#like idk its kind of like

[starrysharks]

ghanaian miku

[hinamie]

10 years later

[cinnabeat]

ok so. this eye of the universe shit is wild to me. at first i thought the signal was like. dark bramble and essentially the light of the anglerfish inside it that lures in unsuspecting nomai for food. but according to the quantum tower the eye of the universe is actually the sixth planet that nobody could see. which is like really interesting to me?

[rapidhighway]

the thing that caused me so much grief last night but now i feel better about it fdnghgdfggd

[machinerot]

i smack them together like dolls to make them kiss

[gingerswagfreckles]

It's also a little bit funny that other people are calling the guy who shot a healthcare CEO with bullets that said "deny defend depose" and was carrying a manifesto about how corporate America is evil a "Nikki Haley Republican" or part of the "center right." I guess based on the fact that he went to an expensive private school was messing around in Hawaii pretending to develop a video game as work until recently? Like. This guy left a goodreads review about how the Unibomber was an "extreme political revolutionary." While also traveling around the world on the money his parents made off of real estate and owning a chain of senior rehabilitation facilities.

I think a lot of you are really uncomfortable with how common champagne socialism is and frankly I think a lot of this is projection. This guy is very obviously someone who considers themselves a leftist revolutionary, and yet everyone is kind of re-framing him as a "Nikki Haley Republican" because they're uncomfortable with acknowledging that far leftists are often very privileged and hypocritical people. I've been talking about this for a long time, but a lot of the left (at least on the internet) is quite in denial about the fact that a lot of their beliefs aren't widely shared by the working class. That often, the loudest voices in the movement are those belonging to the wealthy, who are at the end of the day cosplaying and are more interested in acting out heroic fantasies than improving life for the working class.

[snowangeldotmp3]

btw i feel like this shouldn't have to be said but the reason that agatha hates rio is because agatha didn't get to say goodbye to nicky. rio couldn't offer her any more time. and, in rio's mind, nicky going peacefully in his sleep (and even telling him to turn around and kiss agatha goodbye!!) is the one grace rio feels she can give agatha. nicky doesn't suffer. he doesn't fight. he just...goes. he goes on a walk with his mother and kisses his mama goodbye. but agatha doesn't get to say goodbye!!! she doesn't get those final moments with him!! she wakes up and he's already gone.

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[kokoasci]

experimenting

[greenglowinspooks]

Hey. Shakes you by the shoulders. DCxDP where Eobard Thawne is Danny’s cool distant “uncle” that he never sees but always sends in the coolest gifts for the holidays.

~

Danny had grown used to seeing people injured at a surprisingly young age.

He wasn’t injured on the regular, or witness to some sort of extraordinary amount of violence; his parents’ lab was just… very volatile, and they were unprofessionally lax on safety measures on the best of days.

As such, when he saw an unconscious, incredibly injured man wearing some sort of superhero suit in their backyard in the early hours of the morning (he had gotten up to get a glass of water when he heard a thump outside), he didn’t panic, as any young child should have in his situation.

No. Instead, Danny dragged the man inside (with considerable difficulty; despite how thin he was, he was heavy), treated his wounds as best he could (it’s difficult for a child younger than 10 to do stitches, you understand), put a blanket over the man, and went back to bed.

After losing a fight to the Flash and passing out in a random suburban lawn, the last thing Eobard was expecting to wake up to was a small child sitting on the floor in front of him, noisily eating a bowl of cereal.

(He had thought, maybe he would have been found by the Flash and brought to some Justice League holding cell. Or, found by a civilian, and brought to the police. Perhaps, in his feverish state, he had remembered the prison he ended up in from his time, with their brands and chemicals and torturous therapies.)

For some unknown reason, this child had found him, not recognized him as the monster he is (perhaps due to the boy’s age), and helped him—even if his healing factor would have fixed him eventually, having all his parts in the right order certainly sped up the process.

Usually he wouldn’t care for civilians. He’d killed enough that he’d lost count what felt like an eternity ago—and yet, somehow, he felt indebted to this boy. This boy, who had helped him so selflessly, who was so entirely clueless to the evil right in front of him.

This boy, who was all alone in an empty house, whose sister was away, whose parents had gone on a trip and left him behind.

(It didn’t matter the explanation the boy gave for it, Eobard’s mind whispered to itself regardless. Kin. Like calling to like.)

And so, he worked hard to free himself from this debt he had incurred.

He traveled through time, working his way into the family whilst posing as a distant relative. It was remarkably easy; the Fentons didn’t have an incredible memory of their relatives; all he had to do was forge a few papers and mention a few people and he was now “Uncle Eo”.

It was, however, taxing on the mind. These people were absurdly friendly, not to mention talkative. The effort had become a multi-year operation, popping in every now and then for large family gatherings and home visits.

It felt… nice, to be wanted for once. To be noticed in his absence for more than just his status.

To be liked.

He made sure to send the boy a gift on the right holidays, as well as on his birthdays. With his skillset, it wasn’t too difficult to follow him around and see what he liked and wanted. It also wasn’t difficult to spy in when he opened them, to ensure that he had done an acceptable job.

Of course, he couldn’t let this sort of thing cut into his time spent fighting the Flash, so he wasn’t too present. The last thing he wanted was to drag trouble into the boy’s life from his presence.

But then, it happened.

He found out that this boy, and the one known in his time as Phantom, were one and the same.

It was, as a historian, thrilling.

It was, as a villain, horrifying.

In all his travels, he had never intended to involve himself with that mysterious being which shadowed the Justice League. That ghost with the power, in some timelines, to bring about the end of all things.

Of course, he was also capable of doing that, but it isn’t exactly fun to meet someone who’s powers are a match for your own.

Especially if you couldn’t find it in yourself to end him, should he make himself your enemy.

Still, he had a debt to repay, and a boy to look after.

He delivered things to the boy’s room to help him; tactical gloves, a lightweight protective suit, weapons and equipment. All uncredited, since the boy seemed to value the idea of a secret identity.

He took it upon himself to shift the odds in his favor a few times, even; making faster-than-light adjustments to the boy and his combatants during fights to shift the odds in his favor.

Somewhere along the years, he had formed some sort of odd affection for the boy, if he was capable of doing so at all.

And so, when that ghost-boy sought his Uncle Eo out all the way in Central City, carved open and scarred, a distant look in his eyes, he took him in without a second thought.

He would protect this boy, who once had protected him.

[puppppppppy]

horrible truth bomb dropped on my head 20 min ago

[hinamie]

make it vicious, take a stab

[eydilily]

The pants on your red life Tango design are giving me life. Please know that

YEAHHH thank you !!! i quite like him actually :3c

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[sacchiri]

[obsmiechujek]

Obsessed with the shapes of @punkitt-is-here twipie designs!!! They're getting slushies