#like people have come to just. associate me with this game at this point

[hartnellwho]

OMG, so much to talk about here and lots of it will be spoilery for anyone who hasn't listened (IN WHICH CASE YOU SHOULD!) so I'm putting it all under a big cut here...

I'm still so bitter about the "the Doctor got us there on the first go" cop out. Like; they could've left a gap for more stories but didn't and it's such a waste.

I'm torn between two different headcanons to give Oliver more stories.

The first and most simple is the Doctor didn't get them there on the first go, he couldn't and made excuses for why it didn't work every where they went. Eventually he gave up trying to get them there, but eventually he realised he had to try, got it right and immediately acted like it was the first try because it was the first try... of this set of tries. Steven of course knew and by this point so did Oliver better than to try and correct him.

The other is a lot more complicated, but I enjoy the idea of it a lot more... when Four manages to defeat the Vardans in The Invasion of Time he puts them in a time loop. Which to me sounds like what the Time Lords did to the War Lords in The War Games. And what was said there...

"A force field has been placed around you, and around your planet, so that your warlike people will remain prisoners forever. You have been found guilty of all charges, and you and your murderous associates will be dematerialised. It will be as though you had never existed."

So after the Vardans have this done to them they were retroactively never on Grace Alone. The Doctor, Steven and Oliver arrive to a fully crewed station in no trouble and have to conspire to cause/create/fake the criminal records they saw in the future that made them come there in the first place.

I've posted about this idea before here. But I've pondered trying to expand it into a brief fanfic. But the problem is I'm not a great writer and haven't even tried to make fanfic before. But I just love the idea so much I want to spread it, haha.

As to the idea that Oliver had to have a tragic ending because of where he fits chronologically... I originally wholeheartedly accepted that idea as it was explained in the CD extras. Like: it was sad he had to die, but he did have to die 'to fit the tone of that era'.

What changed my mind to the polar opposite was another CC, called The Vardan Invasion of Mirth. it is set in the time where Steven is the sole companion so must be after the Oliver trilogy and before The Massacre. Steven even knows the Vardans so must have faced them before.

But what happened: no mentions of or any thought given to Oliver, the Vardans easily defeated and a happy ending.

I was so pissed off, I hated it so much and I still don't consider it canon.

But the main thing it did was destroy the argument that things have to fit the tone of the era. If the people in this story could get a happy ending in a story set in the same era then why couldn't Oliver?

Oliver getting a happy ending could've been a brief light in an otherwise dark era. A small hope spot that says even in hard times things can sometimes work out or go well.

So yeah; I no longer feel like Oliver "had to" die and so am a lot more bitter and upset about the fact that he did. it feels like the bury your gays trope in action.

I'd just love if BF retconned his death away and gave us new stories with this team: go full cast with Steven Noonan as One even. Or do another CC but with Oliver as the narrator so we can get in his head and Steven as the guest voice rather than the main!

The First Doctor and companions Oliver and Steven. Admittedly, I do need to listen to these stories... Whoops!

[epickiya722]

I love the teaser image we got for the Culling Games Arc for season 3. I know, I know! It's just a teaser image but I saw it and immediately felt so much meaning behind it. So I'm gonna ramble here, you don't have to read this. I just had thoughts that's been plaguing me for days now.

First, I want to point out that the scene is actually from 138 is added here at the bottom.

It was actually a scene I was looking forward to for the end of season 2. However, they cut it out and skipped right to Yuji clapping to bait the Curses. I was a little disappointed, I won't lie, but I got over it really quickly in two seconds since I figured that transferring it to maybe the beginning of season 3 would be better.

Wouldn't be the first time MAPPA moved a scene (the first half of episode 6 of the second season actually takes place BEFORE the Pre-Hidden Inventory arc in the manga but it still works in the storyline the way it's done in the anime).

Anyways, what I find important about that scene is Yuji being at the point of solidifying himself into a role of a cog and isolating himself from the others. He feels he's a danger to be around, especially to Megumi who he knows at this point Sukuna has plans for.

He says that he's killed too many people, referring to the Shibuya Incident. As we know, Yuji didn't kill all those people. Sukuna is the one responsible. However, Yuji harbors that guilt, feeling he's at fault for a situation he couldn't control.

Visually, the poster gives that. At least, to me. Yuji is alone in the poster, reflecting his self-chosen isolation. He looks defeated here, giving up on himself. It how he feels. Yuji chooses to keep pushing forward, going on to exterminate curses. However, Yuji gives up his connections to the others as well as his former self.

I love that the center piece has Yuji in his (nearly) all-black hoodie outfit. It's a darker version of his usual school uniform which is brighter. He's in mourning of his old self.

This is evident with the colors.

Five colors I think of when it comes to JJK is black, white, purple, red and blue.

The two colors I'm focusing on here are red and black.

『Colors I picked from the poster.』

As I mentioned, Yuji wears a darker version of his school uniform. It's still a hoodie with loose pants, his usual style but black and with just hints of red, the most coming from his signature red shoes.

When you think of black, maybe one of the first things you think of is death. It's the usual color one would wear to a funeral to mourn someone.

Again, back with the mourning here. While I think Yuji is in mourning of his old self, I also believe he mourns the lives lost in Shibuya. Nanami, Nobara (presumably died), the Hasaba Twins and everyone else who had been caught in the crossfire. Deaths he feel guilt over, as mentioned before.

Another meaning for black is misfortune. Yuji thinks of himself that way. A misfortune brought onto others and that's why he chooses isolation.

Oddly enough, Megumi, who Yuji is trying to protect, is also associated the color black. His technique is shadows, his hair is black and part of his family name, "guro (黒)" translates to black.

Taking in account of his first name, Megumi, that means "blessing" and the irony of it, the misfortune meaning of black aligns here.

Now, with the red!

We know it's Yuji's signature color. His hair is pink, a color born between red and white. He wears a red hoodie and a pair of shoes.

Red is often given to the main character of a series because usually they are the big good and it plays into the "red is heroic" trope. And Yuji is definitely heroic. Red also reflects that character as the energetic type. Again, Yuji is that. However, the choice of red for the poster and just with him in general does have its negative meanings.

Let's think about what Gojo's power move, Red does. It repels and like his Blue and Hollow Purple, it's destructive.

Yuji here is doing just that. He's destructive and is also is trying to repel others. The irony though is like Gojo's Blue, he attracts people and even curses.

Let's go for other meanings, specifically negative, for red and how they relate.

Red is also the color typically used to alert for potential danger. Yuji, again, sees himself as a danger to people. As Sukuna's vessel solidifies that feeling. Yet, even before the Shibuya Incident, Yuji while not a violent person and has a sunshine personality, he isn't really gentle all the time. We see even in a flashback (shown later in the story) Yuji will take down bullies with just a punch. With Yuji's fights, we see he goes all out in them. "Hold back" isn't a phrase he doesn't seem too familiar with.

There's the love meaning. I know, love is usually seen as romantic when it comes to red, but red is an universal color and there are different kinds of love. Yuji is someone who holds love in his heart for people. Because of that love, he tends to put himself last, sacrificing his own well-being to protect the people he cares about. He holds love for humanity and sometimes that love leads to him being angry, another meaning for red.

Yuji may not express his rage all the time, but he does have his moments that show he is quick to anger. We see in comedic moments, but that rage of his is also seen in more serious moments. A lot of it being in his fights he has. Unlike other people, Yuji doesn't really express joy when he fights. He has a face of displeasure.

Again, he isn't a violent person, but he will fight.

With fighting, comes with blood. What color is blood? Red, right, right.

And Yuji feels that he has blood on his hands.

So there's that!

The one piece of the image I'm still trying to figure out is the hand on Yuji's chest. I'm not too sure of what's going on here, but I do think it's important.

It reminds me of when Sukuna heals Megumi, which is an action that Yuji does recall in his talk with Choso.

The similarity here could just mean nothing, but maybe it does?

Again, this part I am unsure about, like I can't think of a complete thought of it, but! If I were to say something about it I would say maybe this hand is doing opposite of what Sukuna does. Maybe whoever's hand this is may be harming Yuji.

But it could also be doing the same thing. "Healing" him, which I'm a little more leaning towards thinking about it. I say this because of what the poster is teasing for. The Culling Games.

Long story short, the CG was for sorcerers to strengthen themselves for the ultimate plan Kenjaku had in mind. Yuji is one of the players and throughout it, as he has been, he gets stronger.

With healing you strengthen. Given Kenjaku is responsible for the CG and Yuji (if you know, you know... it's a lot) I wouldn't be surprised if the hand here is meant to be Kenjaku's.

Yuji is could be seen as slumped over here a d the hand is holding him up. Which could also mean that the hand could be seen as Choso's. Why? Choso is one of the characters that stick by Yuji's side. He's his big brother and he does influence Yuji's character in some ways, including his growing strength.

Rewinding back to red -> blood. Choso had the Blood Manipulation technique and it's fitting for him because he is someone who holds high value for family, especially for his brothers (Yuji being his youngest). So with that, I also see the hand as being Choso's.

Overall, it's a teaser image, but I love it. I'm not saying that everything I said here is a definite or whatever. Just my interpretation of it and some thoughts I wrote for fun.

[the-fruitiest-fae]

I get kinda nervous sometimes that my irl’s are gonna get sick of me constantly talking about Hollow Knight but like, they’ve said they’re chill with it & I’m just excited because for the first time in literal years I can just. Openly and unapologetically hyperfixate around other people who not only aren’t going to judge me for it but are actually kind of INTERESTED in what i have to say?? About my hyperfixation?? And I really don’t have to pretend to hide my interests for fear of rejection anymore?!?! It’s this absolutely foreign, wild, wonderful concept and I’m still getting used to it and i love it and i love them (platonically). It’s not just me & my sister anymore I have a whole ass friend group who for once aren’t using me or seem like they’re just gonna ditch me for no reason & like. That’s new

Like I have these wonderful friends who care about me AND i get to study a subject I’m interested in college is the 2nd best thing that has ever happened to me (second only to my sister i love that funky buff lil lesbian with everything i have)

[featherymainffins]

Hoes in my playthrough of BG3 are suffering because nobody has the guts to break up with "Osob" or otherwise tell him to go fuck himself.

Meanwhile Solas of Dragon Age fame, who is the champion of breaking up in psychic damage inducing ways, and just hit the bricks on Adabo's ass,...well actually from what I know he's also suffering. But at least the suffering is his own doing.

[mrchoppedslefthand]

[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,332

Edit: 11/7/2024

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic (or platonic) game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/ or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/ or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletella it is his obsession for you and his willingness to spend an eternity with you.

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Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!

Someone had brought up to my attention that Mr.Gap tends to ask for parts that can be easy to part with as we progress. Asking for our feet, legs, and fingers instead, when he seems to still clearly prefer the heart over the other parts. He adjusts his request when he realizes we won’t give our heart.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

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Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

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Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

[pucksandpower]

Critics and Lovers

Max Verstappen x journalist!Reader

Summary: how would the paddock react if they knew that the woman writing scathing critiques about the reigning world champion weekend after weekend was the same woman who whispers sweet nothings in his ear at night?

“Did you really go to school for half a decade to get your journalism degree just to ask if I think I’ll win?”

Max’s voice cuts through the bustle of the press room, drawing the attention of a few journalists milling around with their notebooks and recorders. He leans back in his chair, arms folded across his chest, his smirk more amused than annoyed. His blue eyes — always so intense under the brim of his cap — lock onto yours, daring you to respond.

You raise an eyebrow, fighting the urge to roll your eyes at him. “I’m asking the questions the people want answers to, Max. It’s my job, remember?”

“Your job is to provoke me, apparently,” he counters, leaning forward slightly, his smirk widening. “But you know, you could at least pretend to be creative. Ask something that might surprise me for once.”

“I wasn’t aware you had the capacity to be surprised,” you quip, your pen hovering over your notepad as if ready to jot down his response.

Max lets out a low chuckle, shaking his head. “Touché. But if you’re expecting me to give you a soundbite for your next article, you’ll have to do better than that.”

The exchange draws a few chuckles from the nearby journalists, but they quickly refocus on their own tasks, used to the banter between the two of you. After all, it’s no secret that you’re Max Verstappen’s biggest critic.

Week after week, your articles dissect his performances with surgical precision, never shying away from pointing out his flaws, his temper, his moments of questionable judgment. To everyone else, you’re just doing your job, holding one of the sport’s biggest stars accountable. But to Max — well, he seems to take it in stride, brushing off your critiques with the same ease he shows on track.

What no one else knows, though, is that this verbal sparring is just another part of the complicated dance you and Max have been perfecting for years. A dance that begins in front of cameras and microphones, and ends in private, where the lines between your professional rivalry and personal relationship blur into something neither of you can fully define.

“Okay, fine,” you say, pretending to think hard about your next question. “How about this: what’s your plan for today? Any new strategies to surprise us with?”

Max raises an eyebrow, clearly unimpressed. “That’s almost worse than your first question. Did you really think that would get me talking?”

You sigh, exasperated. “Maybe if you gave me a straight answer for once, I wouldn’t have to keep asking.”

He leans in closer, lowering his voice just enough so only you can hear. “Maybe if you asked me something off the record, I’d actually consider it.”

“Off the record doesn’t sell papers, Max,” you reply, your tone equally low but tinged with something more affectionate, something that would be impossible to miss for anyone paying close attention.

Max’s smirk softens into something more sincere, his eyes flickering with the warmth that you’ve come to associate with the quiet moments you share away from the track, away from the scrutiny of the world.

It’s a look that says he knows you’re playing a role, just like he is. That despite the biting comments and the professional jabs, there’s a mutual understanding between you. A connection that runs deeper than anything either of you would ever admit in public.

But here, in this crowded room filled with reporters who’d kill for the kind of scoop only you could provide, that connection has to stay hidden. Because if anyone ever found out the truth — if they knew that you, the woman who writes those scathing critiques of Max Verstappen, were the same woman who shares his bed at night — it would be the end of both your careers.

And so, the game continues, with both of you playing your parts to perfection.

“Next time, try asking me something interesting,” Max says, his voice returning to its usual volume as he straightens in his chair, signaling the end of your private moment. “Otherwise, I’ll start thinking you’re getting lazy.”

You give him a look that’s meant to be stern but can’t quite hide the smile tugging at the corners of your mouth. “Lazy? I think you’re confusing me with your performance last weekend.”

The jab earns you a mock glare from Max, but he doesn’t take the bait, instead giving a noncommittal shrug. “We’ll see who’s lazy when I’m on top of the podium later.”

“Confident as ever, I see,” you remark, jotting down a few notes that you know you’ll never actually use.

“Just stating facts,” he says, and for a moment, you can’t help but admire the way he carries himself, the ease with which he navigates this world of high stakes and even higher expectations. It’s one of the things that drew you to him in the first place, back when neither of you had any idea where this relationship was heading.

“Well, good luck out there,” you say, finally stepping back to let the next reporter have their turn. But as you move away, you catch the briefest flash of something in his eyes — something that tells you he’s not just thinking about the race ahead, but about the conversation you’ll have later, away from prying eyes.

As you find a spot at the back of the room, your phone buzzes in your pocket. A quick glance tells you it’s a message from Max, sent under the guise of a work-related email, as usual.

