#like are we allergic to making an effort in our dialogue writing or what?

[elainemorisi]

related questions only in that they're both deeply unpleasant stylistic choices in TV shows

Who the hell can stand the vapid baseball-bat-to-the-brain "social commentary" style of apparently >1 modern TV show and how and why

With much less invective but no less annoyance, why not at least pretend for a kind of relationship to period-appropriate language in period pieces, and again, what on earth is appealing about its absence

[rataltouille]

HOUSE PLANTS, UPDATE 1

this has been long overdue. typical, really. [novel intro found here.]

the story is currently eight chapters in but it's also a very strange eight chapters. i’m not really happy with half of these words because they're unnecessary ™ and dull ™ and serve no purpose whatsoever ™. i’m simply choosing to ignore that i need to cut them out. :’] here’s a note i made that perfectly captures my feelings so far:

before we go into the excerpts, i want to talk a bit about how house plants is structured because the format is whack. each chapter ranges from 3000-4000 words. A few vignettes, around 500 words, are sprinkled between these chapters. the chapters narrate events from the fictive past, while the vignettes are snippets into the fictive present [the point from where lilith is retelling the story]. additionally, an important plot thread is told entirely in the form of an epistolary [through letters] and so there's a bit more of confusion to navigate through. fun times.

and now for the excerpts. they're from the first three chapters and are very weird out of context. i think that each update will feature excerpts from three consequent chapters, but that may change as we get closer to spoiler land.

excerpts:

chapter one

the novel kicks off with an odd vignette featuring an unhinged willow and an innocent lilith. chronologically, this is set way back, the earliest scene ever, around when lilith was ten or eleven. it’s meant to establish a sense of unease and to thread the unsettling undertone i’m going for. it's also major foreshadowing but we don't talk about that here. i’m not giving away much because there's not many excerpts to scrape out from a dialogue-heavy vignette like this.

”Here, let me help, mother.”

I tried guiding your palms to the rim of the pot, but you moved them away. From the brief touch, my fingers came away with moisture. On second glance, your knuckles were bathed in sweat. Your veins pulsed and your hands shivered. You gave me a wide-eyed glance, dumped the plant atop the brown, and stood up. You wiped the dirt away on your jeans. From below, with sunlight teetering over your golden hair, you were a personification of God. But were you, really? Does God fear their children? Does God volunteer to garden? I didn't know what God truly meant. I don't now either. But I’m certain it wasn't you.

”Sorry, Lilith. My pollen allergy is acting up.”

It's stunning how it ran in our blood, lying effortlessly.

chapter two

immediately after this we’re pulled off into the linear non-vignette chapter thing, aka the second chapter. [god what am i doing with this structure]. it starts with a soft little reminiscent bit about juniper?? i’m exploiting the tense a lot but it's been fun. (:

The first time she smiled at me is knit into me, like I’m not myself without it. I’m not. She breathed change and I ran with it. Whenever she gazed at me, with sunset dripping behind her head, or with rain clouds dotting her hairline, she’d smile. It was the sound of a ukulele in a winter draft, the kiss of dew on my favourite hemlock, the fond mythical curl of my father’s arms around me. There’s a phantom of love everywhere, and I almost caught it sneaking around her. Even now, Juniper dozes so soundly; she’s replaced everything I wanted you to be and everything you never were. You’d know, of course. You always have.

willow is officially introduced soon after, and so is one of the major plot threads, i.e. lilith’s correspondence with her dad. this excerpt is to show how the family feel about each other became, like i mentioned, there’s a lot of tea to be split here. not gonna lie, this paragraph reads as kinds pure.

You— the town called you Wistful Willow, but they did so behind your back and on postcards to neighbours— had a special lilt in your tone every time you spoke his name. ”Isac,” your lips would curl, almost a smile, and I’d smile back. You loved it, the sound of his name. It had become a ritual for us, pouring our sorrow and joy and unrest and comfort into those two syllables. A fallback plan, I suppose; there was always father to rely on amidst chaos.

willow is constantly at home and she’s probably not seen the outside world in a million years. she either cooks, reads, sits in a bathtub, or does everything at the same time. not odd at all.

The bathroom door, thick oak painted ivory, was right across where I stood. The house was large and empty, and I had three places— study, bedroom, garden— to myself. I lived only with you, so it was mostly quiet, except on Saturdays when we got father’s mail and watched TV together. That Saturday we had seen an old movie from the 70s, a random romance that neither of us cared for, but watched out of duty.

The door was shut. From it came the sound of pages rustling, not unlike a delicate breeze playing with the fronds of croton plants. I knocked softly.

”Come in, ” you said, a splash of water punctuating your voice.

I entered to find you half-immersed in the bathtub, one hand holding a novel, the other limp across the rim. There lingered the scent of soapy water, rose-tinted, and all over the tiled walls was the water’s reflection, a glow of opulence. You were half-naked, your garments drifting like algae. Your habit of reading in the bathtub had been increasing lately. You looked at me, questioning.

there’s also the introduction of lilith’s best friends marcy and faun, where they lay down in the middle of a field after a tiring cricket match and banter all through the evening. i’m really enjoying the trio’s friendship; it's both fun to write and they’re just so pure.

”If you insult Henry one more time, Marce...”

”He actually named the butterfly.” Her eyes were wide and amused; she dug up mud with her nails and flicked it upwards, glanced at me. ”Lilith. He named his fucking butterfly.”

”Faun, it's dead. You keep it in a box, ” I said.

”The dead don't magically lose their names, ” he countered.

Our laughter drafted into town. I don't think it heard.

chapter three

this is kind of uneventful but it sets up some major subplots. i might push it to later in the book, but i’m happy with where it it's right now. lilith randomly keeps reminiscing throughout so that’s convenient. this excerpt is about willow and thus is unreliable as hell. willow ain't good and lilith ain't 100% sincere narrating this right now, so don't let its pureness fool you.

People in town, I’d hear, found you odd and unsociable, cold and distant. I always scoffed when they told me so. They only knew the Willow who never attended community gatherings, who’d gaze out absentmindedly from the porch, who’d more so see than observe, hear than listen. They didn't know the Willow who was my mother, who hated loud noises, who loved her novels with a passion, who spoke so serenely— and rarely— that you hung onto her every word. Only I saw this side of you, and that suited me just fine.

there’s a scene where lilith [accidentally] spies on marcy and another guy. their conversation makes lilith tangent off in her head.

