#like i get why ppl kinda ignore the nameless dude

[unclewaynemunson]

Why does Gareth get all the love and best friend privileges in literally every fanfic and headcanon that includes the hellfire/cc gang while Jeff is literally RIGHT THERE and v cool but gets totally sidelined half the time?

[amandabe11man]

a VERY LONG post about Hell on Wheels

YEAH i forgot about this post in my drafts... it’s been like a year since i finished the show now and i feel i’ve barfed everything out into this post (that i can think of), so here it goes (you’ll have to shield your eyes after the spoiler warning if you don’t wanna be spoiled btw. i can’t seem to be able to add a read more-link...) :

SO... i finished watching “hell on wheels” at last, pm half a year since i started. it’s funny because i was under the impression that i’d sOMEHOW be able to binge all five seasons within just one month (reason: i wanted to watch it before my free trial on HBO’s website went out). honestly, that wouldn’t have been possible because it was a LOT more emotionally draining than you’d think at first glance... after being gutpunched three times in a row in season 4, any reasonable human would need a little break.

anyway, it feels-- weird. i’ve never been big on following tv-shows so i haven’t been able to relate to that feeling ppl describe once they’ve finished a show they’ve become so attached to, except NOW i can relate. the show’s not groundbreaking, it’s not perfect, but i’ve had a lot of fun. what a ride it’s been...

looking back, i’d say HOW’s biggest weakness is its tendency to forget or ignore certain plot points. i guess that’s not too weird, with such an arsenal of characters, but still, i find that’s what bugged me the most, if anything bugged me at all. for example--

[SPOILERS for those who might wanna watch it after seeing me go on abt it, idk]:

first off, what REALLY grinds my gears is how ezra dutson’s plotline was handled. it was set up perfectly in the beginning; having him escape from the swede (who promised him that, and i quote: “i’ll find you, ezra! i always do”), the original plan was obviously for ezra and the swede to “reunite” some time in the future so that ezra could tell everyone that the swede killed his parents, thus tying up loose ends and giving some closure to that whole arc. some might say this would’ve been too predictable, but i would rather have that predictable storyline than having it just end unceremoniously like it did, with ezra dying ACCIDENTALLY and off-screen by sidney snow’s hand, simply as a way to further bohannon’s pain and set the stage for ruth’s final arc. this might’ve been fine, if the writers had made it so that ezra actually, y’know, TOLD SOMEONE WHY HE’S AN ORPHAN TO BEGIN WITH. but they didn’t even give the viewer that form of closure, instead just deciding to use him as a plot device for the other characters’ increased angst... bohannon and the others were never even made aware of ezra’s last name, and this is all what bugs the everliving SHIT outta me: the only ones who know, or will EVER know, ezra’s full story is the swede and the viewer, tho after season 4′s end, ezra is never mentioned or acknowledged again-- not by bohannon, and not even by the swede. ezra went from convenient character with a PURPOSE to “nameless” orphan forgotten by history. thanks, writers...

then there’s the whole deal with campbell coming to town to reinforce The Law™, which wasn’t a bad arc, mind you-- campbell and his goons were the most infuriating little shits for a while there-- but the thing is; didn’t campbell LIE to his men about the president giving him the position as governor? i might’ve misunderstood it, but i’m PRETTY sure the president didn’t give him THAT much of an upstanding role, but that campbell just went ahead and took that position anyway? if that was indeed the case, then that’s another plot hole, cause nobody finds out about campbell’s possible trickery to become the governor. nobody rats him out, despite literally no one in “his” town liking him all that much, so they’d have no reason to protect his “secret”. (correct me if i’m wrong on this one though. i might be misremembering things)

then there’s the other pretty infuriating issue of bad guys never getting called out for doing bad shit (unless it’s the swede, who gets all the blame, all the time), for example:

major dick bongbendix(???idk he had a silly name like that) is presented VERY MUCH as a bad guy in the beginning. y’know, just casually beheading natives on all his missions and collecting those heads and taking them to the bar like a fucking nutcase-- those little details. he also seemed to believe in racial biology, so yeah, definitely not a good guy. but by the end, he’s been watered down into some quirky guy who’s ALMOST on friendly terms with the main characters. yeah, uh-- seems everyone (writers included) collectively forgot the whole public display of cut-off heads he had going on...

