#like she’s not even real but like she’s mother
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thebibliosphere · 2 days ago
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ADHD will really have you googling things like “history of coffee in Russia” because you’re aware that “Russian coffee” or Raf coffee became a popular thing in the 1990s—
—which you only know because your Russian immigrant neighbor growing up in the UK would make it for you if you wriggled through the hole in the hedge, and your mother who used to put caffeinated “baby tea” in your sippy cup (because that’s what her mother did because she started having babies during World War Two when milk was heavily rationed and the water wasn’t safe to drink because of repeat typhoid outbreaks, so she’d give them all weak tea to drink, and your mother did it because that’s what her mother did so you were both essentially suckling from the teat of caffeine before you even had all your first baby teeth, which with hindsight might explain why your mother thinks ADHD isn’t real despite you being a carbon copy of her, what was I saying? Oh yeah, the Raf coffee) and your mother’s only objection to the Raf Coffee wasn’t the caffeine content but the sugar—
—but you’re not sure if Russian coffee has always been served sweet like that or if it’s something your blorbos from your show would encounter if they just so happened to be in Russia in the early 1980’s and ordered a coffee and you wind up down a rabbit hole of research to ultimately type, “he order tea” instead.
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niwaart · 2 days ago
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FAMILY WITHOUT LIGHT
[#part1 #part2 #part3]
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Dick panicked, he gripped his phone tightly, his knuckles turning white from the force of his grip.
《This number is unreachable, please try again later.》
Dick let out a scream of anger and impatience, he had been trying to call Y/N for over 5 hours, just to get an answer. Why did she leave the house?… All this happened when he was in his Nightwing costume doing a normal nighttime mission after tying up criminals, a newspaper with Bruce’s picture caught his attention, Dick wondered what new drama the journalists were talking about this time, as soon as he grabbed the newspaper he felt like the air was being sucked out of him. It took him over a minute to process what was being said…
##Bruce Wayne and Y/N Wayne divorced after more than 15 years.##
No... that's a lie, just another rumor, it can't be true, maybe Bruce doesn't care about Y/N but Y/N wouldn't leave the house... after all he saw her love for Damian and Tim, and how she cared for them... so this is just a rumor... right?....
Dick took the newspaper with him and quickly ran to his apartment... He needed to make sure.. He had to get to his apartment to call Y/N.. She would tell him the truth, reassure him, tell him that everything was okay.... As soon as he got to his apartment window, he opened it and entered after entering the access code. His dog Haley approached him, he gave her a few pats before he reached his phone and called Y/N... But she didn't answer his calls.... He tried and tried and tried... But no answer... Could it be true?... Did Y/N leave the house?... Why?....
He was going to call Bruce but he was mad at him for not stopping Y/N from leaving and that he might be the reason Y/N left. So he decided to call Alfred who immediately answered, "Mr. Dick, how may I help you?" "Hello Alfred... Sorry to bother you now... The thing is... I..." Dick hesitated... He was afraid to hear the answer...
“I just called Y/N and she didn’t answer… so I was wondering if everything was okay…” Dick answered, praying with all his might that there was an excuse other than the divorce… “Oh… Mr. Dick… I don’t know how to tell you this… but… Y/N and Bruce have been divorced for three months now…” Alfred’s answer was like a knife slicing into his chest… well maybe deep down he knew the divorce was real… but… three months ago?… and no one told him?… “How… why?… why the divorce, and why didn’t anyone tell me?” Dick’s voice was muffled, he tried not to cry, he tried to control himself a little… “I’m sorry Mr. Dick… it was such a shock to everyone that I forgot to tell you… as for the divorce, Y/N chose that herself… unfortunately…” Alfred’s voice was filled with pain, making it even harder for Dick to hold back his tears… Y/N had left them… she had left them…
Dick hung up the phone after thanking Alfred and collapsed on the floor crying… His dog Haley was beside him trying to comfort him… But it didn’t work… It took Dick maybe half an hour to calm himself down… He tried to take deep breaths in and out… Then he hugged his dog Haley who had already settled happily in his lap. Dick was sitting on the floor leaning his head on the bed behind him while looking at the ceiling of his apartment. He couldn’t help but remember all the memories with Y/N. Dick may not have said it out loud before, but he considered Y/N as his mother… She always took care of him, he still remembers the first time he came to Wayne Manor after his parents died, he was full of anger and wanted revenge, Bruce was trying to channel his anger in a good way to fight the bad guys, but Y/N allowed him to vent his anger, by crying and getting all his feelings out and not holding them in, he remembers that he was mean to her at first, thinking that she was trying to be his mother, but after a while, it turned out that she was just trying to help him, she helped him decorate his parents' grave, buy new things, and when he fought with Bruce she took his side… and even now she still against Bruce and side with Damian, he loved the stories she told, she helped him and encouraged him to speak his mind and thoughts and not hold them in… even when he had a big fight with Bruce and decided to leave the house to be independent… She called him every night, asking him how he was, and if he tried to lie she would know and ask him to tell the truth, which he actually couldn't resistance, so he was always honest with her, Dick was used to being a leader and a good big brother, everyone depended on him… and Y/N was the one he could count on, she was the light of his life, she was family, until recently she used to call him and check on him, now he knew why she hadn't called in three months… He sighed and looked down to see that Haley was asleep, he picked her up and put her in her bed. Even if Y/N had left the house, she still loved them, he was sure, maybe if he went back to Gotham and talked to her he would understand, yeah, maybe she had left the house, but she wouldn't leave them, she still loved them. He was sure
In Gotham... specifically at Wayne Manor, Tim was suffering from a headache and back pain, he was lying in his bed... well maybe not his bed, but in Y/N's bed and room. His work and the pile of papers were almost competing with the towering mountains... when did paperwork become so stressful and tiring? He didn't remember this ever being a problem for him, he wouldn't lie to himself, he knew that Y/N's departure was the reason for the work to be doubled, the sleep to be less, and the pain to be more, Y/N used to do almost all the work for him, so he could rest, but now he couldn't balance his sleeping time, eating, doing all the work, solving cases, and becoming Red Robin, it was too much, Y/N was managing it so well, she did his work, made sure he ate and drank enough before she literally dragged him from the Batcave to the palace to sleep against his will, she always carried him like a baby, he always wondered how she could carry him so easily, okay he'd admit that when he first came to the palace he was a very skinny baby, but he grew up and became muscular, maybe not like Duck or Jason but he sure wasn't light, anyway that didn't concern him now... The problem here is that he hasn't slept in... two days? He doesn't know, maybe it's been three days... He hates that Y/N used to carry him to his room and stay by his side until he fell asleep, and he hated that she knew that sometimes he pretended to sleep, so she wouldn't leave until Tim was completely asleep... Sometimes Tim couldn't sleep easily, like when there was a mission or a case on his mind but Y/N carried him to his room before he could finish it, so he would complain and sometimes beg Y/N to finish the case, that it wouldn't take long, but Y/N always refused... And he couldn't sleep because of the case that consumed his mind, so Y/N would sometimes tell him stories... And it worked to make him sleep... He wondered if Y/N's stories were real, because they didn't seem imaginary at all, her stories were strangely realistic, to the point that all Tim's attention was only on the story until he fell asleep. And so Tim became forced to sleep because of Y/N, food and water, when he should take a break and when he should finish the case, Y/N was organizing his life, he didn't remember getting tired or exhausted from this organization, on the contrary, he was getting enough sleep and food to renew his energy, and even after he came back from his break he would come back with more energy and his solving of cases was at an amazingly higher rate than before, it was very useful, Y/N was the only one who knew how to organize him amazingly with all the work he had. But Y/N wasn't just organizing his life, she even hid his mistakes. Sometimes he would come back from missions with some wounds. Tim didn't like to say that he was injured, it made him weak, and he didn't want to be weak, but Y/N would discover every wound he had, even if it was hidden. The good thing was that she never told Bruce about the injuries, and if the injuries were serious, she would make an excuse for Tim not to go on the next mission. She would cover up all his failures and mistakes in silence... and he was grateful to her. He still remembered when Damian first came and took the Robin costume from him, she would comfort him and stay by his side and tell him that Robin wasn't the one wearing the costume, Robin was the one who protected the children of this city.
It really helped him… he remembered when he asked her advice about his new costume and name, and she encouraged him… she was proud of him, he saw it in her eyes, and when Batman disappeared and everyone thought he was dead and Dick was about to put him in Arkham, Y/N was the first to protest and the first to hit Dick… well that problem was solved a while ago and Y/N was so mad at Dick, it took Dick over three weeks to try to get her to forgive him… it was funny to Tim. She got mad for him. For him… he missed her… she was his whole life, now he couldn’t sleep or work, even his appetite was gone… he could barely survive on coffee now. That’s why he moved into her room a few weeks after she left, he wouldn’t say he slept well, but at least he did, now her scent, her warmth, even her voice and her look at him were gone. When he moved into her room he had a fight with Damian about it, that was the first and last fight they had since Y/N left. Damian wouldn't like it if Tim was the one taking over Y/N's room, and it was a long, tiring fight, in which Damian gave in for the first time ever, letting Tim sleep in Y/N's room. Tim knew very well why Damian was angry, that he missed Y/N too, Damian had changed dramatically after her departure, he barely spoke inside the house, and even on missions he didn't have the same enthusiasm as usual, and he didn't blame Damian for that, he missed her himself... but he had to thank his position as CEO of WE for that which helped him see Y/N a lot, he had multiple meetings with Y/N's family company under the pretext of resuming relations again, just to see Y/N, and one of the meetings was always cancelled due to circumstances, whether from his side or Y/N's, and the first meeting that finally happened was last night, and after more than three months he saw Y/N again, when she entered the meeting room she automatically patted him on the head and asked him how he was and that his appearance looked bad and he should eat and sleep well... Tim was silent, he felt a lump in his throat, if there weren't other people in the room he would have collapsed and hugged her and asked her to come back, but he remained silent looking down Trying to breathe slowly, after the meeting ended he wanted to catch up with her, and talk to her alone and tell her that he needed her back, he hadn't slept in a long time, but because of some old businessmen that Tim was planning to throw out who blocked his way with some questions, invitations and failed offers that caused Tim to be late to catch up with Y/N, but it's okay, he will have another meeting with her, and he will ask her to go home.
Tim sighed as he tried to sleep for the sixth time and was about to fall asleep this time but the knocking on the door woke him up. He grumbled and cursed under his breath at the person at the door unless that person was Alfred, Tim got up lazily and opened the door to be surprised by Damian standing at the door... "Oh? Damian? What's wrong?" Tim noticed Damian's eyes were puffy from crying, he wasn't surprised, ever since Y/N left Damian had been crying a lot, not that anyone would tell him that was obvious. "I want you to find me two people, they're from my school, and they call Y/N my aunt." Damian said calmly without any arrogance. Tim looked at him in confusion for a while, could it be that Damian was after Y/N now? "And before you say anything I know that you're trying to get Y/N back through the meetings you request from her family's company." Damian continued crossing his arms. Tim tensed for a moment, he didn't know that it was obvious, then sighed in surrender. "Okay, come in."
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aren-after-hours · 2 days ago
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Okay but each of the other movies are just as emotional. They may be more action packed, but they have just as much meaning.
Ice Age 2, as previously mentioned, highlights the struggle of survivors guilt, Manny thinking he's the last Mammoth, finding Ellie, the complexity of their relationship (love vs "save the species), it's very focused on Manny the entire movie.
The third movie, Dawn of the dinosaurs, is focused on Sid. Manny and Ellie are happily together and expecting their baby, Sod is trying his best to be helpful and supportive and involves but he keeps fucking up. Despite his best efforts, he is always doing the wrong thing and making Manny more stressed. He copes with this by claiming the eggs as his children: he's lonely, he wants to nurture, and did not think through the consequences of his actions bc of that purity and innocence mentioned earlier. The whole movie for Sid is about realizing, he can't just make these dinosaurs his family. He can't project his longing and need on this random family that he disturbed. There's subplots, obviously, such as Buck, and the groups' quest to retrieve Sid, but those are secondary. This movie is about Sid and his growth.
The fourth movie, Continental Drift, is so very obviously about the complexities of parenting. Manny has a strained relationship with his now teenage daughter which is left unresolved do to natural disaster. Him, Sid, Diego and Grammy get caught up by pirates, who I see as akin to looters after hurricanes in real life, individuals who are taking advantage of people in a time of crisis. Also in this movie, Sid reconnects with one member of his family, the other "black sheep", his Granny, who is ditched on him by the rest of his family. If I remember correctly, this is the only time we ever see his family on screen, too. She's not kind to him, but he loves her anyway and it is an excellent depiction of an elderly person and their caregiver, to an extent. Granny very much reminds me of my grandmother, who suffered from dementia, and because of it was prone to aggression. It's also to be inferred that Granny initially abandoned Sid as well, and the only reason she hasn't left him is because she can't, she needs him to take care of her. Furthermore, this is the movie where Diego finally begins to show much more vulnerability, cracks forming in his solo tough guy act by having a love interest introduced. Diego had previously never had a love interest of any kind, or even reference to relationships or even family. He had his pack, but that was more like being in a gang than anything else, not loved, romantically or familially. He has that familial bond now, with Manny and the others, but begins to realize that maybe he needs more than that. His love interest, Shira, is exactly like he used to be. She's in a dangerous group, doing dangerous and questionable things, just to survive. She's a foil of him, and reaching out to her is both healing and painful for him. Of course Peaches is also introduced as a strong female type character, and she also is learning who is really there for her and who was, for lack of better terms, was being a fake mother fucker, which is an important lesson for a teenager to learn.
Finally, Collision Course. A bit more campy and comedy based, yes, I will admit. But it again, focuses on that complex father/daughter relationship. Manny is watching his little girl fall in love with a guy that Manny perceives as a full out idiot. He's worried for her, for her future, for her happiness. Ellie and Peaches are very defensive and it's causing a rift in their family unit. Diego and Shira are navigating being carnivores in a predominantly herbivore community. Kids are scared of them, which makes them worry if their own children would be able to make friends, if they had them. Sid is now chasing romance, giving the impression of a more teenage mindset than a child like one. He has had girlfriends, but he goes too much too fast, and they don't last. Buck is forced to come to the surface, which is a HUGE change for him. He had the chance to in Dawn of the Dinosaurs but ultimately decided to stay because it was his home, but he left that familiarity to try and warn Manny and the herd, which is monumental. When they get to Geotopia, the community inside the original asteroid, it's very similar to a cult. The one charismatic leader, who turns out to not be so charismatic. Sid finds the love of his life, a perfect match. His antics come in gain though, and when the crystal falls apart, Brook is aged. The way they both respond to this is so so so so important. He still loves her, still thinks she is beautiful, does not understand why her being older would prevent them from being together. Brook, as well, is still enamored by him, even though she's lost her home and youth because of him. The Llama LOOSES it and blames Sid very angrily and Brook DEFENDS him. They both continue to love each other despite their perceived flaws. He's no longer alone or abandoned because he "messes up". To her, he is perfect, and vice versa. Manny and Peaches sort their shit out in the typical "near death experience" kind of way, but Diego and Shira, we don't see things change for them till the very end, at Peaches' wedding. The children that were previously scared of them, are eager to hear Diego and Shira's story about helping save the world. They still have their fangs and claws, but their actions proved that they are kind and caring and the children noticed that. In return, it eases the fear the two sabers had about their own future children.
In summary, do NOT bullshit me and say that the series as a whole is not impactful, because it is. There's so much more I could say about it, if I included historical context as well but I didn't to keep it a little shorter.
I think a lot about how in Ice Age 1 a huge theme is the slow but unstoppable advancement of the human species as they start to threaten previously unchallenged megafauna (hunting the pack of the antagonist sabertooth and killing Manny the mammoth’s family) and then in all the sequels they just fuckin disappear
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shanastoryteller · 2 days ago
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let the beltane fires burn
The Halliwells are descended from Melinda Warren, are the branch in which the greatest power resides, the line that would birth the most powerful witches to walk the earth.
It's not the only line.
Deanna knows about hunters, knows what they don’t know and don’t understand and that they killed her family. But Samuel didn’t kill her family. Samuel’s a good man who saves innocents, the same way she was raised to, if not how she was raised to do it.
She’s all alone. It’s not safe to be a witch.
The day before her wedding, she binds her powers.
When Mary is a year and a day, she does the same to her. It’s safer this way. Better. The world is so unkind to witches, even ones like them, born into it, with their power baked into their blood. Better to fight evil with bullets and knives than the strange terrible thing she’s destined to give her daughter, that her daughter is destined to pass along to her own daughters.
She never tells Samuel. There’s no reason to.
When Mary is old enough, when she’s talking of running and rebelling and all those things Samuel thinks will never come to pass and Deanna knows almost certainly will – running and rebelling is in her blood as surely as the magic, but there’s no binding potion for that – she tells her daughter what they are. What she’ll have to do to keep her future daughters safe, if she has them. It’s the only potion she ever teaches Mary how to brew, the only one she’ll ever need.
The day after Dean’s first birthday, Marry brews the potion and feeds it to him. He cries more after, doesn’t settle as quickly, and John worries and Mary reassures him and tells herself she’s done the right thing. Whatever it is that Dean feels he’s lost, he’s better off without it. She’s going to be normal. Her children are going to be normal.
She intends to do the same for Sammy, but she burns above his crib when he’s six months old.
~
John sees Sammy levitate a toy towards him when he’s two years old and shouts so loudly that he drops it, tears running down his face and wailing in the face of his father’s anger. Dean comes running from the other room and reaches for Sammy, letting his brother’s chubby fingers tangle in his shirt. “What’s wrong?” he asks, eyes wide.
He doesn’t answer, rubbing his hand over his face and heart pounding in his chest.
What did that demon do to his son?
What did it turn him into?
Is Sammy even human anymore?
He doesn’t react to salt, to holy water, to silver. John loses his temper every time something moves inexplicably and eventually it stops, by the time Sam’s in kindergarten he’s just like all the other kids.
John watches, fear and suspicion and something uglier caught up inside of him.
What is his son?
~
Sam figures out young that he’s a freak.
Dad and Dean just think he’s weak, just think he has nightmares, and he lets them. He only practices the telekinesis when he’s alone and every time he almost gathers the courage to tell his brother or father about it, to finally come clean, he’s viciously reminded how much they hate the things they hunt, how they’d never accept it, accept him, and as soon as he tells them what he is, he’ll lose them.
He doesn’t know what he is, really. Only that he’s not normal.
Eventually he stops seeing things in his sleep, instead getting them when he’s awake, more vivid and real than the monsters that plague his dreams. He sees people being hurt, people who need help, and it goes against everything he’s been taught to leave them to their fate.
But how can he explain it to his family? He can’t.
He’s thirteen the first time he sneaks out and saves a woman from one of his visions, finding her in the dark alley he’d seen her die in. He puts a bullet in the man’s chest, but it barely stops him, and then she and him both are getting a fireball thrown at them.
Sam shoves his hand in front of him, pushing back against the heat, refusing to die the same way his mother died.
The fireball returns to the man, catching him in the chest and he screams, disappearing into the fire until he’s nothing more than a smudge on the ground.
“Wow,” the woman breathes. Sam turns to her, trying to come up with some sort of explanation, when she continues, “I’ve never met a witch with active powers before.”
“I’m not a witch,” he says automatically, thinking of bargains made with demons, of hex bags and rotting meat and blood sacrificed.
She looks between him and the smudge on the ground incredulously. “Are you sure about that?”
Yes. No.
He doesn’t know what he is.
She leads him back to her apartment, stacks books into hix arms, and then makes him a sandwich when his stomach rumbles. His age worries her, his ignorance worries her even more, and everything she’s saying sounds like kooky new age bullshit except for the way that it explains everything he’s never been able to.
There are witches and demons and monsters nothing like anything his father’s ever talked about.
~
It’s easy to research, at least, because his dad thinks there’s a kernel of truth in every piece of supernatural bullshit. Dean makes fun of him for digging into girly, feel-good crap rather than the harder stuff, but his dad just seems relieved he’s taking an interest all. Sam starts taking notes, keeps them all in a folder until Dad buys him a journal, patting his back when he hands it over like it’s a rite of passage.
To Dad, it’s his first hunting journal.
Sam runs his hand down the soft leather spine and knows he’s starting his book of shadows.
The visions don’t stop. He saves more innocents, some witches and some mortal, and keeps the record of all the creatures he’s killed in Latin to discourage Dad and Dean from snooping. He uses his telekinesis on hunts only when there’s no other option, only when there’s someone’s life on the line, and he’s as careful as he can be not to get caught.
It should be a relief, to find out there are other people like him, to know that he’s a force for good in the world.
There’s no way he can explain the existence of a different type of witches to his father without putting a target on their backs.
Some witches have been targeted by hunters, ones who were trying to help but got caught in the crossfire, ones that had turned evil and needed to be stopped, but it’s not often he finds a witch that regards hunters with anything but fear. At least when his family are the ones sniffing around, he can give them a heads up, can tell them how to avoid their attention.