You know I’m going to make you pay for that lazy comment later, right?

You bite back a smile, typing out a quick response.

Promises, promises.

The rest of the press conference goes by in a blur of questions and answers, none of which capture your attention the way Max does. You’re barely listening when the moderator finally wraps things up, and the drivers start to file out.

But before Max can make his exit, he pauses just long enough to catch your eye, giving you a look that’s all too familiar. It’s the same look he gave you the first time you met, back when he was just another driver on the grid and you were the new journalist determined to make a name for yourself. A look that says he’s already planning what he’s going to say to you later, when the cameras are off and the real conversations can begin.

You follow the crowd out of the room, blending in with the other journalists as you make your way toward the paddock. But your thoughts are already drifting to the end of the day, to the moment when you’ll finally be alone with Max, free to drop the pretense and just be yourselves.

Because despite the roles you play in public — the critical journalist and the cocky driver — in private, you’re something else entirely. Something that neither of you can fully explain, but neither of you wants to give up.

“Heading back to the media center?” One of your colleagues asks as you step outside, the midday sun beating down on the paddock.

“Yeah, I’ve got a deadline to meet,” you reply, forcing your mind back to the task at hand. But even as you say it, you know that your thoughts will be elsewhere for the rest of the day. On Max, and the secret you both share. A secret that, for now, is safe.

But how long can it stay that way?

The question lingers in your mind as you head back to your desk, the usual chatter of the paddock fading into the background. You’ve always known that this arrangement couldn’t last forever, that eventually, something would give.

The world of Formula 1 is too small, too tightly knit, for secrets like this to stay buried forever. And when the truth finally comes out — because it’s not a matter of if, but when — you know that everything will change.

But for now, you push those thoughts aside, focusing on the article you need to write. It’s what you’re good at, after all — crafting narratives, shaping stories. And today, the story is about Max, the driver who never fails to surprise you, both on and off the track.

The press room is quieter now, most of the other journalists having moved on to other tasks. You sit down at your laptop, the screen reflecting your determined expression. The cursor blinks at you, waiting. And as you begin to type, the words flow easily, the story taking shape with each keystroke.

It’s a story the world has seen before — another race, another analysis of Max Verstappen’s performance. But underneath it all, there’s a subtext that only you can see, a hidden layer that tells the real story. The one that will never make it to print.

The one that belongs to just you and Max.

Hours pass in a blur, your fingers flying over the keyboard as you lose yourself in the work. It’s almost too easy to write about Max, to analyze his every move, his every decision. You know him better than anyone, after all — better than any other journalist in this room, better than most of the people in his life. It’s a knowledge that comes with a price, though, a price you’re all too aware of.

But as the final paragraph falls into place, you sit back, satisfied. The article is done, the narrative complete. And with it, the day’s work is finally over. You stretch, glancing around the empty press room, and for a moment, you allow yourself to relax. To let go of the role you’ve been playing all day, and just be yourself.

Your phone buzzes again, pulling you back to reality. Another message from Max.

Meet me in the usual place?

You don’t hesitate before typing out a reply.

On my way.

The media center is almost deserted as you make your way out, the soft hum of electronics the only sound filling the room. You slip your laptop into your bag and sling it over your shoulder, feeling the weight of the day lift slightly as you step into the paddock. The evening air is cooler now, a welcome relief after the day’s heat, and the sky is streaked with shades of orange and pink as the sun dips below the horizon.

You walk with purpose, navigating the familiar maze of trailers and motorhomes, heading toward the secluded spot where you and Max often meet. It’s tucked away from the main pathways, a place where no one would think to look for you, and that’s exactly why it works. You reach the spot and pause, taking a deep breath before stepping around the corner.

Max is already there, leaning against the side of a trailer, his cap pulled low over his eyes, hands shoved in his pockets. He looks up as you approach, a slow smile spreading across his face.

“Took you long enough,” he says, his tone teasing.

“Had to finish that article you’re so eager to read,” you reply, stopping a few feet away from him, just outside the reach of his hands.

“Oh, I’m sure it’s a glowing review of my abilities,” he says, pushing off the trailer and closing the distance between you in two strides. He reaches for your hand, pulling you closer, and you don’t resist. Here, in this quiet corner of the paddock, the walls come down, and the roles you play for the cameras melt away.

“Glowing might be a stretch,” you say, allowing yourself a small smile as his hand lingers on your waist. “But it’s fair.”

“Fair is good,” he murmurs, leaning in so his forehead rests against yours. “But if I didn’t know better, I’d say you’re going easy on me.”

“Maybe I am,” you admit, your voice softening. “Or maybe I just think you deserve a break every now and then.”

“From the criticism? Or from you?” He asks, his eyes twinkling with mischief.

“Both,” you say, giving him a playful shove, but he doesn’t budge, his grip on you firm yet gentle.

“You know I’d never take a break from you,” he says, his voice low, serious now. His thumb strokes your side, sending a shiver up your spine.

You close your eyes for a moment, letting the sensation wash over you. It’s these moments you treasure the most, the ones where it’s just the two of you, no expectations, no pressure. Just Max and you, stripped down to the simplest version of yourselves.

“I know,” you whisper, opening your eyes to meet his gaze. “I’d never let you.”

His smile turns tender, and he cups your cheek, his thumb brushing over your skin in a way that makes your heart skip a beat. “Good,” he says simply, before closing the small gap between you and pressing his lips to yours.

The kiss is soft, unhurried, a stark contrast to the fast-paced world you both live in. It’s a reminder of what you have, what you’ve built together despite the odds. And as you kiss him back, you feel a warmth spread through you, one that has nothing to do with the lingering heat of the day.

When he finally pulls back, his forehead resting against yours again, he lets out a small sigh, as if he’s been holding his breath all day and can finally relax. “I hate this,” he admits quietly.

“Hate what?” You ask, your fingers playing with the edge of his shirt, needing the physical connection to anchor you.

“Hiding,” he says, the word heavy with the weight of months, years of secrecy. “I hate that we have to keep doing this, sneaking around like we’re doing something wrong.”

You feel a pang in your chest, because you hate it too. Hate the way you have to pretend to be something you’re not in front of everyone else. Hate the way you have to watch your words, your actions, every time you’re in the same room as him. But more than that, you hate the idea of what would happen if the truth came out. The scrutiny, the backlash, the way it would change everything.

“I know,” you say softly, your fingers stilling on his shirt. “But it’s the only way right now. We both knew that going into this.”

“I know we did,” he replies, his voice tinged with frustration. “But it doesn’t make it any easier.”

“No,” you agree, resting your head against his chest, listening to the steady beat of his heart. “It doesn’t.”

He wraps his arms around you, holding you close, and for a while, neither of you says anything. The silence is comforting, a shared understanding that words can’t always convey. It’s moments like these that make the rest of it bearable — the stolen kisses, the secret glances, the knowledge that, no matter what happens, you’ll always have each other.

Eventually, Max pulls back just enough to look at you, his expression softer now, the frustration replaced with something gentler, more resigned. “I just wish it could be different,” he says, his voice barely above a whisper.

“Me too,” you admit, your heart aching with the truth of it. “But we’ll get through this, Max. We always do.”

He nods, though you can see the doubt lingering in his eyes. “Yeah, we will,” he says, as if trying to convince himself as much as you. “And when we do, we’ll figure it out. Together.”

“Together,” you echo, holding onto the word like a lifeline.

He leans in to kiss you again, and this time, it’s slower, more deliberate, as if he’s trying to memorize every detail, every sensation. And you let him, because you’re doing the same, savoring the feel of him, the taste of him, the way his hand cradles the back of your head like you’re something precious.

When you finally break apart, both of you are breathless, and the world feels a little less heavy, a little less overwhelming. Max rests his forehead against yours, his eyes closed, his breath warm against your skin.

“I love you,” he says, the words so simple, yet so profound in the way they ground you, remind you of what’s important.

“I love you too,” you reply, your voice steady, certain.

He smiles then, that slow, genuine smile that’s just for you, the one that makes your heart skip a beat every time. And in that moment, everything else fades away — the doubts, the fears, the uncertainty of what the future holds. Because right now, in this quiet corner of the paddock, it’s just the two of you, and that’s enough.

For now, it’s enough.

“Come on,” Max says after a moment, his hand finding yours and giving it a gentle squeeze. “Let’s get out of here before someone comes looking for us.”

You nod, and together, you slip out of the shadows, making your way back through the maze of trailers and motorhomes, hand in hand. The paddock is quieter now, most of the crew having called it a day, and the sky is a deep, dusky blue as night settles in.

As you walk, you can’t help but glance at Max, the way his profile is lit by the dim lights of the paddock, the way his grip on your hand never wavers. It’s moments like these that make it all worth it — the sacrifices, the secrecy, the constant balancing act between your public and private lives.

Because at the end of the day, it’s not the criticism or the articles or even the races that matter. It’s this — being with him, knowing that no matter what, you’ll always have each other.

And as you slip out of the paddock together, unnoticed by anyone, you hold onto that thought, letting it carry you through the darkness, through the uncertainty of what tomorrow might bring.

Because for now, it’s enough.

And that’s all you need.

***

The Hidden Truth: Why I Kept My Marriage a Secret

By: Y/N Y/L/N

For as long as I’ve been a journalist, I’ve prided myself on one thing: honesty. I’ve built a career on asking the tough questions, on digging for the truth even when it’s uncomfortable, and on holding the powerful accountable. That’s why, as I sit down to write this, I find myself in an unfamiliar position — one where I’m the subject of my own scrutiny.

Over the past few years, I’ve become known as Max Verstappen’s biggest critic. I’ve questioned his decisions on track, his attitude off it, and his approach to the sport we both love. I’ve written article after article dissecting his every move, never once pulling my punches. And, in doing so, I’ve created a persona that many have come to recognize — a journalist who isn’t afraid to speak her mind, no matter who she’s writing about.

But there’s something I’ve kept hidden. Something I’ve chosen not to share, not because I’m ashamed of it, but because it’s deeply personal. And now, it’s time to tell the truth.

Max Verstappen is my husband.

Yes, you read that correctly. The man I’ve spent years publicly scrutinizing is the same man I wake up next to every morning, the same man who knows me better than anyone else in this world. We’ve been married for two years, together for even longer, and our relationship is something I hold incredibly dear.

I can already hear the questions — how could I, a journalist dedicated to transparency, keep such a monumental secret? How could I write so critically about the man I love, knowing the impact my words would have? The answers are complex, but I’ll do my best to explain.

When Max and I first started dating, it was easy to keep our relationship private. We were just two people trying to navigate the chaotic world of Formula 1, and neither of us wanted the added pressure of public scrutiny. But as our relationship grew more serious, we both knew that revealing it would come with consequences — not just for us, but for our careers, our reputations, and our personal lives.

So we made a choice. We decided that our relationship was something we wanted to protect, something we wanted to keep just for ourselves. And yes, that meant keeping it a secret from the public, from our colleagues, even from some of our closest friends.

But the secrecy wasn’t about hiding. It was about creating a space where we could be ourselves, away from the cameras, the interviews, the constant analysis of every move we made. It was about having something that was ours and ours alone, in a world where so much is shared, dissected, and often distorted.

Now, as for the criticism — many of you will likely wonder how I could write so harshly about the man I love. The truth is, when I put on my journalist hat, I’m not Max Verstappen’s wife. I’m not Y/N, the woman who loves him. I’m Y/N Y/L/N, the journalist who has a job to do. And that job is to report on the sport objectively, to ask the tough questions, and to hold everyone — including my husband — accountable.

Max knew this from the beginning, and he respected it. In fact, he encouraged it. He didn’t want me to go easy on him just because of our relationship. He wanted me to be true to myself and to my profession, even if that meant writing things that were difficult for both of us. And yes, there were times when it was hard — when I wrote something that hurt him, when we had to have difficult conversations about where to draw the line between my role as a journalist and my role as his partner.

But through it all, we’ve managed to keep our relationship strong, because we both understand that what happens on the track, what’s written in the press, isn’t the full story. The full story is what happens behind closed doors, away from the public eye, in the quiet moments we share when it’s just the two of us.

And now, the secret’s out. I know this revelation will come as a shock to many, and I’m prepared for the questions, the speculation, and yes, the criticism that will inevitably follow. But I want to make one thing clear — I’m not sorry.

I’m not sorry for keeping our relationship private. I’m not sorry for protecting something that means the world to me. And I’m not sorry for continuing to do my job with integrity, even when it meant writing things that were difficult for both of us.

This is our truth. It’s messy, it’s complicated, but it’s ours. And now, it’s out there for the world to see. I’m not asking for understanding or approval, because I know this will be a difficult pill for some to swallow. But I am asking for respect — for my choices, for our relationship, and for the fact that, at the end of the day, we’re just two people who fell in love in a world that’s anything but ordinary.

Max and I are still the same people we were before you knew about us. He’s still the incredible driver you’ve come to admire, and I’m still the journalist who will continue to ask the tough questions, no matter who’s on the other side of them.

The only difference now is that you know the full story.

And I’m okay with that.

***

The Other Side: Why We Chose to Keep Our Love Private

By: Max Verstappen

I’ve never been one to shy away from a challenge, whether on the track or off. Racing is in my blood — it’s what I’ve known and loved my entire life. But writing? That’s a whole different race, one where I’m definitely out of my comfort zone. So, when Y/N suggested I write this article, I wasn’t sure if it was such a great idea. But she convinced me — like she always does — so here I am, trying to find the words to explain what’s been one of the most significant parts of my life, one that I’ve kept hidden from the world until now.

As you’ve probably read by now, Y/N Y/L/N, the journalist who has been my harshest critic, is also my wife. Let that sink in for a moment — I know it took me a while to get used to the idea too. Not the fact that she’s my wife, but that the world now knows something we’ve kept private for so long.

When Y/N and I started dating, we had no idea where it would lead. We were just two people who happened to find something special in each other, despite the chaos of our worlds. But as our relationship deepened, so did the challenges. How do you navigate a relationship when one of you is in the spotlight 24/7, and the other’s job is to shine that light as brightly as possible, even when it’s uncomfortable?

We quickly realized that what we had was too important to let the world dictate how we lived it. So, we made a choice — a choice to keep our relationship private, not because we were ashamed, but because we wanted something for ourselves, something that wasn’t up for public debate or scrutiny.

People will ask why we did it, why we went to such lengths to keep it a secret, and the answer is simple: because we had to. Being a Formula 1 driver means living your life under a microscope. Every move you make, every word you say, is analyzed, criticized, and often misunderstood. It’s a pressure cooker, and adding a public relationship into that mix was something we weren’t willing to do.

It wasn’t an easy decision. There were times when I wanted to scream from the rooftops about how much I love this woman, how much she means to me, and how proud I am of her. But I knew that doing so would open us up to a level of scrutiny neither of us wanted or needed. And so, we kept it quiet, we kept it private, and we built something strong and real away from the cameras.

That’s not to say it was without its challenges. Y/N’s articles about me — some of which were less than flattering — were hard to swallow at times. But I respected her too much to ask her to change the way she does her job. She’s a journalist, and a damn good one at that. She has a responsibility to her readers, to the sport, and to herself to be honest, even if that honesty stings.

