#like seriously major spoilers. if you're going to get spoiled on one thing do not let it be the waterscape

[halfmoonism]

and now, and now, and now

"I just want to help people," he finds himself telling Robin, and isn't it something that he can still say something so poisonous with such conviction? . You are a bad person. You are bad at being a person. He knows both to be true.

ao3 link here rated T | chose not to use archive warnings | gen | 1.4k words pkmn desolation, tristan tags: MAJOR spoilers for e6, during canon, guilt, identity issues, strained friendships (one-sided. robin's just happy to be here)

a/n: you need to know how unwell I am abt tristan. I recorded That Scene just so I could show irls how soul-crushing it was okay. god.

Walking around the Dreamscape with them had been like taking a breath of fresh air after being underwater for so long. He was deceiving them like every other centimeter in this barren world, but wasn't it enough to be walking with them again? He has a role to play, and it's enough to selfishly let himself play the part he'd been born for. Created for. Same difference.

And then Robin had looked relieved to see him. Smiled, even, and he knew them to be a doer more than a talker. Told him more truths than they should've, and it isn't until Booker's sharp but knowing that Robin has your full confidence, why should you have anything to worry about? rings through the silence like a stone finally hitting the bottom of the well that the truth of what he's doing really hits him.

He couldn't bring himself to face them. Not then, and not when it mattered, and not any other time afterwards.

[stillthewc]

YEAR OF THE FANGAN - APRIL EDITION

ꕥ DANGANRONPA: DECEPTION EXAMINATION ꕥ

Ah, Instaronpas. Despite Instagram not being very conducive to hosting fangans imo (unless I'm doing things wrong, navigating to older posts is generally a pain / it's very easy to spoil plot points by doing so), the slideshow formatting makes for a very unique type of experience, and the fandom-centric stories I've read on there (aka Total Ronpa Island and Penguinronpa, two fangans I look back on in high reverence despite never fully reading) invoke a special kind of nostalgia to me. So, upon seeing a ton of people on my feed talk about Deception Examination, I was bound to read it eventually. And, despite my admittingly-rocky reception to the prologue, what I discovered when I kept reading was a really fun story.

To start off, we have the cast. While I admit I wasn't the most receptive to them at first (I'm so sorry for judging you, Naga and Frankie), almost every cast member grew on me. While this mostly comes from their respective quirks being presented in super likable ways, I also think the deeper delves into the lives of the characters / perspectives really helps. Both the second and third killer are given insight into their home lives / how that affected their desire to go through with the murder, the Dream Theatre sections (Chester's in particular) give an internal dive of their desires and insecurities, and Edric Pluto's positing about survivalism and morality make him easily the best-written character in the story to me.

I also have to say this is the funniest fangan I've come across thus far. Vanity getting plastered before the Chapter 2 trial, Chester's Big Reveal™️ over his talent, and especially the non-canon April Fools post are some of the hardest I've laughed at a fangan's jokes before, and that's not even mentioning small, one-off jokes the characters make due to their bantering.

But all of that pales in comparison to my favorite part of the story: the cast interactions. Seriously, the prologue does a major disservice by solely focusing on Faith because damn, does this group of characters mesh with one another amazingly. Small, petty rivalries like Naga's and Arthur's, grounded and earnest relationships like Chester's and Milo's, and even small one-off interactions leap off the pages, as do large group events.

In fact, I'd say this one of the sole fangans I prefer the daily life to deadly life over: while the trials and investigations are certainly fun, losing cast members also loses their unique way of interacting with others, making it feel like there's a hole in the story now that they're gone. Because of this, every death has some sort of impact to me which, while definitely a positive, always makes me sad whenever deadly life inevitably has to show up.