He’s had a lot of practice, after all.
~
Sam is sixteen when he’s a little too slow.
The innocent is safe and the demon is killed, but his chest is torn open and he’s bleeding out on the pavement.
“Oh no, oh no,” the woman he’d saved chants, pressing her hands against him, even though it’s pointless, even though it just sends a bolt of pain through him. Fuck. He doesn’t want to die. Dean is going to devastated. “Paige! Help me! Paige!”
There’s a bright light in the corner of his eyes and an woman around his dad’s age with bright hair red hair is leaning over him.
Then she touches him, but her touch doesn’t hurt.
He looks down and the wound on his chest closes, skin clear and unharmed, pain retreating to only a memory.
“He saved me,” the woman says. “He can move things!”
The redhead’s eyebrows rise. “You have active powers?”
They’re always so surprised by that. Sam’s more impressed with the fact that she just healed him. “I get premonitions too. What are you?”
“You get,” she starts then cuts herself off. “Where’s your whitelighter?”
He stares. “My what?”
She raises a hand to her head and groans. “Oh, someone’s really messed up somewhere. Leo!”
~
Guardian angels are real, called whitelighters, and apparently witches with active powers who go around saving innocents are supposed to have them to help keep them from getting themselves killed in the process.
Leo, who’s something called an elder with a kind face, says an unconventional witch deserves an unconventional whitelighter.
Chris Halliwell is his age, half witch, and also has telekinesis.
Oh, and he’s apparently his cousin. His very, very, very distant cousin.
“Are all witches related?” he asks incredulously.
“No,” Chris says, long dark hair and hazel eyes doing more to aid his claim of family than the spell his mother had cast. He and Chris look more related than him and Dean do. “We’d thought all the other branches of the Warren line had died out. You’re a surprise.”
Great. He’s a freak even among witches.
~
It’s so much easier now that he’s not desperately trying to piece together everything on his own, with only the occasional help from the innocents he saves. Chris is sarcastic and annoying and funny and more than having a guardian angel, Sam’s relieved to just have a friend he doesn’t have to lie to for once.
The Halliwell house, with its potion ingredients and powerful witches and home cooking, is only an orb away. He mostly hangs out with Chris, of course, but Piper always invites him to stay for dinner and Paige checks in on him, feeling somewhat responsible for him since she met him first, and Wyatt’s friendly enough but Chris sends him packing whenever Sam’s there.
He’s pulling doubletime when it comes to saving innocents, doing it as a witch and as a hunter, and he’s still maintaining straight As on top of it all while lying about half his life to his father and brother. It’s a stack of cards that’s bound to fall apart.
Going to Stanford is about more than just escaping his father.
It gets him close enough to San Francisco that he won’t need to be orbed to the Halliwells. It’s supposed to give him some breathing room, to let him focus on being a witch, to let him get his education. He does more good as a witch than as a hunter, but it’s not like that’s something he can explain to his family.
He’d wanted out, needed out, before he gets himself or someone else killed trying to balance it all. But he hadn’t thought his father would kick him out. He hadn’t thought Dean would let him.
He goes to the bus station but doesn’t buy a ticket. He calls Chris and spends the rest of the summer at Halliwell manor, burying all his hurt under training with Chris and saving people and getting ready to start college in September.
~
Jess wears a pentacle around her neck and keeps salt in small bowls in each of the cardinal directions and Sam doesn’t intend to tell her that he’s a witch, but when he ends up saving her from a darklighter attack, that decision is taken out of his hands. Coming clean about the hunter part takes longer, but it’s a bit of an easier sell once the knowledge of the supernatural is already out there. The thing that surprised her most of all is that things like bullets and steel can be used successfully against monsters, rather than the existence of monsters themselves.
Three years later when Dean shows up at their door, Sam can’t bring himself to deny him. It’s one weekend. He’d never wanted to lose his family in the first place.
When he returns home to Jessica pinned to the ceiling, he doesn’t even have to think.
He yanks her down, catching her in his arms just as fire effulges the place she’d been. He pushes the fire away from them, but it fights him harder than demonic fire usually does and leaves his hands burned and blistering. He doesn’t care. Jess is bleeding and in shock but still alive, breath rattling against him. “CHRIS!”
Dean’s yelling for him, but Sam can’t let him in. He throws his hand out, keeping his bedroom door closed even as his brother throws his body against it, still screaming his name.
Chris orbs in, eyes going huge. “Sam, what-”
“Heal her then go,” he snaps, the smoke already hurting his throat. “I’ll explain later.”
He puts his glowing hands over her bleeding stomach and the wound closes, her body going slack and her breathing easing even as her eyes roll back.
Sam tenses. “Is she-”
“Fine, let’s go, your hands,” Chris says, hands already glowing as he reaches for him.
“SAM!” Dean shouts, sounding like he’s about two seconds away from trying to shoot through the door.
“You can heal me later,” he says. “Thank you. Go.”
Chris shoots him a bitchy look that Paige says they share and then he orbs away. The fire’s covered almost the entire room now and Sam finally lets go of the door.
Dean stumbles in, pale, already reaching for him.
Sam stands and finds his knees buckling, gritting his teeth to keep himself upright. “Take her,” he says urgently, pressing Jess into his brother’s arms. “We have to go.”
“You think?” he snaps, but he’s gentle with Jess. Sam shoves him towards the door, slamming it behind him just as it surges after them. Keeping the flames from killing them is one of the hardest things he’s ever done. No wonder he’s exhausted.
They stumble downstairs, away from the fire, and someone’s already called the ambulance.
The story’s an easy sell because it’s not like anyone would believe the truth. They say Jess took sleeping pills and Sam came home to flames. He pulled Jess out and has the burns to prove it. Dean saw the flames in the window and went up, helping to get them both out.
It’s almost true.
“He had yellow eyes,” Jess tells him after. “He was – Sam, I’ve seen demons, I’ve fought demons. He’s something else.”
“Different kind of demons,” Sam says. There’s the underworld, and there’s hell. Underworld demons go after witches mostly. Hell demons go after mortals and are a lot harder to kill, ironically. “It’s the same demon that killed my mother, Jess, and now it’s after you. I have to take care of this.”
Dean’s too relieved about Sam’s determination to rejoin the hunt to question him too closely about all this. He knows better than to think that will last for very long.
Chris agrees to watch over Jess for him even though she’s not technically one of his charges. They layer protection spells on her, including one cast by the power of three, and even this yellow eyed demon will be hard pressed to break through that.
Hell demons are tricky. They’re not as susceptible to witch magic. But Sam’s not just a witch.
He’s a hunter too.
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thesvnandthemooon · 3 days ago
Text
𝐭𝐡𝐞 𝐧𝐨𝐭𝐞𝐛𝐨𝐨𝐤
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a/n: ——
summary: natasha romanoff x female!reader. based on the movie “the notebook”; you’re allie, nat’s noah
warnings: light smut—fingering (r receiving), weapons (is this something i need to mention? idk lol)
word count: 7k
part 1 part 2 part 3 part 4 part 5
✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷ ✷
Natasha meeting your family was not on your list of priorities.
In fact, imagining her at dinner with your parents or in your grandparents' living room was enough to make you shudder. The mere idea of her chatting with your mother over a cup of coffee?
Horrendous. A nightmare.
You try to keep her a secret. Your secret. Your summer love, your escape from reality, your something so impossibly out of place in the world you grew up in you're not even sure she's real.
But then, she's leaning against the gate of your grandparents' house again. You'd recognize the red hair and black leather jacket from a mile away. The way she sticks out in the uniform, boring normalcy of your neighborhood is almost offensive.
"No, no, no", you mutter under your breath, throwing the door open. You fly down the stairs and run up to her, silently praying nobody will see you. You grab her arm and yank her away from the gate. "You can't be serious right now-"
"Y/N", your father suddenly calls. You stiffen. "Who's that?"
Slowly, you turn around. Natasha follows your gaze until she's met with the sight of your father. It takes all of her strength not to crack a grin — the ironed pastel polo, the khakis, the loafers that look like he's never walked on actual grass. Way too pristine for a casual evening at home.
You elbow her side when you notice how she raises her eyebrows, but her expression doesn't waver.
"A friend", you say awkwardly, tugging at her arm again. She ignores you. "We're just, uhm..."
"Going for a ride", Natasha finishes unhelpfully.
"Around town."
"Maybe get some ice cream."
"No booze", you add. Your father stares at you, his expression both stoic and amused. "Even though I, uhm, technically-"
"Alright", he finally cuts you off. "What's going on? Is this a date?"
Your face flushes at the blunt question. If he figures this out, you're doomed — your parents insist on meeting every person you go out with. Then, they subject them to scrutiny sharper than police officers grilling suspects. Passing that test is nearly impossible.
You know better than to hope for their approval, especially when it comes to Natasha.
"No!", you blurt out. "She's just- we-"
"I'm a friend", she says, pinching your side. The noise you let out is completely undignified, but at least you stop rambling incoherent nonsense. "Nothing to worry about, sir."
"Right", your father says slowly. He lets his eyes run up and down your body, from head to toe, assessing your appearance. You didn't dress casually, and you know it. His eyes narrow. "Well, if you're going to spend time together, you should come in and introduce her. It's almost dinner time anyway. How does pot roast sound?"
She's enjoying your discomfort much more than she should. Smoothly, she replies that pot roast does sound good. Her eyes meet yours, twinkling teasingly. Suddenly, you envision it happening.
Natasha, surrounded by your parents and grandparents. She'll stick out like a sore thumb. No way are they going to endorse her.
You feel like ripping your hair out.
"We're good", you quickly say, grabbing Natasha's arm. "We'll just-"
"I insist", he says. "Come on."
With that, he opens the gate a little wider and looks at you expectantly. Natasha, ever-charming and professional when necessary, nods and intertwines her hand with yours. You mutter a quiet "traitor" as you're led inside.
The house smells like garlic and the lavender potpourri your grandmother keeps everywhere, which is a disgusting combination. You feel Natasha's fingers brush against your shoulders as she takes off your jacket for you. Your dad watches her as she does that. You can't quite figure out what he's thinking.
"Honey, we've got company", he calls out as you enter the dining room. Your mom pokes her head out of the kitchen, eyeing Natasha warily.
"You are?"
"Natasha, ma'am."
"A 'friend' of Y/N's", your father says. "We'll need another plate."
Your mother scrutinizes Natasha shamelessly. You know she can see every detail, from the scar above her eyebrow to the dirt clinging to her boots. She'll bring it up later.
"Friends", she repeats. Her gaze locks with yours. You lift your chin with an air of defiance. "You're staying for dinner, I assume?"
"Oh, she's not-"
"Nonsense. Sit down", your father says, shooing you to the table.
Natasha swiftly slides a chair back and gestures for you to sit. Cheeks burning, you avoid everyone else's eyes as you sit down. Her hand briefly brushes against yours. At least she's next to you.
Your mother offers Natasha some wine. She declines politely, saying she doesn't drink — a blatant lie, as you had vodka when you were staying at her house. But you're actually relieved. This should at least be something your parents will be impressed by.
Your grandparents don't pay much attention to Natasha. It hasn't even crossed their minds that she could be more than just your friend. You came out years ago, but they've been ignoring that piece of information expertly. It doesn't fit their narrative.
But your parents know what's going on. They keep their eyes on Natasha even as they're picking at their salad or sipping wine. Eventually, your mother clears her throat. A sound you remember from your childhood, one that usually meant trouble. You stiffen in your chair.
"So", she says, setting down her fork and knife. "What do you do, Natasha?"
"A bit of everything", she says. Her eyes don't give much away. You shrink into your seat as you realize that you don't exactly know what she does, either. "You have a lovely home, by the way."
"Oh, thank you." Your mother watches her, eyes narrowed with the realization that Natasha managed to evade her question. She purses her lips. "So-"
"Your daughter is lovely as well", she adds.
You want to sink into the floor.
You spend the rest of the evening trying to steer your parents' attention away from Natasha. Somehow, it works — soon enough, they're talking about friends they saw in town and upcoming church events. You catch your grandmother glance at Natasha's jacket, draped over her chair, repeatedly, but she doesn't comment on it.
You know what's going through their heads, and you don't like it. Thankfully, Natasha is as smooth as can be. She's not too engaged in the conversation, but she appears just interested enough for it to be polite. She laughs at the right moments, she compliments the food, she asks the right questions and gives answers that are too vague to be judged easily.
Finally, you've cleaned off your plates of apple pie. Natasha helps stack the dishes and clean off the table, then you excuse yourselves.
Stepping outside feels like a huge weight falling from your shoulders.
"Dear god", you say, leaning against the trunk of the tree you used to climb when you were a child. Natasha smiles, her hands tucked into the pockets of her jacket. "I'm done. Seriously. This was a nightmare."
"It wasn't that bad", she says. "They like me, I think."
You raise your eyebrows. "I'm not even going to comment on that."
"Rude." She steps closer, brushing her elbow against your side. You smile faintly. "I think I made a good impression, no?"
"It could've been worse", you admit, though you're not too sure about the 'made a good impression'-thing. Impressing your parents? Nearly impossible. "I'm just glad we got this over with. Next time, pick me up somewhere else."
Natasha leans in, her hands still in the pockets of her jackets. She smirks, brushing her nose against yours before kissing you. A quick kiss, but you feel the thrill shoot through your veins. Kitchen window, you think, then peck her lips before pulling away. You rest your head against the rough bark of the trunk.
Your smile makes Natasha fall in love all over again.
. . .
"What do you mean you 'don't know'?"
You glance up from your book. Your eyebrows are furrowed, your foot is tapping a restless pattern against the firm cushions of the couch. This has been going on for twenty minutes and you're very close to hiding in your room.
"I just don't know, okay? I don't know what she does. She didn't tell me."
Your mother rolls her eyes and puts her hands on her hips. Something white and furry — your grandmother's devil cat named Thoreau — slithers past her legs and disappears into the hallway.
"Y/N", she says, stepping closer. "There's no way you've been going out with that...woman and don't know what she does. Who she is, in fact. I mean, have you looked at her?"
Oh, you have. You know what she's talking about. It makes your frustration spike.
"What's so bad about her, huh?", you snap, shutting your book abruptly. Her eyes widen for a split second. "She's nice. She treats me well. She's smart and funny. I really don't get why you dislike her so much!"
"Excuse me? I never said I-"
"You don't have to say anything!"
"Y/N!" Her voice cuts through the air, sharp and unrelenting. You feel yourself flinch. "Don't use that tone with me. I want to know who she is. Who she really is. Because even you seem to have no clue."
You go silent. Your face falls, revealing how accurate your mother's observation is.
You don't know Natasha. You know her, but you don't know her. What you gathered so far are little pieces of information, minuscule bits, knowledge that won't get you far.
You have no idea where she's from, or why she's in this town, what shes does.
But you know that she loves black coffee and braids, and movies and swimming. She loves falling asleep with her head on your chest, though she usually doesn't sleep through the night.
She counts stars when she doesn't know what to talk about. At night, she crosses streets without looking twice.
She can't draw to save her life. Her sketch of a mouse looked more like a gray circle with legs. But when she used a pen to draw on your arm, you wished the ink would seep into your skin so the drawing would never fade away.
Whether you know the things that actually matter is a question you can't answer.
You shift under your mother's gaze, slowly averting your eyes. Your bottom lip hurts from the way you chew on it. Your fingers lightly dig into your thigh.
"What do you want me to do?", you ask. You sound more petulant than you'd like to admit.
She exhales, willing herself to soften a little. Tentatively, she sits down next to you and takes your book. She stares at the cover as if gathering her thoughts. She tries to remind herself that this is nothing more than a summer romance — something that'll pass eventually. Rather sooner than later, she hopes.
"Talk to her", she says. "Make sure you know what you're getting into. Because you're not about to ruin your life because of one summer."
Her words hit harder than expected. You can tell she's serious, because she always is. You've started to think she's incapable of making jokes.
It all settles in your stomach, makes your thoughts churn. You nod, imperceptibly almost, but your mother notices. She reaches over to squeeze your hand before getting up.
Eyes glued to the cover of your book, you sit there. The image blurs, as does the title.
You've built a fragile, beautiful thing together — and you need answers from Natasha before summer slips away.
. . .
It's a warm summer night. You managed to sneak out at a little after midnight, carefully walking down the stairs and shutting the window behind you. The seat of Natasha's SUV had started to feel familiar as you sat down in her car.
Now, you're back at the lake behind her house. Its surface shimmers in the milky moonlight. The towel creates a barrier between your thighs and the wood of the dock you're sitting on, preventing you from getting splinters. Your toes dip into the water, which is definitely much cooler already. Summer is coming to an end.
She swims up to you so she's right in front of the dock. Her fingertips loosely wrap around your ankle and she presses a kiss to it, her lips cold and wet against your skin. You can't tell whether she knows how your thoughts are racing, how you've been trying to voice your fears for an eternity now.
"Join me", she says, rubbing circles against your skin. Her green eyes seem deeper than the lake she's in.
You tilt your head, your eyebrows raised skeptically. It's tempting, really, but the idea of getting all wet and cold isn't a pleasant one.
"I don't know", you hesitate. "I think I'm fine right here."
Natasha hums and squeezes your ankle. She tugs on it, lightly enough to not make you worry too much. "You say that now...", she then says, quickly causing you to change your mind about not worrying.
With one swift pull, you slip from the dock. The world tilts, you gasp, and suddenly, you're underwater. But you're pulled back up before your panic can take root, her arms around your thighs, the cold water a stark contrast to the heat simmering in your chest. Natasha's smile matches yours.
"Got you."
"I'm wet", you mutter, brushing wayward strands of hair out of your face. She presses her lips against your jaw. Your fingers grasp her chin and you give her a real kiss, a slow and all-consuming one, sweet from the lake water.
Your hands run into her hair, combing through it and untangling it. Her fingertips dig into your thighs. You feel the spinning sensation in your head slow down.
Finally, you part. Your lips hover close to hers, letting you swallow her breath. Natasha kisses your bottom lip and then trails her lips down your neck until she reaches your chest. Her tongue traces the seam of your bikini top.
You stop her before she can go further. Your fingers rake through her hair, making her pause.
"I need to talk to you", you admit. She looks up, worry crossing her features. "It's nothing bad. I think."
"Your parents?", she asks, slowly lowering you into the water. Her arms stay wrapped around your waist in a loose hold.
The smile on your face is bitter. You sigh and touch her jaw, fingers lightly drumming against it. "Kind of", you say. "But also...everything else. Us. This. I mean...summer is about to end. What happens then?"
She should've anticipated this conversation. Summer won't last forever — you'll leave, as will she. Responsibilities loom over her like dark clouds. Suddenly, she sees a future in which she never meets you again.
"I don't know", she murmurs. Her hand slides up and down your back repeatedly, fingertips slipping under the tight fabric of your bikini. "I didn't think about it."
Her words feel like a needle in your chest. You've been awake way too many times, tossing and turning, wondering what your future is going to look like. Whether she's in it as well.
There's no way she's this indifferent to what happens next.
"You didn't?"
"I mean..." She sighs and leans in, her lips briefly pressing against your temple. "Of course I did. In a way. But I've mostly been focused on the now. You're leaving, aren't you? You're going back to college. And I..."
Natasha doesn't say anything else. You look at her with your eyebrows raised, silently promoting her to keep going. You both know what you are doing once summer ends. Where you're going, who you're going to be with, all that stuff.
But Natasha? You have no idea. She won't tell you.
"Listen", she begins, letting go of you. The loss of contact is unbearable. "There are things you're better off not knowing."
"Are you kidding?" You swim closer, the water brushing along your body. Disbelief is written all over your face. "Natasha, please tell me you aren't serious. If it's that bad, you have to tell me. I need to know. I mean, my mom-"
"Is that's what this is about?" Her voice hasn't changed in volume, but the tone is so very different. Cold, biting, accusatory. It makes you stop in your tracks. "Your parents?"
"No!" You exhale and squeeze your eyes shut for a moment, willing yourself to not start a fight. "No. Of course not. I don't care what they think. But sometimes, even they are right. Natasha, I need to know. You have to tell me if you want this to keep going."
"Of course I want to keep this going", she snaps. "But what if I tell you and then never hear from you again, huh? You ever thought about that?"
You shake your head and grab her hand. She recoils initially but then relaxes, her eyes locked on your face warily. "We can sort it out. I really don't believe it can be that bad."
Seconds of silence. Her hand twitches in yours and she frowns. When she looks away, it feels like everything has started to slip from your grasp.
"You're naive", she states quietly. Your chest burns with an odd mixture of shame and defensiveness. If only you knew that she isn't trying to insult you — no, this is her attempt at keeping you safe from whatever mess her life is.
She's seen your life. Has met your parents, heard about your upbringing. She knows you're wealthy, a top student at one of the USA's most prestigious universities. Your future is dipped in diamonds and gold, enhanced by glasses of champagne and dinner parties.
Natasha's life is bullets and blood. There's nothing else to be said.
