaucrats so that no one would take away the dead's private property down there or something.)
Anyways, after he received his pass, Xiao Ming departed together with the rest of the bunch, to be led to the Ghost Gate. It was like the world's most depressing tourist group, where instead of tour guides, you got two ghost cops in funny hats, and the only scenery in sight was the desolation of the Yellow Spring Road.
They weren't the only travellers on the road, though. Xiao Ming noticed other groups moving in the far distance, behind the fog and the flickering ghostfire, led by similar figures in black and white.
It made a lot of sense; realistically, there was no way two ghost cops could fetch hundreds of thousands of dead people all by themselves.
(SEA Tang-ki mediums believed there were multiple Tua Di Ya Peks——Hokkien name for the Black and White Impermanences, working for different Underworld Courts.)
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At last, the Ghost Gate stood in front of Xiao Ming, guarded by two towering figures. Normally, they'd be Ox-Head and Horse-Face, like what you see at Haw Par Villa's Underworld entrance.
However, older Han dynasty works like Wang Chong's 论衡·订鬼 also mentioned two gods, Shenshu and Yulei, as guardians of the Ghost Gate, who would use reed ropes to capture malicious ghosts and feed them to tigers, making them possibly the earliest incarnation of "Gate Gods".
So here, they were what Xiao Ming sees, standing side by side like proper doormen, silently watching herds of ghosts being funneled through the entrance.
The place was more crowded than a train station during the CNY Spring Rush; the ghost cops had already said their quick goodbye and left to fetch the next group of dead people, leaving the resident officials of the Underworld proper to maintain order and quell any would-be riots.
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Now you started seeing the Ox-Head and Horse-Face guys, poking at unruly ghosts with their pitchforks and dragging away the violent ones in chains. Among their ranks were other monstrous beings, blue-faced yakshas and imps, but also regular dead humans who look 100% done with their jobs, like the lady who stamped Xiao Ming's pass when it was finally his turn.
After this point, Xiao Ming had entered the Underworld proper, and his next destination would be the First Court, led by King Qin'guang. Here, his fate should be decided by what is revealed in the King's magical mirror.
If Xiao Ming was a good guy, or someone who had done an equal amount of good and bad things in life, he'd be sent straight to the Tenth Court for reincarnation. However, if the mirror, while replaying his life events, had displayed more evil deeds than good ones, he'd be sent to one of the 2nd-9th Courts for judgment and then punished inside the Eighteen Hells.
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Each of the Ten Kings was also assisted by ghostly judges. Many of them were righteous and just officials in life who had been recruited into the Ten Courts posthumously——Cui Jue from JTTW is one such example, while others were living people working part-time for the Underworld, like how Wei Zheng, Taizong's minister, works part-time for the Celestial Bureaucracy in JTTW.
We decide to be nice to Xiao Ming, so, after reliving some embarrassing childhood incidents and cringy teenage phases in front of a bunch of dead bureaucrats, he was found innocent and sent to the Tenth Court.
The queue here was almost as long as the First Court's, stretching on and on alongside of the banks of the Nai River. King of the Turning Wheel made his judgment without even lifting his head when it was Xiao Ming's turn:
"Path of Humans, male, healthy in body and mind, ordinary family. Next!"
Exiting the Tenth Court building, Xiao Ming saw the Terrace of Forgetfulness, standing tall before six bridges, made of gold, silver, jade, stone, wood, and…some unidentified material. Before he could get a good look at them and the little dots moving across those bridges, he was hurried into the Terrace by the ghostly officials.
Now, both JTTW and the Jade Records mention multiple bridges across the Nai River. In the former, there is 3, and the latter, 6. The bridges made of precious materials are for people who will reincarnate into better lives, as the wealthy, the fortunate, and the divine, while the Naihe Bridge is either the common option or the terribad shitty option.
However, the Naihe Bridge proved to be so iconic, it became THE bridge you walk across to reincarnate in popular legends.
Anyways, back to Xiao Ming. He found himself standing in a giant soup kitchen of sorts, with an old lady at the counter, scooping soup out of her steaming pot and into one cup after another.
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This is Mengpo, the amnesia soup granny; according to the Jade Records, she was born in the Western Han era, and a pious cultivator who thought of neither the past nor the future, only knowing that her surname was Meng.
Made into an Underworld god by the Jade Emperor, she cooks a soup of five flavors that will wipe the memory of the dead, making sure they do not remember any of their past lives once they reincarnate.
It tastes awful. Like what you get after pouring corn syrup, coffee, chilli sauce, lemon juice and seawater into the same cup.
Such was Xiao Ming's last thought, as he gulped down the soup, and then he knew no more.
Things you should know about the Chinese Underworld:
1. It's not the Christian Hell.
Rather, the Chinese Underworld functions somewhat like the Purgatory, in that there are a lot of torment, but the torment's not eternal, however long the duration may be. Once you finish your sentence, you get reincarnated as something else, though that "something else" is not a guaranteed good birth.
Other people can also speed up the process via transferring of merits: hiring a priest/monk to chant sutras and perform rituals, for example, or performing good deeds in life in dedication to the dead, or they can pray to a Daoist/Buddhist deity to save their loved ones from a dreadful fate.
Interestingly enough, a thesis paper I read mentions that, whereas Buddhist salvation from the Hells was based on transference of merits——you give monks offerings and pay them to chant sutras, so they can cancel out the sinners' bad karma with good ones, Daoist ideas of salvation tend to involve the priest going down there, sorting it out with the Underworld officials, and taking the dead out of the Hells themselves.
(The paper also stops at the Northern-Southern and Tang dynasties, so the above is likely period-specific.)
2. Nor is it run by evil demons.
Underworld officials are not nice guys and look pretty monstrous and torture the sinful dead, but they are not the embodiment of evil. Rather, the faction as a whole is what I'd call Lawful Neutral, who function on this "An Eye for An Eye" logic, where every harm the sinner caused in life must be returned to them, in order for their karmic debts to be cleansed and move on to their next life.
They can absolutely be corrupt and incompetent and take bribes——Tang dynasty Zhiguai tales and Qing folklore compendiums featured plenty of such cases, but that's a very mundane and human kind of evil, not a cosmic/innate one.
This is just my personal opinion, but if you want to do an "evil" Chinese Underworld? It should be a very bureaucratic evil, whose leaders are bootlickers to the higher-ups, slavedrivers to their rank-and-file workers, and bullies who abuse their power over regular dead people.
Not, y'know, Satan and his infernal legions or conspiring Cthulu cultists.
3. The Ten Kings are not Hades.
Make no mistake, they still have a lot of power over your average dead mortal. But in the grand scheme of things? They are the backwater department of the pantheon, who only show up in JTTW to get pushed around and revive the occasional dead people.
When Taizong made his trip to the Underworld, the Ten Kings greeted him as equals——kings of ghosts to the king of the living. If they see themselves as equal in status to a mortal emperor, then, like any mortal emperors, they are subordinate to the Celestial Host, and the balance of power is not even remotely equal or in their favor.
Also, it isn't said outright, but under the Zhong-Lv classification of immortals JTTW is using, Underworld officials will likely be considered Ghostly immortals, the lowest and weakest of the five types, much like Tudis and Chenghuangs.
Essentially: they are ghosts that are powerful enough to not reincarnate and linger on and on, spirits of pure Yin as opposed to true immortals, who are beings of pure Yang.
It's pretty much the shittiest form of immortality, the result you get when you try to speedrun cultivation (the Zhong-Lv text also made a dig at Buddhist meditation here), and if they don't reincarnate or regain a physical body, there is no chance of progressing any further.
Oh, and fun fact? In the Song dynasty, commoners and literati elites alike believed that virtuous officials in life would get appointed as ghostly officials in death.
However, the latter viewed it as a punishment. Which was strange, considering how they still held the same position and the same amount of authority, just over dead people instead of living ones, so there should be no big losses, right?
Well...it was precisely the "dead people" part that made it a punishment. See, a lot of the power and prestige they had as officials came from the benefits they could bring to their families and kins and native places, as well as the potential wealth and reputation bonuses for themselves.
A job in the Dead People Supreme Court would give them the same workload, but with none of those benefits. Since all the dead people had to reincarnate eventually, they couldn't have a fixed group as their power base, or keep their old familial ties and connections. At most, they could help out an occasional dead relative or two.
Like, working for the Underworld Courts was the kind of deadend (no pun intended) job not even living officials wanted for themselves in the afterlife. That's how hilariously sad and pathetic they are.
4. In JTTW at least, they aren't even the highest authorities of the Underworld.
That would be Bodhisattva Ksitigarbha, who is technically their boss, though he seems to be more of a spiritual leader than someone who is actually involved in running the bureaucracy.
Which makes sense, since he has sworn an oath to not attain Buddhahood until all Hells are empty, and his role is to offer relief and salvation to the suffering souls, not judging and punishing them.
Now, historically...even though Ksitigarbha in early Tang legends was still the savior of the dead, he seemed to be unable to interfere with the judicial process of the Underworld, merely showing up to take people away before they were judged by King Yama.
However, in the mid-Tang apocryphal "Sutra of Bodhisattva Ksitigarbha" (地藏菩萨经), he had evolved into the equal of King Yama, with the power of supervision over his judgements. By the time the Scripture on the Ten Kings came out, in artistic depictions, the Ten Kings had become fully subservient to him.
5. Diyu usually refers to the prison-torture chamber part, not the courthouse, nor is it the entirety of the Underworld.
And for the majority of souls that haven't committed crimes, they'll only see the courthouse part before they are sent to reincarnation. That's why I personally don't like, or use the name Diyu for the Chinese Underworld: I prefer the term Difu ("Earth Mansions"), which encompasses the whole realm better.
Also: even though historical sources like the Scripture on the Ten Kings and Jade Records seem to suggest that the dead were just funneled through this Courthouse-Prison-Reincarnation pipeline with no breaks in between, in practice, that isn't the case.
According to popular folk beliefs, after the dead were done with their trials/sentences, they stayed in the Underworld for a period of time and led regular lives, while functioning as ancestor spirits and receiving offerings.
Which would imply that the Underworld had a civilian district of sorts, populated by regular ghosts, making the whole realm even less of a direct Hell/Purgatory equivalent.
6. It is located in a different realm, but still part of the Six Paths and doesn't exist outside of reality.
In Buddhist cosmology, like the Celestial Realm, the Underworld is part of the Realm of Desires and thus subject to all the woes of samsara.
The pain and misery of the Path of Hell may be the worst and most obvious, but becoming a celestial being isn't the goal of serious Buddhists either: despite all the pleasures and near-infinite lifespan they enjoy, they are not free from samsara and will eventually have to reincarnate.
So if, say, the world is being destroyed at the end of a kalpa, all beings of the Six Paths will perish alongside it, leaving behind a clean slate for the cycle to start anew. The dead won't all end up in the Underworld and face eternal damnation.
7. The Black and White Impermanences would not appear in the Underworld pantheon formally until the Qing dynasty.
The concept that when you die, you get fetched to the Underworld by petty ghost bureaucrats is already well-established in Tang legends, but these were just generic ghost bureaucrats in all sorts of colorful official robes, with yellow being the most common color.
The idea of there being two specific psychopomps in black and white would only become popular in the Qing dynasty. Mengpo is kinda similar: although she existed before the Ming-Qing era as a goddess of wind, venerated by boatmen, her "amnesia soup granny" incarnation came from the Jade Records.