Did it hurt when she wrote something critical about me? Of course, it did. But I also understood that what she wrote came from a place of integrity, not malice. It was her job to ask the tough questions, to hold me accountable, and to do so without bias. And I loved her even more for it.

You might wonder how we managed to keep our relationship strong despite the secrecy and the criticism. The truth is, we did it by being honest with each other in ways we couldn’t be with anyone else. We talked — about everything. About the articles, about the pressures we were both under, about our fears and our hopes for the future. We made sure that, no matter what happened on the track or in the press, we were solid in our relationship. And we were.

But now that the secret’s out, I know things will change. People will have opinions, and they’ll want to know every detail of how we made this work. They’ll want to dissect our relationship just like they dissect my races. And that’s fine — we knew this day would come eventually.

What I want people to understand, though, is that our decision to keep our relationship private wasn’t about deception. It was about protection. We wanted to protect what we had, to give ourselves the space to grow as a couple without the pressures of the outside world bearing down on us.

I’ve always been a private person, and that’s not going to change just because the truth is out. But I’m also incredibly proud of what Y/N and I have built together. She’s my toughest critic, yes, but she’s also my biggest supporter, my partner, and the person I trust more than anyone else in this world.

So, why write this now? Because I want to set the record straight. I want people to understand that our relationship is real, that it’s built on love, respect, and a shared understanding of what it means to live in this crazy world of Formula 1. We didn’t hide it because we were ashamed — we hid it because we wanted to protect it, to keep it safe from the chaos that surrounds us every day.

And now that the secret’s out, I’m not afraid of what’s to come. I know there will be challenges, but I also know that we’ll face them together, just like we’ve faced everything else.

This is our story. It’s not perfect, and it’s far from simple, but it’s ours. And now, the world knows it too.

***

The sun hangs low over the paddock as you walk beside Max, your hand nestled comfortably in his. The usually bustling environment feels different today, like the air has thickened with anticipation. You can feel the eyes on you — hundreds of them, some curious, some incredulous, all hungry for the next piece of the puzzle that is you and Max Verstappen.

You’ve written about this very paddock more times than you can count. You’ve captured its energy, its chaos, its unpredictability. But today, for the first time, you’re the story.

Max squeezes your hand, a silent reassurance, and you glance up at him. He’s calm, or at least he appears to be. You know him well enough to see the subtle signs of tension — the set of his jaw, the way his eyes scan the crowd with a little more intensity than usual. He’s ready for whatever comes next. So are you, or at least that’s what you tell yourself.

“Ready?” He asks, his voice low, meant only for you.

“As I’ll ever be,” you reply, managing a small smile.

The first few steps into the paddock are deceptively quiet, almost serene. But then, as if someone has flipped a switch, the cameras flash, the microphones extend, and the questions start flying at you from every direction.

“Max! Is it true you’ve been married for two years?”

“Y/N, why did you keep it a secret?”

“How does this change your dynamic on the grid?”

“Will you be writing about Max differently now?”

You and Max exchange a glance, a wordless conversation in the middle of the media frenzy. His hand tightens around yours, a steady anchor in the chaos. You can feel the eyes of your colleagues, the other journalists who are now looking at you not as one of them but as a subject. It’s a disorienting feeling, like the world has suddenly shifted and you’re standing in a place you no longer recognize.

Max leans in close, his lips brushing your ear as he whispers, “Welcome to my world.”

You can’t help the laugh that bubbles up, a sound that cuts through the tension like a knife. It’s absurd, this whole situation. You’ve spent years writing about him, criticizing him, analyzing his every move, and now you’re on the other side of that scrutiny.

You straighten your shoulders, drawing on every ounce of professionalism you have. This is what you signed up for. You’ve spent years dissecting the lives of others, and now it’s your turn to be under the microscope. It’s only fair.

But Max isn’t letting you go it alone. He steps forward, his presence commanding as he addresses the swarm of reporters. “We’ll take questions, but let’s keep it civil,” he says, his tone leaving no room for argument.

The first question comes from a reporter you recognize, someone you’ve shared more than a few press rooms with. “Max, how does it feel to have your relationship with Y/N out in the open?”

Max glances at you, a small smile tugging at his lips. “It feels good. We’ve wanted to keep this part of our lives private, but now that it’s out, we’re ready to move forward.”

Another reporter jumps in, this one more aggressive. “Y/N, how do you expect to remain unbiased in your reporting now that everyone knows you’re married to Max?”

You take a deep breath, forcing yourself to stay calm. “I’ve always strived for objectivity in my work, and that won’t change. My relationship with Max is separate from my role as a journalist. I’ll continue to ask the tough questions, just as I always have.”

It’s a carefully crafted answer, one you rehearsed in your head a dozen times before stepping into the paddock. But you can see the skepticism in their eyes, the doubt that you can truly keep your professional and personal lives separate. It stings, but you knew it was coming.

Max’s voice cuts through the murmurs. “Y/N has always been one of the best in the business, and that’s not going to change just because we’re married. If anything, she’ll probably be even harder on me now.”

There’s a ripple of laughter, a brief moment of levity in the tension-filled space. But it’s short-lived. The questions keep coming, each one sharper than the last.

“Max, do you think your performance on the track will be affected now that your marriage is public?”

“Y/N, do you regret keeping this a secret for so long?”

“What about the other drivers? How do they feel about this?”

You’re starting to feel the weight of it all, the relentless pressure of the cameras, the voices, the questions that seem to dig deeper and deeper. But Max is by your side, unwavering, and that gives you strength.

“I don’t regret anything,” you say firmly, your voice cutting through the noise. “Max and I made the decision to keep our relationship private because it was what was best for us. We wanted to protect something that mattered to us, and I don’t think anyone can fault us for that.”

Max nods, his hand still wrapped around yours. “We knew this would come with challenges, but we’re ready to face them together.”

There’s a moment of silence, a pause as the reporters digest your words. But you know this isn’t the end of it. The scrutiny, the questions, they’re not going to stop anytime soon. You’ve become the story, and that’s something you’ll have to live with.

But as you stand there, side by side with Max, you realize that you’re okay with it. You’ve spent years writing about other people’s lives, their triumphs and failures, their relationships and rivalries. Now, it’s your turn to be in the spotlight, and you’re ready for it.

“Max, Y/N,” a voice calls out, one of the more seasoned journalists you’ve always respected. “What’s next for you two? How do you plan to navigate this new chapter?”

Max looks at you, his eyes softening. “We’re going to keep doing what we’ve always done. I’ll keep racing, Y/N will keep writing, and we’ll keep supporting each other every step of the way. This is just another challenge, and we’re more than ready to face it.”

You nod, feeling a surge of confidence. “We’re not going to let this change who we are or what we do. We’ve always been a team, and that’s not going to change now.”

There’s a finality to your words, a sense that you’ve said all there is to say. The reporters sense it too, the questions starting to taper off as they realize they’re not going to get anything more out of you today.

Max squeezes your hand one last time before turning to the crowd. “Thanks, everyone. We’ll see you in the media pen.”

With that, he starts to lead you away, but not before you catch the eyes of a few of your colleagues. There’s a mix of emotions there — some understanding, some curiosity, and yes, some judgment. But you don’t let it get to you. You’ve spent your career building a reputation, and one revelation isn’t going to tear that down.

As you walk away from the crowd, Max’s arm slips around your waist, pulling you close. “Not so bad, huh?” He murmurs.

You laugh softly, leaning into him. “Speak for yourself. I think I’ll stick to writing the articles, not being the subject of them.”

Max chuckles, his breath warm against your temple. “Now you know why I’m not a fan of the media. Present company excluded, of course.”

“Of course,” you echo, smiling up at him.

The paddock is still buzzing with energy, the usual pre-race preparations in full swing. But you and Max walk through it with a new sense of purpose, a newfound clarity. The secret is out, and while it comes with challenges, it also comes with freedom — a freedom to be yourselves, to love each other openly, without the burden of secrecy.

You know the road ahead won’t be easy. There will be more questions, more scrutiny, more judgment. But as long as you have Max by your side, you know you can handle whatever comes your way.

[orlesianhennin]

I really feel like so many people who hate Vivienne for being power hungry do not fully grasp and appreciate the desperation that Vivienne feels because she conceals it so well… as little content as she got, she honestly is expertly written and presented and it’s why it disappoints me so much when people hate her for surface level reasons… her writer deserves so much more appreciation.

I think it is subtle because she hides it and you really have to care about the character to seek out these threads and understand her motivations… she is in danger of total irrelevance, being cast aside by society (and history), and she is forced to ride the coattails of some upstart organization because all of the institutions she is invested in have either totally failed her or cast her aside.

She is clearly a prideful person who does not readily admit this… but her true talent is how clearly she can evaluate this and understand her own position. She suffers no delusions. She knows the Circle’s standing in society is diminished to nothing if it doesn’t house and account for the majority of mages, and she is left with just meek Chantry loyalists and sycophants who are lost without her guiding hand, as even otherwise pro-Circle mages with any sense have abandoned ship and left both rebels and loyalists at this point to see where the chips fall (Ellandra) - and the Chantry itself has been all but decimated in terms of military and political power. The one lifeline she has is the Imperial Court, and the fickle nobility have moved on from her - the mages are now a threat that she cannot control or offer any meaningful opposition to, and Celene’s favor has turned to Morrigan, and Vivienne does not know if she will ever have it again. She knows Bastien is dying, and that all that she has left at court will be those who hold kind feelings towards her such as his family, and that is a position she can never accept - being at the mercy of others.

We meet Vivienne, this impressive, powerful mage, who has made a life for herself by maneuvering brilliantly, all to improve her own standing, at a point where she is in danger of losing everything she has. And she doesn’t let on, at least not explicitly, but she joins the Inquisition out of desperation - it’s obvious she sees it as an opportunity, but the gravity of the situation for her isn’t clear from the start. She refuses to lay down and fade away. Vivienne would never had joined this fledgling upstart organization if she was in a better position at Court or there wasn’t a vacuum of power. She is very close to having nothing left, and starting over - and so she does. Before the rug can be pulled from under her, she gets out and sets off for herself again.

Vivienne, often accused of pride, privilege, and self importance, comes to the Inquisitor out of pure humility. She knows she is reduced. And her gamble ultimately pays off, and the Inquisition becomes the political juggernaut that it does, and she becomes more powerful and important than ever just by association. And I like to think, especially with an Inquisitor who respects and befriends her, that she plays no small part in shaping the organization.

I think this is also why, potentially, she plays it so cool at the Winter Palace. She doesn’t get involved… she doesn’t need to. Simply being present is a statement to the court, and she truly doesn’t care about who wins; it’s not just the Game, it’s personal, despite what she claims. That they cast her aside, and now they are interested again… not necessarily in her, but still, she sees the paradigm shifting again. She is now a part of the organization who gets to change Orlais, and favor with the Inquisition is quickly becoming just as important as favor with Celene.

The whole arc is a subtle one as she really doesn’t get much attention, but if you pay close attention, it shows how expertly Vivienne plays politics. We already know she came from nothing and maneuvered into a powerful position. But I think not everyone realizes she is nearly back to nothing when we first meet her… and through the course of the game’s events, by allying with the right people, she plays the game well enough to become an advisor to the most influential person in southern Thedas… and potentially even Divine. But her initial plea to the Inquisitor, for all the great lengths she goes to keep up the appearance of strength and invulnerability, comes from a place of utter desperation.

[viperbunnies]

"Nothing good ever comes out when I start hoping... but maybe just a little bit."

[Thank you to @.unfinished-projects-galore , @.ai-kan1 and @.stestylius-arts for the assets! Thank you as well to @jovieinramshackle for giving me the inspo to finally start on this, and to @crystallizsch , @angelwishess and @twstgo whose oc intros I took inspo for the layout 🫶]

An outlier from the school, due to his situation he was home-schooled for the majority of his first year. They have decided to accompany the Ramshackle prefect in their daily endeavors, serving as a guide and as a companion in the worn-down dorm.

BASIC INFO.

NAME: Oswald "Oz" Damarys BIRTHNAME: ???? ??????? ALIAS: Oz, Ozzie, Flashlight Fish (Floyd), Monsieur Porcelaine (Rook) Shortie-senpai (Yuudai) AGE: 17 BIRTHDATE: August 26 HEIGHT: 154 cm SPECIES: Half-human half beastmen GENDER: Demi-boy (Uses they/he and masc titles) ORIENTATION: Demisexual ALIGNMENT: Lawful Neutral MBTI: ISFP Voice claim: Here! (Stc)

LIKES: Stargazy pie, Seafood in general, Acrobatics, Crochet, Art in general, Reading, Fairytales, Music boxes, Classical Music, Card games, Mystery books, Sightseeing, DISLIKES:Wishmaking, Shooting stars, Crowded places, Performing, Being observed, People touching his birthmark, His "Luck", Basketballs

Unique Magic Your Next Line is! [ Flash Forward ] — "An indisputable future is what I see... Your Next Line is!" Oswald is able to take a peek into someone's future as long as they keep contact with his pearly white eye. It can be anything from 5 seconds from now or a day later - This visions manifests like rolls of film - Lately It appears his unique magic is going haywire, showing him visions without the need of eye contact. (They aren't pleasant visions)

TRAITS +  Easy-going; Flexible; Warm; Appreciative =  Tolerant; Perceptive; Witty; Impartial -  Overworker; Indecisive; Reliant; Worrisome

BRIEF OVERVIEW (STC)

Oz is a man of many tricks; he was raised to entertain the audience, which is why he is great at lightening up the mood of the room. The many tricks he can do reminds others of a puppy trained on how to play dead, or shake hands. Despite that, Oz actually struggles in actually expressing the his true feelings— used to being the brunt of many jokes growing up, he believes that he is simply a puppet used for the entertainment of others. He sees himself as a hollow doll with no real personality, only meant for display. He is confused about who his truly is, used to what others want to see and not what he wants to show. Slowly, he is realizing that he is merely human, and that he should live for his own sake. (Old info from my notes)

TIDBITS

Random Facts - Part-beastmen, specifically a rabbit beastmen but he lacks actual features aside for his tail that was cauterized off when he was younger - He doesn't look the part but he also likes getting into shenanigans, sometimes instigating Yuu and Adeuce with the pranks they do (No one really believes the trio when they say it was Oz's idea) - He's double jointed which is helpful with his Acrobatic hobby. - Love language is gift giving, and has a tendency to make crochets for other people. They're typically things that remind them of the other. - Has a lot of birthmarks on his face, but he started to cover them with foundation after Floyd made fun of it. - Has a terrible sense of direction so he gets lost easily, but he'd like to travel around the world someday. - He has terrible luck, and while he doesn't believe in superstitions he began to be wary about them. Doesn't want to get knocked out unconscious by a basketball whenever he passes by the gym. - Doesn't really mind being called Oswald, but he associated that to whenever he'd get scolded... so Oz is his more go to nickname.

TYPING QUIRK: - His friend got him into using Kaomojis, he likes the ones with bunny ears. - Likes sending voice messages to get his point across. - Usually types in sentence cases, (although when he isn't feeling well he types in lower cases) SPEAKING QUIRK: - Uses a lot of onomatopoeia to describe unknown things. - Speaks firmly when he feels strong emotions. - Sometimes bites his tongue when he rambles, or not focused. BEHAVIOURAL QUIRKS: - Nose has a tendency to twitch when he’s interested, or irritated. - He also unconsciously thumps his foot when he’s annoyed.