aaron hatch: started off as a guy too proud for his- or his family’s own good when he shot the police officer, BLAMED IT ON HIS FUCKING SON and then just kinda let bohannon hang the kid even though it was pretty obvious hatch was just shifting the blame away from himself. THEN he reappears with some other mormons and causes a full-on shootout in the town (probably getting some people killed, i don’t remember), TAKES EZRA (also a mormon) HOSTAGE SO THAT BOHANNON WILL COME WITH THEM WILLINGLY and passive aggressively forces bohannon to marry his daughter who bohannon knocked up. somewhere along the line, hatch’s bad side is just thrown to the wind, and bohannon at one point describes him as “a good man”. yeah, ABOUT THAT--

sean and mickey mcginnes: unlike the ones mentioned above, these two started out as seemingly decent dudes, but ended up pm as secondary villains in the end. however, like the ones mentioned above, they hardly face any consequences for whatever crap it was they did in boston, OR the fact that they killed and fucking mutilated/dismembered a man in cold blood (a man who WAS gonna kill them, yes, but HE did it because he thought they had killed his friend, which wasn’t a farfetched idea since mickey DID brag about killing the dude even though he didn’t actually do it). sure, they face their OWN demons as time goes on, they get ostracized, and they start losing faith in each other as well, which ends up with mickey killing sean before the latter can confess(?) his/their crimes. so, while sean was spineless and a creep, at least he thought about finally owning up to what he’d done in the end, whereas mickey lives on to keep doing shady shit, killing people, and getting increasingly more corrupt. he does end up pursuing new goals in the end, but it’s obvious he’s not happy about it anymore. that’s-- really all the comeuppance he ever gets, and the only one who knows about his shady businesses are pm just bohannon, durant and eva (also, personal gripe here-- they seemed to not settle for “just” tarring and feathering the swede and publicly humiliating him, but i’m pretty sure i recall mickey telling bohannon they were thinking about having the swede killed too. keep in mind, this was BEFORE the swede truly lost it and started killing people left and right. apparently, being kind of a douche about taxes is bad enough to warrant being tortured and cast out by the entire community... i’m obviously biased here, but still-- the mcginnes bros’ double standards are amazing to behold)

now that i’ve aired some of that out-- here are some highlights, according to me:

unexpected friendships, like that between eva and durant. i’d say the swede finding that stray dog and fawning all over him qualifies into this category too

durant and campbell fighting in the mud before finally coming to an agreement -- just- durant and his competitors being petty as fuck, honestly. it’s hilarious

bohannon trying to get through to elam by reminiscing about their friendship, especially since bohannon isn’t one to show his feelings often OR get sappy -- in fact, EVERY time bohannon loses his stoic facade is a good moment. when he was gonna bury elam and he just broke down completely for the first time since we were introduced to him... that shit had me in tears as well, but man was it a great scene

jimmy two-squaws

every time the swede opens his mouth (yes, even when he’s spouting some lies and bullshit like that)

ruth’s character development. i admit i didn’t like her at all in the beginning, idk something just felt off about her, but man did she ever grow on me. just-- how everyone kinda relied on her eventually, even though she’s only like in her 20′s or something... she still became a pillar of the community. bless ya, ruth :’ı -- also, her essentially adopting ezra was Pure as heck. I Lov it

the fact that this was the 1800′s and the only backlash the (openly) LGBT characters faced for it was pm just “yeah they’re a bit confused maybe but they’re not hurting anyone”. maybe that’s not very realistic but WHO GIVES A SHIT AMIRITE