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chatsukimi · 9 months ago
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scars: "ᴛʜᴇʏ ꜱᴀʏ ɪᴛ'ꜱ ᴡʜᴇʀᴇ ʏᴏᴜ ᴡᴇʀᴇ ᴋɪʟʟᴇᴅ ɪɴ ʏᴏᴜʀ ᴘᴀꜱᴛ ʟɪꜰᴇ"
Sukuna x deceased reader. pt 1.
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Sukuna whose flames are unleashed solely on special occasions. One day, when Yuji wonders aloud why he has two, he tells the brat to "shut up and get yourself your first technique before asking for seconds." Yuji winces, shutting up nevertheless.
Sukuna who quietens next to the bonfire on New Years. The open conflagration bursts and wanes. He peers at the sparkling flames, dancing before Yuji's worn out sneakers. He wills the boy to let him switch places- one minute, just as he had promised when Sukuna restored his heart. Now the Devil will restore his own.
Sukuna who appears, silent, next to a mossy pillar in the middle of a redwood forest; a trick of Cursed Technique, long lost. He only has a minute: prepare the incense, plant the prayers, spare one longing gaze at your statue. He clenches his teeth as he hears Yuji banging on inside his mind, but it's the one chance he has of being with you, alone.
Sukuna who had always been concentrated compared to the other Special Grade sorcerers, capable of miraculous devotion. Suffice to say, he likes it best when there aren't passerby's, mistaking zeal for shortcoming.
He sinks to the ground, bowing his head, pressing his palms together, before wisps of flame start drifting from between them, touching every candle and incense to life. Wisteria scents float over him.
In this forgotten corner of the world, all who remember you are the monks who tend this shrine, and the strongest of them all.
When Yuji wakes up, on the stone floor of the Fujiwara Clan's tombs, sputtering at the cold. Shocked, later on, by the violent burn in the middle of his chest he had never seen before.
"Curious..." Gojo murmurs, inspecting the wound. "Yuji, you're growing more and more like him."
This used to be his scar.
Sukuna who doesn't come out for days when Gojo informs Yuji about the Fujiwara Clan's destruction. What was he doing at the shrine? Why did he kill them all, the children, the soldiers, the wives?
Everyone assumes Sukuna's just tired of Yuji's moral clamouring. No one suspects he is drowning in the shadows of his domain, his head collapsed back onto the animal skulls, exhales spilling out in long drawn out phrases, in the nightmare he created.
Sukuna who used to hate fire because it quashed the dark, until he saw you manoeuvre flames and arrows as though they were a second skin. He was the Disgraced One, but you- you were kind.
Sukuna who was killed by you, when he killed your clan. He was promised your technique when he said he would protect you. He made a vow. He had to keep it.
So, when it came time, he had simply let you press your burning hand upon his chest and feel him recline in agony. He knew it would be the last time you touch him. He wanted to feel it burn.
"Sukuna, you told me you would try to get better. You told me you didn't care how the others saw you, about us- how could you lie to me?"
He never wanted to lie to you, of all souls. If it makes you feel better, he still thinks of you when he uses your flames, only on special occasions. Your strength, your grace, and the look you wore as you killed him, they all come wobbling, like moth to a flame. Like a lowly cast-away boy on his way, in rage, to destruction.
Sukuna who thinks to himself, "you have given your technique to me, but what if I had asked for your soul with mine forever?", looking for your voice in the flames.
It only cracks and cackles.
It is Yuji who first notices you on the street.
"Hey! Hey!"
You turn around. A boy with pink hair is jogging towards you. He waves.
"Oh. Hi, do I know you?"
"Don't think so. You just look really alike to someone I saw a while ago at a shrine."
You can't pinpoint what but the slit on his face... you can't tear your eyes from it. You shake your head. What is wrong with you today?
"I don't go to shrines," you say. Your fingers itch to reach out to graze his cheek. "... that's a cool scar you've got there. Both sides of your face. They say scars are where you were killed"
"Oh I've got many scars," he mutters sheepishly. "A big one on my chest, s'kinda lame though, 'cause I don't remember how I got it."
You laugh. "Me too." You drag your T-shirt neckline down just an inch, pointing at it with your thumb. "I was born with mine."
A scar.
A burn.
A flaming arrow.
Right above your heart.
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floatyflowers · 7 months ago
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Hello❤️I really enjoy your works!!
I was wondering if you would ever do anymore Egyptian pharaohs like ramses ii head-canons?If not feel free to ignore🫂Have a great day!!
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Dark! Platonic Ramses II
You are his favorite child out of the one hundred children he had with his wives and concubines.
Maybe it's the fact that he was obsessed with your mother before she passed away during childbirth.
He remembers every small detail about you from what you like and dislike to what are your favorite hobbies.
Ramses is so focused on you to the point where he knows what decisions or actions you are going to make in the situation before you even do it or say anything.
Maybe that is why it's so easy to manipulate you because he knows exactly what you are thinking.
There are statues, engraving on walls, and many scriptures that dedicates that Ramses II favored you despite being the daughter of a minor wife.
He instructed the writers to exaggerate your good qualities, and if you have a flaw, they delete it.
Even though you are pretty, intelligent, and kind, so no one is lying here.
He even made the writers to make the suitors he rejected appear awful, like how they tried to sexually assult you so Ramses II killed them.
Ok, he is trying to hide his murders and make himself appear as the greatest father in the world.
Unfortunately, you pass away before him, yet that didn't stop him from mummifying your body and placing you in a golden coffin made out of the finest gold.
He kept that coffin inside his room.
The pharaoh believed that both of you would meet in the afterlife so Ramses made sure that when he passed away, you and him would share the same tomb.
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egypt-museum · 3 months ago
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Statue of Gemehsu on standard
This is one of 28 gilded wooden statuettes of deities wrapped in shrouds to look like mummies. They were kept in shrines placed in the tomb to protect King Tutankhamun during his journey in the underworld.
The statuette represents Gemehsu as a falcon sitting on an insignia, or symbol of rank. His back is adorned with the flail and the Neheh sign.
New Kingdom, 18th Dynasty, ca. 1332-1323 BC. From the Tomb of Tutankhamun (KV62), Thebes. Now in the Egyptian Museum, Cairo. JE 60748
Photo: Sandro Vannini
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animasola86 · 26 days ago
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🦇 FANGS TO REMEMBER
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m!vampires x f!reader 🔥 very explicit 🔥 words: 3.6k
On your way back to the party, you come across a graveyard. Unbeknownst to you, you are trespassing onto someone's property, and they are not happy about it. Or are they?
WARNINGS: NSFW! Explicit sexual content! Vampires! Noncon/dubcon! Threesome! Spitroasting! Biting! (READ ON AO3!)
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A/N: This is part 5 of my CHOOSE YOUR OWN ADVENTURE smut series! 1 🔸 2 🔸 3 🔸 4 🔸 5 🔸 6 🔸 7 This is the continuation of OPTION 3/PART 4 - but can be read individually, let me just set the scene:
CONTEXT: You were invited to a Halloween party in a mysterious house, dressed as Little Red Riding Hood, and after drinking a strange drink, you decide to get some fresh air, running into a werewolf who instantly decides to knot and breed you, and after that ordeal is done, you flee from him, and come across a graveyard...
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ADDITIONAL WARNING: This one is very dark. It's more noncon than dubcon, so if you don't like the themes, you can skip it (imagine something dark happening) and read the next part here.
You look around, but there's only one way forward: through the graveyard. It's too dark to see anything else, no maze, no garden, no house, you can't even see the cabin anymore you just left. The night is eerily quiet, no critters, nothing. Even the wind seems to take a break for now.
Inhaling deeply, you hug your arms around your body and take a step through the large wrought-iron gates, looking left and right at the rows of crooked tomb stones. A strange mist wafts close to the ground, giving off an otherworldly glow. The moon is long gone it seems, the sky too cloudy to show any stars, but still you can see the various shapes around you.
You're not easily spooked, usually, but being alone in a cemetery at night makes your imagination run wild, wilder than it has been all evening. The slightest movement makes you flinch as you tread carefully along the path, goosebumps rippling over your exposed skin whenever something brushes against your bare legs. The shirt is soft and warm, but in the end not long enough after all, no matter how hard you tug at its hem.
A sudden shuffling sound makes your blood run cold and you freeze on the spot, your heart beating out of your chest, cold fear gripping your limbs. It came from behind one of the larger tomb stones, decorated with a small angel statue. You stare into the darkness, pressing your lips together to keep the noises from spilling past them. Probably just an animal. Your mind is surely playing tricks on you.
But when the same sound comes from right behind you, you whirl around with a shriek, stumbling back as you see a large black shadow blocking your view. You expect to fall onto your butt, but something keeps you from it, another shadow – and this one has hands. Hands that grip your arms, holding you tightly. Another scream rips from your throat as you thrash about, trying to get away, before another hand finds its way to your mouth, muffling all the noises you want to let out.
Your eyes are wide when the shadows around you form into the shapes of two big men, pale in the eerie light, tall and muscular, dressed surprisingly well for creatures that lurk in the dark.
“What do we have here?” the one with his hand on your mouth says, tilting his head, giving you a smile that makes his handsome face look almost diabolical. “A little rabbit? In our cemetery?”
“Did you get lost, little one?” the other man, the one behind you, whispers as he leans his head closer, rubbing his smooth cheek against yours. It's cold to the touch.
You stiffen, unable to do or say anything. Maybe you're still dreaming, or again. But the way these men grab you feels too real. They are strong. Intimidatingly so. You swallow hard, gasping when the one behind you gives you a deep sniff.
“Ugh, she reeks of dog,” he says with a drawl. “Had some fun with the beast, didn't you?”
Suddenly you feel a hand between your legs, a cold touch, coaxing a muffled yelp out of you as you feel probing fingers right against your warm crotch. “Huh, yeah, he got to her alright. Filled to the brim...” He pulls his fingers away and raises them to your face, and you can see the thick substance coating them. “Too bad, really, I was looking forward to ravaging that sweet cunt...”
You glare at him, both in shock and indignation. He pulls his hand from your mouth and shoves his soiled fingers between your lips. A muffled grunt of protest slips from your throat, but your attempts to get away are futile as the other man still holds your arms tightly. A bitter and slightly salty taste fills your mouth, but with how the man presses his digits onto your tongue you can't do anything but flick it around them, licking them clean.
“At least she seems quite obedient,” he muses with a menacing tone, watching you closely, moving his fingers in and out of your mouth.
“We can still have some fun with her,” the man behind you says quietly, his nose nuzzling your neck. “He hasn't marked her yet. She's fair game.”
“Splendid,” the other replies with a laugh and pulls his fingers away with a wet popping sound. You quickly swallow the spit gathered on your tongue and lick your quivering lips. “So, little bunny, do you wanna try to run? I would die for a little hunt... if I wasn't already dead,” he adds with a reverberating laugh that makes you shiver deeply.
You just stare at him, your chest rising and falling faster. “I don't think she'll come far,” the man rubbing his hands over your arms retorts. “She seems weakened. The beast clearly got her good. Let's just enjoy her until her heart gives out, hm?”
You gasp at the implication, immediately silenced by a hand reaching out to grab your chin. “Fine. It is already enough to hear this beautiful beat,” the man in front of you whispers as he leans closer. “Are you scared, rabbit?”
