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sheacouleecametoslay · 2 years ago

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Season 10 (2018)

So Season 10 starts off like a 9/10.... I truly thought it was going to be one of the best. But, after The Vixen left, the last four episodes are like a 4/10, which drops the average down. The Werk Room/Untucked scenes become boring. "Breastworld" and "Evil Twins" are two of the worst challenges in the show's entire herstory. Especially the latter, which forced the queens to reveal their insecurities on TV, and were put in the bottom if they weren't cruel enough to themselves. Not to mention the cringe worthy editing to make it seem like the Good Twins and Evil Twins were on the stage at the same time. AND SHOWING THE GOOD TWINS WATCHING BACKSTAGE. Really...? Also, Ru is as high as kite during his walkthrough with the social media influencers in the Make Over episode, which is actually unintentionally funny. And then the finale has such disappointing lips syncs compared to Season 9, between Asia's dead butterflies, Aquaria's trip being edit out, and "Bang Bang" being a complete clusterfuck as the top 3 try to outdo each other with their stunts. The Vixen is responsible for like 90% of the drama this season. She had a major intense fight in 3 different Untucked episodes. First she battled Aquaria, then Eureka, and finally her friends. 9% of the drama comes from Aquaria being conceited and Asia going on random rants. The final 1% is Kalorie and Yuhua having an attitude, but it's minimal and they aren't around for long anyways. The premiere also sets up this pre-season feud between Aquaria and Cracker because they apparently look alike. We've already been there with Alyssa vs Coco, and this "rivalry" didn't amount to much after episode 2. As for the other challenges, PharmaRusical might be the worst Rusical. It was so disappointing they did a second Rusical to make up for it! - the Cher one, and it wasn't much better. The Snatch Game was mostly funny, but Asia and the Vixen playing Beyonce and Blue Ivy, respectively, was rough. Bossy Rossy was a solid challenge, but the adult babies creeped me out. The Last Ball on Earth had some good looks though. And the Drag Con panel was a nice new addition. Plus the mini-challenge where they had to sit on items and identify them was stupid enough to be funny. Season 10 continues this new trend of having a big name celebrity guest judge. This time it's Christina Aguilera, who walks the runway pretending to be Farrah Moan as a fake out. I'm not sure when the trauma stories during the make-up sessions became more prominent, but I definitely noticed them more in Season 10. Probably because Season 10 is when production switched the episode length to 60 minutes (90 with commercials). Say what you will about Season 15 episodes being too short, I never had an issue with Seasons 1-9 being only 40 minutes long. I never felt like I was missing anything important. I get exhausted when I try to binge watch these longer episodes, and there's definitely some filler towards the end of this season. Also, Season 10 has 6 main characters (Aquaria, Eureka, Asia, Monet, the Vixen, and Mo) plus Vanjie being iconic, and the other 7 queens don't stand out as much. The unofficial Lip Sync Assassin title kept changing hands - from Monet to Vixen to Kameron, which was pretty cool. I got sick of all the New York mentions though. And the Double Shantay was such obvious riggory in Eureka's favour. I imagine production planned for Kameron to leave at the final 6 instead, but she slayed the lip sync.

Queens Ranking: 14. Eureka A whole season of Eureka... including a sympathy edit, crying in front of the judges, and bringing up trauma stories when she flopped. Just look at everyone hugging her in episode 2. Furthermore, she acted like the Vixen was the problem, claiming that the Vixen verbally attacked her and disliked her for no reason, while Eureka did nothing wrong. Which was BS. Eureka admitted to Mayhem afterwards that she was testing Vixen's reaction. She then lied to the Vixen about the "y'all"/"you" thing and used abuse trauma to excuse her big personality. She also pressured Kameron to sing and accused Asia of overreacting. She took over in every team challenge. Her confessionals were extra ("...buttholes are clenched", "pussies on fleek"). She thought she was judged at a higher standard. She was oddly defensive about her Make Over. Her friendly supportive chats with everyone felt so phony. She walked off on Untucked because they didn't give her attention. Her comments that the Vixen wants power over others, that Asia was jealous of Cracker, that "[the girls] always second guess every time I'm doing well" rubbed me the wrong way. Eureka came off superior, smug, and condescending. The only time I agreed with her was when the Vixen criticized her Snatch Game. But good for her finding body positivity in the baby challenge. In the competition: Eureka flopped in week 2, when she looked "out of it" during PharmaRusical and didn't know the words. But she became a contender soon after. From the "yeah we know girl" line in the End of Days advert, to playing a baby in Bossy Rossy (whatever), to being the audience favourite in the Drag Con panel ("proportionizing!!"), to her Honey Boo Boo in Snatch Game (even if she kept repeating the drawing pictures joke). She's already done Drag Con so no wonder she won that. But then Eureka was tentative in the Cher Rusical, and the hairdryer bit in "Breastworld" fell flat. I didn't like her Best Drag, Silver Foxy and Good Twin runways either. Glitterific was probably her best one. Also, Eureka just did the splits and high kicks in every single lip sync. And so many outfit reveals in the finale. 13. Dusty Ray Bottoms I don't have much of an opinion on Dusty. She gave me Milk vibes. She always had this creepy smile/eyes. She labelled herself as "dark, glamorous and trashy" with a punk style, but I wasn't into her drag. She thought she would've won PharmaRusical if she wasn't on the losing team. But seemed reasonable when explaining her views on situations in Untucked. Like when she called Aquaria standoffish lol. She also had that gay conversation therapy story. Otherwise, Michelle didn't want Dusty doing the dots on her face all the time, which left her feeling torn about it because it was her signature look. In the competition: Well, I did NOT like the dots on Dusty's face. I didn't like her runways either. Dusty's Drag on a Dime Tin Man outfit looked scrappy. While her Martian outfit didn't follow the theme. Her episode 2 runway wasn't bad though. As for the performance challenges, I thought Dusty was fine in both of them. Not top 3 worthy though. 12. Kameron Michaels Kameron brought a unique aesthetic as a tattooed, masculine, muscled queen. But she's too dry and matter-of-fact for me to care about. She didn't have much screen time in the early episodes either; aside from being labelled "the trade of the season" and mumbling while brainstorming. She was a quiet queen, who was conditioned to not show emotion. Her later moments include: not celebrating prematurely, keeping her desire to win the challenge a secret, and saying being eliminated would've been easier than eliminating someone. Meanwhile Asia/Cracker/Monet acted like Kameron was crazy for saying she was terrible in "Breastworld"... when she clearly was. And they didn't understand why she walked off on Untucked. Kameron is an introvert, so just let her be? She also flipped out at the final 5 Untucked. Otherwise, Kameron was one of Eureka's besties. In the competition: Kameron was the unexpected Lip Sync Assassin, beating the production faves in the endgame. She won the Cher Rusical by focusing on the mannerisms, and she was one of the better ones in Bossy Rossy. But she was too exaggerated in PharmaRusical, she was a dry narrator in the Fibstr advert, and I didn't agree with her "high" placement in the Ball - I thought her Martian look was junky. Her "Breastworld" character had the most annoying whiny voice too. Her Make Over was basic. And I didn't like her Evil Twin outfit. My fave Kameron runways were the elaborate feather one and Silver Foxy. 11. Miz Cracker Cracker had a bigger edit than I remembered. Her confessionals came off too self-controlled - like every word was carefully planned out... or corny ("...not even a partridge in a pear tree!"; "Dr Dill is Jewish!"; "American Horror Story: Cher Edition"). Asia even called her robotic. It's because Cracker came from a sheltered, poor childhood with high expectations. She felt dread in challenges, even talking to herself during one of them. And she was vocal in group chats. She slammed her drink down at the Vixen. She gave a learn to love yourself speech and an appreciate what you have speech on Untucked. She built Monet and Mo up. She hard criticized Eureka's Make Over. She confronted Aquaria about her overconfidence in this very indirect way lol. And she disputed Asia's claims of being used. Also lol at Asia and Mo's reactions to Cracker's name in the premiere. As for the Aquaria copycat thing, I don't believe Cracker intended it. In the competition: Cracker's Pickle character in Bossy Rossy was her best moment, but she became a comedy queen who couldn't excel in comedy challenges. She sounded mean in the Drag Con panel and neutral toned in "Breastworld". Still, she tried something with her Ball looks. Her Make Over was beautiful (she waited so long for that win too). And both of her hair headpiece runways were cool. In the end, Cracker's Evil Twin outfits didn't match and she went soft in the self-critiques, but that challenge was stupid anyways. 10. Kalorie Karbdashian-Williams Kalorie was known as a "twerk queen", but her twerking fell into "one trick pony" territory. She didn't have a ton of content on the actual episodes either, aside from her story about being bullied for her weight. She was quite bitter on Untucked though. In the first one, she was upset that some of the safe girls didn't use as much stuff. She proceeded to criticize Monet and Aquaria's outfits, while throwing Blair under the bus. Then in the second Untucked, she took issue with the group not asking her about her critiques. But she had a sweet goodbye after that at least. In the competition: Kalorie's Drag on a Dime money outfit looked sloppily put together. While in PharmaRusical, her foot slipped off the chair lol. Her second runway was basic too. But she was fun in the first lip sync, where she twerked and pulled out dollar bills into the splits. 9. Mayhem Miller Mayhem was the timid and sensitive one. She waited so long to get on the show, and then she cried on the first Untucked because she finally felt validated. She comforted her bestie Eureka on Untucked. She played peacemaker between Vixen and Eureka after their massive fight. And in her final Untucked, she gave this big speech about being grateful for the opportunity. She was at peace with her growth. That said, I don't agree with Mayhem saying that her voice wasn't heard in the team discussion. Mo gave her an opportunity to claim the narrator role, but Mayhem didn't want to be seen as aggressive. I understand that, but this is a cutthroat competition and being passive won't get you far. Indeed, Kameron snatched that narrator role and Mayhem was left with one line. In the competition: Mayhem was solid with runways. She won the first challenge thanks to her black gloves outfit. I also thought she was the second-best overall in the Ball. Her pink cowgirl runway was cute too. But the acting challenges caused Mayhem's premature downfall. She didn't appear in the Fibstr advert until the very end, where her character was confusing. And she was the most forgettable in Bossy Rossy. But she slayed that "Celebrity Skin" lip sync - it was intense in the best way. 8. Yuhua Hamasaki Yuhua had fun responses during the entrances - "you’re not a real woman either!" Then she couldn't differentiate the black queens.💀In episode 3, she offered bad ideas while brainstorming with Monet, and didn't realize their ad already had a name. Then she snapped at Aquaria and Monet for not letting her use a fake nose, while saying "nobody asked for Aquaria's opinion" in confessional. Monet did sound bossy tbf. She also kept giving excuses to the judges - from saying she had something better during the second runway, to feeling rushed during the advert challenge. She still had one of my favourite entrance looks though. In the competition: Yuhua seemed like a strong competitor at first - with her yellow caution tape ankh and her underrated PharmaRusical performance. But she wasn't funny in the Butterface advert and she misunderstood how to be ugly for it. And then she had to go against Mayhem's impressive lip sync. 7. Blair St. Clair The twinkiest twink to ever twink on Drag Race. Blair had the most UTR edit of the Season 10 cast. She had the "so dot dot dot fill in the blank" confessional, she said "yeah I'm a little sneak attack" in this cute voice, and showed her stats notebook. But her personality was kinda... bland (no offence). She was just happy to be there. When Kalorie threw her under the bus, she avoided the drama and told Aquaria she loved the concept. She was sweet to Mayhem in Mayhem's last Untucked. And she missed her mom a lot, so it was nice when she got that video message. In Blair's final episode, she shared her sex abuse story to the judges. And again on Untucked, where she explained that she needed to be a happier person after that experience. I'm glad she was able to move on from it. In the competition: If PharmaRusical wasn't based on teams, I'd mark Blair as "safe" every single week except the round she left. She's a Broadway queen and can act... but she just wasn't funny. I did like her Drag on a Dime sun protector thing, her Ball looks, plus her Best Drag runway was pretty too. But ultimately, Blair's teammates overran her during the Drag Con panel, when she was trying to moderate. And then she had to lip sync after sharing personal trauma. 6. Monét X Change The narrator of Season 10. Monet had these "high horse" or unaware moments. Particularly in the first Untucked where she thought the judges loved her sponge dress, was surprised that the queens didn't get the concept, defended Cracker to Vixen, told Kalorie "mine looks good and yours doesn't", and said that Kalorie is just bitter. Even after that, she sounded bossy to Yuhua, she acted like Aquaria didn't deserve to win Snatch Game, and she called the Vixen immature and combative. But most of the time, Monet interjected with a congenial approach when there was conflict. Like saying she appreciated the Vixen's realness. And she had fun in confessionals, like she was just hanging out backstage. I also liked her "sweep up the competition" entrance. And she was there for Eureka and Cracker when they needed support. Her English accent story was funny too. In the competition: Monét was Lip Sync Assassin #1. The "nope" wave in "Pound The Alarm" and the hairspray cans and smoking in "Man! I Feel Like A Woman" were fun moments. She wasn't bad in "Good As Hell" either, even breaking a stage light. But, aside from the crossed-eye bit in PharmaRusical, Monét had a rough start. The sponge dress was not couture. The Martian outfit looked unprofessional (the cut; the black marker). That cake bit in Bossy Rossy was confusing. And her neon winter, Denim & Diamonds and Glitterific runways were a mess. She was read for her pussycat wigs too. The sagging boobs runway was creative though. But then Monét found Ru-demption. Her Maya Angelou in Snatch Game was good enough to win. And she had those ad libs in "Breastworld". But of course another design challenge ended her run, with that cheap-looking Make Over. 5. Vanessa Vanjie Mateo "MISS VANJIE... MISS VANJIE... MISS VANJIE" is the most iconic exit line in the show's herstory. It was repeated in practically every episode after. Even without the meme, Vanessa had protentional to be a great TV character. She had this very uhhh... vanjie... way of talking that came off as an authentic personality. She compared RuPaul to the Loch Ness Monster, she said "What the- bitch are we on Big Brother?" when they were de-dragging, and she made a "cleaning crew" comment about Monet's sponges. I loved listening to her talk. So I'm glad Vanjie was given a Shangela-style second chance, even though I haven't watched Season 11 yet. In the competition: Vanjie's Drag on a Dime Barbie doll outfit wasn't in my bottom 3, although her entrance look would be. I get it though - it was like her entire upper body was bloated into a clump of clutter. She held her own against Kalorie in the lip sync though. 4. The Vixen Polarizing but Season 10 is empty without the Vixen. Her entrance line "I'm just here to fight" was right. She immediately called people out, and didn't beat around the bush. She said Cracker "faked it to Season 10", and questioned Monet's pushback over that comment. She exposed Aquaria for acting different to Cracker's face. She clapped back at Aquaria for the borrowed wig remark and the "negative" label. While on Untucked, the Vixen raised an important point about the "angry black woman" stereotype, since Aquaria came for her first and now Aquaria's crying over it. Next, the Vixen tore Eureka to shreds after the "can I go smoke" comment ("you are exactly the girl I did not like on Season 9"); while Eureka made the Vixen look like the aggressor (ugh). Then the Vixen criticized Eureka's Snatch Game performance and called her unprofessional to the judges. But she went too far on Untucked, calling Asia and Mo fake and disloyal for saying she should go home, because friends don't do that. Since the Vixen named Eureka for personal reasons, she assumed everyone else made it personal. She also said she wouldn't let them take away her dream. Finally, in her last Untucked, she called out the non-glitter outfits. The Vixen was passionate about doing bold political drag, and that hurt and anger stayed with her on the show (as she said: "It is impossible being a black gay drag queen in America"). The Vixen refused to change for others; saying you should know how she is, so don't "poke the bear". Otherwise, she paired Eureka and Aquaria to sabotage them. She suggested playing Cracker/Aquaria in the challenge lol. She gave facial reactions at Eureka (the air violin lol). She didn't listen to what roles her teammates wanted in episode 2. And she was supportive to Blair after the sexual assault story. In the competition: The Vixen was Lip Sync Assassin #2. I enjoyed her stunts the first time, but it felt repetitive the second time. She was also the star of PharmaRusical; starting things off with that chair kick. But she really struggled during the middle. Her and Asia were a disastrous duo. She broke character during improv. Blue Ivy in Snatch Game was a bad idea. And she didn't emulate Cher in the second Rusical. Also, her 3 Ball looks could've been executed better. Same with the Drag on a Dime pool noodles. My fave Vixen runways were the peacock, the hats and the glitter construction paper. 3. Aquaria Conceited, self-absorbed, and poised in confessional, but in a non-serious way? "Not only am I great at being myself, but I can also do a stupid silly job of being another great celebrity... catch that?" She delivered some WTF quotes too: "keeping your lip-sync straight, your choreography gay, and your characterization bicurious", "I'm like Gandhi", "I'm the Joan of Arc of this challenge, I'm the martyr to Breastworld", "if you pee clear cheer", the "winning" sport response, and confusing seminary school with semen. And she struggled to form a coherent sentence in the Werk Room. Aquaria was off-putting at times. Like acting unbothered to Cracker's face after sharing the yellow dress story. Acting nasty towards the Vixen for interjecting. And her whole anti-Double Shantay rant because it was unfair to HER (lol at her minimizing the double splits though). Aquaria was portrayed as overconfident, and only caring about her own success. Asia called her unsportsmanlike at one point. But Aquaria made an effort to change after everyone confronted her in episode 3 Untucked. She took the last claimed role for "Breastworld". She had this respecting elders moment. She apologized for the Double Shantay rant. And she was sweet to Asia at the final 4 judging. In the competition: Aquaria delivered unique runways all season - the giant nose rings, the bleeding arrows, the bunny ears, the oil slick mermaid, the glittery angel, and her 3 Ball looks. Her final 4 dress was great too. But Aquaria wasn't just a fashion queen. She stole the scene on the losing team in PharmaRusical. She was underrated as the rival baby in Bossy Rossy. She kept delivering jokes as Melania Trump in Snatch Game. She was a believable robot in "Breastworld". And her Evil Twin sounded evil. Plus she was fierce in the "If" lip sync (from what we saw). The Make Over was the only challenge that Aquaria flopped imo. And Silver Foxy was the only other runway that was a miss, because it didn't match the theme. 2. Asia O'Hara The other narrator of Season 10. Asia's confessionals offered insightful observations on the other queens. She had some funny ones too: ie."And I'm not gonna be no part of it, my teeth were too expensive *smiles*"; "SHE DON'T KNOW THE WORDS"; "I'm not done *puts down drink*". Asia was the mom of the cast, but a brutally honest kind of mom. She clocked Aquaria's anti-Double Shantay rant. She called out Eureka for hounding Kameron to sing. And she had that meaningful conversation with the Vixen. Asia always spoke with this determined conviction. Which sounded harsh when she wasn't "wowed" by Mayhem or when she told the judges that Cracker wasn't a star. At least she apologized for the latter. But lol at her random rants - claiming her team had the harder number, feeling used for helping everyone during the Ball, that her Cher role was set up to fail, that she couldn't get through to Kameron, and hating glitter. Still, Asia threw fun shade ("and your talent is in the bottom 2", "you need to take your make-up up an octave"). I loved her reactions, like during Monet's sponge dress delusions or when Ru slapped her. And she had a sweet moment with Aquaria at the final 4. Also lol at "Girl we don't do that no more ain't you seen the Help?" In the competition: Asia had her highs and lows. Her Drag on a Dime outfit was too much, but she was a stand-out on the losing team in PharmaRusical, and she won the Butterface advert by making faces. But then her first two Ball looks weren't flattering, she was oblivious to the Vixen's cues in Bossy Rossy, she played a hostile Beyonce in Snatch Game, and she forgot her lines in the Cher Rusical. Fortunately Asia recovered in the endgame - playing "Parah Salin" in "Breastworld" and slaying the last two design challenges. She had some of my favourite runways too - the Tweety bird, dandelion, mermaid mask and the glitter clown. But then dead butterflies happened... 1. Mo(nique) Heart The bug eyes. The cartoonish laugh. The screaming whenever shade was thrown. The head/hand movements and voice shifts in confessional to give emphasis to everything. The odd confessionals: "She is gonna give you the ooh ah ah sensation honey", "the kind of trade that will throw you on the wall and you be like 'ohh I think I'm into it'", "America, my face is saying everything you need to know dot com", "Miss Aquafina", "Vixen handed Aquaria her ass in a gift bag gift wrapped there you go Merry Christmas", "RuPaul... thank you... but AHHHH", "I surely picked up them little chicken nuggets honey; dipping sauce; hot mustard", plus her reaction to Monet's English accent thing. She'd often address her confessionals to America too. She mistook giraffe print for brown cow. And she always spoke her mind on Untucked. I agreed with her on Mayhem needing to speak up, and it being fair to say Vixen should go home. Her suspicions of Mayhem throwing her under the bus were correct too! Her "pray the gay away" coming out story was memorable too. In the competition: I'm shocked at Mo having ONE high placement (for the wig snatching in Bossy Rossy). Her Drag on a Dime playing cards outfit was the best. She was funny in the Fibstr advert. She was only bottom 3 in PharmaRusical by default. And she was the funniest in the Drag Con panel. I'm not shocked at Mo's Ball outfits being basic though. She made all her outfits in the Werk Room due to lack of money. Her hats runway was also rough, but I liked the Cookie Monster one. Ultimately, Mo didn't have much depth as Maxine Waters in Snatch Game ("reclaiming my time!") and broke character. And then she forgot the words to the lip sync and took her wig off. Favourite entrance look: Aquaria Challenge ranking: 1. The Last Ball on Earth 2. Snatch Game 3. Drag on a Dime (Design) 4. The Bossy Rossy Show (Improv) 5. "American" Ru-mix (Asia > Aquaria > Kameron > Eureka) 6. Dating App Adverts 7. Drag Con Panel (Branding) 8. Cher: The Unauthorized Rusical 9. Social media kings Make Over 10. PharmaRusical 11. "Breastworld" (Acting) 12. Evil Twins Lip Sync ranking: 1. Monét X Change vs Dusty Ray Bottoms ("Pound The Alarm") 2. Mayhem Miller vs Yuhua Hamasaki ("Celebrity Skin") 3. Eureka vs Kameron Michaels ("New Attitude") (Kameron won this btw) 4. Kameron Michaels vs Monét X Change ("Good As Hell") (should've been the double shantay) 5. Blair St. Clair vs The Vixen ("I'm Coming Out") 6. Kalorie Karbdashian-Williams vs Vanessa Vanjie Mateo ("Ain't No Other Man") 7. Asia O'Hara vs The Vixen ("Groove Is In The Heart") 8. Mayhem Miller vs Monét X Change ("Man! I Feel Like a Woman") (I'd like this more if Monet left her outfit and wig on) 9. Aquaria vs Eureka ("If") 10. Eureka vs Kalorie Karbdashian-Williams ("Best Of My Love") 11. Aquaria vs Eureka vs Kameron Michaels ("Bang Bang") (so chaotic) 12. Top 4 Lip Sync ("Call Me Mother") 13. Kameron Michaels vs Miz Cracker ("Nasty Girl") (I remember nothing about it) 14. Mo(nique) Heart vs The Vixen ("Cut To The Feeling") (second-hand embarrassment part 1) 15. Asia O'Hara vs Kameron Michaels ("Nasty") (second-hand embarrassment part 2) Season ranking so far: 9 > 5 > 6 > AS2 > 4 > 10 > 2 > 7 > AS3 > 3 > 8 > 1 > AS1

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xj-16 · 2 years ago

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Hey!! Did you hear about the recent announcement from the Helluva Boss Twitter account? They gave an update on not only S2, and a release date, it'll be released this summer on July 30th. But, also on episode 8, and apparently this whole time, we've been waiting on an episode that concludes NOTHING To the main story and is just filler and a waste of time pretty much. And it's pretty much been revealed that Episode 7 was pretty much the season finale and episode 8 is just a filler episode, with pretty visuals.