mr tao just being a sweet old man

chang’s sunglasses, straight out of Django Unchained

mr toole’s complete heel-turn from racist POS to someone who sticks by his word to turn himself around. that shit was impressive coming from him, tbh

bohannon just calmly running into a buffalo by the train tracks

mei posing as a grown man instead of a boy (which is what she looks and sounds like, oml)

another thing i realized is that bohannon is a classic gary stu. there’s just no getting around that fact after seeing him being revered by most everyone he meets, how he’s somehow the only person able to build the railroad(s) fast and efficiently, and even wooing the literal PRESIDENT and becoming close friends with him-- all this despite his Bold and Brash personality. of course, there’s more to bohannon than these gary stu-symptoms, but i felt someone should bring it up, for the lulz

[salora-rainriver]

Gaycoding and You: a Useless Ramble about Milkshakes and 1950s Humor

Ok lemme just start out this Disk Horse by saying that y’all are fuckin fakers. There’s no fuckin way my whole dashboard was secretly hardcore Archies Comics fans who read every motherfuckin issue and have been following the exploits of the Riverdale Crew for years. Shut the fuck up, we all read the comics casually while waiting in line at the grocery store, and now that a dude is confirmed ace, you all basically did the discourse equivalent of pullin’ an all nighter the night before the midterm. 

I’m calling your fucking bluff, you ain’t intimately aware with ANY archies comics characters. Do y’all even know the name of that old lady who’s the teacher who has to deal with Archie n Juggy’s shit? the one who looks like a pencil with a cotton ball slapped on it? Cause I fuckin don’t. For all I know, she’s one of the fuckin Pearls from Stevens Universe, and she took a teaching job in this obnoxiously idyllic suburban neighborhood because she’s a masochist. 

So now that we’ve got that out of the way let’s move on to this alleged “gay coding,” 

Aight so in all the times I’ve read dem Archies Comics, Jughead’s basically been the dude who has 2 things on his mind: burger and nap. That’s it. Sometimes hes thinking of havin a milkshake with that burger. Nice cold 1950s diner style milkshake. His favorite napping spot is a hammock under two trees. It’s probably in his backyard or by the lake in the park and he just has that hammock permanently set up. Maybe he has multiple hammocks permanently set up around Riverdale and no one takes down the Jughead hammocks because that would be rude. In the carefree high school world of Archies Comics, where girls wanna date boys and boys wanna date girls (seriously there’s fuckin PAGES detailing the lighthearted yet completely overdramatic conflicts of archie, reggie, betty, veronica, and their Hetero Drama), Jughead is the quintessential Man Who Doesn’t Give A Single Fuck. As far as we know, he’s not even aware that schoolwork and romance and jobs exist. He literally doesn’t even look once at anything that other people build whole story arcs about. This is his character, this is the comedic trope he fills. He’s the straight man to Archie’s Hetero Bullshit, but he’s also the clown who’s amusingly uninterested in things he should be interested in. like his grades. get it together, Jughead. 

At least, that’s the impression I get from all those years casually readin Archies Comics while my mom loads the veggies on the conveyor belt. Who tf knows, maybe Mr Happy Meal Crown batted his eyelashes at Reggie and blew him a kiss like a big fat flami- aw who am i kidding, the only reason Jughead would bat his eyelashes is during Masochist Pearl’s class cuz he’s bored and wants to sleep. 

Anyways, Jughead’s character out of the way, we need to talk about this weird-ass idea that every single example of a male character refusing to date women is Gay Coding. 

Now I’ve mainly read only the Classical Literature that my middle n highschool teachers gave me to read, and not much else, but BOY HOWDY did I read the SHIT out of those. You’re talking about a girl who cried her ass off at the end of Mary Shelly’s Frankenstein, in a hotel lobby where people were starin at me like I was a weirdo. Point is, I paid more attention to those verbose messes than most ppl my age, cause I’m a nerd. 