"Stop pushing me away", you plead. She feels her throat constrict. "We can work this out. We can get through this."
"I'm not pushing you away", she argues. "I'm being realistic. There's a difference between the two."
"Maybe it's both", you say, wading closer to her again. "It probably is. But I want to know, Nat."
Stubbornness gives way to exhaustion. She shakes her head and pulls her hand away from yours.
"Not yet", she says weakly. You watch her swim to the latter attached to the dock. Her hands grab the metal bars and she pulls herself up, water dripping off her body. Her skin is smooth in the pale light. Trying to stop her seems futile.
She grabs a towel and wraps herself into it. Her figure retreats towards the house, getting smaller and less defined with each step. You wait for a moment, then you exhale in frustration and follow her inside.
The wooden floors feel slippery underneath your feet. You blindly reach for the light switch only to find out the electricity is gone — again. You don't even bother looking for the flashlight, as you've already memorized the layout of the small house.
"Natasha", you call, not seeing her in the living room. You peek into the bedroom, but it's empty. "For fuck's sake, don't do this!"
Something touches your spine. You whip around with a start. You aren't quite sure what you were expecting, but you should've known it'd be her. She stares at you, making no move to apologize.
"It's late", she says.
You blink, caught off guard for a moment. "What?"
"It's late. You're probably tired."
"Natasha-"
"Let's go to sleep", she says, sounding resolute. You give in.
The mattress is the same, but she changed the bedsheets. They're a navy blue and not as faded as the floral ones, but they're just as soft.
There's a distance between the two of you. Your back is facing her, she's staring at the ceiling. She tries closing her eyes, falling asleep, but it doesn't work. At some point, she rolls over. Her front is flush with your back. Her lips ghost over your shoulder as her arm tentatively wraps around your middle.
You find yourself scooting into the touch.
"Asleep?", she murmurs, her hand under your shirt now.
"No."
Natasha's lips press against the back of your neck. Her breath is warm on your skin and your eyes close automatically. Her hand cups your breast, massaging it gently. You feel goosebumps form all over you.
"Still mad at me?", she whispers, rolling your nipple between her cold fingers. You huff, but the sound morphs into a quiet moan.
"I don't know", you say breathily. Her thumb brushes over the sensitive bud. Suddenly, you're wet again, but this time not because of lake water. "Shit."
Natasha kisses along your neck. Her teeth graze your skin before she sucks on it, leaving love bites behind. "You want to?"
You turn your head, burying your nose in the soft pillow underneath you. It's petulant, in a way, causing Natasha to smile. She kisses your earlobe.
"Yes or no?", she asks. You sigh at the realization that you can either get over yourself and say yes, or disappear into the shower and take care of this yourself.
It's not a hard decision.
"Yes", you mutter. Natasha hums and leaves wet kisses behind your ear, her breath hot.
"You're sure?"
"I said yes, didn't I?"
"I like to double-check", she replies.
Lips against your skin, she slips the strap of your top off your shoulder. Your head lolls back, resting against her forehead. Her hand trails from your arm to your stomach. She undoes the drawstring of your shorts and the gentle pressure around your waist disappears. Her fingers press against your cunt and she breathes into your ear.
You stifle a moan when she slides her fingers through your cunt, gathering wetness. Her fingertips pinch your clit and you let a soft whine slip. Heat spreads on your skin.
"You're so pretty", she mumbles. The kisses on your shoulder turn more feverish, peppered all over you, hot and wet and open-mouthed. You writhe against her, your flushing face hidden in your pillow. Her fingers slip into you, leaving you no time to get used to the sensation. "It'd be a shame if you stayed mad."
You don't respond. Natasha's fingers curl inside of you, hitting that sweet spot and making you even wetter. You're dripping down her wrist, ruining the sheets. Her fingers are slick with your arousal.
A third finger works you open. Waves of pleasure roll down your back and add to the coil in your lower belly. Heat floods your veins and your vision goes blurry. You see stars, but they're oh so different from the ones in the sky.
Natasha's movements slow down right before you're about to come. When you turn your head to look at her and protest, she doubles down and starts moving faster. Surprised moans tumble from your lips, your eyes wide. Her thumb rubs circles on your clit. Her expression remains the same, but you can see her pupils dilate.
Your eyes hold hers as you come, walls clenching around her and cheeks red. Aftershocks buzz through your body.
"Still mad at me?", she mumbles. You feel her lips drag across your jaw.
"A little", you admit, thought your voice, softened and breathy, betrays you. You can feel her smile against your cheek, the gentle curve of her lips, and, weirdly, it hurts not being able to see it. You pull away just enough to look at her.
Sometimes, it feels like her eyes are the only glimpse of her world you're allowed to see. A world she lived in long before she entered yours.
You roll over and rest your forehead against hers. You grasp her hand and bring it up to your lips, kissing her still wet fingers.
"I want to know you", you say quietly. "I don't know if you want me to know you."
"That's..." She hesitates, her voice cracking. "That's not true. It's just not that simple, Y/N."
You watch her with furrowed eyebrows. Slowly, you intertwine your fingers with her. She doesn't waver, doesn't pull away — which is something, at least. But it's not what you were hoping for.
Her green eyes meet yours again. Her world flickers in front of you, blurry and unsteady, too faint to decipher.
"I never asked for simple", you then say. "I'm not simple, either. None of this ever was. I told you from the beginning."
"That's different."
"It's really not."
"It is."
Her voice is louder this time. You let go of her hand and prop yourself up on your elbow, your eyes narrowed. Natasha's eyes are challenging, but she can't hide the vulnerability that shimmers through.
"Don't yell at me", you warn quietly.
"I'm not yelling", she mutters, her gaze shifting away from you. Her jaw tightens with both frustration and guilt. "My point stands. You have a pretentious family. So what? Not the biggest issue I can think of."
You raise your eyebrows and shift to fully sit up. Her words sting — downplaying your struggles is something you didn't expect from her. Apparently, Natasha notices the effect her words had, and she quickly sits up as well.
"You know what I meant. I know it's not easy for you, either, but you've got to understand that things are difficult."
"I can't understand until you explain it to me", you say, growing more frustrated with every second. "What is it, huh? Are you secretly married? Have a kid somewhere? Maybe you killed someone."
The last sentence — one you definitely weren't being serious about — makes her eyes widen.
Guilt. It hits her like a flash flood. Hands stained with blood, so many lives taken, a past she doesn't want to be hers. With you, she thought she could pretend. Push it all away, be someone else for once.
The thought that you may think of her like that — that she's someone who's capable of ending lives — hurts more than it should. Suddenly, she feels like you can sense the darkness she's kept buried for so long.
She sits up abruptly, jaw clenched, hands curling into fists. Seeing her like this does everything but soothe your worries.
"What?", she says quietly. She sounds anguished, hurt, and you're the reason.
Natasha and you stare at each other. You can hear the wind outside, the cicadas, and for the first time ever, the nightly noises don't manage to calm you down. For some reason, they make everything worse.
You don't know how to backtrack, so you don't. You grow more helpless by the second, until she finally speaks again.
"You have no idea what you're talking about", she says. "You don't get to joke about that. It's not funny. Not to me."
"Natasha..."
"I'm serious", she cuts you off. "You don't know who I am. You have no idea. I can promise you that. A few weeks spent with me don't fucking change that."
"Then help me! Explain it to me! But don't just leave me in the dark like this!"
"It doesn't fit into your world, Y/N", she says, suddenly getting up. She starts rubbing her neck — an anxious little mannerism you haven't seen her exhibit yet. "Explaining it won't do anything. It'll only change how you see me, and I don't know if I can deal with that."
"Then what's the solution, hm? You'll keep it from me forever?"
"Forever doesn't exist with us!"
Everything seems to freeze. You were about to get up, but your body seems to have changed its mind. You stay seated on the mattress, staring up at her with disbelief and utter, pure heartbreak.
"Is that what you think?", you ask slowly. Natasha almost winces. "That this will just end?"
"Most likely", she says, taking a step backward. Her hand reaches behind her until she finds the dresser. She grabs its edge, her knuckles turning white. "You don't know what you're asking for, Y/N."
"I'm asking for you", you say, finally managing to get up.
"You're being naive."
"Stop calling me that!"
"It's true!"
"You're yelling again", you warn.
Natasha turns, her back facing you. She rubs the back of her neck as she breathes unevenly.
You hesitate as you stand there. Then, slowly as to not spook her, you reach out. Your fingertips brush against her lower back and she flinches. But she doesn't pull away, so you press your palm against her back. You step closer and press your lips to her shoulder.
"I don't care if it doesn't fit", you mumble, though it's a lie — you do care. You want to be part of her world, whatever it may be like. "I just want to make this work, Nat."
She takes a moment to reply. Her voice is raw, her breathing ragged. She faces you again, her green eyes filled with something bitter.
"You think you can just fix everything?", she asks. "Just waltz in and make everything better? Because it doesn't work like that."
"I don't want to fix anything", you say quietly. Your other hand touches her waist, and to your surprise, she leans into you. You study her, wary and careful. "I just want to understand."
"You can't understand until you know everything", Natasha says. "And I don't think you want to know everything."
You stare at her, eyes flickering with concern. It's not like your life has been perfect, or that you've been shielded from everything that isn't all sunshine and daisies, but you can't imagine what could possibly be this bad.
"I don't want everything", you say. "I want you."
Natasha goes rigid for a moment. Then she relaxes, muscles loosening and shoulders slumping. Like a cat landing on a stretched out blanket, you catch her. She buries her face in your neck, her body held upright by your arms around her waist. You can feel her breathe you in.
You smell like her.
. . .
The rain is heavy. It soaks through your clothes and leaves the ends of your hair dripping. You barely make it into Natasha's car without slipping.
"You're wet again", she says, handing you a blanket. "No umbrella?"
You wipe the water out of your face and snort. "No. Forgot to grab it."
"Could've gone back inside."
The look you throw at her shuts her up. She starts the car and drives out of the neighborhood. Only the pelting of the rain on the roof fills the silence between you.
You've never been like this with each other. Until now, it was easy. But that's the way it is, right? Things are easy until they aren't anymore.
"Where are we going?", you ask, adjusting the blanket around your shoulders. You lift one corner of it to pat your hair dry.
"Just driving", she mumbles. Her knuckles are tight around the steering wheel, her eyes focused on the road, but you can tell there's more.
You don't say anything. You just lean back and enjoy being the one who gets to play passenger princess, even if your clothes are sticking to your skin. You drive through your favorite part of town — the cute little corner with the bookshop and the park full of flowers —, then Natasha suddenly takes a turn.
You recognize the neighborhood, but she hasn't taken you here before.
"Huh", you mumble, staring out the window. You're slumped into the seat lazily. "New location unlocked?"
"Something like that."
In front of a bed and breakfast, she stops. She unbuckles and gets out, nodding at you to follow her. Despite your confusion, you don't hesitate.
Inside the building, it's warm and quiet. It smells like cookies and flowers; freshly picked ones, sitting on the counter next to the staircase. The steps creak under your feet as you go upstairs.
Natasha fishes another key out of her pocket and unlocks a door. The room that appears in front of you is exactly what you expected — corny grandma-bedsheets on top of a wooden bed, with pictures of cats on the walls and a plush rug.
"I don't understand", you murmur, brushing your hand over little notebook on the desk. It's for the guests to write in. "What is this?"
"I'm staying here", she says, digging through a backpack, "until I leave."
You pause, your eyes flickering up. For some reason, you thought Natasha would always be here. Even after you go back to college. Like a safe place you could retreat to whenever the world becomes too much.
A very selfish thought, but a comforting one nevertheless.
"You...you don't live here", you say slowly, as if realizing it for the first time. Which may or may not be very accurate. "You're leaving. You're leaving?"
"I am."
Your eyes widen as she keeps pulling stuff out of the backpack and putting it aside. A gun. A taser. Some kind of earpiece. Your heart starts rabbiting in your chest, but you force yourself to stay calm.
"Uhm-"
"You said you wanted to know me, didn't you?" She turns around. Her eyes are cold and her walls are up. "This is me. This —" She pulls another weapon, which looks like an odd sort of bracelet, out of her backpack, "this is me. This."
You laugh nervously. Part of you won't believe this is real. It has to be some kind of joke. But Natasha is completely serious.
She wraps the bracelet around her wrist and clicks on it. It tightens around her wrist and lights up. You take a step back and bump against the door. Her eyes meet yours, and for a split second, the facade slips. You see it — a deep, unrelenting sadness, the kind that comes with inevitability, the quiet acceptance of something she knew would happen but hoped never would.
"Does it fit?", she prompts you.
You frown and take a stubborn step closer. You're trying hard not to let it show, but your heartbeat is still racing. "Natasha, don't-"
"You wanted to know who I am", she cuts you off. "This is me."
"I don't care", you plead, stepping closer once more. This time, it's Natasha who takes a step back. "I said I wanted to know you. I still do. I want to know you, whatever that means."
"Y/N", she says quietly. "Nobody wants to know me. I can promise you that."
"I do", you say, stubborn and frantic. "You've been keeping this from me for two months, and I still want to know you."
"I've been keeping it from you for a reason."
She has a point. If she'd pulled out a gun on your first date, you would've bolted.
But now? For some reason, you're still here. Still trying to get her to listen, despite the fact that there are multiple weapons scattered across the floor. Suddenly, the scars on her body make more sense. The bruises, the healed cuts. You've learned to love them. The way you trace them with your lips is proof enough.
But with Natasha, you didn't have to learn. It just happened — one day, you looked at her and loved her.
Even now, you do.
"Why would you do that?", you ask, both baffled and understanding her point. "Why would you keep something like this from me?"
"Because this?" She laughs, her voice tinged with bittersweet regret. "This wasn't supposed to happen. I wasn't supposed to fall in love, Y/N. Things usually end before I do, anyways. But I fell in love with you."
The words wash over you like waves. For a moment, everything stops — the rain outside, your thoughts, your pulse. All you can do is stare at her, her words echoing in your mind.
"So what?", you suddenly shout, even surprising yourself. "You fall in love and leave because it 'wasn't supposed to happen'? Is that it?"
You breathe heavily, the words burning in your chest. You bite back tears, your jaw clenching.
"We'll just walk away when it's too much?", you continue. You're no longer trying to control your voice, so it keeps rising. "Pretend it never happened?"
"You don't get it", she snaps. "This isn't a fairytale. Fuck, all I wanted was someone to help me take my mind off things."
"And you got that, didn't you?" Full of anger and frustration, you grab the backpack and shove it against her chest. She doesn't falter, even when you keep pushing your fists against her. Your tears and sobs are silent. "You got that damn fling. Now you can leave, huh? Leave everything in pieces!"
She recoils slightly, then she shoves the backpack off her with more force than you expected. It hits the ground with a low thud.
"That's now what this was!", she says, her voice cracking. "You're not just a fling, Y/N. Which is exactly why I need to end this."
"You're not making any sense!"
"I'm not?", she yells. She whips around and grabs her wallet. Suddenly, you've got an ID card in your hand. "Here! Am I making sense now?"
You're too stunned to speak. Your eyes are glued to the card in your hand, rereading the words, trying to understand what's going on.
SHIELD. Field operative. Special agent.
The words swim around in your brain uselessly. You're not sure you've heard of any of this before.
"You...?"
"I'm a spy", Natasha says sharply. She grabs the card and puts it away again, hiding it in her purse. "I'm an assassin."
That does the trick. Every word is wiped from your supply of smartass remarks, your knees seem to buckle for a moment, you go completely quiet. You grab the desk next to you for support, leaning on it.
There's a silent challenge to the way she's looking at you. Chin slightly raised, her eyes filled with an unusual coldness. Her fair skin is even paler than usual.
"An assassin", you repeat, voice cracking.
"Yes", she says, watching you with a mixture of regret and defiance. "Former assassin, but...that doesn't change anything. It's what I am. What I've always been. I'm a trained killer, Y/N."
You stare at her as you try to wrap your head around this. Natasha, the woman you love — the one who kissed your forehead when you were sleepy, who read books to you — is a killer.
"You're a killer", you repeat, as if that'd make it easier to grasp. It doesn't. The words feel bitter on your tongue, strange and foreign.
Natasha doesn't move, doesn't say anything. Her mask falters. What you see now is raw pain.
"I'm sorry you had to find out like this."
"You're sorry?" You let out a hollow laugh, but deep down, you want to sob. "How was I supposed to find out, huh? 'Hey, by the way, I killed people'? Fuck, Nat, I...fuck."
She crosses her arms and takes another step back. Her legs bump against the bed. Outside, the rain starts pouring heavily.
"I thought I could keep it separate", she admits, her voice quieter now. You close your eyes at the sound of it and resist pulling her into you like you've done so many times. "That I could pretend I'm someone else when I'm with you."
Your hands ball into fists. You squeeze your eyes shut.
"It didn't work", she continues, softening. "You made me feel more like myself than anyone ever could."
When you open your eyes again, they're glossed over with tears. You exhale slowly, shakily, and force yourself to look at her.
"This isn't fair", you whisper. "It really, really isn't. You don't get to make me fall in love only to do...this."
"I told you", Natasha says quietly, "I didn't plan for this to happen. I just didn't want to be alone."
"Well, there you are." You laugh bitterly and scrub a hand down your face. "All of this just to end up alone again. You happy now?"
"Y/N, I never wanted to hurt you."
"But you did!" You step closer, the anger pulsing through your body. You can feel how warm your face is. "You hurt me. You hurt yourself, too. You screwed up, just admit it!"
"Fine!", she yells. "I screwed up!"
"You did!", you shout. The tears start flowing, hot and damp. Natasha's heart gives a painful twist at the sight. "You screwed up, and you hurt me, and you, and I- I- god, fuck you!"
Her hand reaches out on instinct, but her outstretched fingers never even brush against your arm.
"Don't", you hiss, pushing her hand away. "Don't touch me. Not now."
She pulls back and swallows, her eyes darting away from you.
"I'm sorry", she says.
The words linger in the air. You stand there, trying to slow your breathing. You cover your face with your hands and inhale raggedly. The tears feel warm against your palms.
"This is it?", you ask numbly. "We're done?"
"I'm sorry", she repeats. You shake your head and wipe your face with your hands.
"Fuck you", you repeat. You step away from the door, open it, and slam it shut before Natasha can react.
She stays in the bedroom, frozen in place. Her eyes are glued to the door.
Gone. Gone are two months of whatever it is you two had.
The lake, the diner, the drive-in. Nights spent buried in each other, bodies so close it was unclear where one ended and the other began.
She should feel relief. At least she doesn't have to live a lie anymore — now, you know the truth. You've walked away and she's the one left standing alone. And worst of all?: She deserves it.
The rain continues to pour outside, but inside the room, there is nothing but the quiet of the aftermath.
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greenwitchfromthewoods · 3 days ago
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back to life. l Joel Miller
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Summary: an attempt to return to normality
Warnings: angst, a little bit of smut (+18), lots of bad emotions, tw: depressive episode; Tommy, Maria and Ellie; violence
A/N: it's a hard time for me. but I found a moment to write this. sorry that I'm still stuck in this series, it's comfortable for me
your feedback is very important to me and I thank you for all the reblogs, comments and likes. 🖤 sorry for all the mistakes
short stories from life. [masterlist]
The next few days were really hard. Joel felt like every cell in his body was hurting him, even though it was you who had been through so much. The wounds were healing, the bruises were fading, but you were quieter and less visible. If it weren't for his willingness for you to take a bath, which Joel thought was the best thing for you, you wouldn't have gotten out of bed at all.
But Joel experienced something else during that time. In addition to fear for you, he encountered incredible human kindness and empathy. The people of Jackson seemed moved by what had happened. Soon, when Joel was on his way to the clinic about his collarbone, an older man who owned a bakery pressed a fresh loaf of bread into his hands and said with a smile that it was for you. 
Mrs. Russo appeared at the door the next evening, bringing with her a few of your favorite dishes. "I guess you don't have the head for cooking now. Take this, she's been enjoying it so much lately!"
Rory and his mother also showed up, and the boy handed Joel a bouquet of the first spring flowers, which he placed next to your bed. The small smile on your lips was worth everything.
Almost every afternoon, Ellie would sit with you, telling you that she absolutely needed help with her homework. Joel thought she was exaggerating and that she certainly didn't have that much to study for, but you were starting to get involved. Evenings were for the two of you, though.
Sometimes Joel would play something on the guitar, feeling your eyes follow his fingers as they struck the strings. He hadn't done it in years, but for you he'd pulled from his memory many of the songs he knew. Or he'd read books aloud. His warm, low voice carried through the bedroom, and you'd listen, clearly soothed by the sound.
Your bubble had to stretch, though, and it happened one evening. Joel came back later than usual, and then he convinced you to go downstairs. He led you out to the terrace and showed you something he had made for you. A wooden bench, very carefully crafted, with ornate armrests and fancy decoration. He had been working on it for a long time.