(Oh, they also thrown in a small sneak peak for S2, which is Baby Stolas. And I have a feeling, they're gonna show a flashback of Stolas, to make us feel and have sympathy for him even more, like this show has been doing and making up hate and just have the fandom have hatred towards Stella even more. And possibly the upcoming character, who is Stolas's Peacock Brother in law, they'll probably have Stolas be this sympathetic character, even tho he's awful, he's a bad father and just isn't a good character.)

This made me so annoyed and upset, and just thought this all wasted our time!! And it's a slap to the face and I don't really know what to say, because I don't have the energy to really get angry and upset, I don't understand why Viv hyped this up and says this is gonna be the best episode ever, if it's just gonna be filled with filler!! S1 Was Nothing BUT FILLER, So why did we need more of it, it's pointless and there's just no point getting hyped or really watching episode 8 or really S2, because they're nothing to get excited or look forward to. Plus, this show has had many issues, along with shoving a toxic and unhealthy pairing like Stolitz in our faces and just being forced overall, Ect. Honestly, I'm just waiting for Hazbin's release at this point and hope that it's AT LEAST decent and watchable, and just not as messy as HB is, overall..once Hazbin is released I'll be done with Helluva and move on, I just don't find myself interested in the show anymore and just don't find myself getting excited or even caring, there's honestly not much to look forward to, IMO.

(Along with that, some Fans and people who work with Viv are basically telling some who are angry and annoyed by Viv's actions and basically how she hyped this episode up, and just messed up, are telling us to stop be untiled and to STFU, Ect. It's like we're not allowed to be upset and express our annoyance and anger, and just opinions in general, especially in The HB/HH fandom. My gosh, this fandom..thank god I left it, and moved on, because it can be toxic, especially when it comes to criticism and shipping. NOT everyone in the fandom is bad, I'm just pointing to the toxic ones in the fanbase and the ones who just can't handle hearing any Criticisms and problems people have with the show. But overall, I feel bad for the animators because they pretty much wasted their time, and besides..Filler should be in the middle, and the story should come first. You know what I'm saying? Like, Viv really shouldn't be overworking herself, it's not good for her or her team, both mentally and physically and plus, it's especially not good on Viv's health, since she's working on two shows at the exact same time!! But, has probably been mostly working on a spinoff to a show, that's not even released yet and only has a pilot right now.)

Ok, first things first. I indeed have seen the posts and they bring more questions than answers (which is no surprise to anyone since Viv and co are messy and inconsistent when it comes to planning.) I still don't understand why the fandom hypes these episodes as if they're telling some breathtaking story. They're nothing more than filler and fanservice of the fandom's favorite characters. The characters constantly switch personalities to fit whatever situation they're in, the worldbuilding is all over the place, and the "comedy" is just middle school level immature and unfunny. The most it'll get out of me is a snicker. The fans are either easily impressed or they're just as unaware when it comes to writing a decent story.

Also, Stolas was a baby? So does that make him Hellborn? I hope they're not trying to use cuteness to make me pity him, cause it's gonna take a lot more than that Viv. At least for once we finally have a date for Season 2 instead of "Coming Soon 😈". I'm assuming that there were some legal issues when it came to Ep 8's production which may explain the delay.

And last but not least, will the stans grow the fuck up? It doesn't matter how hard Viv and her crew worked on Helluva Boss, that's not a get out of jail free card. And because it was "done for free" is the most dumbest reason to dodge criticism. Nobody told your asses to help produce Helluva Boss, you willingly accepted the offer, and you're mad cause you didn't get the results you wanted? When you put something out in the public, people are allowed to point out the both the pros and cons. This isn't a one way street. These people act as if nobody is allowed to talk about Hazbin Hotel or Helluva Boss without it being praise and giving Viv more credit than she really deserves. Viv clearly doesn't understand that and it applies to the toxic fans as well who can't tell the difference between Hate and Constructive Criticism.

Viv can do either of two things, ignore it and go about her day or hear out the criticism and attempt to improve instead of taking it as a personal attack. I can tell that just by how she handles negative opinions that she's been lied to by everyone about her own skills. Granted, she's a good artist, but a godawful story teller and she should atleast awknowledge that not everything she makes is perfect.

Also, who the hell is harassing Viv? Cause last time I checked it was the fans (the toxic ones) going out of their way to harass and doxx people over stupid ass fictional ships or for not thinking so highly of Viv and her shows. It's people like that, that are doing Vivziepop the greatest disservice by lying to her, making her believe that everything she touches turns to gold, not calling her out for bullying smaller artists, getting pissed at people for redesigning her characters (which I can only assume she does out of spite and jealousy over better takes of her own characters, unless she says otherwise).

It won't be just Viv's stubborness and ignorance that'll be her own downfall, but the fandom (toxic ones) actively encouraging her to believe that she's entitled to nothing more than praise, not being honest about the flaws and toxic behavior that both Hazbin and Helluva push, and treating her like a machine rather than a person (hence making her overwork and overstress herself in order to appease their ungrateful asses.) To which I'm still not over them giving Viv shit over Angel Dust simply getting a new VA.

Overall, there's not much left I can say. I wanna believe there's hope for Viv but she surrounds herself with yes men like Sam and Raph who do nothing but make her believe that there's nothing wrong with how she presents herself.

And now that Hazbin is in the works, I'm even more afraid for her because the REAL Critics will not hold back. Saberspark and the rest of those self proclaimed "cartoon critics" who act as if their verdicts are the end all be all, will not be able to protect the show's image no matter what they say.

But only time will tell how this will all end.

#helluva critical #vivziepop critical #hazbin critical

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goblins-riddles-or-frocks · 3 years ago

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fire emoji + Black Butler. insert smirking emoji here lmao. also fire emoji + grishaverse ships, fire emoji + grishaverse narrative endings/wrap-ups

Black Butler:

OMG I have so many soapboxes here, where do I even begin?? I will give you a laundry list

- Black Butler occupies this really weird place where the subject matter is incredibly dark and yet the tone is light and feels like it’s initially aimed at younger audiences. It’s something I have a lot of mixed feelings about! Because on the one hand jfc it really should not be shown to younger people. The earlier arcs especially are just really hijinksy (despite the backstory consistently being real grim) and then we get to BoC where it’s like “Ciel gets triggered so bad he decides to immolate a bunch of orphans! anyway!” like ???

But also I did personally get into it back in the day as a baby and latched on pretty hard because there’s fucking nothing out there about CSA survivors. Even now tbh? And idk it’s nice to have something with a survivor protagonist where trauma is intrinsic to the storyline while also not being overpowering/the only aspect of the narrative. It’s still a story about dumb mysteries and idk supernatural bullshit. Idk, I just wish it was more even handed in letting the audience know what kind of content to expect and also less… creepy…

- That paired with how impossible the anime is to get into, and the endless filler have really contributed to the IP just being run into the ground. Like the anime at this point is kind of just catered to existing fans. It’s already demonstrably unlikely for uninvested new people to sit through the really bad early art and weird non canon filler content in the early seasons, and a *series* ending to then jump to an entire new timeline that retcons 90% of what previously happened lmao. Meanwhile manga fans are less active because we’ve been dragged through the same fucking storyline for 5+ years at this point and there’s only just been any real movement. And like Yana is clearly putting in less effort bc of TWST (which fair, Disney’s where the money is) but yeah no fucking wonder it’s all downhill.

- 2CT was terrible writing (the way NO ONE ever mentioned a dead sibling??) but it was hilarious and also Yana Toboso’s best writing choice in this series ahgsjgd

- FUCK Sebastian! Hate that bitch! Also want to see him be more evil ASAP. It’s really funny when fans get like. upset. that he’s doing demon shit. Anyway I can’t believe we see that his true form is gelatinous eldritch eye blob (gee that sounds familiar lmfao) and it came up ONCE and never again! I demand body horror

- I know I’ve already told you this but season two was bad but Alois was good!! He used to be pretty controversial before, but atm the fandom mostly seems to like him? Finally some good taste. Also I’m forever upset that Yana apparently considered writing him into the Weston arc and then didn’t? We were robbed.

- LBR we’re never getting a Weston arc adaptation…

Grishaverse:

- I’ve somehow managed to immediately dislike any ship LB has tried to make endgame. Idk I just do not like how she handles endgame ship conflict— it’s always very Gender Roles ime? Like exhibit A is Malina’s everything.

And then Kanej (rip I know it’s both the fan favorite and your favorite) is very cut and dry goodhearted girl demands cruel dude to change. And like it was. fine I guess? I’m not meaning to insult them by including them with Malina lol but it was just boring and not my thing. And it didn’t help that Inej kept being taken hostage, hurt, or somehow threatened to spur Kaz into action. Like I don’t think it was done in a particularly bad way! It just personally put me off the ship.

Then with Zoyalai it’s like slightly better where Nikolai entire thing is like “I am a wilting flower within a gilded cage! I must marry for politics but I would like to marry for love. Specifically my hot gruff general who doesn’t seem to give a damn about me 🥺” Like that is a FANTASTIC basis tbh? But then you already know how I feel about her throwing his father’s portrait into the fire. And then the bit where Zoya has to be in mortal peril for Nikolai to learn how to control his demon completely killed it for me.

- LOL well I don’t think there’s been a truly good wrap up in this series yet? LB is good at throwing things on the page that feel conclusive/follow face value beats. But I can’t think of a single book, let alone series wrap up, that actually tied things up well.

S&B, literally the first book, comes the closest imo? And that’s partly because it’s definitively not a wrap up, it’s obviously the start of a larger story. Also points taken off for the climactic choices about mercy having fuck all to do with anything the earlier story laid out.

After that, I think it’s a tie between CK and RoW for best wrap ups? And that’s not saying much, I didn’t really like what she did with either of them structurally, thematically, or just like on a content “where are the characters at?” level. Again, I think she only understands tropes and recurring beats in endings without fully getting the function of what makes them work and why. (an example being both the SoC duology and TGT operating on an “ending right where you started” circular arc to varying degrees of um. arguable. success)

I might be slightly crankier about this because I haven’t the read the books in awhile lol. I tend to remember things either with undue generosity or ire 😂 But yeah tldr on grishaverse wrap ups: I don’t like them!

Send me a 🔥 and a topic and I’ll give you an unpopular opinion on it!

#i ramble sometimes #🔥 unpopular opinion meme #black butler #kuroshitsuji #grishaverse #I ramble sometimes #all the bendy punctuations

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anolyso · 3 years ago

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Utena thoughts...about 2 weeks later

I've been putting it off for way too long and so most of my thoughts stopped being fresh. On top of watching way too many analysis vids post-watch, but still I do at least want to put my 2cents of Revolutionary Girl Utena out there for the world.

Utena is perhaps one of the most famous "magical girl"/shoujo action shows out there for not only it's transgressive themes of relationship abuse and low-key pretty much being the poster girl for like actual feminist perspective on/in anime...but also just doing it all in both a heavily allegorical and understated, yet super over-the-top stylish fashion

But that's it's reputation preceding itself, is Utena worth while all these years? The answer is Yes, but it also really shows it's age and budget in pacing and repetition, tho as an appreciator for "behind the scenes" compromises in art, it's more showcasing Ikuhara's talent in working around both taboo and long-form budget constraints with just well-thought out and iconic imagery that - while episodic and formulaic - is just very good at filling the 39 eps with feasts for the eyes.

Utena broadly is about tomboy Utena with memories long ago after her parents died being "saved" by a princely figure like a princess...except she's so enthralled by the nostalgia that instead she becomes a full on Prince herself and receives a dueling ring to fight in the Ohtori Acadamy secret duels for "engagement" to Rose Bride Himemiya Anthy.

Utena is divided between 4 arcs, only the first and last being Manga adapted from hearsay:

1: Student Council Saga

2: Black Rose Saga

3: Akio Ohtori Saga

4: Apocalypse

From back to forth I'd say that Akio + Apoc is more just escalation into the finale while Black Rose being anime original comes off as a glorified side-character study which while complementing the secondary cast, feels like one of those Anime movies that has to say "but if you don't watch this part, it's pretty much optional for the main plot" despite it also actually introducing the most important antagonist within it's margins.

More importantly, it's the Student Council (arc and the actual people) that lay the foundation but also a large part of the show's focus which ironically puts Utena in the background until like almost the finale and some in-between developments, so it's less "Utena (and Anthy Himemiya)'s story" until the very end, but more like a showcase of how fucked up the system at large is (pin in that).

By the Council themselves is:

Kyouichi Saionji: The biggest jobber, like actually introduced as the most despicable loser ep 1 and proceeds to be a complete arrogant joke for the rest of the show. Honestly in another shojo "love" story, they'd find some way to redeem him but semi-compellingly they turn him into like an Aqua-lad type pathetic brat with an inferiority complex to the actual Student head

Miki Kaoru: the naive "nice, non-threatening soft boy" that also just never actually listens to the girls around him. Probably adds more complexity to the whole patriarchal idea on analytic reflection since yeah, the whole "nice guy finishes last" plays up better when the kid comes off as that "ally" energy of wanting to save Himemiya from being the Rose Bride but also low-key won't actually not just do the duels and win her cuz he's that sorta wishy-washy hypocrite. Arguably the least hateable guy in the cast (minus mascot Chu-Chu)

Juri Arisugawa: TRAGIC LESBIAN TRIANGLE LOVE. Probably the biggest point to of both "not-explicitly homosexual" but also really freaking obvious since her entire story is her girlfriend stealing her "boy crush" when actually she was crushing on her and being pretty much frustrated throughout her story as pining most of it. It's quaint by today's standards but also like damn girl, get over her she was like the worst back stabbing bitch (literally if Black Rose counts)

Nanami Kiryuu: SPEAKING OF QUEEN BITCH, it's been a long time since I've watched a High School girl bully and honestly it's kinda refreshing. If Miki is "soft-boy uwu" Nanami is a brat that gets her come-uppance often, featured prominently as an anime only with the MOST filler/comedic episodes but also not low-key, being the most out-spoken actual brother complex ironically spins perhaps the biggest twist and ironic relationships of "I love my brother but not-like-that but also like-that" by the end. Mostly comedic relief but I find her inclusion to actually add a lot more to juxtapose...

Touga Kiryuu: Big Student Council Prez himself, the first arc antagonist and also a strong foil to Saionji and later a stepping stone for Akio. Touga is THE image of a Princely Playboy Heart-Throb that in any other Shoujo romance would have the main girl win him over from all those "other girls" despite him being apathetic if not outright manipulative of them. Good thing Utena is better than that and really puts a spotlight on just not-actually-ok his power hunger for "the power to bring the world revolution" that leads him to heavily objectify Anthy, arguably even more than Misogynist Trophy Girlfriend beater Saionji, since he doesn't even see her as more than a means to an end despite professing and looking the Prince part but lacking all the actual virtues.

The Student council matters more since they're characters and subsequent tragic flaws are the ACTUAL meat of the show and on second rumination actual shows more how fucked up the system/gender dynamic/power hierarchy is since - while it blatantly fucks over Juri who can't just outright say who she likes - also show almost it's own sub-text of Masculine failings: Saionji desperately clinging to being TOXIC MASCULINE™ and completely falling short underneath Touga; Miki's "nice boy" act belying him trying to replace his low-key nostalgia for his sister (also a bitch, but apparently was more like Nanami in the manga); and best yet Touga being the quintessential "Prince in all but actual behavior" by emulating a cutthroat and Machiavellian world view but coming up empty because well, he's just an illusion of a prince...but that leads in way more to the big finale piece where I'll reintroduce the actual story's main trio

Utena Tenjou: Tomboy Prince with brain empty except for lesbian thoughts. Honestly probably what every western "STRONG INDEPENDENT WOMAN" archetype wishes they were since while having very tomboyish personality in athletics, blunt speaking and also VERY oblivious to the actual plot for REAL DRAMATIC IRONY, but also never actually demeaning her being feminine partially due to her love of an childhood prince and how she maintains her relationship with both her friend Wakaba and later Anthy. Honestly mostly a plot device after S1 until she gets ACTUAL development by the very end and instead kinda bumbles her way into undoing the entire REVOLUTION OF THE WORLD. I kinda wish she felt either more cognizant or at least felt like she was developing/properly rebuking the rest of the cast's power obsessions but I guess that's for the movie.

Anthy Himemiya: Actual Trophy Wife with a dark secret (darker than ski- wait no that's terrible scratch that). Set-up very much as an immediate princess in distress while also being the most femme Yamato Nadeshiko, Anthy being the Rose Bride as a literal prize who acts and behaves as whom she's "engaged" with desires while otherwise being quiet, wry, mysterious and noticably submissive, by the end it actually plays up into THE BIG REVEALS of just how abused she's been into a hopeless acceptance...like y'know actual abuse victims.

Akio Ohtori: Grade A Antagonist, probably the most insidious I've seen a villain in a while, Akio is notable for, back in 1997, being perhaps the big go-to of actual deconstructing the facade of a whole shoujo genre's "hots for a teacher/sexy man putting the moves" and highlighting how actually exploitative and abusive a person like that really is. Being Himemiya's brother (somewhat justified in the manga by both being a weird Sailor Moon-esque reincarnation of gods/godesses of Dios), despite how much of his motives are runing the background and how the entire back story is uh...brought up in like barely in the last arc with little lead up (some scenes feel like they'd be a full melodrama season and they just have like 1 scene in the final arc episodes) he manages to one-up Touga (in the plot as well) by instead of "just" objectifying girls, not-just-flat out saying Utena looks best as a princess, but y'know the fact that he is implicitly yet constantly exploiting and victim-blaming Anthy for her own suffering for "the power of Dios/Revolution of the world" turns it on its head

I've spent all this time on characters but in truth a lot of the meat of the show relies again on the Council Members fleshing out the issues of system leading to outright divorcing "being a Prince" (heroic altruistic virtues) and "being a man" (considering like all but maybe the comedic relief have some deliberately misogynistic behavior) and beyond just the plot (or rather character) synopsis, the talent goes far more in how it's framed, the symbolic/allegorical shots, the repetition adding a good episode formula flow to character showcases, probably the most "tasteful" allusion to uh...*ahem* sexual abuse that so many other edgier/prentious shows fumble. Both in how intimidating yet understated it's foreshadowing is until they hard-reveal it despite never explicitly naming it even tho it sends Nanami into hysterics

Really it's both a massive blessing and reason for it's cult beloved status for it's aesthetics but also it's burden, for being a full 39 episodic season by season character development study of everyone BUT the main trio except for snippets and the very end that makes it greatly appreciable as a legitimate work of art.