Your eyes dart over his pale face, and when he bares his teeth and licks them slowly, you stare at his pointy canines. After having just met a real werewolf (or so you think, it's all so fuzzy in your head right now), you shouldn't be surprised to meet actual vampires, in a graveyard no less, pale and cold and strong, with sharp fangs and insatiable appetites, but your body still reacts as if you were indeed just a bunny cornered by two predators. A tiny whimper escapes your throat. “Please...”
“Hmm? Please what? Use your words, darling!” the man behind you snarls, rubbing his nose against your neck before you feel his lips on your pulse, nibbling teasingly.
“Please let me go...” you press out.
“Not going to happen, sweetheart,” he replies, his low voice muffled. “You came to us. Walked right onto our property. It's our right to do with you whatever we like...”
You squirm in his hold when he laps his tongue up your neck. The other man watches you, rubbing his thumb over your bottom lip before he suddenly leans closer, pressing his forehead to yours. You gasp, staring at him. “You won't regret it, little one,” he breathes against you. His skin feels cold, but the close proximity makes your cheeks burn up badly. “We'll give you a good time, don't worry your pretty little head!”
And suddenly you are being lifted, nausea rolling over you as you find yourself somehow floating in the air. It's all a blur at this point. Footsteps crunch over gravel and dead leaves, thump against stone plates, old hinges screech as a door is being opened. The fresh air becomes stale and dusty, the light even darker. You move down a set of stairs, but you can't move, your head is swimming, your insides tensing up in a way that borders on painful. You can barely breathe, and you have no idea why.
Candle light flickers to life when the men take you through a large wooden door. Your eyes blink into focus slowly. You seem to be in some sort of mausoleum, old looking, corners full of cobwebs, aged statues lining the walls. In the middle of the round room, there are two stone coffins, both of them open, their heavy stone slabs pushed to the side. You swallow hard, trying to see this as a scene, a decorated room fit for an elaborate Halloween party.
But somehow you doubt this is part of it.
“Excuse the mess,” one of the men says as he walks to the coffins. “We didn't expect company tonight...”
He raises a hand – and as you're being set down on your feet again, you witness how the heavy slab moves seemingly on its own or by a strange unseen force, leaving you even more confused. Both coffins are closed now, and before you can question anything else, you are being draped over the short side of one of them, stomach pressed to the cold stone, arms and legs hanging off the edges. A groan escapes you.
“Let's clean her up first, I can't stand the stink of wolf,” one man says as he steps behind you, pushing your legs further apart. You feel a strange coldness rushing through your body, like water, but not really wet, a sensation that leaves you choking on your own spit. “There, better. Don't you feel better too, darling? No longer stuffed full of disgusting beast semen? Well, I don't want to kink shame or anything, maybe you are into being bred, but we do like our holes squeaky clean – for us to soil all over again.”
You squirm on the stone slab, your hands trying to find purchase on the smooth surface, your legs kicking helplessly, but before you can do anything, the other man steps in front of you, grabbing your chin and lifting your head up. You find yourself face-to-face with his throbbing cock. They don't seem to waste any time, huh? He presses his thumb and finger into your cheeks, forcing your mouth open. You issue a groan of protest that is quickly muffled by his surprisingly warm member. You have no choice but to close your lips around it. (Even if you wanted to bite down on him, you couldn't, his hand is still holding your jaw open.)
“Good bunny, you know what to do, hm?” he tells you, slowly rolling his hips against you, his tip scraping along your gums, teasing at the back of your throat. Saliva pools on your tongue, and you feel the need to swallow it before it drips past your lips. When you do, he groans quietly. “Oh, yes, like that. Do that again.” Somehow his words seem to encourage you, and you swallow around him once more, straining your throat enough for tears to fill your eyes.
Behind you, you feel two cold hands rubbing up and down your thighs, gripping them, pulling them apart, before they slip up your rear and push the large shirt out of the way. “So I assume after your little werewolf ordeal, your poor little cunt is a little tired, wouldn't you agree?” he rasps teasingly. “Good thing you have another hole, huh, my sweet?”
You let out a series of muffled cries around the cock in your mouth when you feel probing fingers between your ass cheeks. “Mhmmnngh!” you croak out, thrashing on the stone slab, trying to get away. A sudden slap on your soft rear makes you howl, but ultimately stops your fidgeting. Your skin burns and throbs horribly. “Shh, relax, rabbit. You can take it. See?”
Before you can react, you feel a strange pressure against your sphincter, a teasing touch but unrelenting, and suddenly you have a finger in your ass. Your tight muscles clench around the thick digit, and you wriggle in your compromised position, almost gagging yourself on the dick between your lips when you push yourself against the man's groin and his cock deeper into your mouth. A jerk goes through your body, your hands fruitlessly trying to hold onto anything.
You don't feel in control of your limbs anymore, it's strange. You can feel everything, but you can't move, only rock back and forth on the coffin. The man behind you pushes his finger deeper, then pulls it out and replaces it with two. The stretch hurts, and you let out a muffled wail. Your noises seem to encourage him when he moves them in and out faster, deeper, a hard press against your protesting muscles.
Meanwhile the man holding your jaw increases the pace of his hips slamming against your face. His cock pushes deep, and you gag violently when he breaches your throat, your body convulsing, spit filling your mouth. He pulls back slightly, allows you to breathe and cough and swallow, but then repeats the motion, and you gag again, and the cycle continues. Your head is spinning by the fifth time he forced his length down your throat, and you feel too weak to protest anymore.
Not even when you notice that the man playing with your ass has added another finger and is plunging his hand hard against your rear, a dizzying rhythm, forceful, stretching you for whatever comes next. You can guess and it scares you. But there's nothing you can do as he suddenly pulls his fingers out with a wet pop and you feel his cockhead pressing against your slightly gaping hole. A deep grunt escapes him when he rocks his pelvis forward, sinking into your depths without mercy, carving his way through your impossible tightness.
Your muffled scream is overpowered by loud gurgling noises as the cock in your mouth pistons in and out fast, always pushing deep, bulging your neck, his crotch slapping into your face with each thrust. You are pushed and pulled, rocked back and forth, impaled front and back, cold hands holding your head up or digging into your hips as the two men use you for their pleasure, their grunts filling the space around you.
Despite their rough handling, you feel a strange heat growing inside you, and you realize that with every slam into your ass or snap into your throat, you are rubbed over the rough stone, and your clit quickly feels raw and swollen from the added stimulation. Moaning into the rapidly moving cock in your mouth, you focus on the good feelings, not the burning friction in your rear, not the rawness of your throat, the lack of air or the helplessness, just the bliss that tries to fight through the pain and discomfort.
But before you can even imagine any edge to fall over, they suddenly slow down, languid strokes that push deep until they stop altogether, one cock buried deep in your ass, the other pushed all the way down your throat as pubic hair tickles your nostrils. Your eyes roll back, your lungs burn, your body spasms fruitlessly. Groans echo in your ear.
“Let's turn her around,” one says.
“You wanna switch places too?” the other replies, almost a little breathlessly.
“Sure, I bet she doesn't mind a little ass to mouth action, huh, sugar?”
A loud slap against your bruised rear makes you gag violently, and as spit fills your mouth and tears stream down your face, you are being rotated on the cold stone slab, arms still hanging limply to the ground while your legs twitch as they're being pushed up and against your heaving chest, opening you up further. Cold air brushes over your exposed skin, and for a short moment they let go of you, cocks pull back, leaving trails of stickiness all over your face and crotch.
You are lightheaded, barely able to function, and that moment of reprieve is short-lived. You didn't even get the chance to swallow or breathe properly before a cock is being shoved back into your mouth. Hands curl around the back of your head, holding it up as the stiff and slimy length is pushed straight into your bruised throat. You can only croak out a muffled grunt before a heavy pair of balls slam against your nose.
“Tongue out,” the man above you orders, and you comply, hoping it'll be easier with your mouth wide open and your tongue extended to guide the throbbing cock in and out. “Good. Just like that. Look at that neck bulging. Ugh,” he continues, groaning as he rams deep into your throat and rests there, cutting off any air flow you may have had earlier. You squirm on the coffin, limbs twitching helplessly.
Before you drift off into unconsciousness, he pulls back and slaps your cheek. The pain drags you back immediately. “No fainting, rabbit, we need you awake for this.” You cough hoarsely, spit and precum flying through the air. You're too weak to open your eyes, and it doesn't matter anyway. His hand is on your neck now, squeezing slightly. “Ahh, yes, listen to that frantic heartbeat,” he rasps, slowly slipping his cock back between your lips. “Are you afraid to choke, hm? Or does that turn you on?”
You gag when he presses into your throat slowly, your whole body jerking against the man on the other side, who's holding your legs open and pressed to your chest. You are allowed to cough and swallow before it happens all over again, again and again, and while one man fucks your throat with reckless abandon, the other rubs his cold hand down your mound, teasing at your swollen clit, parting your puffy labia, but then he dips his finger into your ass, completely ignoring your hungrily clenching cunt.
There's no further preparation, and a moment later he shoves his cock into your tight hole, making you wail against the dick in your throat. He lets go of your legs, causing them to flop about wildly with each thrust as he starts pounding into you hard and fast, then you feel his long fingers on your burrowed shirt. You barely register how it's ripped open, but you do feel those cold palms pressing onto your soft mounds, pebbling your skin, your nipples hardening instantly. The touch is almost soothing among all the other things happening to you.
It's a whirlwind of sensations, the lack of air and strain to your throat and jaw on one side, the rough friction and burning heat and hard pummeling on the other. You are moved back and forth on the stone surface, a limp body to be used. You don't know how long this is going on, but these guys seem to have incredible stamina. They just won't stop.
Whenever you feel as if you're slipping into the welcoming darkness, you are slapped and brought back, your cheeks burning and throbbing, but it's only one of many aches by now. You can't decide which is worse, the suffocating stretch when a cock buries deep into your throat, or the rough pummeling of sore muscles when the other cock rams into your tight ass. It's all a blur in the end.
The men are groaning and grunting, snapping their hips against you, uncaring of your discomforts. They're chasing their own orgasms while you remain teetering far away from any sort of release. The room is filled with loud squelching noises, gurgles and slurps, slapping of skin against skin, a soundscape that seems to be your only form of stimulation. Not even the cold hands on your breasts push you further to the edge, they are just there, holding you, groping hard, anchoring you as you are pushed back and forth.
At least they have a rhythm now, in and out in an alternating way, almost like a seesaw, in goes the one in your throat, out moves the one in your ass, and then it's the other way around. And somehow you find comfort in it as you lie there, held in place, unable to move, your eyelids fluttering, tears and snot drying on your sweat-slick skin.
It's then that you feel cold fingers brushing down your quivering belly, down, down, until they rub against your clit, and you arch your back, inhale that cock in your throat, jerk your hips against the one pounding into your ass, and you come, clenching down hard, stiffening, eyes rolling back, bliss exploding through the veils of darkness.
You feel like floating, leaning into the wave of pleasure that washes over you as you let it all happen. And as you do, the men's motions grow jerkier, rougher, faster, and they come too, almost at the same time. Cum shoots down your throat, and you'd expect to feel the same sensation in your ass, but the man there pulls out and empties himself all over your mound and stomach, all the way to your neck. The pressure in your throat loosens then, and similar spurts of wet warmth hit your face.