Marcy spoke detachedly, like she was speaking through a filter of not caring. I worried for her and her charade. It didn't help that scented letters confessing love often found their way to her locker, or that roses were shoved in her face as if her admirers loved her so much that they forgot she was allergic to them. Idolisation and adoration took extreme forms; she was stalked for a month and sent death threats. She would put on a disguise of indifference and seem unbothered, but at night she’d soak her pillow and lose sleep, then inform us the next day about her insomnia so casually that we almost forgot how easily she hurt.

i’m not going to lie, the last line in this excerpt was just me indulging myself with the knowledge of the climax. i need to stop slipping in random tone changes like this lol.

My walk home finished quick, though my feet expressed exhaustion. I was right on time, too; you were sitting by your coffee table, glasses crooked upon your nose, a new novel— this one a bright red sky, gold print, gauzy— resting beside warm coffee. You barely smiled, but that was because you were daydreaming. I was familiar with every tell: your eyes would tilt towards my forehead, your lips would stretch, your fingers would drum on whatever you were holding. I’d always let you be when you drowned into your head. Did you ever notice that, Mother? Have you ventured out of your mind to witness my efforts?

and finally some food for thought. yes, that pun was intended. i’ll see myself out.

”Dinner’s ready, dear,” you called. I groaned out my fatigue and left my room, hoping to abandon my unflattering thoughts. In the kitchen, I helped you set the table. Soon we were both sipping hot carrot soup with a side of breadsticks. You were already invested in the novel. I held the spoon, the heat barely registering, and watched you drift through fiction and reality like a will o’ the wisp. Maybe I could read for escapism, too. It would do me good.

that’s all for today! thanks for reading so far; support is, as always, appreciated. hope you liked these excerpts ✨

[1dcraftawards]

April Author of the Month

Drumroll please.... our author of the month for April is...... 

@harrysdodgyankles!

Congratulations! Check out her interview with us below! 

1.Did you start writing fanfiction for One Direction, or was there another fandom that you wrote fanfiction for before this?

One Direction is the one and only fandom I’ve ever written fanfiction for. It was my first foray into the fiction-writing world--I’ve been reading fic since 2012 and I initially started exchanging stories with one of my best friends from high school in this email chain we had. We never planned on letting those stories leave our inboxes, but one day I guess I felt driven enough to start publishing my stories on the 1DFF website--and here we are, six years later!

2.How old were you when you started writing fanfiction?

I started properly writing my own fanfiction in 2013, so I was 16/17 years old. It was a while before I published anything I thought was quality (at least, back then), but I wrote pretty consistently until my sophomore year of college. I took a bit of a break, mostly to focus on school and get through my last two years of undergrad, but I’ve found a new motivation for writing and this resurgence has been treating me well so far!

3.What’s been your favorite fic you’ve written to work on so far?

All of my fics are my favorites for lots of different reasons. I love writing Sit Back because of the amount of research I’ve had to do for all of the different historical periods. I know far too much about the fall of the Roman Empire than I’d ever thought I would. I loved writing my various fic exchange pieces because of my love for beginning stories in media res; these challenges are the perfect opportunities for me to create AU worlds from scratch. Each story has a really special place in my heart--I reminisce on my writing processes for them pretty often, especially when I’m looking for inspiration and drive to formulate new stories.

4. Is there a fic that you really wanted to write, but you just never did?

I have a fic I started and never finished. A League of Their Own--I started publishing it, gosh, probably back in 2014. It has such a special place in my heart, but with where my life was at the time and all of the other responsibilities I had, I couldn’t give the story the time and effort it deserved. It was my only OU story and I wanted to do its characters justice--one day I hope to come back to it, but for now it’s sitting in my drafts folder collecting dust.

5. What’s your favorite trope to write?

I’m allergic to angst, so I try to stay away from it (mostly out of self-preservation for my emotions). I love writing friends to lovers and established relationship fics. Dad!Harry, Husband!Harry--anything fluffy involving commitment. I’m really into that.

6. What’s your ideal space to write in?

In my bed, usually at night when the rest of my house is asleep. I like the quiet stillness of my house--it helps me clear my brain and focus on the content of my piece. It’s also because no one knows I write fic, so there’s less chance of them accidentally seeing something on my screen and asking questions.

7. What inspires you to write?

Honestly, telling stories for people who don’t often get their stories told. This was an important lesson that took me a while to learn. I didn’t used to do this, but now I make a point to write characters who are often underrepresented; for me, as a South Asian Muslim woman, I come from a very miniscule corner of representation in the One Direction fan community. It’s important to me that I try to give us a voice in any way possible. Lots of people don’t realize the impact seeing someone like yourself on a screen can have--it’s a little thing, but it says a lot. It makes sure we aren’t erased, that we aren’t cast aside. That’s why all my fics have characters of color, especially characters of South Asian descent. And when people resonate with that--that’s the biggest inspirational motivating factor for me.

8. Do you typically like to listen to music when you write? If so, what do you listen to?

If I listen to music, it’s music that I don’t know the lyrics to. If I know the lyrics, I’ll start singing them, then I’ll start typing them! I typically go for soft, slow, vibey music--Majid Jordan, Daniel Caesar, Miguel, 6LACK. Mostly hip-hop stuff.

9. Do you have any plans for any future fic ideas you’d like to pursue?

I do! I’m currently writing a post-doc Harry fic that I’m SO excited about. I also have plans for a rewrite of ALOTO and an orchestra AU.

10. Do you have any advice for other writers in the fandom?

I don’t know that I’m entirely qualified to give advice, but I will say this. The most important thing is to write for yourself. When you put your writing out into the world, you don’t owe anyone anything--especially in the fic community, where the vast majority of writers are putting hours of effort into content that they post with no expectation of compensation in return. Yeah, it gets pretty easy to get bogged down in the number of likes and reblogs or the number of asks you get after posting something. But in the end, you’re writing because you’ve found a story you want to tell, so focus on telling that story in the best way you can. Everything else will come later.

11. What is your writing process like?

I’m still trying to find what works best for me, honestly. I usually start with one big document that has all my notes, researching, outlines, etc. Then I’ll break a chapter/one-shot down into scenes--I’ll write specifics of what I want to include, bits of dialogue that have come to me that I’d like to incorporate, and the like. Then I’ll write a full first draft in that same document. Once that’s done, I move it to a separate document and start editing or I’ll send it to my betas. So a finished piece for me looks like one big planning/draft document plus individual docs for each part of a story.