"It's so beautiful outside. I thought you might like to have your own place." he said, a little worried when he saw the tears in your eyes and your trembling lips. "You can spend time here, bask in the sun, read if you want."
"Nobody has ever done anything just for me." you said quietly.
And before he knew it, you kissed him, so truly. He hadn't felt the real you in a kiss for a long time, and now you were with him. In his strong arms, you were like a fragile creature, but Joel felt happy that you had achieved so much together. He believed that everything would be fine.
From then on, everything slowly began to change. You spent more time outside, and sometimes you went with him to the stables to take care of the horses. After a few days, Tommy and Maria invited you for dinner, and you showed up there too. When the dance was in Jackson, you went together, although you seemed hesitant about it, but Joel managed to talk you into a few slow dances with him.
"I want to take her out of Jackson," Joel stated when he and Tommy met up at the Tipsy Bison for a drink one day, "Just one day. We'll take the easy way out."
Tommy nodded, "It would do her good. Can she handle it?"
"She's tougher than we think. I can see she needs to get outside of those walls, even though she's still scared."
"And you're going to let her?" Tommy shook his head in disbelief, "What did she do to you, bro?"
"I miss her, you know... She's physically there, we sleep in the same bed, we eat together, we live together. But she..."
"I can see it in her eyes. What happened to her changed her... It would change anyone."
Joel took a sip from his glass. He didn't want to tell his brother that you hadn't slept together since then. No, Joel wasn't complaining. Your relationship had never been just about sex. But he still didn't know if he would scare you if he initiated it. You were sensitive and delicate, and although he knew you loved him, you didn't take that step yourself.
That day the weather was beautiful. The spring sun settled in the sky, and the forest and the surrounding area were beautifully green. You walked together, close to each other. 
Joel told you what had changed in the area recently, that the attic in the permanent barn on the other side of Jackson had caved in, or that he had seen a family of foxes sneaking past the camp during a patrol. He spoke as if you had been sick for a week, not completely cut off from life for almost a month.
You felt good, especially since he was next to you, and the care and tenderness towards you emanated from him. You wanted to go back to him, completely, but you weren't sure how to do it. Every day, every attempt, cost you a lot of strength. Guilts of conscience were churning inside you.
"I'm sorry, Joel." You finally said when you stopped at the edge of the forest.
Joel looked at the horizon, trying to see if the area was still safe for you, and turned around, surprised.
"What are you apologizing for, darling?" he asked, taking a step towards you.
You seemed so small to him, as if many things were pressing you to the ground at once, and you were barely able to stay on two legs. You looked at him as if you were about to cry.
"For everything." you finally answered "For having to take care of me. For every day that is so hard for you. I wish things were like they used to be... I don't know if I can. Maybe... Maybe..."
"Don't do that." he interrupted you, approaching you and taking your face in his hands "Stop here. What happened to us, what happened to you, is neither of our fault. But we'll deal with it, right?"
"How? I thought I was strong, but this..." you closed your eyes, and tears flowed from under your eyelashes. Joel patiently wiped them away with his thumbs "I keep wondering... Every shadow, every rustle makes me tremble. I've become nothing but a problem for each of you."
His strong arms wrapped around you and pulled you tightly to his chest. You snuggled into Joel with all your might. His arms were your shelter, the beating of his heart soothed yours. If it weren't for him, you would have fallen to pieces a long time ago.
"You don't even know, silly, how many people care about you and want to help you. They ask about you every day. You're not the problem, but you can't be strong all the time either. Believe me, I know what I'm talking about, because I tried to be. You and Ellie hold me together. Now it's our turn, we won't let you fall apart." He kissed the top of your head and sighed deeply "You don't even know how much I love you..."
It was late when you got back. Your clothes smelled of forest and wind, just like Joel's. You felt tired, but you were also a little lighter, more confident. He saw it in your eyes and promised himself that soon you would go out together again outside Jackson. 
However, Joel was most surprised when he felt your arms wrapped around his waist as he stood in the shower and the streams of hot water washed his body. You clung to his back, so gently as if you were afraid he would push you away. But Joel kissed your hands, and then turned around and looked at you with such love that you had never seen in his eyes. 
So you surrendered to this moment, because you wanted to, because it was him, because you wanted to feel alive again. 
And when you felt his cock moving deep inside you, when his lips caressed your neck, and the cool tiles imprinted on your back - only God knew how much life flowed in you again.
"Sorry, I wouldn't keep you from your work if it wasn't so important."
"Don't worry, the laundry will definitely wait for me." you chuckled as you and Maria headed towards the building that served as the city hall or headquarters in Jackson.
It was already late in the evening, Joel hadn't come home yet, and you were busy with the usual household chores. The following days were somehow easier and you were happy to have your strength back.
You went inside and Maria led you to the back. You noticed a few men in the rooms, who were also taking part in patrols. They seemed strangely tense to you, but Maria quickly drew your attention to herself.
"Listen, this could be an unpleasant experience for you." she said, her hand stroking your arm. "But we have to be sure."
"What do you mean?" you asked, frowning. "Did something happen? Something with Joel or Tommy?"
Maria shook her head, then pushed the door open and nodded for you to enter. It was a dark room and you noticed that the curtains were drawn tightly and the only light came from the lamps placed on the walls. In the middle, three men sat on chairs, they were not residents of Jackson. They seemed strangely familiar to you, but you couldn't...
Someone said your name and you noticed Joel and Tommy standing nearby.
"What's going on?" you asked quietly. "Who is it?"
Tommy cleared his throat. "We've been following them for a few days. We suspect that they attacked you. You, Sam and Anthony. One of them had Sam's private things."
You looked at the men again, now you understood. And they must have recognized you too, because they twitched nervously. Two of them looked away, trying to avoid your eyes, but one of them was staring at you wildly.
"I know that pussy." he muttered, a smile twisting his face covered with thick stubble "I thought you died in the woods. You're a smart bitch."
There was a loud impact, it was Joel who hit the man without thinking. His head tilted back, but after a moment his quiet laughter filled the room.
"Is that your pussy? How was I supposed to know that it already had its owner?"
"Don't you dare talk about it like that!" Joel growled and wanted to hit him again, but Tommy grabbed his arm.
He looked at you carefully. "Is that them?"
"He recognized her!" Joel hissed furiously "That should be enough!"
"I need to know!"
You weren't fully aware of it, as if your body had made the decision itself. Your head twitched in confirmation. That was enough.
"Get her out of here." Tommy ordered.
"Joel! No!" you groaned, but someone's arms grabbed you and forcibly led you out of the room. The door slammed shut with a bang. Even though you didn't see it, you knew what was about to happen.
☆☆☆☆
Thank you for your time.
taglist, i think: @picketniffler @orcasoul @bbyanarchist @o-sacra-virgo-laudes-tibi @somedayheaven @underneath-the-sky-again
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concenecxere · 1 day ago
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this is so beautifully put. i mean gorgeous. i am not caught up so i am effectively spoiling myself but funnily enough i actually tried to talk to my mother about this while watching s1 bc at the same time i'd been reading a chapter of this book about compulsory sexuality (refusing compulsory sexuality: a black asexual lens on our sex-obsessed culture by sherronda j brown) which really encouraged this exploration for me. like so much of what stood out to me was the direct comparison of innie marks interrogation of his own creation being spurred on whilst dealing with integrating helly into the severed floor (and the loss of petey) vs his sister on the outside having her first child. helly r is almost a petulant child to him at first, an inconvenience to the order of things although necessary for their workplace function at lumon (like ops gf said, just like helena mark as her boss almost resents the freedom with which helly is defiant), until of course he really reconciles the severity and the lengths she goes to and turns inward and wonders why he never stopped to question it all himself. so we see these motivations for reproduction in direct contrast -- in the story of mark the final goal of his reproduction is productivity (by separating himself from his trauma), versus devon and rickan taking an approach to reproduction "more virtuously" by comparison (like excited for the journey of raising a unique human being). now this is the point where i realized i was talking to my mother and didnt really have my thoughts wrapped around it and wanted to begin that type of conversation with more nuance and the conversation naturally returned back to the show.
but! back to the book by sherronda j brown -- it has a whole chapter on productivity, partially tackling how capitalism incorporates productivity into nuclear family making which kind of effectively pulls the magic out of the point of a family. a child is not something that you can utilize/form for some present/later convenience, they're a human being with their own unique ambitions and the beauty of parenthood is often watching them discover that etc etc. but capitalism looks to control family making as it is a method of economic stimulation. again this requires a lot of nuance, because since we are so embedded in capitalism in some ways you have no choice but to be implicit even if you are aware, and you can be doing this wether you realize it or not. i also want to be sure i acknowledge that i am by no means an expert on this i just felt emboldened to get into it here. alongside those examples given by the amazing prev posts/tags this is illustrated in real life by how so many people are realizing using children as a contingency plan for who'll take care of you when you age or like expecting grandchildren from your own children. like its absolutely not a bad thing to want these things but assuming no matter how you treat your children that its their responsibility to fulfill that for you is bull -- and objectively to expect this is not even always guaranteed biologically for several reasons but i digress. a child is their own person worthy of respect and if you don't give it to them they don't/shouldn't owe you present or future compliance (again theres nuance, even in severance given the outies varying levels of awareness of/care about their innies treatment) but capitalism is a part of perpetuating this. as so many now realize if you are surrounded by real true community confirmed elder care and the opportunity to be a grandparent-like mentor is/should be available without nuclear family to fulfill it. the power of found family and all that beautiful stuff! particularly when imagined with a queer lens. but capitalism has taught us intentionally that all of this should come from the heteronormative nuclear family and is only valid when derived from a heteronormative nuclear family in order to isolate us from one another and sell us these opportunities in other ways for their own gain. anyways i've danced all around it myself but brown says the following far more concisely in their amazing book (which i look forward to finishing).
"anxiety about the sex recession among young people is also anxiety about an accompanying decrease in marriage, nuclear family making, and home ownership. all of these things are intimately related and impact our economy, especially because they are so easily capitalized on. those invested in the capitalist system work to convince us that these are necessary parts of life and that participation in them makes us more mature adults and 'productive' members of society... therefore, cisheterosexual sex itself becomes a means of productivity because it is understood to ultimately lead to marriage, procreation, and nuclear families, all of which are integral to patriarchal and white supremactist capitalist systems."
its so remarkably layered i would love to pick the brains of the writers about it all!! lumon offering severance and the creation of an innie as this amazing way to free themselves from the monotony of a job or like the weight of the outside world on their work. but of course this job is necessitated by the capitalist society they exist within and the thing that drives them all to severance is what capitalism forces them to believe they have wrong with themselves or have to achieve to be successful. so then when they create their innie, or "have their child" as it were, and the child demands more love than you ever thought you were allowed the capitalism worm in your brain has already prepped you to place the blame on the child and not realize the system is what has it all wrong. and even if you do understand the systems driven you to this point the cost that you've paid for being compliant all this time is this life you now get to watch your child live.
my gf said something sooo insane about helly the other day and i cannot stop thinking about it. she was like. helena and helly’s relationship is almost maternal. the way helena created helly as an extension of herself, to serve her interests, to try and impress her own family. she scolds helly, talks down to her like a child. “i understand you’re unhappy with the life you’ve been given” “i am a person, you are not”. the way she envies and resents helly’s freedom. the way she feels entitled to helly’s life and is now living vicariously through her in the most literal sense. what if you created life and now they’re experiencing the things you’ve always wanted for yourself. what if you created life and they were flawed and loud and demanding and they were loved more than you’ve ever been. and you hated them for it. the mother/daughterisms are insane my girlfriend is insane
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oikarma · 2 days ago
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terrible things
pairing: max verstappen x reader
summary: people like to say love is a static thing-it sparks at first sight and never fizzes out. but maybe it just takes on a different feeling, quite like the ever-changing colors of a flame.
a/n: new month new ending! this is the last part to the number one girl series. hope you enjoy <3
part one / part two / part three
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liked by 703,924 others
f1gossipofficial: Max Verstappen was spotted walking Y/N L/N to dinner from electric lady studios! Two things are on our mind: new music and an old flame.
tagged: yourinstagram, maxverstappen
view all 53,681 comments
user1: i feel like this is going to get messy real quick..
user2: MY YNMAX HEART 🥺 ARE THEY FINALLY TOGETHER
user3: hello? what about lewis FREAKING hamilton?
user4: not y/n in her homewrecker era
user5: woah woah she was there WAY before kelly user6: kelly and max announced their split months ago user7: ikr how are people defending her
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@/charmschoolgirl She is definitely releasing new music. So happy! I hope the Grammy's don't snub her this year.
@/its2ayem freak bro 😭 she just said that her and lewis have never agreed to anything beyond friends & he is one of her closest friends
@/genericuser5 who is this diva 💜
@/bananas I lowk felt bad when the interviewer asked about Max. You could like...see it on her face. How she didn't want to talk about it.
@/charlesdannate but!! she said they were on talking terms again!! and they'd reconciled and also that photo of them leaving els!!!!!!! YN LOVE SONG ABOUT MAX?
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liked by lando, jennierubyjane and 3,910,514 others
yourinstagram: TOO MUCH TO LOSE / FEB 2
view all 702,193 comments
francolapinto: mother 🛐
user1: oh next year is going to be HELL for him user2: @/lewishamilton @/maxverstappen idek which one of you she's dating but DO SOMETHING yourinstagram: oh franco...don't you think i'm a bit too old for you? user3: @/yourinstagram y/n bae he dated a mother of like 3 kids or something age is nothing LMAOAOAO user4: franco's mommy kink allegations r never going away
user5: red is SO your color!!
user6: i love how even her looks r maturing? like on burnout it was all schoolgirl, teen, naive and this album is SERVING.
luxurylaw: pleasure to style you !!
yourinstagram: nono it was MY honor
user7: time to wager. is this a baddie (i eat men) album or a breakup (???) album
user8: well she's all cozy w max now so maybe something happened with lewis? user9: @/user8 WHYYY I LOVED THEM TOGETHER
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r/popheads · 1 wk. ago jammies_on_all_night
Y/N L/N - TOO MUCH TO LOSE [MEGATHREAD]
This megathread is to be used for discussion regarding Y/N L/N's second album, as well as articles and reviews of the album. The album, Too Much to Lose, comes out at midnight in PST.
Please keep all reviews to the megathread - I will attempt to keep the post updated with reviews, please feel free to DM me if I've missed any.
Links to any leaks, as well as asking for any, will not be allowed in this megathread.
Album Links:
Spotify
Apple Music
TIDAL
Amazon Music
Tracklist:
we can't be friends (wait for your love)
prelude in e minor
cornerstone
tis the damn season
i love you, i'm sorry
heavenly
terrible things
don't look back in anger
This thread will be updated with important links for release day events, reviews of the album, etc.
ynsgirlfriend: I was expecting another pop-y album but this was so much more heartfelt. WCBF eats so hard. SO HARD.
↳ dannyric03: Love her growth. Also, the way the album goes from distancing herself (we can't be friends, duh) until the time is right and finding so much beauty in what time you have (terrible things). I don't even want to speculate who the album is about. It's...beautiful. ↳ User5: calling it rn. wcbf (wfyl) is going to be a smash hit on the radio
CharliesPrelude2: literally came up w my user after charlie's prelude (based off of chopin's prelude in e minor) SO Y/N ACKNOWLEDGED ME
↳ SalsaBird: LOL. Loved her on that track. Didn't expect them but they were haunting. Honestly, I'm surprised at how insane her vocals are.
Sharks1039: Trying to decode this. bear with me. [1/2] 1. we can't be friends (wait for your love) - i feel like this is pretty obviously about max. not exactly, bcs i think we've garnered it was y/n who left him first after THAT night (thanks burnout!!) but the fact that she's learning to live without him. even though she still wishes they could be friends. just my interpretation. 2. prelude in e minor - i don't know. it's beautiful. it's chopin. it's y/n. it's just there and a good transition into the rest of the album? it really cleared up my mind and helped me appreciate the other songs. 3. cornerstone - seeing that person in every place. "thought i saw you at the X, but it was only a lookalike." idk who's perspective this is supposed to be from. the message is imo such longing you look for it everywhere. 4. tis the damn season - i feel like the lyrics point toward max (hometown, etc.) but i also feel like we've never really seen anything in the last 4 years indicating a reunion like that. after we stopped seeing her and lewis (we saw them SM last year) i thought something might've gone wrong? i'm p sure they're still on friendly terms, they comment on each other's posts, etc. but less close. maybe some regret from her side?
↳ ApplestoApples: I KNEW I wasn't the only one who thought "tis the damn season" gave Lewis. They hinted at a sort of romance. Especially when Lewis visited Y/N in her hometown (they took a few pictures with fans who'd spotted them). "It always leads to you, in my hometown" is probably about her thinking a lot about that. Sad they didn't work out. Loved how well he treated her and how happy they seemed. ↳ Sharks1039: @/ApplestoApples how did i not know that. omfg it's so about lewis. ↳ Shakes1039: anyway part two of my yap. [2/2] 5. i love you i'm sorry - "you were the best but you were the worst, as sick as it sounds i loved you first" ??? i don't even know what this means but damn girl i hope you're ok now. 6. heavenly - this is such a love song. lowkey found it a TINY bit jarring when we went from ilyis to heavenly but it's more like. i love you (im sorry) to i love you (i'm not)? that's the only explanation i can think of. banger, though. 7. terrible things - MY FAVORITE SONG. ALSO SHOULD BE YOURS. "i can tell by your eyes that you're in love with me" hello. i bawled hearing this. i'm so glad she's found love because it seemed like the max thing shook her up so bad. "don't fall in love, there's just too much to lose ... i beg you to choose to walk away" oh my god. she still sounds pretty worried about how strong love is and how losing a loved one will hurt... 8. don't look back in anger - oasis cover. live. i feel like given the previous song (terrible things) it's like when you walk away to protect yourself from love, don't look back in anger. and at the end of the day, i think this is an album about max. some people talk about how she has growth through the album but honestly idrk about that. it's just her coming to terms with her actions. it's an album about being in love and all the bad things that happen when you're in love. it's an album about deciding to walk away to not hurt yourself. but at the end of the day, people are overcoming that desire to protect themselves. they want to love, even if it hurts.
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yourinstagram: hello everyone! happy valentine's ♡ i just wanted to take a moment to thank all of you for the support you have shown my music. everyone says this, but the songs i put out are pieces of my heart. they are lessons i have learned and stories i want to tell. some of you have already figured this out, but a little piece of advice:
don't be afraid to love. there are much more terrible things to experience.
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yourinstagram: i mean don't be afraid to love in reasonable circumstances!! 😭 don't be afraid to love if people discourage it, if your heart truly wants it. pls be afraid to love if you're being forced against your will. love you all so much, take care and make good decisions!
user1: she's so real for freaking out over misinterpretation user2: sorry ma'am reading fics of your man as a mafia boss has stopped me from mafia reasonable decisions
lewishamilton: happy valentine's, y/n
yourinstagram: hope the grapes did something for you user3: roman empire unlocked. user4: omfg 😭 not the grapes
user5: hold up. why is no one talking about that photo. it's not in any of her music videos?? she's in that dress in the dlbia live performance but WHEN WAS IT TAKEN
user6: i bet it's max. user7: it's totally max. user8: RELATIONSHIP UPDATE PLS @/yourinstagram
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maxverstappen: Home is where the heart is.
tagged: yourinstagram
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user1: HARD LAUNCH HARD LAUNCH
user2: it's real omg!!
user3: haven't seen y/n in ages THANK U FOR THE CRUMBS MAX
user4: the way he looks at her...
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f1gossipofficial: Max Verstappen spotted crying after last Dutch GP. All our hearts are equally as heavy.
view all 13,405 comments
user1: poor man. last year of zandvoort. i'll miss it too
user2: i'm sure y/n will cheer him up! missed seeing her at the last few races
user3: omg what if she's pregnant... user4: girl 😭 i like to think max would've learned from kelly and put a ring on her BEFORE the baby user5: @/user3 yea the last photo we saw of her was like months ago and she was wearing a fur around her waist so we couldn't see much
user5: rip dutch gp.
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maxverstappen: Life can do terrible things. But you are the greatest thing that has ever happened to me.
tagged: yourinstagram
Comments on this post have been limited.
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BREAKING: Max Verstappen has retired from racing. He has reportedly moved back to the Netherlands with remaining family.
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INTERVIEW WITH HUGH L/N-VERSTAPPEN
...
INTERVIEWER: Moving on, congratulations on the Best Actor award!
HUGH gives the interviewer a shy smile. He takes a sip of the coffee in his hands: Thanks. I was so surprised. I didn't think people enjoyed my performance that much.
INTERVIEWER: Well I guess you were proven wrong. How do you feel about following in your mother's footsteps, instead of racing like your father?
HUGH pauses before speaking: I suppose...I sometimes wonder if I would be suited for it. If I could've done more. At the end of the day, acting feels like keeping my mother's legacy. Many people remember her as my dad's wife, or just a songwriter. She went into acting because she loved it. I just wish she was more recognized for it.
