#like not a caricature it's so refreshing
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maraczeks · 3 months ago
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abbott s3 thread pt 2
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rawliverandgoronspice · 1 month ago
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I must admit that I am, indeed, squealing like a schoolgirl every five minutes while playing eow u_u
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scrumpledorph · 3 months ago
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I've been reading Julia Serrano's Whipping Girl lately, and one part that felt like an absolute breath of fresh air was when it outlined that there are two main stereotypes of trans women in mainstream media: the cunning trans woman, who successfully passes as a cis woman and tricks cishet men into having sex with them, and the pathetic trans woman, who isn't fooling anyone and her steadfast insistence of womanhood in the face of how masculine her body is is a source of humor for the cishet audience. It seems that in a lot of online communities, people deliberately plug their ears to the mocking aspect of the latter stereotype and call them gender goals or a brave representation of a pre-transition trans woman or whatever, so it was extremely refreshing to hear someone just flat out say this is a cruel, mocking caricature.
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cursedzucchini · 2 years ago
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You know what? Fuck it
DC x DP prompt #3
I think at least lmao.
Anyway! Jason starts making videos on YouTube for one reason or another (is really stressed, no one listens to his rants Abt books who cares). His content is mostly bad books he read or really really really long rants Abt pride and prejudice. Like 3 hours on one tiny detail he noticed on his 214th read through.
He's kinda popular, mostly bc his terrible books videos. He talks Abt the ones that made him the most mad, which coincidentally are mostly romance and supernatural. Like he's one of the well known figures in the supernatural romance critique group (whcih is pretty small, but well). (Also he doesn't show his face on camera, bc secret identity and stuff, it's just his voice over a video of something mundane, like the sky or a room in which is a fly or something)
And now this can go two ways, that i can think of (w dead on main in mind at least)
1) one day Jason finds a book which is supernatural romance and is actually good. It has a kidna cliche system for the supernatural stuff, but with a refreshing twist. The characters have depts and flaws, yet are still very likable. The plot is actually interesting and overall the story's theme is death, not belonging anywhere and overall stuff that is very close to Jason's heart. The story doesn't shy away from violence and it is suprisingly accurate.
(I'm.gonna reblog this w pretty long idea of what this book could be Abt, bc i don't wanna annoy ppl lol)
Anyway Jason kinda falls in love w it, and it becomes famous for being the first novel Jason rated positively or something.
Meanwhile Danny, who was told by jazz writing is good way to get his feeling out, and just wanted to make a quick buck, is really fucking confused how tf did his book become so popular and who tf is this nerd who rates books for a living.
(basically big fan Jason and suspicious/awkward Danny lmao)
2) there is a famous series on Jason profile. It's the worst fucking series he ever read and it's just fucking awful. All the characters are fucking terrible, always going on and on about one thing, the romance sucks in a way that isnt even funny. Jason would love to believe some wrote this as a joke, if it wasn't for the absolute cringefest this was, and it wasn't a whole ass series!! Like who writes 12 books for a joke?
Danny ducking Fenton that's who. Dude was so ducking annoyed at his rogues, he threatened them w writing a terrible romance novels abt them. The ghosts, knowing his terrible grade in literature backed off for a moment, before someone crossed the line. And write Danny did. It was the worst thing he had ever written, the love interest was perfect caricature yet still faithfully go the original. And Danny, because fuck them he lost sommuch sleep over that one prank, decided to publish it. (The book was pretty thin so it didn't take that much time writing it). Unfortunately it became immensely popular in the infinite realm. So the ghosts started crossing lines on purpose. Before Danny figured it out, he had already published his fifth book and was writing another three. After some bargaining, getting a book written Abt them as a piece of shit love interest became a reward.
And while yeah, he had to say his writing was terrible and the books sucked, some small part of him was kinda proud y'know? Like a mother of her twelve ugly as fuck toddlers.
So when he saw some nerd on the internet not only shit talk his book, but also get money of it?
Danny decided to haunt him (just like his books did him, now that everyone knew Abt them thanks to this guy)
(enemies (sorta it's not that serious tho) to lovers ala terrible writer Danny who hates his books and kinda famous YouTuber hasn't who also hates Danny's books)
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Fuck this is way too long wtf. Anyway imma reblog this w 1) book idea. Might add whatever i think the twelve books could be Abt. Pls if u want to add anything to this pls do!!
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some-pers0n · 4 months ago
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Demoman is one of the characters in the fandom I feel most people straight up ignore or don't know how to write. Blunt, sure, but I do stand by it. Demoman is such a fascinating, intriguing character with the most fleshed-out backstories, yet is oftentimes relegated to being Soldier 2.0, only now with poorly written phonetics.
In other words, hey! I'm a fanfic writer who has a ton of opinions as well as a neurotic need to analyze every character they come into contact with. Pleased to see you're reading this. I've already done a little doohickey essay like this with Medic a while back. The purpose of these long rambles is half of me combing through every instance of the character and pulling them apart to see how their character works...and also me not-so-subtly venting and complaining about mischaracterization. Shocking how a fandom where the main characters are all very clear-cut stereotypes with some slight subversions here and there can't seem to get them.
This essay will go through Demo's beginning and all the way to his latest appearance in the 6th comic. I'll touch on how his character shifts and is expanded upon. I doubt he changes as much as Medic has over the years, but I think it will be interesting to see. I'll just go over bits of characterization, try to rationalize it, and then try my best to sum up all of the traits by the end and try to describe his character in the most canon-compliant way.
With that preamble out of the way, let's begin. This is also 7k words btw just...be aware of that, okay?
Before we actually get into proper character stuff, I wanna lay the groundwork first by exploring the types of characterization I see from Demo. Pick them apart. See what they're really like.
So, of course, there's the popular Redditor opinion of Demo that's mainly shaped by the way people play him in the game. There, people will describe Demo as being generally a bumbling drunkard. It's not too uncommon to see people say that he's an angry drunk. A man who is more concerned with alcohol and drinking himself into a stupor than anything else. I've also seen people say that Demo straight up can't read, which...euhhhhggg. He feels more like an alternative version of Soldier at times, which, again, isn't accurate to his character.
I don't care at all for this characterization. I do think a good chunk is rooted in racism and it's generally very uncomfortable for me to look at for too long. This characterization is pretty shallow and empty, which makes for a boring and offensive caricature. Reddit moment.
The second one is more interesting and the version you'll see more on Tumblr. It's this...odd version of him. I can't exactly put my tongue on what is off about it. It seems more accurate to his character. He's a foil for Soldier a lot of the time (Boots n' Bombs is his most popular ship let's be real) and generally isn't exactly seen on his own. Sure yeah there's the oddball art of him and him only, but let's be real most of his tag is mainly just him being in the background or saying a jokey-joke.
I actually fell back into Ao3 for a bit to skim over some fics to see what kind of characterization there was of Demo there to refresh my memory, and some of the common throughlines was shockingly that he doesn't drink a lot. "He rarely drinks!" I remember reading once. That's not right, no. He's an alcoholic. Like that's a core part of his character. Another fic had him being called "Cyclops" as a pet name. Ew. Anywho, other than that it's Demo being pretty into cryptids, having the Eyelander as a buddy guy, etc and etc. It's fun, but also it's missing...something.
Then, it hit me: Demo rarely is seen as an individual. He reminds me of Heavy in that regard, where most of his appearances have him be the straight-man to another character. Most of the time he's secondary and just a folly for the other characters. It's disappointing in that regard. Like you see a lot more stuff for characters like Scout, Medic, etc and etc with their own unique characterization stuff and getting their own attention.
So...then what is Demoman's character, exactly? Well, that's what we're here to see. It'll be pretty interesting, no?
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So, funny thing is that Demo didn't change nearly as much as Medic has over the years. Sure yeah, the concept art of Demo was more of the generic stereotypical Scotsman. White, ginger, sideburns, that whole thing. Cartoony and fun design, but eventually they went with the Demo we all know and love today.
Looking at the concept art, it all seems pretty standard for the tone that Invasion was going for at the time. Nothing really to note there other than Demo's face being a stock angry grr grr expression. It is interesting to see how the idea of him wearing an eye was a constant even from the beginning though.
This then brings us to the voicelines. Ahh, good ol' characterization. Demo here is characterized as being jovial and having fun. He's throwing out insults left and right, damning them to hell and laughing at them as they die. Usual typical mercenary stuff. This is just personal headcanon material, but I always rationalize the way the mercs act on the battlefield as being a result from adrenaline and generally being drunk on blood. They aren't as mean when off the clock, but it's worth noting that these are how these characters act when a gun's in their hands and they're exploding people left and right.
TF2 really likes basing the characters off of the class they play as and how they act. Scout is fast moving and his gameplay is oftentimes getting right in someone's face and bolting, which is reflective in his hotshot personality. It's only reasonable that Demo is an explosive, fun, and generally cocky guy when out and battling. He's lobbing grenades and sticky bombs left and right. He isn't afraid to yell to the Medic he just blew up that he's been shagging his wife and calling the Scout he just chopped the head off "twinkle-toes". He teases and such when it comes to the other team.
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However, the voicelines also very curiously give us a really fascinating look into his character. He's an alcoholic. He loves his scrumpy, which is not whiskey, shockingly. I thought it was whiskey for the longest time, but no! It's a cider! His stock melee is the bottle he uses to drink, now turning it into a quick weapon. His model in the main menu is him holding up the bottle itself. His default melee taunt is him taking a swig from the scrumpy bottle. It's a core part of his identity, let's be real. It's a part of the whole Scottish stereotype he has going on.
The game of course follows this. There's a lot of lines where he's slurring and babbling in a cartoony drunken way. A good portion of it is just him making vague threats...but a lot of it is also sad. He calls himself a one-eyed bloody monster. He weeps and cries. When jeering, he says he's hit rock bottom here. Interesting new development.
Apologizes for pausing to ramble, but I don't get why people try and sand down the edges to Demoman's character by making him out as though he isn't an addict. He is. That's something that is made abundantly clear. The iconography of alcohol follows him like his own damn shadow. I dunno. It bothers me.
I digress. There's some other bonus stuff I think is quite interesting. Most of his battle charges involve the other team. "Let's gettem lads!" and all. I think it's neat how he views his teammates as just that. Teammates. Those he fights alongside with. Another thing of note is how he occasionally has lines that are...odd in a way. Poetic and dramatic. Something that subverts the typical characterization. When he loses at rock paper scissors, there's a chance he'll say "Oh, 'tis a dark day", which. well then okay buddy.
So to recap: for characterization in-game, Demo is an alcoholic Scotsman who is generally pretty witty and functioning despite the incredible amounts of booze he drinks. He is energetic, bombastic, and generally hearty and having fun. He's not taking things terribly seriously and is generally just going about and blowing stuff up. However, there is a very noticeable streak of sadness to his character. When drinking, he reveals undertones of self-deprecation and hatred. Why? How?
