#like honestly i WANT to see more of people's creative processes especially for art that's supposed to be 'alternative'

[bethrnoora]

boulets: the contestants this season DONT CARE what people think of them so get ready for CONFLICT

me: girl who give a shit

[eunnieboo]

IYHM ask replies! (2/3)

🌸 @csevet asked:

hi my copy of iyhm just came in and my fiancee and i snuggled up and read the whole thing cover to cover and CRIED!!! i love when lesbians 💕💞💝💗💝💗💘💞💖💗💝

AHHHHH thank you SO much!!! OMGGGGG 🥺 live laugh lesbian..... 💞💗💖💕💖💞💕💖💗

🌸 @chrysalis-the-butterfly asked:

I read If You'll Have Me a few months ago and I loved it! Your art is so pretty and Momo and PG are such cool characters! 🥰 If you're okay with sharing, I'd be interested to hear what inspired you during the creative process? Were there any pieces of media or any other characters which influenced the formation of Momo and PG? Or did you do your own thing?

oh my gosh! thank you!! i really love character interactions and relationship dynamics, so i wanted to depict two girls who seemed like opposites - one cool and laid-back, the other soft and sweet. after a while they started to take on a life of their own, and i thought it'd be wonderful if their story could evoke the feeling of a shoujo romance!

i had a lot of things on my mind when i wrote the script... friendship, intimacy, communication... communication can be so hard! sometimes it's harder with someone you're close to because their opinion is so important to you. and what happens when you've got a character who's non-confrontational and has low self-esteem + someone who prefers actions over words, and would rather burn bridges than admit to feeling vulnerable? how would they get past that? i wanted to write their flaws as believable, and how their life experiences have shaped the way they think about themselves / the way they respond to personal conflict... but also how they learn from each other and grow ❤️ tysm for the question!!

@bisexualgoof asked:

Hi Eunnie! I just finished reading “If You’ll Have Me” and let me tell you, it was spectacular! I saw it in a local bookstore the other day and it was a no brainer to grab. The characters are so fun, the story is beautiful and heartfelt, and honestly every character is attractive… I especially fell in love with the pages of the books without words, especially 312-313, it made me cry. Such beautiful art! I related to PG’s annoyance with her long hair, I felt very seen with her comments. I’ve definitely said “I’d like to forget” so many times myself, right to my butch heart haha. Thank you for sharing this story with the world, and thank you in particularly for your acknowledgment at the end of the book, it made me feel seen. What an amazing love story, hope to see more of this adorable couple in the future!

oh my goodness!! this is so lovely and wonderful and ahhh T_T thank you so very much. it's such a dream, having these girls be out in the world with their personalities and backstories revealed at last! and i'm so happy to hear about the cast and side characters, i love designing people hehe ♥ i'll definitely keep drawing this couple, alongside more sapphic couples that are to come 😍 thank you!!

🌸 @skittles-rainbow-cat asked:

HI HI HI!!! you’ve been one of my fave artists forever and i just got done with iyhm and it’s sooooo amazing im in love with it. also i think strawberry blonde by chloe moriondo fits mono and pg very well :] i hope you’re having a good day and thank you for all your art it heals me in many ways <3333

HIIII omg!!! thank you so much! this song is so cuteeee oh my gosh this line:

Takes my hand in hers when the lights aren’t on Smaller than mine and oh god I am gone

it's so sweet ;_; thank you forever, i hope you're having a wonderful day!! <3 <3 <3

🌸 @lord-of-the-froggies asked:

Howdy Eunnie! I know you're probably swamped with work right now, but I just wanna let you know that I got my copy of your book today!! I'm gonna start reading it right away, it looks and feels amazing. From a fellow Washington artist to another--congratulations on such a huge achievement!

yay hello fellow washingtonian! and fellow artist!! thank you so much for your kind words 🥺 and i'm so glad the book got to you safely! wishing you a happy read~

🌸 Anonymous asked:

I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!

omggg thank you that means so much!!! ;_; <3

🌸 @ddooyoung asked:

I got my (signed!) copy of the book, and I love it SO MUCH. It's everything I was hoping and more. I love finally getting to know them, especially Momo. Since the first time I saw them, I thought Momo was a lot like me and now I have confirmation 😆 Thank you so much for writing such a wonderful story!!! I'm excited for everything you do 💗

WAHH thank you so much!! yesss i'm so overjoyed to finally share their story after so long! i hope the signature turned out okay, i was very nervous signing books for the first time (shaky hand and everything) 😱 i think next time it would be fun to make a custom stamp and stamp a doodle next to my signature hehe. thank you again!!! 💕

🌸 Anonymous asked:

I somehow missed the news about your having created a whole damn book?? was just flipping through yu & me books's holiday gift guide and did a double take when I saw priscilla and momo!! zoomed in and sure enough, there was your name at the bottom! congrats on ihym and congrats on being featured on rec lists from shops as cool as yu & me 🎉😍

omggg thank you thank you!! 🥰 AHHH yu & me books looks so amazing! i've been to new york just once but if i ever get to go back i have to visit them... i'm always looking for indie bookstores to throw my money at 😤

🌸 Anonymous asked:

1. Will there be an “if you’ll have me” sequel? 2. Is Momo her full name or a Nick name? If it’s a Nick name what is her full name? Thank you i love your work! ❤️😊

ahh there's no sequel planned as of right now! but i'd love to make one if i get the chance... i have some ideas that i think would be fun <3 and momo gardner is her full name! i liked gardner because it made me think of flowers ☺️❤️ thank you so much!!

🌸 @upsidedown-shadow-dreamer asked:

Hello, long time fan here. If You'll Have Me was delivered an hour ago and I've already finished my first read. OMG it's AMAZING. I love the story, the beautiful art, the inner thoughts, the pacing, the page color changes for back story… Just major WOW. I hope you are so proud of this work. I'm already looking forward to reading it again. Thank you!!!

this is sooooo AHHHHH T_T i'm in tears. i can't tell you how happy and thrilled i am to hear this!!! it's so encouraging and uplifting and ahh!! i want to make more stories... and just knowing that this book will be read by the same person more than once, omg! it's truly the highest of praise. thank you from the bottom of my heart <333

🌸 Anonymous asked:

Hello!! I just remembered I could borrow graphic novels as e-books from my local library, found IYHM, devoured the entire thing in one sitting, then went through your tags so I could look at all your other IYHM art, and I was wondering if you'll make more stories about Momo and PG because I can't get enough of them! Absolutely obsessed with these two and I love seeing them so happy together 💖💖💖💖

hello!! oh i'm absolutely over the moon about this! i can definitely see myself making a follow-up book if i'm so lucky 🙏 but i'll keep on drawing more minicomics and illustrations no matter what!! thank you so much for this wonderful message 💕💕💕💕

🌸 Anonymous asked:

hi!! love love love your art!!! do you think we can expect to see another graphic novel about momo and priscilla in the future?

🌸 Anonymous asked:

I’ve read IYHM so many times already and I absolutely loved it!!!! Are you planning on writing another book with Momo and PG? Is is there a way we can buy more of your stories?

thank you both so much!!!! <3 a sequel is actually one of the ideas i pitched for my second book! my editor cautioned against it in case IYHM didn't perform well, so i ended up going in a different direction - but my fingers are crossed for future opportunities 😤 realistically, it will probably depend on sales... but for the record, i'd want to do one regardless of the numbers...

i have one more book coming out, which i'm working on right now! the timeline is a bit up in the air atm but i'll try to keep everyone posted. making a book is so slow but i'm so grateful to you all for waiting 🥺💛

🌸 @randomqueernoun asked:

Do you make webcomics for other apps/websites? If yes where can I find them and what do I search in them to find your comics?

ahh not at the moment! but thank you SO much for the interest! one of my biggest goals right now is to set up a website where i have all my work in one place, and that would definitely be the place where i post future webcomics 👀

also, just as an aside... i want to make webcomics so bad. i think after my next book, i might take a break from traditional publishing to do that. sometimes i can't believe i'm drawing hundreds of pages i can't post... i'm like, how are people supposed to read this if i can't show them? how will they know?! ahh it kills me... but yes... someday!!!

part 3 to come~

[art]

Creator Spotlight: @66sharkteeth

66 is a comic artist and the creator of City of Blank, a WEBTOON original series. They worked in the game industry at companies such as 2K Games before entering the field of comics. They began their career in comics at Tapas, where they worked as an editor and lead typesetter, before being signed to create their own original series on WEBTOON.