[ There is a moment of silence as Hugh plays with the cup in his hands. ]
INTERVIEWER: I know your acceptance speech brought quite a few people to tears. It was very moving.
HUGH nods: I didn't mean to. I just wanted to thank my mom one more time. And my dad, too.
INTERVIEWER: It was a good kind of tears, I'm sure.
HUGH laughs.
INTERVIEWER: Which of your mother's songs is your favorite?
HUGH: Well, my dad used to try singing "terrible things" to me. He's not a great singer, so emphasis on the try.
INTERVIEWER: If I'm not wrong, the song does say "now son, I'm only telling you this because life does terrible things." Is it like a message to you?
HUGH: Yeah. I know the song is about how hard love is and how painful it is. But she did it anyway. What's my excuse? Life is short and there's so much to experience.
INTERVIEWER is handed a note. THEIR eyebrows furrow, looking at HUGH: Sorry, would you be comfortable answering a question about your dad? I know you only agreed to talking about Y/N. We can cut this part out if you mind.
HUGH shakes his head: No, it's quite alright. What was the question?
INTERVIEWER: Well, your father hasn't made any public appearances save for your Academy Award win. It's been many years...would he like to pass on a message?
HUGH: Oh, my dad loves to talk. Let me think. He's old, you know that. I think he enjoys the quiet life. He wouldn't survive in an F1 car nowadays, but he still enjoys driving.
[ HUGH thinks. The INTERVIEWER doesn't prompt him. ]
HUGH smiles to himself: I don't think he'll be showing up at any of my future premieres. Don't expect that. It's been a while, yeah. But he's happy with his years. He said he's close to seeing her again.
INTERVIEWER only nods. There are tears in both their eyes.
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a/n: it's over! lowk felt bad for the ending. but i think i like it this way. sorry ynlewis stans. i just think. at the end of the day they would find their way back to each other.
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honeybeezgobzzzzz · 3 days ago
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𓅨 How to Unintentionally, Get An Endless To Marry You: Chapter Five
How to Unintentionally, Get An Endless To Marry You: After saving a strange man from a fishbowl cage, you earn yourself a favor. When you cash in said favor, you don’t realize that you and the man aren’t on the same page on what you need from him.
Warnings: Misunderstanding.
To Note: Morpheus x Afab!Reader
Word Count: ~2.8k
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While you are helping your mom wash dishes, your dad shows Morpheus his garden. Your mom finally doubled down.
"Did you pay that handsome man to be your husband?" your mom asks, hands submerged in soapy water. Her eyes narrow slightly, a mix of suspicion and concern etched across her face.
You nearly drop the plate you’re rinsing. "Mom, what kind of question is that?"
"Well, he's too perfect," she replies, not missing a beat. "And you’ve never mentioned him before."
You sigh, trying to gather your thoughts. "Morpheus is real. We met… unexpectedly. Things moved fast.”
Your mom turns off the faucet and wipes her hands on a dish towel. "Unexpectedly? What does that even mean?"
"It means," you say, struggling to keep your voice steady, "that sometimes life surprises you. And sometimes those surprises are good." That technically isn't a lie. She finally huffs in resignation.
"I just want you to be happy, but I also want my grand babies."
You swallow hard, the pressure of your mother's expectations pressing down on you. The clinking of dishes in the sink becomes a background symphony to the thoughts racing through your mind. "Mom, we're happy. That's what matters, right?"
She eyes you carefully, as if weighing your words. "I suppose," she says slowly. "But I still don't understand why you never mentioned him before."
You force a smile, trying to appear nonchalant. "We wanted to keep things private for a while. Morpheus has a very demanding job as a sleep doctor. The fact that we even met is still mind boggling to me. We come from different worlds." Literally.
The back door creaks open and your dad steps in with Morpheus trailing behind. Their conversation, a low murmur, fades as they enter the kitchen. Your dad beams, patting Morpheus on the back.
"Y/N's husband is quite the gardener," your dad says, pride evident in his voice. He is? That was news to you.
Morpheus nods, his expression serene. "Your father's garden is a reflection of dedication and care."
You give him a grateful smile. "Glad you two hit it off."
Your mom snorts softly but says nothing, resuming her task at the sink. Morpheus moves to stand beside you, his presence both comforting and disconcerting. He picks up a dish towel and starts drying the dishes you pass to him.
"How was the garden?" you ask, trying to keep things light.
"Enchanting," Morpheus replies, eyes meeting yours. "It reminds me of the Dreaming in its own way."
You feel a twinge of warmth at his words. "I'm glad you liked it."
Your dad grabs a chair and sits down, looking more relaxed than he has all evening. "So, Morpheus, what do you do when you're not working or being married to my daughter?"
Your dad's question hangs in the air, and you feel a moment of panic. Morpheus isn't exactly versed in mundane small talk.
Morpheus pauses, considering his answer. "I enjoy the creation of artistic expression through my sand."
You watch your dad’s eyes widen, trying to make sense of Morpheus's cryptic reply.
“Sand, huh? Like those fancy sand sculptures?” he asks, scratching his head.
Morpheus tilts his head slightly, a flicker of confusion passing over his face. "In a manner of speaking. It’s more… ethereal."
You interject quickly, sensing the need to steer the conversation. "Morpheus has an artistic soul. It's one of the things I love about him."
Your mom gives you a sidelong glance, but your dad seems intrigued. "Artistic, eh? Maybe you can help me design the new flowerbed."
Morpheus inclines his head graciously. "I would be honored." There is a little more small talk as the dishes are finished and you finally decide to retire from your mom's scrutiny for the night.
"I think I am gonna head up to my room for the night." You speak up. "It's been a long day. For both of us."
"Shall we turn in then, beloved?" Morpheus questions, stepping up to you and softly taking your elbow.
Your mom's eyes narrow slightly at Morpheus's gesture, but she says nothing. You nod and start heading up the stairs, Morpheus’s presence close behind you. The air feels thick with unspoken words as you ascend, each step echoing in the silence.
When you reach your room, you push the door open and let out a breath you didn’t realize you were holding. The room looks the same as always—comfortingly familiar. You glance at Morpheus, who stands just inside the doorway, his expression unreadable.
"Well," you say, trying to break the tension. "That was... intense."
Morpheus steps closer, his eyes softening as he looks at you. "Your parents care deeply for you. It is... admirable."
You flop onto your bed, staring up at the ceiling. "Yeah, well, they have a funny way of showing it sometimes. I really don't need my mother breathing down my neck about grandchildren."
Morpheus sits on the edge of the bed, his presence both grounding and otherworldly. He looks at you with those endless eyes, a mixture of curiosity and concern.
"Do such matters weigh heavily upon you?" he asks, his voice a soft murmur.
You sigh, running a hand through your hair. "It's just... a lot. My mom has these expectations, and I feel like I can never measure up."
He reaches out, almost hesitantly, and takes your hand in his. "You are more than enough," he says with quiet conviction.
Your heart skips a beat at his words. "Morpheus, you really don't have to—"
"I do," he interrupts gently but firmly. "You are my wife. Your burdens are mine as well."
The sincerity in his voice catches you off guard. You sit up, turning to face him fully. "This is a lot harder than I thought, pretending in front of her," you speak absentmindedly.
"Then do not pretend," Morpheus says as if it is the simplest thing in the world. "Be yourself, for that is the one whom I married."
His words fly right over your head as mental fatigue plagues your mind.
You lie back on the bed once more, staring at the ceiling, trying to process everything. Morpheus's words echo in your mind, but the exhaustion makes it hard to focus.
"Do you think my mom will ever stop questioning us?" you ask, your voice barely above a whisper.
Morpheus looks at you with an intensity that feels like it's piercing through your soul. "She will see the truth in time," he says simply.
You close your eyes for a moment, letting Morpheus's words wash over you. The fatigue is almost overwhelming, but there's a strange comfort in his presence.
"I hope you're right," you whisper, more to yourself than to him.
Morpheus doesn't reply immediately. Instead, he stands up and walks to the window, looking out into the night. His silhouette is bathed in moonlight, making him seem even more otherworldly. He really is handsome, isn't he…
"Your world is so different from mine," he muses softly. "Yet, it holds its own kind of beauty."
You turn your head to look at him. "The Dreaming is incredible."
"It is," he agrees, still gazing out the window. "But it can also be... lonely."
The admission catches you off guard. Morpheus, the Lord of Dreams, feeling lonely? It's a concept that seems almost impossible.
"Morpheus," you say gently, sitting up on the bed. "You're not alone anymore."
He turns to face you, his eyes meeting yours with an intensity that makes your breath catch. "Nor are you."
The room falls into a comfortable silence. You both sit there, sharing a moment that feels both surreal and incredibly real.
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The night stretches on, and you find yourself unable to sleep. The weight of Morpheus's presence beside you makes it impossible to relax. He's lying on his back, staring off into space, eyes reflecting the moonlight streaming through the window.
You shift slightly, trying to find a comfortable position. "Do you ever sleep?" you ask quietly, breaking the silence.
Morpheus turns his head to look at you, a small smile playing on his lips. "I do not require sleep as mortals do. My realm is the domain of dreams, not slumber."
You let out a soft sigh, staring at the ceiling. "It must be nice, not having to worry about sleepless nights."
"It has its advantages," he admits, his voice a soothing balm in the quiet room.
The minutes tick by slowly. You can hear the soft hum of crickets outside and the distant rustle of leaves in the night breeze. Morpheus's presence is both calming and disconcerting, an enigma you still struggle to understand.
"Morpheus," you say after a while, your voice barely above a whisper. "Do you ever feel... restless?"
He considers your question for a moment before replying. "In my own way, yes. There are times when even dreams cannot provide solace."
You turn to face him, propping yourself up on one elbow. "What do you do then?"
"I wander," he says simply. "Through dreams and realms, seeking understanding and purpose."
His answer leaves you with more questions than it answers. You lie back down, staring at the ceiling once more.
"I guess we both have our issues,” you murmur.
"Indeed," Morpheus replies softly. "But burdens are lighter when shared."
You close your eyes for a moment, letting his words sink in. The night feels endless, each second stretching into eternity.
"Do you miss the Dreaming?" you ask suddenly, opening your eyes to look at him.
Morpheus turns his head slightly to meet your gaze. "It is my home," he says simply. "But being here with you has its own unique beauty."
Quiet stretches between you for a few moments and you toss and turn, unable to quiet your mind. Each shift in position only seems to amplify your restlessness. Beside you, Morpheus watches with an unreadable expression.
"You're struggling to find sleep," he observes, his voice a gentle whisper in the dark.
You let out a frustrated sigh. "Yeah, it's just... everything. I can't shut it off. Plus, I've never slept next to someone before."
Morpheus reaches out, his fingers brushing lightly against your forehead. "Would you allow me to help?"
You hesitate for a moment, the idea of letting him into your mind both comforting and unsettling. But the exhaustion wins out, and you nod slowly.
"Okay," you whisper. "Please."
Morpheus's touch grows firmer, and you feel a strange warmth spreading from his fingertips. His eyes lock onto yours, and for a moment, everything else fades away.
"Close your eyes," he instructs softly.
You close your eyes, trusting Morpheus as his touch sends a soothing warmth through you. His fingers linger on your forehead, a gentle caress that feels like the promise of a peaceful night.
"Sleep," he murmurs, his voice a soft command. You feel the weight of his presence deepen, the air around you shimmering with an almost tangible energy. A gentle dusting of sand blows over face, the grains drifting down like tiny stars, each one glowing faintly as it touches your skin.
Morpheus's voice reaches you again, barely more than a whisper now. "Sleep, beloved."
Your body relaxes, sinking into the mattress as if it’s made of clouds. The tension in your muscles melts away, and your racing thoughts quiet to a gentle hum. It's as though the world itself is lulling you into sleep.
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You find yourself standing in the heart of The Dreaming, the familiar yet ever-changing landscape unfolding around you. The air shimmers with a soft, ethereal glow, and the distant murmur of dreams creates a symphony that feels both comforting and surreal.
"Wow that was fast," You comment to yourself, blinking rapidly. Had it not been only moments ago that you were speaking with Morpheus in your bed?Lucienne is cataloging books nearby. She looks up as you approach, her eyes warm and curious. Matthew the Raven perches on a nearby shelf, preening his feathers.
"Hey, kid," Matthew greets you with a casual flap of his wings. "How's it going? How'd the ol' meet'in the in-laws go?"
"My mother wants Morpheus and I to start making babies, immediately," You say in a dry tone. "But Morpheus has charmed my father so that's a plus…"
Lucienne's eyes widen behind her glasses, her usually composed demeanor faltering for a moment. "Your mother said that?" she asks, clearly taken aback.
Matthew, on the other hand, bursts into laughter so hard that he loses his balance and falls off the shelf, flapping his wings frantically as he tries to regain his footing. "Oh man, that's rich! Babies! Immediately!" He caws, his voice full of mirth. "Your mom doesn't waste any time, does she?"
"That would be a firm no," you respond dryly.
Lucienne adjusts her glasses and gives you a sympathetic look. "That is quite the demand," she says softly. "But I'm sure Lord Morpheus will handle it with his usual... grace."
Matthew snickers again, still perched awkwardly on the edge of the shelf. "Grace? More like he's probably planning a whole dream nursery as we speak!"
Lucienne shoots him a disapproving look, but there's a hint of amusement in her eyes as well. "Matthew, be serious."
"Hey, I'm just saying," Matthew replies, flapping his wings and finally managing to get back onto the shelf properly. "The guy's got a thing for creating worlds. A nursery wouldn't be that far off. Besides, have you seen the way he looks at Y/N? They'd make cute babies, I'm sure of it."
"Matthew!" You exclaim as heat blisters its way up your neck and all the way to your ears. The raven is unperturbed and cackles louder, his wings flapping in excitement.
Lucienne shakes her head, a small smile tugging at her lips. "Matthew, you're incorrigible."
You rub your temples, feeling a mix of amusement and exasperation. "You two are going to be the death of me."
Matthew hops closer, his eyes gleaming with mischief. "Hey, if you can't laugh about it, what's the point? Besides, you've got Morpheus wrapped around your little finger. He'd do anything for you."
"Um, please remember that this is supposed to be temporary," You reminded the raven.
"Yeah try telling the boss that," Matthew mutters. You chuckle, shaking your head at Matthew's antics. The raven’s sense of humor is infectious, even if it does hit a little too close to home.
"Well, let's hope my mom eases up a bit," you say, glancing around the Dreaming's library. The shelves stretch endlessly, filled with books that you can only dream of reading. "I don't need any more baby talk. It's embarrassing and mortifying."
"What is mortifying?" You jump at the sound of Morpheus' words and whip around in place, hand over your heart. Your heart races at the sudden appearance of Morpheus, his presence commanding even in the familiar setting of The Dreaming. "What's mortifying?" he repeats, his tone neutral yet inquisitive.
You take a moment to compose yourself, trying to ignore the way Matthew snickers from his perch. "Just... my mom's expectations," you manage to say, meeting Morpheus's gaze. "She's got some pretty outdated ideas about marriage and family."
Morpheus considers this, his expression unreadable. "Your mother's views are not uncommon among mortals," he remarks. "The desire to see one's lineage continue is deeply rooted."
You nod, feeling a mix of frustration and resignation. "Yeah, I get that. It's just..." You pause, searching for the right words. "Babies…"
"Indeed," Morpheus says, his voice devoid of the amusement that bubbles up inside you. "But let us not dwell on such matters now."
Matthew flutters down, landing with a slight hop beside you. "If I were you, I'd start thinking of baby names," he teases with a wink.
You shoot him a glare. "Don't even joke about that."
But Morpheus tilts his head, considering Matthew's words. "Names hold power," he muses aloud. "It would be wise to choose carefully."
You freeze, your eyes widening as you realize the potential misunderstanding. "Wait, Morpheus, no," you say quickly, trying to ward off any ideas forming in his head. "We're not actually naming children here. It's just Matthew being... Matthew."
Morpheus nods slowly, though you're not entirely sure he grasps the sarcasm. "Of course," he says. But then his gaze drifts away, contemplative, and you have the sinking feeling that he's still pondering baby names.
Matthew bursts into raucous laughter again, nearly toppling over from the force of it. "This is too good!"
Lucienne steps forward, her expression one of gentle reprimand aimed at both Matthew and Morpheus. "Let's not get ahead of ourselves," she chides softly. You need to get out of there.
"I'm gonna go get some air," You blurt out, turning on your heel and darting away before the conversation can turn you into a ripe tomato.
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Date Published: 2/8/25
Last Edit: 2/8/25
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lorbanery · 16 hours ago
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Oh! We were just catching up on "Um, Actually" last night on Dropout and they did a second episode of all kids media trivia, and one of the contestants reminded me of the episode that is one of the most obviously written For The Parents, "Baby Race".
The episode is Chilli telling the story of how Bluey learned to walk, so we flash back to baby Bluey rolling over earlier than the literature says to expect it (this is an actual milestone for babies, have the muscle strength, coordination, and spacial reasoning to be able to roll over onto their back or stomach on their own). Chilli gets very cocky about Bluey rolling over so early, especially with everyone around her being all "Oh my goodness I've NEVER heard of a baby rolling over THAT early!".
Cut to her mother's group and in the middle of getting more praise about Bluey rolling over really early, Judo's mother, Wendy, exclaims excitedly that baby Judo is sitting! Again, another real life milestone, being able to sit up on their own without falling over.
Chilli gets kinda jealous and spends some time trying to get Bluey to sit up too, and as soon as Bluey can, they get to the mothers group only discover that Judo is crawling.
Chilli gets kinda jealous and spends some time trying to get Bluey to crawl. It doesn't work, Bluey finds other ways to get around. Chilli worries that there might be something wrong with Bluey so takes her to the doctor, who reassures her that Bluey's fine.
But Chilli's gotten how quickly Bluey's hitting these milestones all tangled up in her head with how good of a parent she is. So every time Judo hits a new milestone and Bluey doesn't, or every time Bluey sort of hits a milestone sideways (she eventually crawls, but only crawls backwards, which is also real! Our kid pretty much only crawled backwards until they were able to walk), she gets worried she's doing something wrong and checks in with her doctor again.
Eventually Judo takes her first steps before Bluey has even started crawling forwards, and Chilli takes it so hard that she stops going to the mothers group. She started off thinking she was doing so well as a parent, only to see someone else she perceived as doing better than her, and every shred of confidence she had just crumbled. She must have been doing something wrong, because her kid seemingly stalled out on hitting those milestones, or at least slowed down, and of course development is perfectly linear and those age guidelines are set in stone and not a general rough guide about the oldest age to expect the milestone to happen, right?
So one of the other mothers, Bella, notices that Chilli isn't at the mothers group and, concerned, comes over to check in on Chilli. Chilli admits to her that it just feels like she's been doing everything wrong. Bella shows Chilli a photo of her family, which surprises Chilli. Most of the mothers in the group are new parents like Chilli, because of course those are the parents who are most likely to need the support of a group like that, and it's good for kids who don't have siblings at home to socialize with. It turns out, though, that Bella has nine kids, including Coco, the baby she brings to the group.
Bella sets a hand on Chilli's shoulder and tells her seriously, "I've got something to tell you." Chilli asks "What?" already feeling really self-loathing about her own parenting skills and wary about what this person who has so much more experience parenting is going to tell her. But Bella just smiles and tells her, "You're doing great." And Chilli breaks down in tears and they hug.
And if that wasn't enough to make you tear up as a parent, the episode actually ends with Bingo asking if Bluey ever learned how to walk (because she's four and it's hard at that age to connect A to C). And as Chilli answers, "Yes! In the kitchen, actually," we flash back one more time to the moment Bluey took her first steps, crawling backwards into the kitchen and seeing Chilli working at the counter. "The kitchen?! Why in the kitchen?!" Bluey exclaims as baby Bluey starts pulling herself up on a cabinet. "I don't know!" Chilli laughs. As baby Bluey starts taking her first shaky steps, the camera switches to Bluey's POV, looking up at her mom, and we hear Bingo suggest, "Maybe you saw something that you wanted." Then Chilli turns and we see her shocked smile as she sees Bluey walking towards her.
There is so much genuine sincerity packed into that show. And that is why parents love it so much.
In Australia we have this cartoon for toddlers called Bluey. It's very good, models positive family relationships well and teaches good practical and emotional lessons to very young kids. But what I have recently learned on youtube is that Americans are OBSESSED with it. Why. This might be the most interested the US has been in Aussie tv since Neighbours.
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bathroomcryptid · 1 day ago
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The Real Housewives of the Imperium
A/N: This is just some bullshit my brain vomited while I was procrastinating other things. Enjoyyy
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Lore Drop™️ before we begin: In my personal headcanon of whatever the fuck this is, the wives of the Primarchs definitely act as a political arm of their respective legion/Primarch. They are the ones that involve themselves with the administration and nobility and royalty of the Imperium, and this is a role the Primarchs are happy enough to dump on them while they’re off fighting wars. It also means that the wives run into each other a lot.