RELATIONSHIPS (WIP)

(Might put a brief overview on their more notable relationships in the future!) Note: - Main Oc x Canon is with Jamil (ignore that pink on silver and jade) - Divus is his foster parent

PNGS BELOW:

p∀ƎH ⅄W NI פNIH┴ƎWOS SI ƎɹƎH┴

[retroaria]

ᶻ 𝗓 𐰁 boyfriend nagi.ᐟᶻ 𝗓 𐰁

⊹ ࣪ ˖ another set of bf headcanons finally !! ⊹ ࣪ ˖

warnings: this is post Blue Lock, not a high school!au

BLUE LOCK M.LIST | enjoy 🌵 - aria

pre-boyfriend!nagi who spends weeks, months even, questioning what exactly it is he feels for you because he just can’t wrap his head around it. doesn’t know why his heart throbs when you say his name, why his hands get sweaty when you sit close to him, why he feels the need to lie about certain things to make himself look better, why he feels the constant urge to just fall into your arms and lay there forever.

pre-boyfriend!nagi who goes to Reo for advice on the matter only to be called an idiot and have his own feelings explained to him at his big age

pre-boyfriend!nagi who now can associate those feelings with wanting a relationship with you, it’s all he thinks about. he yearns for you so bad. wants to have you in his arms, nap with you, teach you how to play games, let you cook for him (and feed him lol), introduce you to choki, show you all his cool soccer moves. it makes him really sad that he can’t just have you already, and it’s gonna be a hassle to ask you out.

pre-boyfriend!nagi who isn’t ready to ask you out but still wants to share his affections with you. He’s very touchy, always hugging you, leaning on your shoulder, brushing strands of hair out of your face so he can see your eyes. Asks you to hang out with him almost every day, even if he knows you’re gonna be busy, he still has to ask just in case you can.

pre-boyfriend!nagi who realizes that holding his feelings in is way more of a hassle than confessing so he does exactly that. He’s very straightforward about it. “Hey, I’ve liked you for a while now. Wanna go on a date?”. If you say yes he’d probably just kiss you on the spot. He hasn’t even taken you on the first date yet but in his head you guys are already dating.

pre-boyfriend!nagi who takes you to an arcade on the first date, beats you at every game, but then wins you a bunch of claw machine stuffies to make up for it.

⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆ ⋆

boyfriend!nagi who asks you to come live with him early on the relationship. He has such a straightforward mindset that he can’t wrap his head around how you guys are together but not “together”, as in together all the time (if that makes sense). He has to learn the concept of personal space in a relationship and eventually even after you guys start living together understands why he can’t cling to you every second of every day. He’ll still try sometimes and gets sad when you go off to do your own thing but gets over it once he’s preoccupied watching matches or playing games.

boyfriend!nagi who gets jealous very easily, but not in the stereotypical sense. He doesn’t get mad or aggressive when he’s jealous but he’s totally the type to deadpan you with “do you not love me anymore?” If he sees you giving anyone else more attention than him. This feeling he gets isn’t just towards guys or even people your age, it’s anyone. “Why were you talking to that old woman at the store for so long? I was right there.” “Nagi, she was ringing us up, she’s a cashier, it’s her job.” He actually has very little reaction to other guys flirting with you because he simply thinks that’s a stupid thing for them to do and is confident you’ll reject them.

boyfriend!nagi who lets you dress him up, style his hair, do his makeup for fun, would honestly let you give him a tattoo if you really wanted to. His mind doesn’t have negative preconceived notions about many things, and he thinks it’s adorable watching you have fun with him. Really likes when you do his hair just so he can feel your hands on his scalp. Same with doing his makeup, thinks both activities are relaxing and hassle free bonding moments for you two. All he has to do is sit there and look pretty.

boyfriend!nagi who mentions you unconsciously all the time. Along with football and video games, you’re a focal point of his life and you’ve become integrated in almost everything he does or thinks about. So much so that when responding to questions and such, he’ll say “we” more often than ”I”. “Nagi, did you get a chance to watch that match last week?” / “Yeah we watched it the other night.” / “There’s this new manga that just came out I think you’d be into it Nagi.” / “Oh alright, we’ll definitely check it out.”

boyfriend!nagi who drops the love bomb very early on because if he had feelings for you strong enough to even notice or care about, he’s confident it has to be love. He has different variations of “I love you”, the most commonly used ones are groggy and drawn out, “love youuuu~” or “Mhmm, love.” It’s a pet name and a confession all in one, verbal shortcuts make life easier (nagi logic 101). When he really wants you to hear it, he’ll say “I love you” in full but repeatedly. Either while he’s burying his face in the crook of your neck or following you around the house begging you to forgive him for sleeping all day instead of the chores you asked him to do.

boyfriend!nagi who wants to put more and more effort into himself and his lifestyle now that he has you. He wants to be the best he can be, give you everything you want and need, show his love for you in a million different ways. It’s so bad that he sometimes cries to himself thinking about all the ways he might mess up the relationship, he doesn’t know what he would do if you left him, he’d just feel so empty. :((

boyfriend!nagi who clings to you at every moment that he can, his heart stings at the feeling you leaving his grasp even if it’s just for a moment.

boyfriend!nagi who is absolutely whipped and unafraid to admit it. He’s so open and honest about his feelings with you because it’s a pain to not be able to tell you things. Is constantly reminding you how much he thinks about you and yearns for you. So much love with this boy <3

[43qh]

talk for a minute? (m)

quinn hughes x fem!reader

genre: angst, smut, fluff

warnings: unprotected sex, creampie, yearning, self-doubt, rejection

word count: 4.6k

summary: your own vows to not associate with anyone your last year in college all comes crashing down the second quinn hughes enters your life.

you made vows.

vows to yourself, at least. you’ll focus on studies, graduate with honors this coming year, no distractions. you made fucking vows. so when a man named quinn hughes has sudden interest in your loneliness, you scowl. your snarls and distaste in his presence hasn’t made him go away. not yet, at least.

quinn randomly popped into your life when he sat across you in your campus library. his eyes gleamed a pretty color you didn’t want to discover too deeply. you raised an eyebrow at the time, not sure why a man was sitting across from you, no books in hand. you didn’t know quinn back then. quite frankly, you didn’t know many people. you were a loner, if you will. you hated the term, though. you just chose your studies over friendships.

people could call you a prune all they want, it never deterred you. at least you’d graduate with your head held high.

so, when quinn approached you that day with a glimmering “hi”, you scowled. and he would try every day for the past three weeks trying to get something different, but it never worked. but he never stopped approaching you. never stopped pursuing you.

when quinn doesn’t show up at his usual time, you’re a little muddled in your seat. quinn made it a point to be punctual in your ‘meet ups’. so, when he comes an hour late, you scrunch your eyebrows at him.

he clears his throat a bit, trying to remain quiet in the library, “hi.”

you almost scowl in his face, but your demeanor was falling apart in front of his eyes. you sit still, “you’re late.”

quinn’s eyebrows raise, but he can’t stop the smile errupting on his face, “you noticed?”

you scoff, looking back at your books. he wanted you to notice. he wanted you to react. he craved it.

quinn rests his chin on his hand, elbow on the table, “if you’re wondering where i was-”

“i wasn’t.” you snark.

“-i had to call my mother. we do this monthly thing where she checks in on me.”

quinn being a mommy’s boy made you want to smile. you didn’t know much about quinn. you knew he played hockey, had two brothers, had lots of friends, and you knew girls flocked at him. quinn wasn’t bad looking. maybe he knew he was a looker, who knows. but knowing he was also a mama’s boy, added to your short list of what you knew about quinn. it was almost charming.

if only you didn’t have a reputation to uphold.

you don’t even nod in acknowledgment to his words about the call with his mother. you don’t look up, you don’t stop typing on your laptop. and quinn just sits like usual, in silence. you’re not sure what game he’s playing at, but you’re not sure you’re going to like it, whatever it is.

you didn’t even know the man’s name before he approached you, and now you know more than you’d like to. it made you scoff in your head.

only in his wet dreams will he get a chance to talk to you.

you hate this.

you hate that quinn’s silence was starting to become a comfortable daily routine. you hated that you were starting to anticipate his entrance. you hated the coil in your stomach when he approached you after giving a familiar handshake to one of his friends.

you hate him.

he’s a nuisance. always in the way when you’re trying to concentrate. in all reality, you could probably find another place and spot to study. but you knowingly chose not to. and that’s really what kills you. you were tormenting yourself on purpose.

you were hating him on purpose.

“hi,” his familiar voice rings in your ears as you take notes.

you want to say ‘hi’ back. you want to greet him properly, let him into your world. you want to become apart of his world, maybe. your mind wins over your heart, though.

you stay silent, not daring to look up in fear that you’ll crack. quinn never pushes you for conversation. he simply sits quietly until you’re done with your studies for the evening. maybe that’s what drew you towards him. he was patient, never really, truly invading your space. quinn just sat in your bubble, silently scrolling through his phone. he doesn’t even strike up conversations, he just sits there.

is this infatuation?

were you really wanting to break vows for a man you barely knew?

you lick your lips, eyes flickering towards him for only a second, maybe even less than that. he was handsome, from what you gathered. he dressed nicely, his clothes neat and not a wrinkle in place. your nostrils flare as you get a small whiff of his cologne from where he sat. earthy and light.

he looked a bit too good to be true.

you sigh softly, eyes focused on your paper in front of you. your exams are close, and you can feel the anxiety start to creep up.

you were so consumed by quinn for the past few minutes that you were slightly behind on your preferred schedule. you frown, making sure to bury your nose deep into your notes.

you weren’t sure, but you swore you could see a soft smirk on quinn’s lips out of the corner of your eye.

your resolve was disappearing.

quinn’s hair was wet, dressed in a loose sweater and sweatpants. his hands grip his phone a bit too tight. he greets you with a grunt, unusual to his chipper tone. it sent a shock down your spine. were you supposed to react that way to a frustrated man?

you sigh, trying your best to concentrate, but something was clearly bothering quinn as his brows furrowed in anger. your heart was aching for him.

god, you were aching for him.

as the weeks pass, doubt clouds your mind. what if this was a game to get you to talk? what if he just wanted what every other man wanted? what if he was playing with you?

all doubt leaves your mind for the moment when you notice the slouch in his posture.

“you okay?” you ask with a meek voice. it wasn’t like you to appear shy, someone with less resolve than what they’re credited for. but quinn breaks all your rules.

quinn looks up at you with a raised brow, “you’re asking?” his tone was playful.

you wanted to scoff and turn back to your books, but your body reacts quicker than your mind. “yeah.” you breathe. you sound out of breath, looking at him with a shy glint that almost drives him a bit crazy.

you were just so precious to him.

quinn didn’t see you as shy, quite the opposite actually. but seeing you fall apart just talking to him? he couldn’t help the fact that it boosted his ego. you were kind of known for blowing people off. so, when you asked about his well-being, he felt like he had to get on his knees for you.

not that he’d admit it.

“lost a game,” quinn tilts his head at you. watching your every move like you were bound to cower away any minute.

you nod, adverting eyes just for a split second before you’re greeted with a smirk on his lips. you twist in your seat a bit, “you’re smirking.”

“how am i supposed to stay composed?” he questions, leaning closer so his chest presses against the desk separating the two of you, elbows on the table, fingers interlocked after putting his phone down, “you’re just so cute when concerned.”

you puff your cheeks out, looking away from him completely. you wanted to brush off his compliment like you do with everyone else. you wanted to dig your nose in your books. you wanted to even possibly disappear.

at some point, you lose track of time. you’re not sure how long the two of you have been sitting in that awkward silence while you collect yourself. you’re not sure how long quinn has been looking at you.

you just know it’s longer than you would have liked.

“you’re conceited to think i was concerned,” you look at your laptop, not really bothering with your notes anymore, just simply looking away from quinn.

“so, you’re not?” he asks, leaning his head on his hand now.

you scoff, “you wish i was.”

“so what if i do?” he raises an eyebrow, “you barely know how to even look at me. i think it’d be a privilege to be cared by you.”

you squirm a bit in your seat, “what gives you that privilege then?”

quinn shrugs his shoulders, “only you know that.” he pauses, leaning back in his seat as he continues observing you, “but i’d be more than willing to get it, work hard for it. i know you’re a hard worker, how about letting me take over the hard work?”

you lick your lips, his words sounding more suggestive than you’d like them to. it sounds appealing to you. “work for it, then, i guess.”

quinn’s mouth sparkles in an infamous smile that makes your stomach flip, “giving me permission?”

you look at him finally, studying the way he looks at you. like you’re a challenge he’s not willing to give up on so easily.

“only for you.”

quinn doesn’t want to seem to ecstatic at your words, but he also hates the idea of you thinking he’s ungrateful. truth is, he’s more than ecstatic. he’s fucking off the wall happy. when those words slipped past your beautiful lips, he could hear birds start singing, he swears.

as the days pass, he slowly learns a little more about you. he can see how frightened you are. he can sense that a part of you hates this. hates the idea of him knowing you more than anyone else but yourself. he knows you’re guarded.

quinn doesn’t let it distract or deter him, though. he just patiently and slowly gets to know you more and more. he finally knows your favorite color, your favorite fruit, your favorite sweet. basic stuff that would normally bore someone, but in quinn’s reality, anything you give him is like gold. he even starts wearing your favorite color more often.

you notice the effort, and you can’t say you’re not affected by it. the closer you get to quinn, the more scared you get. but, also, the more curious you get. you would be lying if you said you weren’t interested in quinn, as well.

for all you knew, you could be signing up for your own downfall. but so could he.

maybe quinn wasn’t out to get you.

you sighed, sitting on your dorm bed. your roommate had gone out like she usually does, leaving you alone in the room. your thoughts start to bounce a bit, drifting towards quinn, against your better judgement.

as you’re about to lay down after showering and changing into something comfortable, you hear a knock. you scrunch your eyebrows, wondering if your roommate forgot her key. when you open the door and are instantly greeted with a big smile from such a gruff man, you feel shock down to your feet.

“how are you here?” your voice was incredulous, looking at quinn with big eyes.

“walked,” he shrugged, licking his lips with a smirk on his face.

“no, i mean,” you roll your eyes, “how do you know my dorm?”

“your roommate told me.” he looks at you, “saw her walking down the hallway, and she said that if i was looking for you, you were here.”

of course she did. your roommate didn’t exactly disrespect your boundaries, but she definitely did want you to get out there more. she was kind and more extroverted than you’d ever be. you figured at some point she would catch on to the fact that quinn was around you. it’s not like she never caught the two of you at the library talking.

you huff, “so you thought it was okay to come here?”

quinn shrugs, “thought maybe we were getting closer.”

you bite your lip, and quinn’s eyes travel downwards on instinct. oh how he wished he could just kiss you. he had been thinking about it for awhile. a lot longer than he’d like to admit.

“i guess,” you finally answer, looking into his eyes with vulnerability and uncertainty. he so desperately wanted to wash away all your doubts. especially the one’s about yourself.

“gonna let me in?” he quirks an eyebrow, expecting you to scoff in his face and shut the door on him. but you do the opposite, stepping aside and nodding your head.