12. What inspired you to write “Sit Back”? How did you come up with the story idea?

I saw a prompt on one of those AU posts that was something like “we’re an immortal couple who likes to kill each other for fun.” I thought it was brilliant. I cranked out the first chapter in less than a day because I was so excited about all the possibilities swirling around in my head. It’s been an exhilarating story to write because of all the different AUs I’ve essentially created in this one story--a Civil War AU, a Roman Empire AU, a 1900s AU. And the elements of mysticism sprinkled throughout have been the most fun--I didn’t think it’d be this enjoyable to create a fantasy world, but I definitely wouldn’t be opposed to doing it again. There’s still one part left, and it’s proving to be the most difficult to write mostly because I know it’s going to break me.

13. Tell us about your upcoming story, “All The Things Yet to Come”.

The idea popped into my head after I caught up with my old departmental advisor at my university. He got married last year to a doctoral student in the same department, and I’d often wondered how that relationship came to be. They’re both two fairly quiet, incredibly intelligent, charismatic people. I wanted to explore that a bit more--so ATTYTC was born. Also, I wanted to write something other than a Uni AU since I’ve written too many of those. Harry as an academic is so enthralling, and the Harry in this story is one of the more guarded versions of him that I’ve created. It’s definitely going to be a journey and I’m thrilled to share it with everyone.

14. What is one thing you wish you would’ve known before you started writing 1d fic?

I don’t think there’s anything I wish I’d known about the 1D community, but I do wish I’d known what my own personal limits were in terms of how much I could handle. I think I went into it with unrealistic expectations for the amount of content I could produce. I wish I’d known a little more about my writing process and how long it takes me to be satisfied with something. Probably would’ve saved me a lot of disappointment.

15. Who has been your favorite OFC to write? Why?

I think it has to be Sofia from ‘You’ve Woken Up My Heart.’ There are certain qualities about her that I admire so much--her drive, her wit, her diligence. She knows exactly what she wants and how to get it. Because I’m also pursuing medicine, it was also fun to channel some of what I hope to be my future into her life. (Except I definitely don’t want to be a pediatrician. Yikes.)

16. Would you ever consider writing for any of the other boys?

I’ve written for Niall and Zayn in the past. I think there might even be a Louis one-shot from 2013 floating around somewhere in my drafts. At this point, however, I’ve been writing for Harry for so long, I feel like I’m pretty comfortable here.

[bughead-fic-request]

I would like to thank @leaalda for making these amazing banners.

This is an effort to spread the word about all fan fiction writers in our little fandom. If you would like to be featured or nominate a writer, please contact me. Please reblog this post if you can and check out some of @believe-that-you-can-my-friend work!

1. First things first, if someone wanted to read your stories where can they find them.

My tumblr account is believe-that-you-can-my-friend and anyone can find my masterlist by clicking on the menu button (the three parallel lines at the top of my sidebar) and then choosing “My Bughead Stories”. You can also find me on AO3.

2. Tell us a little about yourself.

I’m Vera, I’m from Greece and I’m currently on the 23rd decade of my life. I’m a Classical Studies graduate and I’m considering doing a Master’s too. I’m a major foodie, a fashion and style enthusiast, an avid dancer and an old school rock lover. A quite sarcastic human being trying to make it in this world with the attitude of your average clown-friend.

3. What do you never leave home without?

Probably my phone, as true to our 21st century standards. Plus, my headphones and my sunglasses.

4. Are you an early bird or a night owl?

I’m a night owl for sure. I hate early mornings and I love sleep but I also can never go to bed before 2 or 3 am.

5. If you could live in any fictional world which one would you choose and why?

I would want to live in the Pokémon world or the Harry Potter universe but during the Marauders era. Witty and utterly smitten James Potter, rebel with a cause Sirius Black, the First Wizarding War, this is a true fantasy right there that I’ll never ever outgrow.

6. Who is the most famous person you’ve ever met?

There are a lot of Greek people that you guys, obviously, won’t know. Not many international celebrities in my resume, I’m afraid. But I briefly chatted and took a picture with Jim Chapman from YouTube while I was visiting London two years ago.

7. What are some of your favorite movies/TV?

I enjoy a lot of different movie genres but I guess an old Hollywood one, some good old Hitchcock or anything drama are my typical choices most times. Out of the top of my head, definitely Gone with The Wind, Casablanca, Pulp Fiction, The Breakfast Club and such. As for TV shows, Lost is always first in my heart. Current favorites would be Sense8, Stranger Things, Westworld, Riverdale.

8. What are some of your favorite bands/musicians?

That’s a question that would take me pages to answer. Long story short, I’m a cultural chaos regarding music. I listen to almost everything, my Spotify has a tone of personal playlists and my vinyl collection is reaching a terrifying extend. My favorite genre is definitely classic rock but I also really love alternative rock, indie rock, and rock ‘n’ roll. On an average day, I’m usually blasting something along the lines of The 1975, then Pink Floyd, then Frank Sinatra, then Tchaikovsky, then Kanye West, then The Killers and so on and it’s a miracle that I still manage to stay a somewhat sane person.  

9. Favorite Books?

Anything Jane Austen, Bronte Sisters or Dostoyevsky can get me going. But for the level of angst and devotion and truly wicked love my favorite one is Wuthering Heights.  

10. Favorite Food?

Chicken curry with rice. I also really love shrimps.

11. Biggest pet peeve?

Probably people that chew very loudly. Or ignorant and uneducated people, not in the academic sense of the word, but ill-mannered and rude.

12. What did you want to be when you were little? What do you want to be now?

For many years I wanted to be an architect. This plan though sunk because my sketching skills are equivalent of a two year old. So, I ended up studying the Classics (basically the study of the Greco-Roman world, particularly of its languages and literature, but also including philosophy, history, and archaeology.) This field and area of studies is something I very much enjoy and value but I don’t really see it as my lifetime job. What fascinates me and makes me passionate about is Journalism so I’m thinking about extending my studies in the journalistic field as well. And then of course there is writing; the ultimate dream.

13. What are your biggest fears? Do you have any strange fears?

I’m scared of wasps, only because I’m allergic to a lot of things and, seriously, I don’t wanna push my luck. Another one would be my odd phobia of getting nauseous and being sick. For some weird reason I associate vomiting with death. Other strange fears, no, nothing comes to mind. As for more fundamental ones, it’s the fear of ending up alone; loneliness is something that scares me deeply. Also, disappointing my inner perfectionist by being average or not good enough at any aspect of my life.

