#like i love snowy winters full of crows and ravens but the last time i experienced one of those was like 12 years ago

[featherymainffins]

Yeah ok so I think my hypothesis about my mental health getting much worse during the winter may be true.

[struggling-with-time]

Crows and Ravens [Wilbur soot x reader]

Paring: Wilbur Soot x Gender Neutral!reader

Summary: Inspired by the song Ravens by Reno Shaw. How the reader deals with the grief and cope with Wilburs death.

Warnings: Angst, grief, death.

Words: 3.1k words

A/N: thank you to @libbynotfound for being my wonderful beta for this <3 also go listen to Reno Shaw, I've been listening to his music on repeat! His Spotify

-.-.-.-.-.-.-.-.-.-.-

You stand on the porch cradling a hot cup of coffee, watching over the snowy Tundra. Enjoying the peace and calm the secluded place brings. While getting used to the cold took a while, it wasn’t long. After all, a warm fireplace is never far off.

You take a sip, as you watch the crows slowly start to gather in the treetop, indicating the return of Phil. Your dead fiancé’s father. Wilbur’s dad.

You moved up here with Technoblade after Wilbur’s death, needing some peace and quiet. While you never truly agreed with Technoblade’s ideologies, yet you longed to get away from the bustling town that only ever seemed to bring hurt to its citizens. So, you left.

Your cottage connected to the other two, now that Phil had moved up here too.

You follow him with your eyes as he breaks free of the surrounding forest. You watch as he puffs out his black wings to shake off the white snow that has fallen on them.

You give Phil a small wave as he notices you watching over the sunset.

“Good morning! You’re out of your bed today. That’s good to see!”

You nod in acknowledgement, never meeting his eyes, as you are back to being fixated on the rising sun.

You listen to the crows as they have now gathered, a constant murder that never seems to leave Phil alone. You don’t question it. You don’t mind the noise they sometimes bring, although you worry for the man who will sometimes speak to them as though they could understand him.

Phil’s door opens and closes, and you suspect he is dropping off the items from his latest adventure into the deep woods.

What surprises you is mere minutes later when it opens again, and he steps out, a cup of tea in his own hands. Clearly indicating to join you on this windless morning.

You take a step aside, and Phil stands beside you.

You can’t help, but feel as though you have to get further away from the man. It’s an itch that is always around when Phil is close to you. Despite being long ago, you still see it for yourself every time you look at the older man.

The sword sticking out of Wilbur’s stomach, as the debris is slowly settling down. Phil holding him.

You didn’t see it happen, but you saw the aftermath. The shell of the man you loved, truly being a mere shell. While he might have walked the tightrope of manic, there was always hope in your heart for the Wilbur you fell in love with coming back. But a dead Wilbur? There was no hope of bringing him back, he was truly gone.

Your gaze never wavering from the sun rising, as it bathes the white Tundra in oranges and reds.

“Phil?”

“Yeah, mate.”

“Do you think he would have liked it here?”

“No, no he wouldn’t. He always craved more, the peace would bore him.”

“I wish he could have experienced it anyway.”

The two of you settle into silence as you empty your now cold cup of coffee, the sounds of the ever-present crows filling the air. Unsaid words hanging low in the air. But thickening it enough, for neither to be able to speak more.

---

You used to love winter, one of the reasons you moved up here. But now it only seems to drag on and on. Coating everything in its white blanket of innocence. Covering the guilty people living here.

Wilbur used to enjoy the spring, he always told you it was his favourite season, as the flowers bloom and gave you a newfound beauty, in his words. You remember, the two of you spending countless hours underneath the old oak tree. Him strumming his guitar until late in the night, as you would tell him the stories you would gather from the patrons at the bar you used to work at as a teenager.

The two of you dreaming up lives you would live when you were older, a cottage on the outskirts of a town he would create. A kitchen overflowing with food and pots and pans. As you would cook for the town’s citizens, living out your own dream of selling your homemade food.

Talking about watching the sunset on a poach, children running around in the backyard. He wanted two boys and a girl, while you wanted one of each. Hoping to pass down his charm and good looks. The feeling of an ever-present happiness high in the air.

An ever-present happiness you would no longer be able to archive now.

Your dreams shattered the day that blade pierced through him. Held by his father, the man you had come to know as the most calming presence you had ever met.

It took you a while to forgive Phil for what he had done.

You watched as he and Technoblade moved on right outside of your cabin. You watched as you couldn’t get out of bed, and the two of them gained new friends and new lives. Envy and anger filling the air of your cabin, fast and suffocating you slowly whenever you’re alone.