Raspy breaths make it past your soiled, swollen lips as you lie there with your eyes closed. Strong hands move you until you're lying fully on your back, legs outstretched, arms put at the sides of your body, head supported by the hard stone slab beneath you. Cold fingers trail your skin.
“I wish we could keep her,” you hear a quiet voice that barely makes it past the cotton in your head.
“I'm not risking another war with those savages just because of one puny human...” says a different voice. “We'll find another one.”
“Let's feed and get her back onto the path.”
You blink your eyes open, noticing the two men, the two vampires, standing over you, staring down at you from both sides of the coffin. Their teeth are bared, fangs glistening in the swaying candle light, and before you can do anything, they lean down, one goes straight for your neck, his pointy canines sinking deeply into your skin, and you feel it, despite your fucked-out state, you feel the cold crashing through your veins.
The same sensation happens between your legs, on one of your inner thighs as the other bites down into your soft flesh. You whimper soundlessly, throat hoarse and sore, body too weak to move against the assault. They suck your blood noisily, like the thirsty monsters they are, and you just let it happen, again, what other choice do you have? Your head is spinning as you feel the cold spread through your trembling limbs.
And the world fades...
1 🔸 2 🔸 3 🔸 4 🔸 5 🔸 6 🔸 7
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End notes: The last part is here!
By the way, this is a nod towards my standalone Vampire oneshot Down the Rabbit Hole which also has dubcon elements and more than one vampire, but isn't as dark.
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MASTERLIST // AO3 // ORIGINAL WORKS
KINKTOBER 2024 MASTERLIST
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french-unknown · 10 months ago
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Hellooo, I’m OBSESSED with your work and I was hoping you could do monster trio + law on how would they act before and after they marry their s/o. Don’t be pressured to do this request and stay healthy!<33
𝐁𝐄𝐅𝐎𝐑𝐄/𝐀𝐅𝐓𝐄𝐑 𝐖𝐄𝐃𝐃𝐈𝐍𝐆
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𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒: luffy, zoro, sanji, law 𝐂/𝐖: fluff, domestic 𝐀/𝐍: Hellooo! Thank you so much, this comment is so adorable! It’s so nice that you like what I write so much! I hope you will also like this one! Stay healthy too! ୧ʕ•̀ᴥ•́ʔ୨ 𝐖/𝐂:  1k +
| m a s t e r l i s t |
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𝐋𝐔𝐅𝐅𝐘
✧ Luffy does not particularly want to marry, so his behavior will not change much from before to after. He doesn't even see it as a change in your relationship. He loves you as much as before, it is just now stipulated on a piece of paper.
✧ And he has a ring on his finger that he is not allowed to remove.
✧ Otherwise, he knows he will not have access to the bed unless he has a reaaally good excuse.
✧ The only small change is that, at the beginning, it makes him laugh. He calls his wedding ring "his leash" and makes you joke about having lost it. He quickly notices that you don't laugh at this kind of joke, it even makes you angry sometimes, so he stops.
✧ The subject of marriage will thus completely come out of his mind.
✧ He knows that he has "married" status but it does not bring him anything tangible, so he forgets.
✧ His allies discover that you are married when Luffy is injured and they have to remove everything that is superfluous for care. Like the ring he always drags on his finger. However, Luffy will prick a crisis when they try to remove the jewel and refuse to let it leave his finger. Even if it means becoming violent.
If he is asked for the reason for his opposition, he would answer as if it were obvious: "I will be killed if I take off my wedding ring."
No more noise in the room. Nobody talks.
How is this kid married without anyone knowing it?!
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𝐙𝐎𝐑𝐎
✧ Zoro is rather in favor of marriage because he remains quite cozy in terms of romantic relationships and marriage can bring more stability and tranquility.
✧ He really likes his routine training-napping-drinking so why not have one with you too.
✧ The biggest difference that your wedding brings is an emotional rapprochement. From couple to married, you have gone from the status of "trusted person" to "main support" so the advantages are not the same.
✧ The disadvantages either!
✧ Wait until he gets out while leaving a messy room behind him and think that, since you are married, you will tidy with him.
✧ He also reveals to you more of his past and, if you have the opportunity, he would take you to Shimotsuki to go together to the tomb of Kuina. You would also meet his former dojo master.
✧ If you accept, your couple will also become the "cliché" of a Japanese bride and groom. Zoro will put himself in the position of the leader of the household who must put you at the shelter of all (physical, financial protection, etc.) and to work. In this entrepreneurial culture, Luffy is the boss to whom the employee is dedicated. You will take the reins of the household with the cleaning and organizing for both of you, as well as the management of money.
✧ You are free to refuse if you want because, even if it tends towards the ideal of Zoro, he will not impose it on you either if you refuse.
✧ This could, however, allow him to be less in debt to Nami if it is you who manage his money.
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𝐒𝐀𝐍𝐉𝐈
✧ While he was already Lovey Dovey before your wedding, it will grow even more after.
✧ Sanji sees your relationship as a progress bar with objectives to be achieved. The more the gauge progresses and the more it is referring to its ideal of the perfect family. It started with getting into a couple, and now it has taken the step of being married. Next step: the question of children.
✧ Wait until you hear him call you "my wife" in the middle of the day and, when you come to know why he called you, he just answers you "to see what it was like" smiling like a fool.
✧ Can become a little heavy by presenting you only as his wife.
✧ On the other hand, since he was already worshiping you when you were in a couple, he now literally venerates you. Really, he will be the leader of a cult of which you will be the idol. Even more if you accept having children together.
✧ Is definitely a slave for you.
✧ You also have the privilege of finally passing in front of other women. This is the first time in your life where you can simply call him and he immediately leaves the sides of Nami AND Robin without asking a question. He still flirts but he is less extreme while doing it. He is more posed.
✧ However, he is much less demanding of marks of affection coming from you, compared to before when he could be downright invasive, because being married reassures him of the fact of being loved.
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𝐋𝐀𝐖
✧ Unfortunately, there is a post-mariating relaxation concerning the manners of Mr. Trafalgar D. Waterlaw.
✧ Where before he forced himself to do actions to please you or to be—and God forgives him—romantic, he now takes his ease. He pretended to listen to you, before, when you were talking for hours of your day but, now, he pretends to fall asleep to show you how bored he is. Has he brought you breakfast in bed? Now: "You do have legs, no? Use them, then."
✧ It is not supposed to be mean, but he grumbles a lot.
✧ Yet, you quickly realize that he gives you a place in his life and space.
✧ Even if he no longer makes any effort to show you that he listens and is interested, you just have to mention that you missed something for it to appear mysteriously a few days later. He no longer gave you breakfast but all the elements were already prepared when you arrived in the kitchen. You just have to cook them or put them on a plate.
✧ A real tsundere!
✧ The real post-marital black point is that he makes less effort to plan time for you. He thus accepts more workload and remains locked up in his office longer than before he passes the ring on the finger.
✧ He takes you for granted since you accepted.
✧ If you let it do, it can either end in divorce without he realizing it or he will agree to plan more time for you in his schedule. You can blackmail him with ridiculous actions.
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𝐉𝐎𝐈𝐍 𝐓𝐇𝐄 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 𝐈𝐅 𝐘𝐎𝐔 𝐃𝐎𝐍'𝐓 𝐖𝐀𝐍𝐓 𝐓𝐎 𝐌𝐈𝐒𝐒 𝐀𝐍𝐘 𝐔𝐏𝐃𝐀𝐓𝐄
𝐓𝐀𝐆𝐋𝐈𝐒𝐓: @iheartamora @bontensh0e @opchara @lys-ada @viscade @dozcan123 @kai-wifey
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authorhjk1 · 1 year ago
Note
A request for Sana's delicious tiddies please!
https://www.instagram.com/p/C0dZRXrvuyU/?igshid=NTc4MTIwNjQ2YQ==
The Roman goddess
Minatozaki Sana X Male Reader
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The museum you are strolling through is called Castel Sant' Angelo. It used to be tomb for the Roman Emperor Hadrian and his family. Now, it's a very well known museum in Rome.
You admire the architecture and the sculptures standing around. The ceilings are quite high. All the walls are painted, the gorgeous colors bringing the ancient scenes to life.
You are not only here for fun though. It started around two years ago. Your career as an author. Until December two years ago, you did write, but it was more for yourself. You finally made your breakthrough with your first novel "The Roman eagle", about a lowly born Roman legionary, who rises through the ranks. You never thought this would make you big. And you didn't expect so many people wanting more. You didn't plan on it, but that one book is slowly turning into a series.
The second book came out at the end of last year. "The curse of Neptune". And now, you are working on your third. Since you didn't plan on writing a series, you have started to introduce several main characters with their own life stories.
You are now sitting on your third part. Not having a title yet, you keep wandering around the museum. You have already written quite a few pages, but the new character you want to introduce is hard to picture. It's supposed to be a woman. A woman, who is deceitful and ambitious, not caring about the ones around her. She only married her husband for his status and is now aspiring to climb the ranks. With or with out him.
You enter another room. The ceiling is high as well. The painted scenes show several different parts of day to day life from the Romans and their gods. The center of the room is reserved for a tall, almost life-size statue. Being an expert in history, especially Roman history, you can tell immediately that that's Venus. The goddess of love.
Wanting to have a closer look, you step forward. But your gaze is caught by the woman who is standing between you and the piece of art, her back turned towards you.
Her posture is flawless and you can't help but admire how straight her back looks, due to the white high heels she is wearing. The black skirt is quite long, almost reaching the floor. As you walk past her right, you see that it has a large slit in the front. Her naked leg is more than just captivating.
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Glancing at the statue, you've always wondered how Venus would look like, if she was real. It feels like you might be able to paint a picture now.
The woman's white top is highlighting her chest, the fabric stretching over her tits. The turtle neck and the tied back hair make her look elegant and strict. Like a teacher or a rich man's wife.
Standing next to her, you smell her scent. Definitely flowers. Maybe roses? You were never the flower expert. Would Venus smell like this too? Roses are always considered the flowers of love. The idea doesn't seem too far fetched.
You notice that the young woman is standing quite close to the statue, holding a brochure in her hand. Usually, knowing about history isn't really a great turn on for women. But being in a museum, you might give it a try. She does have that classy look. So maybe she could be interested?
"Art and war should always be studied from a healthy distance."
You see her react. Not her face, since you are still standing two steps behind her, but the slight turn of her head. You could swear the corners of her mouth turned upwards, before she turns back towards the statue.
One step. Two steps. Her heels disrupt the silence in the otherwise empty room.
"A lot of people think that Venus and Aphrodite are the same goddess."
You were able to take a quick peek at the brochure she is holding. The people who work here should do a better job.
"But they have quite a couple of differences."
You wait a couple of moments. She doesn't say something or turns around. But she didn't run, which is at least a good start.
"While Aphrodite is the goddess of love, beauty and sex, Venus has to offer more than just that."
You walk behind the young woman, starting to feel comfortable, talking about a topic you are very familiar with.
"She actually started out as the goddess of gardens and vineyards. Before the Romans merged her with her Greek counterpart. And even then, she represents not just lust and sex. But also motherhood. You could say that she is a more loyal woman."
You glance at the woman, whom you are standing next to now. Her left side profile almost makes you stutter. She really must be a goddess.
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Knowing that you might never meet someone like her ever again, you decide to shoot your shot. What's the worst that could happen? She could scream and run away. But it's only the two of you anyway.
"Which form is the one you can more easily identify with? The Roman, or the Greek one?"