Lastly, it's just such a cool novelty to have a fangan with ARG elements? As much as I enjoy the main story, there's something so neat about additional plotlines and characters being introduced in the super-spoilery side blog that should only be read once you're all caught up and (apparently) the Discord server. There feels like there's a whole other story brewing outside the one we're aware of, something I stumbled upon in happenstance after just wanting to collect some fanart references. And, while I'll warn you some of the mystery of the main story's spoiled knowing the ARG info, it's super duper fun if you want to create an even-more developed story experience for yourself.

And that's all I have to say this time around! Please check this story out if you get the chance, and I'll see you in the next YOTF report!

FORMAT: "Instaronpa" (written, but told through images that look like stills from a game/web video fangan)

WHERE TO FIND IT: Instagram (SUPER BIG PRO-TIP: For the love of all things holy, please navigate posts using the Google Doc sheet detailing all the story posts if you want to avoid spoilers! Almost every death was discovered by me due to having to scroll down manually, so don't make the same mistake!)

FAVORITE CHAPTER: Chapter 3. The daily life follows main character Faith's attempts at being a leader, while the deadly life serves as one massive teardown of her efforts. Mix that with one death that's super flashy and another narratively poignant, really good characterization for a lot of characters, and some super-emotional writing across the board, and you're in for a wild ride.

FAVORITE CHARACTER: Surprisingly, Christopher Polo. While he's a shy, quiet fellow who feels more comfortable exploring than socializing, his keen observational skills and general helpfulness also make him one of the few reliable braincell havers in the cast.

OTHER STANDOUT CHARACTERS: Frankie Instein, who quickly went from "character I wasn't a fan of" to "a goofy breath of fresh air with some of the tightest character writing / compelling character motivations in the story", and Arthur The LXIXth, whose noble-heartedness mixed with his overconfidence and casanova wannabe personality made me want to keep reading the story, prologue be damned (Plus his name translates to Arthur the 69th, for crying out loud! What's not to love?)

[genesisarclite]

So I've owned a copy of Quantum Break for Xbox a couple years now, but recently I finally decided to buy it on Steam after eyeing it for... honestly, far too long. In getting back into it and replaying it from beginning to end, I remembered why I love it so much. And there's two main reasons for that.

Spoilers below the cut. Seriously, if you want to try this game for yourself, do not read past the cut. Spoiling the game will ruin the experience.

The first reason is because I'm a massive science nerd and I love the use of quantum physics throughout the game. Sure, it's about two men who gain time-altering superpowers after their equivalent of the encounter with a radioactive spider, but the rules of the universe are not only internally consistent, but there was actual effort put into researching them. Now, quantum mechanics is a complicated subjected. Its layers go on for miles. It is absolutely fascinating, and utterly mindbending. To have a general, working understanding of it portrayed in a superhero game is a wonderful thing to behold. I love quantum mechanics. I read books about it for fun. To see it laid out and used correctly (as we understand it), without a ton of random technobabble, is brilliant.

Our understanding of spacetime, how a time machine would work... it's all there. And it's brilliant.

I love the concept of Shifters. I love the concept of stutters and the End of Time. Time is another dimension, necessary to make sense of our world. It makes perfect sense that it could break down, ripple out, shatter, squish, and do all the strange things it's shown to do (except Time Vision - I think that's pushing it). The setpieces (train looping back and forth, anyone?) and the emptiness of stutters really hammers home how much we take time for granted. The day/night cycle spazzing out and rubber-banding is fantastic. Timeless spaces - like the stutters - are haunting, and strangely beautiful. As "The Langoliers" showed us, time eventually comes for us all. Everything dies; only time is everlasting... and even it, too, one day, will burn out.

The End of Time borders on an eldritch location. The complete nonexistence of time - of entropy, of causality, of space and time having split apart - is so beautifully unnerving. I wish we had gotten a chance to explore it. Timelines crashing into each other, while the universe stands still. It would've been extraordinary. Maybe one day Remedy will come back and do a sequel. I'm not holding my breath, but it's always possible until they say otherwise. Especially since the End of Time was projected to occur in 2020-21. It sure would explain a lot, wouldn't it?