14. When you are on your deathbed what would be the one you’d regret not doing?

Live more. I have a very composed and rational mentality, I always think first and then act and generally I’m more of an observer than a doer. I regret, for example, not being a crazier teenager or a more reckless college student or generally a little bit more “loose”. Hopefully, my introverted self will stop watching stoically life passing her by and take more chances by the time I reach that final moment, haha.  

Okay… let’s talk about your writing!

15. Which is your favorite of the fics you've written for the Bughead fandom?

Where The Wild Roses Grow – Angst is the air I breathe, enough said.

16. Which was the hardest to write, in terms of plot?

Up until now I used to write only Bughead prompts and one-shots so, plot wise, I can’t think of any of them causing me too much headache. I could say Fruit Punch Lips & Leather Jacket Dreams, only because of the length of the chapters and the hurricane of ideas I had in my mind. Right now I’m trying my hand at my first multi-chaptered fic for the Bughead fandom and I can definitely say that it is proving to be quite the task in terms of planning and prioritizing.

17. How do you come up with the ideas for you fic(s)? Do you people watch? Listen to music? Get inspired by TV/movies?

For me, it’s mostly TV and movies. I always make parallels between plotlines and couples so a lot of ideas do come from stuff that I have seen on the big screen or during a marathon of an old show. But they also come from everyday life, I mean I could be discussing something with my best friend or doing groceries or driving and something along the way would strike me and demand from me to write it on paper.

18. Idea that you always wanted to write but could never make work?

I really really wanted (and still want, to be honest) to write a Dancing With The Stars Bughead fic. I know it’s crazy and totally random but the idea had stuck in my head while I was watching some dancing videos on YouTube and instantly I had everything planned; the roles, the plot, the dancing sessions, the choreographies, the drama, everything. I gave up on the idea merely because it’s quite difficult to portray such show on paper and I was afraid that the scenes in my head would turn out totally different if I attempted to write them, so I’ll treasure this story in my heart and think fondly about it whenever I listen to a song I had picked for a Bughead dance-off. But you never know; maybe my muse will be more confident about helping me give life to this idea in the future.

19. Least favorite plot point/chapter/moment you’ve written?

I wouldn’t say it’s my least favorite but I don’t feel very confident about Heliophilia, the second chapter of Fruit Punch Lips & Leather Jacket Dreams. There are a lot of things that I like in the chapter obviously, but I find the beginning a tad cheesy and then at the part with Betty’s and Jughead’s date I believe that I just ramble on and on with no purpose whatsoever. I was very inspiration-deprived while working on that chapter so, to me at least, it feels like not my best work.

20. Favorite plot point/chapter/moment you’ve written?

Jughead raised as a Serpent in my latest fic. I like the dynamic the gang element gives to his character and I really wanted to explore it in my own little universe. It just adds another layer to his personality and diverse characters are always the most fun to work with. Also, #GirlNextDoor was very fun to write. Being in Jughead’s shoes as an accomplished writer and envisioning future Bughead in their own adult apartment had me overwhelmed with lovely feelings.

21. Favorite character to write?

Jughead, for sure. Maybe because I relate more to his quite nature or maybe it’s the fact that I appreciate the writer in him and his old soul, which are again qualities that I have too as a person. He has so much potential as a character, so many layers to peel off. Yeah, Jughead Jones is a delight for me to write.

22. Favorite line or lines of dialogue that you've written?

I don’t think I have something specific in mind. If I go back and read any of my stories, I always find something that I feel pretty confident about, either that’s a sentence or a whole paragraph. I guess that’s why it takes me so long to update; I always check and double-check and reread and erase and add until I feel positive that what I’m putting out is something I’m quite satisfied to present to all of you. That and the fact that me, a Victor Hugo wannabe, doesn’t know the usage and the importance of a full stop!

23. Best comment/review you’ve ever received?

Every single one. Literally. The fact that somebody takes the time to write even a single “great work” means the world. Yes, the long, commentary-like reviews are always an extra delight; every author would agree on that, because, we love receiving feedback that shows the emotion and the reaction our words brought to each reader. It’s very direct and on-point. But even just a thumb’s up or an incoherent array of vowels can literally make my day!

24. How do you handle bad reviews or comments?

I’m one of the fortunate ones that never got any bad reviews or hate comments. I hope it stays that way because, on a good day, my confidence as a writer (and as a person in general) is beneath zero! But constructive criticism is always welcomed and wanted.

25. If you could change anything in any of your stories, what would it be?

The occasional typos! They drive me nuts, I hate them and I hate myself for them. Also, I’d like to remind myself to put a damn full stop every once in a while, not only a plethora of commas in insanely long sentences!

26. What is your favorite story you’ve ever written? Any fandom?

I was very into Spaleb (Spencer and Caleb from Pretty Little Liars) for as much as it lasted and, amongst a few other stories, I’ve written an one-shot titled The First Cup of Coffee about the four times Spencer gets the first cup of coffee in the morning and a fifth that she realizes she wants Caleb to have that privilege. Basically, it’s five snapshots of their life together and the growth of their relationship through the years and I really enjoyed writing it and generally envisioning a future about that couple. I also had a great time writing about Klaus and Caroline from The Vampire Diaries. But none of my previous fanfiction experiences amounts to the utter excitement and joy writing for Bughead fills me with.

27. What are you reading right now? Both fan fiction and general fiction?

Fanfiction wise, I need a lot of catching up to do. I have so many fics that I either want to continue or start reading and so little time but I’m getting there. It’s personal at this point! As for general fiction, I’m reading Uncle Vanya by Chekhov and some various poetry.

28. Do you have an advice for writers that want to get into this fandom but might be scared?

Just write. Open a plain document and write. Write whatever you have in that brilliant head of yours, write what you would read if you were about to search between genres and plotlines. Don’t think about note numbers or people’s reaction; just write what your heart desires and your muse urges you too. If you enjoy what you write then, trust me, everyone is going to enjoy it too. Don’t doubt yourself and don’t try to change your style or adjust to any norms you might consider as successful. Writing is personal, a kind of identity, and it’s unique and mesmerizing so proudly present your own identity to the world. Also, be sure to support your fellow writers. We are all a team here, a group of people that enjoy the same passion, and love and recognition is always a must. So applaud your fellow Buggies and applaud yourself for everything that you put out in this fandom, either that is a 40k fic or just a fifty-word paragraph. What you write matters and it might change somebody’s day. So share it and never second-guess yourself.