...well, you just need to take a gander at his character card.
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Erm excuse me what the fuck.
I honestly do not understand the logic behind this backstory. Like in a practical sense. Like, yeah!! obviously this backstory is sad and such! I really actually like this backstory and honestly I love writing him in the context that this happened to him. It's just that...I can't wrap my head around the idea of this being Demo's backstory given that everyone else has pretty silly little blurbs here. I think the darkest it gets is Soldier going to Germany years after WWII ended to kill people.
This??? Sure yeah TF2 gets a lot sillier and more cartoony comedic as time goes on, but even with the current tone where is the funny? I ain't complaining, I love me my angst, but this is so jarring to see. I suppose that explains why they retcon it later, but I'm getting ahead of myself.
Hey, at least it gives us an explanation to why Demo is sad. We can pretty easily gleam a reason for his current behaviour in the game from this: his messed up childhood. To begin, Tavish Finnegan DeGroot was abandoned by his parents and left to live in an orphanage. Eventually, he was adopted and brought up by some foster parents, who he then murdered in an attempt to blow up the Loch Ness monster. This was when he was six years old. Actual child. 
He then went back into the orphanage, where he would tinker with bombs. Why? Insert whatever headcanon here, but for me I think it's a feeling of fascination, yet also heavy guilt. Perhaps revenge. Either way, he loses his eye from these experiments. Eventually however, he's brought back into the family when word spreads of his excellence when it comes to manufacturing bombs. The use of the word "lovingly" feels exceptionally sarcastic, but that could be in part to how his parents are later characterized. Either way, this is a result of the DeGroot tradition, which, and I quote, is wholly unnecessary and cruel. It even cites it as him being reintroduced into his family as the "end of his unhappy childhood".
...so yeah. Pretty safe to say the reason for his alcoholism is to cope with that. He feels the guilt over that and will breakdown into sobs over it even. Yikeesss... It can also mean that he feels as though he's held up to incredibly high expectations, having the entire DeGroot family lineage to live up to. Again, later on he's being nagged at for not being as hard-working as his father, who, in good ol' TF2 fashion, blew up the Queen for a nickel. It does certainly feel that way, no?
So this introduces a new wrinkle to Demoman's current characterization: he's an alcoholic who is happy and has an upbeat and fun personality (at least on the battlefield), but underneath it he's hurting and feels ashamed of who he is. He drinks to cope and manage it, yet it only seems to exasperate problems at times.
Can I safely say that Demo is the merc with the most fascinating and intriguing backstory and personality thus far? Sure yeah I love Engie a lot as well, but Demo's character actually feels like it is a result of the backstory written for him. Like all of the other mercs sure you can go on and on about stuff with them, like Scout and Spy and their whole deal, Sniper and his parents, everything with Heavy, etc. Demo?? Right off the bat there's something to chew on in terms of actual character writing.
What an interesting character! I sure hope later installations of the story will follow through on this and give him ample screentime!
Anywho, time for the Meet the Demo video. Again, a departure from the Meet the Medic video and how I rambled on and on about that one, but it was mainly due to MtM being something to mark a drastic shift in Medic's character from serious and angry to more silly and mad scientist-esque. Meet the Demo, due to it being one of the Meet the Team videos made so early on, doesn't really get the benefit of a short with a story, but I digress.
This one is stylized more like an interview, which, in canon, means he's telling this all to The Director and all. It opens with the title screen before the horns section seep in, cutting to a clip of Demo running while explosions go off behind him. A freeze frame cut before a voice-over of Demo comes on with the iconic line "What makes me a good Demoman? If I were a bad Demoman, I wouldn't be here discussing it with you, now would I!?"
Okay so just more confirmation and all of Demo's personality in-game. According to his bio, he has a short temper and all, which could explain him getting louder when asked that question. I don't think it's a joke or him exaggerating, since he seems genuinely pretty upset by the suggestion. He would have to be good at his job in order to be telling you this, yeah? Why even bother asking? It's an interesting bit of characterization that somewhat expands on that short temper.
More generic footage of him running about while explosions go off before coming back to the interview of him explaining a bomb in its simplest form. "One crossed wire, a wayward pinch of potassium chlorate, one errant twitch... and kablewie!!" Seems like filler dialogue, but I always like taking note of the fact he uses the chemical compound term as opposed to something more colloquial. It's just headcanons, but I really enjoy thinking that Demo is pretty damn smart and really gifted when it comes to making bombs and general chemistry. It's a clear passion and love of his and I like touching on it when I can.
The next couple seconds are shots between him taking a good swig of his scrumpy and then blowing up a level three sentry. It's just showing off his capabilities as a class. Nothing special (other than being cool and showing he's competent at his job). The real interesting part is his breakdown where he's on the verge of tears, exasperatingly telling the camera that he's...off. He knows it. There's not too many black Scotsmen, especially ones with a busted eye. "They've got more fucking sea monsters in the great Loch Ness than they got the likes of me" he says.
But, he perks up! He talks over a clip of him baiting a group of BLU mercs into a sticky trap. The voiceover is also really fascinating here. The way Demo talks reminds me something out of an Aesop fable. It's a very curious and fascinating way of talking. I wish this bit of characterization stuck around since it's pretty fun. "Come and get me I say! I'll be waiting on ya with a whiff of the ol' brimstone. I'm a grim bloody fable...with an unhappy bloody end!" is really cool.
The video ends with him taunting the mangled corpses followed by a rendition of the main theme with bagpipes. I should probably also mention Drunken Pipe Bomb, his theme song. It's an upbeat and fun piece with a mixture of the typical TF2 sounds (funky jazzy drums and bass guitar) as well as a Celtic flair, what with bagpipes, whistles, etc and etc. There's also a kickass surf rock section. It's quite the battle theme and definitely reflects a lot of Demo's character as being an energetic, explosive type of character who is proud of his Scottish roots.
So that's pretty much it for SFM bits for now. How about we take a step back and look at the first-ever actual TF2 comic: WAR!, where Demo really gets a big break for his characterization. We don't care about the Saxton Hale or Jarate ones. WAR! my beloved...
But first, the actual WAR! update. It was the sixth major content update released back in 2009. Remember when this game got actual content updates? Me neither. The update was based around the rivalry between the RED Demo and the BLU Soldier to excuse why they were adding new items for the both of them, with Soldier in the end winning the little contest and getting the Gunboats.
For canon lore, the update serves to introduce the idea that the RED Demo and BLU Soldier had a comradery at first. Friends! Interesting piece of characterization to have Demo explicitly go against RED and become friends with Soldier. The two of them do bounce off of each other quite well when they're paired up, I will say. They're both heavy-hitters in terms of gameplay and their personalities are quite loud at times.
For added voicelines, there's a bunch of the Administrator denouncing their friendship as well as domination lines for both Solly and Demo whenever they kill each other. Demo pretends he hates Soldier, but asks if he's okay, tells him that he loves him, and generally is like "but we're still friends though, aye? :]" He does care a lot about their friendship, which is pretty sweet and cute. Sure hope that lasts.
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In the WAR! comic, we see Demo in a mansion. He's loaded! It's also confirmation that the mercs are given quite a lot of money, but apparently not enough for Demo's mother. She's nagging him about not working and saying that he should be ashamed for being so lazy, to which he rebuttals, saying he has three jobs and has made millions annually. Apparently not enough for his mother, since Demo's father worked twenty-six jobs.
She also brings up an interesting piece of information. "No demoman worth his sulfur ever had an eye in his head past thirty!" which implies that missing an eye is a family tradition to lose your eyes when working this job. Would this also imply that Demo is not thirty by this point, since he still has the one eye? Eh, whatever. 
Demo taking care of his mom in this old, nagging state is pretty neat characterization, as well as him holding down two other jobs besides mercenary work for RED. He's very capable and talented! He's also extremely caring and sweet. Even when his mum is complaining and griping about him not living up to his father, he gets her tea and takes care of her. He does respond with a lot of "I know mum" when it comes to that. He's heard it all before. She keeps saying the same stuff. I like thinking he knows fully well he can't live up to the extreme work ethic his father had or truly impress his parents and is pretty bummed out about it, but that's just headcanons.
Anywho, Pauling's there. She's there because the Administrator wants to break up the friendship between Demo and the BLU Soldier and instead have them be pitted against each other. While Soldier needs to be tricked and insulted by Demo and told that he's a civilian (something that he hates apparently), Demo is more coerced and convinced.
He's still loyal to their friendship, but, aye, there's something different about that sword there. Here's an interesting bit of characterization: Demo being a sword guy. There's a lot of medieval stuff relating to Demo, what with DeGroot's Keep, the Eyelander, his general way of speaking at times, etc and etc. It's fun and I think he takes great interest in medieval-period stuff, but, again, headcanons.
Demo feels conflicted. How could she make him choose between his best friend and this cool ass sword?? He doesn't give an answer, but Miss Pauling further pushes him to choose violence when leaving even more stuff for him as well as telling him that Soldier said that he'll join the fight. It's then assumed that Demo agrees by that point.
It's interesting to compare and contrast Demo and Soldier. Soldier, despite hearing all of these mean things, still wants to be friends with Demo. It's until "Demo" calls him a civilian, something personal and sensitive to him, is when he decides to betray him. Demo meanwhile is more swayed by things that he loves, but the final push is that betrayal. He only acts when he's finally told that their friendship has been severed. Curious how their loyalty is strong in those ways.
...I should probably sometime mention the actual retconning of his backstory however. Hoouhhh boy let's go. So, for the 2011 Halloween update, there was a comic alongside it. This comic had some cute gags, like Heavy giving a little boy he scared seven grand. However, the main attraction is the rewritten backstory for Demo.
I mentioned earlier, but I honestly can't blame them for maybe trying another crack at a Demo backstory that isn't as bleak and miserable. I do really like the original one because I'm a sucker for angst, but this backstory does work a lot better tonally when you're just trying to write some goofy stuff, especially if it involves Merasmus at some point.
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The story retcons the whole thing and seemingly makes it so that Demo has always been with his parents and the reason he lost his eye was not because of some brutal accident but rather a currrseeee ooohhhh spookyyy. He's hired by Merasmus to sweep up the place a bit, with him being exceptionally clear to young Tav to not touch any of the accursed tomes. He does, of course. Nothing too much in terms of characterization. It's more just saying "Hey Demo's eye is cursed and that's why he lost it but! hey! it comes back once every Halloween!!"
Again, I can't really knock this version of events. They're simple, but goofy and fun. It's all up to whatever you're trying to accomplish with Demo methinks. If you want silly and whimsical stories, you can have that backstory. If you want gut-wrenching angst, probably should take the initial one.