“my roommate will be gone for awhile.” you state as he steps inside with cautious steps. you could feel the tension increase the second the door closes.

quinn’s eyes looked concerned, “are you sure this is okay with you? i mean i-”

you nod, stepping closer to him, “yeah, i don’t mind.”

you wanted to say how much you hated the way you could smell his specific cologne and soap. you wanted to say how much you hated how close the two of you were. you wanted to say how much you hated how badly you wanted to kiss him.

but all the hate burns into something different. a beautiful pit in your stomach that makes you step even closer to him.

quinn tenses up at your advances, looking at the way your night shorts rose higher along your thighs. seeing the way your shirt dipped. it made him visibly gulp. you were a sight for sore eyes, and he was afraid he would lose control if you continued your advances.

you could feel his breath fan your face in anxious waves, making you smile to yourself at just how nervous he actually gets around you. he had a strong, flirtatious resolve. just like you had a strong, reserved resolve. maybe the two of you weren’t too different, afterall.

you stand still, and the room goes quiet. you don’t move any further, waiting and anticipating quinn’s next move in action. it all felt slow-motion. something out of a movie, maybe.

quinn slowly raises a hand to your cheek, and you lean into his touch. he let’s out a breath of relief, your eyes connecting. it felt like the world stopped spinning for him. like he was looking straight into the eyes of an angel.

he could feel your skin start to burn at his touch, and he wanted to touch you everywhere after that. he wanted to break, fall apart into your arms and take what you give to him. take what you allow.

god, maybe he was falling in love.

“lost for words, hughes?” your face was still cradled into his hand, and he swallows.

he’s breathless, “i think so.”

your smile ignites something within him.

you were burning a fire within him that he couldn’t contain.

“don’t speak, then.” you say, eyes glimmering in the soft shade of your lamp in your dorm.

he can’t stop himself from leaning to close the gap between the two of you. he stops just before your lips touch, looking for approval. he sees the way your eyes flutter close, and he takes it as a sign to softly press his lips to yours.

quinn fears for his life the second your lips touch. he fears he will never get enough of this. little does he know that when you reach up to place your hand in his hair, you’re thinking the same thing.

your lips move slowly, languidly. it’s like the two of you want to embrace the moment as it is. something just as simple as a kiss, but just as complex as a blossoming relationship.

quinn has careful hand placements, staying on your face while the other is lightly tugging you closer by your back. you have a hand in his hair still, your other placed respectfully on his chest.

it’s a kiss you never imagined having. a kiss you never thought you wanted until this very moment. your whole world shifts on its axel and you become consumed by the way his beard brushes against you, the way his lips capture yours in a sweetness like honey.

you were trapped in quinn’s hold.

quinn was trapped in yours.

“how can you just say no?” quinn’s eyebrows furrow in frustration. he feels a slight sense of danger in the pit of his stomach when you turn to look at him.

“i don’t date, i don’t do dates. i can’t date.” you shook your head, scowling as you continue your walk towards your dorm. you felt like you were in some kind of romance show, and you hated it.

“says who?” quinn asks, following your trail like a puppy. he isn’t very subtle about how eager he has been to get to know you more as the days passed since you kissed. quinn became slowly more and more affectionate, throwing you off and messing with your head.

you purse your lips before responding, “says me.”

“so, you’re just going to reject me? for what reason?” quinn couldn’t understand you. he thought the two of you were genuinely getting closer. that he finally had a shot with you, especially after such a kiss that still sends tingles down his spine.

you’re almost at your door before quinn gently grabs your hand, making you stop in your tracks at the touch. he wasn’t pulling you towards him, no force involved in the act. it was all just pure instinct on your behalf on why you stopped.

you close your eyes and sigh before turning to look at him, “i need to make sure i graduate with honors, quinn. i made vows that i wouldn’t get involved with anyone, not even friends.”

“why? what good does that do?” quinn’s hand is cold against your own, “you’re doing so well. i’ve seen how hard you work, nobody can take that away from you. especially not me, i don’t even want to. i just want to..” he pauses, looking around as his cheeks turn a pretty pink, “i just want to be with… you.”

you want that too.

and your eyes soften at all the effort he has put in to getting to know you. to getting past all the doubts and walls you built up. no one has ever made the effort to know you as well as he does, and you’re not sure you’ll ever find that again if you let him walk away.

the idea of him no longer pursuing you and wanting you makes your heart ache. you wished you could hate it, but in all reality, you knew you wanted to keep pursuing and wanting him, too.

you were so used to being left alone before quinn arrived.

now you couldn’t imagine a day where quinn wasn’t there.

so, with strength, you grip his hand back. your warm hand surprises him when he feels your reassuring squeeze. he swears he could fall to his knees, kiss the ground you walk on. instead, he opts for kissing you.

it’s so rushed, emotions taking over as he grips your waist as if you’ll disappear. guilt washes over you when you realize that he does fear you’ll disappear. that you’ll walk away the second he stops kissing you.

you inhibitions are thrown out the window when quinn grabs your hand again, guiding you towards your dorm. you let out a soft laugh at his eagerness when he pulls the keys out of your jeans pocket to open the door. he sighs the second he realizes your roommate isn’t there, so fucking relieved.

he turns to kiss you again when he hears you shut your door, going back to how it had been just a few second ago. he was eager, so eager. he couldn’t help the way his hands trailed beneath your shirt and beneath your bra to cup your breast. he feels the gasp you let out between kisses, making him groan as he pinches your nipple just a couple times before pulling back.

you look disheveled, and he was so honored to be the reason why. when you approach him, he steps back. you frown, looking at him with concerned eyes.

“strip.” his words are demanding as he sits at the foot of your bed. he leans back, hands resting on your mattress. you swallow down your pride, quickly making rid of your shirt and bra. “all of it.”

his tone was husky, making you clench your legs together before following even more of his demands. it was like he had hold on you. he watched with hungry eyes, trailing all across your body as your lacy panties fall down with your jeans, leaving you vulnerable and left in nothing but socks.

he hums in appreciation before beckoning you towards him, and you don’t dare refuse. “i’m a bit underdressed here.” you whisper, and quinn chuckles a bit. he tugs at the seam of his shirt, pulling it over his head. he makes quick work of the buttons on his jeans and his boxers follow suit. you gasp a bit at the sudden action, adverting your eyes from his cock as it sprung up against his stomach.

quinn smirks to himself when he notices how shy you really, truly are. he grabs at your hand to bring you back to reality, your eyes meet, and it takes everything in him not to devour you completely. how could someone with such a strong head, have such a beautiful doe eyed expression when vulnerable?

“there you go, baby.” the nickname consumes you, swallowing you whole. your ears are ringing as you walk closer to him, feeling the soft pull of his hand to tug you towards him. “you’re gorgeous.”

he sounds breathless, like he’s seen nothing like it before. like it’s his first time seeing someone naked. it’s not, but you’re definitely the most beautiful thing he has ever seen in that very moment.

you make way to straddle him, and he hums in happiness, a smile spreading across his features. “want this cock, sweetheart?” he tilts to look at you, holding your face in one of his hands so you don’t look away.

you lick your lips, eyes glossy as they stay connected with his, “yes.”

quinn smiles, placing a soft kiss to your lips before flipping the two of you over. you let out a soft sound at the sudden change of scenery, him hovering over you with a determined look in his eye.

quinn reaches down, feeling just how soaked you are. “oh?” he perches an eyebrow up, slipping his fingers through your folds, “so wet already, could slide right in.”

“please,” your voice is meek, small but still breaking through the tension just enough to gather quinn’s attention. it honestly drives him crazy.

quinn groans, “wanted to tease you a bit more,” he says in defeat as he begins to line his cock up with your tight entrance, “but it’ll have to wait another time. really need to fuck you. been needing it for weeks.”

his confession makes the stretch he causes all the more pleasurable when he finally pushes in. you were so tight, making him stop the second he bottoms out. he really couldn’t handle cumming too fast right now.

your sounds are symphonies. he listens to every single one, making sure to pack them away for days he needed release and thought of you. he can feel the way you’re gripping so tightly onto his shoulders, almost like you’re trying to ground yourself.

everything about this moment was electrifying.

quinn kisses your temple, “gonna move, okay?” he waits for your eager little nod before he continues. he’s slow at first, groaning at the tight pull your pussy gives him. “you feel like a fucking dream.” his voice is coarse, struggling to keep composure.

you buck your hips up, “more. need more.”

he can’t stop himself now. not when your voice comes out in whiny little gasps. not when you’re rolling your hips up to feel even more of him. no, not when you’re allowing him to have you.

you gasp when he picks up speed, eyes rolling back as he hits a spot inside you that has you wrapping your legs around his torso. quinn observes all of your reactions, making note of where to thrust, how hard, how fast. and it all feels too good.

he can feel your fingers digging into his shoulders, your moans becoming increasingly louder with each thrust of his hips. it was all so magnetic, so natural between the two of you. nothing felt awkward as he fucked you.

when you start to feel a tug in your lower belly, you tug on his hair, “quinn..” you gasp, opening your eyes and seeing the sweat starting to form on his forehead. “fuck, i’m-”

“i know, can feel you clenching, baby.” quinn picks up his pace, more eager than before to see you cum for him. “cum on my cock, know you want to. need to see you, need to feel you.”

you squeeze your eyes shut as you feel the flutter of your cunt around his dick. you cum with a small squeak, moans falling out of your mouth relentlessly. it wasn’t like anything you’ve felt before. your own release triggers quinn’s, he really couldn’t help it with how tight your pussy clung to him and how beautiful you looked cumming for him.

he swears this was his heaven.

he needed you forever.

your labored breathing brought him back to reality as you slowly released your hold on him. he’s quick to grab tissues from your bedside and clean you up.

“uh,” quinn says awkwardly, staring at you after throwing away the tissues, “do you have a shower?” you smile to yourself before nodding, admiring the way he now looks less territorial, and more soft. he nods back before helping you up. “let’s shower, then.”

you don’t argue.

this seemed to be the end of fighting your feelings for quinn hughes.

“i passed!” you exclaim, rushing towards your boyfriend as he makes quick work to catch you in a tight hug. “i did it, quinn!” your smile was so radiant, something he could never stop admiring.

quinn kisses your cheek, “of course you did, baby. i always knew you could.”

you look at him with excited eyes, “they’re all almost perfect scores, quinn.”

quinn nods, a smile adorning his beautiful features, “you’ve always had it in you.” he pauses before smirking, “see? i didn’t distract you too much.”

you scoff, wrapping your arms up around his neck, “you would’ve if i let you.”

quinn shrugs, knowing you were right.

when quinn approached you, you had to battle all your internal battles with yourself. you had to put down your vows for him, and still hold true to your word about graduating with honors. quinn frightened you, but it was in the best way possible.

quinn fought for you when you didn’t want to be fought for. at least, that’s what you thought. you didn’t know you needed someone like quinn hughes in your life before he showed up and turned your world upside down.

it’s such a cliché, it almost makes you sick.

but, for now, you’ll ignore it.

you lean up to kiss your now boyfriend, quinn hughes.

if you had never decided to talk that day in the library, you were sure you wouldn’t be so elated right now.

all it took, was to just talk.

talk just for a minute.

[the-irreverend]

The Inferno Theory: The Chara Theory to End All Chara Theories

Here we are! Nine years of Undertale. And seeing how Chara is heavily associated with the number 9 (AND THAT TOBY FOX FINALLY TALKED ABOUT THEM), I can't think of a better way to celebrate the occasion than by dedicating this 5000-word-long theory about them? Y'all remember when people used to make long-ass theories about Chara? Yeah, they're coming back with a vengeance! To say I have a colossal hyperfixation is a massive understatement. No character in all of fiction has had a bigger impact on my life than this little rose-cheeked, cocoa-addicted freak. I’ve been a Chara fan for as long as I’ve been an Undertale fan, and you can bet that my understanding of them has changed a lot since. And now I have the pleasure of sharing said understandings with y’all!

Once upon a time, there was an aroace autistic who, like most of y’all, had a very unhealthy obsession with Undertale. And unlike most of you, he thought the Genocide Route was really fun. Most fans talk about how unhappy they felt killing everyone, but for me, I felt like a polar bear at a baby harp seal convention. I got a disturbing level of happiness out of turning everyone to dust. Hell, the only unhappiness I felt was when I couldn’t turn Monster Kid to dust.

Oh well, at least I got a good consolation prize!

I was one sadistic son of a gun, and so I was even more delighted to find out I had a secret admirer/partner-in-crime and that they joined in on the fun because I was such a goshdarn inspiration to them. Not wishing to disappoint my self-appointed partner, I erased the world without a second thought, eagerly awaiting what we might get to do together.

So you can guess I was pretty taken aback when, instead of a warm welcome, they started lecturing me about how I couldn’t accept the world’s destruction and that I was the one fully responsible for it (even though they were eager to take credit for it earlier). I didn’t think much of it at first. Initially, I just thought that they were just irritated that I was undoing what we had worked so hard to accomplish.

But as this game taught me time after time, you should never trust your first impressions. Those first impressions would crumble to dust when they said this.

To say I was completely baffled is an understatement. Why the hell would this prepubescent genocidal maniac be so obsessed over whether or not I think I’m above consequences? So obsessed to the point they would tell me to go to hell if I told them no? It was at that moment I realized there was something more to this character than meets the eye. But for a long time, I couldn’t seem to figure out what that something was. And it didn’t seem like anyone could figure that out either.

I’m very much a veteran of the fan wars that have emerged surrounding Chara. In fact, one might even say I am a deserter of sorts, as I am a former member of the Chara Defence Squad, Offense Squad, and Neutralist Squad. But I’m not gonna be a stuck-up and say everyone’s a canon-ignoring idiot except for me and that I’m the only one who knows what Toby Fox intended Chara to be. Even though I ended up with a very different take than yours (and will certainly argue why it’s the best), I owe you all your discussions a huge debt, and I wouldn’t be here if I hadn’t gotten invested in your interpretations, to begin with. Not to mention that, contrary to what some may argue, you’ve made some valid points to complement them.

And while the debate that resulted from Chara’s ambiguous morality has led to a lot of controversy and even toxicity, it has also been a source of some FANTASTIC CONTENT. Like seriously, would we have gotten those badass renditions of Stronger Than You if no one thought Chara was an awful person? Would we have gotten Man on the Internet’s beautiful rendition of Star if no one thought Chara was a good person (turned awful)?

It would be utter hypocrisy for me to ask of you to approach me and my arguments (or anyone who accepts them) with understanding and good faith only to then not do the same to anyone who doesn’t agree with me. In this theory, I will definitely argue why some points made about Chara are flawed; points that you might hold yourself. But that doesn’t automatically mean that you (or your takes) are intellectually or morally inferior to mine. And besides, I’m not Toby Fox.

So with that said, why did I eventually came to disagree with pretty much everyone about Chara? Because, one way or another, I couldn’t find a take that clicked with me personally as I felt there were various inconsistencies and issues holding them back. I looked at YouTube videos, subreddits, Tumblr essays, Twitter threads, and even forums on the Steam Community. But I couldn’t really find what I thought were satisfactory answers to the questions I had about Chara’s motivations, role in the game, and relationship with the player.