What I wanted more to say however (long overdue) is that a large part of following is, visibly at least, western feminist critiques and yes while it almost seems like Utena fits the "deconstructing patriarchy" story like a glove...it's weird how almost none of them actually can give a good historical account of actual Japanese female/gender/sexuality norms nor Anime contemporaries actually were. Like Tenchi Muyo and Berserk came out the same year (Cardcaptor Sakura the next) and despite how you can "feel" the influence in lots of modern shows like SHAFT's signature visual imagery cuts or many WESETERN shows having straight scene references to Utena....almost no one has a similar feel to Utena until like Princess Tutu comes out.

Really tho probably should've watched Utena and then Tutu because while it's undeniable that Utena is a major pillar of shoujo re-codification - what with everyone before Utena was saying they thought it'd be like a Rose of Versaille or Lady Knight rip-off...whose laughing now? - it's almost like there's a missing link between it and it's major western fanbase (probably with what few anime did get overseas, this one probably rose to the top), or how very noticeable there IS an influence on it's genre in Japan

Almost none of the big analyst fans actually know A) it's not "a deconstruction of Magical Girls" since despite Ikuhara working on Sailor Moon just before this, almost none of the tropes line up and instead more with Shoujo genre as a whole. or one of the major inspirations was Takarazuka theater.

And this is not to dismiss how inspirational it is to it's western fandom, but while I am notably cynical towards placing things on pedestals, there's probably something about cultivating the whole pop-culture feminist reading commune with people making weird time-loop theories while kinda most of it is just filling in a mad-lib mostly thanks to Ikuhara just keeping things on the vague and letting the audience take away their own perspective.

Again, most of the show is completely sub-textual or visually/symbolically depicted and never stated nor properly defines it's weird key words (End of the World, Revolutionize the World, Power of Dios, Rose Bride, all things said constantly but never really said what they "mean". But that's also perhaps its charm, in it's allegory and very Death of the Author approach, it has definitely allowed it's fan theorizing and appreciation to flourish so there's something there for that.

Ultimately I'd say Utena the TV series is great more so for what it isn't...or rather I should say it's great for not just subverting Shoujo tropes and archetypes for the Japanese audience but also that despite dealing with some very serious and heavy subjects in obtuse and perhaps understated ways for the time, people have allowed it to be put on it's pedestal because they can easily fit it in themselves.

Honestly though, not that a more "straight forward" approach wouldn't detract from Utena but I will say that the movie, Adolescence of Utena, is very much the best encapsulation of what Utena strives to be (for another big blog post) and while the TV series has plenty of time and flexes it's directorial muscles with budget constraints and season pacing UNrestrained, the movie will trim a lot of the fat

#long post #Revolutionary Girl Utena #I haven't actually done my Anime thoughts in a while #Maybe I'll keep this on my main blog this time #I wrote this mostly on facebook tho if I wrote it here first I'd better integrate images probably #anolyso's media time #uh...except now that's on my main blog

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afannishknitter · 4 years ago

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that chucking montage...

(”chucking” is going to be my new euphemism, because it’s too perfect.)

(also disclaimers: I am pre-coffee, this is the results of literally sleeping on the project, I am wearing a big red clown nose and rainbow wig, and I might be engaging in a massive exercise in confirmation bias, pick this apart please?)

The apparent incoherence of it all was really bugging me. We know the SPN editors know how to cut together a good montage, because they do it on a pretty regular basis. We will see a good montage from them on Thursday in all likelihood. So whatever this is, it’s on purpose? “What were they told?,” I asked???

I sat down and tried to identify every clip they used, and it looks like they were told, in a lot of cases, “just illustrate the song lyrics”. While Jackson Browne sings “ I don't know how to tell you all just how crazy this life feels”, we get shots from Changing Channels, Scoobynatural, Just My Imagination, Slumber Party, Clap Your Hands If You Believe. Jackson then sings “Look around for the friends that I used to turn to to pull me through”, and we get shots of Bobby, Pamela, Ellen, Jody, Rufus, Missouri. So... this section might essentially be filler.

But there’s some other parts that are more interesting.

The first “verse”, which is actually chunks of the first two verses of the original recording, comes with images starting with the Pilot, mostly focusing on seasons 1-5 (I think there’s a stray shot from Baby, of Sam eating a burrito). The lyric “I don’t know when that road turned into the road I’m on” ends with two shots from Lazarus Rising: Dean crawling out of his grave and examining Cas’s handprint for the first time. That’s definitely what took them off the original trajectory of the show and put them on its current one... and we’re supposed to think of Cas.

(For what it’s worth, Lazarus Rising had the most clips used with five.)

And the last chorus: Jackson Browne sings “I don’t even know what i’m hoping to find” and that lyric ends with the “I have genital herpes” clip from Changing Channels, but right after that: Sam gets a “cure-all”, we see several shots of Cas/Dean/Sam/Jack together as a unit (but they are “running blind”), a “present day” shot of Baby (with the weird yellow filter they put over all the “present day” shots) - and the “We’ve got work to do” trunk slam.

Is it an overly optimistic gloss of all this to think “What they’re hoping to find is a reunited TFW2.0 and they don’t need to look for Jack since he will be with them, always?” If that’s what they’re after, well, they’re running behind, and they’ve got work to do.

#episode: inherit the earth #that chucking montage

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darkpoisonouslove · 4 years ago

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Ranking the Winx Club Finales

I recently finished my rewatch (and first watch of a season and a half) of Winx Club and wrote out my thoughts on all of it. However, to send off a year that was in experience a lot like watching this series - meaning, generally frustrating and downright disappointing whenever I got excited over a thing with a few highlights that actually stuck the landing - and to get out any remaining feelings over the series, I have decided to rank the finales from least to most favorite. I just have a lot of rage to spare over season 8′s finale and needed an excuse to do so. Plus, I am being thematic here goddammit! Here we go:

8. Season 8

Yeah, I really spoiled that already. To sum it up:

But let me elaborate. Like I already said, this finale enraged the living fuck out of me. I just cannot comprehend whatever possessed them to write a finale so, so... excruciatingly devastating... to a season that started out with a lot of promise and had some extremely solid decisions (except for the art style, which is just NOT IT). This finale is an absolute disaster in every way. First, there is a new plot point introduced mere minutes before the finale and it is never tied into the overall narrative of the season which doesn’t do it any favors, especially after the two halves of the season already have trouble connecting together into one overarching story. The reason they brought in the creatures from the Dark Dimension was to distract Valtor while Winx make their attempt at stealing the stars which could have very well been a role filled by Arken confronting Valtor in an opportunity to clear up all the muddy details around their partnership and bring together the two halves of the season. The Winx’ plan had potential that was completely wasted by their own interruption instead of seeing each girl (provided Layla was playing Icy, Stella - Darcy and Musa/Tecna - Stormy) doing her best to pretend to be the Trix she’s posing as to give the Trix the due role they should have had in this finale. Instead, we get an Icy that is a complete opposite of the character we’ve known her to be for seven seasons all for the sake of a wish she doesn’t even get fulfilled despite her decision to help. Her motivation is a direct contradiction to the original plan of the Trix and disrespects her character from all previous instances of her being on the show for absolutely no reason as she is left with nothing in the end and the whole backstory they invented for her out of nowhere and couldn’t fit in any way with anything previously known about her was in vain because it was never resolved. Winx essentially manage to defeat Valtor once they wish for their own power-up and are gifted powers they haven’t really earned only to be pronounced great heroes who even get their own constellation in the sky. Come again? There was no narrative tension in this episode, no big climax to resolve what is supposedly the biggest threat in the universe at the moment, and no actual emotional conclusion to the season. It can’t even be called a messy wrap when so many threads were left hanging in there. A true disaster on every front.

7. Season 6

Even if you count both 6x25 and 6x26 as the finale of season 6, the structure is still lacking big time. Acheron who is the main drive of the entire season is defeated before the end of 6x25 and the Trix who are the other main villains were also more or less neutralized at that point to leave absolutely no stakes for the last episode so they had to pull some bullshit to fill it. The Winx are useless for the entire episode, including Bloom whose battle with the Trix is an absolute joke. Like, they can’t even think of syncing their attacks so that she can’t protect herself from all three of them with her ridiculously small shield and Bloom couldn’t even bother to actually buy herself enough time to leave the Legendarium. The only saving grace of that fight is the little emotional moment it causes for Bloom but that was also not really set up at any point of the season so it was just out of the blue. Selina changing her affiliations permanently even after the imminent threat for her life was neutralized made about as much sense as her turning evil in the first place and the fact that they needed her to lock the Legendarium made everything 1000% shittier because of how convenient it was that she just decided to turn good again without any justification for her course of actions. That coupled with the lack of consequences for any of her actions (she nearly killed Flora for heaven’s sake and no one even brought that up?) plus the dreadful info dump monologue they gave her just brought the whole thing down. The wrap-up of the season was also underwhelming after they had an entire episode that was mainly free of villains in order to close the other storylines... but, of course, there were no other storylines. Pretty disastrous.

6. Season 7

Just like in season 6, Winx were pretty useless here as they really didn’t do all that much for the plot. Luckily, the fact that the Trix were brought in allowed for the villains to have a battle that was more intriguing and provided some action as for a finale. The other key elements of the season (fairy animals, Trix, wild magic, Kalshara and Brafilius and the time travel) were actually woven together pretty well to make for a pretty satisfying finish to a season that really lacked any solid plot. The mini worlds and the Tynix transformation did not have use in the last episode but that wasn’t too catastrophic. There was actually a pretty emotional moment between the fairy animals and Winx that would have been even better if their relationships had been better developed throughout the season... You’d really think that since fairy animals were the main point of the season and there was no solid plot to account for, they would have taken the time to pay attention to Winx bonding with their fairy animals but nah. I am still impressed with how touching their goodbye was given the fact that they didn’t really have all that much time to actually become close so bonus points for that. The very last scene is a little generic but what else to expect from a season that has sung all its songs already (thank god that there were no musical numbers in this because I have a feeling it would have been even worse)?

5. Season 5

Season 5 could at least pat itself on the back for dealing with the main villain of the season even if there were a couple iffy things about the whole deal. I’m taking away consistency points for a) the fact that the Throne was supposed to be activated with the seals from the Pillars of the Infinite Ocean, yet suddenly stealing a random Sirenix would do, b) Tritannus being defeated by simply having his trident taken away even though he literally grew in body mass implying that the power of the Emperor’s Throne had seeped inside of him (also confirmed by Mystery of the Abyss) and c) the mutants inexplicably turning back into people once Tritannus lost his powers even though they never turned back during his times of relapsing back into a human thanks to running out of pollution. His defeat was just ridiculously easy and Bloom got to do it even though Layla was the one with the personal connection to Tritannus and the one most directly impacted by his actions as her family fell prey to him. Instead of getting to shine in a season that focused heavily not just on her home world but on the environment from which her powers come, she got benched in favor of Bloom getting to do everything again with only mild assist from Layla’s cousin. They should have kept it in the family and left Layla and Nereus deal with Tritannus. The Trix were blasted out of the narrative extremely conveniently and the rest of Winx were saved twice by the mutants just turning their back on them instead of destroying them right then and there and then being turned back into their original form as well. There wasn’t the usual teamwork of the whole Winx unit which I am still salty about despite being sick of all the time they reached for convergence in that season. Theredor fighting alongside Winx (different from his own daughter) was a nice touch but the king and queen of Andros coming off as so helpless (and apparently the only people in the castle unless you admit that everyone else drowned) was frustrating. Where was the Andros army? We only got Tressa, Roy, four of Winx and a handful of mermaids. Is that the whole population of the Heart of All Oceans? Additionally, the finale left no time for any emotional resolution of the season’s events, especially considering the big deal that Daphne’s revival was. Instead they opted for a musical number at the end. Not the best form.

4. Season 3

Season 3 had a finale and then another finale. Granted, better than season 6 that had a finale and then filler but there was not a lot of glory to the ending of a story with such a strong opening and emotional moments that send you bursting into tears. The spell of the four elements was pretty decent in its first appearance in 3x25 but the way Valtor lost it all was a real let down after the climatic confrontations between him and the Winx girls throughout the rest of the season. His return was more or less a desperate last attempt at personal revenge against Winx as his goal was mostly out of reach at this point. The spell of the elements was brought down in both its use to create clones of Winx’ boyfriends and in its power as it was much easier to undo in its reappearance. The saving graces of this season’s finale are the couple emotional moments sprinkled through both 3x25 and 3x26. Bloom’s willingness to sacrifice herself for her friends and the world was the thread that the finale hangs on as she is mostly the one resolving the whole conflict which was a bit dissatisfying after the emotional damage Valtor inflicted on all of them directly or indirectly. There is a few moments left to recover from the emotional intensity of their battles against Valtor but nothing that really addresses the seriousness of the trauma they had to survive because of him. The Trix didn’t even get to have a last stand of their own in either of the last two episodes despite the position in which they started the season but that was more or less unnecessary anyway since we’d already seen they can’t hold their ground against Enchantix Winx even with a boost from Valtor. Overall, the finale is pretty weak, especially as a follow-up of the dynamic and strong experiences that the season put them all through. It was the first finale that was confined to a single episode (or rather two separate battles spanning over an episode to end the season) and there wasn’t enough tension building in the confined storyline an episode told.

3. Season 4

The season 4 finale is overall a solid conclusion that delivers both a final battle with the Wizards and enough time left to address all the other storylines left unfinished. The final battle was pretty short but there was enough intensity in the previous couple episodes to have covered the action demand that the season had already set up and it also provided the opportunity to have Winx come back together as a team after Layla split up. Not only that, but Nebula and Roxy also get to play their part while the Wizards make their last desperate attempt to regain the upper hand. It’s pretty climatic for something that length that also left about 15 minutes of the episode still to fill. Everything that had to do with the closure of the Earth fairies storyline was emotional beyond belief and gave more depth to all of them and Layla’s decision to join them. Winx had to face all of the separate responsibilities they have on their shoulders and find a way to balance them all so that they can pursue their dreams. There was a plethora of emotional moments and a deserved spotlight shined on Layla’s situation and how she’s dealing with it, plus the others’ feelings. It was a really touching finale and also an inspiring one to see Winx stand behind their dreams while still balancing their responsibilities. It seemed to achieve the initial goal of the season to have them adapting to the adult life they were shifting into.

2. Season 2

I’m gonna be honest, I had a very hard time deciding whether this would be number one or two because the season 2 finale had a lot more character moments that were very moving. It really corresponds to the season since it was more character driven than the first one and the finale suited that. However, ultimately I decided that it would take silver because of a couple minor things that bring it down. To get that out of the way, the second portal to Realix that led Winx there was imo a copout that destroyed pretty much all of the tension that the entire season spent building around the search for the Codex. It just felt so wrong for there to be another way to enter that dimension and to me it was a big disappointment. Especially since the key to activating the copy of the Codex was the color riddle that was a ridiculous panicked attempt on the writers’ part to show that Stella isn’t useless and has what to give the team but it only made her look worse in my eyes. Also, minor gripe for the fact that there wasn’t that much of a final battle since everything ended with a single convergence. Of course, there were several battles across the episode between different sides that made for good action and tension and there was magic involved in more ways than simply the convergence in order to defeat Darkar but it was still a bit of a letdown to never truly see him put his everything in battle. And the fact that Griffin and Faragonda held him off for as long as they did on their own actually hurt his credibility as a threat as well. But hey, on the plus side, remember when the teachers actually helped and did not leave the fate of the whole universe in the hands of 16-year-olds? Good times! The MegaTrix and her? their? battle with Darkar was epic. 20/10 on that concept alone, plus it really brought a great feeling of vindication after the number Darkar did on them and felt so satisfying even if they were also part of the villain team of the season. They were portrayed as three-dimensional and weren’t cast out of the narrative without care just because they were villains and that was actually probably the most solid moment that the Trix have ever had on the show (just minor gripe for the fact that they were supposed to be trapped in Realix when the dimension was sealed forever but they were later somehow brought out of there which was never explained). Sky’s speech to Bloom was actually a pretty emotional moment and the payoff from it felt earned and allowed for Bloom’s victory against the darkness to feel natural and in place. It was probably one of their best moments as a couple. Plus, the cute little interactions that we got during the celebration party to send off the season on its merry way made for a great finale. (And a shoutout to the Musa x Riven scenes both in 2x25 and 2x26 because that was some good shit and some cute shit and it was exactly what we deserved).

1. Season 1

Season 1 reigns supreme with its finale. There is just no other finale that can rise to the level of the first one that was built for about one third of the season so that the last episode could dive right into the action without wasting time on setup. This is also the only place where we truly and fully get to see each of the Winx and the Trix (well, minus Layla who hasn’t been introduced yet) showcase their powers but especially Bloom and Icy. It is the longest battle we have seen and it builds a lot of tension on top of what was already there to leave you on the edge of your seat. The exploration of magic in this episode makes it so iconic and such a great watch even on the 300th time. There isn’t really much more to say than simply “It is epic”. What makes it even better though is the fact that there is enough time left in the episode to wrap up everything else and not in a rushed way. The battleground is extended to the locations that have already suffered the previous battles to show the full extension of the action and to setup the wrap-up that comes at the end. They even find the time to let some of the minor characters have distinct and touching moments as well and thus expand the universe of Winx further than just the main characters. Speaking off, they all get their moments, too, and the Specialists aren’t left out of that (you will never catch me not fangirling over Sky and Riven fighting back to back). The finale also doesn’t forget about the overarching story about Bloom’s origin which is commendable considering the constant lack of consistency the show suffers. This is really the only finale that isn’t lacking in any of the departments and manages to provide a truly fascinating story that keeps you entertained and in suspense while at the same time does not discard the emotional payoff or the logical continuation of events. It just excels in every way.

Well, this is my analysis on the finales of Winx Club. What started out as a bitch fest actually left on on a positive and uplifting note to make for a great ending to a harsh year. Let’s see what beginnings 2021 will bring! ;)

#winx club #winx club meta #winx meta #winx analysis #analysis #winx club season 1 #winx club season 2 #winx club season 3 #winx club season 4 #winx club season 5 #winx club season 6 #winx club season 7 #winx club season 8

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go-ldy · 4 years ago

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I have zero self-control, so, if you're up to it: best and worst episode(s) of Riverdale?

I love this question! Sorry for the delay in answering, I have had to give this the deep thought and contemplation it deserves! Best episodes is easier for me tbh because there are only maybe one or two episodes of Riverdale that I did not like. I’ve decided to break it down into my best/worst for each season.

I’ve tried to approach this being as objective as possible but.... you know, I am only human, and I am easily swayed when Betty and Jughead make out a lot.

Season 1

Best

1x10 or 1x11 with 1x11 having a slight edge. Obviously, the bughead angst content in both is A++ and what I am here for, but I also think that 1x11 in particular does a good job of moving the plot along while developing the characters at the same time (Riverdale is not always good at this ok so it is important to remark on it when it meets this bar!). We have Homecoming, and the incredibly awkward Cooper-Jones pre-Homecoming dinner, and Varchie sneaking into FP’s trailer behind Betty and Jughead’s back, and Veronica desperately trying to determine if her father had a role to play in Jason’s murder, and FP’s arrest (!!!) and Jughead running off at the end in a funk. There is a lot that happens AND everyone goes to a dance! It is sadly rare to have a Riverdale episode where everyone feels intertwined to the main story and where the Core 4 get to interact and develop. Plus, Jughead is so adorably excited about his and Betty’s family meeting even though they are 16 and have been dating for like two months. MY HEART. He was already planning their wedding.

Worst

1x09. It is the only episode of season 1 that felt filler. And I would still rank it higher than the other “worst” episodes on this list. But the main plot of Archie being used by the Blossom family is ehhhhhh. And frankly uncomfortable given his all too real recent past of being used by Ms. Grundy with no acknowledgment from the show whatsoever that these gross adults keep using this 16 year-old kid to serve their own purposes. So yeah, probably the worst of season 1.

Season 2

Best

I have to go with 2x14. Okay, okay 2x05/2x06 are probably better written and better plotted and have less dialogue that makes me want to end myself, but hear me out. 2x14 is the absolute essence of Riverdale packed into 40 glorious minutes:

Each couple has a spat with each other and then against each other, we get Betty versus Jughead, Archie versus Veronica, Bughead versus Varchie, and it is great???? yeah, you all fight over Hiram’s nefarious plot to buy up all the newspapers in town.