Aanndd that's virtually it for Demo being important. Demo doesn't get too much plot relevance later on. He's just kinda done with. He shows up in Expiration Date for a quick gag where he returns with a bunch of beer, shouting and cheering while being unaware of how they all just learned they're going to die in three days. He then shows up again during the bucket scene and doesn't do much other than mouthing somethin' (I can't tell you want tbh). A new thing is that he plays piano! That's fun! He then kinda watches Scout try and ask out Pauling and he yells for him to describe what she looks like, which is just what Demo currently sees her as (drunk, blurry, etc). He then fights in the big battle yada yada and shows up at the end with the beer again.
The MVM trailer I suppose is a thing to be noted. Here, he's a BLU Soldier and is playing cards with the Soldier of the same team. Seems like regardless of teams, there's some sort of bond between the two of them. All that happens is that Demo is down to bust up robots with the rest of the RED mercs. Pretty much it.
It is quite unfortunate to see Demo relegated to a role so passive in the story and comics. I've mentioned it before, but I do have an ever so slight grudge against Soldier for taking up the majority of the screentime when it comes to the comics. Yeah, he's really fun to write about, I can't blame the writers for doing so, but also like...c'mon... In the end, we're left with a good chunk of the mercs being underdeveloped in exchange for a ton of Soldier trivia. Props if you like Solly though; your fave got the best treatment.
Ah, but still! Demo has some moments in the comics! Let's go through them! 
Uh. Upon checking most of the comics before the mainline ones, it appears he does not say even a single word. Or even show up in a good portion. Well that's disappointing. I thought he at least said like...one thing. The most he does in terms of characterization is put on a crown in A Fate Worse Than Chess, and even then that's just a silly cosmetic. Damn.
It's fine though! Because now we have the mainline comics! Hot damn finally some actual casual Demoman TF2 writing! Let's get a look and see what his normal usual personality is like! I wonder what fun shenanigans he's been up to.
The first time we see Demo he's babbling about his job being replaced by robots and looking utterly dishevelled and depressed.
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Okay. That's...yeah pretty in line for his character thus far. An alcoholic who is struggling with some stuff and oftentimes will have a very vocal breakdown in front of others.
The way that he's characterized here is rather fascinating though, I'll say. He's depressed. From what we can glean, this is what his life has been like since the layoffs. He's gained weight (what with Soldier's very blunt "Hello fat Demoman!"), hasn't shaved, his clothes are dirty, and beer bottles are scattered in the living room. Even the Eyelander is like "dude you need to let it go" when Demo mumbles about robots replacing jobs. He's presumably lost his two other jobs and has just been laying on this couch, drinking booze and watching TV and nothing more, despite his mum's nagging.
This is a side of Demo we don't really see. Sure, yeah, we see the hot and tempered side (ex: Meet the Demoman and the general game) as well as the sad and weepy side, but it's never to this degree. Like full on depressive episode. Yikes. Sure yeah he gets dragged back into the plot and instantly gets back to himself (albeit more orange than actually black)(I keep forgetting how whitewashed Demo was in these first few comics), but it's played for laughs and gags.
What an interesting piece of characterization, no? I've seen a fair amount of major depressive disorder, BPD, PTSD, and or bipolar headcanons slapped onto Demo and tbh I can't blame them. I'd be really interested to see some fic explore that in greater detail. I'm too busy writing Engiemedic yaoi to do anything for now though. Womp womp.
The ending bit of the comic has Demo and Pauling mainly chat with each other. Oh yeah!! Demo and Pauling! They've got a couple pretty neat lines. For the usual contract it's just jokes about his alcoholism, his eye, and a couple about his mom and just general gags. In the Tough Break update, she's out drinking with Demo and nearly spills the beans about her job. Fun. I really like the Miss Pauling characterization where she regularly hangs out with the mercs. It's cute.
In the comics, she talks to Demo more like an actual equal than, say, Pyro or Soldier. She talks to them like they're children roughhousing in the backseat. Demo sits up front and the two go back and forth. Demo is the more mature and reasonable one here. Another thing that's a common bit of characterization in the comics is that Demo isn't...drunk. He's not slurring nor acting in a way that makes it immediately clear he's inebriated. He's pretty lucid. This can be from the fact that he's a very high-functioning alcoholic, but it also makes him out to be actually pretty all-there for most of the time. I've seen far too many fics where Demo is in a perpetual state of shitface drunk so that was a nice refresher.
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Demo reappears in the second comic, where we get some pretty neat characterization. He's out on the town in disguise. I keep forgetting about that "What do you see?" "Not a damn thing. Let's switch places" gag that's so funny. Whatever. He is the voice of reason when it comes to Soldier. The straight-man character. He's not really...drunk here. He's not slurring his words nor is he exactly doing anything. He steps in front when Soldier starts yelling at an elderly woman, instead approaching her with a calm and kind demeanour. He holds Soldier back when he goes to strangle Scout for. I guess just being there.
So there's Demo when he's just doing stuff normally, I suppose. He's generally pretty level-headed, albeit because he's up there with Soldier. He's the Normal One when posed next to a guy like Solly. A little disappointing, but there's probably more in comic 4.
Ah the Swordvan comic. Demo and Pauling head over to Sniper's house to retrieve him. An odd bit of characterization is that Demo just takes one look at Snipes' house and goes "Welp, nobody's here. Let's get out". He doesn't seem terribly thrilled to be here, further backed up by him saying that there's just gonna be fingernails and jars of piss and he straight up says "good riddance" like what is his issue with the bushman??
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Now that's kinda interesting. Demo sees Snipes as being kinda just gross and a raving lunatic. He could easily be in-place for the audience and just saying what we're thinking, but I think it's interesting to see that Demo, the guy often portrayed as being the weirdo party guy, being very straight-forward. He think Sniper is some sadistic madman and just wants out. Unfortunately, he's given a neckfull of Sniper's homemade family moonshine, so he can't get out quite yet.
A very common thing in these comics it seems is Demo being the voice of reason, which is pretty interesting. The straight man to everyone. When he wakes up to Pauling spitting on him to wake him up, he goes "eughhh gross, but, hey, it worked!!" before then is knocked out. He then stays quiet for the rest of the scene, unless of course you're counting the deleted pages. There's no dialogue, but Demo breaks free from the ropes binding him, yells at Sniper, then pushes past before then inserting three syringes-worth of the moonshine into himself and passing out. Alcoholism joke as per usual. Shockingly the first one we've gotten so far.
In the submarine ride down, Demo's passed out with his scrumpy in hand. Again just a gag about him drinking a lot. He then kinda stays in the background for the rest of the comic, only appearing really once to hold a vat of liquor, before then coming to in the final shot where he holds Sniper's dead body. Heyyyy Demo I thought you thought Sniper was a weirdo freak.
Nothing too much to say from this comic then. It's just establishing more and more that Demo plays a very...straight-man character role when it comes to the comics at least. He's reasonable, level-headed, and often just says whatever comes to mind. He's kind and will instantly rush to someone's aid when they're hurt as well as just generally being pretty good-hearted. Nice!
Comic 5 mainly just features a gag with Demo's liver being so overworked that he starts turning his other organs into alcohol distilleries. The whimsy. The line that I find most fascinating from this comic is from Spy.
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Like oh okay so he straight up doesn't eat anything other than alcohol and aspirin. Water literally poisons him. Probably just a throwaway gag, but geez. It does say that he is kinda in pain all the time, at least to the point where aspirin is one of the few things his body can handle. Someone out there can probably work with that and make it angsty. Other than that, not much else for Demo.
Comic 6! The final one! Home stretch here folks before I can wrap this up and give a thesis on whatever the heck Demo's character is. Demo, again, is mainly just here for gags. It's the one thing I do really wish that the comics did more: explore Demo's backstory. Like you don't even need to keep the original one, but it's still fascinating to bring up the fact he has a family lineage at all. Instead, he's mainly just a straight-man character. But, hey, whatever. I'm just the one analyzing these silly comics and jokey joke characters for gay melodramatic yaoi fanfiction.
There's a gag about Demo's liver coming back to him after leaving. These soap opera drama scene could parallel the type of shows that he was watching when having that depressive episode, but that's maybe a bit of a stretch. He then gets included in that fun group shot, where his pose mimics that from the Meet the Demo, before then gets a one-on-one scene with Medic. 
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These two are such a fun duo I wish Jaggerbombs was a more common pairing. Ah well. Medic catches Demo up on everything whilst he's stitching up wounds. The medi-gun is broken so they're doing this the old-fashioned way. Demo has a gag where he's still drinking, only that it's hydrogen peroxide instead. This then leads to a scene where Demo asks why Medic never gave him an eye. Reasonable methinks. Medic responds saying he did.
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Demo gets upset. He raises his voice for the first (official) time in the comics. Again, his temperament. I think it's a reasonable thing to be upset about tbh. Like imagine being told after all this time you could've had your eye back. He then learns that, no, the procedure has been done before, but rather that it never sticks because of how his eye socket is cursed. Demo asks how he can't remember this, to which Medic goes "Hooh :] It's because I scooped out a part of your brain" because of course he did. He then forgets the entire conversation + probably Medic entirely.
Aaannnddd that's pretty much it for Demo. That's his last speaking role. Just a quick, simple gag about his eye being cursed, his alcoholism, and generally being the straight-man for others, even if he does have a couple silly gags too. Seems like a culmination of everything he is in the comics.
To conclude: Demo is a character I feel can take on two main roles depending on what kind of tone you're going for. If you want angst, you've got a character who carries the guilt of murdering his foster parents as well as the burden of being a DeGroot, turning to alcohol to cope with his sadness and general inability to deal with it all. If you want silly goofy stuff, you have Demo being a straight-man or a neat party guy if you like the bit from Expiration Date where he brings back beer and such. Of course there's nuance. I find it best to try and find a balance between these two opposing sides. It just takes time and practice to really get a hold of his personality methinks.
I do wish he was more in the comics though as his own person, y'know? He's very reliant on others in order for his character to function, whilst most others have scenes where it's just them doing something. I wish he was used more than being the guy who drags the others back to reality. Damn it sucks to see that the fics where he's mainly just the straight-man are kinda right in that regard.
But for character traits? Hm, let's see. I find it's just trying to make sense of what's given to you and seeing what best fits for the tone of story you're trying to go for. However, for me trying to write him? Well...
His alcoholism is a central character trait. He is definitely 100% an alcoholic, regardless of however people try and sand him down. I personally really like sticking to the idea that he straight up can't eat anything but booze and aspirin because I think it's funny but also sad, but that's me. I think him having a flask of scrumpy on his person at all times is a neat headcanon as well.
Another big trait with Demo is his frequently shifting mood when drunk. He can swing from loud to weeping in a couple moments. I wouldn't say he's particularly angry nor aggressive, no more than any other character at least. He's most volatile on the battlefield, but otherwise at the base I feel it wouldn't be an uncommon sight to see Demo partying until dawn or holed up in the living room and sobbing. Poor guy.