And then, one day, I found those answers. It all happened when I asked myself: “What if Chara didn’t turn against me… because they were always against me from the start?!”

I don’t mean that Chara only saw you as a means to an end. I mean that YOU were the end. What if Chara didn’t use you so they could screw over the monsters but they used the monsters so they could screw over YOU.

You probably think I’m insane, don’t you? And you’re right! I AM INSANE! AND SO IS THIS WHOLE DAMN THEORY!!! But somehow, someway, it just works!! And I’ll show you why and how!!!

What you are about to read is the culmination of six years of reading and critiquing Chara takes and theories of every kind and quality, whether it be Judgement Boy’s Who is the Real Villain of Undertale to Wandydoodles’ Oblivion Theory. Six years of examining the arguments and counterarguments of Chara defenders, offenders, and neutralists alike. Six years of looking in every corner of the UTDR fandom. From the tranquil lands of Quora. To the dark recesses of Reddit. To the intellectual wastelands of Twitter. To the fiery hellsite of Tumblr. So, without further ado, get ready for some of the most pure, unadulterated, high-octane, universe-collapsing neurodivergence you’ve ever seen in your life!!!!!

Part 1: The demonic heritage of the "demon who comes when people call its name".

Have you ever had one of those moments where you’ve asked yourself, “What the actual hell is this guy talking about?” I bet you’re having that moment right now. Everything about their character post-death, including their motives, their methods, and their relationship with you, is perfectly reflected in one of their most famous (or rather infamous) lines:

When most people hear the word demon, the first thing that comes to mind is a being made of pure evil whose only purpose in life is to destroy all things good in the world. Right?

Well, yes, but actually, no. It’s a little more complicated than that. To argue that Chara is a demon because they’re simply “an evil little twerp that enjoys being evil” doesn’t do them or their role in Undertale justice (although that hasn’t stopped people from trying to argue that). To understand why calling themselves a demon is EXTREMELY important, we need to dive into the wonderful (and totally not controversial) world of religious beliefs!

In ancient and modern religions, demons are a little more complex than just ethereal jackasses with a vendetta against virtue and righteousness. Though they vary from faith to faith, most demons have a specific set of qualities and tropes that make them integral to whatever faith they’re in. You also see these demonic qualities in fiction that’s derived or inspired by religions, and since Undertale’s lore and worldbuilding have a heavy emphasis on the spiritual and divine, you can see them in Chara. Since Undertale is a game of “Western” origin, you can definitely see they share qualities that are all too familiar with devils of “Western” religions. In classic devil fashion, they target those with weak integrities or suspect morals; they tempt you with the promise of fulfilling your desires at your and everyone else’s expense; they’re able to control your body as you grow their power through your sins, and hell, they even do the thing where they make a deal for your soul. Also...

But though it's evident that Chara encourages you to do “evil,” THEY THEMSELVES are not responsible for it. Yes, Chara encouraged you to kill, but YOU are the one who acted on those encouragements. In fact, YOU are the one who encouraged THEM to help you out! They walked down the dark path with you, but you didn’t really give them anywhere else they could walk. You had all the power and every chance to turn back and no reason to keep walking. And yet you persisted.

But that does beg the question, why did you walk it at all? What could possibly inspire you to give all of these characters happiness, satisfaction, and peace and then rip it all away? Because you decided that giving everyone the most satisfying ending was not satisfying enough for you. Because there was more that you could experience for yourself, even if it meant making everyone else experience something absolutely horrific. It wasn’t enough for you to fill the glass only halfway. You needed to fill it to the brim. You wanted to reach the absolute. Even if doing the Genocide Run was a bad experience for you, you CANNOT deny it was a fulfilling one. And Chara knows it, too. It ain’t exactly a coincidence that fulfillment and fullness are recurring motifs in Chara’s character.

Like all demons, Chara is able to tempt the wicked and sinful by targeting our greatest weaknesses and deficiencies. It’s no different from how Succubi and Incubi target those who succumb to the sin of lust. That’s why you won’t go after my aroace ass anytime soon. But I digress.

But Chara doesn't just tempt us by exploiting our need to fill the glass to the brim but also because of how they exploit the satisfaction we get from watching it fill up, that is to say, the satisfaction that comes from trying to achieve fulfillment.

We humans are addicted to progression as much as we are to completion, and in an RPG like Undertale, the satisfaction of progression comes in the form of NUMBERS. Not just the numbers that flash on the screen when you battle enemies but also the ones that go up when you finish said enemies off, whether it be your hit points, experience points, and so on. And Undertale isn’t any ordinary RPG; it’s one where its RPG elements are interwoven into the fabric of the game’s universe. Because of that, Chara is able to use these elements in their world to influence those outside of it.

But Chara does not just influence us through the numbers that increase but also the ones that decrease. That’s why the first thing they do when we reach Snowdin is give us a tally. 

It’s not just there to measure progress. It’s also there to incentivize us to keep progressing. It gives us a small dose of satisfaction that’s enough to distract us from the mundanity and misery of the murder run, like a loading bar on a loading screen. And just like with loading screens, the farther it progresses, the harder it gets to turn away. Why would you want all the lives you’ve taken and the stats you’ve gained to amount to nothing? Why would you want to hit reset and go through those brutal fights with Sans and Undyne again? You can’t empty out the glass, not when you’re that much closer to filling it to the brim. Speaking of Sans and Undyne, it’s quite interesting that even though they barely know you, they know exactly why you won’t take your foot off the pedal, so to speak.

But that’s not the only thing driving you, isn’t it? Chara knows that there was something else that was spurning you along. Something more powerful and more dangerous than your addiction to progression and completion: PRIDE. 

Perhaps the real reason you kept giving in to sin until it was far too late was because you didn’t think it would be too late. You didn’t hold back because you thought you would be able to go back. You thought you could just absolve your sins with the press of a button like you did in countless worlds before. You thought you could dive in, touch the bottom, and come back out of the water. But what were you getting into? How deep would you have gone? And would you have gone in if you knew you couldn’t possibly return? You know you wouldn’t. And Chara knows it, too. That brings us back to the dialogue I showed you at the beginning of this theory. The one said changed everything I knew about this character, and I firmly believe that this is the MOST important line of dialogue in the entire franchise.

PART 2: THE PART WHERE I (PRETEND TO) DESTROY 9 YEARS OF ESTABLISHED FANON!

When I say that that little blurb about being above consequences is ABSOLUTELY ESSENTIAL, I do not say that lightly. It isn’t just important to Chara's character, but the game of Undertale as a whole! Anyone who’s serious about Chara’s character should never take this for granted because Chara sure as hell does not.

It’s not just our refusal to accept the world’s destruction that’s a huge-ass deal to Chara; it’s the arrogance and complacency that accompanies it, rooted in the position and privileges we have as the player. It matters to them so much that they’re willing to completely forgo bartering for our soul (which they say they want) if we don’t admit that we have that belief!

And yet, despite Chara taking this subject so seriously, the people who are analyzing their character ironically don’t. Generally speaking, most people simply brush this line off as nothing more than something they do to help them on their quest to achieve their goals. So, with that said, let’s talk about what those supposed goals actually are.

In all my years of reading and assessing countless Chara theories and interpretations, I’ve discovered that everyone actually agrees on what Chara's goals are. They just can’t agree on why they want them. Said goals are A) reach the absolute, B) max out their numbers/power, C) erase the world, and/or D) eradicate all monsters. But what if it’s actually the other way around? What if those things were the means to an end rather than the ends themselves?

What if the true goal of the “demon who comes when people call its name” was just like that of the demons of old: not to be your partner in crime, but to torment and punish you for your crimes? To make you face CONSEQUENCES!

I’m not making this argument simply because it makes Chara look more badass (though I think it totally does, lol). I firmly believe that Undertale’s post-Genocide content is written so that Chara’s character can only make sense if that was Chara’s goal from start to finish. Because if Chara’s endgame was any of those four I mentioned earlier, their character kinda falls apart because they're awfully inconsistent about fulfilling them. And those inconsistencies are evident in the Second Geno Ending.

Discrepancy 1) They say they will “appear time and time again” to help us “eradicate the enemy and become strong,” and yet they call us perverted for eradicating everyone time and time again.

You can argue that they didn’t want us to recreate the world in the first place and just move on to another world, but if so, why let us come back at all? And if it’s to get our soul, why do they keep around this world after we have it? This leads us to...

Discrepancy 2) They tell us to ERASE the world and move on to the next, and yet they allow us to restore it without a hitch after we give them our SOUL, seeing how there’s no black void when we start the game again.

If Chara was powerless to stop us from coming back, this wouldn’t be such a big deal. But they CLEARLY DEMONSTRATE that they’re able to stop the player from restoring the world, as seen in the first post-genocide ending. And yet they don’t use this power after the first time the world is erased (WHICH YOU WOULD THINK THEY WOULD WANT TO USE SINCE THEY WANT TO ERASE THE WORLD AND MOVE ON TO ANOTHER)! Seeing how the world is back again without us doing anything makes the restoration of the world like something that Chara CHOSE ON THEIR OWN VOLITION. And what makes this all the more damning is...

Discrepancy 3) They tell us they’re down bad for increasing our ATK, DEF, EXP, and LV to the max and erasing the world and everyone in it, and yet they TELL US TO DEVIATE FROM THE ONLY ROUTE THAT ACCOMPLISHES THAT (which, as stated before, they call us perverse for doing it again).

So, let me get something straight. You tell us you want to ”eradicate the enemy” and “ erase this pointless world,” and yet not only are you allowing us to undo all of that, you want us to do something INSTEAD OF THAT??? It’s funny how you lecture us about how we cannot accept the world’s destruction BECAUSE, APPARENTLY, YOU WON’T EITHER!!!!! Also, before I forget...

Discrepancy 4)

WHAT KIND OF MISANTHROPE DEDICATES THEIR WHOLE LIFE TO WIPING OUT HUMANITY, GETS GIFT-WRAPPED A CHANCE TO DO THAT, AND THEN JUST PASSES IT UP?!?!?!

On behalf of misanthropes everywhere, I am DEEPLY disappointed in you!

So it doesn’t matter if you believe Chara is always evil, good, or detached from morality entirely. Because Chara has the same goal across all versions, they all succumb to the same inconsistencies!

Funny how most people see them as this embodiment of the addictive nature of levelling up and consuming everything in a piece of media and all that jazz WHEN THEY SEEM TO CASUALLY GIVE UP ON IT!!!!!!

And if you argue they want a Soulless Pacifist Run when they suggest “another path,” then ask yourself, what does that give them that a Genocide Run doesn’t? Keep in mind, aside from a scribbled-out photograph, we don’t see how many monsters or humans they killed besides the main characters or how much power and stats they gained from it. And it’s not like we see them erase the world afterward since only the genocide run has that infamous wall of red 9s. Not to mention, the genocide run is the most secure way of accomplishing their goals since they have the backing of the player. Not only that, but it’s also the safest and most efficient way to erase everyone and increase stats to the fullest, and we all know how Chara feels about efficiency.

So Chara has no reason to pick the Soulless pacifist ending over the Genocide Run if they want to achieve their end of increasing numbers and consuming the world… unless those things were a means to an end rather than ends themselves.

Indeed it is coming together! That’s the other reason their statement, “You think you’re above consequences,” is so damn important! They’re not telling us why we sinned, but it reveals they intend to make us suffer for those sins, and how.

That’s why Chara is seemingly so inconsistent about erasing the world. Because it was never about the world. It was all about YOU.

[SIDE NOTE: I’m sure many of you will point out that if Chara wanted us to get a Soulless ending in this world, then why would they encourage us to “move on to the next?” I don’t think this is too big an issue for two reasons. First, this line is meant to emphasize that, like all demons, Chara is inescapable and that no matter what world you go to (within their own universe), Chara will always follow you now that you’ve unleashed them. Second, because their goal concerns us and not the world they’re a part of, their character avoids the aforementioned inconsistencies that hamper the other Chara theories much more severely, in my opinion.]

Part 3: Contrapasso

Now I’m sure some of y’all might think that Chara doesn’t need to yearn for our torment to achieve the impact of the Soulless ending and that just because Chara is a demon doesn’t automatically mean they need to screw us over. You are right in that not everyone who makes a Faustian Bargain needs to have malicious intentions toward the people they’re taking advantage of (Kuybey from Madoka Magica is a great example of that). But Chara does need it! Not only does it make their character more narratively cohesive, but also makes their character more thematically impactful. And it’s more in tune with their demonic nature for them to want to torment us.

Because demons represent something more terrifying than evil itself. They represent the terrible price of embracing it, a price that all evildoers fear more than anything, and that all demons want seek to inflict upon us. Like most demons, Chara isn’t encouraging us to sin to fill the emptiness in our soul (or even their own). They did it to perpetuate that torturously empty and unfulfilled state for all eternity, a state which even themselves now endure.

Now, you’ve probably noticed that I’ve talked a lot about the themes of fulfillment and emptiness, and it’s for a good reason since those themes are heavily featured in Undertale. I mean, how could it not? Because concepts of demons, hell, and sins (which are explicitly mentioned in the game) are deeply intertwined with the concept of emptiness. The theologian Thomas Aquinas once defined evil as not a presence but as an absence (of that which is good). Darkness is the absence of light; war is the absence of peace; bigotry is the absence of tolerance; pride is the absence of humility, etc. You see this reflected in not just Christian theology but also fiction as a whole, as a lot of villains are motivated by a desire to obtain something that they believe can’t be without. Whether it be wealth, status, recognition, power, the death of an individual, or even just sadistic pleasure.

Since demons are beings that are inseparable from evil itself, the life of a demon is forever cursed by unceasing and unbearable emptiness. Hell, the word damnation originated from the Latin word damnum, which literally means loss! They’re not exactly partying in hell while your immortal soul is being slow-roasted for eternity. They’re burning in that lake of fire and brimstone along with you! They can’t end their damnation, not because they don’t want to but because they simply can’t. They’re fated to be bereft of the satisfaction or fulfillment found in Heaven or Earth, a fate that is worse than death in every sense of the word, especially since they can’t experience death anymore. Because of that, a demon embodies what is perhaps the most terrifying form of evil of all: not one rooted in a desire to rid the emptiness and unfulfillment within themselves, but a desire to inflict them upon others. Because as a wise philosopher once said:

We see this horrific state of mutually assured suffering everywhere across fiction. From goofy, lighthearted tokusatsu's...

...to nightmarish sci-fi dystopias...

...to a little indie game made 9 years ago.

Oh yeah. Don’t think I was gonna talk about emptiness without mentioning everyone’s favourite homicidal fauna-turned-flora, especially not with lines like this.

Take one to know one! And it can’t be a coincidence that the game emphasizes the theme of emptiness when giving the spotlight to the three characters that have committed the most “evil”: Flowey/Asriel, Chara, and YOU.

Quite the unholy trinity going on here, eh? It truly is fascinating how the emptiness led us to work with each other to exterminate all monsters. And it’s also interesting how the unique kind of emptiness we have eventually led us to work against each other. Whether it be Flowey wishing to preserve his sentimentality for his long-gone sibling, us players wanting to maintain our (perverted) sentimentality for the world of Undertale, or Chara weaponizing these sentimentalities to exact their misanthropic hatred.