Bughead listens to Varchie have sex and the vice-versa like an hour later as normal friends do.

Betty and Veronica talk about abuelita (I must know more about abuelita!).

An entire scene where Archie wakes up early to chop wood?? At someone else’s house? Even though he’s only there for a weekend?? Again, very normal, every day teenage behaviour. And Veronica pervs on him while sipping coffee. Get it, V.

Some of the worst, cringiest dialogue this show has ever had, and that is a HIGH BAR including: “A Vughead Kiss? Right now, in the present, might be precisely what it takes to save a future Bughead from imploding.” THIS IS THE WORST LINE OF DIALOGUE EVER WRITTEN, LIKE OF ALL TIME, I CAN BARELY WATCH. IT IS NAILS ON A CHALKBOARD, END ME.

Archie doing push ups in his bedroom, because OF COURSE ARCHIE RANDOMLY DOES PUSHUPS BEFORE BED AND ALSO WHEN UPSET HAVE YOU SEEN HIM. And then Veronica propositions him for sex and Archie, still mad about Vughead, turns her down. And this is an actual scene that takes up time in a 40 minutes episode??? I love it.

Lodge Lodge

They play monopoly

And then get attacked by home invaders!!!

Who Archie chases into the woods only for one of them to be killed by Andre so that Hiram can later frame Archie for a murder he didn’t commit.

anyway 2x14 is the best episode of Riverdale maybe ever, tell your friends.

Worst

2x11 for the reasons @arsenicpanda has articulated before - mostly involving the clumsy way that the writers tried to parallel the Serpents to the plight of Native Americans. And Jughead’s awkward white saviour plotline, eugh. Although bonus points for Archie trying to wrestle to impress Hiram for some reason?? I can’t hate it.

Season 3

Best

Season 3 has a lot of contenders. I’m torn between the parentale breakfast club episode (which also featured crazy-G&G-Jughead, a fave of mine) and the Prom episode, but I’m going to go with 3x20, Prom Night because this episode is a sheer delight from start to finish. Hal Cooper fakes his own death by cutting off his hand and then he replaces it with a hook - legends only. CHONI FOR PROM QUEENS until the dream is killed by Edgar. U KNOW that is when Cheryl started reconsidering the whole Farm business even with the whole being able to talk to Jason’s corpse thing.

Bughead investigate shit and make great faces. Varchie go to prom as the least platonic “friends” ever and it is adorable. Everybody somehow wears the best outfits even though Bughead changed the Prom theme the night before. Betty being chased through the school by the Black Hood/her dad is legitimately terrifying. 10/10.

Worst

3x09, hands down. I have a lot of beef with this episode. My main beef is that 3x08 ends on this great cliffhanger and there is zero payoff? Jughead and FP come home to find the town is under QUARANTINE, no one is allowed IN OR OUT, and then in 3x09, he is snuggling in bed with Betty and it was like????? but what about the quarantine?? how did you get back in?? honestly the first time I watched 3x09, I thought I must have skipped an episode, but NOPE, the quarantine cliffhanger was waved off and I will never forgive them for this.

Secondly, most of this episode is spent in Archie’s feverish dream/hallucination and I just find dream episodes real dull, sorry Archie. I love that Archie tried to box a bear, I mean good for him, but the the dream sequences are boring.

Season 4

Best

A tie between 4x14 and 4x15. I just love these two episodes. The Preppies are legit the best villains this show has ever had (especially Donna, my love <333). There were real stakes for the Core 4, and even though I was pretty sure Jughead was not dead, I was still insanely happy to see him again in 4x15. Betty threatening Donna in the woods while wearing Jughead’s sherpa is a total bamf move, MARRY ME, BETTY COOPER. Jughead’s faux funeral is a+. Even the BA fake dating scheme (before it went horribly awry in the following episodes) is hilarious to me. Like, what kind of horrible plan is this?? if Betty seriously dated Archie following Jughead’s death, she would need therapy STAT, but the town of Riverdale is just like “oh ok I guess Jughead is dead.” Okay, sure. Plus Donna taunting Betty over the fact that she apparently can’t go two hours without needing to bone Jughead and therefore Betty’s plan was doomed to failure. How was this a real scene that happened. Oh my god, these episodes are so great.

Worst.

4x17. I mean, obviously. Please don’t make me have to explain.

#arsenicpanda #riverdale #riverdale discourse #bughead

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natsspammityspamspamham · 4 years ago

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Anime That Deserve Another Season

Category One: Anime That Supposedly Deserve Another Season Even though the title says “deserve”, I will be listing some anime that I do not think deserve another season. They’re just here because people are loud about not getting another season. These are mostly series I just didn’t enjoy watching.

Category Two: Anime That Can Get Another Season They’re fine without another season as there are no cliffhangers to close and no questions that are really unanswered. These anime will not keep you up at night asking for an answer.

Category Three: Anime That Need Another Season While it’s not mandatory that these anime have another season to be enjoyed, they’d sure benefit immensely with it. Whether it’s because there’s too many cliffhangers, things end abruptly, or there is just too much good source material that was left untouched, they’ll end up here. Even if I didn’t really enjoy the anime, some anime may end up here anyway.

Bonus Category: Anime Need a Reboot Not all adaptations are created equal, and even if the anime can be enjoyed on its own, sometimes it’d benefit from actually looking at the source material and going, “Oh, it was written that way for a reason!” Some anime just need the Brotherhood treatment. From pacing to anime-exclusive storylines, anime in this category stray so much that you might as well just start from the ground up.

*Please note that if an anime isn’t here, it might be because I haven’t watched it (or I bypassed it in my listing journey)

*Categories Two and One are listed from “Bottom Tier” to “Top Tier” in terms of how much I think it needs a sequel/continuation

*I almost never read the manga. These are mostly speculations/me spoiling the series for myself by reading the last chapter of the manga after finishing the anime.

*The bottom half of category three really rips my soul out when people say that there’s no chance of another season.

Category One: Anime That Supposedly Deserve Another Season

Aoharu x Machinegun

The manga is still on-going, but I wasn’t interested enough to really pay any mind. It would benefit from another season due to it ending on a point that made sense, but you could tell there was way more behind the curtain.

Btooom

Remember when they joked about this gross anime getting another season? Hahaha! There’s a story behind it, apparently. Anyway, it leaves off unfinished, but I don’t need any more of whatever this show was. This show is garbage, questionable garbage at that.

Ao Haru Ride

This anime made me kinda bored. The characters were kind of bland. The world was kind of bland. This anime left as much of an impression on me as white-coloured pencils did in grade school. I’m sure it’d benefit from another season, but whether that’d actually make me like the series is another question.

Code: Breaker

This series was pretty bad. I enjoyed it at the time, but it was pretty bad. I don’t recommend this show to anyone. It technically has a ton of manga material left (I think it was a 100+ chapters?)

Classroom of the Elite

I actually strongly disliked this show and wanted it to be over, but people said it got good. I stuck it out. I didn’t like any of the characters. I couldn’t find a reason to enjoy this show, and maybe it’d benefit by having some more story content to it, but if you can’t make me enjoy any of the cast after 12 episodes, you’re not getting any more of my time.

No Game No Life

Admit it, 90% of the people who want another season of this just want to see more fanservice.

Category Two: Anime That Can Get Another Season

Kyoukai no Rinne

This series is very repetitive. I’m surprised it survived three seasons. I still really liked it, but it is counted as one of Takahashi’s weakest works (not sure why though). I would mind seeing it receiving the rest of its adaptation.

Hai to Gensou no Grimgar

While it ended well, it probably has a lot more story to tell. This is an earlier isekai, and it’s hard to say whether it’d do better in today’s isekai market. This anime is what Sword Art Online should’ve been. This show takes it slow. Its action isn’t as over-the-top, and while it has fanservice, the show still feels far more real than SAO markets itself to be (but it does it on purpose)

Hinamatsuri

This anime made me laugh too hard for me not to want a continuation. They also had a character they didn’t have time to touch base on.

Runway de Waratte

There’s quite a lot of manga material to go on. I feel like we haven’t seen the characters develop to their max, and the protagonist hasn’t even gotten his full shot yet. This anime is an underdog, no matter how you look at it, it’s a shounen series about runway fashion, but I’m rooting for it!

Yamada-kun to 7-nin no Majo

I hear the manga goes downhill, and honestly, you could’ve just let it end right where season one ended, and I would’ve gone, “Wow, that was pretty good!” It did come back and “overstay its welcome” according to manga readers, but those final chapters make up for that.

Gakkougurashi

I respect the way that this anime decided to end, but there’s a lot of potential to take it elsewhere. It has a lot of material too. I feel like not a lot of the backstories of even the main cast were revealed.

Category Three: Anime That Need Another Season

Kimi to Boku

I had a hard time determining which category this anime should go under, but I think this category fits it best. The manga does pause sometimes. There are a lot of loose ends romance-wise, but it could’ve easily gone into the previous category.

D-Frag

This is a romance anime that didn’t really get to any of its romance. It hinted, it tried, but it stuck to the comedy route (which I respect). However, there is a lot of potential if this anime ever did want to return.

Hataraku Maou-Sama

This series really needs a season two. It was an isekai before its time, and it has a lot of comedy that made me laugh. There are romance ends that are left up, and the underlying background plot went virtually nowhere. It ended, and it makes the audience go, “That was good and enjoyable”, but it leaves nothing else.

Mob Psycho 100

I’m pretty sure this anime will get another season, but it will take some time. This series does have the popularity, and since it was quite recent, I think it’s just a matter of time. Studio Bones is far too thirsty to leave their man alone. Let’s be real.

Ranma ½

I think what bothers me the most about this one is the fact that they had the right number of episodes to finish the series, but because the manga was still publishing at the time, they had to use a lot of filler which ultimately took away from a lot of the series. The Ranma manga ending had about as closed of an ending that you can have for a series like Ranma. There are some arcs in there that I think would boost the story after a lot of those OVAs left an unsatisfied taste in people’s mouths. I didn’t even bother watching those.

Nisekoi

I’m not sure if I would want an adaptation if it were to happen because I don’t like the ending anyway. There is material there though if they wanted to, and I do think it’s a bit annoying if you focus so heavily on romance and harem then just don’t end it conclusively.

Grand Blue

According to someone I know, the manga gets good. This anime was really funny during some of the parts, so I really wouldn’t mind a continuation.

Tonari no Kaibutsu-kun

This manga actually did end, and I feel like it’s really missing out by not finishing itself. Shoujo manga and other romance manga do rely on having the characters graduate, get together, etc. Tonari no Kaibutsu-kun didn’t get that chance, and since the manga has a more conclusive ending, I think the anime should too.

Tsurezure Children

This anime focuses on everything so ends up with little progression in the long run. A lot of this is puppy love, but we never really move beyond that stage with the countless couples. I think this anime would greatly benefit with a continuation because it got so little done than series that focused on one couple. Focusing on multiple couples is part of this series’ charms though.

Yuri on Ice

I personally don’t feel a strong need for a season two, but I’m sure a lot of people would enjoy it because it has a large audience that are attached to these characters. They weren’t at their final stage yet.

Edit: They just announced a continuation called “Yuri!!! on Ice The Movie: Ice Adolescence”

Jibaku Shounen Hanako-kun

The manga just hit a really pivotal point at the time that I’m writing this post, but the manga usually publishes monthly leaving it little room for successive seasons. Regardless, I feel that the series has more than enough popularity to carry it, and despite some of the real big corners that were cut during the making of the first season, people are still invested. I actually read the manga and can say that it has enough material for a second season.

Wotakoi

I actually read the manga for this series sometimes, and let me tell you, this series REALLY SHOULD GET a continuation. Sure, it’s sweet that you know who ends up with who, but this series is about “mature romance” (i.e. beyond high school). 12 episodes isn’t enough for this series. There’s so much awesome stuff that’s happened and is happening in the manga.

Deadman Wonderland

This anime isn’t great by any means. It’s a gore fest. However, a lot of its plot holes and questions could’ve been answered if it went further in its source material. I’m not sure how much it would’ve made it make sense, but this anime is one of the ones here that really suffered from their lack of time to adapt the manga. Without some of the explanations, this series may little sense. I don’t really want another season simply because I didn’t really enjoy this anime, but I think I put it up here just because of how much it would benefit from a continuation.

Ouran High School Host Club

Legend has it that every April Fool’s Day, someone goes on Twitter and announces season two. As much as we’d want that, Studio Bones is busy doing something to do with Bungou Stray Dogs or My Hero Academia. I already had to debunk a fake Ouran Season Two post for someone on Discord. I didn’t really enjoy the romance in Ouran (stayed for the comedy), so it would probably benefit from a continuation, even if it is a reboot. I mostly put this one here because of how much fans want it. Personally, I’d still be able to rest in peace either way. Regardless, it woudl still benefit immensely if they were to continue what they started.

Kekkaishi

This anime actually left 200+ chapters of manga untouched when it was adapting. I’m not sure of timelines and whether it was because of the manga publishing at the time that the anime was airing. Now that it’s a finished series in terms of manga, it can always get a reboot. It’s definitely worth it since it just finished on one arc.

Akatsuki no Yona

To me, Akatsuki no Yona was okay, but it could’ve been great... if they didn’t end on literally what the entire series was building up to. As a result of that, the anime really feels like a long manga advertisement going, “Wow, you sure are stupid for not reading the manga like the rest of us nerds!” The only reason why this series isn’t even higher on the list is because the other series did a better job cementing itself into a place in my heart. Akatsuki no Yona could’ve done that if they were given enough time, but alas, this series really suffers from a lack of anime adaptation.

Gekkan Shoujo Nozaki-kun

It is such a shame that this anime doesn’t have another season. The OVAs are great, but if this had another season or two, they would be legendary. The voice actors really added to the comedy (the manga is still funny, but it’s didn’t make me laugh as much as the anime). The quirky soundtrack really adds to the atmosphere, and there’s so much development that’s gone down since its first season run. I really, really, really want another season. But this anime can be enjoyed even if it doesn’t.

Gin no Saji

This anime is incredibly enjoyable even if it doesn’t have a third season, but with the manga tying up all the loose ends with Hiromu Arakawa’s incredible storytelling, I find it really disappointing that they couldn’t get another season for this. Its characters were so likeable. I watched this anime with my mom who keeps nattering about a season three. If only such a thing were to exist.

Magi: The Labyrinth of Magic

As with a lot of shounen anime, this ended on one arc. However, this still had well over 100+ chapters that could’ve been adapted in series to come. The seiyuu events were hilarious, and this anime really hit its stride, but it left us all hanging. Now that the manga’s finished, I feel that it would be really great if we were to get another season. There were some arcs that I read that were so good. This was the first anime I watched, and it always holds a special place in my soul. I do hear the manga goes downhill majorly towards the end, but I’m sure that even that stuff would still be watched by people like me (heck, people waited for Black Clover to get good, come on!)

This also includes the Sinbad spinoff that felt more like a trailer rather than a full series. It wasn’t given nearly enough time.

Noragami

Noragami is extremely popular, and I think one of the reasons that it didn’t get the rest adapted is because the manga went on hiatus for about a year. However, I feel that it still had more than enough material to make some more way. Studio Bones is still busy with Bungou Stray Dogs and My Hero Academia, but Noragami would benefit by cleaning up some of the cliffhangers left behind. The future arcs are also really good, so the source material at least maintains some quality.

SKET Dance

I finished this series (both anime and manga) a couple of days ago, and I want to write a post about it. It was so good. It made me read 100 chapters in two days or something. But if this were to get adapted, this would give the series a MAJOR CHANCE to fix up the ending. Unfortunately, the manga ending disappointed a lot of people (including me), so being able to maybe just give the people what they want (I don’t care if it’s cheesy). They left a good chunk of great, hilarious, and touching arcs that would be able to keep toe-to-toe with the fantastic series they’ve done up to this point. I think it might’ve stopped due to the anime catching up, but come on, I just want this anime to get equal treatment to Gintama!!! It gets compared so often anyway!!! Series like these make me think, “If I was Jeff Bezos, I would just throw my money into making another season of this.” The seiyuu of this anime made the lines so funny too. I will be thinking and talking about this series for a while.

Anime that Deserve a Reboot

Soul Eater

They really just dropped the source material in the last half.

No. 6

The pacing kind of sucked in comparison to other materials, apparently.

Kids on the Slope

The pacing for this also really sucked and didn’t give a conclusive ending either way.

#anime #sket dance #noragami #ouran koukou host club #magi: the labyrinth of magic #Jibaku Shounen Hanako kun #gin no saji #gekkan shoujo nozaki-kun #mob psycho 100 #deadman wonderland #yuri on ice

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forestwater87 · 4 years ago

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Every episode of Camp Camp ranked: A very (non)objective list

It's well past the time of year when Season 5 of Camp Camp would've dropped. I fully understand and support it not coming out; the crew's health and safety are much more important than a comfort show.

However . . . man, would it be nice to have some comfort right now.

So I'm reliving the entire series! I've been known to share with the world a whole bunch of Spicy Hot Takes, but I've never really sat down and talked about my feelings about the show as a whole.

And what's the best way to do that? Well, just ask Jenny Nicholson: a numbered list! That is, here's the series ranked from worst episode to best, because I want to get the negativity out of the way early and focus on everything I love (and because people enjoy complaining, so let’s frontload all that).

The takes will be hot. The feelings will be intense. The post, I'm assuming, will be largely unread.

Let's do it!

Oh and duh, there are spoilers. I tried to keep it pretty chill, but you’ll want to have watched the whole show or just not care about spoilers before going forward.

Also slashes in the middle of “naughty words” are meant to prevent this from being kept out of the main tags. Who knows if it’ll work? I don’t.

60. Who Peed the Lake? (Season 4, epis/sode 3)

Ah, good ol' Pi/ss Lake (or as @hopefullypessimistic84 calls it because she's funnier than any of us will ever be, “Pis/s Fe/tish Dot Com”). Terrible, one of the few I’d consider nigh unwatchable. I actually kind of love this episode for being such great shorthand for "the absolute worst one."

Who signed off on an entire episode centered around Sherlock Holmes meets a bad om/o joke? Give me names and addresses: I just want to talk.

59. Reigny Day (Season 1, episode 6)

And nobody was surprised.

I'll admit I'm more willing to defend this episode than many people, but it's not . . . like, good. It seemed okay when there were only 11 other episodes to compare it to, but now that there have been so many bangers, this comes across as extremely weak.

And let’s just say the Na/zi jokes hit a lot differently in 2020 than they did in the summer of 2016.

I’m overall happy with the direction the showrunners have moved Dolph’s character in, and I can’t totally blame them for using a kind of humor that was fairly common in the pre-Trump era, but yikes, this has aged like milk. And it wasn’t even very funny at the time, so it aged like milk that was already pretty bad to begin with.

58. Squirrel Camp (Season 4, episode 10)

This is a dumb one.

Not much else to say; it’s just kinda stupid and lame.

57. Fashion Victims (Season 4, episode 13)

I love Sasha, but this is filler. Which isn’t in itself a bad thing -- I have a couple episodes near the top that could reasonably be called filler, and a valid argument could easily be made that “filler episodes” don’t actually exist in a show with no plot -- but as much as I adore the Flower Scouts and enjoy the handful of good moments we get in this episode . . . who cares? Does anyone really give a sh/it about anything that happens here? Does anyone get their life from this one?

I didn’t think so.

56. Foreign Exchange Campers (Season 3, episode 3)

I know, I know, your Russian waifu came from this episode. Why do you think it’s so low on this list?

Okay, for real: this is . . . fine. It’s fine. It’s fine? I’m not mad at it, it just feels tonally incongruous and not very memorable beyond the fact that the fandom got really weird and kinda gross about Vera. But the episode itself? There’s some cute stuff with Neil and Nikki being jealous, but for the most part it’s a big hunk of white bread with some super mild white cheese that’s kinda soggy from sitting in a bag for too long and getting all condensation-y.

That is to say: it’s fine.

ETA: Space Kid does say “fu/ck.” I can’t decide if that’s a point in the episode’s favor or against it.

This is the last of what I’d call the “bad” episodes. Everything after this ranges from mediocre to mind-blowingly amazing. But whatever our failing tier of Camp Camp episodes is, it stops right about here.

Onto the good stuff!

55. Night of the Living Ill (Season 2 Halloween episode)

I keep switching this with “Eggs Benefits,” which probably means they should be tied. But whatever, this is my list and I am in charge and I’ve finally decided, after like 5 changes, that I like this one a little bit less.

It’s a fun Romero parody with nothing I’d call bad. Really this one’s only so low on the list because I think it’s kinda icky, and looking at those green snotty faces makes me queasy. If you think this is a bad reason to put it near the bottom of the list, then make your own post.