In spite of what many think, Demo is certainly not lazy. He's a workaholic is anything. He holds down three jobs and rakes in a lot of money in order to live up to his name as a DeGroot. It could be because he likes working that much or that his mother just nags him to push himself that far. That also ties into his self-deprecation, another core trait of his, but that's pretty obvious to see.
His heart is another big trait. The guy loves. He cares for his mother even when she nags at him. He sticks by Soldier's side until he feels as though he's been betrayed. He takes care of the Eyelander and treats it like a pal. He generally cares a whole heck of a lot about people and other things. He wears his heart on his sleeve and says what he means. He doesn't feel a need to really hide who he is as a person. He's loud, fun, and just naturally pretty sweet and kind. I don't think he's ever really "mean" outside of the game stuff. There's also the whole "being hired to explode people" part but ehhh that's just the silliness in him :]
Demo also being generally pretty...normalish. He's a guy who's really just going through it when you take the angst option. He oftentimes will try and hold back others from doing something stupid when sober. I feel like when he's drunk he's more willing to get in on dumb shit, but still. However, this doesn't mean he's wholly a normal person. I think you can do a lot of headcanons here where you bring out some traits that are otherwise not talked about too much.
There are a lot of liberties to be taken with Demo's character as per usual. A ton of writing a character to be, well, in-character is just getting down their voice and mannerisms. Understanding their personality and motives is just half the battle. Demo sometimes speaks like an old-timey medieval knight or poet or whatever. He's generally pretty well-spoken and whatever. For the love of god if you want to write him, you don't need to include phonetics constantly. Please. It's so much better that tu'try toh spell everay whurd like tis. Oftentimes people will just know what the character sounds like regardless. Just try and mimic his way of speaking more and you'll do wonders for actually making that character sound like, well, that character.
I've neglected to mention Demo being a black man a lot because, well, it never really pops up a lot in canon. I think the most recognition we get for Demo being black is him just saying that he's black. He's a black Scotsman and that's about it. It's curious since I've seen a number of fics where it's all period-typical racism angst and whatever, with Demo being used as a way for the author to get up and proudly say that they think that racism is bad by having Demo being called a slur and getting upset. How progressive. 
I dunno. I never really personally touch on period-typical bigotry stuff myself due to the fact that this is Team Fortress 2. Rocket jumping was invented before stairs. Besides, this is the late 60s/early 70s. The civil rights movement happened by this point. Not everyone walking the streets is gonna be some abrasive bigot. I don't know why people want to try and make it "historically accurate" to begin with since this series has never been period-accurate to begin with. I don't particularly think TF2 is a great series to go on about tackling period-typical bigotry either. Literally if you want Demo angst you've got the actual mountain load of angst with his backstory right there. Obviously of course people are allowed to write what they want and I do fully believe that sharing stories and portraying bigotry is important, but why with TF2??? Do people just really look at a POC and think their existence is inherently political and they need to make it clear they think Racism Bad, even though the tone of canon really doesn't match that?? Ah well. I'm just rambling.
Regardless, Demo is just a character where you can take a lot of different avenues with. Maybe you can explore his trauma and try and write about how he feels trying to live up to his family name. What about his issues with his now-deceased father? Maybe you can forgo that and have him be a partner in crime to Solly or whomever else, with the occasional glimpse into his more sensitive self. Really, it all just depends on the story you're trying to tell. Ultimately, writing Demo with a healthy mix of comedy and angst is probably what is best done if you just want a pretty in-character version. He can be out on some grand adventure to take down Nessie with a merc or two AND have it be a story about him coming to terms with his past. That's just a me thing though lol.
Demo, like the rest of the cast, is an easily moldable piece of clay. All of the mercs at their very core are just funny character archetypes. They can be whatever you want them to be. It's just best to work with their original characterization and personality in mind, y'know? Fanfic writing is mainly about having fun anyway.
Speaking of which, enough procrastinating for me. I need to get back to writing my yaoi...
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theblogwithoutfear · 5 months ago
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karen page is so annoying in the show...is she better in the comics somehow or is she just like that
So I've actually wanted to talk about this forever, but I kept forgetting to make a post about it. Your ask is a perfect opportunity to write down all my thoughts. Brace yourself, because I have a lot to say. Sorry in advance lmao
I actually prefer Karen in the show. To be fair, I have not finished all the comics, but so far I think her TV counterpart is a lot better (I still like her a lot in the comics tho, don't get me wrong). The NMCU version of Karen Page also has a lot of Kirsten McDuffie (another comic book girlfriend) in her, which is great in my opinion.
A lot of people find her annoying, but to me it's her flaws that make her such a fantastic character. She isn't a caricature, stock-girlfriend character pulled from a box of tropes; she's a well-rounded individual, extremely realistic, a mirror of Matt Murdock, and a woman with real agency. Her actions have major consequences on the plot. In my opinion, a lot of superhero girlfriends (in comics, movies, TV, whatever) are written more like props than characters, and they don't have any agency or actual plot relevance. Which is why, when a lot of them die, their deaths feel so cheap and inconsequential. That's where fridging comes from. It's been a problem with superheroes since their very inception; and a problem in storytelling at large. So often in fiction, women are flat and unrealistic.
So to me, Karen's heavily-flawed character is refreshing. She is extremely impulsive; she's deeply intelligent, but makes such stupid decisions; she can be hypocritical, self-destructive, and petty. Sometimes she manipulates people, even unintentionally. She's very well-meaning, but constantly makes mistakes. And it's these mistakes that move the plot forward, and reveal important things about both her and Matt. Her actions have real consequences for the story, and she undertakes her own journey throughout the narrative. She is almost as much a protagonist as Matt is, in terms of her character development and growth.
For that matter, every one of the flaws that I listed are things that Matt does too. They are almost perfect mirrors of each other; people who are immensely concerned with justice and compassion, people who care for the truth, and people who want to make their city a better place. However, as they go about it, they stumble and make mistakes and endanger other people. They're hypocritical and contradictory and impulsive. They constantly have to call their own moralities into question, because they almost never live up to their high ideals.
(Also, as a side note, I think many of Karen's flaws—as with Matt's—come as a direct result of all the trauma she's been through: her mother's death, her brother's death, her alcoholism and drug addiction, her dad cutting her off, being framed for murder, almost getting murdered in prison, etc. So I think it's fair to give her some grace.)
But what makes both Karen and Matt so lovable, imo, is that they keep trying. No matter what mistakes they make, they get back up and try again. They do everything they can to atone for the blood on their hands.
I think also (and I'm not accusing you of this, just a certain subset of people in the fandom) that people are more willing to accept Matt's flaws than Karen's—because there's a lot of misogyny built into our society, and there's this ingrained idea that women have to be paragons of virtue. Women, both in fiction and in reality, tend to be put under a microscope and dissected, while men can get away with a lot more. So Matt and Karen have identical flaws, but only Karen gets hate for it, which makes me very sad.
It may be the writer in me, but imo flaws are what make a character—and a story—meaningful. A well-flawed character can take a ridiculous, implausible story and make it feel grounded and real and impactful. A well-flawed woman even more so. I love Karen for the same reason I love Jessica Jones and Wanda Maximoff; or, to go beyond Marvel, for the same reason I love Jo March and Katniss Everdeen and Miss Haversham and Katherina Molina. They all elevate their respective stories beyond the initial premise and plot. Flawed female characters are realistic and impactful, and therefore empowering.
Obviously, to each their own. Some people just find her annoying and don't like her personality, and that's fine. But for me, that's what makes her feel real, and that's why I love her.
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birdricks · 1 year ago
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i think one of the reasons i find rick so compelling as an autistic character is that a bunch of his autistic traits are not treated as either purely good or bad but instead a mix of both. or just neutral parts of him as a person.
like on one hand his tendency to hyperfixate on things heavily contributes to his creativity and problem solving when it comes to his inventions and schemes. but he also often gets far too carried away and it ends up causing issues later down the line (eg: gotron)
like its very refreshing to see a character whose autistic traits arent … mutually exclusive. it makes him feel more real and less like a caricature
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jaskierx · 1 year ago
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while we’re on the topic i really love the variety of gender expressions and sexualities portrayed in ofmd
barely any of the characters conform to gender norms and they’re all portrayed so differently and so positively in a way that doesn’t feel tokenistic. gender is a playground. the characters get to play with clothes and presentations and how they see themselves
djenks said ‘a lot of what we are taught about being a man is wrong’ and that really comes through - stede is allowed to spin in his frilly coat and read the crew stories, ed is allowed to wear his leathers and paint his beard onto the bride cake topper, wee john is allowed to enjoy sewing and glitter and drag, there are no punching down jokes about characters being short or fat or skinny or bald, none of these characters are ever suggested to be less of a man because of how they act - other than by characters that are clear antagonists and are condemned by the narrative as a result
and i really like that ofmd doesn't go so far out of its way to avoid stereotypes that it ends up invoking the reverse - lucius is allowed to be camp and be poly and it's so refreshing to see a gay character that is neither 1. a caricature of a promiscuous gay man nor 2. a gay man that is explicitly written to be devoutly monogamous and masc presenting to 'subvert the stereotype'
idk it's just. it's a good show brent
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the-dreamers-hotel · 3 months ago
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Transmasculine people are treated as boys, not men.
I’ve been noticing a lot of conversations in regards to the struggles that Transmascs specifically have on this platform. Frankly, it’s a refreshing thing to see as I so often see us ignored both by those who hate us and those who claim to be our allies.
Nothing prepares you for the jarring impact that going on T, presenting fully masculine, having surgery, going to the gym, entering male spaces permanently etc etc has on your relationships with others.
I use the phrase “humble beginnings” a lot in my real life conversations, it is a (mostly humorous) explanation that I do not disconnect my childhood from the identity I live as. I am, and always have been, a man. But I was raised, and experienced life as, a young girl – with all the experiences, good and evil, that comes with that. Many transmascs can sympathise with this, I’m sure.
Now, years into transition, so often I am met with disdain from female friends and family because of the mentality that as a man, I must adhere and promote patriarchy. There something so upsetting about being treated as a caricature of all evil men. Even more so when I see how I am invalidated in every other way.
“Welcome to being a man” because I complained about something simple.
But contrast this with a flippant comment on how you trust me with x, y, z because “its you”. Not as a show of my character and our relationship, but as a sign of how you view me – how you truly see me.
Some people can use your name and pronouns and even align their terminology with your gender all while their “he” really means “she”. It is easy to change language, much to many transphobe’s claims. You can convince yourself that’s what you mean, but if you don’t view someone as their identity – it is noticeable. This unfortunately affects all trans-people.
I am (apparently) toxically masculine, unaware of femme issues, a hater of x,y, z and entirely unable to like or understand feminine things and yet, cis people will treat me as lesser than a whole man in any given circumstance.  I am too manly to relate or discuss issues that affect AFAB and Transfem people, but I am not too manly that they berate, infantilise or reduce me.
Transmasculine people are treated as boys, not men.
