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popculturebuffet · 4 years ago

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Wonder Woman 1984 Review “The Monkey’s Paw Wish of Superhero Movies”

Before we dig in, I just want to properly frame how much of a fucking disapointment this film was to me. It was thanks to the first film that I became the massive Wonder Woman fan I am today. Thanks to that movie and it’s accompanying sale, as Comixology likes to put sales on to tie into things as you’d expect, I tried Greg Rucka’s run on the title.. and quickly bought the second volume and will buy the third which didn’t exist yet at some point, as it’s easily one of my faviorite comics of all time, one i’ll undoubtly cover, and one that throughly sold me on the amazon princess, and throughly defined what she is to me: a compasionate warrior. Someone who WILL fight, who will take on the bad guys without hesitation, and who WILL kill if she has to.. but also someone whose compationate. Who will genuinely try to reform foes, who only kills as a last resort and not as a first option like some adaptations and the new 52 seem to think. She’s someone who in said run went out of her way to help her old friend and currently brainwashed foe Vanessa Kapetlis get cured of being the silver swan. She’s someone whose wholhe purpose for writing a book wasn’t money but simply to spread her people and her gods teachings. Someone whose , kind, noble, badass, smart and easily every bit the pure soul superman is. The run sold me on the character throughly and made me a fan to this day, one currently pouring thorugh both Rucka’s second run, and George Perez’ equally good run and one who hopes the upcoming dc relaunch means she’ll stop swapping writers every few months and get the run she deserves. I just wanted to sell how much I treasured the character now thanks to the first movie and thus how hyped beyond hype I was for this movie. It had a great cast, a great setting, cool trailers.. sure they didn’t show off the plot but it had to be good right? This couldn’t be say.. a giant, overly long mess of tangled plots, padding, terrible pacing, unfortunate implications and pedro pascal devouring the scenery in a manner galactus would be proud of right?

Well that’s what we got. After a year of hoping it’d come out some way this year, after having it delayed and after a year where MANY projects I loved were necessarily delayed due to covid... I got what I wanted. I got the movie i’d been hoping to see for months and months and months... and just like the wishes in the movie itself... it went horribly, horribly wrong. What I expected was something great as the other recent DC Movies.. what I got was a huge disapointing mess capping off a huge disapointing mess of a year. So while i’m a bit late due to contracting Covid and all the “FUN” that comes with that, I still felt like tearing into this film to figure out why I didn’t like it, what good parts it did have, and what the hell went wrong here. Spoilers and full review after the cut.

The Plot: Unlike my usual summaries I do, i’m keeping this one short and susicnt for those who haven’t seen the film: After a cold open flashback to diana’s childhood that was an omen of the boring padding to come, we get our main plot: It’s 1984 and Diana is acting in semi secret and helping out where she can. After some artifact thefts she takes a job at a museum and meets meek nerdy nerdy and office punching bag Barbra Minerva. The two strike up a kind of friendship, with Barbra wishing she could be as cool as diana especially after Diana saves her from being assaulted by a creepy random asshole.

Diana hasn’t moved on from Steve Trevor’s death in the previous film, and thus when encountering a mysterious stone wishes for him to come back. Barbra likewise wishes fto be just like diana. Meanwhile Maxwell Lord, a conman who has sold a bunch of bogus oil plots, plots to steal the stone himself and does so by seducing Barbra, and instead of wishing for more wishes, wishes to GRANT THEM instead, thus overnight making his buisness a sucess and using the inevitible monkey’s paw consequences of said wishes to benifit himself. Meanwhile Diana is reunited with Steve who for some reason has hyjacked someone elses body, and even has sex with Diana in it which is all kinds of creepy and wrong that we’ll get into soon enough. Meanwhile everyone now notices Barbara.. and she’s also gaining Diana’s powers but slowly loosing her empathy. Diana eventually finds out with Barba’s help that the stone is dangerous and it’s wishes backfire horribly, while Max continues to gain power with his as Diana chases after him, slowly loosing her own power as her consequence for the wish. You know instead of the fact her lover took someone elses body and life and they have to live with that. Eventually Max gets the power of a soverign nation and the satilte codes off the president, and plans to broadcast himslef the the world to offset his own wish consequence, his body slowly failing, by taking other people’s health. Steve urges Diana to renounce her wish and give him up to get her power back, she reluctnantly and painfully does so, and then goes after Max. Barbra however has sided with max and has him give her even more power turning her into a cat person as you’d expect. Wonder woman and the now fully cat Cheetah battle, it’s really cool looking, but Diana barely wins. We do get a decent climax with Diana not fighting max, not that she can with how powerful she’s become, but using the lasso of truth to get him to see the damage he’s done, give up and go back to his son. The world is saved Diana is moving on and also Linda Carter is there for some reason.

So now you have general idea of what happens, I can dig into the films faults, and it’s one or two strengths, one at a time, ONE AT A TIME. First off the film’s biggest issue by far and one that wouldn’t come through in the recap Padding and Pacing: THIS FILM DID NOT NEED TO BE 2 hrs 41 min

I said it once before but it bears repeating now:

THIS FILM DID NOT NEED TO BE 2 HOURS AND 41 MINUTES LONG

I am a firm belivier a film should be as long or short as it needs to be. If it’s under the standard 90 minutes, that’s cool, if it’s say three hours like avengers endgame that’s cool too. After the theater it’s easy enough to watch it in chunks, and sometimes a film just NEEDS that space and scope.