[houstonlocalus-blog]

Houstonian Tales: Lauren Eddy

Lauren Eddy. Photo: Hanna Gonzales

  Twenty years ago in this town, you wouldn’t have seen too many people champion the efforts of women in the music industry. It’s pretty vile when you think about it, but that’s just the way things were, unfortunately. However, unless you’ve been living under a rock lately, it’s pretty hard not to notice all that women have been doing for the music scene in Houston and throughout the country. You also wouldn’t have given much thought to Galveston having much of a thriving music community twenty years ago, either. In fact, you probably wouldn’t have given it much thought a decade ago. While Lauren Eddy isn’t the only person booking shows on the island, her efforts through Wake The Zine shouldn’t go unnoticed. The monthly zine, which can be found at various shops like Deep End Records, Insomnia, and Wired Up, is a calling card to DIY culture and making the most of wherever you live. Through the zine and her band EL LAGO, she’s proving that she can not only write about music, but make some of the most intriguing music coming out of our area today. On the heels of finishing their debut album, Free Press Houston caught up with one of the strongest scene builders and artists you ought to get acquainted with.

  Free Press Houston:  Where are you from? You weren’t born in Galveston, correct?

Lauren Eddy: I’m originally from Texas City, right across the Bay, but the Irish side of my family has old roots in Galveston. I’ve lived here for five years now.

  FPH:  You co-produce the DIY zine, Wake The Zine for the Galveston area. What made you decide to start doing the zine and how long have you been making it for?

Eddy: It was a solo project at first, but a small team coalesced around it. My good friend Jorja Montgomery became the co-editor and did layout for a solid year, but she is currently on break. Grant Loomis and Lisa Gulesserian will be working on layout and editorial duties with me now.

I started making the zine because the shows here felt so underground. Only this small social circle knew or cared, and I was hoping to broaden that circle and bring people out to shows. I made the first issue in October 2015. That was before I met Dan Schmahl, who runs Super Hit Press in Galveston. It’s more fun now with the Risograph printing process.

  FPH:  You’ve gotten to land some pretty strong interviews, especially for the zine world. Have there ever been times when you couldn’t get someone you wanted to interview, or has there ever been a time when you landed an interview that you didn’t think you would?

Eddy: We did have an interview declined for the first time! Julian Jimenez, who is a longtime contributor, is a go-getter and tried to interview Clem Burke, the drummer from Blondie. We were hosting the Split Squad and Dressy Bessy at the local VFW Hall, but Julian said he just couldn’t seem to engage Burke in a conversation. Honestly, I can only begin to imagine how that rewires your brain socially — you know, to have that level of celebrity. I don’t blame him one bit. I think it could happen to anyone. Or maybe he isn’t supposed to do interviews unless they go through certain channels. I have no idea! I didn’t assign that one though. I think I’m really most interested in up-and-coming bands and local bands.

  FPH:  The zine also produces shows in Galveston. What was the catalyst in putting shows together and about how many have you done now?

Eddy: The collective has hosted about 20 shows now, the majority of which I’ve had the pleasure of booking. I love putting lineups together! There’s a lot of room for intuition and imagining how things might go together. And I tend to book gender diverse lineups because it feels so much more natural to me.

Before the zine, I was trying to bring in bands through EL LAGO. Starting out, Galveston was the only scene we felt like we had access to, although Houston feels like such a welcoming place now! It means so much to be included. I never thought that anyone in Houston would care about the zine or the band at all, you know?

  FPH:  Is there ever a time when it feels like people on the island don’t get what you’re trying to do down there with the zine and the shows, or have they been pretty receptive?

Eddy: The first year blew me away! I was shocked to move 300 copies every month, even if they are free. People don’t have to pick it up, but they do. And I’d never had a sparsely attended show until very, very recently — which is pretty wild!

It’s been a little more trying for me personally this year. With any project, it’s all about the chemistry and momentum, and that will kind of ebb and flow. I had to discuss a values issue with one guy who I was working with, and that wasn’t fun. He couldn’t really dialogue about it. Sometimes people don’t understand why things like that are so important to me.

I still appreciate Galveston so much. I’m muscling through for now with the amazing friends who still give a lot of their time and energy to make the zine and the shows happen. Every single person who comes out, I appreciate so much. I try not to “expect” anything or take it for granted.  

  FPH:  For people who don’t know, where can people grab a copy of Wake The Zine, and how often does it come out?

Eddy: We’re trying to get back on schedule with a combined June/July issue, so we hope to get it out the first week of each month for the rest of 2017. Most of the zines stay in Galveston at MOD Coffeehouse, but I also take some over to Deep End Records and I send some to the Miss Champagne online distro. I also need to upload some past issues to our website soon.

  EL LAGO. Photo: Jordan Asinas

  FPH:  You also front the band EL LAGO, who has had quite the year since this time last year. Is it hard coming up for shows so frequently when you have to make the drive back to Galveston each time?

Eddy: It can be pretty brutal! The roads do feel dangerous late at night. One time we pulled up to our building in Galveston, and Charlie and I heard this truck come screeching down Market Street. There was some kind of drunken fight at Buckshot. We heard this sound like a gunshot, so we dropped our gear on the sidewalk, left the car door wide open into the street, and ran inside to duck for cover like it was a drive-by. I heard afterward that it was the sound of a rock being thrown at the man’s windshield. That will make more sense if you’ve seen some of the crumbling sidewalks here! He hit a pole and left his bumper on our curb, so I’m glad we dropped everything and ran.

Funny, there was a similar place my grandpa told us about. When he was growing up, there was this place downtown called the Imperial Club, and it was modeled after a saloon. They called it “The Blood Bucket.” Thankfully, there are cops outside Buckshot just waiting for it now.

  FPH:  El Lago has been in the studio working with Austin Sepulvado of Buxton and Dollie Barnes, as well as with Steve Christensen. How did that come about and was it difficult working with two seasoned veterans as them?

Eddy: I met Austin at one of our early Houston shows. I believe you had told him to check us out, so thank you! I had fallen out-of-touch with Houston music, so I was so happy to discover this new wave of incredible artists like Dollie Barnes, VODI, Rose Ette, Ruiners, Black Kite and so many more! Austin has worked with Steve a lot and we talked about working together on our first release. He did production and added perfect, subtle synth parts.

Steve and Austin are both a total pleasure to work with! I’ve only been playing electric guitar for about three years now, and some guitarists will try to pick holes in your playing or push their ego at you, but I never have to be defensive with Austin. I ask him lots of questions, and he recommended a guitar tech, James Love, who set up the tremolo piece on my Mustang. I’ve really enjoyed that.