It is truly baffling to try and comprehend how the cisgender mind can erase and recreate gender identity for transmascs so easily. Ironically, and I’ll touch on this subject again in the future as I think about it constantly, trans people must face misogyny and transphobia constantly.
Transmascs are seen as fragile, small and a non-threat. This is rooted in misogyny, a view put on women for as long as we can remember identifying them. And even this is deeply transphobic as it invalidates our transition from AFAB to male or masculine.
While transfems suffer unimaginable horrors and terrorism, let us not forget that transmen must also be fought for. We all have to stand together against patriarchy and the ideologies it pushes.
Correct transphobia in all its forms. Transmisandry and transmisogyny go hand in hand and both must be violently and aggressively crushed.
Compassion & Comradery,
TDH.
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eelfuneral · 4 months ago
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Why I Personally See Tech as Good Representation as an Autistic Viewer
Obligatory disclaimer: I don’t speak for every other autistic person, and this post is based on my opinions, experiences, and feelings. Not all autistic viewers will feel the same way, and that is absolutely okay. I am also not claiming that Tech is 100% perfect representation or that we don’t need more diverse autistic representation in general. I am, however, saying that for me, he is overwhelmingly positive representation.
Tech is allowed to be a character and his autism isn’t made his only defining trait. Yes, Tech absolutely has autistic traits and they do come up in-text, but his character development focuses more on his journey from a regimented military life to life on the run with a young child. This isn’t the nine millionth “heartwarming” inspiration porn story about an autistic protagonist doing “normal people” things “in spite of their autism”, and that’s so refreshing to me.
Tech isn’t looked down upon by the narrative. He isn’t a caricature followed around by a laugh track like Sheldon Cooper, and the narrative doesn’t treat him as *~inspiring~* for just doing things that allistic characters do. The framing around him doesn’t feel like it’s designed to be a voyeuristic invitation for neurotypical viewers to laugh and gawk. Tech is just Some Guy, and it’s awesome.
Tech isn’t portrayed as a burden. Yes, his disability does sometimes make communication more difficult for him (see The Crossing), but the other characters aren’t shown ruminating about how things would just be so much easier if he weren’t around. He is instead portrayed as being an integral and capable part of the team.
Tech is allowed to be an adult. Autistic adults are often stereotyped as “eternal children”, but Tech isn’t given that kind of treatment at all. He takes on a parental role with Omega, and is shown having drinks, dating, piloting, and engaging in combat. The fact that he is the only member of his team to have a love interest is also huge, because autistic adults are often treated like non-sexual entities incapable of understanding romance.
Tech is caring. Yes, he can be sarcastic and a bit bitchy when he’s in a bad mood (and I love that for him), but he is shown to care deeply for his family. When you google “can autistic people…”, one of the autocomplete options is “can autistic people love”. People genuinely think that we are unable to love others, and Tech loving so fiercely on screen directly refutes that.
While Tech fits some autistic stereotypes, he subverts others. Yes, he’s an intelligent, tech-savvy man, but he also an outgoing and confident person. He doesn’t often belittle others for not being “smart enough” and is shown to be physically capable and strong. Yeah, he is a STEM oriented dude, but he doesn’t get the “scrawny mean, and insecure guy” baggage that often comes with these types of autistic characters. He’s also a person of color (albeit a whitewashed one), and the general stereotype is that autistic people are all little white boys.
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actual-changeling · 8 months ago
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one thing i really really like about txf is that they aren't afraid to kill off characters.
in most shows, melissa would make a miraculous recovery, mulder probably wouldn't lose both his parents, and there are all the episode-specific characters that are killed simply because
a) it fits right into the plot
b) they can and
c) it adds a layer of realism to it.
if you never kill any of the characters—even minor side characters/npcs—then at some point, the dangers will feel less dangerous, less real, because you know everyone will be fine anyway. but not here.
the stakes ARE real and we are shown and told so over and over again.
scully loses her dad, melissa gets killed in her apartment, mulder's dad is killed, mulder's mom kills herself, there is no miraculous, perfect return of samantha, scully gets cancer, OTHER (returning) characters get sick and die, and the list goes on.
nowadays, way too many people are incapable of consuming anything that isn't 99% "everything will be fine" because processing complex emotions requires complex thinking, and boy are people refusing to develop that skill.
ironic to say, but txf is refreshing in regards to that AND has better representation that most shows and movies being created in recent years. do you know how fucking rare it is to have disabled characters that simply exist? whose disability is right there, it's real, they're not somehow hiding it or trying to make it less obvious.
they are like any other characters, and unless it is in some way relevant to the plot, it's usually not even brought up or mentioned. no misery or inspiration porn, no weird "you're not disabled, you're [insert term that's fucking horrible]", nothing.
even with episodes like gender bender, there is no transphobia, no caricatures, it's treated like any other case with any other people.
you'd expect a lot of ableism in a show about the paranormal since "crazy mentally ill person is a danger to everyone" is a popular trope (disappointing but not surprising), yet as someone who has highly stigmatized disorders—not just in general, specifically in the medical field too—I don't think I have ever felt uncomfortable with any of the cases.
people look back on older shows and start criticizing the language but not only were the terms and concepts named differently and have evolved, i'd rather have a show use "bad" or incorrect language but have genuine, caring representation than someone using all the buzzwords and thinking that makes whatever they do not offensive.
(side note: language moves fast, especially in psychiatry but also in other scientific circles, and the same applies to what i'll loosely call 'community language'. as long as there's good intent and an open ear, i couldn't give less of a fuck if they say transgender, transsexual, or transvestite)
i'm rewatching 'the field where i died' and this episode has one of the best, most accurate portrayals of DID i've seen in probably. ever. is it played up a bit? yeah sure, but it doesn't feel mocking or otherwise disrespectful and it refuses to play into any existing stereotypes.
this post got away from me, but bottom line is that this show is genuinely good in a way few shows are.
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rubberduckyrye · 7 months ago
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I really wanna hear your thoughts on the racism with Angie, I may not have been in the fandom for like 5 years now, but I have ALWAYS been so bothered by how she and Gonta are treated by the narrative and fandom back then but nobody wanted to talk about that back then too, so it's been refreshing seeing it brought up by you.
Honestly I've been screaming about Gonta ever since I got into the fandom--like, back in 2018? Angie I've known for a while her story was a bunch of racist stereotypes but as a pastey pastey white person, I wasn't sure how much I should speak on it. I started talking about it more casually on my blog at first, and now I'm just screaming it into the void because everyone keeps ignoring or dismissing me about it.
I'll start off by saying that the extent of her racist caricature was really brought to my attention by my partner Celest, and she pointed out the initial stereotypes that lead me to further researching on Pacific Islander cultures, Indigenous cultures, and the stereotypes that are associated with them. Even the use of "Atua", while at first glance seems to be more accurate and inclusive, is incredibly inaccurate at best, and racist at worst.
But I'm getting ahead of myself--time to wipe my hands of this once and for all and talk about the thing that the fandom doesn't want to talk about--how Angie is a racist stereotype of Indigenous and Pacific Islander cultures.
I'm gonna need a lot of resources for this one.
So the biggest problem with Angie is how she is characterized/heavily coded to be Native Hawaiian/an indigenous Polynesian young woman. While I can't find any specific articles about specifically Indigenous Polynesian stereotypes regarding it, I know for a fact that the "Merciless Indian Savage" applies heavily to native/indigenous Polynesian cultures just from the horrible media I was subjected to as a child by my own father. Of course I was never taught about how racist it was until I learned it for myself, but I've seen many a movie where Pacific Islanders, specifically indigenous, were portrayed as savage, violent subhuman cultures that horrifically sacrificed human lives and blood.
I can't tell if this just, isn't well documented or I'm bad at finding research material, but I have first hand experience seeing this stereotype in modern media, so I know it's a thing. Like in King Kong movies--I remember those older movies being especially bad about it. This movie was made in 2005 and is one of the most racist depictions I've ever seen and be warned this is quite disgusting to watch with the context of this being incredibly fucking racist.
(Please remember that King Kong's island is, well, an uncharted island called Skull Island. It's an island in the middle of the ocean. Do I need to say any more as to why this is a huge problem.)
The top comments on this video are also incredibly fucking racist too:
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"The natives are scarier than the big scary monster" "I would be scared of directing this scene" like Jesus fucking Christ do you people even hear yourselves.
Anyway. Yeah this movie's depiction of natives is incredibly racist and I'm sorry to subject you to this scene. I just want to specify what I mean though when I say I've seen this shit so much in media and yet I'm struggling to find people talking about it. Like, I'm not going crazy, right?
Still.
The fact that in Angie's FTEs, she bluntly describes blood and even implies human sacrifices is enough to invoke such horrible cringe from me, but the fact that her "native island" is referred to as "strange" with fauna that attack humans is also reminiscent of the racism presented for specifically Pacific Islander stereotypes.
This specific instance is especially telling, because--
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If this "DeepSea" shipping service can ship just about anything--including organ meat, children, and blood--then what on earth is Angie talking about when she says they don't stock "Offerings"?
The likelihood is that she's referring to adult humans--as these children from this "shipping" company are clearly trafficking human children, blood, and organ meat. Since we know blood offerings are something from "Angie's culture", it can't be blood offering's she's referring to. Since it only lacks those two things according to Angie, that's the only thing that can be really inferred/implied--adult human sacrifices.
This is also shown here in Kaede's second FTE with her:
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Angie is having a nightmare about the blood/human sacrifices necessary for her "culture" and "island", and is clearly struggling and horrified with it. This also plays into the racist stereotype in that Angie is Not Like the Other Savages and condemns her people's practices, even if only internally/privately, and portrays her as a victim of something almost cult-like--which from the clip you saw above, is still a heavily racist stereotype of indigenous cultures due to how the "Merciless Violent Savage" appears cult-like when you involve human sacrifices.
So let's talk about Atua.
This is very much only in the english version, but the use of Atua to replace "god" in a more singular fashion is incredibly inaccurate. From my understanding, "Atua" more so refers to the gods of Māori mythology. The way Angie refers to Atua in canon is more like how one would refer to a singular god. The Hawaiian Kupua, something that wikipedia seems to suggest is the Native Hawaiian version of Atua, also expresses polytheistic customs.
So yeah. the English dub made it worse.
But wait, there's more!
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Now I have. No idea where this "custom" came from, as when I looked it up I just got a whole lot of nothing--but notice how Shuichi is reacting to it. The custom presented is supposed to be extremely weird and even terrifying, invoking the reader to see Angie as strange/abnormal. She continues on talking about her "island's customs", and--
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The sexuality presented here is very obvious--presenting the fluidity of sexuality one might see in Pacific Islander cultures as abnormal, bizarre, or down-right wrong. A small article for this one because I cannot find the other one I originally read: 1 but the general idea is that Christan/Conservative ideology has oppressed the gender and sexuality of a lot of Polynesian cultures. To express that Angie's culture is "exotic" and "strange" for its fluid sexuality is inherently racist in nature. I don't think this is an intended character flaw--this is blatantly the bias of the writers for V3.