Remember how I said that Chara was a lousy misanthrope because they keep letting us bring back the humans they wanted annihilated when they were alive? That does make them a lousy misanthrope… unless their misanthropy found a higher priority target: YOU!!!!! Chara’s desire to torment us didn’t come out of thin air. The same hatred that drove them to wipe out the humans of their world years ago is the same hatred that’s driving them to get at the humans of our world, even if it means destroying those who once embraced them. And now, that hatred is more potent and destructive than ever before, so much so that it’s no wonder Toriel was able to feel it when she endured that fatal blow after the Geno Run began.

Do you think witnessing what soullessness did to sweet little Asriel wasn’t already terrifying and tragic enough? Just try to imagine what it could‘ve done to a vengeful, traumatized, chocolate-addicted problem child so consumed by hatred that they poisoned themselves just for a chance to wipe out their own kind. All of that hatred of humanity is still alive and well, and now it has no humanity to hold it back. 

And what could be a more fitting target for a MISANTHROPE that calls themselves a DEMON… than a HUMAN that wants to play GOD?

After all, the only thing demons love more than tormenting mortals is warring with Gods.

Why else do you think that Chara winks right at you if we make Frisk stay with Toriel? Because that’s who the Soulless Ending was meant for. It’s when they’re finally able to unleash all that animosity and hatred that’s been lurking behind that smile ever since we killed everyone in the Ruins. It’s the moment that they’ve been patiently waiting for because they knew that’s when it would hit you the hardest.

And what makes the Soulless Pacifist Ending very special compared to other “bad endings” isn’t simply because they destroy those we pretend to care about (may I remind you that you did do the genocide run, after all). But they destroy something much more valuable to us as the players: OUR OMNIPOTENCE. Chara doesn’t destroy people for the sake of destroying them. But because in doing so they destroy our arrogant belief that nothing could possibly challenge the invisibility and invulnerability we players take for granted.

It's all too human that those with the most power are the least willing to lose it (or even take responsibility for it). And in a world where we should have absolute power, we thought there would be no consequences for abusing it. So what could be a more fitting and frightful punishment than having to actually face them? Missing out on the best ending in a video game is one thing. But to forever lose the power to achieve it ever again?! Now that’s terrifying!

Throughout myth, legend, and religion, sinners are often punished in a way befitting of the sin they’ve committed. In Greek Mythology, Tantalus was damned for trying to feed the Gods the flesh of his murdered son with eternal hunger and thirst despite being within arm’s reach of water and food. In Dante’s Inferno, those who succumb to wrath are forever doomed to fight each other in a river of mud. And since Undertale is no stranger to concepts such as hell, sins, and demons, you can damn well be sure that there’s going to be damnation fitting for the sins that drove you to complete the genocide run.

You completed the Genocide Run because you believed ending their lives would be fulfilling. Now, you can no longer get any fulfillment out of saving their lives.

I mean, where else can you get your precious fulfillment? Those paltry neutral endings? They only offer a fraction of what the pacifist ending offered. And the genocide ending has been drained of its satisfaction like the pacifist! Would you do all that tedious grinding and brutal boss fights just to hear your so-called “partner” lecture you again on perverted sentimentality and say you should choose another path, even though there’s nothing that they could offer? Of course not. In the end, you’re just like poor Tantalus agonizing in the pits of Tartarus, feeling the water vanish from his hands just before it touches his lips.

The ultimate triumph of Chara isn’t making you suffer a total defeat, but perhaps something much worse to you as a gamer: a pyrrhic victory. It’s like having a Twinkie that's been drained of the creamy center. Everything is still there except the thing you treasure most. You’re damned to play a challenge forever deprived of any and all fulfillment you once got from it, a satisfying journey that will always be doomed to reach a dissatisfying destination.

In the end, Chara leaves you with the world exactly as they described it the first time they met you face-to-face: POINTLESS.

You can have the world exactly as it was before (and the people within it). But in the end, Chara will always have the last laugh.

Figuratively and literally.

Welcome to hell!

Part 4: Why Consequences Matter

Woooooo!!! Man, that was quite the read, wasn’t it? And yeah, I wasn't kidding when I said this is going to be autistic as all hell! I don’t doubt you have a lot of thoughts in your mind, and then you’re gonna share them by the time you’re finished reading this post. Some of you might think this is the Chara theory to end Chara theories. Some of you believe that this is the worst thing that has happened to this fandom since Sebastian Wolff. Some of y’all, I’m whitewashing them because I argue they’re driven by a desire to punish the wicked by any means necessary. Some will think I’m demonizing them because I say that they’re, well, a demon. 

[SIDE NOTE: Just so I don’t miscommunicate what I believe about Chara’s morality, here are some key points to take away from this theory. A) Chara sought to make you pay for the evil you committed. In fact, the idea that the Soulless Ending is Chara punishing our sins has been around for a while, especially by those who think Chara was “corrupted. B) However, in this theory, Chara's actions are all done with the intent of accomplishing that goal. This means that Chara was aware of what they were doing, they wanted to do it, and that THEY KNEW IT WAS EVIL. C) But you still have to remember that Chara is also A LITERAL CHILD. And D) They’re a child who endured a great deal of hardship (and possibly trauma), which made them so embittered and vengeful. Also, E) Remember that they’re also soulless, just like Asriel when he was Flowey.]

But I think most of you were gonna look at this interpretation of Chara and feel the same thing that I have about most of yours: a take that’s not without issues, but not without a fair bit of interesting points.

But regardless of what you think of this theory overall, there’s one thing I won’t leave up for debate: I deeply treasure Chara’s character. Not just because I think they’re fun, cool, or interesting but also because I firmly believe they’re invaluable Undertale. And yet, at the same time, I think they’re severely undervalued by the fandom. And who can blame them?

The characters of Undertale speak very little of Chara, and Chara speaks for themselves even less. But just like Johan Liebert from the anime Monster, even though they’re not seen too often, they still manage to exert a massive presence and impact within Undertale’s narrative. And that presence is made all the more impactful because they perfectly represent the themes of the narrative: and that theme is CONSEQUENCES, or more accurately, the CONSEQUENCES OF VIOLENCE.

From the violence that drove Chara to climb Mt Ebott to the violence their brother Asriel inflicted in hopes of being with them forever. From something as grand as a war between two civilizations to something as small as dismembering a snowman. Everywhere you look, you will see that violence (and its repercussions) haunts the story and characters of Undertale. But what makes Undertale stand out from other media that tackles this subject is that it’s not just an integral part of its narrative but also its metanarrative. The most ingenious way it does this is by giving meaning to the actions/mechanics that we take for granted, specifically monster encounters.

Our Lord and Saviour Toby Fox said it best:

Because the monsters of Undetale are treated as something more than just enemies to be killed, there are going to be consequences for choosing to kill them away. Some argue that it goes too far in how it admonishes you for killing even a single monster, even to the point of being preachy (I’m looking at you, ScottFalco, but that’s a response for another day).

That argument is deeply flawed because it fails to account for the fact that without these ramifications, the game’s themes would be rendered null and void. The last thing that a game with a narrative centred around the consequences of violence can afford to do is afford you the luxury of avoiding them. And that principle especially applies if you dare to choose nothing BUT violence. //////If you were to bring them all back as if nothing happened, then your decision to commit genocide would be completely meaningless, which would totally disservice Undertale themes regarding violence. There needs to be consequences. LASTING CONSEQUENCES. Undertale can’t drive home its messages and them without lasting consequences. Undertale can’t deliver those consequences without Chara in the driver’s seat. And Chara’s character can only be at their most narratively cohesive and thematically impactful if seeking to make us suffer consequences was their intended destination.

Regardless of whatever detail about Chara you’re discussing or what side of the discussion you’re on, one thing is very clear: they’re absolutely essential to Undertale in the same way that Mephistopheles is essential to Faust, the Cenobites are essential to Hellraiser, and Kuybey is essential to Madoka Magica. And they’re the only ones with the means, motives, and deep-seated misanthropy to hold this whole damn game together.

Sans is right. We deserve to be burning in hell for what we did to those poor monsters. And I can't think of anyone more qualified to have us humans “burning in hell” than a self-proclaimed demon with a seething hatred of humanity.

And how fitting is it that the skeleton who judges our sins is followed by a human child who punishes us for them?

BUT HEY, THAT'S JUST A THEORY!

A CHARA THEORY!

THANKS FOR READING!

[yarrayora]

i like how falin being a maiden to be saved, a reward to be coveted, isn't a point to criticize in dungeon meshi. because we have various other female characters who are written as having their own agency

we have marcille, of course, whose story can be observed since chapter 1. how she's not depicted as the "girl team member" but "part of the team". when you're writing a protagonist group where there's only one female character among the male cast, you can always feel this sense of alienation in the writing, like she doesn't belong in the group as the story focuses on the rest of the boys. the way masashi kishimoto writes team 7 is a major example

but marcille is still allowed to be a "typical girl" who doesn't want to eat gross things and enjoy feminine clothing without forgetting the fact that she's a multifaceted person. she's a researcher who isn't afraid to get dirty when it's something relevant to magic and her goal, even though she's also grossed out at the idea of feces being used as fertilizer for crops

and when falin comes back as a monster who can't speak, it's still not a point to criticize. oftentimes stories involving female characters losing their speech (or, well, becoming disabled in some way) is meant to make her vulnerable, a fragile 'something' to be protected. but this is not an argument about how chimera falin is super strong, because that's a shallow way of thinking that ignores the fact that being a Girlboss doesn't ensure your female character is written as a fully realized person. this is about the fact that almost right after that Izutsumi joins Laios' party.

She joins late in the game, so it'll be easy for her to only be tacked on as an afterthought. A notable example would be Okumura Haru from Persona 5, where her character gets overshadowed a lot by the other party members' more colorful personalities, as if the writer wasn't sure how to integrate her into the already developed dynamic.

there's also how she's written as a sweet and shy girl yet the way her school uniform is designed betrays that image. it's heavily customized even compared to the trendy girl like ann which means it's impossible for her outfit to not go against school regulation. not something an obedient girl would have done. which makes me wonder if they couldn't decide on her writing until last minute.

but Izutsumi is different. her involvement and her own personal story arc eventually intertwines to the overarching plot. she hates having her options limited. she hates having responsibilities to uphold. she hates eating veggies! she hates that people expects her to do things their way! she wants freedom to do whatever she wants!

but in the end she learns that to have the freedom to choose, she has to uphold her responsibilities. starting from the simple things like taking care of her health by eating balanced meals, not just the ones she enjoy. she has to do work to get enough money for her food and travels. and she has to learn how society works so she can live independently. she has to learn which desire she has to prioritize that she can balance out with her responsibility as a living being.

her own self-realization culminates into her giving advice to laios that leads to him steeling his resolves to become king.

so you have Falin, who gets turned into a monster that cant communicate her desire and needs while under the mad sorcerer's control, and in exchange you get Izutsumi, the 'beastman' who knows exactly what she wants and throws a tantrum about it without shame, not understanding that what you want isn't always what you need. i think it's a really cool parallel!

this is a prime example of how tropes that get associated with misogynistic writing can be used as a proper tool that serves a narrative when you have more than multiple female characters having their own character arcs

in fact, you can apply this to pretty much every other things. when you're writing gay characters, having only one of them and they act camp can make people raise an eyebrow at whether this is meant to be a caricature of gay people or not. having two of them and one acts camp and one acts normie can be read as a bias against gay people expressing themselves. writing multiple gay characters, all with different personalities and desires will avoid accidental stereotyping.

even the minor female characters, be it the canaries or namari, help show that the way the narrative treats Falin isn't born from thinking that women are an alien breed compared to men. that her lack of agency means something for the themes involved.

[marlynnofmany]

Arboreal Species

We had plenty of options for ways to keep occupied while waiting for the client to show up and collect his delivery. Several of the crew were playing card games with the captain, using a delivery crate as a table, and she was beating the pants off all of them. (Though none of these particular aliens wore pants. You know what I mean.) Some of the others waited inside the ship, declaring boredom with this particular patch of exotic wilderness.

The rest chatted with crew from the ship that had arrived after us, which was also delivering cargo for the same late-to-arrive local. They had plenty to complain about. They also had food to share, and a decent chance that it would be edible by those they shared it with.

While Alien Food Roulette was always exciting, I’d found a much better option.

“Hey, they tell me your species climbs things,” the stranger from the other ship had said, long snout curling into a smile. She looked like a mix of 3/4 baboon and 1/4 crocodile.

“They’re right!” I replied easily. There weren’t many climbing opportunities on our little courier ship, and I was curious where this was going.

The alien pointed at a huge tree on the edge of the landing pad, which boasted smooth orange bark with branches every couple feet. “I’m gonna go climb that. Care to join me?”

“Would I ever!” I said, already heading toward it. I called back over my shoulder, “If you guys need me, I’ll be up a tree!”

Captain Sunlight didn’t even look away from the game, just waving distractedly, her scaly face intent on whatever play Mur had just made. He was chuckling about it and rubbing his tentacles together in a way that was probably a bluff. As soon as I looked away, he made a noise that said the good captain had just wrecked his clever plan. Trrili hissed with laughter.

None of them cared that I was about to climb to a dangerous height. None thought this was out of character in the slightest, and all of them were missing out on an excellent climbing experience.

It was a great tree. The bark was smooth but not slippery, reminding me of a madrone tree from back home, just without the flaky outer layer. And it didn’t feel as cold. If anything, it was warm as we scampered skyward, almost as if the tree welcomed a good climb by people who’d appreciate it.

The alien stopped, picking a branch to sit on and leaning back against another. “Now that is a nice view.”

I had to agree. “It is!” I found my own convenient pair of branches, draping my arms over the top one and finding a nice footrest on a third. “Everybody down there doesn’t know what they’re missing.” The forest around the landing pad was bright with oranges and yellows, the kind of vivid colors that I associated with autumn, but which could have been year-round here. Rolling hills lined the horizon, with a river sparkling merrily in the distance. The only straight line was the road. It made a nice counterpoint to all the gentler natural shapes.

My new friend cupped a hand to her snout unnecessarily. “Hey, everybody down there! You should come see this view!”

To no one’s surprise, she got a chorus of “no thanks.”

I shook my head. “Such a shame. They’re missing out on all the knowledge that comes from above, too. Hey, Paint!” I yelled down to the crewmate who had just dropped a box of round things. “One rolled under the ramp, and two are over in the grass!” I pointed them out.

A distant “Thank you!” reached my ears.

The alien nodded. “Wisdom of the heights indeed. What else can we see, that those on the ground can’t?”

We spent a good few minutes pointing things out to each other and swapping stories. Apparently her people were called the Farsights, for exactly this reason.

“Oh, motion on the road!” she declared, squinting into the distance. “Looks like somebody’s in a rush to be a little less late.”

“Well that ship has launched,” I said, following her eyes. “Nice thought, though. Say, is that one car or two?”

The Farsight didn’t answer immediately, which made me worry a little. Then she said “Uh oh,” which made me worry a lot.

“Uh oh what?”

She stood up on the branch and bellowed, “INCOMING! Client’s being chased by hostile fauna!”

“Oh jeez.” Now I could see it too: something large and antlered galloping after the little surface skimmer. Both were headed straight toward our landing pad.