And let’s get something straight. Lack of APPARENT attraction to a character of the opposite gender ISN’T gaycoding. And no I’m not saying this because of modern-day conceits like “someone not attracted to the opposite gender could simply not be attracted to ANY gender”, no you wet blanket, listen to me. 

If Mr. Hooke isn’t interested in marrying Ms. Fairweather, there’s three main reasons for that, and you can usually tell which one it is right off the fucking bat: 

- Hooke is Gay as Shit, and in love with his assistant, Sir Appleseed. You can tell because he’s always seen hanging out with Appleseed, and the two of them spend a lot of time together and regularly express affection for each other with words of praise. Also Appleseed’s like a decade younger and he’s very pretty. Very very pretty. A paragraph is written about how Appleseed has a lithe yet muscular body and nice abs. Any modern reader will giggle at how obnoxiously gay this is. People will debate at length on whether the author intended Mr. Hooke to look like such a fuckin flamer. 

- Hooke is straight, but he’s a misogynist intellectual who sees the advances of Ms. Fairweather as a distraction from his Deeply Important Work. Whenever someone mentions Ms. Fairweather or women in general, he speaks at length about how he refuses to give in to their succubus wiles, and how he has a greater purpose. He may also mock Fairweather’s perceived shallow desires. The modern reader soon starts to feel intense hatred for Mr. Hooke, because the dude is so fucking obnoxiously CONCEITED, SHUT THE FUCK UP, but victorian guys probably deeply respected the dude for his chosen celibacy. 

- Hooke is just a weirdass loner introvert. People confusedly ask him why he won’t marry Ms. Fairweather, and he just kinda ignores the question. He doesn’t seem to have a single opinion on the woman’s advances, and seems almost oblivious to them. The intent of the author was, of course, to portray Mr. Hooke as an eccentric man, and also maybe to push the idea that women are a drain on mankind’s intellectual pursuits. Or maybe the author just wanted to show how “weird” Hooke is for not wanting to get married. Either way, the modern reader will start desperately wanting to shake said author by the shoulders and shout “YOU WROTE AN ASEXUAL CHARACTER, YOU NITWIT!!!” 

The point I’m trying to make here is that merely not wanting to date the opposite gender isn’t gaycoding, it’s too fuckin ambiguous for that. Either the character’s gay, or they’re straight and also illustrating weirdass misogynistic cultural standards, or they’re just a fuckin weirdo, in a way that was probably meant to imply neurodivergency, let’s be real, but any modern reader would unanimously agree it’s probably just asexuality, written from the perspective of people who don’t realize that’s a thing that can exist, and it isn’t a weird nameless “fuck marriage” disorder. 

Anyways, 1950s is a bit different. In the context of Post WWII Oldies, specifically comedic comic books set in a suburban high school, if a dude doesn’t want to date, it’s more likely that the authors saw him as someone who was too dumb, ugly, lazy, or nerdy to ever get with a girl, so they made him uninterested in women just because it’s not very funny to see a dude get sad bcs no one will date him. We can feel better if we imagine they’re just uninterested. And That’s Jughead. He’s not coded gay, he’s coded as a nitwit food-obsessed lazeball, and if we’ll be honest, the original writers PROBABLY wrote him with Stoners in mind. 

Jughead’s not running through a literal maze of women to get to his precious delicious milkshake because he’s gay, my dudes. He’s doing it because he spent all morning fuckin Blazing it, and he’s got a fierce case of the munchies, and munchies waits for no girl. He’s got that in common with Norville Rogers, AKA Shaggy from Scooby Doo. WE HAVE SEEN THIS TROPE BEFORE.

Point of the matter is, when the writers made him ace, it’s because they decided maybe Jughead should be more than a cheap stoner joke who’s friends w/ Archie. He’s still a stoner joke, of course, but now he’s a stoner joke that also cleverly doubles as an example of the ace community injoke about cake. You know the one I’m talkin about. 

And that’s all folks.