Now for this specific one, I've completely lost the article I read it on, so take my words with a grain of salt. However, a big stereotype of Polynesian cultures is that they are extremely carefree--something that we see Angie being in canon without her FTEs. This is portrayed as a mask by the fandom, however, so it's a bit of a sketchy one to include. Still wanted to mention it though.
Anyway--these are all things I've learned from doing research, and I still can't find a lot of information about it. Pacific Islanders/Polynesians/Native Hawaiian people are often incredibly silenced and spoken over, which is why writing this post up was so incredibly frustrating to me.
I know these stereotypes exists for these cultures--but I cannot find many resources on the subject matter.
As someone who is trying their hardest to be racially aware and sensitive, it is very frustrating to try and comb the internet to find resources to reference, and the best thing you can find is a god-damn Wikipedia page. No, really. I could not find any reliable sources on anything outside of Wikipedia. Again I could just be really bad at finding research material/it could also be that the internet is getting so much worse about finding articles on subjects like this, but I digress. The fact that it's this difficult to find things--and then to re-find things, as I mentioned earlier, some of the articles I found are just, gone now--is a testament to how much of a problem this really is.
And it's so frustrating that I keep getting silenced/ignored about the matter because I want to learn. I want to learn what stereotypes to avoid for this demographic of people and their culture. I want to learn how I can fix a character like Angie--who I DO like, by the way--and make her much less of a stereotype in my own AU. I want to learn if the Atua and the Kupua are interchangeable words like Wikipedia suggests. I want to learn for my own Native Hawaiian OC so I can write him correctly. I, as a white person who doesn't have access to this culture, want to learn about it so I can accurately portray it and help fight against the negative stereotypes that people 5 years ago thought was "great storytelling."
But I can't learn anything if the fandom keeps ignoring me because they're too afraid to acknowledge the racism is there at all, in fear that them liking a racist caricature of a character makes them racist.
And to that, I say: Please stop ignoring me. I want to learn. I want to talk to people about the subject. I want to find someone willing to talk about the culture and educate me. I can't do that if I am constantly ignored.
So. Yeah.
Sorry if this is a little haphazard, my brain died halfway through making it because finding the research materials to showcase my points was incredibly difficult. Literally have been here for hours.
I hope this can be spread around though--so people understand why it's important to have this discussion, why it's important to acknowledge the racism, and why it's so frustrating to feel silenced/ignored when all you want to do is better yourself and your own knowledge.
So... let's talk. Let's talk about the racism in Angie's character--and how we, as a fandom, can address it.
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clownholemcfannywhistle · 5 months ago
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Stardew Valley bachelor headcanons for when they realize they've fallen for you (gender inclusive)
Alex
His first impression of you?
Something along the lines of, "Oh wow, that new farmer is eye candy."
Or if you're male or more masculine-presenting, probably something like, "Whoa, I don't know why, but I wanna be close to them."
And if you're very androgynous or your presentation is very fluid, the poor boy has an identity crisis.
Cue him having an awkward talk with his grandpa about how to make more friends (Alex ain't talking about being "just friends," but George doesn't know that.)
Evelyn, however, can tell pretty easily that he definitely has feelings for someone, but she doesn't know who, at least not right away.
Before you rolled into town, Alex was always very dedicated to his dream of becoming a gridball champion.
But after? He'd make sure to stay outside longer than before.
He's not super self-aware about why he has this urge to show off, especially if you might catch a glimpse of him.
"I don't know who I am. I don't know why I'm here. All I know is that I must keep the farmer's eyes on me." -Alex, probably.
He flexes and trains extra hard when you're nearby.
Sure, he may be a little standoffish sometimes at first, but that's because he doesn't want to be too distracted from his career goal.
But of course, sooner or later, you're always taking up a portion of his mind.
It was honestly refreshing to have someone genuinely believe in him and take an interest in his goals.
For the longest time, he also thought that he was "playing it cool" around you when he was actually just a bit rude.
It took his grandma gently scolding him for acting like a high schooler for him to realize how cocky he had been acting.
I mean, bless his heart, but he's a dumbass.
He apologizes to you and is grateful when you stick by his side.
Also, in my own personal imagination, if you're female, let's say that he actually grows a pair and apologizes for the sexism specifically.
But the "official" moment he falls for you is just after you find him crying about his late mother on the beach.
He honestly expected you to make fun of him for being so vulnerable, but you comfort him and offer him some appreciated words of advice.
After this event, he can finally gain the self-awareness that, holy shit, he has a crush on you.
Evelyn has also figured out that it's you he's crushing on, at this point.
She doesn't have a talk with him about it, so as not to embarrass him, but she does tell him that he can invite you over for dinner and cookies a lot more.
And if you mention that you like being there, she says that you're basically a part of the family at this point and looks at Alex and does *eyebrows eyebrows* and he's madly blushing, because he knows she knows.
I feel like, for a little while, if Alex was somewhat flirting with you before, he eases up on it a bit because he realizes that he's actually caught feelings.
Flirting just hits different when you're actually more vulnerable to rejection because you're in love.
That's right, the bravado was kind of an act. Partially as a coping mechanism to keep himself motivated despite having a dad who tried to bring him down.
But he can let his guard down around you, and when he does... c'mon, he's a fucking sweetie.
He trusts you not to make fun of him when he lets his softer side out, so you'll start seeing it more.
He would absolutely be winning you stuffed animals from the claw machine game at the movie theater, taking you out to eat, playfully roughhousing with you (and if he pins you down, he'd just bite your nose softly and let you go), and asking you to go to the beach with him a lot (not just to see you in a bathing suit anymore :))
He's totally not dropping heavy hints that he likes you because that's easier than just outright confessing...
Elliott
Okay, I'm not a big Elliott fan, but for the sake of this being wholesome, I won't make him a disgusting caricature of himself lol.
Let's be real, this is a man who believes in love at first sight.
(I personally don't, but I do think that there can be attraction and curiosity at first sight, which is what I think he's experiencing!)
He's so honest with himself about his feelings, like this man is confident that he finds you attractive.
Also I think he's probably confidently bi.
The minute he meets you, he's shaking your hand and acting a little more friendly and welcoming that he would for someone who... isn't as attractive, haha.
Don't you see how kind and approachable he is? He hopes you do.
The night he meets you, he goes home and writes about it in his diary lmao.
"Dear diary, today I met the most captivating individual..."
He spends some more time outside than usual, hoping to catch a glimpse of you or even have a conversation.
He can't help it; you're interesting and he's dying to know what's going on inside your mind!
As soon as he's reasonably confident that you won't be cruel and that he's not asking too much of you, he'll show you his works in progress and ask you what you think.
Say he has an ego, but he wants to show off his best skill!
The more you interact with him, the harder he falls for you.
He spends his evenings sighing dramatically and writing love poems in his journal that he's not ready to share.
Either that, or he's at the saloon, laying his head on a table and talking Leah's ear off about his crush. He won't outright say it's you, but if she happens to see the way he acts when you're around, it's painfully obvious.
He might be a little... over the top, with how he tries to be chivalrous.
(I mean, have you seen the way he demands Gus fetch him and the farmer a drink after smoothly bragging about his "eight hour writing session"??)
But if that's endearing to you, and you actually flirt back with him, he's such a mess. I'm talking blushing, sweating, and then apologizing for the way his body is reacting, haha.
Even if you're married to him, he keeps up the charade that he's the one human in the world who doesn't fart, smh.
Harvey
I feel like, because he's a little more reserved at first, it takes him a little while to realize he's fallen for you.
He can't even think of people as being attractive if he doesn't know what their personality is like.
Demisexual? Maybe a little.
Another confidently bi dude.
But probably at your first checkup, if you express being nervous...
His heart flutters, and he gets an overwhelming urge to reassure you that he's there to help.
I mean, that's what he'd do for any of his patients, so he's not quite sure why he has this urge to be particularly comforting to you...
And that time you catch him doing dance aerobics??
He's soooo embarrassed. Like, if anyone were to find out, he'd rather it be Haley than you, honestly.
If you reassure him that you won't tell anyone and that doing dance aerobics isn't nearly as embarrassing as he thinks it is, he gets that fluttery feeling in his chest again.
I think that that's when the thought first occurs to him that he might have a thing for the farmer.
He tries to dismiss the thought immediately, but just thinking about that being a possibility has his face so hot, his glasses are fogging up.
I know it's been said before, but he would be pining.
A lot more absent-minded at work, to the point where Maru would catch him staring off into space, blushing, and gently kicking his feet frequently enough to wonder if he's got a crush on someone.
Once he finally realizes without a shadow of a doubt that he like likes you, he's just so flustered every time he sees you lol.
Like, you come into his office, and he drops his muffin, hits his head on the counter when he tries to pick it up, and then stumbles backwards, stepping on the muffin.
I mean, his anxiety flares up bad. Too bad he's miserable, because it's so adorable.
He also starts keeping his apartment even cleaner than usual. Not sure if he believes you'd spontaneously come over or if he has an imaginary audience complex...
Not going to lie, I think he also keeps a diary. And he starts writing about you in it probably every day once he realizes he's in love.
So babygirl.
I think he'd be overthinking about the possible ethical consequences/moral implications of confessing to you, so if you get together at all, you're making the first move, hun.
Once you officially become a couple, he's constantly worrying about coming across as too eager or forward, so he deals with that in private in his own... special way.
(Maru: Harvey, you've already doodled your and the farmer's wedding invitation!
Harvey: No, that's our joint tombstone!)
We love our bespectacled Luigi.
(Bonus points if you got the two Brooklyn Nine-Nine references I sprinkled in here lol.)
Sam
Like Alex, I feel like he's not the most self-aware guy on this list.
He sees you, and he's like, "Whoa! I don't know why, but I really wanna be good friends with this person!"
So he follows that impulse without questioning it, the little ADHDiva.
He just wants to show you everything! He wants you to know about his hobbies, his job, his family, and he's real curious to know if you've got anything in common with him.
Not to say he'd be oversharing, at least not on purpose and not often, lol. He may be impulsive, but he understands boundaries.
I honestly think it would take Sebastian pointing out how chummy he is with you for him to realize that he's got a crush.
Also, if you're a dude/male-presenting, he'd probably have a brief moment of awakening.
"Wow, I might be pan. Huh. ...I'm gonna go eat at least four pieces of bubblegum and an MnM I found on the floor."
The realization doesn't make him spiral like Alex lol.
But then he kinda realizes that, looking back, he's definitely caught feelings for people of every gender under the sun.
I feel like he probably channels his feelings and passion into his music.
He writes songs about you, without directly saying they're about you, but Sebastian and Abigail know they're about you.
I feel like you'd be walking by when he's practicing his skateboard tricks, and he'd say, "This one's for you, farmer!" and then fail the kickflip and land on his butt.