Chaos erupted down below as we slid off our perches and scrambled downward. The bark was still friendly-smooth.

“I think that creature eats these!” my friend said, bounding out toward the end of a branch to shake loose a bundle of round seedpod things. “I’ve seen them before!”

“Will that matter?” I asked, slowing. “It looks pretty mad!”

“Can’t hurt!”

I couldn’t argue that. There were more than a few seedpods waiting on my path down, all of which came loose with a little judicious bouncing of the branches. When I hit the ground, it was in a sea of baseball-shaped plant bits.

The rest of the crew was scrambling to move crates and dash into the ships for anything weaponlike. A handful of beefy individuals from the other crew lined up to stare the thing down as it approached, and my ship’s biggest and scariest hurried to join them. Trrili claimed a place in front with her black-and-red carapace gleaming in the sun, pincher arms spread wide. She left space for the skimmer to zip past, but only just.

I grabbed seedpods, making a basket with my shirt. “Will we need these? Is it going to stop?”

“Beats me!” said my new friend. She grabbed an armload and ran. “Let’s find out!”

I raced after. We joined the lineup just before the gigantic whatever-it-was skidded to a halt, rearing to paw the air and roar thunderously. The guy in the skimmer was trying to park behind our ship. The various scary aliens yelled back at the huge moose-rhino.

“How well can you throw?” asked my friend, not waiting for an answer. She dumped her armload and started chucking seedpods.

“Pretty well!” I didn’t bother dropping mine, just grabbing them one by one from my shirt basket and aiming for the head.

I didn’t count how many of those direct shots were me, but I’m going to say most of them. The pods burst into squishy fruit with a solid core, doing a great job of annoying the creature as well as coating it with presumably-tasty purple goo.

Its forefeet hit the ground with a teeth-rattling thud. It roared some more, but half-heartedly, like it was just trying to save face at this point.

My friend the Farsight had run out of seedpods, so I gave her some of mine. While our crewmates did their best threat displays, we pelted the dangerous beastie with fruit until it turned to lope in the other direction. I made sure to throw a few on the road near it, in case it felt like picking up a bite to eat on the way. It didn’t, but I did see a tongue lick out as it turned its back on us.

Belatedly, Kavlae and Eggskin skidded out of our ship with stun guns at the same time as a couple people from the other — was that a rocket launcher or a flare gun? — none of which turned out to be necessary.

“Take that and eat it!” crowed the Farsight.

“Yeah!” I agreed. “It’s probably delicious!”

“It probably is, actually,” she said as the congratulations started to pour in.

I picked up a seedpod I’d dropped and sniffed it. “Smells a bit like kumquat.”

Captain Sunlight, busy trying to coax the client out of his vehicle, yelled across the landing pad, “Don’t eat that until Eggskin runs it through the medscanner!”

“Aw, really?” I complained, perfectly in synch with my new friend.

“Yes really!” She shook her lizardy head. I couldn’t make out her muttering from here, but I could guess it was about omnivorous habits, self-preservation instincts, absurd treeclimbing species, or all of the above.

The Farsight said, “If these are safe, I’m taking some back with me.”

“Even if they’re not, the seeds would make good souvenirs,” I pointed out, pulling at the pod where it had separated. “Look how perfectly round they are.”

“Oh yeah, those are nice.”

Trrili stalked past with a haughty tilt to her antennae. “You two get along far too well.”

“Like two seeds in a pod!” the Farsight quipped.

That made me smile. “Hey, my people say that too!”

We had plenty to talk about while everybody else handled the actual delivery we were there for. Eventually Eggskin did check the thing with a medscanner. It tasted like sour kumquat. The seeds cleaned up nicely.

And most importantly, my new friend had family with a whole enclave at the next space station my ship was planning to visit. And they had a climbing structure three stories high. I couldn’t wait.

The rest of the crew thought that sounded pointless and dangerous, of course, but none of them had ancestors who danced through the tree branches, so clearly they have no taste.

~~~

The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!

[opal-owl-flight]

can I ask about the poster "agent 3" kids story?

Yes you can and here it all is!! Presenting…

tldr: She comes from a family of big name actors in the industry, and shes been raised from hatching to continue their legacy. Its…a lot of pressure to put on a kid, especially one who just wants to make her (impossible to satisfy) family proud. Despite being surrounded by impossible standards, the fakest friends chosen for her, being given everything she can ever want (except what she really needs), and putting on a hundred masks for everyone in her life for survival’s sake in a cutthroat industry, she chooses to be kind.

more details under the cut!!

Her name is Sariwa, which means “fresh” . Named for her spring green tentacles and as a blessing from her parents that shed stay youthful, beautiful. a hope that she would be seen and be adored (as freshness implies coolness/popularity in sploonworld).

Shes hatched into the acting industry, with both parents being big in the industry. From hatching she was expected, trained to be an actor like her mother is. The media adores them, this “sweet little family”, but no one knows how nefarious everything is when the cameras are off.

The dad is neglectful, disappearing into meetings most of the time. The mom is a helicopter parent to make up for it. Pointing out every flaw that Sariwa apparently has in either performance or appearance. Never giving praise. Except when she performs “well enough” on stage. This instills in the child this need to make them proud. to…to make everyone happy. She becomes someone whose dependent on other peoples’ praise to function.

Shes given everything else, dont get me wrong. Every material thing she’ll ever need. all the big popular “friends” chosen for her. But…shes not allowed to turf. yknow. biggest event in an inkling’s life here in Inkopolis. and shes not allowed to go to school either. shes too busy memorizing lines for adverts or-

The second she turned 14, she was chosen as the lead role for Cuttlegear’s brand new show abt Agent 3. She looked exactly like the legendary hero, according to the sources. All her time went into this project. Thankfully, unlike at home…her co-actors were very kind. Her parents didnt choose for her this time. She was meeting actual people who dont put on masks beyond their job. the actor they got for Cuttlefish, in particular, is a very kind soul, defending her when the directors get too pissy with her performance. (Those are the only people she fears, tbh shes fearful of most authority figures.)

*Cuttlefish is also depicted as kind and supportive in the show. and in most games. Unlike the real Cuttlefish, which is kind of a loony old man who pushes ideas on young inklings. He still gives more support and kindness that 3s dad ever gave, but thats only RELATIVE to how little he gave in the first place. One can only imagine the longing this inspires in the real 3.

Sariwa…since shes hatched shes had to put on an act. Be the perfect little doll for her parents. For the world. But her friends here, they inspired her to…have fun with what shes doing again. To take off the mask (mostly beyond the clock). Breathe life in the character when she can. (But lets be real…shes getting 3 spot on with how many parallels they have with each others lives.)

But what is she beyond the mask, her role? She wasnt allowed to do anything beyond this. She was forced to depend on her abusive parents and their associates. She cant live alone beyond them. Not allowed to turf bc shes “a prim and proper young lady; above such violent drivel that only delinquents participate in”. They gesture to 3, whos one of the faces Squidforce uses in their promotions, and say (ironically.) that she must not become that. Face ripped to shreds and eye mangled.

No one knows they got that from the real war that Sariwa is pretending to show.

The show does its best to be an accurate telling. Child friendly, to a point. Horrifying things still get kept in somewhat. Things that will horrify a child on stage.

If Sariwa is terrified of the props, can you imagine how it was for 3?

————————

And once she realizes all of this. Once she gets out of this situation thanks to Callie, Marie, and 3 themself. Does she feel guilt? Guilt for depicting the horrors in a way that glorifies it instead? A part of a project that aims to make people complacent to the real horrors that churned below?

There is one thing Sariwa feels about 3, that I am aware of rn.

“Im glad, that out of every story I couldve told, Im glad it was yours.”

Just like 8, she sung this tale in her hearts. Just like 8, she used this to break out of this terrible situation, answering the call of the ones who promised her safety. A better life. Like the way she stage broke through that prop in the choreographed Octavio fight, she broke through the influence of those around her.

*She actually went off-script a bit in that scene. After she beat down Octavio, she held out her hand. Mostly to help the actor up. But then, without realizing, she spoke, she spoke of making things better between the nations. That maybe he doesnt have to steal the zapfish anymore.

Her time with the octoling actors, and hearing the stories from the ex-octarians, made her aware and know the fact that theyre people too. The directors kept it in. They knew that if they released this as they have planned it, there will be fuckign riots from the ex-octarians or the Inkling “sympathizers”.

She saw the value this story held, despite the subliminal messaging that she wished wasnt implemented. That she wished she wasnt a part of. She saw that its a tale of hope. A tale that inspires one to become the hero of their own life. A tale that inspires one to make the world a better place.

————————

So she was hatched and raised to make people smile, singing her songs and dancing their dances. Much like the clan singer that was 4, except the tradition is much more healthy compared to industry standard. And she didnt become as mean as the people around her, at least not internally. She put on a mean mask but she felt the void within. When she was given kindness for a long enough time, she put her walls down.

And just like the real 3, she underwent through the horrors of expectations she had to hold up, and trying to make uninterested parents proud. They dont see her as their daughter, shes just a means to an end. She had to wear a hundred masks to survive and it made her lose her sense of identity. She had to be mature, she had to take the shitty behavior of adults who expect her to be like one too. It made her lose grip of who she is beyond this role. Hell, they made her so dependent on their handouts that shes not sure she can exist beyond this hell. Much like how 3 struggles to know a life beyond their duty.

And much like 8, she used the story she was telling to break out and get herself in a better situation. She met with the real Agents 1 and 2 (without her knowledge) and asked. Begged. for help, after her show ended. (3 also kind of pointed the two in her direction. Bc cod knows how horrifying this industry is. Shes lucky she didnt get any of the grosser horrors ~~its bc I didnt feel comfortable writing such topics~~)

And then shes faced with the same problem all the real legends faced. What comes after the end? When the dust clears, what happens next? She wasnt given a damn choice, she wasnt allowed to try to learn things beyond this role. to be beyond an imagined agent 3. a soldier for the screen. who is she now, that shes out of that battlefield?

little does she realize that the real 3s asking the same question for themself.

[mondaymelon]

— 𝗮𝗵, 𝗽𝗶𝗰𝗸 𝘂𝗽 𝗮𝗹𝗿𝗲𝗮𝗱𝘆 …! ♥

:feat~ xiao, kazuha, wanderer x gn!reader:

⤷ just fluff and reader being dense af

ᴛᴀɢʟɪꜱᴛ (open!) : @manager-of-the-pudding-bank, @iamdedinside, @ilyuu, @achlysis

When you're dense as fuck and not picking up on any of their hints...

XIAO is clearly not one to show emotion often.

Yet, when it comes to you, he tries to convey his feelings properly in the best way he can... it's just that-

You seem to be so impossibly oblivious?

That's not really a bother to the aloof man, since he can't exactly read emotions well either. He knows where you're coming from, and will try to give you the time you need.

Xiao's advances on the other hand... are... well, let's just say interesting. Ever since he had quietly asked Zhongli for some relationship advice, the man had been entangled in the two of you's association ever since, giving Xiao the most bewildering advice... to him, at least.

So now, every morning, the two of you drink tea together and watch the sun rise above the mountain peaks, per request of the adpetus. You didn't think much of it - it was more of an excuse just to spend more time with the man, and so you were happy to oblige.

Still, waking up every morning, this early... you can barely keep yourself from dozing off.

"Come to think of it, do you like the sunrise, Xiao? You must have a reason for constantly inviting me to meetings like this... ah- but I enjoy them, I promise you...!"

Xiao let a ghost of a smile play across his face. No, He wants to say to you. I do this because I want to see you. "Yes, the sunrise is beautiful indeed."

"Aha, I knew it! I never took you for someone as sentimental as that, but it's a welcome side of you!"

"...Mhm." But you are much more beautiful.

The silence that comes after is somehow comforting.

He doesn't know where these emotions have come from, or how they blossomed, but just by being in your presence they are nurtured, and by the day they grow.

And because he can't express it himself, he'll wait until the day you realize it. ♥

KAZUHA is someone whose words float like birdsong.

So when he quietly shows you all the poems he's written about you, face flushed merely think it's because of his eloquent language that you don't understand his feelings. After all, he does use quite the number of elaborate metaphors, so it would only make sense, right?

Yet, when he attempts to convey his feelings in a more blunt manner, that seems to somehow fail as well.

"Ah, you're so beautiful that I feel flustered." He lets out a quiet laugh, smiling at you.

"Thank you Kazuha! You're also very beautiful!"

"...Mhm."

And even...

"Hey, I like you."

"Aww, Kazuha, I like you too! We're really the best of friends, aren't we?"

The only thing that comes out of the male's mouth is an awkward laugh. Needless to say, now the truth grows apparent.

You're just really, really dense!

The white-haired male tries to show you through actions instead - holding your hand, walking you home, even going out on "dates", yet still nothing seems to work. All his hints have failed him, and there's only one choice left.

To tell you, directly, again.

"I love you."

"I love you too, Kazuha!" You smile so obviously.

"Romantically."

"...What?" You glance up at him with a dumbfounded expression, eyes wide.

"It's as simple as it sounds."

"Ah- W-w-wait- uhm-" You're stammering hard, now, and the heat that's rising to your face burns. "You... like me??" You voice comes out as an airy whisper.

"Yes, dove, and I'll say it as many times as it'll take." ♥

WANDERER is a little pissed off - which is reasonable.

He's clearly making it obvious, how can you be so stupid?? At this point, surely you're just playing stupid to make a mockery out of him, aren't you?

Playing games with him, of all people... well, that irks him even more than he already is.

And the fact that you seem to be completely unaware of his rage, somehow, makes it even worse!

He doesn't have many friends, but surely regular people don't keep "friends" as close to their heart as he does with you? You call him by his real name, and he treasures your being, but with the way you're acting so blissfully oblivious... he's just about fed up with your antics.

The last straw is when he accompanies you to do some commissions in Sumeru, one of them being to guard a package delivery from Gandharva Ville to Port Ormos. As the two of you walk up to the agreed meeting spot, the commissioner spots you and waves.

"Oh, there you are!" He grins, and something about the way he's acting all buddy-buddy makes Wanderer clench his fists silently. The tanned man turns to the other, wearing the same expression. "Haha, and you didn't tell me you were bringing your lover along as well!"

...What?

And just like that, all of his unexpected rage disappears as he shoots his gaze up, indigo eyes wide.

You laugh whole heartedly. "Nono, this is my best friend-"

"No, I'm their lover!"

You stay silent for the count of three, before speaking awkwardly. "Kuni, what are you-"

"I LIKE YOU, OKAY? UGH, WHY WON'T YOU GET IT ALREADY!! I THINK YOU'RE REALLY NICE AND REALLY PRETTY AND I WANT TO BE YOUR LOVER-!!" He's shouting, now, voice angry as heat rises to his cheeks.

Ah, the words just slipped out of his mouth.

The silence afterwards is suffocating.

The delivery man is the first to break it, clearing his throat before smiling awkwardly. "Uhm, I'll give you guys some space," before hurriedly running off.

"...Kuni, what was that you just said?" It seems the truth has begun to dawn on you, apparent through the way your cheeks are flushed and you won't meet his gaze.

"Dummy- you heard me!" ♥

(a/n) wanderer is so silly

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.