You stand next to her, your shoulders almost touching. Turning your head towards her you almost whisper.
"Loyal? Or promiscuous?"
A smirk plays around the brunette's lips. She is not running yet.
But to your huge disappointment, she raises her right arm, her hand on the same hight as her chest. You are only distracted for a second, before you see the golden ring on her finger. It's decorated with a huge diamond in the center and a couple of smaller ones all around.
Of course she is married. A woman like her? Come on. You sigh internally. You should've figured.
"Promiscuous."
You were about to turn around as you hear her sweet voice. It takes you a second to realize what she says.
"I think I would be more like Aphrodite."
Is she saying you still have a shot? Even when she just showed you that she is married?
"Tell me more. I'm not sure if I can make a decision yet."
And she wants you to keep talking?
You take a deep breath, not wanting to screw this up.
"Venus has a more elevated status than Aphrodite. Her arguably most famous human son is Aeneas. The man who established Rome. A lot of emperors' wifes identified with Venus."
You see the woman tug a strand of her brown hair behind her ear.
"And you are saying that the Greek form wasn't as important?"
It's the first time she actually looks at you. Her beautiful features make her look way more elegant than from the side. Her lipstick makes her look stricter than she might usually would. You can tell that she is Asian, but not from which country.
"She was important. But not in the same way as Venus. She did have her own celebrations though."
The brunette is now fully turning towards you. It takes a lot of willpower to not look at her chest. It's almost as if she could sense your struggle. She places her hands on her hips, barely leaning forward. It makes her tits look just a little bigger.
"What kind of celebration?"
Her voice has changed. Until now, she spoke quiet. Just like someone should, while visiting a museum. But she is now whispering. Just like you did before. Her captivating gaze makes you stare into her eyes.
"A big part of the celebrations were Aphrodite's priestesses. The Greeks used a suiting form of worship for the goddess of love."
You take a step closer. Your shoe grazes hers. The smell of roses becomes a little stronger.
"They slept with her priestesses. That's how they worshipped her."
The brunette is unable to hold back her chuckle.
"And you are sure you didn't just make that up?"
For a moment her cute side shines through. She looks adorable when she smiles.
"I didn't. You can look it up."
"I don't want to though. I like listening to you."
"Well..."
You are too surprised to give a good answer. And there is not much more to say about the topic anyways.
The brunette seems to have caught up on that.
"What do you think about worshiping her now?"
"What?"
Your surprised face makes her almost moan out. You looked quite confident while hitting on her. The fact that you are getting shy is a turn on for her.
"There aren't many people here. And I think we should do it in front of the statue. You know? To pay our respects."
A million reasons why you shouldn't do this rush through your head. More than enough to say no. And yet, you can't help but catch yourself, leaning forward.
Your lips meet and you can immediately feel her hands wrap around your back. The kiss turns sloppy very fast. Pure lust and want radiate from her lips.
Once she breaks away, you can see that her lipstick is a little smeared. She seems to have recognized the worry in your eyes.
"Don't worry about my husband. Didn't Aphrodite constantly cheat on hers too?"
She got a point there. She did very much so.
Her lips meet yours once again. And this time your hands start to explore her body as well.
You still can't believe you've managed to come this far. She is probably the most beautiful woman you've ever seen. She could be the human form of the goddess.
"How bad do you want my tits?"
The fact that she caught you doesn't even bother you. Your mind too focused on taking in her flawless body.
"Really bad."
Her lips meet your neck, definitely leaving a hickey there.
"Show me."
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You start pulling at the white fabric, getting it out of her skirt. Your hands dive underneath as the brunette locks lips with you again.
The smoothness of her skin is intoxicating. Her tight midriff feels well toned and cared for. Your fingertips reach her bra as you continue your quest.
Her hands are not idle either. You feel one of them opening the button of your pants, while the other has taken a fistful of your shirt. It's as if she is pulling you into her. Her hand sneaks into your pants, her fingers searching for the waistband of your underwear.
At the same time, you've finally gotten rid of her bra. It slides down her clothed frame, before it falls to the ground. It's white.
Her tits feel amazing. They are just as smooth as her skin. You start to knead them, still unable to understand how you got here.
She is a goddess. How are you able to stand in some museum, while you play with her tits? A mystery you don't even want to uncover. Some things are better left unknown.
The brunette's hand has found it's way into your boxers by now. Her slim fingers dance along the length of your shaft.
A moan escapes her lips. It's one of the most beautiful sounds you've ever heard. You didn't know that a person could sound so perfect.
"That cock of yours...."
She trails off, slightly biting your lower lip.
"It feels so big."
Her words make you even harder. A normal reaction to a goddess like beauty telling you that you have a big dick. Something you thought you would never ever experience in your life.
Your hands become a little rougher as your animalistic instincts slowly take over. You never felt so uncontrollable before.
Pinching her nipples, you hope for another moan. You get one. She moans into your mouth, closing her hand around your cock.
"I want this in my mouth."
You feel her pulling away. Your hands regretfully leave her tits and her top. But when she starts to kneel down, a wave of pure happiness washes through your body.
An excited tingle rushes through every fiber of your being as you watch her pulling down your pants. Your boxers following quickly after.
A gasp escapes her mouth, when she sees your cock for the first time.
"My husband isn't even half as big."
With a big smile, her face turns into something very cute. She gives your tip a kiss.
"A cock worthy of fucking my tits."
Her words turn you on even more. Her lips slowly wrap around your tip.
It takes her a while to pick up the pace. But once the brunette is there, her blowjob is quick and effective. You remember that you are still in a museum, standing pants down in front of a statue of Venus.
You are not a very religious person. But in that moment, you pray to that goddess, thanking her for this incredible experience.
Your prayer is interrupted by the brunette's slurping sounds. Her wet blowjob has ruined her lipstick completely by now. She looks so hot with your cock in her mouth. She places both her hands flat on your hips, before starting to fuck her face onto your cock.
You can't help but let out a loud groan, your hand automatically wanders to the back of her head. You don't start to dictate the pace. But you feel her head going a little faster.
With a woman like her, it's obvious that you won't last long. Especially if said woman fucks her face with your cock. You feel your orgasm approaching. The familiar tug in your lower regions makes you groan.
The brunette seems to have felt you twitch inside her mouth. She moves away, letting your dick fall out off her lips.
"You have a very delicious cock, you know?"
Not waiting for an answer, she starts to pull up her top. It's bunched up above her breasts. You are finally able to see them now. They seem perfectly shaped. Flawless like the ones of a goddess. Not too small, but not too big either. Just perfect handfuls.
"Try not to cum so fast."
Her wink turns her into something cute for just a moment. Then, her goddess like aura is back.
You feel her soft mounds wrap around you. She presses them together, making your cock disappear between them. As soon as she seems ready, you start to thrust upwards. You see her bite her lip as your tip appears in her cleavage.
Fucking her tits feels amazing. It feels better than anything you've experienced before. There is no comparison at all. Her soft mounds feel like they are made for you. Her warmth makes you feel hot and horny.
Eventually, she starts to stick out her tongue. It touches your tip whenever you thrust upwards. The new wetness on your tip makes you remember that your orgasm is close. It also helps with sliding trough her chest.
You have to hold onto her hair again, unable to stand by yourself.
"Your cock feels so good."
You hear her sigh as she stares down at it.
She suddenly looks up, opening her mouth, while sticking her tongue out. Her spit slowly starts to drip down her tongue. You watch as she drools all over her own cleavage. Her saliva starts to coat your cock. It makes her tits feel even smoother.
The young woman let's out another moan.
"I bet you would feel so good in my pussy."
You close you eyes, imagining yourself inside of her. The thought alone, almost makes you orgasm.
"My husband is so small, I'm practically a virgin."
She continues her talking, knowing what it does to you.
"I've never felt the pleasure of someone just pounding into me. I want to feel it. I want to feel how you rearrange my guts."
You hiss out, unable to silence the pleasure that is building up in your system. Only a little longer. You only want to hold out a little longer.
"I have such a tight pussy. You would love it."
Your grip in her hair strengthens as you approach your climax.
"That's it. Cum on my tits. Make Venus proud."
You glance at the statue for just a second. It feels like the woman on her knees is the real goddess. A beauty, too much for you to handle.
"I'm gonna cum."
You grunt out, unable to hold on any longer.
"That's good, honey. Cum on my tits. Use them like a canvas."
You groan one last time.
"Give me all of it."
You explode in her cleavage. Your cum hits her throat and chin, while some coats her tits. It feels like this is the strongest orgasm you've ever had. More cum than usual leaves your body.
In the end, her tits are covered in your semen, just like she wanted. Some is dripping down her chin. You see that her hands didn't get away without some, either. A few drops of your cum stain the big diamond on her ring. She notices it as well.
You watch in awe as she starts to lick her ring clean, after letting your spent cock leave her tits.
"Wow. That's a great load."
She scoops up some of your cum with her finger.
"And it tastes good, too."
She licks it off, before looking at you.
"What do you say? Right here? Or a hotel room?"
The option to say no doesn't even enter your brain. Still afraid of getting caught, you choose the hotel.
The brunette gets off her knees. You watch her pull her top down and putting the hem back into her skirt. Slowly, your cum starts to leave wet spots on the fabric. You pick up her bra, offering it to her.
"Keep it. Maybe you are lucky and you can complete the set."
With those words still lingering in your mind, she takes your hand, leading you towards the exit.
You've never head a clear picture of Venus or Aphrodite in your mind. Now you do. It's the woman who is holding your hand, her chest covered with your cum.
The fact that she is taking you to a hotel is making you hard again.
With one last glance at the statue, you finally know how to continue your next book.
The third part "The Roman goddess" will certainly become a bestseller.
________
Thank you for the ask. I unfortunately don't have the time to write much more.
The introduction seems a little long to me. Please keep sending short requests guys, I'm trying to shorten the part where I set the scene. With limited success as you can see.
Sana in that outfit definitely deserves a proper story, which I'm unable to write at the moment. I hope you are satisfied with that. I might be able to write the follow up somewhere in the future.
Have a nice day!
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i literally spend at least 2 hours a week just looking at various pictures of the terracotta army. utterly entranced. look at the details in the hair. you'd never see ANY of this when they're lined up in formation, but they're there.  