(our time egg definitely appears broken)

The other reason is... a bit less scientific. A little closer to home. A little more human.

The game only lasts about... oh, six to ten hours per playthrough. It's possible to plow through it faster than that, if you're willing to skip lore and not do any exploring. I'm not completely sure if Remedy was trying to make any big statements with the game, either. Still, whether they meant to or not, in those relatively short hours, they managed to craft something that keeps me coming back, along with the deep dive into the science of it all.

Look, let's be real: if you've been following my work for the years I've been posting it, you know I'm a bit of a hopeless romantic. In the earlier days, I enjoyed the melodrama and the sweeping gestures of romance, the major confessions and the tragic endings. Just take a look at Suscitatio, or go a little further back to Divisions of Time. Later, I started enjoying the unspoken, the downplayed, the subverted. The deep loves, the friends who are also more than that, the ones who would hug you in the middle of the night after a bad dream, who would lose a part of themselves if you ever left this world, even if they can go on without you. I haven't written much of this yet, but I will. I am.

I'm not sure how much of Jack and Beth's relationship was intended to go as deep and a bit complex as I perceive it, and it's complicated by two factors: he's only known her for a short time, and she's been a Girl Who Waited for so long that she wasn't sure he would ever show up in 2010. It's quite clear they're allies, and eventually some level of friends, by the end of the game. But... it's such a complicated thing. Beth is strong, and she never stops being strong, but when she sees Jack, and when he reaches for her, you can see the relief and the pain and the suffering all rolled up into one. Oh, Beth, you poor thing. How awful it must've been for you... and what a relief it must've been to finally have someone to talk to, who knew exactly what was going on, without having to be afraid.

Jack has already been sniping back and forth with her, starting out with some sharp edges and slowly softening up into teasing. She's more than capable of taking of herself, and he knows it. He certainly worries from time to time, but it's subtle. But when he travels to 2010 and finds her, the facade falls away. She's broken, and what's his first instinct? To reach out. Comfort her. Be kind. Be gentle. Jack clearly has the ability to be kind to those around him, but his behavior toward her isn't subtle if you know what you're looking at. It's not romantic, exactly. It's... more complicated than that, and a little harder to explain. It's not romantic, but it's not completely platonic, either. It's feathering a bit beyond that, playing on his softer side, on his desire (and perhaps a bit of need) to protect her and be there for her.

And she's relieved. She lets her hand stay in his a heartbeat longer, and it's subtle and it's quick, but it might as well have been an entire fireworks display going off at once.

And at the end, when he finds her frozen in time, in the stutter, it's something he doesn't appear to tell Ogawa about in the interview. He doesn't tell her how he almost released Beth from the stutter, but for whatever reason, chosen not to. He left out the part where he came up close, with a look in his eyes that is unmistakable, and promises he'll come back for her.

He put himself between her and Paul, knowing full well it was completely futile. He took the bullet through the head as she took it through her own. He says Beth meant nothing to him, and it didn't affect him during his assault on Monarch... but his eyes tell a different story. The heartbroken and helpless pawing at her image. The look that speaks volumes. The way he sits back on his heels before silently standing, barely able to bring his eyes up as time cycles back to 2016.

It's that. All of that.

The subtlety. The fireworks displays going off in the distance while they both stand there with stoic faces, focused on the mission and certainly nothing else. Love is not always, or even often, the words "I love you". There are so many other ways to say it, especially when you're stuck in the nowhere between friends and more, when you're still just friends but things are slipping through your fingers. When that big moment happens and you realize they mean so much more to you. That moment when you realize your world would be darker without them there - an entire constellation going out, leaving you still a whole universe, but missing something wonderful.

Jack and Beth aren't lovers. Their relationship is too complicated for that. Too complex. A bit too mussed by time and causality and the question of "what if". But it's those subtleties, those layers, those little moments and sidelong glances and whispered promises that keep me coming back to this game. How many times can I watch Jack walk determinedly to a frozen Beth and promise to return? How many times can I listen to him tell Ogawa with practiced stoicism that Beth meant nothing while he breaks down over her image? How many times can I watch her look at him like she's seen a ghost?