You roll over in your bed hoping to be taken back into your dreams, hoping for them to be the good kind like the ones you used to imagine with Wilbur.

Instead, you are dragged right back into your nightmares watching him slowly descending into madness.

---

You look around your kitchen, ever bare from anything. Never really holding food anymore. Scarce of pots and pans, not wanting to be reminded of the dreams you could never achieve. Let alone reach for these days.

You walk right through, heading for your coat and boots. Suiting up before you step into the cold. But as your eyes grace over the second hook, the one that used to hold Wilburs coat. Now empty. Sends a sting through your heart.

Tommy had gotten it from you when he lived with Technoblade after his exile of L’Manberg. You had watched as he stared after it each time he had been into your house.

The house that never quite felt like a home. Not when Wilbur hadn’t been the one to hang the coat there back in the day. But yourself. Hoping that one day he would walk through the door moaning about the cold and having forgotten his coat.

But he never did.

So, you gave it to Tommy. Committing the way his face lit up at the gesture to memory. He looked truly happy for the first time since he had come out to the Tundra.

You shake the feeling of longing off yourself as you head into the cold, letting the ever-present winter clear your head. On a mission to collect wood for Technoblade. He had asked you for logs the other day, and you had promised to get him some.

Although you were suspecting it was a scheme to get you out of bed, and out of your house for a couple of hours. It wouldn’t be the first time he had done so, and you have a feeling it wouldn’t be the last.

He had been there for you back when Wilbur and Tommy had created Pogtopia. Wilbur’s second nation, another promise for freedom, that had only seemed to tear the one you loved apart, more than fix him.

The nation acting as a band-aid on a cut so deep it was merely the thought that counted.

You remember watching the stars nearly every night as the cave was cold and unwelcoming whenever Wilbur started drinking. You remember hearing him yell at Tommy, but doing nothing out of fear that he would turn his attention to you. Never before had you been so happy for being neglected by the one you loved.

Technoblade had been there some nights, right beside you, telling you stories of Wilbur before the two of you met, which wasn’t many, but it was enough to fill the air with a hope. A hope that this was but a period to pass, and the one you loved would return to you.

He never did.

You track over the snow and into the forest, following the pathway Techno and Phil have created over the time living here. Right into the clearing that is slowly growing larger as the three of you are slowly cutting the forest down. And now that Ranboo is here too, it’s only growing bigger faster. Another constant change in your life.

Another thing you can’t stop or help, as you watch it deteriorate in front of your eyes.

It takes you most of the day to chop down the wood and cut it into small enough pieces, that you can carry it back to the commune. It takes the rest of your day to carry it all back and leaving it to dry in the shed, which Techno built as one of the first things.

“Dried wood is important, you can’t survive without a fire.”

Back then the commune had been even quieter. Due to yourself having gone through the days in a daze, not talking to anyone after what had happened. It had been the only thing on your mind.

Phil’s sword. Your scream. The emptiness that followed.

Phil had been to one to coax you out of your silence, in the end. With the help of Techno, despite the latter enjoying the silence the Tundra brought.

You watch as nightfall comes, and the mobs start to emerge in the dark.

You know you should be heading inside. But you can’t help but stand on the porch watching out over the night. The stars lighting up the sky and making the darkness feel less lonesome.

You miss the sound of Techno’s door opening. Instead, envying the crows as some of them take off. Wishing to be one of them, no care in the world. Only the world to explore, and never having to feel the hurt of losing someone. Twice.

“Y/n, come on, let's get you inside.”

You nod, following him inside his cabin, smelling the potato soup in the air. Thankful for the warm fireplace that has been lit. It would take hours for your own to warm up your house since you let the fireplace burn out yesterday. You let it burn out yet again.

Neither of you mentions that you found the woodshed over half full. Neither of you mentions that it takes over a month to burn through the shed. Neither of you mentions that you are just working to make your life pass, but living.

---

When you returned home that night, your fireplace was lit. He had done it for you. Not letting you return to a cold and lonely house.

That was the night you pulled out a pan for the first time in a long while.

You stocked your kitchen cabinets with food from a nearby village, and then you rolled up your sleeves.

You work in your own kitchen tirelessly for two days and nights. Feeling your grasp on yourself slipping. But refusing to stop.

Stuck in a living daydream of the domestic life you never got. As uneaten food starts to pile up, and your eyes start to drop. You can feel yourself slipping into a slumber sitting on your kitchen floor. Tears streak down your chin, as you cry out for Wilbur once again.

Phil finds you there, the next morning, concerned for not having seen you out of your house for days. And now even more concerned as he takes in the mess you are living amidst. Half-finished dishes still on the stove, that has burned out. The dinner table filled with dirty kitchenware, and dishes he has never seen before in his life.