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theres about 8000 of these guys down there, no two faces are alike. they're works of art. they're the manifestation of a cruel despot's delusions of grandeur. a talisman against the terrible inevitability of death, both pathetic and strangely pitiful. like watching a child clinging to his blanket, begging you not to turn off the light. they were a bunch of insignificant clay statues from a side chamber that was so small and unremarkable, no one bothered to write down the location. they were modelled after real people. their only purpose was to serve qin shi huang in the afterlife, so he could reign in heaven as he did on earth. now the emperor is just a ghost and his pawns are immortal. my dad and i visited them in the dead of winter, on a weekday, just so we wouldn't have to deal with tourists like us. the place had easily 500 people--not including the ones below ground. we traveled to xian via the old "green skin" diesel train. there are faster means, like highspeed rail but dad insisted i try the authentic way, the same way he would have traveled when he was my age it was also like, a quarter of the price but im sure that had nothing to do with it! back in the 80s carriages would get so packed people had to have their luggage passed in via the windows. as we chugged along, i read my book and my dad made us cup noodles. car is just a shortened version of "carriage", the word is the same but the mechanism is different. it's the same in chinese. i think if i told someone from the warring states period i could travel from the Kingdom of Qi to Qin in just four hours with my metal carriage, i'd be laughed out of town--or accused of being a spy and sentenced to 'death by carriage.' we hopped off the train at 4am and took a different "carriage." the taxi driver joked; "basically every dynasty put their capital in xian, stick a shovel anywhere and you'll turn up some national treasure or another." i wonder what it would have felt like to be a farmer digging a well and then out pops a remarkably realistic human head. statistical analysis show the soldier's faces bear a strong similarity to people living in the region today. the taxi stopped in front of a jewellery-hawking tourist trap and refused budge an inch until we went inside. did you know the terracotta soldiers were originally multi-coloured and painfully gaudy, just like the greek marbles? they were made assembly-line style. the arms and legs were made from the same workshops that made clay plumbing pipes and roof tiles. for quality control, the artisans were required to stamp their names. the workers who built these tombs were executed shortly afterwards, because only dead men can be trusted with secrets. qin shi huang's mausoleum is unlikely to be excavated in my father's lifetime, or mine, not unless i'm willing to take a BIG ONE for the team... instead of the tomb, they built some kind of qin shi huang-themed theme park next to it. not only was it tacky as hell the entrance fee was like $50. we went to the museum and i looked at bronze tools and pottery shards for three hours. look why can't we just crack the thing open i can't be the only one here whos dying from curiosity what if we all just took turns digging
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thiscoldheart · 7 months ago
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some details that i loved in la chimera (spoiler heavy) :
i posted this on twitter as well but i wanted to include it here too. i love this little moment here where italia rests her head on arthur's shoulder and for a brief moment, he's anchored to the present by that touch, but him being the orpheus that he is, just HAD to turn back and find himself gravitating towards the tombs, the past and his eurydice.
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the fact that italia's name is literally italy in italian and by the end of the movie she creates a community of her own where she's looking out for those that are outcasted by society, in an abandoned train station named riparbella which literally means "to start again".
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arthur's eye always being blocked by shadow throughout the movie until he sees the light at the very end
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according to wiki, the goddess the statue is based on is cybele, goddess of nature, animals, wild places and represents the "creative and destructive force of nature." her phrygian name matar (mother) alludes to the fact that she was a "mediator between the boundaries of the known and unknown, the civilized and the wild, the worlds of the living and the dead." i love that this goddess' presence in the movie symbolizes arthur traversing between the living and the dead worlds and getting closer to beniamina. i love that by the end of the movie, the statue itself becomes unknown to human eyes and returns to the wild, far away from civilization, which is arguably the same fate that arthur meets as he dies.
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the red string that's following arthur around is very reminiscent of the red string ariadne gives theseus to find his way through the maze. it's beautiful how this red string seems to appear only in his dreams at first but slowly starts crossing the boundaries of dreams and reality as the movie goes on until he is able to tug at it by the end and cross over into beniamina's world.
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arthur, at the beginning of the movie, says "so it's you. my last woman's face." how cool is it that beniamina's face resembles cybele's?
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arthur goes back to flora's house after being injured and her daughter finds him in the bathroom. spooked, she says "i thought it was a ghost" which arthur might as well be considering how he's essentially been a walking corpse this entire movie.
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also a special shout out from the bottom of my heart to the sped up sequences, didn't even realize how badly i needed them until i saw them. the chaos in these sequences is everything to me. this is REAL cinema!
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in general, one of the themes that i've come to love about this movie is how objects can have different meanings to everyone. an object like the bell arthur found was just "a thing that rings" whereas italia interprets it as a gift until she comes to realize it's been excavated from a grave. the statue was part of a shrine back when it was made, but to the tombaroli and the sellers, this is only a means to make more money. the train station started off as a place that symbolizes movement of people from the city to the countryside but has now become a home for the outcasts of society. the apotropaic phallus would've have warded off evil and bad luck back in the day, but is now used as a means of escape from the law. a simple red string is the literal lifeline for arthur as he tries to find his way back to his lover.
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also want to give another shout out to the inclusion of the italian troubadours (our greek chorus) who beautifully spell out the tragedy of our protagonist and his gang.
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speaking of music, i really liked this particular song italia was singing as she was practicing. the lyrics go "i'd like to explain to you, o god/ where my suffering lies/ but fate condemns me to weep/ to weep" and that's exactly when arthur finds her crying son. at least italia finds a way for her suffering to end by the end of the movie. maybe we can say the same about arthur too?
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i'll probably add more as i keep rewatching the movie lol and make a thread of this on twitter too (x) thanks for sticking around and let me know what other cool details y'all noticed!
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dionysism · 4 months ago
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what are some of your favorite greek myth artworks? (doesn't have to be made in ancient greece i mean from any time)
oh i'm so thrilled you asked me this. buckle up though because i love way too many pieces just to pick a few so this may get long lol
starting with some john singer sargent paintings because man i love his mythos works i'm obsessed with his style i wish he painted odysseus
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atlas and the hesperides by john singer sargent
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perseus on pegasus slaying medusa & orestes pursued by the furies both by sargent
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the judgement of paris & chiron and achilles by sargent
and also what my curent pfp is from:
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apollo and the muses by sargent
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circe by frederick s church
i posted this a few days ago actually but it is one my favs so i'll include it again here
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the reconciliation of helen and paris after his defeat by menelaus by richard westall (right)
not sure where the variation from the left comes from, but i like it a lot too so i'm putting both
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this is from ancient greece i'm pretty sure, but when i reverse image search it i don't get much. but i adore this pottery art her little puffed out cheeks she's so cute.... and why the dude to left side eyeing her!!! what a hater i bet she's playing a lovely tune!!
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the judgement of paris by paul altherr
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clytemnestra by john collier
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bacchanalia, the battle of love by paul cezanne
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bacchus, venus and ariadne by tintoretto
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theseus and the minotaur by edward burne-jones
love theseus's cunty bob here and obsessed with how cute the minotaur looks they're playing hide and seek actually guys. they're best friends don't even worry
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reunion of odysseus and telemachus by henri-lucien doucet
this one gets me so bad guys. just fucking look at them oh my godddd the way he;s holding him... the kiss to the cheek... i'm on the floor
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the meeting of ulysses and penelope by john francis rigaud
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odysseus and penelope reunited by newell convers wyeth
not a big fan of blonde odysseus but i do adore the penelope here and their pose
there's more i want to include but this is starting to get long so i'm going to add some statues and be done
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this statue of orestes and electra. i admit i don't know who the artist is i just love the way they're holding each other and the fact that she's taller than him. and her short hair (which i know is because of mourning, they're infront of agamemnon's tomb, but also my butch elektra agenda... you get it)
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apollo and daphne by bernini
i would kill to see this in person. like please gods if i could only see one more famous statue in person in my life time let it be this one
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psyche revived by cupid's kiss by antonio canova
a basic answer but i mean come on. this statue is so fucking beautiful i might get it tattooed
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sleeping hermaphroditus (artist unknown, mattress by bernini)
love this one the statue is actually from ancient rome while the mattress is from the 1600s
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another one i've posted before but roman statue of odysseus escaping polyphemus' cave beneath a ram
hope this wasn't dreadfully long but thanks so much for this ask i love going into mythos art!! maybe i'll do a separate post for my favorite pottery arts made in ancient times at some point
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thera-daydreams · 4 months ago
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SCARLET & SHADOW
ᱬ The Darkling x Scarlet Witch!Reader ᱬ
[aleksander morozova x wanda maximoff!reader]
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series masterlist & synopsis • thera's masterlist
chapter one.
▪︎ once upon a dream ▪︎
Aleksander had dreams of you long before he even knew you. Maybe it was the stress of this neverending war. Either way, you weren't real anyway... were you?
warnings: the darkling himself is a warning lol, mentions of experimentation, violence, and wallowing in self-regret, no beta we die like wanda
word count: 3.9k
(author's note: yay! finally, after weeks of debating if i should write this, i did. and i can finally sleep in peace.)
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Dreams.
He's been having some immensely strange dreams lately. There was always a... woman whose face he could never see. Aleksander had started seeing her in his dreams about a year ago.
It had all been so blurry at first, but he could recall a woman in what seemed to be like a cage encased in clear glass. Her back was turned to where he was, but her hands were covered in unworldly, crimson... vapor... or whatever it was. It was unlike anything he's ever seen before. The woman had been using the red mist to lift wooden blocks into the air. Vaguely, he also heard whispers of men with foreign accents speaking, as if he were beside them but not.
"The dead will be buried so deep their ghosts won't be able to find them."
"And the survivors?"
"The twins." The voice sounded gleeful. Proud. "Sooner or later they will meet the twins."
"It's not a world of spies anymore. Not even a world of heroes. This is the age of miracles, doctor."
Aleksander did not understand the context of these dreams at all. However, he listened, watching the faceless woman make the wooden blocks hover in the air.
"And there is nothing more horrifying... than a miracle."
Snap!
That was his first dream about her. He woke up with a start after that, not feeling like himself the whole day. As if he were in some sort of daze.
The next dream came again weeks later. The Darkling could never see the woman's face. This time, he heard screaming in his dreams. Crying. Devastation. All he saw that night was a burst of crimson energy which had obliterated metal. Moving metal.
The woman was kneeling at the center of some sort of dilapidated chapel, clutching her heart as she sobbed. Then, he woke up again. This time, he felt a bottomless emptiness within him that lasted until the next evening.
"Strange dreams," Aleksander thinks, but still, thinks nothing of it. Perhaps it was his imagination running wild lately due to the stress of the war. The dreams would come and go. Sometimes, there was nothing. Other times, it was the usual nightmares of his... eventful past. Occasionally, the faceless woman would be there in his dreams.
On the first day snow fell that year, the Shadow Summoner sees her in his dreams again. Sitting in a bedroom, silent and pondering. One moment later, she was sitting in what seemed like a metal cell, straitjacketed, unmoving. The more he had these dreams of her, the more curious Aleksander grew about what the woman looked like. These were supposed to be only dreams, yet, it was always her.
Were these truly just dreams?
Eventually, the dreams become nightmares. Not his typical nightmares, either.
He was starting to hear whispers of what nearly seemed like Old Ravkan, but not. He saw the woman surrounded by mirrors and sharp glass, with more blood, death, and gore. Screams of a hundred souls. Fire burning. The smell of ash. The cracking and snapping of bones.
The last that he saw of her at night was in what seemed like a strange, old tomb atop a mountain.
Aleksander saw a stone statue of a woman—a goddess, maybe—with a pointed crown. Seconds later, he saw that very tomb crushed into a landslide. A blizzard. So much snow.
That night, the Black Heretic woke up cold and freezing despite the fireplace burning strong.
After that, the dreams and nightmares of the unknown woman stopped completely. And he'd nearly forgotten about it all. Tired from reading another list of his newly-deceased soldiers up in Ulensk, the man decided to take a stroll in the gardens of his Little Palace.
ᱬᗢᱬ
"No more magic." That was what you had sworn to yourself after the millennia you had spent searching for and destroying every copy of the Darkhold in the Multiverse. It was an incredibly wearisome task to track them all down, but you despised yourself for falling for the temptations of the Book of the Damned.
What have you done?
Not a day passes when you don't ask yourself the question, plagued by the guilt of your sins to the Multiverse. Ultimately, you accepted the fact that as the Scarlet Witch, you were maybe meant to be alone. Fated for eternal solitude until Death finally decides it is time to end your life again.