Who Hates Each other?
-I would say no one really hates each other, but that’s a lie. The Red Lady and the Wolf Mother cannot under any circumstances be in the same room together, they will absolutely kill each other it’s not pretty.
-The Raven Mother, while not generally having any disagreements with anyone, is just around so rarely it’s hard to say she has any really good friends amongst the wives.
Who are friends?
-First, The Khatun has some freaky superpower that lets her get along with literally everyone and everyone loves her. She is literally everyone’s best friend and she loves it.
-Lady Lupercal, The Mother of the Salamanders, and The Khatun have seen everything. These were the first three spouses and the only Primarch spouses for a long time. Not only were they the first, but they were also the only three to have been with their husbands prior to the Emperor’s appearance. These three wrote the book and have a deep friendship because of their circumstances.
-The Lady of the Hydra, the Dark Lady, Lady Guilliman, Lady Lupercal, and the Lady of the Emperor’s Children are all somehow extremely good friends and it’s so bad for everyone’s health because these women SCHEME. If you fuck with them or their husbands they will have the entire Imperium legitimately thinking you sacrifice babies to pagan gods in your free time by the next cycle do not mess with them. They also will pull up to the function with the best gossip.
-A surprising friendship here - the Mother of the Salamanders and Lady Curze. Everyone was expecting the Red Lady and Wolf Mother round two with these two, but noooo, they get along like a house on fire and that’s what they’ll do to yours if you fuck with them. Whereas our Quintet of trouble up there will spin you around with their words, these two are more of the “corner you in a dark alley with a knife and threaten you within an inch of your life” type.
-The Lady of the Death Guard, Lady Aurelian, the Khatun, and Lady Kurze also float around each other because they are four of the genuinely nicest people you’ll ever meet and they subconsciously bond over it.
-The Wolf Mother and the Dark Lady are drinking buddies
How do they complain about their husbands/step-children to each other?
-Now when it comes to complaining? The Lady of Iron is there, first in line to start complaining about her husband and you know who’s right behind her? The Lady of the Iron Hands because I know in my heart of hearts she’s beefing with her step-children. Between these two there are literal hours of content.
-Even though those two are in a league of their own, most gatherings between these women usually devolve into complaints about their husbands.
-Fun fact: It’s actually during one of these complaint sessions that Lady Guilliman got the idea to ban paperwork from the bedroom.
-Although, some of these women are putting back breaking work into these men, so honestly, they deserve to complain a little
Who is talking up their husbands/step-sons?
-You know who’s not complaining? Lady Aurelian and the Lady of the Death Guard on god they love their husbands more than anything and no one knows why because they are so hot. Deadass, they pulled up to the function looking like goddesses with baked goods and everyone else was like “…sorry, the Imperium’s Next Top Model is like two doors down”, but no they were in fact in the right place and everyone is still surprised.
-Also, be careful when it comes to mentioning the step-children because there are some *cough* The Mother of the Salamanders *cough* who keep a whole book of all their kids and their accomplishments on them at all times and they will yap on about them for HOURS. The Mother of the Salamanders is like one of those dads that have pictures of their kids accordion style in their wallet and they open it up and a whole string of pictures falls out but she has too many kids so she needs a book.
-It’s also a perilous topic of conversation around The Lady of Angels and The Lady of the Emperor’s Children because they will pull out their step kid’s artwork and they will make you look at it and compliment it. For. Hours.
-It’s not unheard of for particularly these three to be at events with the step-children and not shut the fuck up about them.
The Mother of the Salamanders: *to the person next to her* This is my son [insert Salamander name here]. He is just the most wonderful son ever. He just got back from defending a planet from Xenos! Look at this picture of him right after they claimed victory! *holds up a picture of said Salamander covered in blood looking majestic on the battlefield* And look at this sword he just made! He’s so talented! *proceeds to open a whole scrapbook, flip to said son’s page, and fold out a ton of pictures because they wouldn’t all fit on the paper* And look at this-
Salamander: *blushing under his helmet*
The Mother of Angels: *to the person next to her* You know, my son here [insert Blood Angel name here] is quite the performer.
Random Noble Probably: Ah, really-
The Mother of Angels: Yes! He’s just so talented! *pulls out a stack of photos* You see, this is him playing the piano, his first instrument, and then here you see he decided to try out the harp. He’s absolutely excellent at both and then- *continues chattering on and on*
Blood Angel: *flattered that Mom cares so much*
The Lady of the Emperor’s Children: *sits down next to someone* Hello, lovely, how are you?
Random Noble: Ah, My Lady, I’m well and you?
Lady of the Emperor’s Children: Ah, I’m spectacular. Say, have you met my son [insert Emperor’s Child name here]?
Random Noble: We have not had the pleasure.
Lady of the Emperor’s Children: Well, this is [insert name again]. You know, he’s quite the talent, almost perfect at anything he tries his hand at. You know, he recently picked up painting. *starts rummaging and pulls out a stack of photos* See, here was his first one. I was so surprised at how good he was on his first try, and then he followed it up with this one and I was absolutely blown away! *Off she goes on a tangent*
Emperor’s Child: *can’t tell whether to be flattered or concerned that Mom has that many pictures of him*
-Though they aren’t the only three culprits of this, most of them have done this, the rest of them, though, usually shut up after about an hour or two and only have a few pictures on them of their step kids.
-cuts over to the Lady of the Iron Hands and her step-children who are trying to growl at each other around a very tired looking Ferrus Manus who is sat between them.
-though, most of these women love to brag about their step-children and how great at everything they are.
-The Lady of Iron is also another big culprit, she loves showing off her step-kids. She has also threatened Perterabo within an inch of his life when he’s ragged on his kids.
-The mental health of the Iron Warriors rose significantly once the Lady of Iron was apart of the picture.
-Almost as much as they like bragging about their husbands.
-As much as they complain, this is a group of the most fiercely loyal group of women you’ll ever get in a room together.
-They hear a whisper of a complaint about their husband? It’s over for you, you’ll be dead or wishing you were by dinner. They hear you praise their husband? You’re not leaving until they’ve told you every amazing thing their husbands have ever done in their lives.
The Ultimate Uniting Factor:
-There is one person, one man, in the entirety of the known and unknown galaxy who has the ability to bring these women, even the Red Lady and the Wolf Mother, together like nobody else: Big E
-If you mumble under your breath anything that could possibly be construed as a complaint against the Emperor of Mankind then you may as well have shined the Batsignal in the air because these women are coming out of the woodwork.
-Now they are all here and they have all involved you in a conversation that couldn’t be construed as anything but absolute treason if it were to come out of anyone else’s mouth
-If you were to put these women in a room together and point a camera at them and let them talk for a few hours, every single time it would devolve into irate ranting about Big E. You would never catch a kind word about Big E falling from their lips.
-The Emperor won’t step foot in the same zip code as these women because he understands that they are down every second of every day to literally evict him from life.
-The Emperor literally started a crusade as an excuse to leave Terra because he got word that the Khatun was on her way.
-Say what you will about the Emperor of Mankind, he’s smart enough to know that these women will end him where he stands if they ever get their hands on him.
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bennyboyfics · 2 days ago
Note
i loved your pranking ben fic soo much!!! How about instead of pranking ben they do the same prank but ben is the one being mean to the reader in front of his parents? Again, I love your work and tysm<3
Pranking his parents || Ben Shelton x gf!reader
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A/n: THANK U SO MUCH!
Wc: 866
Warnings: none
MASTERLIST
-
You sit beside Ben in the car, your fingers intertwined as he drives toward his parents’ house. The late afternoon sun filters through the trees lining the quiet street, casting golden streaks across the dashboard. “You sure about this?” you ask, glancing at him with a teasing smile. “Your mom might actually disown you after this.”
Ben chuckles, dimples flashing as he glances at you. “She loves me too much for that,” he says confidently, then adds, “But she might slap me upside the head.” You laugh, shaking your head. The prank was simple—Ben was going to act like the worst boyfriend imaginable, treating you with uncharacteristic rudeness in front of his parents just to see their reaction.
His mother, Lisa, was fiercely protective of you, having welcomed you into the family with open arms from the moment Ben introduced you. His father, Bryan, was the more laid-back one, but he had a quiet way of making his disapproval known. Neither of them would take kindly to their son acting like an arrogant jerk toward you.
As you pull into the driveway, Ben exhales dramatically, “this should be fun.” You squeeze his hand one last time before stepping out of the car, the warm Florida air wrapping around you. Lisa greets you first, pulling you into a hug before stepping back to eye you up and down like a proud mother. “You look beautiful, sweetheart,” she gushes.
“Thanks, Lisa,” you say warmly. Ben, still standing by the car, scoffs loudly. “Can we go inside already? We don’t need a whole red-carpet moment every time we come over.” You bite your lip to keep from laughing. Lisa’s brows immediately furrow, and Bryan glances up from the porch, his relaxed posture shifting ever so slightly.
Inside, the familiar scent of home-cooked food fills the air, and you follow Ben into the living room, settling onto the couch. His parents sit across from you, chatting about their day, until Ben leans back with a groan. “God, can you not sit so close?” he mutters, shifting away from you on the couch. Lisa’s head snaps up. “Excuse me?”
You feign embarrassment, casting your gaze downward. “Sorry,” you mumble, playing into the act. Bryan sets his drink down with a little more force than necessary. “Ben,” he warns, his voice even but firm. Ben shrugs. “I’m just saying, she’s always, like, all over me. It’s suffocating.” Lisa’s lips part in pure horror.
“Benjamin Todd Shelton, what did you just say?” Ben stifles a grin, quickly adopting a smug expression. “Y’all act like I can’t have space in my own relationship. She’s always doing something annoying—” “Are you out of your damn mind?” Lisa cuts him off, eyes blazing. “I didn’t raise you to talk to a woman like that, let alone your girlfriend!”
Bryan leans forward, his expression unreadable. “I don’t know who you think you are, son, but you better check yourself real quick.” “Bryan,” Lisa turns to her husband, gesturing wildly at Ben. “I— I have never been more ashamed. I don’t care how famous you get or how many matches you win, if I ever hear you speak to her like that again, so help me God—”
Ben finally cracks, bursting into laughter, and you can’t help but giggle as well. Lisa’s anger falters, her narrowed eyes darting between you two. “Oh, my God. Are you— is this a joke?” Ben wraps an arm around you, pulling you close. “Yeah, just a prank.” Lisa stares for a moment before smacking Ben’s shoulder. “Are you kidding me? You little—”
Bryan sighs, shaking his head with a smirk. “Damn, boy. I was about to ground you, and you’re a grown man.” Lisa exhales sharply, pressing a hand to her chest. “Don’t you ever do that again. My heart can’t take it.” Ben grins, kissing your temple. “So you do like her more than me.”
Lisa doesn’t hesitate. “Of course I do!” You beam, snuggling into Ben’s side. “I told you they’d take my side.” Ben groans dramatically, but his parents just laugh, shaking their heads. It was safe to say—prank or not—Lisa and Bryan were never going to let their son treat you any way but right.
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everwhovian · 3 days ago
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There is something so tragic about the sibling bond In-ho and Jun-ho have
Ever since I got obsessed with Squid Game, their relationship stood out to me, and I'm a sucker for hurt/comfort and family and just imagining In-ho meeting his baby brother for the first time, giving him A KIDNEY and then he has to shoot Jun-ho and it's so tragic!
Anyways. I wrote something. Instead of studying for my exams... enjoy!
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(a small glimpse into In-ho and Jun-ho's relationship as Jun-ho grows up)
masterlist | next part
what remains. | Hwang brothers
The room was dark. In-ho stood frozen in the doorway, fingers tightening around the strap of his bag. He reached out, fingers hovering over the switch, but he didn’t flick it on. The only light spilling into the room came from the hallway. In-ho waited. His eyes adjusted to the dim glow flickering through the curtains, casting soft shadows over the crib in the corner. It was smaller than he expected.
In-ho swallowed hard. He’d known about the baby for weeks now, but knowing and seeing weren’t the same. This wasn’t just an idea anymore, some distant concept of a sibling. No, this was real.
He hesitated, still standing perfectly still in the doorway. In-ho could recall the voice of his mother, the disgusting tone when she told him about his father and his now stepmother. Growing up, In-ho had always known that his parents had issues, but seeing the living breathing consequence of those issues… the reason why his parents finalized their divorce…
He shook his head. He banished the voice of his mother, biting his own underlip to keep the traitorous words inside his mind, he didn’t want to repeat those words. The baby was not at fault for his parents’ issues. It was wrong for his mother to blame an innocent child.
He let the trap of his bag slip from his shoulder, slowly placing the bag down on the floor, before he dared taking a step into the room. It was so quiet. He took step after step, hesitantly, his footsteps barely making a sound against the floor. He stopped mere inches away from the crib, his torso bending forward until his arms rested on the wooden railing of the crib. He peered inside.
The baby stirred, his tiny hands curling into fists, his chest rising and falling with quiet, even breaths. In-ho stifled a gasp, taking a deep breath through his nose. He reminded himself that he had known about the baby – this half-brother – but standing here now, watching the rise and fall of a life so new, so fragile, made it real in a way he hasn’t prepared for. This was real. His half-brother was real.
And for the first time in his sixteen years, In-ho wasn’t sure what to do next.
He couldn’t remember what he had expected to feel. Maybe nothing. Maybe resentment, fuelled by his mother’s venomous comments. But instead, there was just… silence. A strange, hollow kind of stillness.
The baby. His half-brother. His father’s child. A stranger, and yet, blood. Something unfamiliar tightened in his chest.
He didn’t know how to be a brother, he’d never thought he’d have to be one. While he focused on the baby’s tiny chest, counting the quiet, even breaths, he wondered if that even mattered.
In-ho glanced at the small dresser next to the crib, recognizing the stuffed toy sitting on it. A tiny smile tugged on the corner of his mouth. It was his stuffed toy. The same well-loved duck In-ho had carried around everywhere when he was a toddler. In-ho had sifted through his desk months ago, when his father first acknowledged the existence of the baby, and had given the duck to his stepmother in lieu of a proper present. Now, the duck sat next to the crib, watching over the baby, as if a part of In-ho had been there all along.
His eyes drifted from the duck to a framed photo and next to it, a neatly embroidered blanket draped over the edge. The stitching was slightly uneven, like someone had done it by hand, but the name was clear enough: Jun-ho.
In-ho swallowed, unsure what he was even doing here, what he was supposed to feel. His hand hovered hesitantly over the crib before, without thinking, he reached down.
Jun-ho was so small, impossibly small. His face soft and peaceful in sleep. In-ho’s fingertips brushed against the warm, delicate skin, and then – tiny fingers curled around his own.
In-ho froze.
Jun-ho’s tiny fingers were warm and oh so small, but still holding on with surprising strength. He didn’t even know who In-ho was. He didn’t know what a brother was, didn’t understand the weight of the world, or the choices that had led to this moment. But none of that mattered. He held on anyway. Without question. Without hesitation.
In-ho swallowed hard, his throat tight. It was a strange thing to be trusted so easily. No one had ever handed him trust before. He had always had to earn it, to fight for it. But here was this tiny, helpless baby, offering it without a second thought. It was terrifying. And it was something else too – something he couldn’t quite name, something that made his chest feel heavy and hollow at the same time.
Jun-ho trusted him. Expected him to be there. And for the first time, In-ho realized just how much that meant. Because if this baby trusted him… maybe, just maybe, he couldn’t let him down.
❛ ━━━━━━・❪ 〇△□ ❫ ・━━━━━━ ❜
At first, it was awkward. In-ho didn’t know what to do with the warmth in Jun-ho’s mother’s voice when she spoke to him, with the way she smiled at him like he belonged, like she wanted him there. It wasn’t something he was used to.
His own mother had never been soft. She had been distant, cold in ways that left a quiet, aching gap in his childhood – one that had long since hardened over. He had learned young that comfort was something other people had, that tenderness was a luxury he was never meant to expect.
But Jun-ho’s mother? She was different.
She cared. Really cared.
She never treated him like an outsider, never hesitated to make space for him. She asked if he had eaten, if he was sleeping enough, if he needed anything. She left out an extra plate at dinner without asking if he would stay – because she already knew he would. She called him son in passing, like it was the most natural thing in the world.
And it scared the hell out of him.
Because it was easier to be distant. It was easier to stand just outside the warmth of their family, to tell himself he was only here for… he didn’t even know why he kept coming back to them. He told himself that it was because of Jun-ho, not because some part of him wanted to come back.
But then there were nights when he was dead on his feet, exhausted from school, from work, from everything, and his stepmother would press a warm mug of tea into his hands and tell him, “You’re doing a good job, In-ho.”
And something in him cracked.
Because no one had ever said that to him before. No one had ever looked at him like he deserved to hear it.
He didn’t know how to be her son. He wasn’t sure if he ever could be.
But she was still there. Quietly. Patiently. Loving him in all the ways he had never been loved before.
And maybe, just maybe, he wasn’t as alone as he had always thought.
❛ ━━━━━━・❪ 〇△□ ❫ ・━━━━━━ ❜
The first time Jun-ho wobbled on unsteady legs, his tiny hands reaching out for something, someone, to hold onto, it wasn’t their father who caught him. It was In-ho.
It had always been In-ho.
He hadn’t planned for it to happen. It wasn’t like he’d woken up one day and decided to be the one to catch Jun-ho when he fell, to be the hands that steadied him, the voice that soothed him, the constant presence in his world.
Their father had always been good at disappearing, of slipping back into old patterns like a man following a well-worn path. His promises were always soft, always fleeting. I’ll do better this time. I’ll be around more. I won’t let you down. But he slipped through the cracks and made himself absent in a way that felt intentional, like an old habit he never quite shook. Falling back into old habits was easy after all. Stepping up? That had never been who their father was.
So, when Jun-ho took his first steps, it was In-ho who knelt in front of him, arms outstretched, waiting. It was In-ho who cheered when tiny feet stumbled forward, and who caught Jun-ho before he could hit the ground. It was his name that Jun-ho spoke first. The syllables clumsy but clear, unmistakable.
Not ‘Appa.’
Resentment burned in In-ho’s chest, sharp and steady. Because every time their father returned like nothing had changed. But everything had changed.
It was In-ho who caught Jun-ho when he stumbled, who soothed his cries, who stayed. And yet, Jun-ho still looked at their father with hopeful eyes, too young to understand that he would always leave in the end. But In-ho knew. He had learned that lesson long ago. And no matter how much he resented the man who should have been here, he swore that he would never be like him.
It wasn’t fair. None of this was fair.
But Jun-ho didn’t know that. He didn’t know what he was supposed to have, what he was supposed to be missing. All he knew was that when he lifted his arms, In-ho picked him up. When he cried, In-ho answered. When he reached for someone to hold onto, someone to trust… it was always In-ho.
And with every moment, every milestone, the role of ‘older brother’ blurred into something bigger, heavier, something that settled deep in his chest and refused to let go. He wasn’t just a brother anymore. He was something else. Something more. He was the one who made sure Jun-ho never went to bed hungry, the one who stayed up through fevers, who soothed nightmares, who stayed when their father didn’t.
He hadn’t asked for this. But Jun-ho hadn’t asked to be left behind either.
So, In-ho stayed. Because someone had to. Because Jun-ho trusted him. Because the moment he had reached into that crib and felt tiny fingers wrap around his own, there had never really been a choice.
❛ ━━━━━━・❪ 〇△□ ❫ ・━━━━━━ ❜
In-ho built his life on his own. He put himself through university, became a detective, and earned everything with his own hands; his own effort. He never once turned to his absent father for help, never relied on his stepmother’s kindness, even when he knew she would have given it freely. Not because he didn’t appreciate her, but because he still didn’t know how to. He had never relied on a parent before. He had learned young that no one would catch him if he fell, so he made sure he never stumbled.
And he knew it hurt his stepmother. Knew she wished he would lean on her the way Jun-ho did, that he would let her be his mother, too. But the lingering thoughts never left him: “if he accepted her help, wouldn’t that mean he was taking her for granted?”
Wouldn’t that mean he expected her to stay, when he had spent his whole life learning that people didn’t? So, he kept his distance. He loved her in the only way he knew how: by never being a burden. And maybe that hurt her more than anything else.
When In-ho left for university, Jun-ho was only two years old. Small and wide-eyed, his little voice filling the house with endless questions and more often than not, it was In-ho he called for.
Leaving wasn’t easy. Not because he doubted his choice; he had worked too hard to get into university, had spent too long making sure he would never have to rely on their father for anything, but because of Jun-ho. Because every time he packed his bag to go back to school, Jun-ho would waddle after him, grabbing at his pant leg, his voice high and insistent. “Hyung, no go! Stay!”
And it nearly broke him.
He came home as often as he could, squeezing visits in between classes, taking overnight buses just to be there for a few days. It was exhausting, but the moment he stepped through the door and Jun-ho came racing toward him, arms outstretched, eyes shining as he shouted “Hyung!” – it felt worth it. Jun-ho would climb onto his lap, showing off new words he had learned, babbling about his favorite toys, his favorite songs, everything he had stored up to tell him.