54. Cameron Campbell Can't Handle the Truth Serum (Season 4, episode 11)

I . . . don’t remember this at all. I initially had it a bit higher because I tend to love things with Campbell in them, but then I realized that nothing about this episode stuck in my brain even a little bit.

Oh, this is the “Dolph has autism” episode that made everyone either extremely happy or really mad? Okay. I guess that’s the most remarkable thing about it. Neato.

Cam, I love you, but this was just not the best use of your sleazy charm.

53. Eggs Benefits (Season 2, episode 9)

This is one of those episodes with enough cute moments and good ideas to save it from being totally unmemorable, and I mostly enjoy rewatching. Platypus being a mom is a fabulous idea, and pairing the campers the way they did was mostly really interesting and fun.

The Preston-Nurf stuff takes it down several pretty significant notches, though. It’s what the kids would call problematic, and while I normally enjoy how the show doesn’t skew away from darker themes and jokes, it didn’t really fit either of their characters and just . . . isn’t fun to watch. It’s not especially funny, it’s not especially tragic, it’s just uncomfortable.

52. Camp Campbell Wants YOU! (Season 1, episode 0)

Honestly, this would be a lot higher if it was a full-length episode. It’s funny.

The next 5 or so episodes fall under the “cute but not very memorable” umbrella:

51. Nikki's Last Day on Earth (Season 3, episode 4)

I love the ensemble episodes, so this was always going to score higher than any of the single-character “meh” eps. I didn’t see the twist coming, though I know a lot of other fans did. Textbook example of “cute but not very memorable” -- the Platonic ideal of that concept.

50. The Candy Kingpin (Season 3, episode 9)

A clever idea that plays on Max’s worst characteristics and then calls him out for them, while also giving Dolph some much-needed character development. Unfortunately, I don’t feel like it really picks up until the last third of the episode, leaving the rest just kind of sitting there.

49. Campfire Tales (Season 4, episode 13)

Who doesn’t love campfire stories?

That’s all I got. They’re campfire stories.

ETA: OH SH/IT THIS ONE HAS THAT REALLY SCARY STORY! Where David’s all like . . . Slenderman’d. Fu/ck, I didn’t remember that until I was writing out my thoughts for #35 or so. That definitely elevates it, but I’m too tired to try and re-decide where this should go, so just tie it with “New Adventure!”

48. New Adventure! (Season 4, episode 4)

New trio! Focusing on these 3 was a definite risk, and I think it really paid off. While the “plot” itself isn’t anything special, there are a handful of really great side gags (hi, Dirty Kevin!!!!) and it’s fun to see these three interact. They all get some nice character beats. It’s a good time.

47. Something Fishy (Season 3, episode 8)

This might’ve hit me harder if I’d actually seen The Shape of Water, but the send-up works fine without having more than the seen-the-trailer level of understanding. Gwen dresses pretty, which I love; Max sucks, which I also love. What drags this one down is mostly feeling like the surreal aspects of the comedy go a bit too far into the “what the fu/ck am I looking at?” territory without really . . . making an actual joke beyond “look! Wacky!"

Why is David at the opera with a bird? Why??

46. City Survival (Season 3, episode 11)

Literally do not remember a single thing about this episode except David getting mugged and being called a “homeless twi/nk.” That should probably rank it lower on the list, but David being a fluttery mother hen saves it for me -- as does the fact that it leads directly into one of my favorite episodes, and the single best story arc of the series.

Next set of episodes is what I’m going to arbitrarily call “okay! but like the good kind of okay, not the bad kind.”

45. Bonjour Bonquisha (Season 2, episode 7)

Max and Sasha masterminding a scheme is really fun; their dynamic is great (though it won’t be fully realized until Season 4), and heartbroken David is so tragically cute it actually makes my heart explode out of my chest.

Also I can’t resist a good “3 kids in a trench coat” gag.

44. Anti-Social Network (Season 2, episode 2)

Neil is very relatable and I don’t have much else to say about this one. It’s fun to see an episode that more heavily focuses on our nerdy science boy, and Max and Neil teaming up to save Nikki was really charming and sweet and set my Makkiel ship out to sea.

43. A Camp Camp Christmas, or Whatever (Season 2 holiday episode)

Why does this episode have a musical number? It’s not good.

Okay, that was mean. This is fun and cute and Gwen wears a pretty purple sweatshirt and Space Kid gives her a present and it’s really sweet. But that musical number is an instant fast-forward for me, sorry.

42. Preston Goodplay's Good Play (Season 4, episode 7)

We get some Preston character development! Awesome!

It’s done in a really trippy and surreal way that totally fits his character and heightens the drama of the episode! Awesome!

David has an apparently-tragic history of being a French mime! Not a good call!

Next tier: Some good sh/it! (Tbh, these could all be put in just about any order; they might as well be one massive tie.)

41. Cookin' Cookies (Season 2, episode 11)

I love the Flower Scouts. I love Dirty Kevin. I love the idea of accidentally starting a dru/g empire. Another weird, borderline experimental one focusing on side characters, and I think it works better than “New Adventure!” because the scale of the melodrama is just so over-the-top.

The fact that this is in the bottom 20 but I have nothing but good things to say about it illustrates how dang good this show is. It’s only getting better from here, folks!

40. Romeo & Juliet II: Love Resurrected (Season 1, episode 7)

Preston is a terrible playwright. This makes sense, because he’s like 11, but he’s the kind of hilariously bad I wish I’d been as a preteen, because his play is absolutely bonkers. Max fucking with David is great, Tabii vs. Bonquisha is great, Bonquisha in general is a giant amazonian goddess and I want to be swept up into her giant arms. Neil is . . . a robot, for some reason?

So much fun!

39. Camp Cool Kidz (Season 1, episode 4)

I don’t love Ered’s characterization in this one, but there are a lot of wacky hijinks in this episode that I think make it really enjoyable. Max’s wide-eyed revolutionary naïveté is a fun change from his usual dour pessimism, and Nikki’s loyalty to Ered is both very gay and very charming. Plus we get to learn a bit more about how the camp operates (and fails to operate), and it’s a nice way to better establish the campsite as its own setting.

(Definitely think “Cool” should’ve been spelled with a K though. But whatever, I don’t write for the show.)

38. Scout's Dishonor (Season 1, episode 3)

The birth of Neeancy! The introduction of the Flower and Wood Scouts! Neil saying “cu/nt” -- one of the first and only truly shocking uses of profanity in the entire show! ZUKO!

I don’t know if my fondness for this one is rooted mostly in nostalgia or if it was actually really fun, but I enjoyed the he/ll out of it. Not as highly-rated as some other episodes mostly because it doesn’t really do anything, character or story-wise, but not every episode needs to be a massive game-changer that drowns us in feels. Sometimes it’s enough to have a fun romp, and this is very that.

37. Ered Gets Her Cool Back (Season 3, episode 2)

Awww, Ered. I have a soft spot for her, because I love the archetype of a spoiled bit/ch clearly still figuring out how to be a person and have friends. You really get the sense of her as a teenager trying to sort her shi/t out in this episode, which I would love to see more of. Her interactions with Nerris are top-tier, and I like that it’s a continuation of how her character’s been softening since Season 1 into this kind of big-sister figure.

Also, all the female campers in this show are lesbians. I do not make the rules.

36. Attack of the Nurfs (Season 4, episode 2)

I feel like this is a pretty underrated episode. But then again, I feel like Nurf is a pretty underrated character, so maybe that’s just my own personal bias.

I really enjoyed all the different iterations of Nurf, and I think Blaine did a killer job giving each one its own personality and life. It’s a fun episode that plays hard with cartoon physics (a 3D printer printing people! I love it!) and has a surprisingly moving ending.

At least, that’s what I think. Most other people seem to find this one pretty forgettable. Again: make your own da/mn list. I liked it.

35. Mascot (Season 1, episode 2)

This entire episode is memorable for so many things, but a few of my favorites:

David is established as kind of a di/ck.

Platypus arrives and kicks all the as/s.

Quartermaster is the best.

Nerris, Harrison, and Space Kid all get little moments to show off how cute they are.

Neil and Nikki bonding.

This:

34. Quest to Sleepy Peak Peak (Season 2, episode 3)

I love watching Nerris and Harrison bicker, and Neil and Nikki fit really well into their group. It reminds me of being a kid, and of playing Dungeons & Dragons (as an adult, because I’m so cool), and of summer . . . which is a really good thing for this show. There are a lot of funny one-liners, and it’s just a good dang time.

33. Quartermaster Appreciation Day (Season 2, episode 6)

I don’t think this one is all that well-loved, but I thought it was funny. There are literally zero important plot or character moments, but it made me laugh a lot, and that’s all I need a Camp Camp episode to do.

I love QM, and the more we learn about him, the more confused and disturbed we end up being. What a fu/cking champion.

32. Arrival of the Torso Takers (Season 3 Halloween episode)

I lowkey hated this one when it came out, because I knew the Daniel stans were going to be exhausting. And they kind of were? But looking back, it’s a great way to reintroduce this motherfu/cker. He’s a lot scarier than he was the last time around -- but also less competent, which is a great way to kick him in the proverbial ba/lls -- and while I wish it had a lot more Gwen in it, it’s a clever and creative Halloween episode.

31. Operation: Charlie Tango Foxtrot (Season 3, episode 10)

Charlie . . . Tango . . . Foxtrot . . . CTF . . . OH! Capture the Flag! I never got that before. Oh, that’s neat. I love this show.

Listen, every time the writers decide to take a risk and do something bizarre and creative, I’m going to be here for it at least a little bit. An entire episode told from the POV of the Woodscouts, explaining how hard they failed in all directions? A great gag where everyone in Petrol’s story talks in grunts? The return of Jermy Fartz?! Fantastic.

30. Panicked Room (Season 4, episode 16)

Listen. I’m a sucker for my trash grandpa; anything Campbell-centric is probably going to be pretty good (except #54), because he’s just one of the most consistently funny and engaging characters. Good times are had whenever this terrible man is on the screen, and giving him a romantic backstory? A tragic romantic backstory full of mistakes and emotional damage?? One where he waited 17 YEARS for the love of his life???

We have no choice but to stan.

29. Party Pooper (Season 4, episode 15)

I’m so predictable. If you put Gwen in something, I will be happy. If you make an entire episode about how Gwen is under-appreciated and overworked and just trying to do her best despite the circumstances, I will dedicate my firstborn child to you.

Anyway, this episode is really sweet, and I liked the unexpected direction the writers took her relationship with her dad. He seems like a nice guy, they seem like they have a nice relationship, and . . . well, an episode about how hard it is to be an adult millennial hit pretty hard. Plus this was just a really pretty episode -- and not just because Gwen was in so much of it! Seriously, that night sky was a thing of beauty.

Also if you say a fuc/king word about Max and that godda/mn dog I will choke you out with your own intestines. Few things are more hilariously, annoyingly ironic than the fact that the entire fandom ignored and failed to appreciate Gwen . . . in the episode all about how everyone ignores and fails to appreciate Gwen.

28. Culture Day (Season 3 holiday episode)

Now, would it be arrogant to point out that I had the idea for a Culture/Heritage Day back in September 2018? Yes, especially since I don’t think the writers ever read fanfiction and it has literally nothing to do with this episode. Will that stop me? He/ll no it will not! I am a creature of ego! Read my stuff!

Anyway, this is a really fun look at Neil’s background, personality, and relationships. Max looking out for him is just . . . oh my god, I cannot, I’ve written like 30 of these and my brain is starting to melt, but these two are so cute. I love arrogant Neil, and I love protective Max, and I love QM and Gwen fuc/king over the Flower Scouts to save the day. Everything about this episode is lovely.

27. Cameron Campbell the Camp Campbell Camper (Season 3, episode 7)

This should not be ranked so high (even if these are all essentially tied). This is a dumb episode based on a really, really dumb premise.

But . . . I don’t know what to tell you. “Samboy Kidwell,” Max realizing he and Campbell are disturbingly similar and not liking what his future could look like, David’s “I’m not mad, I’m disappointed” face . . . this episode happens to hit all of my favorite things. It had a really good balance of heavy-handed moralizing and goofs, it was part of the most graceful lead-up into a finale the show has ever had, and I’m just all about it.

Excellent job, Samboy. Count Olaf would be proud of your disguise.

There ends the “some good sh/it” tier. We’re starting to get into the really excellent stuff now!

26. Parents' Day (Season 2, episode 12)

I know. You want this to be higher. I hear you.

Honestly I’m kind of shocked it’s this high; it’s my least favorite of the season finales so far, and I had to push past a lot of prejudice to actually rank this where I think it deserves to be, as opposed to somewhere in the like mid-40s. Mostly because it gave fuel to the raging inferno of “Max has terrible parents and David should adopt him” headcanons, which I’ve detailed my problems with extensively in the past (in a post that, statistically speaking, none of you have read).

But, trying to be objective: is this episode actually any good?

Well . . . yeah, it really is.

So much work was put into giving each of the campers families that make sense with their characters and bounce absurdly well off of them, ranging from wholesome and adorable (Nerris’s family) to quietly tragic (Harrison’s parents), and they’re all designed so well; they’re fun to look at and fun to watch interact with the kids and each other. (The only exception is Dolph’s dad, who is both kinda lame and misattributes the cause of the weird Na/zi thing because it did not come from Germany, I assure you. But things with Dolph are always a little off, and I don’t really know how you would give him a backstory that actually works with the character, so they were caught between a rock and a hard place there.)

The drama of David having to choose between the man he considers his father and the camp he considers his home is really touching, and him and Gwen choosing to take a sad camper out to get pizza instead of covering for their boss’s a/ss is such a beautiful moment for both of them that I can’t really blame the fandom for losing their mind over it. Campbell’s arrest leading into the arcs of the next two seasons was great as well, and the finale left us all with this weird sense of foreboding because we didn’t know what was going to happen next; it was the only finale that actually ended on something close to a cliffhanger, while still being satisfying enough to keep us all from melting down.

Plus, it’s funny. Carl and Candy are really funny and the idea of Neil and Nikki’s parents boning is funny in a horrible way. The joke about Quartersister is funny. It’s a good episode.

Should this be higher? Maybe, but I can’t bring myself to put it above the rest of these episodes. Again: make your own list.

25. Mind Freakers (Season 1, episode 10)

The episode that launched a thousand ships. Assuming those ships are all Harrison/Neil, anyway.

It’s hard to talk about these Season 1 episodes because they feel so classic. Like, what is there to say? You’ve all seen it a couple dozen times; I’ve seen it a couple dozen times. Harrison is a di/ck, Neil is possibly an even bigger di/ck, and magic may or may not be real. (Though spoilers for literally every season: yes, magic is definitely real.) It’s so much fun watching these two smug as/sholes snipe at each other in an almost literal playground hair-pulling way that could very easily be read as flirtation.

And the fandom did most certainly read it that way, at least for a little while.

24. Gwen Gets a Job (Season 2, episode 8)

It’s Gwen. What, was I supposed to not put it this high?

This was the first Gwen-centric episode, and it absolutely slaps. She’s pushed to the breaking point and responds by being a cold-hearted BAMF, and it got her some pretty significant hate from fans but I don’t give a fu/ck, I loved it. We got to see her all dolled up, and then we got to see her all disheveled, and both of those looks were gorgeous. David gives her a tiny fragment of the love and validation she deserves (I don’t know if this is when gwenvid started taking off -- I think it wasn’t really until “Parents’ Day,” or even Season 3 -- but I ate that s/hit up).

Also, again: job hunting post-2008. It’s a bad time, y’all. Camp Camp gets it.

23. Follow the Leader (Season 4, episode 6)

Yeah, I was kind of surprised at how high this landed, too. I guess I’m just a sucker for unlikely companionships, and these three have a great chemistry. The combination of competitiveness, sass, and reluctant admiration make their interactions a lot of fun. Their motivation of doing petty errands for Campbell for the sake of getting at the Box of Illegal Contraband is a great framework too, with high enough stakes to justify all sorts of wacky shenanigans without causing actual anxiety.

I want to see these characters forced to spend more time together. Please, RT, make that happen.

22. Escape from Camp Campbell (Season 1, episode 1)

In terms of numbers, this feels so low, but considering everything from about #45 on is ranked as at least decent, this is actually a pretty high rating. There are 21 episodes I’d call better than this, but these decisions were all pretty painful.

This introduces us to everyone! The main trio, the counselors, Mr. Campbell; we get a snapshot of the major personalities running around the camp, the major points of conflict (Max vs. David, primarily), the major building blocks of future episodes, setting, and relationships . . .

Again, I don’t know how much of my love for this episode is nostalgia -- there’s a lot of squeeing at familiar faces and gags; this is the first time David gets hit by a bus!!! -- but it was a fun and funny introduction to a series that’s ended up being so important to me, and I’m so grateful this wonderful, quirky little show with its wonderful and quirky little premiere.

Of all the episodes, I really can’t look at this one objectively. It’s too important.

21. The Fun-Raiser (Season 3, episode 1)

David and Gwen scheming is my ki/nk. They very rarely scheme together, but every single time their teamwork makes the dream work (or, more frequently, makes the dream fail horribly and have disastrous consequences) my soul flies out of my body and takes to the stars, where I write another 500 first chapters to gwenvid fanfics I’ll probably never finish.

This is a great follow-up to “Parents’ Day,” where we immediately see the consequences of the previous season finale and what happens when the one adult in the camp disappears. Mr. Campbell was a terrible adult, true, but at least he was smart enough not to steal QM’s hook. Like . . . whose plan was this? It was so bad. These two are hilariously incompetent sometimes -- often when their bad ideas are feeding off of each other, actually, a la this and “Space Camp Was a Hoax” -- and watching them frantically try and keep all their balls in the air is so great.

The ending is satisfying, too; a bit graphic, in keeping with a show that tends to keep the violence limited to periodic spurts of bloodshed 1-2 times a season and mostly pretty mild the rest of the time, but between Max stepping up and fixing everything while still being his shi/tty self to our dear dumba/ss counselors getting their dumb as/ses handed to them (deservedly so, if we’re being honest) . . . it’s such a great note to begin a new season on.

20. Journey to Spooky Island (Season 1, episode 5)

A classic.

We get to meet our spooky boy Jasper, we get to watch the comedy trio play off each other and continue to sketch out the general contours of their friendship, and we get to see the Quartermaster with a big purple dil/do for a hand. What’s not to love?

19. The Butterfinger Effect (Season 4, episode 17)

CONTROVERSIAL HOT TAKES! GET YOUR CONTROVERSIAL HOT TAKES HERE!

I’ve already gone into some pretty intense detail about why I think this one is actually really good and carries the theme of embracing change that everything about Season 4 was centered around, but none of y’all read that so here it is in short: this episode is super funny, almost all of the campers’ transformations work really well as extensions of their characters while still being strange and surprising, and the fact that Nurf creates all of these problems by trying to solve them is deliciously fun to watch in a karmic sort of way.

Or maybe it’s just because any Nurf-centric episode is going to rank pretty highly for me. That is also possible.

18. Space Camp Was a Hoax (Season 2, episode 10)

Our camp counselors being bad people: it’s my drug of choice.

We get Space Kid tripping balls in what might be one of the funniest sequences in the show, the entire camp coming together to try and pull off the stupidest, most impossible task (and kinda maybe almost nailing it???), and once again the fun of watching Gwen and David scramble to keep from getting caught in their boss’s shit/ty lies is so great. And Lindsay’s voice acting is absolutely killer, even more so than usual.

17. Jermy Fartz (Season 2, episode 4)

I get the sense this might be a somewhat controversial one.

I’ve written before about why I think this episode is a lot of fun, but it mostly boils down to two things: watching the campers try (and fail) to be nice to the most bully-able person on the entire planet, and the essential likeableness of Jermy.

No, really.

I think a lot of people were put off by Jermy’s general grossness, because . . . my god is he disgusting, but he’s also polite and good-natured, and seems totally self aware of how difficult he is to be around, without letting it make him depressed. He’s cheerful in a weirdly downbeat way that’s impossible to understand until you see him in action. He’s so matter-of-fact about his own awfulness in a way that I found entirely endearing. I don’t think I’d want him at my camp, either, but get that kid to a good dermatologist and gastroenterologist, teach him some basic hygiene and social skills, and you’ll have quite a little gentleman there.

I do however find it hilarious that apparently David got the type of tree wrong when making fun of Jermy. Not only is that a great moment for reveling in David being an as/shole, but he didn’t even have the right wood. F/ucking idiot. I love him so much.

These last ones are my favorites! (Well, duh, that’s how this whole ranking thing works.) Maybe not perfect, but just really good and with limitless rewatch value.

16. St. Campbell's Day (Season 4 holiday episode)

They Grinch’d Camp Camp. Those brilliant bast/ards, they really pulled it off.

Ignoring the fact that David is truly frightening-looking for most of the episode, this is a great bookend to Season 4, following up on the theme established in the first episode about how David is a flawed and selfish human being despite trying his best not to be.