You'd both laugh about it once you make sure he's okay.
His butt would lowkey become an inside joke haha.
You could teasingly ask him if the scrape on his butt is in the shape of an L, and he'd giggle childishly about it for days.
I think he'd be asking his mom if he could invite you over for dinner a lot more frequently.
Jodi would catch on and probably give him a talk about safe sex, to which he'd blush and whine that he's not a teenager.
Since Sam is such an open book, there's no doubt in my mind that Vincent knows about his crush.
I bet Vincent accidentally tells on him during a family dinner with you, too, lmao.
Out of the blue, he'd pipe up and say, "When you and the farmer get married, will they be my big sibling, too?"
When.
Poor Sammy would choke on his appy juice/Joja cola (he probably hasn't drank plain water in six years) and try to play it off as Vincent just saying nonsense.
Later, when you're hanging out with Sam, he'd try to be smooth about it.
"Haha... Vincent is such a stinker... But, y'know, it would be funny if we actually got together to humor him...?"
Please don't reject him, he's totally pouring his heart out to you right now ;-;
Sebastian
He likes to appear stoic and act like a lone wolf.
But I think the moment he sees you, his heart is going BA-DUM, BA-DUM
Like, he thinks you're hot from the get-go, but he's still pretty reserved.
So if he's at the saloon with Sam and Abigail and you walk by, he literally just says, "Hi, farmer."
And the minute you're out of earshot, Abi and Sam are teasing him and laughing. "Wow, keep it in your pants, Seb!" "Yeah, you basically just threw yourself at them!"
His ears get all hot from the teasing and he has to go excuse himself to take a smoke break lmao.
I think he's known he's bi/pan for a while now.
I mean, look at him and tell me he's not at least half a twink, hehe.
Outwardly, he's not very emotionally expressive.
But inwardly, he has a mini heart attack when you talk to him.
He tries to be as cool as a cucumber, but he gets pretty anxious around you and can accidentally come across as standoffish.
I bet he's, like, really socially awkward, especially with strangers.
He gets so fidgety around you and he's always bouncing his leg.
He tries not to smoke around you, until he's sure that you wouldn't judge him for it, but that makes him stressed and so he wants to smoke even more.
Poor baby is so awkward, hehe.
Like Sam pushes him into you, and he's quietly apologizing and then saying, "Uh, sorry, I'm, uhh... late to... leave..." and speed-walking away.
Sam facepalms and later, he's like, "Dude, what was that??"
Abigail just goes ahead and makes a group chat with the four of you, which is such a smart move.
When he's talking to you in person, he's so baby and he doesn't know what to do with his hands.
But in the group chat, you actually get to see how funny he is, and his personality shines through.
You guys even start texting privately, and he's always sending you music, memes, animal pictures, and funny videos.
This is how he flirts.
He's like your best friend through the screen, but has no clue how to act in person.
Don't get me wrong, he'd love to hang out with you in person. He's just so damn anxious.
I feel like once you get to be good friends with him, he'd be super clingy and get nervous if you take more than a few hours to text him back.
Which, of course it does, you're super busy with the farm and running errands for villagers.
Eventually, it would either come down to you confessing to him or him being high at 3:00 a.m. and leaving you a series of long, rambling voicemails about how he misses you and is really into you.
Shane
Look, if you read my recent very unwholesome Shane nsfw fic, I'll still stand by the idea I wrote in there that he'd glance up from his beer, think you're hot, but assume he has no chance with you.
He knows he's not relationship material, at least not when you first meet him.
And even if he was, he gets defensive when he thinks people are trying to pity him or treat him like he needs a babysitter.
Like bro is positive that Emily just feels sorry for him, and that causes tension between them sometimes.
But even if you keep pestering him, he'll start to think fondly of you as long as you aren't a total goody-two-shoes.
Enemies to drinking buddies to friends to lovers???
But yeah, drink with him once and he'll be like, "Okay, they're actually not half bad."
Actually validate him and show up for him non-judgmentally?
I'm sorry to my fellow Shane lovers, but I'm pretty sure he'd fall for the first person who doesn't treat him like he's a burden.
Especially if that person is more female-presenting.
It'll take him a little longer to figure out that he's in love with you if you're a dude.
Poor baby, having his sexual awakening in his thirties.
I feel like he also tries vehemently to deny the notion that he might be falling for you, regardless of your gender, because he doesn't want it to be true.
Like, his only real friend in the valley? Of course he's not going to screw that up by confessing to you.
What if you think he's a creep and never want to talk to him again if he does?
He may not show it, but babygirl is overthinking.
He's kind of under the assumption that if he just shoves these feelings down deep, they'll go away. After all, it's just a fleeting crush, right?
(It isn't.)
Once he starts seeing a therapist, I think they'd inform him not to shove his feelings down deep and just talk about them either in session or with a friend.
They'd also probably tell him something like "risk is a part of life, don't let fear hold you back from living, I know this farmer is really special to you but even if they reject you, you've still proven that you can work on yourself and if you want a partner in the future, you can be confident that you wouldn't be a burden on them, and having a relapse doesn't erase your progress..."
Yadda yadda yadda.
(Can you tell how much therapy I've been through)
I feel like if he confesses first, it would either be after a really bad lapse when he's crying and really drunk...
But more likely, he'd be tipsy and do something impulsive.
Like giving you a quick smooch when the Tunnelers score.
He panics about that retroactively, but he'll be over the moon if you reciprocate his feelings at all.
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cosmicawg · 3 months ago
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𝐖𝐫𝐢𝐭𝐢𝐧𝐠 𝐁𝐥𝐚𝐜𝐤 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰/@𝐜𝐨𝐬𝐦𝐢𝐜𝐚𝐰𝐠
OH! Hi, welcome to my blog! I’m your favorite (you either love me or hate me) AWG. Today, we’re diving into ⭐BLACK CHARACTERS⭐—and no, I’m not talking about those one-dimensional characters just there for the urban memes. I mean the real deal: complex, rich, main characters that pack a punch!
As a Black writer myself, I’ll be honest—I sometimes struggle with crafting Black characters, whether they’re main leads or supporting roles. Why? Because every Black person has a different story. Believe it or not, not every Black man or woman has experienced the same tropes we see in the media. So how do we go about developing a powerful Black character or even a minor role that’s still refreshing and relatable? Let’s find out together!
𝐀𝐯𝐨𝐢𝐝𝐢𝐧𝐠 𝐒𝐭𝐞𝐫𝐞𝐨𝐭𝐲𝐩𝐞𝐬: 𝐋𝐞𝐭’𝐬 𝐍𝐨𝐭 𝐆𝐨 𝐓𝐡𝐞𝐫𝐞!
When it comes to writing Black characters, let’s talk about the elephant in the room: stereotypes. You know, those tired clichés that pop up in movies and books like an unwanted party guest who just won’t leave.
First off, let’s acknowledge that not every Black character needs to fit into a box labeled “Gangster,” “Sassy Best Friend,” or “Magical Negro.” (Yes, I see you, Hollywood!) Every character deserves depth, complexity, and a unique backstory.
define: Magical Negro is a Black character who exists to help a white protagonist, often with supernatural powers. Example: John Coffey in The Green Mile.
Research, Research, Research! I can’t stress this enough. Dive deep into the experiences of real Black individuals, because every Black person has a different backstory! Personally, I haven’t experienced many of the challenges Black Americans face, like systemic racism, and it’s crucial to acknowledge that diversity. Understanding these nuances will help you create more authentic characters.
Ask Questions. Got a Black friend? (If you don’t, get one—kidding!) Use your network. Ask them about their experiences, perspectives, and how they feel represented in media. Just don’t be that person who asks, “So, do you like fried chicken?” It’s not cute.
Embrace Diversity Within Diversity. Not all Black characters should be from the same background. Explore different cultures, regions, and histories. There are a billion ways to be Black, so show that in your characters!
𝐖𝐫𝐢𝐭𝐢𝐧𝐠 𝐃𝐢𝐚𝐥𝐨𝐠𝐮𝐞: 𝐇𝐨𝐰 𝐭𝐨 𝐬𝐩𝐞𝐚𝐤
Now, let’s talk about dialogue—because if your characters sound like awkward robots, people will notice! When writing Black characters, remember that language is a huge part of identity. African American Vernacular English (AAVE) is a beautiful, expressive part of Black culture, but it needs to be used authentically and respectfully.
Personally, as a Black Jamaican, this is how I talk “proper.” I don’t use Patwa (Patois) in my dialogue when I’m writing Black American characters because, like I said before, Black culture varies. Just as I speak differently from a Black American, your characters should reflect the diversity of the Black experience. One-size-fits-all doesn’t apply here!
For example, a natural-sounding conversation between Black American friends might go like this:
Authentic: “Yo, you tryna head to the spot later?” “Bet, I’m down. Lemme hit you up after work.”
This sounds natural and reflects everyday speech without exaggeration. Now compare this with a stereotype that overuses slang and makes the character seem like a caricature:
Stereotyped: “Yo, dawg, we finna roll up in this joint, ya feel me? Straight fire!”
See the difference? One feels like a real conversation, while the other feels forced and unnatural.
Another Example: In a professional setting, you might have a character saying:
Authentic: “I’ll follow up on that report and get back to you by end of day.”
If you force casual AAVE where it doesn’t fit, it feels unnatural, like this:
Stereotyped: “Yo, I’ma hit you with that report later, aight?”
𝐃𝐞𝐯𝐞𝐥𝐨𝐩𝐢𝐧𝐠 𝐁𝐚𝐜𝐤𝐬𝐭𝐨𝐫𝐢𝐞𝐬: 𝐍𝐨𝐭 𝐣𝐮𝐬𝐭 𝐚 𝐩𝐫𝐞𝐭𝐭𝐲 𝐟𝐚𝐜𝐞/𝐧𝐨𝐭 𝐝𝐞𝐟𝐢𝐧𝐞 𝐛𝐲 𝐦𝐲 𝐬𝐤𝐢𝐧 𝐜𝐨𝐥𝐨𝐮𝐫
Alright, let’s get into it! Crafting rich, layered backstories for your Black characters is where the magic happens. After all, they’re not just defined by their race; they come with a whole buffet of experiences, cultures, and dreams!
Cultural Heritage: Dive into your character's cultural background! If your character is Caribbean, like a sassy Jamaican or a vibrant Trinidadian, think about how family traditions and spicy food shape their identity. Maybe they celebrate Carnival with a flair that leaves everyone in awe, or they bring a bit of reggae to the school dance. Spice it up!
Family Dynamics: What’s the family vibe like? Is it a tight-knit crew where everyone knows everyone’s business, or is it a mixed bag of characters with their quirks? Picture a character raised by their wise grandma, who drops truth bombs about resilience while whipping up the best curry chicken in town. Those family stories can really shape who they are!