Steve is the best imaginable person to work with, and I also adore his cats, Black Cat and Other Cat, even though I am allergic and was on meds the whole time! He’s such an ace! And he has his workflow down so smoothly! It’s to the point where you might not know how much of the weight he is carrying because it’s so seamless.

  FPH:  I know that the album is pretty much done already, do you guys have a release date and a title or are you still working that out?

Eddy: It’s our first time to go through this process, so I really need to do my homework. We’re talking with Jessica at Miss Champagne about doing the tape release, and I can’t think of anyone I’d rather go through! We love Jessica, and it would be really special to us to be on the same label as so many local bands we love. We’re not sure about the title yet. Maybe Colors?

  Lauren Eddy. Photo: Hanna Gonzales

  FPH:  As a woman in the music industry, who fronts a band, who writes music, who produces shows and your own publication, do you ever feel like it’s tougher to get respect than it is for a guy to get it who maybe does less than you do?

Eddy: There was some initial skepticism toward me, but it got better from there. I got the most skepticism as an electric guitarist, because there weren’t any women doing that in Galveston at the time, that I knew of. It really hasn’t been an issue since. No one has asked me if I’m a roadie or a girlfriend lately.

The same with the shows I managed. There was some concern early on that I should have a man work the door instead. I was assumed to be “too nice.” Now people are used to seeing me around, and I do have peers like Melanie Stone (India Tigers In Texas) and Sara Sims (Kink Shame) and Catherine Stroud.

I’m still trying to push for change beyond myself. I’ve had a few tough conversations with male friends and peers in my scene regarding language used on stage or in conversations, and some of them have been really understanding and willing to hear a different perspective. I appreciate that so much. Others have been maybe too fragile or too proud to dialogue. I guess it’s a good way to tell who your real friends are! They may not be the most cosmopolitan and they may not always choose the right words… but that they can handle an honest conversation about it and not resent you for challenging them in a heartfelt way.

  FPH:  You’ve kind of created your own world down in Galveston with everything that you do. Do you ever get overwhelmed with it all or is it just what you do?

Eddy: Oh, for sure! Charlie knows how overwhelmed I get. I think I am a little too private, and my friends don’t always know what I’m feeling or thinking. I strongly need an outside perspective sometimes though! I also want to tell you that you are doing such an essential thing, David, by connecting the Houston area music scene. You work so hard and I think it inspires all of us to keep pushing it forward. Thank you so much for this interview.

  It’s definitely inspiring to see one person push so hard for their city to be considered part of the Texas music landscape. Through EL LAGO, Wake, and the shows Eddy is hosting on the island, she’s definitely helping to cement Galveston as a spot for people to catch touring and local bands on the regular. You can read the latest issues of Wake The Zine, here, you can listen to EL LAGO here, and you can see EL LAGO June 30 at the Birthday Club Tour Kickoff show. The all ages event has sets from Holly Halls and Ether Wave as well, with doors at 9 pm and a pay what you want cover, with more information here.

Houstonian Tales: Lauren Eddy this is a repost

[tragicbooks]

10 things to learn about dating a blind person.

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There are few greater thrills than meeting someone amazing for the first time. So much happens in those first few moments.

Maybe it's their eyes and the way they sparkle in the light. Maybe it's their smile and how it makes the corners of their eyes crinkle in just the right way. Maybe. All you know is that with just one look, something is a little bit different. Just as Ed Sheeran says, everything has changed.

Image via iStock.

For people who see, so much of what is felt in those first few moments comes from the way a person looks. But what if we couldn't see them? Would we still feel the same way about them after a first meeting?

It's a real question and one that people who are blind or have low vision get asked a lot. To get a better understanding, we asked a few individuals what they wish sighted people knew about dating them.

1. They may not be able to see you, but first impressions still matter.

"The concept of a first impression in a meeting for us is not quite similar to [what] you are familiar with," says Florian Beijers, a 24-year-old computer science student from the Netherlands. "You can see the style of their clothes, the way they look ... [but] we don’t get these details. There is, of course, someone’s smell, someone’s voice, but they don’t always tell the same story as what you would be seeing ... it takes us a bit longer to actually form an opinion on someone."

Still, if you didn’t make an effort to dress up for the date, if you are uncomfortable, or even if you're uninterested in the date, it is going to show.

"I don’t have to see their facial reactions to tell if they want to get out of there, if they are bored," says Tanja Milojevic, 27, who works in the library at Perkins School for the Blind. "I am also interested in how they look to a point ... [so] when I meet somebody, I give them a hug. The hug shows me what they look like in a sense, and that helps form my impression of them," she adds.

Image via iStock.

2. Scent is important.

There's a lot of unseen stuff that folks notice that shapes their attraction to someone new. Smells — the ones we cultivate or the ones we don't even realize we have — are a big part of that.

"Body odor is a big one," says Milojevic. "If they smell like sweat and beer and they didn’t brush their teeth — I am not going to be interested."

3. Sound is too.

Like scent, the sound of a potential partner can go a long way to affecting how attracted a person will be to them. It's more than the timbre of a voice; it's everything from the sound of their breathing to their chewing to what their shoes sound like when they walk. Word choices and volume are key, too.

"Their voice is important to me," Milojevic says. "I pay attention to their conversation skills, but also what their voice sounds like."

Image via iStock.

She continues, noting, "You can definitely tell when you meet somebody whether they put a lot of emotion and emphasis into their voice. I personally like that because I can learn a lot about them as a person [and] I know how they are reacting ... if they put a lot more passion into their voice, it’s easier to read them."

4. Spontaneity is fun, but dating is often easier for blind people when they can plan ahead.

Until Elon Musk and Google replace all cars with perfectly self-driving ones, getting around wide distances will continue to be a bit of a challenge for blind and low vision folks. Many people, blind and sighted, rely on public transportation and the schedules that come with it. Having the time to plan travel in advance is important.

5. Don't write off activities like going to movies or the theater. There are apps and tools for that.

Image via iStock.

Going to the movies or a play are time-honored dating activities. Those don't have to be off-limits because you're dating someone with a visual impairment. Lots of movie theaters are equipped with audio descriptions so that moviegoers can fill in the gaps for scenes without dialogue or narration.

And if you aren’t sure if it’s something a blind or low-vision friend would enjoy — just ask. "Better to not assume, better just to ask," Milojevic says.

6. Open communication is key to any relationship — and asking questions is OK.

Every relationship will eventually fall apart if the people in it don't trust each other enough to talk honestly. So talking and asking questions on a date is one of the best ways to get over any awkwardness.