Apparently, just a few times more.

[3416]

Dude, I hate spoilers AND have major fomo at the same time it's horrible 😂. Sometimes if it's something I'm really into (including Marvel ;)) I save people's reactions to like set pictures or trailers, and look at them after I've watched the real thing. I just want to see things things fresh without wondering when what I saw is going to happen, if it will match my expectations etc. It seriously ruins my experience, even if it's not something that has shock value. It's challenging lol.

but in that case, i'd assume you're one of the first people in line to see that kind of stuff, right? like if you're a big fan,,,,, the way some people get genuinely mad you're not using 'spoiler' in your posts or tweets or whatever 2 weeks after something comes out is like.. come on flkdsfkdls. in my opinion, it kinda falls to the individual to do the best they can to keep away from it, which seems pretty easy on socials with blacklist options nowadays, and in my case, i'll never not tag something on purpose to spoil you or talk to someone who doesn't want to hear it, like i'm not trying to be an ass 😭 but it's the expectation and entitlement after sustained periods of time that pisses me off more than anything. or the need to approach every piece of art with an entirely blank slate.

[geekgirles]

Goodbye & Broppy

After the song was released, I felt the need of doing something I haven't done in a while for the Trolls fandom: an in-depth analysis.

The lyrics of the song were a real tearjerker; the separation, the longing, the sadness, the impression of giving up as the only option... And, considering it said Justin Timberlake was supposed to sing it, and the mentions of "My queen", "My love"; it totally sounds like a Broppy song.

Now, I know @georgebeard mentioned they'd talked to an animator who confirmed the scene was indeed deleted from the film. However, as a loyal and experienced member of the Miraculous fandom, I know better than to cross out the possibility of being misled in order to avoid spoilers (I'm looking at you guys, Chloé redemption, Félix , and Chat Blanc). So, there's that.

And even if the song did not make it in the end, we must not forget the first movie and its extra content.

If you purchased a DVD copy (like myself), or were obsessed enough to search for every possible Trolls-related video on YouTube (like myself), you must have surely found the deleted scenes from the film.

Poppy's dresses.

Poppy's storytelling.

"Bringing Back Happy."

And that's what I wanna talk about!

Bringing Back Happy was a, rather early (considering its storyboard stage), villain song that Chef was supposed to sing. So, even if Goodbye doesn't make it into Trolls World Tour, the chances of it appearing as extra content are pretty high, considering it was even mentioned before the release of the movie.

If that weren't enough for ya, there's more. Don't worry.

As I mentioned earlier, if you're familiar with the deleted scenes, you'll know 2/3 were in a very advanced stage of animation before being scrapped. Not to mention, the one major change we got no info about: turning Poppy's coronation party to the 20 year anniversary since they escaped the bergens. Again, a scene so advanced in its animation stage that even made it to the trailer!

Moreover, there's this detail in the very first trailer of Trolls World Tour that stuck with me: Branch's quote "This is a terrible idea that will blow up in your face!"

Which, if we compare it to his supportive attitude in the latest trailer ("I'm coming with you"), is completely different and even unexpected.

And that leads me to this: there are many reasons why a scene would be deleted; it gives a character a quality they didn't want, Chef didn't get to sing because it made her too funny, while Poppy didn't wear her dresses because it made her look spoiled; it becomes longer than they expected, another reason for the dresses and, I think, for the storytelling; or it changes the vibe of the movie greatly (if you guys knew the original script for How to train your dragon 2...).

On a side note, I remember a post from long ago that explained that one of the reasons its OP liked trolls so much was because, unlike the vast majority of films, Poppy and Branch never really had a fall out. They were always together.

What do I mean with this?

What if their fall out happens in this movie? What if Branch says that line out of frustration and Poppy and him, both devastated, are forced to go their separate ways?