This is another one I was surprised to find so high on the list, but the more I thought about it the more I realizes how good it is. David being a jerk is always one of my favorite storylines, and the fact that the trouble comes from him trusting Mr. Campbell too little instead of too much is a nice twist on the usual formula. Gwen coming to help him out despite a blistering hangover gave me aggressive shipping feels, yes, obviously.

Between a lot of really funny little gags like QM’s failed satanic ritual and the genuinely touching moral about the importance of spending time with the people you love, it’s just a really lovely episode that gets just the right amount of maudlin for the holiday season.

15. Jasper Dies at the End (Season 2, episode 5)

I kept switching this and “Dial M for Jasper”; it was a really difficult decision to make, figuring out where these two belonged. I think in the end, while the John Dies at the End reference was very, very good, this one loses me a little bit by being told from David’s perspective. Now, normally the more David is in an episode the more I’ll be likely to love it (see my #1 for proof of that), but his blinders when it comes to the camp and Mr. Campbell result in a really funny story, but one without the same emotional heft as hearing about what happened from Jasper’s point of view.

That doesn’t mean it’s not perfect for what it needs to be: each Jasper episode builds on the previous ones, and having the same intensity of “Dial M for Jasper,” where we learn how he died and how his relationship with David fell apart, would be weird and heavy at this point. In Season 1 we just found out he’s a ghost (and eagle-eyed viewers realized he’d been a camper with David); in Season 2 we find out how David views their friendship and time at camp; and in Season 3 we get Jasper’s perspective. It’s an absolutely wonderful raising of the stakes (for lack of a better term), but the one that packs more of an emotional punch is going to rank a bit higher than the one that’s mostly just for laughs.

That being said: there are plenty of laughs in this one. Everyone -- Griffin, Miles, Travis, the animators -- nailed this one, and it gets funnier every time I watch it.

14. Camporee (Season 1, episode 11)

AKA the episode where Forest realized she was in love with Gwen.

What a great idea for an episode, seriously. Every coming-of-age story has a talent show or a competition or a big game -- something where the kiddos can show off their improved skills and teamwork to beat their bullies or whatever. And this show has both kinds of bullies: the popular girly girls and the violent muscleheads. What a great moment to pull everyone together and show how friendship can help us accomplish anything!

Except . . . of course that’s not what happens. Of course they’re absolute garbage, and of course teamwork isn’t the answer. Gwen is the perfect foil for David here, being the anti-teamwork, anti-Camp-Campbell adult who can perfectly and effortlessly undermine David’s relentless optimism. David wants so badly for his campers to live in the same coming-of-age summer movie he did as a child, and their staunch refusal to do that leads to a really heartbreaking closer to the episode, as well as lead into the next one. Everything about this, from the challenges to the setup to Gwen shouting “we are winning this FUC/KING trophy!” is just gold.

13. David Gets Hard (Season 1, episode 9)

We have David. We have Nurf. We have Gwen. We have Max trying to be helpful in the shi/ttiest way possible.

We have all the makings of a da/mn good episode. And they deliver. Not a very emotionally intense or moving one, but so, so funny.

12. Dial M for Jasper (Season 3, episode 5)

This isn’t the fate any of us expected for Jasper, and it’s not the fate of a lot of people wanted. But godda/mn it, it worked. The constant bait-and-switch the episode keeps playing with, where you keep waiting for something really dramatic and tragic to happen . . . and then the reality is that Jasper died because Mr. Campbell was stupid and careless, and it was all just a horribly sad accident.

It’s anticlimactic, but in a way that suits the series, both as a comedic counterpoint to all the hype throughout the episode and as a way to establish that Cameron Campbell is a bad man first and foremost through selfishness and laziness, not Daniel-esque sinister evil. Jasper’s death was totally avoidable and totally Campbell’s fault, and while that’s sad, it also adds a weird sort of lightness to the episode. David didn’t do something terrible to kill his best friend, Jasper didn’t kill himself, and without having actively chosen to murder a child (well, not this time), the door remains open for fans accepting Campbell’s later pseudo-redemption. It was just an accident, and Jasper was “haunting” David to tell him that he was sorry for how their friendship ended. That’s really sweet, actually.

I think it’s the best way this reveal could’ve gone, and I’m so impressed with how they pulled it all off.

11. Into Town (Season 1, episode 8)

This might actually be the only flawless episode in the entire show. I mean, I call a lot of them flawless, and I mean that on an emotional level -- “I love this so much I cannot see anything wrong with it” -- but this one is a masterpiece of storytelling. All the technical jumbo I’m bad at, like planting and payoff and tension and all of that, is just perfect.

I feel like this is the kind of claim that needs to be backed up with a long-as/s essay full of citations and video clips and references to, like, Joseph Campbell or something, but this is my 49th entry in the list so I am not going to be doing that. Besides, I don’t think my English degree qualifies me to critique film/animation; I don’t even entirely know half the terms I’ve used to compliment this episode. Someone else please explain why this is such a good one.

10. The Quarter-Moon Convergence (Season 4, episode 5)

I’ve mentioned in other entries that the weird, surreal humor sometimes doesn’t work; it feels too much like being odd for its own sake, and sometimes gets so distracted in being surreal that it forgets to include anything funny or meaningful.

This . . . is not one of those.

Putting Harrison and QM together is a stroke of genius; the two of them are literally the most magical beings in the entire show, and using them as the conveyance for this great Lovecraftian horror-comedy was such a good idea. I don’t know if we’ll ever see these two interact in another episode -- honestly, this felt a bit like lightning in a bottle, and I have a hard time imagining what could possibly bring them together again -- but if this is the only episode we get, it is such a fantastic one.

Harrison makes a really good everyman, despite his powers; he’s just the right amount of confident and insecure to pull off that wide-eyed apprentice to QM’s grizzled wise mentor. (The fact that QM is objectively a terrible mentor is beside the point.) I still don’t entirely know what the two of them accomplished, but it feels baffling and momentous, with the perfect amount of gravity to make things extremely tense all the way through to the end.

Also, I guess God is an octopus? That’s kinda cool. I like octopuses.

9. Camp Corp. (Season 3, episode 12)

Another unpopular opinion? Oh ho ho, I am so contrary! I am Not Like Other Fans! I am the Ebony Dark'ness Dementia Raven Way, refusing to have the same opinions of all you prepz.

I know this wasn’t the most well-loved episode, but I think it did a really great job tying together story threads woven throughout Season 3: Max’s selfishness leading to him hurting other people, his growing realization that he cares about his friends and the camp itself, the parallels between him and Mr. Campbell (and the fact that they both get this redemption moment in the finale).

This is the most Max-centric season, focusing on his flaws and character growth, and they pulled it off in a really organic way that felt faithful to his character, touching without being too maudlin. The fact that his feelings about the camp are echoed in Gwen, Neil and Nikki, the other campers, and even Mr. Campbell drives home how important the camp -- and David -- are to this strange little family.

Each season, Max reluctantly becomes a better person, without changing the fundamental core of who he is. That’s a really hard putt for the writers and Michael, and I’m blown away every finale by how they so consistently nail it.

8. Time Crapsules (Season 4, episode 18)

Gwen-centric? Check.

Max learning how to be a better person while still being the bratty kid we know and love? Check.

Looks at one of the most under-appreciated character dynamics in the entire show (i.e., Max and Gwen)? Checkity check-check-check.

I don’t really have much to say about this one, which I should: it was considered a pretty serious letdown to a lot of fans, and I’m not sure how to explain why I loved it so much.

Comparing Max from “The Order of the Sparrow” to Max from this episode is wild. It’s not like 2 different characters: they’re still very obviously the same cynical, self-absorbed 10-year-old trying to survive summer camp. But he’s become a more considerate friend and decent version of that kid, and it’s great to watch. The moment where he and Gwen go too far and immediately regret snapping at each other is still painful (on my god, the VAs in this show, they’re so talented), Nikki and Neil both get nice subplots about how they’re also growing up, and the ending is fuc/king hilarious, perfectly breaking the tension from Campbell’s speech, which is both beautifully done and important to hear, especially if you’re in a period of uncomfortable transition (like, say, in your late 20s, or living through about 5 different national and global catastrophes).

And okay, I found that speech on the wiki for this episode and it made me deeply emotional, so here:

Here's the thing: you've got to take your failures and make something out of them. Take Camp Campbell for instance: a lot of poor decisions went into making this place what it is today. Sure, somewhere along the line it maybe strayed from its path, not living up to the camp it wanted to be. At some point, the camp realized that the camp would never reach the end of its path until it was ready or until it gave up. So, if the camp wanted to keep embezzling money and dealing with foreign powers, so be it! But, at some point, it didn't anymore. I never saw this coming, but I'm starting to think this camp is the best it's ever been.

If this is the last episode of Camp Camp we ever get -- and for at least a little while, it looks like it’s going to be -- I can’t think of a sweeter, funnier, and more lovely bittersweet note for this show to go out on.

7. The Lake Lilac Summer Social (Season 3, episode 6)

And again: No one was surprised.

This is the longest non-finale episode of the show, and it uses that time perfectly. Rather than having some big emotional moments and character arcs -- which are great, don’t get me wrong -- the writers use the extended time to build a series of shenanigans as complicated as Gwen’s matchmaking web, and watching her try to set up a series of dominos (with David, for once, being the responsible, level-headed one) is almost as satisfying as the catastrophic results.

Neil and Snake steal this episode, even from someone as in love with Gwen as I am, and for an episode that’s largely about making fun of shippers, there hasn’t been one that launched nearly as many ships as this. Neil/Snake? Tabii/Erin? Max/Nikki? GWENVID?! It’s all here, and I am here for it.

It was also fun to get a traditional episode setup in a very non-traditional show. I assume this means the beach and/or hot springs episode is forthcoming. (No, Pis/s Lake doesn’t count. Obviously it doesn’t count.)

6. Keep the Change (Season 4, episode 1)

Again, this is an episode I’ve said a lot about in the past -- and I was pretty uncharitable toward Season 3, which in retrospect was very unse/xy of me -- but I stand by a lot of my opinions then: this is a fu/cking great episode.

David is an as/shole, Max is an as/shole, Campbell is an as/shole. No one escapes the as/sholery. David schemes, Max catches him in the scheme, Campbell gets drunk and kind of gay . . . I’m 54 entries into this list and I don’t have much to say anymore: it’s just really good and fun and I love it.

5. Camp Loser Says What? (Season 4, episode 9)

This is another one I kind of hated when it came out, and again for fandom-related and personal-grudge reasons.

Fu/cking Daniel. That motherfu/cker. He shows up for 12 minutes and Tumblr bursts into flames. Every single time.

However, it’s really hard not to love this one. Daniel-as-Trump is a clever but subtle -- I mean, for this show’s definition of subtle -- allegory, and it’s amazing how much this slimy freak and the Woodscouts slot into it. David is a bise/xual disaster with the absolute worst taste in men, Dirty Kevin and Daniel are onscreen together for all of 2.5 seconds and the kevdan shippers lost their minds, and Xemug looks like Megamind for some weird reason.

My only minor complaint is that the ending is a bit anticlimactic, but it plays on Daniel’s stupidity and the value of teamwork, so it’s a very small nitpick in an episode that mostly works like gangbusters.

4. Cult Camp (Season 2, episode 1)

Duh. There’s a really good song and we’re introduced to a charismatic, sinister, and totally dumba/ss villain. What’s not to like?

I don’t think I even need to say anything about this episode. Season 2 started off the summer by throwing a lit firecracker directly at the viewer’s face, and ignoring the fact that we as a fandom proceeded to eat each other, it’s impossible not to get caught up in the episode’s wild energy.

And dude, that song. Fabulous. Fu/ck Daniel, but thank god he’s around to be such a prickly little pri/ck.

Now for the top 3: Literally perfect, wouldn’t change a single solitary thing.

3. After Hours (Season 4, episode 8)

I’m not sure anyone loved this episode as much as me. But this is my list, and I will put this up at the top if I want to and you cannot stop me.

It’s much easier in a lot of ways to talk about the episodes I hated than the ones I love this much. What do I say besides “literally everything about this fills me with joy and my life is better because it exists”? I don’t know. The counselors are my favorite characters, and between Gwen and QM having the weirdest bonding experience, Gwen getting to meet up with people who care about her silly fanfiction, Mr. Campbell being the trash grandpa of my dreams, David getting in way over his head . . . it’s the episode I always wanted, and they made it work so well.

Also, I just discovered that “Gwen Isn’t Your Mother So Stop Asking Her to Rinse Your Dishes” is an actual song and I am overwhelmed with delight. Here, I’m embedding it as well as linking because it’s so good:

youtube

God. This show. What the fu/ck even is up with this amazing, weird-as/s show.

2. The Order of the Sparrow (Season 1, episode 12)

Duh.

The entire first season is a great time (except “Reigny Day”), but it’s a pretty low-stakes kind of great time. There isn’t much in terms of emotional depth until the very end of “Camporee,” despite some hints at darker themes in one-off jokes and quick asides, so this episode comes a bit out of left field, tonally speaking.

But that’s not a bug, it’s a feature; if the show had been this overtly emotional from the outset, this finale wouldn’t hit as hard, and the rest of the season wouldn’t be as funny.

This manages to serve as a capstone to the conflict of the first season, building on episodes like “Into Town” and “Escape from Camp Campbell” in a way that feels totally natural for both David and Max’s characters while revealing new sides of them. It works because it’s so unexpected, but it doesn’t come across as incongruous with their personalities. It’s the first and only time David swears in all 4 seasons, and that line -- I don’t even need to say it, you know exactly what I’m talking about -- still gives me chills.

Also, Gwen sings the camp theme song. Impossible not to cherish.

1. The Forest (Season 4, episode 12)

I’m not sure if this one is a surprise or not. It might be the obvious first place, or it might be a bit of an oddball for some people.

I had a really hard time choosing between this and “The Order of the Sparrow”; I switched their places half a dozen times, and the difference in quality between the two is razor-thin. I think part of that is because it accomplishes a lot of what “Order of the Sparrow” does: puts David in a situation where he’s pushed to his absolute emotional and physical capacity, crushes every shred of hope he has left, and sees what he’s actually made of when you strip everything away. It’s much more dramatic this time around, but it’s the same basic concept.

And just like in the Season 1 finale, what we see is a man who’s determined to do good even when he isn’t rewarded for it, even when he’s actively punished for it. Who wants to love nature, and life, and make the world a better place -- despite his faults, his selfishness and thoughtlessness and anger, David proves that he is fundamentally kind. He’s not nearly as deludedly optimistic as he seems; he just refuses to stop trying.

Because somebody fuc/king has to.

I’ll admit, some of what puts this one in first place is that I’m a sucker for whump, and David really goes through the ringer. However, I also think it’s important to acknowledge the risk Joe Nicolosi took with writing this episode: it’s all centered around a single character, it’s darker and more viscerally bloody than any other episode in the show’s history, the art is focused on these grand sweeping backgrounds that must’ve taken forever to paint, and there’s very little talking in a show that runs 99% on clever dialogue. This could have so easily backfired -- and for some fans it did -- but it was brave and beautiful and breathtaking.

I’ve actually only watched this in full once. It’s really hard to get through; it’s just so intense and even disturbing. But if there’s one episode I'll remember for the rest of my life, even when I’m 80 years old and haven’t seen the show in years, it’ll be “The Forest.”

It’s funny how such a sharp departure from the format and style of the rest of the show somehow manages to perfectly capture the heart of it. Talk about a fuc/king achievement.

So what have we learned?

I don’t entirely know what the purpose of this whole exercise was. I think it was mostly to get myself a nice Camp Camp fix that came from something other than slogging through 20 different fanfic WIPs, and to remind myself of what a strange and fun ride the last 4 summers have been.

I also wanted to take a moment to acknowledge what Camp Camp means to me. This show has been hugely important to me on a personal level: I met two of my best friends through this fandom, and I’ve never been more connected to a community or readers than I have with CC. I know I bi/tch about this fandom a lot, but it’s a big extended internet family, and I’m so happy to be a part of it. Going through all these episodes, getting the chance to ramble about the things I liked and the things I didn’t, was a great way to reconnect with a series and community that I love.

So . . . what have we learned?

1. Season 4 was all over the place.

Some of this has to be due to the sheer volume of episodes, but when I sat down and organized everything into tiers:

There isn’t a single category Season 4 doesn’t have at least one episode in. I was surprised to see how high a lot of them ended up; it really was the best and worst of the show so far.

For the fun of it, I decided to give a number to each placement -- 60 points for the #1 episode, 59 for #2, etc. -- and see how each season broke down. Because that’s that kind of thing I think is worthwhile, apparently. And . . .

2. Seasons 1 and 4 are really good, actually.

Well, I don’t think anyone’s surprised to see how well Season 1 stacked up; it was amazing. But I was surprised to see how much I ended up enjoying Seasons 3 and 4, when if you’d asked me before this little project, I would’ve said they were the most underwhelming. Maybe I messed up the numbers a bit -- I’m no mathmagician -- but not only are they all really close, but Season 4 was one of my favorites.

3. This entire show is really good, actually.

One thing that really struck me when I put it all together visually is how most of the episodes sit in the “good,” “really good,” or “amazing” categories. The amount of episodes that are memorable, fun, and/or emotionally resonant is crazy. I don’t now how many other tiny cult-hit web series can say the same, honestly, and all of the writers, animators, directors/producers/other people whose jobs I don’t really understand, and voice actors should be commended for their outstanding talent and hard work.

4. Thank you, Camp Camp.

It was a real pleasure to relive all of these episodes again and think about what they meant to me. It won’t be the last time I sit down and watch this show -- and it certainly won’t be the end of my being a shrieking fangirl over it -- but with this break, where we have to get through a blazing, extremely difficult summer without a new season to fawn over, it’s nice to stop and appreciate what a precious gem of a show this is.

I hope everyone involved with Rooster Teeth is taking a much-deserved rest and prioritizing their health and well-being. Thank you for creating something truly special, and I can’t wait to see what happens next.

#campcamp #camp camp roosterteeth #thank you RT Animation for giving me my life these past 4 years #cc david #cc max #cc gwen #i'm not tagging all the characters #campcamp masterpost #i really hope this doesn't get hidden from the tags but #guys this was a super intense labor of love please check it out #but also reading it is also a super intense labor so i get it if you don't XD

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fizzingwizard · 4 years ago

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Alright alright alright digimon adventure: episode 21, go!!! Last week I was interested to see if the pretty vague ep 21 preview was gonna be a mostly dull fight type filler ep or if the reason for the vagueness was there was too much plotty stuff going on for them to reveal. It’s the latter, I’m happy to say!

It was really cool!! There was a lot of good stuff so YAY! Anything I write here will be a spoiler but let’s just say that T is a very important letter in the alphabet! multiple Ts, in fact!!

Cap of the day: my boy being AWESOME

Let’s get to it! under the cut as usual

Now last week’s episode was A LOT. We rescued Takeru who no one even knew needed rescuing, gained and then immediately lost the Holy Digimon, got him back in the form of a digi-egg, and then immediately lost THAT too. Honestly I get why it’s Chosen Children and not Chosen Adults - adults would be like “are you KIDDING me all this work with NO PAYOFF I am gonna SUE”

Patamon’s digi-egg has been abducted by this guy... Skullnightmon? It seems he was a Xros Wars character. I had to look him up because at first I tried “Scarlnightmon” because Idk I was thinking Scarlet Night??? like night of blood and death??? idk. and Google tried to autocorrect it to “Scranton.” Uh... yeah. Skullnightmon makes more sense because of the BIG ASS SKULL on his breasplate. -.-;

It occurs to me how little I know about any Digimon series other than Adventure X’D I mean, I’m not gonna do anything to change that, but.... yeah I’m gonna continue to mix up stuff like this. His loyal steed is Darkmaildramon.

Yamato, of course, is immediately like Protective Mode On.

So at first I was a bit worried that this ep was gonna just Move Things Along as usual and Yamato wasn’t going to react to his little bro randomly being in the digital world. Let alone in the clutches of pure evil up until just recently. When you’re caught up in battle it’s admittedly hard to find time to Talk about stuff but COME ON

Fortunately, thought we don’t get a lot of Talking, we do get a bit. Like this cute moment where Takeru tries to explain what happened and Yamato’s just like “We can talk later” and gives him this adorable head pat. Ok, fine. I can live with that. It’s better than nothing xP

They arrive at the creepy castle which Taichi recognizes as the place Ogremon directed them to. It looks very evil and in front of it is a giant equally evil moat.

They also find this sinkhole sort of thing which Takeru promptly rushes over to stand at the very edge.

Yamato: OMG kid I look away for ONE SECOND

le gasp! Takeru finds a shiny feather at the edge of the hole! It’s a sign of the holy digimon! We should go investigate!