"If you are unsure about something, just ask — we don’t bite," Beijers says. "People start walking on eggshells when they are around someone with a disability; that is something that you shouldn’t do."

"Asking questions is actually a wonderful way to get conversations going and putting yourself at ease," notes Milojevic. "We don’t get offended easily, for the most part, and sometimes just asking 'Is there something that I should avoid bringing up that might offend you' is helpful and will put them at ease because usually [we] will say no."

Image via iStock.

Beijers adds, "When you start a relationship with someone that can see and you cannot yourself, at some point, these things are going to come to light anyway, so you might as well start out knowing what you are comfortable talking about, what you feel comfortable discussing, and what you don’t feel comfortable talking about — this is going to help you grow closer."

Beijers has been with his girlfriend, who is sighted, for more than two years. They met at a friend’s party, and he said they grew close because they had open communication from the beginning. "[If] both parties try not to be awkward with each other, I think you come a lot further and have this chemistry that will grow a lot faster," he says.

7. Don't diminish the relationship between a blind person and their guide dog.

Image via iStock.

For a relationship between a person and their service animal to work, they both need to trust each other implicitly. Potential partners need to be comfortable with always having a third (four-legged) wheel around and not distracting the service animal from their important daily duties.

"If they don’t like dogs or they are allergic, I don’t pursue it because it is not going to work out," says Milojevic.

8. They don't need a savior or a servant.

Having a partner who is helpful can be wonderful but not when it comes at the expense of being self-reliant.

In an interview with Tab's View, blind dater Abby described her experiences with an ex-boyfriend who used her condition as an excuse to do everything for her.

"I would ask him to not pick me up  somewhere, because I have a guide dog; I wanted to walk on the pretty days," she said. "He would pick me up anyway, and it just drove me crazy after a while, I would tell him, 'Hey! You can just meet me at home,' or something like that. He sometimes would be okay with it, but it got to a point where he would use my visual impairment to his advantage."

Milojevic also had a particularly bad — and creepy — date with a man who enjoying "helping" just a little too much.

"The person was very interested in the whole process of helping me out, even if I didn’t really need the help, and they liked the fact that traveling around an unfamiliar area, I was depending on them," she recalls. "It was more like they liked having the whole 'dependent/co-dependent thing' going on at that moment, and I don’t know. I didn’t like that. It kind of freaked me out."

"I am capable of doing things myself," she explains. "I don’t want the person to feel like they have to do everything. If I am in a relationship, I want to feel like I’m equal."

9. Blind people date using a lot of the same tools and apps you do — though nothing beats meeting in person.

There are a few specialized dating apps and websites for people who are blind or have low vision, but most don’t offer the same wide pool of potential dates. As a result, more and more people use the same dating websites and apps that everyone uses — or at least the ones that are accessible to screen-readers.

Milojevic says she used to have an online dating profile but that it isn’t her favorite way to meet people. "I had a few experiences on there where it just didn’t go anywhere," she says.

Also, not all parts of dating websites were accessible. "There was a lot on there, a lot of advertisements. And it would freeze up my page, so I got frustrated with it." She prefers meeting people at events or on websites like Meetup, where she can get to know someone face-to-face.

10. Relationships matter because we're people and we matter.

Image via iStock.

It's a fact: Not everyone one in the world will seem attractive to everyone else. But all of us, regardless of who we are and what we like, deserve the chance to find love and happiness. Whether you are sighted, blind, or in between, remembering our basic shared humanity is essential.

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[houstonlocalus-blog]

Houstonian Tales: Lauren Eddy

Lauren Eddy. Photo: Hanna Gonzales

  Twenty years ago in this town, you wouldn’t have seen too many people champion the efforts of women in the music industry. It’s pretty vile when you think about it, but that’s just the way things were, unfortunately. However, unless you’ve been living under a rock lately, it’s pretty hard not to notice all that women have been doing for the music scene in Houston and throughout the country. You also wouldn’t have given much thought to Galveston having much of a thriving music community twenty years ago, either. In fact, you probably wouldn’t have given it much thought a decade ago. While Lauren Eddy isn’t the only person booking shows on the island, her efforts through Wake The Zine shouldn’t go unnoticed. The monthly zine, which can be found at various shops like Deep End Records, Insomnia, and Wired Up, is a calling card to DIY culture and making the most of wherever you live. Through the zine and her band EL LAGO, she’s proving that she can not only write about music, but make some of the most intriguing music coming out of our area today. On the heels of finishing their debut album, Free Press Houston caught up with one of the strongest scene builders and artists you ought to get acquainted with.

  Free Press Houston:  Where are you from? You weren’t born in Galveston, correct?

Lauren Eddy: I’m originally from Texas City, right across the Bay, but the Irish side of my family has old roots in Galveston. I’ve lived here for five years now.

  FPH:  You co-produce the DIY zine, Wake The Zine for the Galveston area. What made you decide to start doing the zine and how long have you been making it for?

Eddy: It was a solo project at first, but a small team coalesced around it. My good friend Jorja Montgomery became the co-editor and did layout for a solid year, but she is currently on break. Grant Loomis and Lisa Gulesserian will be working on layout and editorial duties with me now.

I started making the zine because the shows here felt so underground. Only this small social circle knew or cared, and I was hoping to broaden that circle and bring people out to shows. I made the first issue in October 2015. That was before I met Dan Schmahl, who runs Super Hit Press in Galveston. It’s more fun now with the Risograph printing process.

  FPH:  You’ve gotten to land some pretty strong interviews, especially for the zine world. Have there ever been times when you couldn’t get someone you wanted to interview, or has there ever been a time when you landed an interview that you didn’t think you would?

Eddy: We did have an interview declined for the first time! Julian Jimenez, who is a longtime contributor, is a go-getter and tried to interview Clem Burke, the drummer from Blondie. We were hosting the Split Squad and Dressy Bessy at the local VFW Hall, but Julian said he just couldn’t seem to engage Burke in a conversation. Honestly, I can only begin to imagine how that rewires your brain socially — you know, to have that level of celebrity. I don’t blame him one bit. I think it could happen to anyone. Or maybe he isn’t supposed to do interviews unless they go through certain channels. I have no idea! I didn’t assign that one though. I think I’m really most interested in up-and-coming bands and local bands.

  FPH:  The zine also produces shows in Galveston. What was the catalyst in putting shows together and about how many have you done now?

Eddy: The collective has hosted about 20 shows now, the majority of which I’ve had the pleasure of booking. I love putting lineups together! There’s a lot of room for intuition and imagining how things might go together. And I tend to book gender diverse lineups because it feels so much more natural to me.