But the visits never felt long enough. Before he knew it, he had to leave again. And each time, Jun-ho got a little bigger.
By the time In-ho became a police officer, Jun-ho was six already, just starting school, but still clinging to him whenever he came home. No matter how long he had been gone, no matter how much time passed between visits, Jun-ho’s face always lit up the moment he saw him, like nothing else mattered.
But the visits weren’t as frequent anymore. Work kept him busy, cases ran late, and sometimes, even when he wanted to, he just couldn’t make it home. And that was how, one afternoon, he found himself running late to pick Jun-ho up from school.
By the time he pulled up in his patrol car, the schoolyard was empty. Except for Jun-ho, sitting alone on the steps.
His little backpack rested beside him, too big for his small frame, his legs swinging idly as he watched the street. But he wasn’t upset. He wasn’t crying. He wasn’t even restless. He was just waiting. Waiting for In-ho.
The guilt hit hard. Harder than it should have. He had tried to get here on time. He had rushed. But life, work, had gotten in the way, like it always did. And just for a moment In-ho compared himself to their father.
When he stepped out of the car, Jun-ho’s head lifted immediately, his face breaking into a bright, certain smile.
“Hyung!”
He jumped to his feet, grabbing his bag and running toward him without hesitation. No frustration. No disappointment. Just the absolute trust that, late or not, In-ho would always come.
In-ho crouched as Jun-ho threw his arms around his neck, squeezing tightly, as if he hadn’t just been sitting there alone.
“Sorry I’m late,” he muttered, ruffling Jun-ho’s hair.
“S’okay!” Jun-ho chirped, pulling back just enough to grin at him. “I knew you’d come!”
And that was what got to him. The unwavering belief in his voice, the simple, unshaken certainty that no matter how long he had waited, there had never been a doubt in his mind: his hyung would always come.
Swallowing the guilt, he nodded toward the police car. “Wanna ride in the front?”
Jun-ho’s eyes widened. “Really?”
“Really.”
Jun-ho scrambled in, his excitement bubbling over as he settled into the seat, his feet barely reaching the floor.
As In-ho buckled him in, he made a silent promise to himself. No matter how much time passed, no matter how late he was – he would always come back. Because Jun-ho never doubted him. And he never would.
masterlist | next part
(edit [10/02/25]: I posted these scenes separately again cause I made a masterlist, and it's easier to organize the scenes chronologically like that. all next parts will be linked through the masterlist!!!)
So.... yeah. I apologize for any weird sentences. English isn't my first language, and while I do study English, actually writing non university related stuff in English is something I haven't done in years! Can you believe it?
I definitely have more little scenes and scenarios planned with In-ho and Jun-ho, like In-ho meeting his wife and Jun-ho wanting to become a police officer like In-ho. Just some cute family bonding stuff! And some hurt/comfort cause In-ho does give Jun-ho a kidney....
I think I will cross post this to Ao3 too! When I'm certain that I have every little scene I want for a first chapter: maybe up until In-ho's wife gets sick? And then the second chapter might be about In-ho's games and how he became the frontman.
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lilithofpenandbook · 2 days ago
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Discrediting the canon because the author's a bigot is, frankly, rather stupid. You're not making it any less "problematic" by completely changing the characters' personalities, especially if you're still using the characters' names, and making them "queer". And I'd argue it's a very poor, uninteresting version of queerness, especially when you take the canon into account and how much more potential there is to explore those characters as queer.
Sirius Black, hyper-masculine to a serious fault. Aggressive, abusive, everything about his family that he hates but that he's not taken time to unlearn. Why not explore him, in his mid thirties, watching as everyone looks at him with something akin to pity, because poor Sirius, acting like this in such a grown age, poor man is rather pathetic, isn't he, and starting to question why. Why does everyone see him like that, and not how he wants them to see him? And he ends up slowly unlearning his toxic behaviour that way.
Or Sirius, being a trans man. The start of his battle with his mother over his very identity as a boy, not the perfect daughter she wanted. And it's established in his mind very early: womanhood, feminity itself, is bad. And he doesn't unlearn that in Hogwarts. He bullies Snape, who's clearly feminine in his very nature, unable to fathom why someone born a man would ever behave in that way, unable to understand his viewpoints are wrong, skewed by his childhood resentment and trauma.
Remus, he could so easily be queer, and had to hide it to fit in with his friends. Joining in with bullying Snape, as a way to make up for his "wrongness". Heck, even Peter could be queer and still in line with his canon personality.
Severus Snape? He's written like a female character. He is easily the queerest one. Heck, the bullying he faced even lines up with it.
Take those characters with their true flaws and faults, make them queer, and you've got a far more complicated story than the fanon version. Then again, perhaps they're too "flawed" for you. Perhaps they're too real, too human in those flaws.
This fandom is a fun place to do what we want, yes. But if you have to completely remove the characters' personalities, bring people in via the medium of ooc fanfiction, and even hound on people who actually point out the canon personalities of the characters and who want to see said canon, then you're in the wrong fandom. Full stop. And for all JKR's bigoted attitudes, she still wrote the story. You can't take that away just because she's a bad person. That's not how people work. Horrible people can create brilliant things. Bad people can create good stories, good characters. It's childish to immediately view something made by a bad person and ignore everything they made while still using it. You're not "reclaiming" it, or flipping the bird at JKR for creating this ooc fandom in any way.
You can like the series despite the author who wrote it. And if you can't, if you have to change everything to like it, then you don't like the series, and you need let go of the names taken from it. Call it an AU, even.
But don't go acting like there's no canon, and that people are wrong for wanting canonically accurate interpretations, because they fell in love with those characters, despite the author who wrote them
ppl be posting shit like "I miss canon Marauders"
Babes, there is no "canon" Marauders. Most of the shit ya'll think is canon, are just old headcanons that used to be widespread before other (usually queerer) headcanons gained popularity.
There is so little information about the "canon" Marauders - and even the info we have cannot be trusted because it's usually memories, influenced by a character's bias - that trying to make a somewhat comprehensive character out of the given material is impossible, let alone 4 characters.
Everything is fanon. Everything is headcanon. And that's the beauty of this fandom.
(Ofc my favourite part is when something actually is canon via the books or movies, and people reject it as fanon.)
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kathelovecatsandfeminism · 3 days ago
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He's Rick
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warnings: rick grimes x reader; angst with happy end; smut; a little of spanking; pet names; rick needs a hug; mention of lori, carl and judith; p in v; unprotected sex; confession of feelings; fluff; heavy eye contact; no use of y/n; The spelling has not been fully revised and it is always good to remember that English is not my first language, so be nice. I think that's all.
Night had already fallen over Alexandria, but unlike sleeping on the road, here the darkness was not dangerous, the dim lights of the streetlamps dispelled the darkness, as did the lights from the windows of some houses. It didn't seem real, a place to really live, a house to take care of and a comfortable bed to sleep in, clean clothes, vegetable gardens for the kitchens and generators bringing the heat of the lights, it didn't seem real after so much death, so much human decay that had passed before your eyes.
It also seemed very ungrateful of you to be feeling so miserable while others celebrated the blessing of being able to “celebrate” the life that walls provide. You still didn’t know how you felt about it, “normality” was almost a stranger to you now. Your mother would have said “ungrateful girl.” You didn’t like to think about her. 
But the sadness was there, settled in your chest, painful and suffocating after so much crying, eyes red as the tip of your nose. That was why you were standing in the kitchen, dressed in a pretty dress — a gift from Deanna — you wouldn’t allow yourself to be seen like this. It’s funny how the most subtle thing can make us crumble. So why?
…..ah grimes, that was it wasn’t it?
It all started with an innocent conversation, because the devil is in the small details.
You were invited by Deanna for a short horse ride around the city, a bureaucratic conversation, you always knew how to sniff them out at your old job, at home. The group was causing problems, no….. no, Rick was causing problems and you were Rick's right-hand man, it was rational to turn to you, wasn't it?
But again no. For Deanna it was natural to turn to his woman, because is this what you were, obviously….. weren't you?
She must have noticed the moment when confusion turned to realization and ended in disappointment on your face, because she - very delicately - apologized for the assumption, it took a lot of strength in you to utter a simple "don't worry". The ride home was silent.
An observation took over your thoughts, between constant escapes, arguing and surviving today to fight tomorrow, you never had the privilege of being able to think about the meaning of your relationship with Rick, worse, you never wanted to actually face what you knew you felt for him. There are commanding words of priorities in your mind that developed to find a home here, somewhere along that path the two of you became inseparable, to the point that seeing one could have found the other too.
You knew him from before the zombies, your father was an officer of his officer, you saw each other a few times and talked even less, he seemed like a good man. But now looking back he was always there, he covered your back - even too much - and you did the same for him. He helped him with the children, maybe a little more than the others. It had been a while since Carl had asked you to comb his hair, even with your fingers, it had become a habit and you knew who he was pretending you were.
Judith was still a little thing who liked to sleep with you
Rick helped you with your younger sister - teenagers are worse in the apocalypse - she couldn't help but believe in the loss of her parents and sometimes she was filled with rage because you hadn't come back to look for them - but there was nothing to come back to - she screamed and pushed you like a child, in those moments it was Rick who calmed her down, you never knew how he did it. 
Not that everything was perfect, you fought too and badly, two stubborn people when they thought they were sure of something. It was Rick who made peace most of the time.
 No matter what happened, one would find the other like a magnet, he had promised you that when your world fell apart and only he was there to lift it up. It was in his arms that you slept on very cold nights. Having him seemed right, there was something there, something that until then you pretended not to see. 
But did you really have him?
Admitting to Deanna that you weren't hurt, it burned your skin and the wounded pride created a balloon in your throat that made it hard to breathe, you cried.
For some reason you felt so small and ashamed, you didn't have the courage to question him, what if he thought there was nothing to question? just a good friend and nothing more? Your head hurt, because everything was so confusing, you weren't ready to see him again.
It had been a week since the conversation with Deanna, a week since you gave a flimsy excuse to Rick and Carl, that Michonne needed you close. A week since you ran away like a coward. It was in her kitchen where you cried.
but he's Rick, he knows you
So it was no surprise when he appeared at your door - Michonne's door actually - breathless and blushing as if it had been hard for him to come here.
"hi"
"hi" came out almost silent
You both spent a few seconds standing in the doorway, his eyes were so warm - even if more tired than usual in contradiction to the new reality that out of habit or a second nature of yours, you moved away so he could enter, there was not a single day that you denied him from entering your life or your heart.
You walked towards the kitchen and in silence he followed you as he always did.
Rick in the dim yellow light of the kitchen looked more handsome than ever. He had gotten rid of all that beard, his hair was still wet and combed back, with curls at the ends indicating that he had just gotten out of the shower. He wore a white shirt that was tight on his biceps, a little short above the waistband of his pants, a worn blue wash, he always looked good in blue - he looked younger - and he wore those damn boots on his feet. 
He was still as handsome as the day he came back into your life, a certain warmth settled in your chest. 
However, as much as he looked good, he also looked defeated, shoulders slumped and red, tired eyes with a big crease above them. 
Like when you finally recognize that there is something in the corner of your eye and now it is no longer possible to ignore that space, after having looked at what you felt for him, you could not ignore the desire to be held by him, to kiss the newly discovered skin, to hug him tightly.
Stopping in the middle of the kitchen, you turned around, putting some distance between you two. You expected him to break the silence and reject you right away, maybe that would be the “easy” solution, after that you could move on and pretend nothing had happened, but when he held your gaze with such tenderness and sadness at the same time, you quickly looked away, unable to accept anything from him, that was going to hurt. He took a step closer with his arm half raised as if he wanted to comfort you, but he hesitated. The truth is that he knew why you were running away from him like a wounded deer. He had insisted enough with Deanna to get a half answer and then it was easy to put everything in place. 
There was this big elephant in the room of unsaid things, where to start? Rick wasn't proud that he had placed you in a limbo of uncertainty, the dynamic between you two was so domestic in contrast to the reality you lived in, like when he fell asleep in your arms while you brushed your hair with your fingers after a really, really bad day and he didn't feel worthy of you or how despite his distraught state, his eyes always softened when they met your face.
He wished he had told you how he had come to keep Lori's wedding ring - a bitter reminder of everything he had been through - in his pocket because your expression would turn sad whenever you played with it on his fingers. 
Oh, and Lori... 
He couldn't protect her, no matter how hard he tried, it wasn't enough in the end, and then came the nightmares in which he couldn't save you, he always became more distant after them. Irrationally loving you seemed to cast a dark shadow over you, putting you in danger, but moving on without you? It seemed to condemn him to wander with a big hole in his chest.
He spent so much time holding back, as if his mere touch would make you break.
Rick was a cowardly and stupid man, incapable of giving himself to you, fearing the day he would lose you.
A stupid and cowardly man... a coward... a coward, he was already losing you and worse, because you thought he didn't want you.
"I'm a coward" came out without realizing it, he had assumed that serious tone he used when he took control of a situation, the southern accent was stronger. He caught your attention, but your eyes continued to focus on a point behind him, always avoiding his eyes.
"What?"
Rick took another step closer.
"I'm a cowardly man who doesn't deserve you" confusion adorned your face in the dim light of the weak yellow light.
“Too cowardly to admit it…..damn it!” He ran his fingers through his hair, anxious.
Rick looked disconcerted, lost, it wasn’t normal to see him like this only when his shoulders were very tired and he inevitably ran to find some comfort in you.
Seconds of silence passed, as if he carefully considered his next words.
Then the moment passed and his shoulders straightened.
He slowly approached you while you backed away like a skittish animal, he stared so intently into your eyes that you felt completely exposed. The slow chase ended when your back hit the kitchen counter, cornered, the proximity, how intimate everything seemed, your mind spun in circles chanting his name. That was one of the problems, he took you out of your orbit.
both of his calloused hands went up your neck to cradle your face, so delicate, now the only distance between your bodies were the atoms of air. his touch almost burned your skin, even if you were reluctant you melted with the heat that emanated from his body.
it was no longer possible to escape from those blue eyes, noses brushing, mouths open and tense breathing “It’s a broken world and you’re the only thing that puts it back together” he continued to rest his forehead on yours “til my last breath, I am yours because I love you”
Shock took over your face, never in your most idyllic dreams would you imagine this scenario, so vulnerable because he loves you. Love is too strong a word to play with. Rick wasn’t the type to play with his word.
“you love me?” you asked in a whisper, afraid of the answer, then he started running his fingertips through your hair, over your face, saying a silent “beautiful” more to himself than to you “I think that’s what it’s called, isn’t it?” he looked at you curiously “I always come back to you, even if it’s crawling, but I come back. It’s your face that my eyes search for in a crowd, it’s your opinion that I seek before any decision, it’s your smile that makes all this mess worth it, it’s another reason to survive and when I see you with the children….. God, it’s like coming back to a home I didn’t know I had, it seems almost immoral to have this at the end of the world… I’m afraid the universe is waiting for me to take what I want just to take it from me, believe me, I couldn’t go on without you. So yes, I love you.”
You knew many things about Rick, how he likes his drink, about his grandfather in the war, about how to read his gestures, but mainly that he was a man with a good and kind heart and above all honest.
The light made your eyes bigger and brighter with the tears that were now flowing, which were becoming a sob and then a loud cry, but it was okay, he is Rick, he knows you, so smiling and sighing a “come here” he held you tight in his arms, wetting his shirt. Slowly he adorned the top of your head with kisses, reducing the crying, the tears gave way to a big smile. You pulled away so you could look into his eyes, which to your surprise were also teary, but he smiled broadly, both of you sharing a look.
 Silence fell in the room, but it was light and calm, of accomplices who had shared something very sacred. Rick took one of her hands and lifted it into the air as if preparing for a waltz. “In a perfect world, I would have told you this after a fancy dinner and taken you dancing.” You couldn’t help but smile, he was always an old-fashioned guy. 
“I like to dance.”
 “I know.” Using the hand that was in the air, he spun you around in his arms. 
“You always know.” It was like being a little girl again, cheeks burning and all. 
“Can I kiss you?” he asked, humming in agreement. 
“You should.”
In the blink of an eye, he had you in a very tender and deep kiss, as if he regretted all the kisses he had wanted to give you but couldn't. It didn't take long for him to become fiercer, hungrier, his hands were clenched in the back of his shirt, as if he was afraid the moment would evaporate like a dream.
Testing the waters, one of Rick's hands went down to your hip, gently, but giving it a light squeeze. You sighed, there was a hunger in you that was no longer possible to contain
"Take me to the room, please" you asked slyly
"Yes, ma'am" and as if you weighed nothing he picked you up and you wrapped yourself around his hips, sharing small kisses as you went up the stairs. Between kisses, you found yourselves unable to hold back your giggles, it was good.
Entering your room, he carefully laid you down on the bed and for a brief minute just kept looking at you as if he needed to convince himself that this was real, that something good and beautiful could be born in such a vile world. The moment was only broken when you extended your hand inviting him. Gratefully, he took off his white shirt, throwing it somewhere in the room and lay down between your legs.
 It was strange to be like this with him, but at the same time so familiar, as if it were right. You pulled him in for another hungry kiss with tongues, teeth and all, running your fingertips over the muscles of his back, pressing him against you. He moaned into your mouth, needing his hips against yours, eliciting a moan from you. 
He went down to your neck, distributing wet kisses to soothe the marks he was leaving - something intimate in him liked the idea of ​​claiming you publicly - going down to your collarbone and only stopping over the bust of your dress, searching your eyes in a silent request. He laughed at the intensity with which you nodded. 
He made sure to lower the straps very slowly, but it didn't take long for him to grab one of her breasts as soon as they were exposed. While he licked and sucked one, he played with the tip of the other with his fingers. When he was satisfied, he reversed the order.
By now you were a mess of moans and whimpers, rubbing against him in search of any friction. 
That day Rick discovered many things about you: first, you were loud - a pleasant surprise -; and second, you were sensitive as hell and he was going to take advantage of that.
He continued to move down your body, trailing chaste kisses along your clothed belly, nibbling on your dress, lingering on your lower abdomen while one of his hands lovingly brushed the skin on the inside of one of your thighs, almost reaching where you wanted, but pulling back just in time. He came back to my eye level "do you want to be good for me?" Oh, he wished he had a camera to capture your reaction, all blushing and goosebumps. Third thing - although he already suspected that.
No answer. Then the hand on your inner thigh went straight to your clothed center, taking you by surprise “baby, talk to me”
Your brain was already so far away and started to nod and only then remembered to answer “I want” clearly satisfied with the answer he got up from the bed, you almost protested against the loss of contact but when he pulled your legs to the edge of the bed and knelt between them, you already knew it was over
“this comes off” you lifted your hips so he could take off your panties “and this stays here for now” he bunched your dress at your waist.
You already knew you were very wet but when the cold air of the room hit you and Rick ate you with his eyes even more blush painted your skin.
 He brought his lips closer to your pussy, blowing only to see you squirm, smiling satisfied with the result. He looked at you with such hunger, you couldn't hold his gaze, but more knowing than you were his hand leaving a slap on your right thigh. When you turned your eyes to him it was clear on his face, pupils dilated in a stern look, jaw clenched, don't do that again. 
So you did... or tried to because when he gave a first slow and long lick between your folds by instinct your head fell back before you could come to, another slap, on your left thigh now. 
Damn bastard Rick Grimes
Leaning on your elbows, you looked at him again, trembling with desire as he sucked your clit with just the right amount of pressure. You were already high at this point because Rick would eat you out like a starving man. After a few more licks, two thick fingers poked your entrance, smearing themselves with your arousal and, to torture you, as a final blow, he inserted them while he curved them, hitting that exact spot - it was so different from yours, better, bigger and they were Rick's - and he went back to sucking on your spot. Thank God no one was home because you looked pathetic in his hands.
All you could think about was the pressure and the heat and the unfolding and growing in your belly, it was too much. Your back arched, your toes curled as you were a mess, reciting his name like a prayer
Rick…….Rick…….Rick
When his big hand reached for yours to hold while he pressed it against your hip to keep you in place while he intensified his actions until your peak reached you and you rode him fucking Rick's face
you came hard and loud, singing his name
he made sure to take every drop of you until overstimulation. When he got up from the floor, you could barely support yourself on your elbows to look at him. He licked his lips like after a good meal. Sucking his fingers and letting out a "sweet" he rested one of his knees on the bed and pulled you by the torso like a rag doll - very soft now - making you sit up "arms up" and he removed the dress over your head. He seemed so careful "good girl" he says and you couldn't help but tremble at those words, you wanted him inside you SO MUCH, so your hands flew to undo his belt and pants
"anxious?" oh that cheeky smile would kill you
“you have no idea”
“Ah….I can imagine, hon” he finished by giving a sweet kiss on the top of your head
When he stepped out of his pants and you were face to face with his red, veiny cock, already weeping with pre-cum. You wanted to feel the weight of it on your tongue - another time perhaps because you could swear you would start crying if you didn't feel him inside you soon.