That would be the perfect cue for a song as romantic and heartbreaking as Goodbye.

Not to mention, it would also explain how on Earth Poppy could be captured by Barb, alone. Because there's no way Branch wouldn't go down with her otherwise, and you know it.

Now that the song analysis and theorizing is out of the way, let's move on to the deeper part of the analysis: Broppy itself.

As someone who's been a hardcore Broppy shipper even before watching the movie, you can believe me when I say that it'll devastate me if they killed Broppy.

Even so, I also consider myself as someone both highly emotional and analytical, hence, why I create such analysis on the things I love. Trolls being no exception.

Something I want to talk about to make you all understand my point of view is the way Dreamworks works (as I see it). And for that, I'd like to compare Trolls, HTTYD, their tv shows, and their main ships, Broppy and Hiccstrid; respectively.

If there's something I've noticed about Dreamworks and Disney, that's that Disney movies have a much greater stand-alone value than Dreamworks'. That's why 95% of its films end with an extra-official couple or why their sequels are either shitty compared to the original (Lion King, The Little Mermaid, Mulan...) or a fucking masterpiece. I mean, take Frozen, for instance. The film made a major point on criticising Disney's "I get together with someone I barely know and we live happily ever after" trope. And yet, even if it was much subtler and less intense than usual, that's exactly what happened with Anna and Kristoff. Maybe they weren't married, but they got officially together. And as for Frozen II... I haven't seen it, but I've been told it's very, very different than the first one, and very, very good.

So, yeah. Stand-alone value.

But Dreamworks... Dreamworks manages to reach beautiful conclusions that, at the same time, let the plot perfectly open for more stories to be told.

Seriously, just watch How to Train your Dragon!

Every film had its ending, but it also made you wonder what was gonna happen next. It made you understand that the saga wasn't over, just a part of it. And I think that's what they're trying to achieve with Trolls.

I mean, sure. The plot of the sequel wasn't what we expected at all and made many of us think about the astounding amount of fanfics that delved in the possible existence of different kinds of trolls... But it left us all with one question in our minds, "what now?" And, at the same time, the film had reached a beautiful conclusion.

See what I mean?

I wholeheartedly believe this is something Dreamworks aim to achieve with its pairings. They don't want them to be rushed, they want to develop them. Sure, they want us to see there are ships, but they strive to form deep, strong relationships with much more meaning behind than just sharing an adventure together.

And that, that is something I can clearly see with Hiccstrid and Broppy.

If we take HTTYD, the hints on the romantic relationship between Hiccup and Astrid were even greater than Poppy and Branch's. Heck, they even kissed. And you know what was their official description for Riders of Berk to half of Race to the Edge? Not-so-platonic best friends.

But that's because they took the time to naturally develop and strengthen their bond!

Which is what I think is supposed to happen to Poppy and Branch.

Sure, they are close. Sure, they were on a life-changing adventure together. Sure, they are countless hints on their romantic feelings.

But they still spent 20 years being practically strangers.

They still need to learn how to be a team together. They still need to learn how the other works. They still need some basic ground.

If we keep on comparing the two films, we must not forget that HTTYD 2, despite having Hiccup and Astrid as betrothed, wasn't as heavy on their romance as the first and third movie were.

Because the focus of the film was Hiccup becoming a leader. Not becoming Astrid's husband.

And, considering the plot of Trolls World Tour, it's still very possible that it won't be as heavy on Broppy as it was the prequel. After all, TWT is more about diversity and harmony than happiness, which is what made the contrast between the optimistic princess and the cynical survivalist so important for Trolls.

But, please, fear not. This does not necessarily mean that Broppy is dead. It just means we might have to be careful about letting our hopes up and, more importantly, in case nothing is conclusive about these two in Trolls World Tour, that we just have to be a little more patient.

After all, a good written ship never disappoints.