Before the zine, I was trying to bring in bands through EL LAGO. Starting out, Galveston was the only scene we felt like we had access to, although Houston feels like such a welcoming place now! It means so much to be included. I never thought that anyone in Houston would care about the zine or the band at all, you know?

  FPH:  Is there ever a time when it feels like people on the island don’t get what you’re trying to do down there with the zine and the shows, or have they been pretty receptive?

Eddy: The first year blew me away! I was shocked to move 300 copies every month, even if they are free. People don’t have to pick it up, but they do. And I’d never had a sparsely attended show until very, very recently — which is pretty wild!

It’s been a little more trying for me personally this year. With any project, it’s all about the chemistry and momentum, and that will kind of ebb and flow. I had to discuss a values issue with one guy who I was working with, and that wasn’t fun. He couldn’t really dialogue about it. Sometimes people don’t understand why things like that are so important to me.

I still appreciate Galveston so much. I’m muscling through for now with the amazing friends who still give a lot of their time and energy to make the zine and the shows happen. Every single person who comes out, I appreciate so much. I try not to “expect” anything or take it for granted.  

  FPH:  For people who don’t know, where can people grab a copy of Wake The Zine, and how often does it come out?

Eddy: We’re trying to get back on schedule with a combined June/July issue, so we hope to get it out the first week of each month for the rest of 2017. Most of the zines stay in Galveston at MOD Coffeehouse, but I also take some over to Deep End Records and I send some to the Miss Champagne online distro. I also need to upload some past issues to our website soon.

  EL LAGO. Photo: Jordan Asinas

  FPH:  You also front the band EL LAGO, who has had quite the year since this time last year. Is it hard coming up for shows so frequently when you have to make the drive back to Galveston each time?

Eddy: It can be pretty brutal! The roads do feel dangerous late at night. One time we pulled up to our building in Galveston, and Charlie and I heard this truck come screeching down Market Street. There was some kind of drunken fight at Buckshot. We heard this sound like a gunshot, so we dropped our gear on the sidewalk, left the car door wide open into the street, and ran inside to duck for cover like it was a drive-by. I heard afterward that it was the sound of a rock being thrown at the man’s windshield. That will make more sense if you’ve seen some of the crumbling sidewalks here! He hit a pole and left his bumper on our curb, so I’m glad we dropped everything and ran.

Funny, there was a similar place my grandpa told us about. When he was growing up, there was this place downtown called the Imperial Club, and it was modeled after a saloon. They called it “The Blood Bucket.” Thankfully, there are cops outside Buckshot just waiting for it now.

  FPH:  El Lago has been in the studio working with Austin Sepulvado of Buxton and Dollie Barnes, as well as with Steve Christensen. How did that come about and was it difficult working with two seasoned veterans as them?

Eddy: I met Austin at one of our early Houston shows. I believe you had told him to check us out, so thank you! I had fallen out-of-touch with Houston music, so I was so happy to discover this new wave of incredible artists like Dollie Barnes, VODI, Rose Ette, Ruiners, Black Kite and so many more! Austin has worked with Steve a lot and we talked about working together on our first release. He did production and added perfect, subtle synth parts.

Steve and Austin are both a total pleasure to work with! I’ve only been playing electric guitar for about three years now, and some guitarists will try to pick holes in your playing or push their ego at you, but I never have to be defensive with Austin. I ask him lots of questions, and he recommended a guitar tech, James Love, who set up the tremolo piece on my Mustang. I’ve really enjoyed that.

Steve is the best imaginable person to work with, and I also adore his cats, Black Cat and Other Cat, even though I am allergic and was on meds the whole time! He’s such an ace! And he has his workflow down so smoothly! It’s to the point where you might not know how much of the weight he is carrying because it’s so seamless.

  FPH:  I know that the album is pretty much done already, do you guys have a release date and a title or are you still working that out?

Eddy: It’s our first time to go through this process, so I really need to do my homework. We’re talking with Jessica at Miss Champagne about doing the tape release, and I can’t think of anyone I’d rather go through! We love Jessica, and it would be really special to us to be on the same label as so many local bands we love. We’re not sure about the title yet. Maybe Colors?

  Lauren Eddy. Photo: Hanna Gonzales

  FPH:  As a woman in the music industry, who fronts a band, who writes music, who produces shows and your own publication, do you ever feel like it’s tougher to get respect than it is for a guy to get it who maybe does less than you do?

Eddy: There was some initial skepticism toward me, but it got better from there. I got the most skepticism as an electric guitarist, because there weren’t any women doing that in Galveston at the time, that I knew of. It really hasn’t been an issue since. No one has asked me if I’m a roadie or a girlfriend lately.

The same with the shows I managed. There was some concern early on that I should have a man work the door instead. I was assumed to be “too nice.” Now people are used to seeing me around, and I do have peers like Melanie Stone (India Tigers In Texas) and Sara Sims (Kink Shame) and Catherine Stroud.

I’m still trying to push for change beyond myself. I’ve had a few tough conversations with male friends and peers in my scene regarding language used on stage or in conversations, and some of them have been really understanding and willing to hear a different perspective. I appreciate that so much. Others have been maybe too fragile or too proud to dialogue. I guess it’s a good way to tell who your real friends are! They may not be the most cosmopolitan and they may not always choose the right words… but that they can handle an honest conversation about it and not resent you for challenging them in a heartfelt way.

  FPH:  You’ve kind of created your own world down in Galveston with everything that you do. Do you ever get overwhelmed with it all or is it just what you do?

Eddy: Oh, for sure! Charlie knows how overwhelmed I get. I think I am a little too private, and my friends don’t always know what I’m feeling or thinking. I strongly need an outside perspective sometimes though! I also want to tell you that you are doing such an essential thing, David, by connecting the Houston area music scene. You work so hard and I think it inspires all of us to keep pushing it forward. Thank you so much for this interview.

  It’s definitely inspiring to see one person push so hard for their city to be considered part of the Texas music landscape. Through EL LAGO, Wake, and the shows Eddy is hosting on the island, she’s definitely helping to cement Galveston as a spot for people to catch touring and local bands on the regular. You can read the latest issues of Wake The Zine, here, you can listen to EL LAGO here, and you can see EL LAGO June 30 at the Birthday Club Tour Kickoff show. The all ages event has sets from Holly Halls and Ether Wave as well, with doors at 9 pm and a pay what you want cover, with more information here.

Houstonian Tales: Lauren Eddy this is a repost