You lay on your back in the center of the bed, spreading your legs wide for him. If you looked like the hot mess you felt, you would be lost.
He asked for your hand and you gave in. When he placed himself between your legs it was as if he belonged nowhere else than here, with you. He spent a minute hovering over your body, his eyes examining you, recording every detail, you were a very beautiful mess. He kissed you again, less hurriedly but equally hungry, his tongue playing knowingly with yours, biting your lips, pulling you towards him.
Anxiously, you tried to rub your hips against his - of course he noticed - he took your hand in his and placed it on his cock - you couldn't resist and applied some pressure, he shuddered.
With his hand on yours controlling the movement he brought the tip to your folds and played with them, making you squirm with anticipation, lubricating you well, threatening to enter. It was only after you called his name tearfully that he thought you had suffered enough, but Rick couldn't contain himself, he wanted to engrave this moment very well in his memory. You were all open on the bed for him, whimpering his name, you became very gentle in his hands, it was fascinating.
You had your heads together, staring at the spot that connected you when he finally entered you, both of you letting out a long sigh. He slowly went all the way in, until you felt his balls pressed against your ass - and god you could feel every bit of him, that stretch, filling you up just right - only for him to pull back almost all the way out and slam back into you harder. “look at me, baby” he called your attention.
Rick was an eye contact guy and you did your best to maintain it as your eyes rolled back in pleasure. He built a steady, deep, passionate rhythm, hitting that spot that made your brain short out every time, your back arched, you wrapped your legs around his waist, skin to skin, hot, sweaty, your hips racing to meet his. You smiled victoriously when he buried his nose in your neck and started moaning in your ear, your knot was tightening.
The temperature of the room had increased, a mixture of sounds of skin slapping, your meaningless pleas in the cloud of pleasure, Rick who will now return to mark your neck to suppress his own moans.
“Rick….please….please” you didn’t know what you were asking for but he is Rick, he knows you. his face came out of hiding in your hair, he gave you a quick kiss on the lips and pushed your knees against your chest, the new angle would be the death of you and by Rick’s state his too whose thrusts began to become erratic. You were very close to the edge, on the border between pleasure and consciousness and when Rick began to make circles on your clit you took his mouth in yours suppressing a loud moan as you came, your vision going white. Rick came soon after by the way you were squeezing him as you came down from your high. He may have drawn blood from your lips when he bit your lip as he released long, thick loads of semen inside you draining you of every last drop. He remained inside you even after he softened, the state of euphoria preventing you from thinking about the consequences.
You both collapsed together, it was a comforting feeling to feel his weight against you, you felt safe.
When his attention turned to study your face again, he looked calm, relaxed, happy - something very hard to see - he had such loving eyes and they looked at you, he took his time like that, serious, focused. You would never know, but in that intimate moment he made a promise, he would not allow anything or anyone to hurt you, he would not allow it. He knew you could handle it, you had already proven yourself many times, but you were still the woman he loved and nothing else mattered
it was you who took him out of the sea of ​​their thoughts
“hey, rick”
“hm”
“I love you too”
“yeah?”
“yeah”
He smiled broadly, inverting the position of the two and brought the back of his hand to sprinkle kisses there, that tender gesture made you smile. Rick was yours.
.....................................................
Today had been a long day of work in the city, the kind where you pretend you didn't notice you were taking a little longer to shower. It was the first place you went after getting home, the murder house - your house - that fact still made you smile at nothing. Before going into the bathroom to shower, you passed Carl and a small blond head heading out, in a hurry but not enough.
"Should I worry, Carl?" Dusk was slowly falling outside.
"No, no, Carol's new recipe."
"Where's your dad?"
"Daryl," the boy shouted over his shoulder. You answered with a low "Okay," too tired to think about it now. Right after the door slammed.
Okay, you may have taken too long because when you came out of the bathroom there was a dress on the bed, the one Rick liked to take off. Half curious, half suspicious, you put it on and went downstairs to get something to eat. Most of the lights downstairs were off except for the ones in the kitchen. You walked there, only to find a very well-dressed Rick - a button-down shirt with the tops open and black jeans - dinner on the table and a humble flower in his hand. “Rick” you called affectionately, tilting your head to the side with a smile on your face you were walking towards him but he stopped you in the middle of the way with a signal to stop, you don’t know exactly where he was hiding, but suddenly a melody started playing through the room, he came back shyly, took your hands in his, still holding the flower and you started dancing alone in the kitchen and you don’t remember feeling so loved because he's rick, he knows you
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msbigredmachine · 1 day ago
Text
New To This - Chapter 20
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MASTERLIST
WARNING: Heavy themes, Please proceed with caution.
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For the first time in weeks, the world around Delilah seemed at peace. Floating was a serene sensation, the weightlessness carrying her to a place of quiet tranquility. Free from worry, free from doubt, her mistakes drifted out of reach, dissolving into nothingness. Her mind emptied, her body unburdened. It was as if nothing else existed—nothing beyond the water, nothing beyond the surface. Here, she could not be touched. She could not be harmed. She could not be corrupted. She felt like a child again, safely protected in her mother’s womb, untouched by the world’s cruelty.
A sharp gasp tore from her throat as Delilah bolted upright, air stabbing through her lungs like a blade. Her chest rose and fell in uneven, frantic breaths. For a few disorienting seconds, she couldn’t recognize where she was. Her eyes darted around the dim room, her surroundings coming into focus—the soft lavender walls, the dresser lined with Simone’s carefully placed candles, the faint scent of vanilla in the air.
She was back in Simone’s house. Back in the guest bedroom.
Not floating. Not peaceful. Not safe.
The reality of it all sank into her bones like lead. The weight that had been lifted in her dream crashed back down, crushing her under its familiar heaviness.
She had gone through with it.
The tiny life that had once been inside of her was gone.
She curled into herself, pulling the blanket tighter around her body. She had known this would happen, had prepared herself, had gone to that clinic with her decision already made. Yet, it still hit her like a train. The finality of it. The silence in her body where something had been growing. Would she ever get the chance to be a mother again? Did she even deserve to?
A bitter scoff left her lips. She had sacrificed her unborn child at the altar of her wrestling career, right next to her failed relationship with Andre. She had made a choice. So why did it still feel like something had been ripped from her?
And Josh…
She squeezed her eyes shut.
She shouldn’t even be thinking about him. He didn’t deserve to be thought about. He had made it abundantly clear that this wasn’t his problem. That he wasn’t going to guide her, support her, or even pretend to care.
“I just want you to do what’s best for you.”
Bullshit.
He didn’t care. Didn’t care enough to have an actual opinion, to step up like a real man. He had been so sure when he kept having sex with her without protection, but when the consequences of that recklessness came knocking, he had nothing to say. To her, he had washed his hands clean of it, as if he hadn’t been the one to get her pregnant in the first place.
She blocked him the second she walked out of that clinic.
She wanted nothing to do with him anymore.
All she wanted was to get out of Pensacola, leave this chapter behind, and start over. She was counting down the days until she could be medically cleared and head out to Orlando. A fresh start. A new beginning.
But first, she had to get through this pain. Physical and emotional. She didn’t know how, but she knew she just had to.
--------------------
The afternoon sun was creeping in through the blinds when Delilah finally reached for her phone. She had ignored it for the past two days, but now, as she sat curled up in bed, she knew she owed one person an explanation.
Tank.
She Facetimed him, and after a few rings, his face appeared on her screen. The concern in his expression hit her immediately.
“Delilah,” he greeted, voice heavy. “Been wonderin’ when you was gonna call me back.”
She swallowed, her throat dry. “Yeah…sorry.”
Tank studied her through the screen, his jaw tightening. “You look like hell, girl.”
She let out a humorless laugh. “I feel like it too.”
He exhaled, rubbing a hand over his face. “Talk to me.”
Delilah hesitated, her fingers gripping the blanket draped over her lap. Then, before she could second-guess herself, the words spilled out.
“I was pregnant,” she admitted, her voice a hoarse whisper as she gauged the look of complete shock on his face. “I found out after I came back from Vegas.”
Tank remained silent, though the slight widening of his eyes gave his thoughts away. He didn’t interrupt, didn’t say anything, just listened.
She forced herself to continue. “It was Josh’s.”
His nostrils flared. “You said, was.”
“Yes. Was.” She glanced down at her fingernails, suddenly realizing she needed a manicure. “I…I didn’t keep it,” she confessed, her voice breaking at the end. “I couldn’t. Not with everything that's...not with the way he—he just didn’t care, Tank. He acted like it wasn’t even his problem.”
A long silence stretched between them. Then, finally, Tank spoke again, his voice low and laced with disappointment.
“That boy done lost his damn mind.”
Delilah’s throat tightened.
“I been knowin’ Josh for damn near two decades, but I ain’t never seen him be this much of a coward,” Tank muttered, shaking his head. “You ain’t deserve that, Dee. You hear me?”
She swallowed hard, nodding. “I had the procedure two days ago, that’s why you didn’t hear from me.”
“You did what you had to do,” Tank said firmly. “Ain’t nobody got the right to judge you for it. Least of all him.”
Delilah bit her lip, fighting the lump in her throat. She hadn’t realized how much she needed to hear that.
Later that evening, Simone tried her best to cheer her up.
“Come on, girl, you need to get out of this damn room,” she said, dragging Delilah into the living room. “CJ been askin’ for you all day.”
True to her words, her five-year-old nephew beamed when he saw her. “Auntie ‘Lilahl!” he squealed, launching himself at her.
Delilah managed a small smile as she scooped him up. “Hey, little man.”
CJ chattered away about his day, his excitement infectious. Even Clay, Simone’s husband, threw in a few encouraging words.
It helped. For a little while.
But the moment she was alone again, the weight returned.
----------------
The next morning, Delilah was ripped from sleep by the sound of shouting.
Her heart lurched.
She stumbled out of bed, moving towards the window. The second she saw who was on the front porch, her stomach dropped.
Josh.
He was standing there, his hands pressed together like he was praying, looking desperate.
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“Man, I just need to see her!” he pleaded.
Simone was in the doorway, arms crossed, face twisted in disgust. “You got some fuckin’ nerve showin’ up here!.”
“Simone, please—”
“Nah, hell nah,” she snapped. “You ain’t got shit to say to my sister now, just like you ain’t have shit to say when she needed you!”
Delilah’s hands clenched into fists at her sides.
She didn’t know what pissed her off more—the fact that Josh had the audacity to show up here, or the fact that he suddenly gave a damn now that it was too late.
“You don’t get to do this,” Simone hissed, jabbing a finger into his chest. “You don’t get to be the fuckin’ victim when you was the one actin’ like this wasn’t your problem!”
Josh ran a hand over his face, exhaling sharply. “I ain’t—I ain’t mean for it to be like this, man. I didn’t know what to do.”
“Yeah? Well, too fuckin’ bad,” Simone shot back. “You shoulda thought about that before you left my sister to deal with this shit alone!”
Delilah took a deep breath, then stepped forward, pushing the door open wider.
Josh’s head snapped up at the sight of her. His eyes—damn those eyes—were filled with something she couldn’t quite place.
Guilt? Regret?
It didn’t matter.
“Delilah,” he started with that deep, gruff voice of his, “I tried to reach you, but you blocked me—”
“You need to leave,” she said, her tone cold.
Josh swallowed. “Baby, please, just let me—”
“There ain’t nothing to say,” she interrupted. “It’s done.”
His face twisted. “Delilah—”
“Leave,” she repeated, steel in her voice.
But Josh was stubborn. It was in his blood, in his bones, in the way he carried himself like he never took no for an answer. That Samoan pride, that relentless need to fix what was broken—he wasn’t the type to just walk away.
So, he didn’t.
“Delilah,” he tried again, stepping forward. “Please, man. Just…just come to my place. Let’s talk.”
She stiffened. “I got nothing to say to you, Josh.”
“Then don’t say nothin’,” he pleaded. “Just let me be there for you.”
She scoffed, shaking her head. “Now? Now you wanna be there? After I already—” Her voice wavered, and she swallowed hard, her nails digging into her palms. “It’s done, Josh.”
Something flickered in his eyes—pain, maybe, or something darker, something unreadable—but he nodded, slow and deliberate. “Aight,” he murmured. “I hear you.”
For a second, she thought he might finally let it go. That he’d turn around and leave like he should.
But of course, he didn’t.
“I still wanna see you,” he said. “I know you leavin’ next week. I know I fucked up, baby girl. But let me fix somethin’. Let me take care of you.”
She exhaled sharply, willing herself not to fold.
She hated him.
She hated that he had the nerve to show up now, that he thought he could just throw those eyes at her, all soft and sorry, and she’d melt.
But most of all, she hated that some part of her still wanted to go.
She chewed the inside of her cheek, torn.
Josh stepped closer, voice low. “One night, baby. That’s all I’m askin’.”
She closed her eyes. She should say no. She needed to say no.
But she never had been able to resist him.
Not then.
And not now.
Simone stared at her like she had lost her damn mind.
“Are you serious right now?” Her sister’s voice was sharp, edged with disbelief. “After everything? After what he did, what he didn’t do—you really gon’ go with him?”
Delilah opened her mouth, then closed it. She wasn’t sure. She really wasn’t. Every logical part of her screamed to tell him no, to turn around and go back inside, to stop letting him have this kind of power over her.
But there was another part of her. A part that was tired. A part that, despite everything, just wanted him. Not to argue, not to rehash every shitty moment of the last few weeks. Just to exist with him for a little while.
“I don’t know,” she admitted, voice barely above a whisper.
Simone exhaled, hands on her hips. “Wow, Delilah.” She shook her head. “You can’t be for real.”
Josh didn’t say anything, just stood there waiting, his dark eyes locked on Delilah’s. He could probably tell she was already breaking, that whatever resolve she’d had was slipping through her fingers. He always did know exactly how to pull her back in.
“You don’t even gotta pack much,” he said, voice low, coaxing. “I got you set up. Everything you need. Just come with me.”
Delilah swallowed hard. He had prepared for her?
She wasn’t sure if that made it better or worse.
“You really left Raw just to come here?” she asked, even though she already knew the answer.
Josh nodded once. “Soon as I realized you wasn’t gonna answer me, yeah.”
Simone let out a humorless laugh. “Oh, so now he gives a fuck? Now he wanna be here? You ain’t even call her back when she told you she was pregnant, but now you movin’ mountains to see her?”
Josh’s jaw flexed, but he didn’t take the bait. He kept his focus on Delilah.
“Baby, please,” he begged.
And that was it. That one word. The way it rolled off his tongue, deep and familiar, warm in a way she hated to admit she missed.
Delilah sucked in a breath.
She wasn’t ready to forgive him. Probably never would be.
But right now?
Right now, she just wanted to feel something other than empty.
Delilah exhaled sharply, rubbing her temples. “Fine,” she murmured, barely believing the words leaving her mouth.
Simone sucked her teeth in frustration. “You really—” She cut herself off, shaking her head like she couldn’t even find the words. “You know what? Do what you want. But he—” she jabbed a finger toward Josh, “—can wait his ass in the car. Don’t bring your sorry ass near my house again.”
Josh held up his hands. “Aight, I hear you,” he said evenly. He didn’t argue, didn’t push back. Instead, he turned to Delilah. “I’ll be outside. Take your time, baby.”
Delilah ignored the way her stomach twisted yet again at that last word. She watched him retreat to his car, the door slamming shut behind him, before she turned and headed inside.
Simone was right on her heels. “You know this is stupid, right?”
Delilah sighed. “I don’t know what this is.”
“You just had surgery, Delilah. You need to be resting, not running off with the same man who left you to deal with this shit on your own.”
“I wasn’t on my own,” Delilah shot back, feeling defensive. “I had you.”
“Yeah, but was he there?” Simone’s eyes burned into hers. “Did he show up when it mattered?”
Delilah clenched her jaw. She didn’t have an answer for that.
Simone scoffed. “Exactly.”
Delilah didn’t respond. Instead, she moved toward her room, her footsteps slow and heavy. She grabbed her duffle bag from the closet, tossing in a few essentials—leggings, hoodies, travel toiletries. She wasn’t even sure what she was packing for. She had no real plans, no real expectations.
She sat on the edge of the bed for a moment, fingers gripping the fabric of her bag.
Was she doing the right thing?
Probably not.
But for reasons she couldn’t explain, she was doing it anyway.
--------------------
The near-hour-long drive to Josh’s house was thick with tension, suffocating and inescapable. The silence between them wasn’t comfortable—it was sharp-edged, bristling with everything unsaid. The highway stretched ahead endlessly, the glow of streetlights casting fleeting shadows over their faces. Delilah sat stiffly in the passenger seat, arms crossed, jaw clenched, staring out the window as if the darkness outside could swallow up the turmoil inside her. She could feel his presence beside her, heavy and unreadable, and it only made her anger simmer hotter beneath her skin.
Finally, Josh broke the silence. “How you feelin’?” His voice was low, careful, like he was stepping on glass.
Delilah turned her head, her eyes burning as she glared at him. “How do you think I’m feeling, Josh?” she snapped, her voice raw with exhaustion and resentment. “I feel like I just had a fucking abortion, that's how I fucking feel. It’s done.”
His grip on the steering wheel tightened, the muscle in his jaw twitching. “Ay, I'm sorry, a'ight?” He let out a slow breath through his nose, then said, “Guess it is what it is.”
Delilah’s head jerked back slightly, disbelief flashing across her face before it twisted into something bitter. It is what it is?
She let out a sharp, humorless laugh, shaking her head as she turned back to the window. “Don’t act like you care.”
Josh sighed, running a hand over his face, but kept his eyes on the road. “Of course I care! What you want me to say, Dee?”
“I don’t know, maybe something that don’t make me feel like I was in this shit alone,” she shot back, voice shaking. “You were so damn passive aggressive in them texts, like you ain’t know whether you wanted this baby or not. And when I needed you to be there for me, you left me hanging.” She turned to him, her expression hard. “You never had a problem bein’ decisive when you wanted to fuck me raw, though.”
Josh flinched at that, his jaw tightening. He stayed quiet for a beat before speaking again, his voice softer. “I ain’t mean to make you feel like that.”
“But you did.”
A long silence stretched between them.
Then Josh sighed, gripping the wheel tighter. “Look…you did the right thing.”
Delilah scoffed, crossing her arms tighter over her chest. “The right thing?” she repeated mockingly. “And you know that how?”
His lips pressed together like he was trying to choose his words carefully. Finally, he spoke. “’Cause I been there,” he admitted. His voice was lower now, rough with something deeper, something heavier. “When me and Tameka had our first kid, my career was just startin’ to take off. We wasn’t ready, man. Thought we was, but we wasn’t.”
Delilah stared at him, but he didn’t look at her. He kept his focus ahead, his expression dark, troubled.
“I missed so much, Dee,” he went on, shaking his head. “His first steps, first words, birthdays, school plays…hell, you name it, I probably wasn’t there. My oldest? He still looks at me like I’m the reason everything fell apart. Like it’s my fault me and his mama ain’t work out. And maybe he ain’t wrong.”
Delilah swallowed, her fingers twitching against her arms, but she said nothing.
Josh sighed again, rolling his shoulders back like he was trying to shake off a weight. “I didn’t wanna say nothin’ before ‘cause…I wanted you to make your own choice,” he admitted. “But I ain’t want that life for you. You’re young, Dee. You crazy talented. You got a whole career ahead of you. A baby right now? It woulda changed everything. For real.” He finally turned to glance at her. “And you don’t deserve that. Not after everything you’ve been through. You deserve to shine.”
Delilah felt her throat tighten.
She wanted to stay angry. She wanted to cuss him out some more, tell him how much he hurt her, how much his indecisiveness had made everything worse. But some small, treacherous part of her understood. Maybe that’s what made it worse.
She turned away again, blinking rapidly as she stared out at the passing lights.
Josh exhaled, rubbing the back of his neck. “I’m sorry, Delilah,” he murmured. “For all of it. On me.”
Delilah kept her eyes on the window, her reflection barely visible against the dark glass. Her throat felt tight, but she refused to let it show.
“I know I fucked up,” he continued, his voice low, almost pleading now. “I do. But I don’t wanna leave shit like this between us. Let me be here for you. Just for a little while. Before you leave for Orlando.”
She swallowed hard, her fingers twitching in her lap.
“That’s why I came back. For you. Like I told you, I’m staying off Raw this week to be there for you,” he said, glancing at her with soft eyes l. “Please, Delilah. Let me take care of you.”
Delilah closed her eyes for a moment, her breath unsteady. She should say no. She should get out of this car, go back to Simone’s, and pretend the last year never happened. But she wasn’t sure she had it in her.
Instead, she nodded. Just once.
Josh didn’t say anything else. But when he reached over and gave her knee a light squeeze, she didn’t push him away.
The rest of the drive stretched on in silence, thick with all the emotions neither of them had the strength to say out loud.
--------------------
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Credit to @cosmicdes for the gif.
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