"I should have stayed dead in the Snap," you chuckle humorlessly. Maybe you would have been happier. But from experience, being snapped was no afterlife. You did not see them. Your parents, Pietro, Vision, Billy, and Tommy. You could only remember the fresh, hot rage you felt at Vision's murder just for the Snap. There was no peace.
Not for you, maybe.
The last world that had a Darkhold was... quite interesting, to say the least. It was not as advanced as your world, Earth-616, but not too primitive, either. It could be likened to the 19th to the 20th century in your original planet, with all its horses, carriages, wooden ships, and steam trains. Very... Industrial Era, you described when you initially arrived. Good enough to survive for, hopefully, the few remaining years of your life.
What was interesting, however, was the specific land you found yourself in. Ravka.
It was something literally out of Czarist Russia, long before the Soviet Union was formed. It led you to thoughts of your late best friend and mentor, Natasha Romanoff... then the World Wars... then Steve Rogers... SHIELD... which led you to spiral into quite unpleasant memories of experiments with HYDRA and consequently, Ultron and Sokovia. Lagos. Westview. Kamar-Taj. Earth-838 and the Illuminati—
You stopped that sickening train of thought quickly.
Still, you found it half-amusing and half-disappointing that even universes away, war and politics were unavoidable. Ravka appeared to not be on very good terms with its northern and southern neighbors, Fjerda and Shu Han, respectively. (The Shu reminded you of China and Mongolia. You wondered if they had Khans there, too. Fjerda, on the other hand, reminded you of Thor, Valkyrie, and a certain God of Mischief.)
Now, one of the biggest reasons why Ravka was at war with Fjerda and Shu Han? People called Grisha, you quickly learned. Kind of like the Enhanced or the Mutants, in your world and other worlds. It was just that they could mainly be divided into different orders and classifications and were usually found serving the Second Army.
Either way, it did not make much of a difference to you. You had met a living tree and a talking raccoon in the fight against Thanos so... yes, not the strangest thing you'd seen in the universe. You didn't really care, but you did feel some empathy for the Grisha oppressed by the otkazat'sya. Ordinary humans.
You knew all too well what it felt like to be different in a world full of regular people.
Unfortunately, Ravka itself was also at civil war between its East and West because of a border practically made of darkness. The Shadow Fold, supposedly created four hundred years ago by a crazy Shadow Summoner titled the Black Heretic. Many prayed for a mythical Sun Summoner to come save them from their plights.
You internally scoffed. You yourself were a myth, the presaged Harbinger of Chaos. The Scarlet Witch, destined to rule or annihilate the cosmos. Maybe you already ruined it. You just hoped that if the Sun Summoner were real, they would be a true saint and do their "destined" good deed.
And a small part of you hoped that they, too, would either escape or fulfill their prophecy. Maybe live a happy life, unlike you did. No one ever thinks that myths and legends could be living, breathing, feeling people, too.
ᱬᗢᱬ
Cut off from your thoughts by two young boys bumping into you, the basket of apples you were holding tumbles to the ground. You were about to scold them when you saw the state they were in.
One of the boys was holding a toddler. A freaking toddler.
All three of them dressed in rags, covered in soot and dirt. Thin and malnourished, nearly shivering from the autumn cold. Your heart almost broke when you saw the small, blonde girl in their arms try to reach out for the fallen apples on the ground.
"Sorry, lady!" The boys shout, turning on their heels to keep running.
"Wait!" You yell after them. "Do you want an apple?!"
That made the boys stop in their tracks. You pick up the apples and carefully place them back in the woven basket you were carrying. They seemed apprehensive on trusting you, so it was you who decided to make the first move.
"Here. Have the entire basket. You kids need it more than I do."
One of the boys, a pale boy with bright blue eyes and curly black hair past his shoulders, hesitantly reaches out to take the basket you were offering. "Thank you... lady..." he mumbles. The other boy holding the girl—looking nearly the opposite of his friend—reassured the fussy toddler in his arms. This boy was tanner, looking as if his hair were kissed by fire itself; eyes the shade of a vibrant forest.
"What are your names?" you gently asked. They share a look, silently communicating, then nod.
"... Henrik," the blue-eyed boy answers quietly, inspecting the basket of apples, still torn on thinking if this was a trick or a rare act of kindness. He seemed more conservative than his friend, who answered in a louder voice.
"I'm Dmitri, lady!" He was more eager to talk after realizing you were no threat to them. He gestures to the tiny girl in his arms, no older than three. "And this is baby Katyusha."
Your heart nearly broke seeing the sleepy toddler carried around by her... brother? You look around. It was getting dark. "Where are your homes? Your parents? It's late for children like you to be out in the evening."
"It's just us, lady," Henrik answers, as if it were normal to not have an adult accompanying them.
You frowned deeper. "Why were you guys running?"
At my question, the boys grow concerned. "Because..." Dmitri begins, before Henrik shushes him. You shake your head.
"No, it's okay. What is it?" You try to encourage.
"The three of us... we are Grisha..." Dmitri whispers the last word, green eyes filled with guilt and fear. Your eyes widened. Including the toddler they were holding? "The townspeople aren't exactly welcoming to our kind, lady. Except you. Weirdly enough."
Henrik, the quiet one with blue eyes, sighs. "I'm a Tidemaker. I think. Dmitri here can control some fire, so Inferni, if I'm right. Maybe that's why his hair is that red..."
Dmitri snorts. "Whatever."
You almost stammer as you ask, "And Katyusha there?"
"... We think she's a Heartrender. When... she gets angry or hungry or fussy... sometimes, we feel like we can't breathe, whenever she holds us," Henrik explains, gazing at the tiny little girl, who looked ever innocent and adorable.
"Where are your parents?" you ask carefully. You prayed to the gods, the saints, and the fates that these children had grown-ups to look after them. Unlikely, though, based on how they looked.
Dmitri shook his head, "My mom worked at a brothel but died from tuberculosis. I then lived on the streets after that. Henrik was left on somebody's doorstep. And Katyusha... we found her in a garbage can. The three of us used to live together in a hut east of the chapel but... um, the storm last week..." He trailed off.
Three young Grisha orphans.
No family. No shelter. No food. You stared at the three of them, voices inside you urging you to be on your way and avoid getting attached to these orphans. To avoid getting attached to people ever again.
But it was too late. You already saw yourself in them.
It was like you and Pietro, once upon a time, long ago.
Sighing, you hold out your arms. You knew you might regret this in the future.
"Give me the little girl. And you boys, follow me," you instruct. They give you questioning looks.
"Huh?"
"You're all coming home with me. To bathe and eat and sleep without fear of being hunted down," you disclose, waiting for Dmitri to hand over Katyusha. The boy was too thin to be carrying around the toddler. "I live in the forest."
"We don't know you, lady," Henrik protests warily, but grips the basket of apples you'd given even tighter. "What if you trick us? Or hurt us?"
"... My name is Wanda. Wanda Maximoff." You hum, smiling genuinely at them. "Now you know me. And from now on, I promise to protect you. You can eat the apples while we walk."
"..."
"It's not poisoned, don't worry." You took a bite out of one, then tossed it to Dmitri. "See?"
ᱬᗢᱬ
Not long after, you had, in fact, confirmed with your very eyes that the three orphans you'd taken in were Grisha. Undeniably so. Dmitri, the eight-year-old redhead, was an Inferni—true to his appearance and loud personality. Henrik, the introverted seven-year-old with jet black curls and icy blue eyes, was a Tidemaker—as he mentioned before.
You wondered what age their abilities began to manifest.
Lastly, two-year-old Katyusha was indeed a... well, baby Heartrender. You learned that the hard way when you tried to leave her alone for a minute to get her some warm milk in the kitchen. The air was knocked out of your lungs for a few brief seconds as she wailed from separation anxiety, gripping your arm like a lifeline.
It nearly shocked you that at such an age, she could do such feats just by touching you.
A year into sheltering and caring for these children as if they were your own, you came to the decision that it would be best if they were not with you—AKA former multiversal threat and retired but still dangerous witch living as a hermit in the woods of Tsibeya.
Which was near Chernast.
And also the Fjerdan border.
That meant a significantly high possibility of drüskelle sighting or finding the kids, even if you did last use your magic to make sure your little cabin would be safe and sound and completely undetectable to any intruders.
The children deserved a better future than staying with someone like you—a Darkhold-reading creature of evil who nearly stole a teenage girl's multiverse-traveling powers and also possessed her alternate self's body to replace her as a mom to her kids.
Die a hero or live long enough to see yourself become the villain. Were you even ever a hero in the first place?
Plus, you had no idea how Grisha powers really worked.
And as much as you wanted to just fly the kids off to their best chance at a good future in Ravka... or maybe use a teleportation spell, you'd strictly sworn off your Chaos Magic for a good while now. You also didn't want to have to manipulate the memories of the three kids—especially little Katyusha—into making them believe in a fake journey or forgetting you entirely.
So, a good old-fashioned trip to the Little Palace it was.
ᱬᗢᱬ
The trip went well. Sort of. After a few days of painstakingly traveling on foot, you'd finally arrived in Os Alta in one piece.
And so did Dmitri, Henrik, and Katyusha. But there was a slight issue.
"I still can't believe you knocked out that drüskelle by yourself, Aunt Wanda!" Dmitri continues to gush excitedly—as he had for days now ever since the encounter with a lone drüskelle who tried to attack all of you. And yes, the boys had taken to referring to you as Aunt Wanda.
Which was better, somehow. You don't think you'd be able to handle being referred to as... well... that word after what happened with Billy and Tommy.
The problem was little Katyusha who practically imprinted on you as her mother. Her first words—quite late at the age of two—were mama. Directed to you. No one knew that you cried that night in your room.
"You did not even see me do anything, Dmitri. Didn't I tell you to close your eyes?" you sighed, adjusting the sleeping Katyusha in your arms.
"I swear I closed them! But one moment, he was coming towards us then the next, thud! When I open my eyes, he's on the ground in front of you? How'd you do it, Aunty?!" he excitedly squeals.
"Just a very well-timed punch," you reply carefully. A well-timed punch that may or may not have been enhanced with your psionic energy. It still irked you that you had to use your... abilities again. Even if it was not your Chaos Magic.
Still, you would never hesitate to protect this trio. Not after the year you'd grown to love them.
This time, it was soft-spoken Henrik who asked, "What about those two Grisha slavers who tried taking us away in the middle of the night?"
Okay. Perhaps the trip didn't go that smoothly. And that did not pair well with young children who were at the age of being extremely curious about everything in the world.
"Bribed them with some money," you lied. More like using your telepathic powers to manipulate their minds into leaving your traveling group alone.
"... You didn't need to give them your gold and silver for us, Aunt Wanda," Henrik murmurs guiltily. Your steps stopped. Frowning as you crouch down to the boys' level, you ensured Katyusha's head was still supported while you spoke.
"Hey. Boys, listen to me." You wait until they make eye contact. "When I first took you in, I promised that I would protect you. And I would do everything in my power to do that, okay?"
"Aunty, I'm not sure I want to go to the Little Palace," Henrik shares regretfully. Behind him, Dmitri goes quiet, too, having second thoughts as well.
Your brows furrowed as you smile sadly. "But you must. You will be with your kin. The Grisha there can teach you to grow and hone your powers. I cannot as I am only otkazat'sya. Your future lies in the Little Palace." You gaze fondly at the sleeping child in your arms. "Your sister's future lies there, too."