Phil makes a decision that morning, that refuses to watch another person he cares for wither away in front of him.

You find yourself from that day off, getting woken up by Phil, asking you to share a cup of tea with him on the porch.

Sometimes Techno joins the two of you. But never often, the man as nocturnal as Wilbur used to be.

You look over the snow once again, as you wish winter is soon to be over. But it never seems to be.

---

You take up painting after this, you aren’t perfect at it, never having done it before. But it helps you keep yourself out of your head, and you enjoy the time you spend on creating artwork.

You remember Wilbur owning a small portrait of his mom made in grey tones, back then you had been worried over the sombre feeling the grey tones gave you. A feeling of fear following the sombreness. A feeling of fear you vowed to never induce in others.

Yet, you find yourself drawn to the grey tones whenever you pick up a paintbrush, and so the sunrise gets recreated in sombre colours, the cabins, Phil and Techno. The pictures aren’t great, but they resemble what they are enough to be recognisable.

But one motive seems to come again and again, although as time moves on, Wilbur seems to fade out from your pictures. In the beginning, he seemed to be in every other one. But now he seems to slowly stop showing his face in them, just as in your dreams.

You start not seeing him everywhere you look.

Your kitchen isn’t as scary to move around in anymore, more days than not, you are having guests in the form of Phil, Techno or Ranboo eating over. You even get to meet Ranboos platonic husband Tubbo and their child.

Tommy comes over from time to another telling you of the stories back from the town that has now taken over L’Manberg.

And Phil lets you meet Ghostbur.

Oh, Ghostbur, another shell of the man you used to love. Neither an empty shell nor a dead one. But a cold smiling one.

You let him into your home. And even if you get teary-eyed every time you look at him and his cheerful attitude. Nobody mentions it.

This is the period where your cold house in the Tundra, started turning into a warm and lived-in home. Although the winter is still raging on outside your window, you are never truly cold on the inside anymore.

You still struggle with getting out of bed on the worst days, still grieving the man you had to first watch wither away in front of you, only to be killed. But you refuse to let it be the thing defining you.

You start accompanying Phil and Techno on some of the adventures, exploring places that aren’t the town you grew up in, or the SMP. You walk through your first jungle, painting a greyscale version as soon as you return home, proudly presenting it on your wall when it’s finished.

You listen to Ghostbur as he tells you about the happy memories the two of you have together. Reminiscing sitting under the old oak tree together.

You still sometimes forget he isn’t Wilbur when he knocks on your door, and you are instead presented with a handful of blue and the translucent guy. Instead of your ex-fiancé. But it gets easier, then more times he shows up.

Whenever he talks, you barely ever escape into your own head anymore. The domestic dream starts to fade, as you replace it with happy memories and people around yourself.

The fireplace never left to burn out in the night anymore.

You start getting up before Phil, greeting him on the porch with tea. You smile at the thought. You never really drink coffee anymore. Not needing the caffeine as the nightmares have stopped being the thing that greets you whenever you lie your head onto your pillow.

The sleepless nights get replaced with peaceful slumber.

While you still see Wilbur in your dreams, it’s no longer the shell of the man in Pogtopia, or the shell Phil held that fateful day.

It’s the one that proposed to you when he started a revolution. It’s the hopeful and idealistic one you remember. The one you grew up with.

While those mornings you are quieter to be around, you no longer let it take over your day. As of now, you have a life to live. Truly living and no longer just letting time pass by as you work.

---

You listen to the crows as you stand on the porch, tea in hand, and a cup waiting for Phil. Another one standing beside that one, in case Techno is to join the two of you.

You enjoy the calmness as you can see the red start to spread over the horizon painting the sky and the grey clouds. You know summer is approaching. The snow has started to melt in some places. While it still snows most days, the rain has started showing its face from time to another, and it seems today will be one of those days.

None of you say anything, as Phil comes out of his house, and Techno stalks out of his own too. You all just watch as the sky goes from red to orange and the rain starts to fall.

Winter finally seems to be over. And you let in the feeling of happiness that you thought was unreachable.

But right here, watching the sunrise between two people, who care for you, and whom you care deeply for. Happiness isn’t the domestic life you never got, but the peace you have found with never getting the life you dreamt of.

And right here, in the rain under the sunrise, is where you spot a figure on the horizon.

A figure who, the closer it walks, takes up a silhouette you could recognise any day of the week.

As the silhouette steps closer, your eyes fixate on his face. The wrinkles that now adorn it, the white streak in his hair. The charming face you once fell for.