[ookamikasumi-writer]

Just say NO to Author Intrusion

The Fourth Wall is the Audience. -- Every time the writer addresses their story's audience --their Readers-- they are violating the fourth dimension, or wall, of that story's Reality.

These violations are known as: Author Intrusions.

Author Intrusions show up as little comments that express the author's personal feelings on what's happening in their story, or heavily hint at things to come during the story.

Author Intrusions are a Bad Idea.

----------- DISCLAIMER: This is how I was taught to write for publication purposes by my professional editors. If you don't want to do it this way -- Don't. (Less competition for me.)

WHY Author Intrusions are a Bad Idea.

Author Intrusions jar the Reader out of the mental movie they've generated while reading because the Author keeps rudely shoving them out of the story to remind them that They know something the Reader doesn't.Compare it to watching a movie you haven't seen before with a friend that won't shut up about how cool the next scene is.

See this shit? This is Author Intrusion.

Identifying Author Intrusions:

The most common form of Author Intrusion is when the writer plants overly-obvious hints of things to come addressed directly to the Reader.

Examples:

In hindsight, he would be thankful for his overreaction.

Unfortunately, his choices had truly never been his own.

If only they'd realized how wrong they were.

These are normally found at the end of a chapter, or book, but I've also seen them posted smack in the middle of a scene in progress.They had no idea what consequences their choice would bring.

I have been told that these particular intrusions are meant to be a form of Foreshadowing.

This shit is NOT Foreshadowing.

True Foreshadowing symbolically hints at things to come. It Does Not point-blank TELL the Reader that something is coming.

More on actual Foreshadowing: TV Tropes: Foreshadowing

I have also been told that this form of Author Intrusion is supposed to create suspense and entice the Reader to read the next installment.

This shit does NOT create Suspense either.

The truth is, this sort of cheap-assed teaser-spoiler Does Not add suspense because it entirely Removes the surprise factor of what is coming.

Suspense is about Anticipation. It's about waiting for 'the other shoe to fall'. When an author point-blank announces that there's another shoe, all that lovely anticipation is halved because the Reader now knows for a fact that this shoe WILL fall -- that something IS going to happen.

THINK: How can anyone be surprised if they're already expecting a surprise?

If you want to create Suspense, don't TELL the Reader outright that something is going to happen. Instead, SHOW IT by planting Clues; the butcher knife was missing from the kitchen drawer, and give Hints through ominous Sounds, creeping Shadows, character Body Language, and stilted Dialogue that something is going to happen.

Authors: Keep Your Opinions to Yourself!

The next most common form of Author Intrusion happens when the writer just can't keep their personal comments about certain characters, or what's happening in their story to themselves.

This is particularly virulent in fan-fics written by new writers who get over-excited about what they're writing.

Cut that shit out!

Literally, cut all that shit Out of your work.

Us readers do not want anyone interrupting our stories with their opinions, feelings, or comments about the story we're reading. That includes comments from the Author. Save that crap for the Author Notes.

However...

"Lines like those (in my fan fiction anyway) are actually meant as red flags; a sort of, "Hey, pay attention, I'm doing something over here!" This is because, in the...years I've been writing fan fiction, I've noticed that the majority of 'new readers' (i.e. those new to fan fiction,) will not pay attention [to what they're reading] and will inundate me with questions that are easily answered if they did. With lines like those thrown in, the questions are fewer and I don't have to waste time explaining things that don't need explanations." -- Annoyed FF Writer

While all that might sound like a good excuse -- it really Isn't.

When the author inserts comments about a character or situation happening right there in the middle of the story just to make it easier for lazy-assed readers to figure out what's going on, those comments are nothing more than Spoilers for the rest of us.

Spoiling the Story for Lazy-Assed Readers -- is a BAD IDEA.

While some readers love to be babied like that, the rest of us readers don't. The rest of us are paying close attention and we love ferreting out the author's little hints exposed by the plot's progression and character reveals. We are reading specifically to discover what the heck is going on.