Personal Experiences: Let’s keep it real—your character’s experiences should be as unique as their favorite playlist! Maybe they faced challenges at school that made them a champion for anti-bullying or excelled in sports, turning their setbacks into comebacks. For example, they might have been teased for their skin tone, but that just made them more determined to lift others up.
Aspirations and Dreams: What gets your character out of bed in the morning? Whether they dream of becoming a doctor, an artist, or the next big YouTube sensation, their aspirations tell a story! Imagine a character who, inspired by their community’s struggles with healthcare access, aims to break barriers in medicine. Talk about a hero!
𝐅𝐢𝐧𝐝𝐢𝐧𝐠 𝐭𝐡𝐞 𝐁𝐚𝐥𝐚𝐧𝐜𝐞: 𝐔𝐩𝐥𝐢𝐟𝐭𝐢𝐧𝐠 𝐖𝐢𝐭𝐡𝐨𝐮𝐭 𝐏𝐮𝐭𝐭𝐢𝐧𝐠 𝐃𝐨𝐰𝐧
Alright, folks, let’s get real for a minute. We need to address a serious issue in storytelling: the unfortunate trend of making Black characters the butt of jokes to uplift white main characters. Spoiler alert: this is not cute, and it definitely doesn’t fly in a respectful narrative!
First off, humor is a powerful tool in writing, but it shouldn’t come at the expense of marginalized characters. When Black characters are used as punchlines or comic relief just to highlight the “funny” qualities of a white protagonist, it reduces their complexity and humanity. It perpetuates harmful stereotypes and misses the chance to create authentic, well-rounded individuals.
Example —
From “The Office” (U.S.): don't get me wrong I LOVE The Office, its my comfort show, however, In the episode titled “Diversity Day,” Michael Scott leads a diversity training session that reduces a Black character, Stanley, to a series of racial stereotypes. The humor in this scene relies heavily on racial caricatures, and Stanley is the butt of the joke, highlighting a lack of respect for his character. Michael’s antics, while intended to be funny, diminish Stanley’s complexity and reduce him to a stereotype for the amusement of the white characters.
𝐑𝐞𝐟𝐫𝐞𝐧𝐜𝐞𝐬: 𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐭𝐨 𝐡𝐞𝐥𝐩
Books —
"Writing the Other: A Practical Guide" by Nisi Shawl and Cynthia Ward - A guide to writing characters outside your own experience with sensitivity and depth.
"The Art of Character: Creating Memorable Characters for Fiction, Film, and TV" by David Corbett - Offers insights on developing authentic characters.
"Diversity in Young Adult Literature" by various authors - A collection of essays discussing representation in YA literature.
Articles —
“Avoiding Stereotypes in Fiction: People of Color”
“Writing Characters of Color: How to Avoid Being Racist” - Vanessa Willoughby’s article on Book Riot 
“American Fiction: Scathing and Accurate Portrayal of the Obstacles Black Writers Face in Publishing” -  
𝐂𝐥𝐨𝐬𝐢𝐧𝐠 𝐎𝐟𝐟: 𝐀𝐇, 𝐘𝐎𝐔 𝐃𝐈𝐃 𝐈𝐓!
Thank you so much for reading this post! To all my fellow Black writers out there, I invite you to drop your comments below—let me know if there's anything I've missed or misled. Remember, even though I strive for perfection (tehehe), I’m not above making mistakes!
I can’t wait to see all the vibrant, fully-realized Black characters you’ll bring to life in your stories. Together, let’s make sure our voices shine and our narratives resonate. Happy writing, and until next time, keep slaying those words!
—courtesy of cosmicawg
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shadowqueenjude · 10 months ago
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hello! I’m the anon who was sending you messages! Yes I’m aware elain and nesta are caricatures of cinderellas stepsisters and remind me again who liked the step sisters??
if I need to refresh your memory feyre was technically forced into doing her job when her mother made her promise to take care of the family since the other two sisters were obviously too useless too.
another thing: nesta did not hide when that beast showed up. she has the decency to protect her younger which elain did not. she did not jump in front of feyre, did nothing to protect nesta either whom she was presumably so close with.
and need I remind you nobody forced elain to cook either. she could’ve been like feyre and taught herself to hunt. did she? no. instead she let her younger sister risk her life in the forest so they could have food. and as for hating on Azriel in each of those situations Azriel is merely trying to protect her. like his job. and doing his job does not mean he doesn’t have a backbone it means he’s competent.
I've loved Nesta from the moment I knew she tried to go after Feyre to Prythian. Elain grew on me as the series went by with her gentle strength. No one forced Feyre to make that promise. She chose to make that promise. And no one forced Elain to cook either. The point is all three sisters did important work around the house so why are we still vilifying them for shit that happened then even after the sisters apologized for "not doing enough." Feyre and Nesta are extremely fierce and stubborn. Comparing their reaction to Elain's isn't really fair, considering it is well known that Nesta would've done anything for Elain at this point. Nesta was the "protector." Elain had a rational human reaction. Why are you vilifying her for that? You're wild lmfao. "Protect her" who exactly, was Azriel protecting when he laughed at Nesta's predicament? Who was Azriel protecting when he was masturbating to headache powder? Who was Azriel protecting when he was about to murder Eris? Mor??? She was TERRIFIED! PrOtEcTiOn y'all Az fans can't even get your facts straight. And you're the same kind of bitch who will vilify Tamlin for trying to "protect" Feyre. Please leave.
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shunnao-addict · 5 months ago
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Brandon Sanderson and his "genre-shaping" exaggeration
Let me start by a disclaimer: I actually enjoy Brandon's books, most of them get five stars from me. So please take it under consideration while reading. It's a criticism, not hating.
This post was something I've been thinking on writing for a long, looong time. Ever since Brandon took over The Wheel of Time (which is how I know of him) I got into reading his books, and enjoyed them. Then, over the years, I've read many articles praising him more and more, each book indicing newer superlatives, so when this year I've started re-reading his books (so I can read whole Cosmere in one go, awaiting final installment) I found myself disagreeing with most of them.
To sum it up, mostly he's being called genre-shaping because of:
Unusual, never seen before magic systems, that no other writer tops
Amazing wordlbuilding that also doesn't have anyone else standing up to him (some even call him "new Tolkien")
Characters that are complex, easy to remember, even easier to love and follow
Outstanding writing style
Ideas that no one thought before of, showing that fantasy still has something new to offer
I'll try to address every one of those, as to not get too tangled in my own thoughts.
Let's start with magic system. Now, Brandon's magic systems are unusual, that's for sure. They're complex, they're reaching into quite new ways of using world around us, they always have a high price, and boyyy, the rules they have! They're not, though, above some of the other magic systems I've seen in the literature. The Wheel of Time has just as complex system, with many new ways of using The Power appearing with each new volume (even before Brandon took over). N.K. Jemisin created her own system, that (in my own opinion, of course) is truly something we've never seen before. Trudi Canavan, with her blood magic, was also onto something that was refreshing and new. And don't get me started on Naomi Novik or Susan Dennard. What I'm trying to say - Brandon's magic systems are good, but they're hardly antyhing above average. Are they compelling? Yes. But did they change anything in the fantasy genre? Not really.
Cosmere, in its own huuuuge scope, created a whole plethora of worlds, each unique in its own way. Worldhoppers and idea of visiting different worlds stirred readers along the world, stating they've never read anything like this. Except, they could've. Because that's what Le Guin's Hainish Cycle is about. Each world having its own multicultural countries? We've got that in The Wheel of Time, in Eriksson's Malazan Book of Fallen, and in many other fantasy books (even those written by YA authors). So far, Brandon hasn't created anything original enough to call him another Tolkien, no one also took an inspiration from any creature he crated, and, sorry to say, with so many books being loosely tied to Cosmere it's hard to treat them as a whole. While Easter Egg hunting may be interesting for some, that does feel a little pushed. Personally, I dislike the fact that books I've read years ago as a stand-alone novels, are currently "Cosmere novels" with new content. Looking at it without any personal bias I can see those few ties, but it looks more like a marketing strategy, than actual "original" idea.
Now we get to my main pet peeve when it comes to Brandon's supposed brilliancy - his characters. I'm a big fan of character-driven stories, hence The Wheel of Time is my all-time fav, but Brandon... well, he doesn't know very well what to do with his characters. Take, for example, Mistborn. While there are two or three main characters that undergo a change, everyone else is a cutboard, two-dimensional stand-in that doesn't get much depth. I was truly intersted in Elend's advisors, but through two books I couldn't say more about them than "well, this one is smart, and this one is a coward". Also under his pen WoT's characters lost their depth, some of them becoming a caricature of themselves. I tried not to judge him by this, because, honestly, it's extremely hard to take over a story started by someone else, but this trend continues. Take Elantris - there are three characters I can think of, that were nicely written. Everyone else was just in the background, moving almost as if on strings. This isn't a bad writing - most of them were entertaining, lovely characters we could feel for, but when it comes to character-building (especially for characters that are not main characters) Brandon's writing is very, very average. Joe Abercrombie or Brent Weeks are much, much better in this regard.
While we're on topic of writing, I'm a fan of Brandon's style. He can easily convey hard topics, can keep you on your toes, is very quotable, and, in all honesty, his books are somewhere in between high and B-tier fantasy writing that doesn't force you to give 100% attention to what you're reading, but also doesn't allow you to skim easily over the text. It's a great balance, but you can't call it a penman mastership never seen before. It's a trait he's sharing with authors like Joe Abercrombie, Brent Weeks, Mark Lawrence or N.K. Jemisin. But it's nowhere near levels of Tolkien, Le Guin, Sapkowski or Rothfuss. Their style, their use of language or creating new terms is on a different level.
New ideas is a touchy topic, because (don't feel attacked) most people don't read outside of their chosen fiction genre. They don't even go outside of sub-genre. Which is why ideas that were introduced somewhere else (like Le Guin's ethnologists going around planets to get a feeling of their magic, politic and geograpy; or many science-fiction books where main hero goes to other planets for specific thing, like Stainless Steel Rat by Harry Harrison) or plot-points (different takes on "how to prevent a war/obliteration", even on philosophical side), or even religion that is always a Big Thing in each of the books (also A Thing, e.g. Mark Lawrence's books or Malazan), or a character that seems to be the main character, but dies (GRRM)... Brandon just takes those ideas and shows us them in his own way, but the archetype? It's still there.
So while I would say that Brandon is an amazing writer, I wouldn't say he's a genre-shaping wonder. He plays around with the same toys as everyone else, and manages to sometimes get better, sometimes worse when compared to other authors. He definitely has bigger following, a true devoted fanbase, and lots of Tor's marketing went his way. He's also an extremely prolific author, who doesn't always produce high quality books (Skyward and The Reckoners being an example).
tl;dr he's an amazing writer, who has lots of good stuff going on, but originality isn't his strongest suit. And that's ok. Good book is always going to be a good book, even if it's about Tortured Boy Who Saves The World for the Nth time.
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