Check out our interview with 66 below!

Have you ever had an art block? If so, how did you overcome it?

The short answer is yeah, I’ve definitely had one. Overall, I feel like doing a lot of style studies during that time and trying to use new brushes helps a lot. In addition, because I’m a comic artist, I feel like writer’s block is in the same field, and with that, I’m really fortunate that I have an editor that I can work with, who helps me a lot there. Whenever I am stuck at a plot point in my comic, I can always go to my editor, who helps me hammer things out.

What medium have you always been intrigued by but would never use yourself?

Animation. Of course, everyone loves animation. I went to school for game art and design and even did some animation courses, and I am just not cut out for it. I don’t enjoy the process, and I am not good at it. Animation is beautiful, and I admire people who can do it. I’d love for my work to be animated some day, I’m just not capable of being the one to do it haha.

Warm tones or cool tones?

It really depends on the scene! Especially in my comic, I really go with both of them, just depending on the moment in the comic. There was a major character death, and that scene was almost black and white. But normally, the comic is very vibrant, and people really like it, so when I switch it to a more cold tone, it makes the scene that much more impactful.

What is a recent creative project that you are proud of?

Honestly, my current comic, City of Blank, takes up 100% of my time. But recently, I did a plushie campaign where I worked with Makeship through Webtoon to design the plushies and do a little bit of marketing for them. So that’s fun and different from what I normally do!

When planning a comic or a story, what do you do first, character design or character outline?

Normally, I have a design, and I fall in love with the character design, and then I find a role for them. That’s how a lot of my characters have started. Also, that’s how I’ve been tackling new projects that I want to work on after City of Blank. I just came up with a character, and I’m trying to make a story around them.

What is a convention experience that has stuck with you?

Meeting readers and realizing how much my work means to some of them. Some of them have started their own comics, having been inspired by mine. Learning that I’m part of the reason they started their own comic journey, the same way I looked to other inspiring comic artists to start mine—it means the world that I’m in that position now.

Top tips on setting up an Artist Alley booth?

Let’s see…bright, sparkly colors! I think just trying to make sure that the booth is eye-catching. I ended up making a big shiny banner for New York Comic Con, and I know many people stopped by because it caught their eye and they’re curious about what it is. I know a lot of people are selling merchandise of popular media. Even just a banner of your brand to get them curious about who you are and maybe interested in seeing what you make and taking a business card so they can look you up later. It’s better than someone just buying a pin and forgetting you exist. Lastly, put out a tip jar. You never know just how generous your fans are feeling.

Who on Tumblr inspires you and why?

I’m mostly involved in the webtoon sphere! I am definitely inspired by my fellow Webtoon creators, @lark-wren, who created the series Woven. I love their work and seeing them interact with their readers on Tumblr. Same with fellow Webtoon creators, @miranda-mundt-art and @astrobleme-enterprises, who created Lovebot.

Thank you so much for stopping by and sharing, 66! Be sure to check out their Tumblr blog over at @66sharkteeth and follow their webcomic, City of Blank, over at WEBTOON.

[kcokaine]

I just want to say that your Au's and art is so thought provoking and intriguing beyond "Ooh, gay porn!" Seeing someone put so much thought and consideration into their characters as well as the characterization and dynamics within such a niche rarepair is a fresh of breath air among so many others who's manga literacy is infantile. I don't know how you think of this stuff or what your creative writing/drawing process is, but it's honestly so great.

You've picked my brain in such a good way and inspired me to get back into art and analyze the manga I consume more. I hope with more time and practice I too, can put fictional characters through gay, well thought out, trauma.

Thank you for being peak :)

P.s. When you said that Sukuna was incapable of love, did you mean that he couldn't feel or give love at all in any capacity, or did you mean that he's incapable of loving in the same way and capacity that we and other characters do? The way I've always interpreted his character is that the "love" he feels is respect and interest, particularly when a person is strong or entertaining enough to either challenge him or pique his curiosity. I'm a little delusional when it comes to Sukuna so I'd love to hear a second opinion on this topic if you don't mind!

Hello thank you very much. I appreciate your positive criticism of my work ❤️ makes my day everytime i see people enjoy my stuff to such degree. Thats the motivation after all.

When it comes to sukuna’s love. Its the latter. He can’t feel love like any other human can cuz he is so far gone but i believe every human being (sukuna being a human being no mattter how people precieve him or he precieves himself) craves love and contact with people, no human can exist alone not even Sukuna. He is simply so broken he thinks he doesnt need anyone but if you notice, he seeks interaction through battling people, through battling people equal to him especially, thats where he gets the most passionate. Therefore thats his way of craving contact, craving love. His affection is possesive and animalistic, carnal love. Unhealthy obsession kind of love, that only damages the other person but Sukuna is still selfish, he only cares about himself, even if love subconsciously makes you care about the other. There sukuna is no exception either. He is subconsciously compassionate to Gojo many times, thats where i find it beautiful cause you know its the truest kind of feeling from him. Sukuna would never lie about his feelings he is always 100% honest about everything but he is still very complicated with how he expresses it, thats the toxicity in it. He is hard to read

[goodluckclove]

Things You Might Want to Know

So I recently realized that I spend most of my time here talking and forming relationships with young creatives, and that might look weird in a vacuum. Especially since it's something I plan to continue doing along with all my other machinations.

So I thought I'd give some information about myself all in one place. It's more than I might need to give, but it might put someone at ease.

My name is Clover Gardener, and I'm in my late 20s. I am an Agender individual in an asexual marriage and I'm in the process of medically transitioning. Currently I work as an author, but I have experience in technical writing, ghostwriting, social media management, food service and administrative work. Oh and theater. I worked backstage for some community theater productions. These are all like Employment Jobs I've Had to Include On My Taxes, but I've also done more short term gig work/weird jobs that didn't work out. I dropped out of college.

At 16 my first one-act play was produced. I proceeded to form a small youth theater troupe just out of high school where I wrote, directed, and produced three full length plays at festivals and other venues. I also took a play I wrote at like 19 and got invited to a reading at the Last Frontier Theater Festival in Valdez, Alaska a year later.

In regards to writing, I completed my first novel when I was 13 after only making it through a fifth of NaNoWriMo the year before. I've completed 11-14 novels since then. I honestly can't really remember at this point. Only maybe four of them left the first draft stage. One novel, Blind Trust, is self-published online. I also have a few short stories available in online literary journals. At one point I had an arts column on a small culture website but they're harder to find now.

I have taken three writing classes at varying points in my life and didn't find them helpful other than as an opportunity to keep practicing writing and maybe get some good feedback.

In terms of interacting with young people, there was actually a six year period of my life that was primarily dedicated to youth mentorship and advocacy - specifically for queer, neurodivergent, and abused youth, a lot of whom were passionate about the arts. I was way less stable enough to do it then compared to now, but I tried my very best. Supporting young artists and queer youth has been an intense passion for mine since I was 14.

It's my ultimate dream in life to form some sort of youth empowerment program in the arts, or at least a writing program where everyone is respected regardless of age or experience. I'm kind of working towards making that happen. I just want to see how accessible I can make it as opposed to doing something just within my city.

Anywho, those are my general qualifications for talking to teens about writing and creativity. I also have a full history of trauma and disability, but this seems slightly less important to talk about here.

I will say though that if you are a person, of any age frankly, who is ever looking to compare notes or seek support or guidance on anything mentioned above, my DMs are always open. You can also email me at luckyclovegardener@gmail.com if you'd like. I like getting emails and I would love to gain new perspectives.

[dallonwrites]

bestie how the fuck do you start writing again when you haven't written in years bc you're so paralyzed with Fear of Writing Badly mixed with How Do I Get Started and also WHAT do I write about HELP

I WANT to write but every part of it is. so. DAUNTING

Ohhh bestie I have BEEN there. Whenever I take breaks from writing I find myself scared that I'll have just….forgotten to write?? I think the fear of "bad writing" is amplified when you don't write for a while, however long, because you have to like hype yourself up to go back to writing and it's like what if I do all that and then I just can't do it? Returning to writing, especially after a long time, for me has taken a lot of mental work, trying to understand what will make writing fun and healthy for me. A lot of it, honestly, is easier said than done, but also it's mental work you'll keep doing after you start writing again and as you write, and for me it's easier to process my relationship with writing when I am actually writing.

A big part of that mental work for me, and something I think is so valuable, is to reconsider what "bad" writing is and give yourself permission to write it. Sometimes you will think your writing sucks, happens to all of us, but that isn't all it has to be. Like yeah, I'll think something I wrote sucks, but I still wrote it. I can revisit it and work on it and maybe I'll turn it into something I'm happy with. And even if I don't, I still wrote it, I learned from it. Writing does not need to be "good" by whatever standard we're holding it up to for it to have value. And you can delete it! Nobody has to see it! Also you can have fun writing something and still think it's not your best. I've written a lot of "bad" scenes that I had fun with because the scene was entertaining to me! I love when writing turns out how I like it, or I write a banger prose line, but equally I found it helpful to give myself permission to not worry about that all the time and just focus on my interest/enjoyment in what I'm writing, regardless of the "quality". Again, easier said than done, but something I've found easier the more I write, because you'll have bad writing days but you'll also have writing days that are so good

I know a lot of people see writing as a skill that they want to improve, and like I agree it feels really good to see your writing grow, but writing is so much more than the skill and the craft and the theory. There is no objective "perfection" to reach with writing like we are not Sims with levelled skills LOL. Writing is art and creativity and it should be fun and fulfilling. And IMO, the more you focus on what makes writing fun, you will grow and "improve" as a writer a lot quicker and in a way that is a lot more enjoyable than if you treat writing like some icy quest for perfection. You also get to decide what "good" writing is for you/your story. Some of my stories are more prose focused and I'll play more with language, imagery etc. Others are more about the plot and just having fun imagining this scene. Sometimes it's a mix of both. What is "good" writing depends on the writer, story, genre, etc. There is no one way to write.

I'm rambling a lot because I'm just really passionate about this and I cannot express enough how easier writing got, including all the difficult and ugly and frustrating parts, when I gave space to prioritise my enjoyment and fun. People love to romanticise the idea of the "struggling" writer. I see stuff on here and I'm like you guys….writing should be fun. Like yeah sometimes it's hard and we should talk about that but like, you Need to make sure you are having fun. Anyway I'm going to try not to ramble and bullet point some things that helped me:

Make Writing Fun: Lol! Literally whatever makes writing fun. Sometimes I just write super indulgent scenes and the fun of that sets me up to work on my projects. When I work on my projects I try to find what in each scene I'm going to enjoy the most, and focus on that to help me write the rest. I make playlists, moodboards, memes, art etc for my story because it's fun, and it helps me be engaged with my story outside of writing it. Just, have fun.

On productivity: some people will benefit from setting clear goals and running towards them. Some people don't. For me it depends on my headspace. I don't think productivity is a bad thing, it can feel good, but productivity should not be the only reason you write. And the most productive writing process is whichever one makes writing enjoyable for you, because that's how you'll get words on the page

On that note, please be wary of anyone online who who treats the writing advice they share as Fact. I'm not saying every writing teacher out there does...but some of them market it that way! And creators do not have an authority on writing just because they have a platform however big. There are some AMAZING content creators out there who talk about writing, and I have found them motivating, but like just let yourself be picky about who you listen to/engage with. I say this because I consumed some very Strict writing advice when I was younger and it literally contributed to my years long slump so like...I'm picky now LOL

About goals: Personally, gentle goals are what help me get back into writing. Maybe just write for 20 minutes, or write every day for a couple days. When I do word count goals, I base them on how I feel that day, and recently I don't make a word count, I'll transfer it to the next session but smaller. So if I try to write 500 words but can't I'll say okay, lets try 250 next time. Goals can be a great motivator and way to feel achieved, and maybe bigger goals will help you, but you're also allowed to adjust them as you go to make it easier

On finding new ideas, having been there before, you don't need a fully fleshed out idea to start writing. My longest break I came back to writing with...one character and a backstory? If you have stories/characters already you can revisit them, either build on what you have or completely change it. Or if you don't have that, if there's a piece of media you like you can take that concept and play around with it in your own way, or you can even just write fanfic until you have your own idea (if you want your own idea, fanfic is cool too!) You can even just find a cool pic on pinterest and play around with describing it, writing about it, seeing if you can get anything from that. Ideas are everywhere and they can be tiny, and I think if you have that want to write you Will find your story eventually. All writers have had the Idea struggle, but I think the more you engage with writing and think about what concepts and stories interest you already, the more you'll like train yourself to get ideas

That was very long and maybe a lot but like, I am very passionate about this! I've been in writing "slumps" where I didn't know if I would write again, I've started writing again with no ideas, and in those times all I had was the fact I knew I wanted to write. There are a lot of reasons why we end up having long breaks from writing and it is totally normal, sometimes beneficial for us, and we should never give ourselves a hard time for not writing for however long. But also remember that you can always come back. Every one of us has the capacity to create, whatever that looks like, and you can make it as self indulgent and self serving as you want.

[this-acuteneurosis]

How do you manage to stay motivated on one project for so long? I understand you must have your ups and downs but I can't help but admire your consistency with this fic. Do you have any advice to give to someone struggling to stick with something?

Honestly, I have multiple roommates who read my fic and would kill me if I stopped posting new chapters.

I'm only sort of joking.

I actually have several stories that I'm working on at any point in time, but I'm trying to only post one or two of them at a time so that I don't overwhelm myself with the sense of obligation to different readers. If I'm completely stuck on any given day, I do let myself work on other projects for a bit.

But the most important thing for keeping me on track for a long work, especially Don't Look Back, has been treating the creative process as a collaboration, not a solo project.

I'm lucky enough to have some of these people live in my home, so if I'm ever stuck or disinterested I can wander into another room and start whining about not knowing what to do next, or being confused by characters getting away from me. When I get comments that make me want to scream or run away and never post again, I can rant to them until I feel better. When I'm low on inspiration or desire to write, I can tell them about my favorite parts that haven't happened yet, and all the special plot points that I'm excited to torment people with and they will giggle with me and egg me on.

There's the practical aspect of me figuring out how often I can post and not burnout (weekly works well for me on this project, but I've had more aggressive and less aggressive posting schedules), and having an outline so when I'm getting lost I can get back on track. There's the fun of a lot of the comments that people leave, excited to see what happens next and making guesses. That's pretty motivating.

But beyond that, having a community of people who I can be uncool and unsure with really helps. Having people I can spitball ideas at, who can correct me in real time, who can make suggestions and keep me on track is really critical.

Art is so collaborative. If you don't have people physically close to you who can hype your writing, even through the worst bits of it, I would suggest trying to find people online who can do it. People who can be consistently there, and like what you see as your weirdest or most niche ideas. I have several, but even having just one can make a huge difference.

[voidthewanderer]

I was gonna do this under a read more, but fuck it. You get to deal with me now.

Nothing is truly original and people need to get over this fact.

Yes, you can make original work, but someone, somewhere is going to find a correlation to an existing thing. It doesn't matter if the original work's artist has never seen what they're referencing, it came from somewhere.

The last truly original thing I have ever seen be created was the Cannonball Loop in Action Park, NJ. And you wanna know something about this monstrosity?

This thing never opened to the public because it was too dangerous even for the testers. Gene Mulvihill was apparently trying to pay people to try this death trap. His own son was even hesitant to try it. The last truly originally creative thing I've ever seen was a death trap waiting to happen.

Human creativity builds off of what it sees; changing it into something for an individual's own palette. A good portion of the time, it's a subconscious thing, you don't even realize that you create something that's similar to something else. It could be something even as simple as "I saw this thing a while back" and just forgot until you see it again.

I linked this before, and I'll link it again. TomSka's video on plagiarism in the arts. He talks specifically about his own experiences with plagiarism (both actual and not actual plagiarism). In all honesty, I do urge every creative to watch.

I shared this a while back specifically for his "Somerton Scale". Here it is typed out.

No Correlation -> Parallel Thinking -> Subconscious Appropriation -> Inspiration -> Influence -> Reference -> Allusion -> Derivative -> Imitative -> Cloning

So, obvious, the first point (no correlation) and final point (cloning) are straightforward. No plagiarism and blatant plagiarism. It's those in between points that I see far too many people get their fucking panties in a bunch. Most specifically, the two points I want to talk about; parallel thinking and subconscious appropriation.

The first two points kind of go hand in hand. Parallel thinking is the process of two unrelated people having the same idea. Now, why do I personally say that this goes hand in hand with subconscious appropriation? Well, there's a reason why certain riffs in music are called earworms or why an idea might sometimes be called a brainworm. You get an idea from somewhere that you love and you make it your own.

Let's take, for example, I dunno... Counting freckles on your partner. I can't begin to tell you how many times I have read this, quite frankly trope in free harlequin ebooks on Amazon. I used to have time to read a lot when I was younger and I didn't care what it was, as long as it was reading material. Did they all steal that idea from one another? No, they didn't. It's honestly a very human thing that actual real humans do. A person doing something to create a mental image of their partner; wanting to engrave every little detail into their minds. That is an adorable thought and a lot of people do it. I know I would.

It's these two points that I always see people throw the biggest, most absolute infantile tantrums. And, almost 98% of the time, it's always the only correlation between two pieces is the same idea. Yeah, you know my "Elect Death for President" art I recently did? I highly doubt I'm the first person to make art of such a dark concept. Especially since I even got the idea from the Wednesday 13 song of the same name. I'm also writing a fic based off the Creature Feature song A Gorey Demise, which was based off of The Gashlycrumb Tinies. Just because I'm using the lyrics of the song for the chapter titles, it doesn't mean it's plagiarism. Now, if I used the lyrics for the chapter titles, didn't tell anybody that it was based off of a song, and possibly changed the name of the story? Yeah, that might be a different story. But even then, that would more fall into the category of allusion (thinly).

As I previously mentioned, we see and hear things we like, it doesn't matter what the media is. Music, stories, movies, tv shows, even just the world around us, and locks it away into a place that we call our own. We make up our own little ideas based off of these things our minds take in; it gets twisted into our own personal tastes. Sometimes people just don't remember where they might get an idea from. Or, they do know, but it's just a small thing, it's not worth mentioning. That doesn't make an idea plagiarism.

Now, I wanna swing the topic slightly for a moment. Character creation and theft. I'm gonna be blunt with you guys, some of my characters are stolen... to a degree. What do I mean by this?

Savino and his brothers; they were all my and an ex-friend's rendition of The Midnight Crew from an old roleplay we'd had going on for like two years. Yes, Homestuck Midnight Crew. By the time I actually took control of the lot of them, they were shadows of their former selves; the only thing distinguishing them from what they were originally being that I hadn't actually made them human at that point or changed their names. If I'd never said anything, there's literally only like two people who would've known that they were originally a roleplay version of the homestuck characters.

The same thing with Jason. He's my former Turbo from my Wreck-It Ralph rp blog days. Now, granted, my Turbo was already pretty disjointed from WiR even in his initial creation, but once I left that era of my life, I didn't want to just throw him into the pit. I still wanted to use him for something; I loved him too much to do that. A fresh coat of paint, a new backstory, and he's now a part of my Fallout line up. Doesn't negate where he came from, however. But, again, if I hadn't said anything, only maybe two or three people would have known.

However, these characters are so disjointed from their original content that they're not that anymore and haven't been associated with their former selves for a long time. Without mentioning anything, most people would be none the wiser unless you previously knew me from those eras of my life. And I am still further developing these characters to further disjoint them from their origins. Vague references at best (Savino and his brothers initials being the same, as well as their crew still being called the Midnight Crew or Jason still sporting the facial markings I'd originally given my Turbo).

There's no real excuse to steal another person's character, however. Outright laying claim or using another person's character for any reason, especially without doing any sort of changes is no different than plagiarism. And, quite frankly, you must be quite the miserable person to do as such. Kinda makes me wonder, what else are you hiding.

Sure, it's possible to have a character that's similar to somebody else's without realizing it until someone points it out. It does happen, quite a lot. However, I also see it more often than naught someone just sees a character, hates how the original creator is portraying them, and then steals it. When they're called out about it, they throw a temper tantrum, claiming that it's totally their own character for sure. Some people are just cheeky cunts and extremely blatant about it.

Theft/plagiarism isn't something that should be taken lightly. Nor is it something that you should just throw around willy fucking nilly. It's a serious claim. And to claim something that you know doesn't actually fall under plagiarism/theft, honestly makes you a shit human being. It's time to learn that not everything you do isn't actually original.

I'll be the first to tell you, just because I ran my shit through a plagiarism checker and got 100% original content? Doesn't mean that I'm not the first person to come up with a brothel in a church or a scummy bad guy kidnapping someone for leverage to rule something. I'm not the first person to write two friends having drunken sex. And I know I won't be the last. You certainly aren't going to be the first to create your ideas either. But you also won't be the last, either.

Just, sit in your little bubble and create. And stay in your own goddamn lane. Unless it's actually, legitimately a beat-for-beat recreation of your work; just shut up. It's not as original as you might think it is.

[gamesception]

Sception Reads Cass Cain #28

Batgirl (2000) #12 writer: Chuck Dixon pencils: Dale Eaglesham

Batgirl (2000) takes a break from the usual creative team for a tie in to the Batman Crossover of the month, Officer Down. We've seen Eaglesham draw Cass a few times now & he's always solid. Dixon wrote for Cass back in Robin 73, which wasn't the best showing for her. Better this time, if more reliant on narration blocks than I'd like. Kind of odd that this is a 'tie in' rather than part of the story proper. Like they didn't want people to feel they had to buy this issue? I'd say it was a slight against Cass, except it's not like she was kept out of the rest of the crossover, she's in like half the issues.

But the fact that this issue is partially segregated from the rest of the crossover is convenient for me anyway, as it gives me an excuse to just look at this issue on its own this week, while next week we can bundle together the rest of Cass's appearances in the cross over.

Off the top, I have to say I really like the art in this issue. Eaglesham's fast cementing his place as my second favorite Cass artist. And not just because I like the way he draws Cass as Batgirl, but just, I mean, look at this page here, with all the details and personality packed into the scene. Kudos also to Jason Wright, the colorist for this issue, for really capturing this warm cozy homely interior, almost nostalgia-sepia-toned, while everything outside is cold and wet and blue. A single page that really captures Cassandra's isolation. At this point in her story she's basically living as Batgirl 24/7. No alter ego, no normal life, no friends. Not even really any connections apart from her somewhat fraught relationship with Barbara and her extra fraught relationship with Bruce. To see Cass on the outside looking in at the sort of connections that seem so impossibly distant, especially after the run in with her father last issue, it really works.

I also love these panels of Cass navigating Gotham, moving around like a shadow, often in the background or in silhouette. Bits like that convey the spookiness of this Batgirl a lot more than other artists who give her an angry face or emphasize the stitching on her mask or the like.

Love that panel of her rubbing her chin, thinky face clearly visible through the mask. Batman's out, so Cass decides to start investigating on her own. It's nice to see her doing the detective part of the bat-person vigilante job, rather than just leaving that part to Barbara, and Dixon does a good job of walking the reader through her thought process.

He is relying on narration blocks a bit more than I'd like, but he keeps them short and terse. Cass can talk now, but English is still a second language, and that comes across pretty well, imo. I was very critical of Dixons last showing with Cass, but he's honestly doing a solid job with her here, and as much as I don't care for them in general, I think the thought bubbles are helping. Some writers just have a hard time wrapping their heads around a non-verbal character. I'd imagine even just a little bit of language makes thing a world easier.

That said, not to beat a dead horse here, but with Cass speaking a few words here and there like this, they could have believably gotten her to this point through her own effort by studying with Barbara, no psychics required. Just saying.

I guess it hadn't really been decided how much Cass's new speaking ability had translated to reading yet? It seems from these panels that she can read at least a little, at least enough to recognize names and dates as such, which is more than she can do later on. But clearly she's not comfortable or adept enough at reading to get much out of the police files beyond Catwoman maybe being involved, and you can feel her frustration here when she abandons the papers to finally just go ask Babs for help.

Good stuff.

Of course, Babs isn't home either.

Again, I really like the way Eaglesham draws Cass. I like it more each time he shows up in this retrospective. Love little head tilt in the first panel, love the cape in the second panel there, very dracula-esque. Love that we can kind of see her face through the mask, makes her feel like a person.

Oh, you poor random doofus goons.

There's an ok fight scene at one of Selina's safehouse, albeit against no-name mooks. The panels are well drawn, the fight's perfectly readable, but it still feels pretty arbitrary, like hitting a minimum action quota for the issue.

Regardless, Selina isn't there, and the issue ends with Cass abandoning her solo efforts to go find the others.

As an event tie in the overall issue feels... pretty unnecessary. Nothing is really discovered, the story isn't advanced at all, nothing much happens. Makes sense that it wasn't an official part of the crossover, though you're left kind of wondering what the point was at all.

Even so, I kind of like the issue regardless. Eaglesham does a spectacular job with the art all the way through, and Dixon seems to have a much firmer handle on the character this time around. We get some solid panels of Cass trying to do some detective work on her own, something we rarely see, and the excellent bit early on of her flittering around through the city like a shadow. That sense of isolation from the first page really permeates the entire issue even if if the plot never touches on it, with Cass seeking out the only two people she really knows only for both of them to be out.

So yeah, even if nothing that happens in the issue really matters much, even if it doesn't really tell a stand alone story per se, I still like this one a lot.

[grimbz007]

Friday, 26th October 2024,

How to unlock your creavity, a reminder to one’s self:

I want to track my progress, bit by bit, and witness my growth over time. Some may say my drive for improvement is overly ambitious, but for me, it’s rooted in hope…

A hope to finally succeed and, perhaps more deeply, a desire to prove to my parents that my decision to pursue art full-time was the right one. Every step forward, no matter how small, brings me closer to realising both my dreams and my belief in the path I’ve chosen

Again, I am in my first year…

My teacher recommended me this book, It’s book about animation, by Shamaus Culhane, he became the lead designer for Snow White. Fun fact: He was on the verge of being fired in his earlier years

Honestly… It’s inspiring to look back and see how people in the past, with far less technology than we have today, still found ingenious ways to solve complex problems. It’s comforting to realise that, with time these struggles and uncertainties, that I’m facing now, will begin to face, again with due time…

This reminds me of how artists in earlier times used pinholes to aid in their painting…a simple yet brilliant tool! Honestly, reinforces the idea how references are so important!

(Another nice reminder to use them)

The author begins by describing how their animation work seemed to occur in two distinct stages.

The first stage was a “daydream” phase characterised by a burst of energy where the artist avoided contemplation, allowing their subconscious mind to take over! (Introspection was absent during this part of the process)

The second stage was more deliberate, involving conscious thought and analysis, where the artist took time to reflect on the drawing and the emotions it conveyed.

The author references a specific book, which discusses the functions of the brain and the idea that the right side is more creative, while the left side is more analytical.

We can see it through how he highlights the quote from the book he read, stating that the brain works best when daydreaming, hinting at the value of the right hemisphere in the creative process.

This section concludes by illustrating the practical results of this theory, showing a set of drawings that progressively improve within a short span of time. These drawings exemplify how activating the right side of the brain leads to creative breakthroughs!

Again, I also do think Pomodoro technique works wonders!

Especially with an artist with ADHD (like me), it’s basically when break your work time into intervals (traditionally 25 minutes long, but I do around 30 minutes, since I have been training my brain) called “Pomodoros,” followed by short breaks (usually 5 minutes, once again I do 2 minutes each)

REMEMBER TO PLAN PLAN PLAN! BEFORE YOU DRAW OR YOU END UP BLANK……………..

Anyway, the author quotes that when creativity is in demand, the right side must suppress the left side’s desire to control and analyse. To maintain the creative flow, it’s important to avoid overthinking, as even a single moment of conscious thought can halt the creative process.

In summary, this chapter of the book (3) emphasises the distinction between the analytical and creative functions of the brain, showing how the creative side flourishes when allowed to operate without interference from the more rational side.

It suggests that achieving artistic breakthroughs requires letting go of conscious thought and trusting the intuitive, subconscious processes associated with the right side of the brain, which… Worked!

❤️ Less thinking more working, get your ideas down on paper so you can develop them into the thoughts you want! That’s how you can truely create what you think about!

Examples of drawings I did with this new mindset! They roughly took the same amount of time, around 10-45 minutes! (Done in span of 2 days, school work is such a bitch…)

[sandandlightning]

Good afternoon! If you don't mind me asking, how did you first approach Lucifer and what is He like? I've worked with Set for most of my life and always felt a tug at the Luciferian current but something always kept me away. I find myself drifting back to the LHP after many years and something about your posts resonated with me. Would you be open to a dialogue? Have a great day!

I would absolutely be open to a dialogue! That is why I made this blog- in case any of my experiences happen to be helpful to others ^^

I was very intimidated by working with infernal divinities and LHP dork for a long time, but once I started working with them I found I didn't need to be- both in terms of the deities themselves and from the community of people working with them.

I did not start off my foray into lucifarian work working with Lucifer himself. Initially I meditated on lesser Goetic demons I felt close to. The first 'big' presence I encountered was actually Leviathan- after initially working with Bune they informed me how long Leviathan had actually been present in my life. From there it was sort of a matter of working with different minor or 'less scary' entities and being introduced to bigger more intimidating ones. Set himself helped with this process and encouraged me along this path.

I made the jump to reaching out to Lucifer directly on the spring equinox, which Demonolatry practices often holds as a holiday for him. I approached him by meditating on his enn with music, sort of putting myself out there to see what happened (a process that has seen me reel in a completely different entity than the one I was originally reach out to) but he responded almost immediately. YT music played into a song titled 'fallen angel' immediately and I was honestly shocked at how fast and on the nose it was.

He is exceptionally friendly and very empahetic- (I'm sorry, I need you to know he says hi, the aforementioned song just came on as I was writing this post) and he is very good at helping with feeling your feelings without guilt. If you have a history of trauma he will aggressively adopt you, especially if it is parental related.

My initial encounter with him had him venting a bit, in a sense- it was like he was trying to tell his side of the story. There was a lot of anger and sadness, but never at me, rather a general upset at injustice in the world that had afflicted both of us. It did not feel like some dramatic lamentation either, rather the odd familiar feeling of being a teenager, laying on the floor of a friends basement at 2 am in the summer, a video game still paused as you both got distracted just talking about life for hours. That part of the encounter was also surprisingly brief, before it organically moved on to more positive things, focusing on the good parts of the present rather than dwelling on the pain of the past.

If you were to completely remove him from his original context he would be purely a deity of the arts and creativity, like one of the muses or perhaps akin to Khnum or a less practical Ptah. I make and sell crafts and engage in more traditional art mediums on occasion and he gets SO EXCITED. He just wants people to make things. It is impossible to worry about if you are 'wasting time on a hobby' or 'something not productive', he will always reaffirm that the urge to make neat little bobbles because we can, to sing and dance for the sake of the act and not a performance, is what makes us human, and should be celebrated.

In a way there is a similar sort of energy to Set, in that there is this super intimidating air when they are being seen from a distance, but then this Big Scary Deity looks at you and makes the worst dad joke you ever heard and you can't help but feel at ease suddenly. Set is definitely more chaotic, Lucifer always feels very peaceful and serene, but gets easily excited. I think the biggest difference is Set, for me, has a baseline 'destructive' energy (not in a bad way, but in a, the desert is barren, death is a natural part of life, rain hell upon thy enemies sort of way, wrapped up in a healthy dose of that trickster flair.) where as Lucifer has a 'creation' energy. In my experience they get along extremely well.

Anyway sorry for long post >> hope this helps! Feel free to ask more/anything else/tell me to be more concise XD

[eldritch-spouse]

How would your OC's react to a partner that's a photographer/"artist" like Stefano Valentini from evil within 2. And getting gifted a special "art" piece that was made especially for them? Or being used as a muse?

[As a heads up, since I have like 300 characters, answering an ask with all their perspectives would take forever. So, if people could specify at least one or two (or more, ofc) whose opinion/reaction they want to see the most, it would help a lot! :7]

I know for a fact that Vinnel, Krulu, Shags, Ludwig and Mervin would adore this in a partner.

Vinnel is low-key a bit artsy, or rather, creative. And most of that creativity is veered towards violence, as are all his performances. This would no doubt be one of the things that has him fall for you, it legitimately gets him hot under the frills to see you in action. And that's about one of the best gifts you could make for him as well, it's rare that someone relates to his violent mindset but to also care enough to try and make it even more appealing to him? He could honestly cry. Poppet, it's about time you star in some of his shows, as a co-star this time.

Similarly, Shags is enamored with your art. He himself has very morbid tastes, but they usually don't go beyond ink-splattered pages and the delicate preservation of body parts. Your corporeal art is a lot messier, but it's a beautiful, elegant type of chaos that has Shags' breathing labored. Chances are it would catapult his attraction to you into new heights. Teach him, teach him everything about your modus operandi, he's never been so in love in his entire life. To be gifted such a piece will have him in giggling euphoria. He'll make you a return gift that the shroom hopes will means as much as yours does to him.

Ludwig is a simple demon. He sees his partner brutally kill someone, and he gets a boner. It's not rocket science, but there's definitely something taking off in his pants. Now, the guy knows very little about art and the artistic process as a whole, but I assure you he's your number one supporter. In fact, he'd be delighted to participate in your pieces, in case you don't have the brute strength necessary to make certain tweaks or, you know, just because he wants to get soaked in blood and fuck you like that. The gift, if it involves body parts, will be just like traditional wrath demon courting, so he'll be extremely flattered. You'll get a massive weapon in return.

Mervin, snob that he is, won't shower you in praise (at least not within your earshot), but he'll clap. Once. And tell you that, out of all deadbeat modern artists out there, your work does have soul to it, and he hopes you get better. He's actually very excited whenever you make anything new, his tail wags furiously and he bites his own claws out of enthusiasm. You should use his sai for your next piece, definitely not because he thinks it'd be hot. When you gift him anything, he'll pretend to evaluate it for a full minute before calmly deeming it """up to his standards""". Then he goes home and throws himself a fucking party, flexing as hard as he can on other pride demons.

Krulu's been busying himself with grotesque side projects for a loooong time. Art made from the body and its intricacies is an interest of his, and he's very interested to see how far you can take it on your own. He's impressed with your level of uniqueness, for a mortal. It's a great bonding opportunity, all things considered, as he will add gruesome touches to your pieces, reshaping flesh in ways that shouldn't be possible, gardens of newfound anatomy and expressiveness that only a god could convey. You're likely to be as inspired as you'll ever be around Krulu. Offerings of this kind make him just about curl his toes with glee, the higher will reward you handsomely in the future.

As a side note, I think Nebul would love this, not particularly for the violence, but more because of the misery you can pull out of someone. The way you manipulate suffering out of your art pieces is both inventive and delicious. He could honestly get high off it.

[bubblegum-blackwood]

🤲what do YOU get out of writing?

Ah good question. I feel like that's a complicated one that's not so straightforward to answer.

TL;DR - idk I like it :] and I like people

I've been writing fiction since I was nine years old. My teacher had us do some creative writing in class, and I fell head over fucking heels for the concept! It's crazy to see how much I've grown since then 😂 but I kid you not, I've known I wanted to write for a living since I was nine years old. I did it once and was like yeah . . . I like this. Funnily enough, I started out writing fanfiction, although at the time I hadn't heard of that word or that concept. My sibling and I had a game we called "Kid Wars" - essentially, we RPed being Star Wars OCs. My character was a female clone of Jango Fett (how did I come up with that as a small child and then The Bad Batch happened????????? will never get over that) who secretly joined the Jedi Order and fell in love with Obi-Wan 😂😂😂 ah, children. This origin story is never not funny to me. Anyway, over the years since then, it's slowly evolved into something nearly indistinguishable from Star Wars (I've mostly just kept something that vaguely looks like the Force and some OC names and arcs, but the worldbuilding is entirely original, and I had so much fun with it!)

But I digress.

It's ironic to me because even though my writing days largely started with terrible self-insert fanfiction I since then only wrote original works and even railed almost as vehemently against fanfiction as Anne Rice herself! 😂 But I spent some time on Tumblr and I caved and read Burden of my Days by @hekateinhell and have never been the same since. And now I have 36 fics and counting!

What originally drew me to writing as a kid is just the whole idea of making shit up. I've been making up silly lil stories in my head to keep my insomniac ass busy at night since I was in kindergarten, and when I realised I could write them down? When I realised I could get paid money for that shit??? Hell yeah! I can make a career out of doing something I genuinely love doing, and I'm so grateful that it's even an option for me because I have no clue what I would have told people I wanted to be when I grew up otherwise. As I've gotten older, I've understood more about what exactly I enjoy about writing (which allows me to take inspiration from the books and shows I like without copy-pasting every minute detail that I don't actually need) - it's people. I like people, I like knowing what makes them tick, I like watching them fuck up and I like watching them interact with others. It's part of what draws me to psychology and sociology, too. I just genuinely enjoy stories. I could eat a well-done character arc for breakfast, honestly. And that's what gets me about the writing. My books don't need big grand plots, the conflicts largely are not centered around big bads with large armies, it's all about people and the relationships they have with others within the narrative. (Don't get me wrong, though, I have fantastical elements - vampires and ghosts, especially, are quite abundant in my stories).

Plus, there's something about the actual process of writing that just gets me in a good mood. Sometimes the executive dysfunction or general life fatigue makes it hard for me to get myself to pick up the pencil, but when I feel motivated, DAMN, the juices be flowing! Sometimes I get in the zone and I just know what happens next and the words just come to me and it feels good, honestly good. I can agonize over it for hours sometimes, but crafting artful sentences to paint a picture with words is such a powerful feeling. I just can't imagine how my life would have turned out had I not discovered how fun it is to write.

And with fanfiction? To me, it's all about connection. To look deeper at the text, to identify what you like about events or characters or pairings and make it your own, to really know the book you love so much. But not only that, then also you get to connect with other fans! You get to get excited together, be proud together, maybe even make friends through it! You get to talk to people!!! And I think the value of that can never be understated enough.

Anyway. I've rambled plently now 😂 thanks for the ask!

[justsomeoneintoomanyfandoms]

Hello! I honestly don't remember if I requested here, but if I didn't, then would it be okay for me to get a matchup for demon slayer, haikyuu, and one piece? the options for famdoms were really hard! you have good taste :)

pronouns: she/her

sexuality: bisexual

zodiac: virgo

appearance: 4'11. pear body shape. dark brown hair that reaches up to my chest. brown eyes. brown skin (i'm hispanic).

personality: from what others tell me, i am honest, sarcastic, patient, and too kind (like being respectful to the ones who give me attitude, saying sorry to a chair, etc). i like to follow the rules and will only break them if necessary. i'm the one who makes sure everything and everyone is alright (sane). i easily get flustered, and you will not notice it until you see my very red ears. i'm also a VERY curious person. It has gotten me in trouble or hurt here and there. i'm quite prideful, but i've been slowly learning to apologize and accept that i am not always right. i'm not the most observant person in the world, like the many times i get stared at and don't notice until someone points it out to me. but i do get observant (or at least i think) with the people i love. i always want to make sure they're okay. i can also be quite mischievous. i'm not a very good liar. i always have an aloof face when i'm being honest or joking around, so people never know which is which.

hobbies: collecting (anything really). discovering/listening to music. playing (any kind of) games. reading. researching/learning. sketching. stargazing.

likes: art. chilly temperature/weather. cute things. fashion. games. learning. music. rainy days.

dislikes: bugs. being alone. coffee. hot temperature/weather. horrible fashion.

other facts: i work with dogs. i'm the oldest of four. i don't have many friends, mainly cause i want to live a peaceful life, but i do wish to have more friends. someday, i want to be able to start a family. if, for some reason, i'm not able to have kids, i want to adopt dogs, and cats, and ferrets (animals in general. i definitely want a goat!).

i'm so sorry if this was too long T-T if you accept my request then thank you for taking your time to read this! once again, thank you and have a great day :)

Hi! Thank you for your request! Sorry it took so long. Please note I am currently up to episode 574 (the end of Fishman Island Arc) of One Piece. I hope you like your matchups!

In Demon Slayer, I match you with...

I feel like you and Kanao would get along both as friends and as a couple. And that’s a good thing since she needs to be close to someone before she even begins thinking about them romantically.

Loves watching you make art. Whether it’s drawing, painting, sculpting, or something else and whether you’re amazing at it or not, she just enjoys seeing the creative process.

She really appreciates your honesty. Kanao struggles with understanding people sometimes through her lack of understanding of her own emotions. Having someone around who is open is really helpful for her.

Kanao is still learning to have her own interests but she likes fashion and is more than willing to follow you lead to expand her knowledge of the field.

In the same way, Kanao also really likes cute things. She would love it if you each bring back little nick nacks after you’ve been away. They’re cute little reminders of each other.

In Haikyuu, I match you with...

Mom friends! You and Suga are officially the parents of the Karasuno team. Are you going to be able to control them? No. But will you at least have each other? Yes.

Study dates are an absolute must. He enjoys studying as much as you do but he also enjoys having company while he’s studying, especially if it’s you keeping him company.

There’s no need to worry about being alone with Suga around. He loves spending time with you and if for any reason he’s busy, there are a bunch of friendly volleyball players more than willing to step in temporarily to take his place.

I see Suga as someone who isn’t afraid of a bit of teasing from time to time. Unless you feel uncomfortable being flustered, he’s not going to hold back so be prepared.

I think Suga would like cold weather as well, partially because he gets to wear comfy cozy clothes and drink warm drinks but also because he has an excuse to hold your hands. It’s just so neither of you get cold hands, he swears.

In One Piece, I match you with...

You and Usopp are an amazing match. You have your similarities but you’re also very much your own people and that helps your relationship flourish.

Both of you have your shortfallings and when you’re together, you help fill in those gaps in skill or knowledge. You and Usopp are a power couple in that you support each other in everything you do.

Will get rid of bugs for you. He doesn’t mind them but since he knows you’re not fond of them, he’ll do his best to remove them before you see them. It’s a small thing but it’s something he can confidently do for you.

Art buddies! Usopp loves that you like art as well. He’d love to do some creative dates where you each recreate the other in your favourite medium and they reveal the results at the end.

I feel like Usopp would also really like stargazing with you. He finds it relaxing and takes the opportunity to gaze at you as well while you’re too distracted to notice.

[fayesdiary]

Happy 2nd Anniversary!

Hello everyone!

Today marks the second anniversary of this blog! Wow, I can't believe it's been two years already! (Note, I created the blog earlier but February 4th 2019 was my first original post here so I use that date as the blog's birthday)

I'm honestly suprised this blog lasted this long, since I'm a very shy person usually on the Internet and commitment isn't exactly my strong suit. But what can I say? I love it here and Tumblr feels like home at this point!

To celebrate I'm gonna reminisce a little bit and write down my thoughts about this blog. It's gonna get really sappy, I'm sorry.

Just kidding. I'm not sorry at all.

2022 has truly been the year of all time. A lot and I mean a lot of ups and downs. I started and ended my first job, went on vacation, had one of the worst instances of allergy + depression, you name it. In hindsight, every few months I was in a wildly different situation and mental state.

But the thing that overall made 2022 great was finally getting into art! To turn the ironic hate off for a moment, I love Fire Emblem. It's not my favorite series (Kingdom Hearts and Kirby share that position), but it's one I still adore and now am truly greatful for, because for a reason or another it was the only one it felt welcoming enough to me to actively make an account about it and be active in social media rather than a ghost after years.

Before I made this blog I wrote a few supports for the fire-emblem-heroes-supports blog. I think they were the first piece of writing I ever made willingly and not as part of a school assignment, and looking back I still cherish them.

Eventually I had the idea for this blog, and after a lot of hesitation in typical me fashion, fayesdiary was born! I mentioned it a few times already, but originally it was meant to be just meta analysis posts, a few headcanons and theories and my sporadic writings. Overtime though it became a lot more freeform in what I posted, and I think it's all the better for it!

I got the courage to write and posts my first fanfictions and slowly carved my own personal space here on Tumblr. Like, a very cozy rat hole. Over time, this blog became a personal hobby and it gave me a lot of satisfactions. I got close to some people I truly admire and made a few friends too!

And boy, then we get to last year, which has been an absolute blast in terms of creativity!

I don't think I ever had in mind making a dialogue dump website of Awakening, but it happened and I had a lot of fun making it and giving it a lot of tiny details! ...even if its layout has the stability of a Jenga tower and it's just the Gangrel arc. Whatever. It's the thought that counts.

I wrote a bunch more! Not as much as I wanted, but I made some stories I'm really proud of. And I took part in a few fandom events and not just one but two Secret Santas for the first time!

I took a shot at making wallpapers and made some I'm really proud of, especially the Three Hopes ones. They were so fun to make and the process was just tons of fun!

And that leads nicely to... making art.

See, the thing about me is that I always sucked at making art. I couldn't keep my hands stable, I am incredibly clumsy and I couldn't draw anything more complicated than simple childlike doodles. And while I loved painting, the fact I felt incapable of making anything good or that I could like lead me to not even bothering to try. Why bother if you're just gonna be disappointed and frustrated, after all?

Until I got into group painting at around July, and I loved it. I made some paintings I truly like, and that eventually gave me the courage to start drawing again. As a half-joke. Only this time, I decided to draw with references, and my whole world got upside down. Turns out I could actually somewhat draw if I had a reference! And somehow I never realized it in years!

Something clicked. I figured it'd just be a thing I'd do for a week at most and then drop like so many other creative projects of mine, but... it stayed. Not only that, but I got more invested into it. I went from physical to digital (with the mouse!), and eventually shifted to a graphic tablet a friend lent me (and then pretty much gifted me). Eventually the drawings became so many I decided to make an art blog! Me! An art blog! The me from even just early 2022 would have called you insane if you said it! And now not just that, but I'm even making preparations to open a Redbubble shop! I still can't believe it!

And a huge part is thanks to this blog, really! It gave me and still keeps giving me the courage to try new stuff, find new friends and people who inspire me, and lets me know people enjoy what I make or say. It's amazing, and it makes me feel so happy!

I'll be honest, I am grateful to this blog. It truly helped me get into a better place, and I can confidently say ever since I opened it I feel a lot happier. And that's coming from the local cynical bastard who usually hates themselves, but now? I went from hating myself to being neutral at worst for the most part. Even if I still have my moments sometimes, but that's normal. And now I actually have hope for the future!

But really, it says a lot that for once at the New Year party I wasn't the one who claimed the next year was going to suck. Heck, I was actually caught off guard when one of my friends said it and I said no, it's gonna be good!

Anyway, enough rambling. What I want to say is, thank you for everything. Thank you to the people who complimented me or even just commented on the things I made. Thank you to my mutuals and anonymous lurkers. Yes, I know you're there, I was and often still am one of you. And most of all, thank you to all my online friends I made here on Tumblr. When I think about it, we haven't known each other for that long, but I want you to know now I can't imagine a life without you and you brighten my day every time we chat. I love you so much and I wish you nothing but the best<3

Here's to plenty more years of this blog!

[fishboneart]

Fishbone #005

They weren't kidding, that history can rhyme

Only 9 layers and 5 source images this time. Things don't always have to be a federal fucking issue.

With how much ai art wank discourse is rooted in purity politics, especially but not exclusively on tumblr, I was amused by the mental image of slipping into a hazmat suit before venturing into the dangerous and repulsive wasteland of ai art to retrieve alien salvage like the stalkers in Roadside Picnic. It doesn't feel like that, it feels like being a grabby little corvid in the shiny trinket factory, but I still enjoyed the concept.

The rest of the image is about art as alchemical process and I'm not going to explain it.

I've been observing for some time that the objections to ai art are indistinguishable from the objections to photoshop ~20-25 years ago (including the one about "it's different this time bro trust me") so I want to look at some of them a bit closer.

It's not real art

Stop getting your talking points from fascists.

But-

I don't care how you justify it, it's a fascist talking point. Stop.

It's stealing

At risk of resurrecting stupid bullshit I was already bored with 20 years ago, I honestly think there's a better case for this regarding PS than machine learning. PS artists actually do use elements from existing images, lots of them (ideally with permission/license). However, consensus opinion has long since concurred that PS artists substantially transform and recontextualise those elements and the result is an original creation, same as physical collage.

As I've come to understand it, ML doesn't use elements from existing images, just mathematical descriptions of image attributes. It doesn't incorporate images on any level, or even pieces of images, so I'm left wondering what's being stolen here? I'm not being shitty I genuinely can't see anymore what is stolen when ML simply does not use any part of any existing image to generate an image.

There's no skill/creativity involved

The first time I ever used adobe photoshop (I've long since switched to GIMP, change the name, FOSS 5evar, etc.) I spent about fifteen minutes excitedly stacking filters on a picture of a butterfly, before the person showing me how it worked dismissively explained that filters don't make art.

Elements and principles of design are learned skills. They're taught at art school because they're not innate and they're important as hell. I often feel like people are tacitly arguing all that stuff's just padding--and if you're staunchly anti-ai-art I promise that's not an argument you want to make, it will backfire spectacularly on you.

And yeah, I think everyone still agrees that just piling filters on a photo isn't very creative and takes no particular skill. I doubt anyone thinks instagram filters take a good photo for you. I think (or hope) that we all understand now that complex image editing and manipulation does in fact take skill and creativity.

I can't help but wonder how much of the vapid trash we're seeing in the explosion of ai art is the equivalent of the 2000s explosion of shitty filtered photos.

The computer does it for you

There's so much more to PS art than filters, and the computer emphatically does not do any of that stuff for you. It doesn't do composition or colour theory or concepts or art history for you. It just does what you tell it to, you still have to make the art good. Fishbone #001 involved manually isolating dozens of fucked up hands from ML images, and I complained about it the entire time and the computer didn't even get me a cup of tea.

A lot of people used to actually genuinely believe that photoshop was a magical plagiarism machine that you stuck stolen art in and it automatically made perfect composites for you. Probably some people still do, it's a big world. But it never was true, no matter how hard they believed it.

Is there more to ML image generation? Idk I'd have to try it to find out for sure and I'm very tired. But the more I learn about it the more I think there could be. The frequency with which I see very elaborate and specific prompts with garbled and all-but-irrelevant images does at least suggest that the magical ease of making ai art has been somewhat oversold.

Using it in any way is cheating/cheapens your art

I think the cheating idea mostly came from the photography community, who thought PS was a shortcut to better photos for undisciplined talentless hacks who couldn't be bothered to learn to take a good photo. The irony. But for me, since I wasn't using it to improve photos, this was such a weird take. Cheating at what? At photoshop art? I'm cheating at photoshop by... using photoshop?

And the idea that using PS at any stage in your process irredeemably sullies your art is just stupid on its face. It's not radioactive. It's not a PFAS. Sin isn't real. Santa isn't putting you on the naughty list for photoshopping. The Galactic Council of Artistic Integrity aren't checking for pixels.

Needless to say, since 100% of the source images I use in this project are ML generated, I also think it's a bit of a silly objection to ML image generation.

It has no soul

I am not and have never been christian. I do not and will never care what your imaginary friend thinks about art.

Also, this is a repackaged fascist talking point. I told you to stop that.

It sucks

Most of everything sucks, what's your point?

People are going to lose their jobs

Unfortunately this one had some connection to reality. By about 2010 there were almost no painted book covers, and painters who'd made their living from them were forced to adopt PS or find a different job. It wasn't just book covers of course, commercial artists across the board felt the pinch of automation. That's not exactly PS's fault, the parasitic owning class will simply take any opportunity to fuck over a worker for half a buck, and PS art is generally cheaper because it's generally faster to make.

I actually have some questions about how this will play out with ML though. Currently, yes, it's looking very much like in ten years there won't be any PS book covers any more, but I think the parasitic owning class are going to quickly remember they don't actually want art that they can't hold copyright over, and human artists will remain necessary. No one wants a logo they can't trademark. No one wants commercial art if they can't control the licensing. I don't even think it'll take a wholeass test case, just a few things like selfpub novels using the same cover image as a major release or folks using pure ML images from the big stock sellers without paying, and as soon as they realise they can't sue anyone about it they'll come crawling back, cap in hand, to hire you back as a contractor at an insultingly low rate.

People will lose their jobs or find their billable hours severely cut, but, unfortunately, as the brave Luddites showed us, you can't stop automation by fighting the machine, no matter how noble your motives. You need to actually change society somewhat.

But I think this should be enough of a concern without having to also make shit up. You can just object to ML on the basis of tangible harms it will be used to inflict on individuals and society. That's plenty to be mad about, you don't need to put lipstick on it.

It's different this time bro trust me bro

Plenty of people sincerely believed that rise of PS was fully automated skill-free art theft and the sky was falling, and pointing out that all the same things were said about the invention of everything from the photocopier to home video to the printing press to the camera didn't even slow them down because this time it's different, this time it really is that bad. It wasn't.

And I honestly don't know anymore if it is.