Oops first we have to find this gross Garurumon knock off... Its name is Splashmon but I think it should be “MeltedCrayonGarurumon”

Splashmon is apparently also from Xros wars and can turn into liquid and take on the form of other Digimon... I don’t know if he’s always this shit at it though. Maybe being controlled by evil is the reason for all the meltyness because he looks pretty cool in his wikia:

rofl...

Splashmon showers them all with acid rain and Yamato protec baby bro :< *wibble*

He then carries him to safety like this. xP

Yamato: Takeru, hide!

Takeru: This bottomless pit that reeks of evil seems like an ideal hiding spot. Niichan will be so proud

No but seriously... looks like we don’t get cowardly, crybaby Takeru this season. The kids getting to y’know Be Human about stuff is a thing it looks like I’m going to continue to miss in this reboot. But on the other hand, I genuinely DO enjoy Takeru throwing his all into saving Angemon.

Skullnightmon sticks Angemon’s digi-egg here where it gets chained down by evil vines. Very evil. Also seems like overkill, I mean, it’s an egg, what’s it going to do, roll off the platform?

We then switch gears and rejoin the kids in the real world, where Koushirou has, apparently overnight, if not in the last five minutes, created an update for their digivices which enables them to always be in contact with their partner. I don’t really get the details but that appears to be the size of it. We also catch up with Mimi and Jou.

At first I thought this was a school, but no, IT’S MIMI’S HOUSE. She has a PERSONAL CHAUFFEUR. Like, 99 Adventure Mimi was well-off, that was especially clear in 02... but... WOWZA.

Mimi’s parents look as stupid as ever xD I love them. They’re joined by her grandpa. After having been gone for three days with no explanation, Mimi’s parents are just like “Don’t you want to take it easy at home today?” when she says she needs to go out. Mimi’s just like “I gotta do what I gotta do!” (ok she actually quotes her grandpa from back in her intro ep but) and leaves like nothing happened.

.... I think grandpa might be dead. He doesn’t move the whole scene. Doesn’t even change his expression. I guess his mouth is a bit more open but that could just be because rigor mortis hasn’t quite set in

Meanwhile in Jou’s (normal, average) apartment, we meet SHIN-NIISAN!!! He’s as much of a dick as ever. I love him. Jou’s parents were mad because 1) he was gone for three days, 2) he skipped cram school, 3) he lost his textbook. I think Shin’s basically like HECK yeah finally my little bro shows his cool side! So he decides to be an enabler. GOOD, seems like Jou needs someone to be on his side at home ;_;

Their Digimon partners are traveling in the interwebz like... this... -____-;

They end up tracking Calmaramon, who is indeed Calmaramon.

I remember from Frontier when Renamon evolved to Calmaramon everyone gave her SO MUCH GRIEF for not being sexy. Wasn’t there like this whole episode devoted to how beautiful Izumi’s evolutions were and then Calmara the Squid Woman shows up and everyone’s like “ewww gross yuck!!” And ok I know she’s evil here too. But guys I JUST THINK SQUID WOMAN IS WICKED AWESOME OKAY. Like that is a LOOK. Versace take notes.

Like can we get some body positivity??? There is NOTHING wrong with being half-squid. Zephyrmon is not better just because she wears lingerie! Bet she can beat everyone at the swim meet. Also tastes yummy fried or raw with soy sauce.

ok I’m done. I’m serious about loving Calmaramon though. I have so many Frontier issues I totally forgot about >_>;

*cough* so yeah Calmaramon and those little green Digimon virus things take control of some boat and Koushirou’s like Uh-Oh Danger Will Robinson. Piyomon tries to attack with Magical Fire and is surprised, for some reason, when it does not do much. They are very much outnumbered and Calmaramon is clearly a much higher level than them so WHY do they think child-level is gonna be enough??

So this is cool!! Koushirou appears to be learning to read digi-code! He sounds out Calmaramon’s name by himself. We still pretty much have the question of why Taichi could just read digi-code fluently (well, almost? he randomly couldn’t read everything at the fortress if memory serves) and Koushirou has to sound it out... will we get an answer to this or?? Like if it were Takeru or Hikari I’d just assume it’s their Magic Baby powers at work but it was never made clear if just Taichi can read like this or they all can, and now it seems like maybe they all can’t since Koushirou’s trying so hard here...

Meanwhile Takeru...

99 Yamato would never have taken his eyes off Takeru for so long lmao

though it makes more sense if this season’s Takeru is more independent which he seems to be

Splashmon turns out to be really tough to beat, because he’s lost his mind and therefore holds nothing back xP He crushes MetalGreymon and WereGarurumon to the ground, infecting them with miasma.

At this point I was disappointed that Taichi and Yamato were still so clear-headed... like when are you gonna worry about your partner dude?? He gets the Crest of Courage because he’s never felt fear in his life??????

But then, their next move fails and WereGarurumon de-evolves back to Gabumon, while MetalGreymon is still in Splashmon’s clutches. He proceeds to pretty much make MetalGreymon’s arm wither away...

And Taichi FINALLY looks worried. ABOUT TIME.

Takeru has made it to the bottom of the hole, where he is startled to find this giant eye. I would also fall right on my bottom if I suddenly came across a giant eye.

Giant eye seems interested in Takeru’s digivice, so Takeru politely lets him have a look. BLINGGGGGGG.

Giant Eye: Ow ow ow turn it down!!!

Takeru: Sorry it’s LED!!

Taichi runs to rescue MetalGreymon in the... most ineffectual way possible... I love him...

The miasma can even hurt humans, it appears. Even though he’s in pain, Taichi doesn’t give up, and we get to hear Yamato shriek “Taichi!” all scared and adorable-like.

Taichi passionately reminds MetalGreymon about what they’re fighting for and succeeds in motivating him to be less dead.

Taichi: GIMME A V DOT THE I CURLY C T O R Y VICTORY!! *CLAP CLAP* VICTORY!! *CLAP CLAP*

Yamato: Incredible... so this is the power of a Pep Talk...

Taichi’s Pep causes MetalGreymon’s arm to... fall off... but it’s ok because it sprouts a long wiggly band of light uhhhhhh which then turns into a Giant Gun. So all is well. because MetalGreymon didn’t already have enough guns

MetalGreymon succeeds in defeating Splashmon and we seem some purple crystal sort of thing disappear, my guess is that’s what was controlling him. Agumon falls from midair and Taichi catches him like this.

They cute. They also need a break. Well, Agumon needs a break, I honestly think Taichi doesn’t even have an Off button...

Just when you think things can’t get weirder... Giant Eye appears.

Takeru’s on top of him looking all cool! Till he immediately falls!

Yamato catches him somewhat more adroitly than Taichi caught Agumon xP

The eye belongs to ElDradimon!! I love “animals with worlds on their backs” so this is totally up my ally. My first guess about the eye was that it was gonna be one of the digital sovereigns but this is still pretty cool.

Sooooooo cooooooooool

Yamato doesn’t even lecture Takeru about going off on his own and not hiding like he was told. SO DIFFERENT CANNOT COMPUTE. But looks how happy Takeru is to be praised by his bro for helping ElDradimon. Awww.

I’ve got to now reevaluate how I think things will go down because I really expected Takeru to be something that drives a wedge between Yamato and Taichi. In the old days, Yamato was super protective but Taichi would let Takeru do whatever and Takeru got a little boy crush on him which fed into Yamato’s inferiority complex. But if Yamato’s not overprotective and Takeru is already capable on his own... New directions are good though. I won’t be sorry if they don’t rehash all that BUT I need it to be replaced with something else. Taichi can’t just always be serious, Yamato can’t just always be cool... I like the reboot but I am still on edge about the character stuff.

... Yeah so ElDradimon was mega cool and then... he opened up his VACANT head... bahahaha.... bahahahahahahahahahahaha

So what I really liked about this ep was what I saw as parallels drawn between Taichi and Takeru on the theme of “Do anything to help your partner.” Takeru can’t stop looking for Angemon’s egg, that’s why he goes into the hole after finding the feather. He might not know what’s doing but he’s still gonna do it. Taichi knows a bit more and he’s usually so calculating and strategic, but when MetalGreymon looked on the verge of defeat he threw caution to the wind and tried to save him himself. Okay, not the first time we’ve seen this, true, but it did seem to be the running theme of the episode.

I know I didn’t really talk about how apparently the kids can now update their partners with new powers/gadgets?? by believing in them enough... but y’know that just sounds like the sort of thing a kid’s show would do. I almost miss the card game from Tamers... it would be cool to see the kids have to think and strategically choose what they want to equip their partners with. That was part of the enticement of Tamers, where Adventure was more inexplicable magic, Tamers relied more on intent. Taichi is such a strategist (and of course there’s also freaking Koushirou) that it seems a waste to not involve the kids in the decision making more.

Next week’s ep preivew was a bit hard to follow but 1) the animation looks better than this week thank heaven and 2) it looks like fun. And we get more bamf Takeru! Woot. Can I still say woot in 2020? I can because of senior citizen privilege right?

#digimon adventure:#digimon adventure 2020 #digimon adventure reboot #digi spoilers #digimon #fizz watches digimon 2020

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appleb18 · 5 years ago

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Star vsThe Forces of Evil Season 4... One Year Later

One year ago, Star vs The Forces of Evil ended its fourth season and it was a disaster. It wasn’t always all that bad, in fact the show was pretty good on it’s first two seasons and bit of season 3 however it's just the final season that ruins it. It didn’t live to people expections and it felt rushed. Now let’s discuss how the show messed up shall we?

Behind the Failure

Before I talk about the dreadful writing of season 4, I want to talk about behind the scenes of the show's downfall. According to Daron Nefcy Twitter, she tweeted that “Just finished the last episode of Star vs The Forces of Evil” a month before the finale.

It’s fine if it was an episodic show like Phineas and Ferb, Batman Brave and the Bold and episodic shows but writing an ending for an ongoing story is something you should NEVER do. Writing the ending without a plan is a terrible decision to make, especially past plot points that were established and most of them were left answered.

You’ll probably be thinking that they were rushed and while I understand that all plot points can’t be answered like Gravity Falls but they wanted to make the romance their top priority over the story, which I’ll talk about later. Daron actually knew she had four seasons to work with and it makes it so frustrating to hear!

So now let’s talk about how it all went wrong.

Character 180

Previously, I used to like most of the cast, they used to be enjoyable characters but in season 4, oh dear they all turned into pricks.

The onlys characters that didn’t get ruined in the fourth season were

Eclipsa and Globgor

River Butterfly

Tom Lucitor

But everyone else, they all became such unbearable picks like The Magic High Commision. They used to act like decent people, trying to defend Mewni from Ludo/Toffee

And they actually have character, especially Rhombulus growth when he befriends Star.

But they get character assassinated and become monster haters with no actual reason just like the Mewnimen and they never atone for what they’ve done to the Butterfly family.

Moon betrayal came out of nowhere and it only lasted like seven minutes then she joins Star and Eclipsa because she didn’t realize Mina and her soldiers are going to commit genocide. Why didn’t she see that coming? They were racist to monsters, did she think they’ll actually spare them?

Her reason behind is so stupid and that is because she doesn’t trust Eclipsa ruling Mewni but why all the sudden? While it’s true she let her get shot by Meteora but that’s an mother instinct to protect her child. Also she tried to kill her own daughter to protect Star and Mewni. So Moon shouldn’t see her irresponsbile. While she isn’t fit to be ruler, she is trustworthy. What’s worse is she admittedly teams up with them to defeat Mina.

Then there’s Star and Marco, the two main characters of the show and they became terrible people. All of the development from the previous seasons get thrown out of the window.

Marco never talked to his parents after he left and barely visits because “he’s too busy” and he didn’t even know he’s gonna get a baby sister. Clearly doesn’t care when Star’s mom goes missing, his ego in the Neverzone and neglecting Nacho’s for a very long time at least 1000 years. Marco breaks up with Kelly for no reason and he knows what’s she going through.

For Star, she acts more of a princess and has responsibilities, having a reason why she can’t go back to Earth but it doesn’t excuse her being a terrible person. She’s irresponsible that she leaves Rhombus and Eclipsa alone despite it’s very clear they want to kill each other, she’s a brat in “Junkin’ Janna”, she’s so rude to Tom when he comes a better person for her, she’s been eyecandy on Marco even though she has a boyfriend and she’s a complete dick in “Cleaved”. I hate the excuse for her acting like a prick because “she’s a teenager, and teenagers are dumb”. What a load of bull

Losing Focus

Season 4 has to be the most unforced in the entire show. They present plot points and they barely explore it. They’ll make a comment about it and the show just moves on from it. Mostly showing shipping episodes and filler

The show introduced that mewmens were originated from Earth but never further explored that.

Mewni hates monsters but never shows why and how. It just makes them complete dicks throughout season

They never had a set goal or what’s trying to be. The only thing that made the plot moving was Moon disappearance but it gets resolved in two episodes.

So the only thing left is Star trying to end racism for season 4. The problem with this is there’s no stakes, if she fails, monsters and mewmens won’t get along and that’s fine because their children on both sides won’t make the same mistake as they did, making it no need to push it.

It would’ve worked better if they showed the Mewni perspective when Eclipsa became ruler. Unfortunately, they display them as unguided children, expecting Moon to do everything for them and complain. Also they hate monsters because they do not like them. Most of them go live with Moon, making them not accept change nor monsters. They don’t deserve any sympathy, they are just a bunch of idiots who are racist.

And the thing that made the season so unfocused is the freaking shipping.

Starco is Terrible

Remember when it was good back the first two seasons but season 3 and mostly season 4 made it so hard to watch and instead of shipping being a subplot like most shows, they turn it into a main plot. I don’t understand why they have to prioritize shipping over the story. It’s inevitable that Starco will become cannon because that’s what people wanted but it cost to establish ships to be torn down in the most frustrating way.

Kelly and Marco break up with no reason why and it’s off screen.

Star is a bad girlfriend to Tom, leaving Star crying

Then in a few hours, Star and Marco become a couple. Only a few hours and the resolution was so dang quick. It makes me wonder why they have to stay so long if she loves Marco more than him?

Star and Marco would rather die together instead of being with their family despite their relationship just starting. It would’ve worked better if Tomstar broke up earlier and Starco become cannon so we can see their relationship more than just a few episodes. There’s really no need to drag it for so long!

Mina Loveberry isn’t Threatening

Mina Loveberry, the main villain for season 4 and yet didn’t do anything. Unlike Toffee scheming behind the scenes for three seasons, Ludo raising an army of rats and gaining better control of the wand and Meteora powers growing, she didn’t play her role for the whole season. All she did is she rebuilt her battle armor and send poison fruits to Eclipsa, that’s it. The show never showed how dangerous she is

While sure she can beat Star and Tom but she got oneshoted by Meteora who got defeated by Eclipsa. So she really isn’t that big of a problem to handle.

In the finale, again she never did anything and she got knocked down by a Corrupted Unicorn, making her not so dangerous like other characters said she was

Seth should’ve been the main villain instead of that crazy lady but unfortunately, they never introduce him even though he’s still alive according to The Book of Spells.

Cleaved

So the series finale and I have to say, my god how the show has fallen. This finale is a disaster, it’s way worse than any other cartoon finale such as Adventure Time and Steven Universe Future.

With no build up, Star has come to a conclusion that she needs to eradicate magic because it’s bad. There weren't any clear signs that magic is truly bad. Star never actually thought about everyone else that is made out of magic or used it for their daily life. The only thing she realized is she won’t be with Marco. Not able to her friends or the many lives she’ll ruin but she won’t see Marco and everyone agrees to destroy the magic.

So Star and Marco go to the World of Magic to destroy it. As they enter and almost forget who they are, the pudding apparently helps them jog their memory and he’s carrying a lot of them.

They realized Tom was still at the realm and he’s riding on the Corrupted Horse so Marco will handle it while Star uses the whispering spell to destroy it.

Star gets help destroying magic by Eclipsa, Moon and for some odd reason Meteora can do it too with her butterfly form even though she never went through mewberrity. Then the past queens help them out too

As they were destroying magic, Marco feeds Tom the pudding but gets impaled by the unicorn with dramatic music playing but that got completely scrapped when he goes back to Earth.

After they successfully destroyed magic, Star and Marco have to go back their worlds but then she decided she wants to abandon everything and everyone so she can be with Marco and he does the same by staying in the realm. They both hug and something happens through the power of love that links between two worlds and again they were a couple for two episodes.

She goes back to Mewni and sees that she doesn’t have cheek marks anymore. Moon, mewmens and Mina are reformed and no punishments were given.

With magic gone, her and her family just caused the multiverse that relies on magic, face chaos and they will collapse entirely. Although they prevented genocide of the monsters but ultimately cause genocide at a larger scale than Mina’s in the process like all of Star spells, people who are made out of magic and The Magic High Commsions are dead.

Then two portals for each world exploded and both worlds collide. The writers made it out as if it’s a happy ending but it just causes panic between both worlds and racism towards monsters is now worse than ever but Starco can at least be together.

Conclusion

I used to like Star vs The Forces of Evil and I thought it would’ve been great but like most shows that disappointed me such as Steven Universe, and Voltron, this show really frustrated me. If the show actually didn’t focus too much on the shipping or made it as a romantic show, it would've been great but they didn’t and the show suffers for that. It’s a dang shame that it has to that route.

#Star vs The Forces of Evil #svtfoe #Star Butterfly #Marco Diaz #River Butterfly #Eclipsa Butterfly #Moon Butterfly #Rhombulus #Hekapoo #Mina Loveberry #Globgor #Tom Lucitor #Kelly #Starco #Tomstar #Kellco

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mnkiss · 5 years ago

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A quick list of animes I watched and don’t want to forget:

Mushishi - pure, haunting beauty, 10/10 recommend especially when you want some clarity and calmness in your life. You’ll cry tho

K - the amount of tears I shed TwT I literally miss the characters. Weird af world and story, but somehow I got attached. There should be K: seven stories somewhere but I can’t find it... Also: this whole we’re a bunch of problematic people who become a family is a trope I’ll never get tired of

Tokyo Ghoul - S1 and S2 feel like one huge story and it’s just the beginning so buckle up... There are 2 OVAs (Jack and Pinto) that help with understanding Re: (S3) and then there is S4 which is apparently only the most important parts of the manga... I understand why so many people think that s4 is ridiculous, but the first 3 seasons are great. The manga is a must for the anime tho, bc the last season is a joke, so if you can, read the manga first. With that said, the censorship is terrible so if you can, watch it without the weird black and white patches that take up half the screen, because the animation, the fights, the colours are all extremely vibrant and alive, just like the characters. What being human means, why the police feel like they are doing god’s work when they kill innocents along with the psychos, what a family is, can we be selfish for others, and many more questions are discussed here, all while somebody gets gutted. S2 was much more like a filler than a normal season, but still, I cried, and the whole anime is awesome so watch it if you can. (If you get upset when humans are able to endure more than supernatural beings then it’s not your show, bc even though humans are supposed to be, you know, humans, they are still able to kill tens of ghouls with a fucking hole inside of them.)

Attack on Titan - got tired of waiting after s2... No mystery is worth more than a year of waiting lol

Black butler - I need to get around and watch the book of atlantis. Great story, Sebastian is everything and more, and the aesthetic is something I’ll never forget. The music fits perfectly, and the foods make me drool. It has the “big picture”, as well as small journeys where you can get to know your favourite characters which I appreciate. S2 was not something I enjoyed, but the book of circus was worth it as well as most ova’s.

Darker than black - THEY MUST CONTINUE IT BRING HEI BACK PLEASE PLEASE I CAN’T I JUST CAN’T - also s2′s opening makes me cry. Dolls and Contractors work together as a team, then alone, then again as a team... it was a wild ride. Awesome character development, great plot and world building. Sadly they cut their story and future at s2 for some reason... If I ever watch it again I watch Gaiden before Gemini tho - a lot less confusion and disappointment this way.

Bungou Stray Dogs - loving it with my whole heart can’t wait to watch it again because there is literally NO character I don’t love. It has pretty boys, crime, mystery, magical abilities and comedy alongside the surprisingly deep issues. The art style is otherworldly, everything is so PRETTY and CAPTURING ugh *-*. It also made me read lots of books again (especially Japanese literature which was new for me) ^^ (Who doesn’t ship Dazai and Chuuya... And Poe is a baby too)

Noragami - cute, very cute, I love it when the main character is powerful af yet has a silly, loving side. Also: you can learn a bit about gods and religion

Assassination Classroom - tears. all of them. tears. It’s not what I expected but still, the little assassins and the teacher’s relationship was perfect.

Another - i watched it for the dolls and the umbrella meme. Liked it? yes. Do I remember anything else tho? Not really

Parasyte - one of the first animes I’ve ever watched. Loved it. ^^ Migi was great, all the issues it brings up were thought provoking, and it has gore.