Spoilers strip all the suspense and discovery --the most enjoyable parts of the story-- right out.

I don't know about you, but once all the surprises are gone from a story, I have no reason to keep reading that story.

Fixing Spoilers

If the Reader doesn't get what happened and the information to set them straight IS NOT actually present in the story, then yeah, the Writer messed up.

To fix this, they should REWRITE and REPOST the Relevant Chapter ASAP! NOT answer their reader's query with any comment beyond, "Oh crap! Let me fix that real quick!"

If the Reader doesn't get what happened and the information to set them straight IS actually present in the story, meaning; the Reader simply missed it the first time around, then the Reader messed up -- not the Writer.

When this happens, the Writer should answer their query by politely telling that reader to Read the Chapter Again a little more carefully. NOT by giving them Spoilers!

Seriously, professional authors don't cater to that crap, neither should fan-fic writers.

The only thing catering to lazy-assed readers does is encourage those readers to bug other writers for spoilers -- and us other writers don't appreciate it.

As for Breaking the Fourth wall...

Or is he?

Deadpool: Not actually Breaking the Fourth Wall. He is Narrating his own story.

Yes, Deadpool does address his audience throughout his comic books and movies. In his comics he even comments on the textboxes around him.

Deadpool also freely admits that he's not exactly Sane.

However, addressing his readers, or watchers, or even his text boxes doesn't change the fact that Deadpool is The Point of View Character in both his comics and his movies. He's the one telling the tale. He's expected to comment on everything and everyone around him because that's what POV Characters do.

Deadpool just happens to be narrating his story out loud to the voices, and text boxes, in his own head. That there happens to actually be an audience of readers and movie watchers is entirely incidental.

Now if Stan Lee; the main author of Marvel Comics, popped into Deadpool's story, that would be Author Intrusion--

Oh, wait... He did.

A...tasteful example of Author Intrusion. AKA: The Cameo.

Narration is Not Author Intrusion

The Narrator is The Point of View Character observing --and commenting on-- their part of the tale. If done Right, what is narrated is colored by that POV Character's thoughts, opinions, and comments about what is happening around them.

Breaking the 4th Wall? Nope, just 1st Person POV.

Narration is not Author Intrusion because the author isn't telling the story, the POV Character is.

Deadpool, in both the comics and in his movies, uses First Person Point of View Narration. First Person POV can look like the character is Breaking the Fourth Wall, but they really aren't because Narration is supposed to address the audience. Think in terms of diary entries, or in Deadpool's case, a massive Selfie Video.

The only time Narration should ever be colored by the author's opinions is in a Self-Insert story where the author is the POV character--

-- or in a Fairy Tale.

Fairy Tales were originally told Orally. They were spoken and acted out by a storyteller directly to their audience. The storyteller's opinions of what was happening were part of the act, rather like the Master of Ceremony for a play. When these tales were eventually written down by collectors, such as the Brothers Grimm, they wrote them in the oral style --author intrusions included-- simply because that's how they were told to the collectors.

Later writers, like Hans Christian Anderson, wanted their tales to be labelled Fairy Tales, so they used this oral style specifically so their stories would blend in with the much older collected Grimm's stories.

However, if the story is not a Fairy Tale--

Don't Interrupt Your Readers!

Written stories are viewed in the imagination like a movie. So when the author pops in a comment to make their personal opinions known, it throws the reader out of the movie they're watching in their imaginations because someone is talking to them.

"But the whole story is the author's opinion!"

That's right, a writers has their whole story to express their personal opinions, so there is absolutely No Need for the author to interrupt their readers with additional comments on anything at all during the story.

If a writer absolutely positively must comment on what's happening in their story, an Author Note is where that shit belongs --or their personal blog, or whatever social media floats their boat-- nowhere else.

Author Intrusions: -- If you're Not writing a Fairy Tale -- Don't Do It.

Unless you're Stan Lee. (He can intrude wherever he likes.)