Henrik and Dmitri share a look as you urge them to continue walking. Just a couple more minutes and you would arrive at the gates of the Little Palace. When you were near, that's when you stop.
"Remember what we talked about during the trip? What you have to do when you get to the gates?" You remind them.
The boys nod. You slowly unwrap the cloth on your torso which was carrying tiny, two-year-old Katyusha. Henrik takes her. She momentarily fusses in her sleep, making all of you freeze, but her breathing steadies.
"Tell the oprichniki at the gates that we are Grisha seeking refuge in the Little Palace. Orphans from a small town in Tsibeya," Dmitri repeats the script you guys practiced while traveling.
"And say that we went along with a traveling hunting group until we got to Os Alta, before we journeyed to the Little Palace alone," Henrik adds.
You smile at them, embracing them tightly. "Good. Good. Now off you go. Before it gets dark."
"Will you visit us?" Dmitri asks eagerly. You hum in thought.
"Perhaps. I'll try, you two. But it could be years until I see you all again. You might be all grown up the next time we see each other," you answer him honestly. You weren't sure if the Little Palace allowed visitors to the Grisha kids like it was a daycare.
They nod, disappointed, but slowly go. You stand up from where you were crouched, a familiar feeling of these children slipping through your fingers, too. The same way your twin sons did, once.
Then, Henrik paused, turning around. "Aunty?" he calls.
"Yes, Henrik?" You tilt your head curiously.
"Thank you for being our mom!" the usually quiet boy shouts, warming your heart. It has only been a year since you took them off the streets and adopted them, but you were already attached.
Too attached.
Which never ended well for you or the other person, based on experience.
You watch them as they run to the path leading to the gates of the Little Palace. Then, you lurk for a few more minutes to ensure that they really do manage to enter the Little Palace.
When the oprichniki allow them in, a Grisha appearing and escorting Henrik, Dmitri, and little Katyusha, you breathe a sigh of relief. You were about to leave when—
"What do you mean he quit to become a gardener at the Grand Palace?!" a voice yells from a nearby corner.
"The Queen adored his flower arrangements and offered a larger pay!" another countered defensively. "Hell, I'd take up the offer, too!"
You pause, head turning to listen in more on the conversation.
"He's one of the only gardeners at the Little Palace who could do his job right, dammit!"
Looks like an interesting job opening.
It was a bad idea. A terrible idea, even. You should just go back to your cabin in the woods, living the remainder of your life in solitude. The children would be fine in the Little Palace, amongst their other fellow Grisha.
That was what the rational side of you said. But you always did have a tendency to be swept away by your emotions.
Survival rates also weren't that pleasant when Grisha children would be obligated to serve in the Second Army.
Listening to the arguing men, perhaps this is where your green thumb could step in.
You really should have listened to your instincts.
Just three months later, you start to feel a set of curious eyes watching you as you crouched and plucked stubborn, overgrown weeds from the dirt.
Your insides were on overdrive, sending off alarm bells. You worked in the secluded portions of the Little Palace garden, the ones harder to maintain daily, so no one usually came where you were stationed. Pausing, you slowly turn around to see obsidian eyes—so, so dark you couldn't distinguish the pupil from the iris, akin to a bottomless pit of starless night.
And you freeze.
The Black General of Ravka was right behind you.
Snapping out of your stupor, you hastily stand and bow.
"Moi soverenyi," you address him politely, avoiding his eyes. Of all people—of all Grisha to notice you—it was the infamous Shadow Summoner himself.
General Kirigan of the Second Army.
You've only heard stories about him since you arrived in this world. Ruthless. Powerful. A Shadow Summoner. The strongest Grisha currently alive. Descendant of the Black Heretic. And you never even thought you'd be speaking to him face-to-face ever.
Why would you? You weren't even from this world.
"Huh. I was not made aware we had a new gardener," he muses out loud, examining you from head-to-toe, dressed in light garbs similar to the other servants, only modified for greater mobility.
You seemed awfully familiar to him. He just couldn't place his finger on it.
Meanwhile, you tried your best to seem like any other unassuming otkazat'sya servant. It was tempting to just read his thoughts given how he was scrutinizing you but no, you resisted.
"What's your name, girl?" General Kirigan asks. And you inwardly cuss—so much for a low profile—yet your face was perfectly neutral.
"Wanda, sir."
"Surname?" He raises one fine brow.
"... Maximoff, sir."
"Wanda Maximoff." He combines the two names. The dark-haired man stares longer. It took all your willpower not to squirm and be suspicious. Then, he nods and continues on his way.
The moment he was out of sight, you let out a breath you didn't know you were holding. You were the all-powerful Scarlet Witch. Or, rather, formerly the Scarlet Witch.
So why did this man unnerve you the way he did just now?
next chapter
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Hearts, reblogs, comments, interactions, and constructive criticism are very much appreciated! If you wanna be tagged in the upcoming chapters, comment here or on the series masterlist post.
Thanks! ♡
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slxt4chriss · 17 days ago
Text
Introducing…
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Cleopatra!Reader & Tourist!Chris
╰┈➤Cleopatra!Reader who - Lures all of her favorite tourists into her trap with her beauty
╰┈➤Cleopatra!Reader who - Technically is a bad person but the people she takes don’t know that
╰┈➤Cleopatra!Reader who - isn’t a real person, more like a ghost-person, she’ll lure you with your beauty then take your soul for better years on her end
╰┈➤Cleopatra!Reader who - only strays for men who seem interested in her tomb
╰┈➤Cleopatra!Reader who - Instantly puts curses on men who are creeps toward her or any other girl she knows or sees
╰┈➤Cleopatra!Reader who - has her sights set on the man in front of her
╰┈➤Tourist!Chris who - Likes the cleopatra statue even though it looks a little too realistic
╰┈➤Tourist!Chris who - Sees images of a beautiful woman flash in the corner of his vision
╰┈➤Tourist!Chris who - Saw the cleopatra statue move but though nothing of it since he’s been feeling off
╰┈➤Tourist!Chris who - Is entranced by the way the girl in front of him looks
╰┈➤Tourist!Chris who - Likes the way the statue is speaking to him (Figuratively!)
╰┈➤Tourist!Chris who - Really wants to hook up with the statue walking towards him.
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A/n: HOPW YOU ENJOYEDDDD!! Love yaaa
As always
-Stay kind stay hot yall xoxo gossip girl 💋
©Slxt4chriss
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gliphyartfan · 27 days ago
Note
Your dear double anon has returned
Anyway, I hope you had a good night's sleep and breakfast, because I'm back with more thoughts on LU I had this at 4am when I couldn't sleep (that's exactly why this sounds so far-fetched and mixed, perhaps a little meaningless(?)
I've been thinking a lot about Villain Chain lately, you know, by cloudninetonine. Also in humans are hylian space orc reader but that comes later and thinking a lot about cloudninetonine basically since I reread his/her mess au.
This is all set in mess au, in fact.
So far I have only found three writings that involve them and I have not found any more, which is a shame, because I'm interested in the concept of when a hero is a villain and a villain is a hero, I've always been a fan of role reversals in any context.
And one of the writings I read was about how they became like this when their guide/Reader/player died and they made a huge statue for them as a tomb and they see the guide/Reader/player from the original chain and kidnap them to maintain it and so on (this no has minimal relevance, I just woke up very talkative, although I'm sure I sent you messages yesterday)
Yeah, wrong, but I've kept them in mind because, remember the yandere version of cloudninetonine's chain? Where they're older and guide/reader/player isn't really their guide/reader/player but they think it is? Well, here I came up with an interesting continuation.
guide/reader/player is not really the guide from the original chain either.
Whether it's Dark Link or Villain Chain, they corner the reader and are like 'aha! You have no escape, little guide' and with a blank expression guide simply (when the adrenaline and fear have passed), grabs the blade of the sword that is pointing at their neck and bends it.
Here is the first clue that something is wrong, if it is Dark Link, whether by this action or not, he realizes that there is something wrong with the guide, it is not as he remembers it. If it is Villain Chain, there is bewilderment because the guide who described that shadow that plans to betray them did not resemble the guide they had before them who was not affected by magic, potions or weapons.
is not the guide that Dark Link remembers or that he described to Villain Chain because it turns out that is not the guide either, Reader is a guide but not of that specific chain.
Either because Hylia was confused or she searched for a stronger guide/Reader to stop Dark Link she simply looked for a Reader/Guide who she felt had even a modicum of power over the Hylians and found Guide/Reader from Human are Hylians Space Orc.
But that's where my train of thought ends.
Looking back after getting a proper night's sleep and reading this out loud, I feel like this was so far-fetched but my tired, sleep-deprived brain couldn't figure it out in time.I'm not particularly satisfied with these ideas, but perhaps I'll salvage something for the future.
Or maybe I'm thinking of ideas for a Villain Guide/Reader/player getting to know everyone, seeing as how no one has really done anything like this and some players can be evil in video games.
—double anon (since you already know my problem with Tumblr and the fact that I have to send at least two messages for one to arrive, I wasn't sure if I should give myself a name because my attention span It's null and void and I bounce from fandom to fandom every week. and I disappear the moment I decide to give myself a anon name, but I've been paying attention to Linked Universe for over a month, and I think that's reason enough to know that I won't disappear anytime soon, although I have your Tumblr profile saved in my Google bookmarks anyway so I'll still come visit even if it disappears)
This is a doozy. (Quite the long one, tad overwhelming. 😅) I’m not that familiar with villain chain? Let’s see what I can do with what I can figure out.
One thing I realized is that When Reader sees how the Villain Chain practically worships them, they’re baffled.
To this Reader, adventure games are meant to be just that, games.
The idea that she’d be revered as an actual deity is unsettling, and she’s torn between keeping up the act to protect herself or leveling with them. If she lets on that she isn’t their Guide, the Chain only becomes more obsessed, deciding she needs saving from whatever memories she’s ‘lost.’
And if she realized the Chain has suffered from the loss of THEIR Guide, Reader tries to gently reason with them, perhaps offering compassion?
Big mistake sadly. The moment they show even a hint of softness, the Chain decides Reader has truly “returned” to them. They double down on their devotion, misinterpreting kindness as affection, and it fuels their possessiveness.
To jog ‘memories,’ the Villain Chain might recreate locations or scenes from the past with the old Guide.
They could go to absurd lengths ya know, clearing whole areas, painting fake backdrops, even dressing up in the same worn, ragged clothes they had when they met the Guide. Reader plays along, but she’s constantly trying to figure out an escape plan, as she now knows nothing she says or does will convince them she’s not their Guide.
The Chain takes turns watching Reader, monitoring her behavior for signs that she’s “returning” to them. This means Reader can hardly go anywhere without someone at her side or in the shadows. Even a sigh or a glance could be analyzed endlessly.
Twilight would try to remind Reader of the old days by isolating her in forests or mountainous regions, telling tales of their past escapades.
He thinks being in these familiar places will awaken her ‘true self.’ But when this doesn’t work, he only becomes more frustrated, insisting that Reader must remember and that her real memories are just buried.
Hyrule would repeatedly try to heal Reader, convinced they’re suffering from some curse.
Every time Reader resists or tells him to stop, he assumes it’s the curse talking and only becomes more insistent, going as far as sneaking healing spells while she’s asleep or distracted.
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