Hellsing - idk it had too many monologues and ideologies, didn’t finish it

Psycho-Pass - In short: cyberpunk future, systematic oppression, immigrants, killing with permission and other moral or societal issues, plus charismatic characters and gore. The watching order: S1, S2, Sinners of the system, S3, First inspector. Wonderful buildup, dynamic storytelling, great mystery elements, and of course the found family/teamwork will always be a favourite of mine. The writing is extra detailed, every character is 3D, their responses, beliefs and cultures are tied together perfectly, the chemistry between characters is relatable and although everybody seems to live by one goal only, it’s not as dull as one would think. It also has some great book recommendations, literature and philosophers play a big role, which is always a bonus. 10/10. I really hope we will get extra contents and S4 in the future.

Steins Gate - I can’t bring myself to watch the last 2 episodes of S1 lol. It starts slowly but it’s much better paced than I remembered. The anime heavily relies on the characters which are sadly very 2D: the haughty but loving, the cute but tragic, the clever weeb, the loving tsundere... and for some fucking reason every single girl loves the mad scientist who... doesn’t really show love or sometimes not even respect towards the others until the last half of the show, so I don’t particularly care about their fate, but I watch it bc I don’t want to leave it unfinished. Because people are so into it I thought maybe the story will be... flabbergasting, shocking or just a masterwork, but the whole time travelling thingy, all the rules, all the paralel worlds work very conveniently. There were some great twists that I loved, some that I saw coming and some that I didn’t, but the story itself isn’t the best and even the plottwists won’t help that.

Full metal alchemist - i watched many, many episodes. I liked it. But it lost me. Anyways, I looked up the story and it sounds interesting, lots of plot twists, great conspiracy theories etc. The main character was a bit... annoying. My main problem is that they were children cuz I can only get immersed in the adult characters’ stories...

Durarara!! - s1 was great I love gang and mystery stuff, BUT I stopped watching it bc I was only immersed in the adult characters’ stories...

The Ancient Magus' Bride - it’s a gory fairy tale, with two toxic but loveable characters who learn a lot, evolve a lot and become real companions. There is lots of touching, head pats and affection. <3 Seasond 2 is very much needed, I want to see more episodic journey elements like the cat kingdom episodes were, and perhaps cry just a little less. Pro tip: when you watched the first 12 eps you should watch the 3 episode ova and then the next 12 eps ;) Oh, and expect tears mostly from happiness

Devilman Crybaby - I was the crybaby. The ending is beautiful, the art style was great, it literally pulsed through my eyes sometimes. Awesome characters, weird storyline, sad ending.

Death Parade - another anime that made me cry :) Beautiful art style, immersive story, interesting take on the afterlife, moral issues. It had everything I needed,

Juni Taisen - It wasn’t the craziest or most cunning anime of all times, but I cared about the characters and I really wanted to know how it ends, so it was good i guess

Kekkai Sensen - i watched s1 and I didn’t care anymore...

BEASTARS - it was one hell of a ride. Interesting world, great conflict, highschoolers and gore... also I think there was a sudden rise in the numbers of furries while it aired. It’s art style however was too cgi-y, too smooth for me :/

Re: Zero - the main character is a little bitch i hated him but i stayed for the plot. I don’t really like love interests when one party is only loved because they look perfect... i really wish we got more seasons and explanations s2 is on the horizon, but I doubt I’ll ever watch it

Updated it see in reblog

Also in conclusion, what do i need in an anime? 1) adults 2) superpowers 3) found family 4) a brooding, powerful af main character 5) action and mystery (plus gore) 6) chemistry between characters 7) side characters that matter 8) tissues

Any recs?

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sarcasm-and-references · 4 years ago

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hi! here is the spotify link for my Trollhunters playlist in which i chose one song to represent each episode, listed in order:

https://open.spotify.com/playlist/7mdB5Vss7D0jAAS2S1sbPP?si=RGdbyHgvQY6PUCM_djbRYQ

full list of why i chose each song + some disclaimers under the cut (very long)

first off: it’s named pretty inconspicuously because this is my personal spotify and i didn’t want my friends figuring out what it was

okay so i’m a musician and i love the use of music in media, so i will often draw connections between how i feel listening to a song and how i feel watching a film or tv show

as a result, i’ve compiled a playlist and an explanation for 52 songs (one to represent each episode of Trollhunters). it’s in order but you could also just shuffle it for a generalized Trollhunters vibes playlist

one final thing: this is by no means a definitive list, and it is heavily biassed because of my taste in music which means it is mostly alternative or indie pop and rock music (there are also a few explicit songs, just a warning) so just to put that out there

alright, here is the complete list of why i chose each song:

Becoming: Part 1

Mr. Blue Sky - Electric Light Orchestra

Nothing too specific, it just gives off the vibes of morning, a small town, and the start of something big. I think the lyrics work a bit too but the sound and energy are perfect in terms of cinematic elements so full send on this one.

Becoming: Part 2

Could Have Been Me - The Struts

Chances are, you know this song if you’re a tik tok cosplayer or have seen any video of that sort. This choice felt right in terms of both lyrics and the music itself. It’s very hopeful and it talks about wanting to make something of oneself. I tend to associate this song with Percy Jackson and there are some parallels there. Kind of a modern-day heroism feel, which is definitely fitting for this show and the episode specifically.

Wherefore Art Thou, Trollhunter?

I Wanna Get Better - Bleachers

This episode seems to me like more basic exposition and is just setting up the first arc of the story, so I chose this song not completely for the lyrics (although I do think they fit for Jlaire in terms of Claire and Jim’s interaction but I’m trying my best not to focus too much on them). I think the sound and energy is pretty good for this song, and if you strip the song to its most simple interpretation, it’s clearly about wanting to improve.

Gnome Your Enemy

I’m Just a Kid - Simple Plan

Ha-okay this choice is a bit of a joke because of the angst but honestly I do think it fits for the gang’s first mission and Jim’s attitude and reluctance towards trollhunting in general.

Waka Chaka!

Killer Queen - Queen

Yeah this is mainly for Nomura and her introduction. Not much thought went into this choice but as I make this list I’m finding that episodes that I choose a song for often end up with a song for a character that’s featured (dw there’s not too many of these).

Win Lose or Draal

Centuries - Fall Out Boy

Jim’s first real fight; showing off everything he’s learned so far. Being a moral person and not ‘finishing the fight.’ A hero in the making.

To Catch a Changeling

Brother - Kodaline

So I think this song could definitely be used to represent Jim and Toby, but I wanted to take the chance to choose a song for the protective trust that Draal starts to build with Jim. Obviously this episode is much more than that, but I see that scene where Jim is reflecting Draal’s fighting moves as the unofficial start of their brother-like relationship. So yes, I did pick a song because of one small scene.

Adventures in Trollsitting

Hey There Delilah - Plain White T’s

This one is a bit of a joke but Jim is definitely simping for Claire in this episode by volunteering to babysit so I have chosen a song to fit with that. (Also, wOw this explanation makes it VERY clear I’m gen z).

Bittersweet Sixteen

100 Bad Days - AJR

Lyrics specifically fit here. Yes, a lot goes wrong in this episode, but the relationships are strengthened (Blinky and Jim) and it’s sweet in the end.

Young Atlas

Number One Fan - MUNA

Not gonna lie, I wanted to sucker punch Jim in this episode. This song choice is kind of satirical but really just for being confident and self-assured. Lyrics fit for the chorus and parts of the verses.

Recipe for Disaster

Carmen, Suite No. 2: VIII. Habanera - Saint Petersburg Orchestra of the State Hermitage Museum Camerata

Wow that’s a long title. Okay this is the only choice that has no lyrics/is classical on this list, but that is mainly because I chose it specifically for Strickler because he seems like a classical music kind of guy (maybe it’s a changeling thing @ Nomura). Also this is a pretty recognizable piece (in my opinion) and I also think it would sound pretty epic and would make for some great cinematic effects if played during the fight in this episode.

Claire and Present Danger

Seashore - The Regrettes

Originally, I was going to go with a song that fit the heroism arc in this episode but! I focus on Jim a lot in this playlist. Instead, this song is a choice for Claire and where she is in the story (finally being brought into the action). I’ve always loved her for being feminine and badass at the same time, so this song is somewhat a choice as an anthem for her (especially her being so headstrong and determined).

The Battle of Two Bridges

Young Volcanoes - Fall Out Boy

Teenage recklessness and power. Reminds me of adventures and young adulthood, plus the whole modern heroism again. I think this song also correlated with a high-stakes battle which is exactly what happened in this episode. Plus? How sick would it be if there was a fight and the strikes and dodges were coordinated with the beats in this song??

Return of the Trollhunter

Kids in America - Kim Wilde

More for the vibes in the beginning when it feels like it really should have been a new season. I think the lyrics fit pretty well here too. Fits with Claire joining the team and the heroes starting to come into their own.

Mudslinging

What’s Up Danger (With Black Caviar) - Blackway

This one was fully for Angor Rot and his first real introduction. He’s presented as an obvious and looming threat. While this song’s lyrics fit more with the more badass side of modern heroism (connects to Jim showing off his skills), I think the sounds fit with Angor and how he has begun to raise the stakes. This also may be a result of me associating this song with teenage heroes since it’s from the Spider-man: Into the Spider-verse soundtrack.

Roaming Fees May Apply

Welcome to the Jungle - Guns ‘n’ Roses

What can I say? The gang finds themselves in an unpredictable situation. It’s an adventurous episode to say the least. I feel like this song is used for action movies somewhat often so I’m throwing it in for this episode.

Blinky’s Day Out

Hooked on a Feeling - Blue Swede

This is almost completely a comedic choice. Barely any thought went into this one, and the lyrics have nothing to do with it. It is purely for the good vibes that always accompany this song because I feel like Blinky’s time on the surface was (at least initially) a “good vibes” situation. The apparent simplicity of being human can feel that way.

The Shattered King

Never Gonna Give You Up - Rick Astley

I’m using this episode to focus on Toby. Although there’s not much character development in this episode specifically, I think Toby deserves a better arc and I do want to give him at least one song. While I think there’s a lot more to Toby than he lets on or that which is shown in the show, he’s often used for humor and is basically the stereotypical funloving best friend. He seems like he’d enjoy a feel-good, upbeat, “classic” song, and there’s silly dancing in this episode so danceable song! (Also if the show were more accurate to today’s teens, I wholeheartedly believe Toby would be a meme-lover).

Airheads

Little League - Conan Gray

I absolutely love the simplicity of this episode, even if it’s just filler, but I have indeed found a way to make it angsty. This song choice is fully for the lyrics (though the sound isn’t completely wrong for the feel of the episode). I think this show gets progressively more emotional throughout the seasons, and, at this point, the kids are competing for Spring Fling nominations while Toby and Claire deal with a ridiculous problem. Something about this episode just seems to represent naiveté and this song talks about longing to return to childhood and innocence.

Where Is My Mind?

Hotel California - Eagles

Seeing as the obvious choice might have been Where Is My Mind? by Pixies, I tried to branch out here. This episode is honestly eerie because the characters face their worst fears but never discuss them or understand why/how it happened. For me, the vibe was a sort of mellow rock song and a dreamlike state. Thus: Hotel California. If I think about it enough, the lyrics work because of the sort of ominous false sense of security that I imagine using this song for in a story. Ultimately though, it’s the sound and energy.

Party Monster

Candy - Robbie Williams

This is solely for the vibes just because it feels like a party song to me for some reason. Sorry I didn’t put much thought into this one. Also though? This song and its lyrics low-key remind me of Mary and this is one of the few episodes in which she was featured somewhat prominently.

It’s About Time

Blitzkrieg Bop - The Ramones

Definitely not for the lyrics, I think it’s just the sound and the energy almost completely for this song. For me, it just seems very high-energy and almost tense because of a fast heartbeat? I can just imagine this song playing as Jim is racing through town as quickly as possible. It’s a bit stress-inducing, honestly.

Wingmen

Victorious - Panic! At the Disco

High energy, but this is more of a simplistic choice to go with the fight scene and the progress we see from Jim as far as his training goes.

Angor Management

Carry On Wayward Son - Kansas

I chose this song as a representation of the dynamic that we see starting to form between Strickler and Jim. They’ve become unlikely teammates and Strickler is obviously a guiding figure for Jim, but I wouldn’t necessarily say he’s a father figure yet? Lyrics play into this choice a lot.

A Night to Remember

Just Like A Movie - Wallows

Specific to the dance scene. Nighttime lit up by emotion; bright kind of vibe. I thought about some other songs like Don’t Take the Money and Reckless Love (both by Bleachers), also Electric Love by BØRNS (didn’t choose that because I don’t really want to support BØRNS but I won’t get too into that). Ultimately, I think this one works best both with lyrics and overall sound. I’m a sucker for Jlaire so I had to focus on this part of the episode and how cute it was (sorry (not really tho)).

Something Rotten This Way Comes

Lessons - mxmtoon

Thinking about what you’ve learned and how to move forward in the present. Correlates more with where the story is at in this season finale, not as much with what exactly happens in the episode. Definitely a choice made for the lyrics (although Jim probably should have listened to the part about patience).

Escape from the Darklands

Hero - Weezer

Any upbeat, modern rock music for me always seems to fit the vibe for teenage heroes. I think the lyrics hit the nail on the head for characterizing Jim in this episode. He feels a huge responsibility and fear, and isn’t sure he can live up to it. Also I love him but going into the darklands alone? Not the smartest.

Skullcrusher

Off She Goes - Bad Suns

For Claire and her development in this episode. The emotion she has to use and how she pushes herself. The vibes are there but the lyrics in the chorus are what mainly influenced this choice.

Grand Theft Otto

Weightless - All Time Low

Not too sure about the sound with this one but I like the lyrics here for the dual plot of the episode. I think the whole thing with having a hard time and struggling but also not giving up hope resonates pretty generally with the trollhunters, but also specifically with Jim in the darklands and Claire and Toby (& Blinky) getting stuff done because they’re determined to save both Jim and AAARRRGGHH!!!

KanjigAAARRRGGHH!!!

Highway to Hell - AC/DC

This one is kind of a joke but kind of not. Seeing as this is the episode that the rest of the group goes to the *Darklands* to save Jim, I think the lyrics unironically fit in a humorous way. Can’t go wrong with classic rock either. (Can you tell I was struggling with this one?)

Homecoming

Life on Mars? - David Bowie

Okay, this is kind of just an excuse for me to throw this song in here, but it reminds me of a ragtag team of heroes who don’t necessarily win but live to see another day (probably because of this song’s feature in American Horror Story: Freak Show). Lyrics not so much throughout the song as a whole, but the vibes are definitely there in the chorus. A joke song that came to mind for this (for obvious reasons) was My Boyfriend’s Back by The Angels.

Hiss Hiss, Bang Bang

Sophomore Slump Or Comeback Of The Year - Fall Out Boy

Mostly for the vibes, correlates with the energy that Jim has after finally coming home. Also, lyrics fit pretty well here.

Hero with a Thousand Faces

Istanbul (Not Constantinople) - They Might Be Giants

I was searching for so long to find a song to match the chaos and hilarity of this episode (idc if it’s filler I love it so much), and realized only something just as obscure would work. The song and the episode have virtually nothing in common other than they are both ridiculous and I love them for it (sorry if that’s disappointing but hey). Also ever since I saw The Umbrella Academy use this for a fight scene I’ve loved the idea of this song in shows/movies with heroes so maybe this could fit with when Jim fought Hunter!Jim.

Just Add Water

The Kids Aren’t Alright - Fall Out Boy

I love this episode for the irony of the flour baby assignment. The main group is just dealing with so much more than health class homework at this point and yet they still take it so seriously. I chose this song partially because I really wanted to fit it in this list somewhere but I also think it correlates with the characters being so heavily involved in this dangerous, heroic life and still flying mostly under the radar in their small town. They’re going through a lot yet no one seems to notice.

Creepslayerz

I Wanna Be Sedated - The Ramones

This one is for the eagerness that Eli and Steve have to fight the ‘bad guys.’ They’re excited to form a team and I think their dynamic works with this. Also I love their dynamic so much we need more of them.

The Reckless Club

I Was a Teenage Teenager - Green Day.

Really just a fun loving song about kids being kids. Considered Don’t You (Forget About Me) by Simple Minds as a Breakfast Club reference but figured I’d try not to make it too easy.

Unbecoming

Generation Why - Conan Gray

Correlates with ordinary life, lack of adventure and wanting something more (both sound and lyrics).

Mistrial and Error

Run Boy Run - Woodkid

Purely for the scene in The Deep where Jim fights his greatest fear. The lyrics are perfect and I could absolutely see this song playing as Jim faces The Deep.

In the Hall of the Gumm-Gumm King

Revolution Radio - Green Day

I think high energy fights + the neon color palette and destruction in Trollmarket fit perfectly with the energy and sound of this song. Obviously also the epic portal escape at the end. I didn’t want to use Children of the Sun by Thomas Bergensen (although that’s a super good song and the instrumental version, None Shall Live, is used in the episode) and thought this one’s lyrics fit well with the team’s resistance/rebellion and renegade status.

A Night Patroll

Next Up Forever - AJR

This is not particularly chosen for the lyrics, but I do think they fit more or less. Correlates with this being the start of season 3, the tension is getting thicker and the stakes are rising. The vibe here is not necessarily being ready to take on responsibilities you know you have to, and being nervous to do so. (I am definitely focusing on Jim a bit much here, but the show is too).

Arcadia’s Most Wanted

Young and Menace - Fall Out Boy

Although the team has been acting as heroes for a while, this is their first time defeating regular crime - the first few phrases of lyrics fit with that the most. Figured it goes with underestimating teenagers. Also I’m noticing while editing that there is a ton of Fall Out Boy in this playlist.

Bad Coffee

The Reckless and the Brave - All Time Low

I chose this one for one of my favorite team-up dynamics: Jim, Toby, Steve, and Eli. The energy and the lyrics in this song I just think are perfect for this group and I think could also correlate with the whole grave sand training thing Jim did in the beginning (‘reckless’ & ‘brave’).

So I’m Dating a Sorceress

Love is Dead and We Killed Her - Doll Skin

Purely for Morgana’s raw badass energy. That’s it, that’s the explanation.

The Exorcism of Claire Nuñez

Rubi - Doll Skin

Specific to Claire, could also be seen as her possession but leans more into her own personal power. Lyrics are definitely important but I think the sound also fits Claire's character.

Parental Guidance

The Times They Are A-Changin’ - Bob Dylan

Not for the energy at all because I can’t really pinpoint that but! lyrics are important here and (even though I think it’s self-explanatory) represent the parents’ reactions.

The Oath

The Ghost of You - My Chemical Romance

The lyrics for this one definitely work - about pain and grief but also moving through it. Definitely chose this one for Draal but his death was the main event of the episode so that feels justified. I think the sound is a bit intense for the energy of this episode but I’m really pushing the angst and sorrow with this one. At least I didn’t use Another One Bites The Dust by Queen >:).

For the Glory of Merlin

Yesterday - The Beatles

This one is a bit of a stretch and it was difficult to choose for a while but I personally see Merlin as a morally gray character (although i wasn’t a fan of how he talked to Claire and manipulated Jim but anyway) and I think he’s got a very complicated past. He mentioned that he used to have a pure heart and I found that very interesting so this song is an ode to who he possibly used to be with its lyrics. Also they literally step back into a frozen moment in this episode in time so this felt fitting.

In Good Hands

California Friends - The Regrettes

More for the sweet relationship building that this episode does, and the potential of a closer friendship (the kind we see in D’aja Vu in 3Below). This song is arguably more about romantic love but I think it could work with platonic. (Also Arcadia is literally in California and we need a sunshiny song amidst all the angst in this season).

A House Divided

Ribs - Lorde

Ha-yeah, sorry guys but I had to do it. Quite obviously specific to the bathroom scene and especially the montage right when Jim steps into the tub, about loss of childhood and memories, growing up. I think a lot of people know and have cried to this song, much like a lot of us cried watching this episode.

Jimhunters

Untitled - mxmtoon

Slowly growing up, having to deal with changing relationships. Dealing with hardships while lonely is clearly a big part of most of this episode, but the song correlation breaks off a bit towards the end; the lyrics focus more on pushing through on your own while the episode talks about counting on one another in difficult times. I think it also plays into being a bit fearful of the future and having to adjust to new situations while remembering the past.

The Eternal Knight: Part 1

Don’t Stop Me Now - Queen

The vibes that go with the battle of the bands and also the onset of the fight when everything is getting more dangerous. Also the part of the battle before Jim takes on Angor Rot and Gunmar, where all the trollhunters, creepslayerz, and citizens are fighting together.

The Eternal Knight: Part 2

Time of Our Lives - Tyrone Wells

I know we’ve all heard this in fan-made edits after a series or show ends, but there’s a reason everyone uses this song. Feels like a very nice culmination, specific to parting ways with those you love after shared experiences. Really just for the last scene. This whole playlist idea came from me listening to this song in an edit and getting emotional so there’s that.

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