Time seems to slow down as he makes eye contact with you, and you let go of your cup. Letting it crash onto the porch.

“Missed me, Darling?”

-.-.-.-.-.-.-.-.-.-.-

[gencottraux]

I was listening to the audiobook of the Louise Penny mystery The Brutal Telling in the car the other day and was struck by the lines spoken by Inspector Gamache of the Sûreté du Québec:

“The leaves had fallen from the trees and lay crisp and crackling beneath his feet. Picking one up he marveled, not for the first time, at the perfection of nature where leaves were most beautiful at the very end of their lives.”

  I also found out subsequently that in the Regina Spektor song Time is All Around, she also says “Leaves are most beautiful when they’re about to die.” Put that way, it sounds a little morbid, but I found the idea to be one of beauty.

    Yes, in the literal sense the vibrant colors of autumns leaves can be breathtaking. But what the lines made me think about was the beauty of what I call lived-in human faces.

In the Penny novel, the inspector spends a deal of time looking at the life of Emily Carr (1871-1945). I had never heard of Emily Carr until we went to Vancouver last year and saw a show of her work. There is even an Emily Carr University of Art in Vancouver. She was a very important artist and writer in Canada, receiving much of her inspiration from the art of the Pacific Northwest indigenous people, particularly the Haida of the Haida Gwaii (at one time in history called the Queen Charlotte Islands) in British Columbia.

  She documented what was a disappearing way of life and landscapes that were being destroyed. Among her famous paintings are Raven, 1930:

    and Vanquished, also 1930:

  Emily Carr was not a traditionally pretty woman, but when I look at photos of her I am struck by the beauty that emanates from her. She chose her own path, was often ridiculed, and wasn’t considered an important artist until later in her life. She spent much of her time alone, with her beloved animals, traveling in her caravan and painting, memorializing a culture threatened by Euro-centricism.

  I’ll never forget the moment when I had an epiphany of sorts about the beauty of faces of those not young and smooth and still untried but of those who’ve been through troubles, taking life as it comes, and aging with grace and dignity. I was watching the movie Beyond Rangoon (1995), which takes place during the 1988 uprising in Burma, or Myanmar.

  What I took away from this movie was the image of the face of U Aung Ko, hthe guide who helps Arquette’s character escape to Thailand. He was the heart and soul of the movie. His face to me conveyed as much as his words or actions. He has a beautiful face.

  After that I started paying more attention to the faces around me of older people, not necessarily like the leaves in the quote about to die, but who having lived and learned and loved and sometimes suffered and hopefully found peace, giving them a beauty beyond pure looks. There are countless images I can add to prove my point but I don’t think it’s necessary.

Baba Ji, photo by Laurent Auxietre, Nepal

  In 2008, Jyll Johnstone released the documentary Hats Off, about then 93-year old actress Mimi Wedell, who passed away in 2009. She began her modeling and acting career when she was 65. The film’s tag line is “90 is the new 40”.

  Mimi Wedell

In terms of how I live my own life based on these reflections, I am proud of who I am becoming as I age. I like myself better now at 56 than I ever  have. I’ve never lied about my age, and I never will. Why? I’ve earned every laugh line and crow’s foot and the now emerging gray hairs. If I had the gorgeous snowy white hair my grandmother Cottraux (coincidentally we called her Mimi) had, even when she was a younger woman, I would show it off. I have no interest in cosmetic surgery. Yeah, I’d like to lose a few pounds, but apparently not enough to give up chocolate. Life is too short to give up chocolate.

Don’t get me wrong. I care about how I look. I usually wear contact lenses, although more and more these days I wear my eyeglasses. Seeing is becoming pretty important too! I wear a little eye make up. I’m not saying we should let ourselves go, but that we take pride in what’s good about ourselves. I’ll never be drop dead gorgeous, but I like to think I have a kind face. That is my idea of being a beautiful person.

On my 56th birthday, laugh lines and all.

In American popular culture, there is such a heavy emphasis on youth, on cookie-cutter beauty standards that are unrealistic and potentially harmful. The green leaves on the trees are of course beautiful. I love the green of spring and summer. But as the leaves continue their leafy journeys, they change into works of art, bursting with color and causing us to gaze with awe. We should celebrate ourselves as we enter into the metaphorical autumn and ultimately winter of our lives. All of the seasons of the year are to be enjoyed, as are all the seasons of our lives.

Peace and hugs.

Seeing the beauty in a life well-lived I was listening to the audiobook of the Louise Penny mystery The Brutal Telling in the car the other day and was struck by the lines spoken by Inspector Gamache of the Sûreté du Québec: