#like each time I read an analysis on it it’s different

[lapelle-du-bubblegum-vide]

(Yeah no clue if this will reach anyone but anyway)

Early Sunsets Over Monroeville Poll

So, I’m really curious about how people interpret Early Sunsets, cause it’s my favourite song and I’m curious how other people read it after turning its lyrics in my brain microwave-style for years now. So:

[listles-s]

man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

[shinjiikar1]

I've been trying to think about what I want to say about these first two episodes of Love in the Big City. I'm watching it slowly, it's a show that makes me want to sit rather than rush ahead, and it also hits a little too close to home to enjoy freely (I've only watched the first two episodes so far and my knowledge of the rest of the story is fairly vague so bear with me).

Go Young experiences two major losses. The parallels between these losses, what could have been vs. what can never be again was what particularly stood out to me.

Mi Ae represents a beautiful time that is forever lost. After she gets married, there's no one he can be fully himself with. He simply doesn't have another relationship on that level, platonic or otherwise, and that's truly such an isolating experience. Who do you call when you're in trouble? Who do you complain to? Who will always be your first port of call?

Often, youthful friendships are particularly intense, you're at a point where the world feels so enormous but you don't quite know what to do with it, or yourself yet. Everything still feels new and exciting. You meet people who understand you in ways you've never been understood and can't imagine it won't last forever.

And then you experience that loss for the first time.

Kim Nam Gyu experiences it too. It's clear early in their relationship that Go Young is overwhelmed and uncomfortable with the intensity of Nam Gyu's feelings (his expressions during the padlock and ring scenes in particular). He feels suffocated and anxious, he's not ready for it. So, rather harshly (at least the first time) he ends things. I've been on both ends, which makes it a lot easier to empathize with both of them. While I feel for Nam Gyu incredibly (especially as I read him as very neurodivergent), that discomfort is not something easily resolved, and it's only made worse by his inability to move on. But how can he when he also has no one else?

In the end, Go Young mentions that he missed out on what could have been a long and lasting love with Nam Gyu but I wonder if that's true. Would he have eventually opened up and reciprocated that intensity? Or would he have continued to wallow in his discomfort and let that resentment pile up even further? It's hard to say, but based on the way he behaves, I think the latter. He just wasn't in a stage of life to accept it yet, without the experiences he has with Mi Ae, and without Nam Gyu's death, would he have made it to that point before it became too much? He says he didn't really believe love was possible for someone like him, it took him a lot to get to the point where he even starts to believe it; I find it hard to imagine that he could've gotten there purely through a relationship with Nam Gyu at that stage, as sad as that might be.

Mi Ae offers a bit of an interesting foil here. She chooses loss, but the loss of her authentic self. She chooses the safe option, a stable relationship and job, pleasing her parents, following societal expectations. Maybe the guy isn't quite right, but in the end what seems most important to her is that security, and she's willing to take a loss to get it. As others in the tags have pointed out, Go Young doesn't have that option. There is no option that will (mostly) guarantee him security and safety that would even be remotely tolerable and grant him any degree of happiness. Perhaps he could have chosen to lose parts of himself to be with Nam Gyu, but that wouldn't have provided him the type of security Mi Ae enjoys. If something went wrong and it didn't work out, he could stand to lose even more.

I think that's something that a lot of cishet people fail to understand, and part of what these episodes have done so well for me. Really underlining how the queer experience differs and how isolating it can be (which I think is reflected in Nam Gyu as well).

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[emeryleewho]

I actually find it really sad that people's response to missing some allusion in fiction is to say the story did a bad job of explaining it rather than to think "maybe I should read closer next time" or "maybe the target audience for this piece has some context that I don't and it's worth my time to gain some of that context before reading more stories like these". And I mean sad, not in a condescending way, but in an "it genuinely hurts my heart and I wish I could help" way.

[cabeswaterdrowned]

Sorry (not) but I find anyone who acts like Blue is making something out of nothing when she’s mad Adam’s first question is about the kissing to be like. Deeply suspicious. Of course she is mad that’s the first thing he asked her! They’ve been walking on eggshells around each other and not really communicating since the last aborted kiss attempt which is on both of them to some degree, but when he comes around to her it’s only for this and when she has so many fears and insecurities about not properly belonging in the gang because she’s a girl (which is founded based on the fact aside from Noah they’ve all been misogynistic towards her at some point even if it was passive) and not being respected, when she’s also an outsider at home because of a different thing she can’t control. And you can not say that her feeling Adam is treating her like a thing to have and not a person he connects with is unfounded he again literally “I got Blue without you!” screamed at Gansey, consistently going to her after they fight (he did it end of TRB after repugnant too) to validate himself or just generally when he’s falling apart looking for validation from her like in the apartment scene. It’s not a bad thing to seek validation from your partner and in TRB before I���d say the last quarter I think Blue and Adam were genuinely connecting and developing a friendship while also exploring their feelings/attractions to each other, which did always have elements of seeking escape or validation for both of them in different ways, but it’s dissolved into that so much now. And I do think Blue is to some degree mad at Adam because he’s here and available to be mad at when she’s also mad at Gansey for it (I don’t think they’re *in the wrong * for not inviting her but they are in the wrong for not even considering she could want to go or at least want to be in the loop, also even though it’s Gansey’s party if Adam is trying to be her *boyfriend* it was kind of his place to ask her) so she’s conveying anger at Adam when the anger is for both of them, and also more general factors she’s frustrated by, but also Adam has the exact same response of channeling emotions that aren’t solely about Blue through their fights (and to his credit he is self aware that he does this) so again crucifying Blue for it is whack imo. Also to check myself on shipper-brain for the Adam-Gansey aspect of it, well obviously I read that here as a factor because I’m me, but for arguments sake on the premise Adam has No feelings about Gansey that are anything other than platonic Blue would still have a right to be mad about him prioritizing his platonic male friends over her and treating them with more respect, obviously, because misogyny exists (also these are not two contradictory readings in that I think they’re both factors. Signed an Adam Stan).

[mhaynoot]

JANG HAYOUNG AND HER RELATIONSHIP WITH KDJ / DKOS IS A REFLECTION OF KDJ’S OWN RELATIONSHIP WITH YJH INCLUDING THE IDEALISATION OF THE PROTAGONIST IN THE STORY AND LEARNING TO LOVE BOTH THE STORY AND THE ONE YOU GOT TO KNOW AND IN THIS ESSAY I WILL-

[quorras]

every time i see someone call tron 'cyberpunk', i lose ten years off my lifespan

[vyunok-obyknovenniy]

A little analysis of this part in the Odyssey:

Reading time: ~10 minutes

Book 23, The Great Rooted Bed, Fagles' tr-n There he sat, leaning against the great central column, eyes fixed on the ground, waiting, poised for whatever words his hardy wife might say when she caught sight of him. A long while she sat in silence … numbing wonder filled her heart as her eyes explored his face. One moment he seemed … Odysseus, to the life— the next, no, he was not the man she knew, a huddled mass of rags was all she saw.

“Oh mother,” Telemachus reproached her, “cruel mother, you with your hard heart! Why do you spurn my father so—why don’t you sit beside him, engage him, ask him questions? What other wife could have a spirit so unbending? Holding back from her husband, home at last for her after bearing twenty years of brutal struggle— your heart was always harder than a rock!” “My child,” Penelope, well-aware, explained, “I’m stunned with wonder, powerless. Cannot speak to him, ask him questions, look him in the eyes … But if he is truly Odysseus, home at last, make no mistake: we two will know each other, even better— we two have secret signs, known to us both but hidden from the world.”

Odysseus, long-enduring, broke into a smile and turned to his son with pointed, winging words: “Leave your mother here in the hall to test me as she will. She soon will know me better. Now because I am filthy, wear such grimy rags, she spurns me—your mother still can’t bring herself to believe I am her husband.<...>

Telemachus is a precious baby, we've established that.

But he does act a bit like a brat with Penelope a couple times. Of course I don't think that any of that is malicious or that he doesn't love her, but he's still being a bit of a brat.

They both suffered, their pain was similar, but also very different, their experiences and the way they processed it were different as well.

Moreover, at this moment Telemachus has already spent some time with Odysseus. They already had their meeting/reunion and they already cried it out (to an extent. I'm sure there's more crying they'll do afterwards). They even had a father-son bonding activity (a.k.a. the slaughter of the suitors). Telemachus got to know his father at least a little bit over the past couple of days and at this point he processed and accepted the idea of Odysseus being back.

Penelope, on the other hand, was told about it just a moment ago. She can't immediately go "oh, you're saying Odysseus is back? Wonderful, let me greet him", no. Odysseus wasn't away on a short hunting trip or something, he was away for two whole decades, half of that time he was pretty much thought to be dead by most people (the first half wasn't that much better, as he could've still died any time during the war, but at least he wasn't lost, Penelope knew where he was).

Now she needs time to wrap her head around what is happening. We even see her thoughts as she goes to meet Odysseus:

Penelope started down from her lofty room, her heart in turmoil, torn … should she keep her distance, probe her husband? Or rush up to the man at once and kiss his head and cling to both his hands?

She wants to reunite with him, she wants this to be true, but she can't be sure of anything now. They have been apar for longer than they knew each other. Does he still love her like he used to? Is he the man she loved? Is it even the real Odysseus in the first place? She needs to process everything, as well as confirm all the information herself, and Telemachus, at least at this moment, doesn't comprehend that. He's acting quite immature, scolding his mother for not immediately believing and accepting that Odysseus is back.

This is a very interesting detail. First it once again shows us that Telemachus still lacks a lot of maturity, despite having been on his coming of age trip. He's still very young.

Yes, he definitely grew a lot in that short time, but it would've been impossible for him to learn everything at once, he still has a lot of that immaturity left in him, there's still a lot of room to grow and that's completely understandable. We, as people, grow for our whole lives and Tele is doing remarkably well, especially considering his circumstances.

Another interesting thing about this part is that it shows Telemachus', perhaps a bit childish, impatience. He is a kid, who finally met his dad (and his biggest hero), he knows that his mother was suffering and grieving for pretty much his whole life (with things getting a lot worse over the past decade). From Telemachus' perspective Odysseus' return is supposed to solve all their problems, especially since their biggest problem, a.k.a. the suitors, was just taken care of and it wouldn't have happened without Odysseus.

Telemachus just wants a happy family. His dad is back and seems to love him, the suitors are gone, now his parents should reunite, his mother will stop grieving and everything will be perfect. This is something he dreamt of his whole life and it's finally so close, but his mother doesn't immediately believe him. She doesn't immediately accept Odysseus and Telemachus doesn't understand why. He is too preoccupied with wanting things finally to be okay, that he doesn't take time to think about what Penelope must be feeling. It doesn't even occur to him. Perhaps it's also partially the need to be believed and listened to, which is also something he lacked growing up around suitors and being treated as a child, but I'm not diving into that right now.

Odysseus, on the other hand, understands what's going on. He assures his son, that everything will be okay. He pretty much does a more adult version of "mom and dad will take care of this, you go play for a bit". Odysseus understands Penelope's reaction and goes from there. Of course he wants to be in her embrace as soon as possible, but considering everything she has been through, he definitely can't just suddenly grab her and do what he wants. This is his dearly beloved wife and he wants her to take on that role voluntarily, like she did before, he wants her to accept him as her dear husband, like she did before, and for that he has to let her do it at her own pace. He tries to meet her where she's at, to do this reunion on her terms, to assure her, that he is, who he says he is and who others tell her he is.

This is just so amazing and I love their relationship so much (T▿T)♡

I also love Penelope's reaction to Telemachus' words. She doesn't react negatively, she is remarkably calm and part of it is probably the shock from what's happening, but still, she is "well-aware". I think that she knows Telemachus really well, because even though he has surprised her with how much he matured, he's still the same boy, he's still her kid. She most likely understands where Telemachus' outburst is coming from and doesn't get angry, doesn't scold him for his impatience, she reassures him. She lets him know, that he doesn't need to be scared of things falling apart and that she isn't looking to reject Odysseus. She's looking for Odysseus and she hopes she can find him in that familiar and strange man before her. She just needs time, but she will be taking the effort to search for what she's looking for, now that she has a way (she wouldn't have been able to go searching for Odysseus at sea, but now he's, supposedly, right here and she will handle it like the queen that she is).

[bookwyrminspiration]

how's the reading going.

the readings themselves are fine, it's the incredibly specific reading comprehension tasks that are going to kill me dead in the street

[tardis--dreams]

Listening to pompeii on loop while trying catch up with 3 months studying for my midterm this week. like, yeah, how Am i gonna be an optimist about this?

[exopelagic]

liveblogging my descent into madness

[godhasforsnakenme]

BOOK REVIEW 📖

This is the one for February – I was reminded of this book half way through the month and decided to reread it again because I couldn't remember how it ended; plus a short mystery is always nice to read (side note: this ended up as an ebook read bc I couldn't remember where in my storage boxes I have my copy – it's in storage because it's a paperback edition and old and I don't want it to die on me yet lol)

[thehouseofurmotha]

`✵•.¸,✵°✵.｡.✰ 𝕃𝕠𝕦𝕕 𝕓𝕝𝕠𝕟𝕕𝕖 ✰.｡.✵°✵,¸.•✵´★

Pairing: Bakugou x Aizawa's Daughter Reader

Warnings: Fluff, lots of fluff! Bakugou is vry anxious, a lil bit of cussing, possibly ooc Bakugou

Summery: you finally convince your boyfriend Katsuki Bakugou to meet your father. Little do they both know they already know each other.

"Katsuuuuuu" you whine pouting at your grumpy boyfriend. Even though you know that his anger is nothing more than a cover for every other emotion he's feeling, and right now you can tell he's anxious. No matter how many times you have asked him to meet your father you've been turned down with a simple 'I'm not ready yet', and even if you understands the boy's anxiety it doesn't make you any less disappointed.

"S'not that I don't wanna meet him doll, you know I do. Jus' what if he thinks I'm not good enough for you. You're just so perfect, and so calculated. Then m'jus reckless me." Letting out a long sigh afterwards because he really does want to meet the man who raised the girl he's so lucky to call his girlfriend, but he's scared. Rightfully so he thinks, because he really never will be good enough to deserve you.

"Kats, he's going to love you. I know me telling you probably won't end up changing how you feel, but you are good enough for me. You're everything I want, you treat me better than anyone else could, and if my father cannot see that he is painfully blind." You haven't had the heart to tell him who exactly your father is, especially with it being his teacher. You know it would only freak him out more, and that's the last thing that you need to do.

You know your boyfriend honestly probably better than you know yourself. As you've known him since you were in middle school. You can read him in a way no one else can. They see his brash. angry personality on the outside and they immediately assume that's all he is. Is a loud angry kid, but you, you see the parts of him that no one else is allowed to. You see the passion he has, the love he has for saving people, you see his softness. He's a different person around you. You bring out the best in him in ways that no one else could ever dream to do. As he does to you, because he also sees the parts of you nobody else has been allowed to see before. He knows your greatest fears, and the things that inspire you. He's supportive of your dreams as you are his. He'd never judge you, especially about the fact that you're not becoming a hero. Instead opting to take general studies at U.A. where you focus your studies on hero analysis instead.

"Do you mean it?" There's a hint of pain in his voice that would go unnoticed by anyone but you.

"Of course I do" you say as you gently cup his face with your hands. Then he gives you a look, one that is full of love. Love for you, and it's almost enough to make you tear up. But you fight it as to not spook him.

"Okay my love, I'll meet him." He gives you a small smile, and you think your heart may have melted right there.

"How about dinner at my house this Saturday kats? I'll make your favorite and we'll just have a nice evening." You say with an encouraging smile. You know how hard this must be for him and you're so incredibly proud of him.

"Okay, I'll let the old hag know that I'll be out be out for the evenin." He gently leans his forehead against yours after placing a gentle kiss to your forehead. You love how gentle his is with you, like at any moment you could break in his grasp.

You giggle as you playfully hit his shoulder, "Stop calling her that Kats." Before he has the chance to respond your phone starts blasting your alarm, telling you that it's time to start your walk home.

"M'gonna miss you." He says as you carefully get out of his lap and stretch as you stand up.

"I'll call you as soon as I'm home, and we can stay on the phone all night." This answer seems to satisfy him as he stands up and gives you a kiss before grabbing your jacket to help you put it on.

"Goodbye katsu, I'll talk to you later." Giving him a peck on his cheek and opening the door to his room.

"Yeah, whatever bye nerd." Even though that would come off as rude to anyone else, it places a large smile on your face as you make your way out of his house. It really is a gorgeous house, his parents have wonderful taste.

As you start on your walk you think about how the conversation with your father will go. He'll more than likely be getting ready for his night-shift of patrol. He knew you were seeing someone but other than that he knew no details. You had never been one to share the details of your love life and he knew that, so he chose not to push. Hoping that you would trust him enough to tell him anything important.

As you arrive home, you put your key in the lock and carefully unlock the door. As you open the door to your guys apartment, you immediately see your father in the kitchen dressed in his hero suit making himself coffee. It was the only way he got through his night shifts. As he sees you he starts to walk over to you before giving you a hug and a kiss to the top of your head.

"Welcome home hun, how's your day been?" He says pulling away and giving you a smile. He knows you can handle yourself but there's a certain relief that comes with knowing that you're safe in your home.

"It's been good, but I've got something to talk to you about." As you say this his heart beats a little quicker, maybe something happened. He's already thinking of every horrible thing that could have happened to you. You gently place your hand on his shoulder taking him out of his thoughts.

"Saturday, my boyfriend's going to come over for dinner. So he can meet you." He sighs in relief, he can handle that. It's simply just meeting the boy who has stolen your heart. He's noticed the way you've changed, since you've started hanging out with that boy. You seem happier, calmer even. But all he knows is that it's been a change for the better, and he can tell this boy makes you happy. So, even though trusting someone else with the care of the most important person to him is terrifying. He knows you're happy and healthy, that's all that'll ever matter to him.

"Alright that's fine, but you're cooking cause you know I can't for shit." You let out a small giggle at this comment, because he really cannot cook to save his life.

"Already planned on it dad!" He could spend the rest of his life like this. In the sweet moments between the two of you. Due to his busy schedule he doesn't get to see you as much as he would like. Even though he knows you don't blame him, and never would he can't help but feel some guilt. He never wants you to feel like he's abandoning you in the way your mother did.

"Alright hun, I've got to leave for patrol, there's some money on the counter for you to order yourself dinner. I should be home around 3. Have a good night, I love you." Once again he plants a kiss to your forehead, with a small smile forming on his lips.

"Thank you, I love you too dad. Have a good patrol!" And with that he leaves for the night.

You spend some time debating on what to get, with the help of Katsuki's opinions. After you get your food and eat you and him both decide that it's time for bed. You fall asleep to the sound of his soft snores feeling the most content that you have in years.

The rest of your week goes by normally. With the same routine of going to school, seeing your boyfriend, and going home. A simple routine but one that you've grown to love. The normalcy of everything is so comforting to you. And before you know it Saturday has arrived. Throughout the day you're excited, you think. You're not actually really sure how you feel, you want to be exciting but then there's the thought of what if it doesn't go well. And now you're suddenly wondering if Kats will be mad that you didn't tell him who your father was. As it gets closer to the time that was agreed upon by the three of you, the panic starts to really set.

This does not go unnoticed by your father as he is an extremely observant man. Yet, for what feels like one of the first times in his life, he doesn't know how to comfort you. He wants to promise you that he'll like your boyfriend but he knows there's always a chance that promise would be broken. And he doesn't want to do that to you. He settles in just trying to tell you he'll be nice. He walks into the kitchen where you've started making curry. You're making two kinds because you know your father cannot handle the spice. You don't acknowledge his presence but he's aware you know that he is with you.

"Hey, uh I promise I'll be nice tonight, but I can't promise that I'll like him." He says as gently as he can, but he feels like that last part may have come out a little harsh.

"I know dad, it's not really you I'm worried about. He's just.. He's so anxious but it comes out in a way that's harsh, and I don't want you to think less of him." It was a hard confession for you to make to him. Fearing that he might connect the dots before your boyfriend gets here.

"I'll keep it in mind kid, because I know you're happy. I see it on your face." He walks back to his room as he says that. But it leaves a smile on your face. And it reminds you how much he truly cares about you.

You think about Katsuki the entire time you cook. Thinking about his smile that is so contagious to you. He's smiling and you are too. About his hair, and the way it's so pointy. Yet it somehow manages to be so soft too. His voice that is so loud and harsh with others, but is so gentle and soft with you. You think about the way he looks while he cooks. He'll say he enjoys your food tonight, and he might. But you both know that he is absolutely the superior cook. You think about his handsome face. Everything about it being so perfect and fitting together so well. The red of his eyes, and the small bags that fall under them. Everything about him is so perfect.

Eventually, you're interrupted from your thoughts by a knock on the door. 'Shit' you think is it really already time. You quickly go to open the door and you're pleasantly surprised at the sight in front of you. Your lovely boyfriend dressed nicer than you think you've ever seen. Wearing a nice pair of jeans and a red dress shirt that brings out his eyes. He's also holding a bouquet of your favorite flowers.

"Uh. Here these are for you." He says has he shoves them into your hands. You smile at him.

"Thank you they're gorgeous. Would you uh, like to come in?" No matter how long you guys are together you'll honestly probably always have these small awkward moments between the two of you that you've grown to love.

"Oh uh yeah." He nods his head as he accepts your invitation and walks into your house. Taking a mental note of his surroundings, the place you, the girl he loves lives. He thinks it's simple, but nice, even more than his own house.

"Uh, by the way don't kill me for not telling you." You hear your father start coming down the hall and feel this is your last chance to say anything. And you decide to plead for your life. He looks at you with complete and utter confusion.

"Huh?" He says this as your father walks into the room and as the realization hits him, you see the color drain from his face. You look at your father and he has the same look on his face. Katsuki's seems to be more out of fear and your father's more out of shock.

"Y/n what did I say about loud blondes?" He says with a sigh, but you know he's not mad. He may just be trying to freak Katsuki out a little more.

With a giggle you respond, "to stay away from them?" Katsuki looks at you like you're crazy, you can only wonder what's going through his head. You take his hand giving it a reassuring squeeze.

"Uh- hi Aizawa-sensei." He says with a shake in his voice. You can tell he's scared and you feel so bad for not telling him. You realize that it was a mistake you shouldn't have hid it from him, you should have just told him. But you don't have time to keep thinking before your father responds.

"Hello Bakugou, I'm assuming you were as left in the dark about this as I was?" Your father sends you a small glare.

"Uh yeah sir I was." He says huffing and shoving the hand that wasn't holding yours in his pocket, as he glares intensely at the floor.

"Msorry- I didn't know how to tell you guys.. I'm sorry." You say meekly, you really hadn't known how to tell them.

"it's okay, m'jus a little shocked." Now it's his turn to give your hand a comforting squeeze. He really isn't mad at you, but he does wish you had told him before. But that's something the two of you can talk about another day.

"I know you make my daughter happy Bakugou, so I'm not mad. And I know you'll be able to protect her. But this will not change our relationship at school, do not expect anything to be easier for you. If anything be prepared for it to be harder, if it's my daughter you'll be protecting." Your father sends a look to your boyfriend that conveys how serious he is about his words.

"Yeah yeah sir, I wouldn't want it any other way." He send a glare straight back at your father, you know this is his way of proving himself to the older man. So for now, you won't get in the way, as long as it doesn't get to out of hand.

"We should probably go eat before dinner gets cold." The two men nod in agreement before you guys make your way to the dining room. You sit next to Katsuki and your father sits on the other side of the table. You give both of them plates before making your own.

"I hope you enjoy it." You say with a weak smile. You watch as the both of them start eating and Katsuki gives you one of those looks that just shows you how much he is in love with you.

"Shit babe, this is so fuckin good." He says before taking anything bite. And this makes you giggle and return him the smile. Your father watches with an amused smirk and he realizes that calming the loud blondes may run in the family.

The rest of dinner goes well, you guys all talk and you father seems to accept of Katsuki. And that makes you happier than anything, seeing the two most important people in your life get along.

A/n: RAAAAH okay so I fear it's late and I'm a little eepy so I kinda rushed the end, so I might come back and change it or I'll js leave it I don't know! But this is the first time in a rlly long time I've written so it honestly probably sucks but I fear it's okay chat. I hope you at least someone enjoyed it!

Pt. 2, pt. 3

[causenessus]

i definitely got way too deep into this and started my aforementioned 2 hour long video essay analysis of drunk walk home so here's the rest of my tags that don't fit </3

DRUNK WALK HOME

chapter one: morning after

masterlist

“i hear my heart breaking tonight / do you hear it too?” -pink in the night by mitski

cw: mention of/implied drinking problem

extras!

mattsun and tendou are #1 yn defenders for life it does not matter if she is wrong/in the wrong (and she is the majority of the time)

yn spent a good chunk of time on her own drinking herself into oblivion and trying not to care about the fact that she was crying in public before she called tendou

akaashi yn beef is deep and long-running (we will absolutely get into it)

he has not filter when it comes to yn and he hardly even tries

yn is still nursing that hangover and has not even once asked for her phone back she is too nervous and humiliated to even look at it

this is kinda chaotic and messy and it was kinda supposed to be but im sorry if this sucks im not confident abt it yet lol

taglist: @wyrcan @thechaosoflonging @bedeater @deluluforcarlos55 @localgaytrainwreck @cherrypieyourface @eclecticeggknightpsychic @httpakkeiji @does-directions @needtoloveoutloud @causenessus @kawaii-angelanne @thatonecroc @v1oletfury @lonesomedrive @nnnyxie @crownj1min @frvppe @mollyrolls @karasyuu @ciderscape @phoenix-eclipses @s1ckntw1st3d @cnnmairoll @soobin1437 @worldgyu @snail-squasher @dragonictears @ferntv @reignsaway @Lisoozi @staygoldsquatchling02 @gsyche @yuminako @spicana @hermaeusmorax @shoyostar @whorefornoodles @hqsimprevival2024 @atsumuenthusiast @lemonocityyy @itsdragonius @robinphobia @aboveasphodel @savemebrazilhinata @lllaw @dreamingofyeo @milesmoralesluvs @miliondollagirl @kitnootkat @soulfullystarry @bows4life

[bimboficationblues]

so the thing about "read theory" as a mantra: in the social media sphere there is a consistent downplaying of what that kind of commitment actually entails, plus a consistent obfuscation of what exactly the commitment is necessary for.

let's say that you're interested in learning more about specifically "Marxist theory." This, I think, also raises a bunch of questions about what we mean by theory - works of political philosophy, texts on revolutionary and military strategy, political speeches, journalistic or sociological analysis, historiography - these varying things with very different discursive norms and standards of evidence or logic often get rolled into one singular object called "theory." but let's set that aside for now.

you want to learn this for maybe an assortment of reasons, here's a few (non-exhaustive) good ones:

Marxism has been a substantial historical force that has probably had a notable impact on the world around you in some way.

Learning about Marx/ism might offer some level of insight into your current social world that other things are unable to offer.

Many texts - Capital, The Wretched of the Earth, The Second Sex, The State and Revolution - are also world-historical forms of political literature, which is interesting.

Follow-up to 2 - maybe having some level of familiarity with these things will give you the ability to better articulate yourself and participate in social and political movements around you.

generally speaking the Social Media Marxist approach is to tell you to go read off a list of texts of whatever writers the author personally agrees with or whatever works she happens to have read. so you decide to start with the big guy Marx, who is at the top of the list. totally reasonable decision.

however, there are a few contextual questions that might reasonably come up when doing so.

first, it will be clear that Marx did not pop out of an intellectual vacuum; Lenin has a rather popular identification of the "three sources of Marxism" - post-Hegelian German philosophy, French socialism, and English political economy. from my perspective, these are more like three of his main objects of ire (and so in some sense are both influences and also breakages - but not strictly speaking a synthesis), but I digress. so, frequently, in order to grasp what Marx is talking about or responding to, you are going to need some level of familiarity with a lot of additional people: Smith, Ricardo, Malthus, Hegel, Bauer, Feuerbach, Hobbes, Spinoza, Rousseau, Mill, Sismondi. suddenly you are not just learning about the works of one guy, but his attitude towards all the people he relies on for support or aims his criticisms at. and each of those different intellectual relationships is going to be different. sometimes at different times!

second, and relatedly, Marx is not always the most charitable to the people he's criticizing, who were often rival socialists (so there were pretty notable political and personal stakes at work in proving them wrong or diminishing their influence over the movement). the introductory materials to the new translation of Capital also observe that Marx's approach to scholarship is, shall we say, haphazard; often he makes quotes or citations that are not actually representative of what he's citing. finally, many of the people he's criticizing have sort of been rendered obsolete historically *in no small part* due to the success of Marxism as a political orientation in the late 19th and early 20th centuries. so to determine whether Marx is being fair to the people he is basing his critique on, we will have to do some level of intellectual work to check. so now we're not just evaluating Marx's relationship to different thinkers but also the substantial content of each of those thinkers themselves.

third, Marx did not pop out of a social vacuum. all of these different writers didn't just crop up from nowhere but wrote within particular sociohistorical contexts, some of which were rather divorced from the European revolutionary wave, first worldwide financial crisis, and the shifting character of the United States in the wake of the Civil War and the formal abolition of slavery - some of the historical events that Marx was more explicitly engaging with. and the radical liberals, republicans, and socialists Marx criticized all also had their own intellectual and social histories. so now we're getting a little far afield from the initial notion, which was just to read some guy, and getting into the realm of social history, and trying to understand the relationship between world history and the ideas produced within it.

fourth, you are a subject in the world, which is to say YOU did not pop out of a social or intellectual vacuum. you likely bring predispositions, assumptions, biases, and cognitive distortions to what you read; we all do. working through those and trying to note where they're happening - where they might be fine and where they might be problematic - will require a certain willingness to reflect, to write, to take notes, to analyze and self-scrutinize, and to be critical of both yourself as a reader and of the text you are reading. (a nested problem is that we have a truly staggering amount of material from Marx and Engels, and you might have to make certain determinations as to which material is important or worthwhile or more useful, and identify the standards by which you think that - all of which requires a certain reflection on your status as a political thinker).

okay, so consider all that. we started with "I wanna read this one guy," we end with "to really grasp the work of this one guy it's also important to know both preceding and contemporaneous world history, his intellectual influences, and the gaps or silences or errors in his work.” now consider that, if you really want to be able to speak on them with some level of confidence and intellectual honesty, you have to apply approximately the same level of rigor to every other writer on the Social Media Marxist approved list - Lenin, Fanon, Che, Kollontai, Cabral, Mao, Luxemburg, whoever. not to mention their critics, both direct and indirect!

Marx developed his work through an incredibly sustained engagement with enormous volumes of different material; we have entire notebooks of him poring over Max Stirner, or Spinoza, or the political economists, or the empirical observations of English factory inspectors. I'm not saying that you have to do that, or even that one strictly *has* to go down any or all of the first three rabbitholes I identified. Marx was in the somewhat unique position of sustaining himself through the support of Engels and his journalistic work, as a product of being in perpetual exile. that's not the kind of position that most of us are typically in.

the point is not "commit yourself to being a perfect monastic scholar in order to reach perfect truth" - such a thing is probably a fantasy, even if we wish otherwise. the point is that if you think "theory" is worth taking seriously, well, you have to actually take it seriously. if you don’t think it has stakes or utility, that’s fine; different people find different things useful. I think “theory” is not a set of dead letters by canonical authors but produced through social life. but if “reading theory” is a way to clarify and assert yourself as a political subject and agent, to claim some intellectual autonomy and acquire some understanding that you can put into practice in your life, then that’s demanding. it’s not impossible, but it does take real effort and a commitment to study and a certain level of resistance to being dogmatic. otherwise you are just letting yourself be rhetorically persuaded by whatever is in front of you or whatever affirms your biases.

as Marx says in the preface to Capital, Volume I, "I am of course assuming that my readers will want to learn something new, and so are ready to think for themselves."