This film.. did not need that. This is not the cumilation of 10 years of storytelling, as slapdashidly planned as it was till phase 3, this is a film that feels painfully long to watch due to how padded it is. You could’ve cut those 40 mintues from this film EASILY and while you wouldn’t of had a good film, sadly, you would’ve had a way more enjoyable cheesy superhero movie. I”m tackling this one first because it just.. oozes all over the film. For every great and memorable bit in the movie and every questionable one we’ll get to, for every gloriously so bad it’s good moment... there’s about 10 minutes of scene that did not need to be there. It slows down the film to a crawl and given the original had pitch perfect pacing I do not get how Patty Jenkins screwed this up.

I do think Patty Jenkins is a good director. I did like the first movie, I do think a lions share of the credit goes to her writing and direction for that one. And a LOT of the sequences in this film are utterly goregously shot and fun to watch. I also, even if I don’t like this film, am extastic she forced the stuido to pay her more money to work on the film, as she deserves as much as any male director, it’s bullshit they tried to short change her, and again she was the reason the first film was so good. She deserved equal fucking pay for making Warner money hand over fist.

But I also say this because i’m disapointed in HER. She CAN do better, she already did the first time and the only real down spot, the spotty cgi climax, was not her fault. And hell here she did get the climax she wanted, and wrote one hell of one. I”ll go into it more later but the finale of this movie from the pitch perfect fight with cheetah, dodgy face work nonwithstanding, to the final speech to the world is just gorgeous to watch. Even in this mess of a film there are some really good really tightly shot sequences that i’ll get to.. but their broken up by padding and padding nad more padding. This film is bloated, it needed to be edited down but she clearly REFUSED TO, gunshy after the whole Ares thing last time... and thus shot herself in the foot repeadtly. I sitll have some hope for the next movie and Rogue Squadron, but Jenkins rightfully lost any blind faith I had in her this film would be good just as the directors of it chapter 2 lost it by.. making a terrible sequel to a great movie. Given this happened in the span of a year you’d THINK i’d of prepared myself for that.. but no. Sadly.. no.

But back to the point of this section: the film is just really padded. A lot of it is just scenes going on longer than they need to but there are some specific bits, some recurring others all in one go, that just really get tedious and pad things out. Let’s rattle em off shall we? The Opening: Now the opening is gorgeously shot, and it is nice to see Thymesicra again.. but the sequence is twiece as long as it needed to be, often just devolves into frantic shots of running.. and really dosen’t need to be here. I love Thymesicra, I love Hipolita, I love this damn beautiful island.. but we did not need it for this one. I THOUGHT it was there because the climax would be Max and Barbra invading the island or something.. but no. It has nothing to do with the main plot other than selling the film’s message “Nothing good comes from lies and shortcuts” which is a good message.. but the film already conveys that well. For all it’s flaws it well conveys the fact that the easy way to get what you want ALWAYS comes with a cost. That you can’t always get what you want, but if you try sometimes you just might find you get what you need. So we didn’t need 10 minutes of amazons running around just to make a point that the film already makes and it wreaks of Warner wanting to put the amazons in the film because “that’s what people expect.”

Steve Trevor Dinking Around for 20 Minutes: I will admit as dumb as it was.. I really loved the Steve Trevor 80′s fashion show. Oh it was dumb.. beyond belieif.. but it’s REALLY hard to hate a good 5 minutes of chris pine putting on stupid 80′s outfits. I do think like a lot of this film it was longer than it needed to be and it defintely needed a good catchy 80′s tune alongside it, just go full bollocks if your doing this, but otherwise it’s just hard not to joy, even if in a so bad it’s good kind of way, this kind of lunacy in a major stuido film

That goodwill died quckily as the next 15 goddamn minutes, 5 for the fashion show which while i liked it did not need to be in the film as long as it was, were just steve getting used to the new world of the 80′s. While I like the idea of Steve now in Diana’s roll as stranger in a strange land, instead of using it cleverly or having him ruminate over all his friends being dead Captain America style or .. a billion other things we could’ve used this time for if you really needed it, we instead just get Steve and Diana farting around for 20 minutes and Chris Pine making stupid faces. Chris Pine deserved better than this. He seems to be a steerling person in his personal life and I seriously doubt he’s done any movie bad enough to have earned this.. I mean he did do Star Trek: Into Darkness but NONE of those films problems were his fault. It’s just really, REALLY terrible, and even more boring in padded in places than this film but without the good bits or the haminess of pedro pascal to make it even remotely watchable. Point is i’m doing a blind look, and this is blind I just came up with tihs bit while I was writing and have not looked at chris pine’s filmography before, to see if there’s anything really bad enough to justify him being put through this buffonery.

Turns out .. yeah yeah he did. Two films in fact are just bad enough that he did in fact sign on to something bad enough to justify this. There were one or two other contenders but Princess Diaries 2 was earlier in his career, Into The Woods much like Into Darkness was not his fault and honestly if I were offered a part in a glitzy hollywood adaptation of a beloved musical i’d sign on too without heistation, and while Wrinke in Time is kind of a mess, Chris Pine is easily one of the best parts of it. No the two films that make him DESERVE the goofy terrible fish out of water stuff are this means war, a film I saw throughly savaged by Matthew “Film Brain” Buck, which is about two douchey cia agents competing over a woman without thinking that MAYBE the choice is hers, and also setting up CONSTNAT SURVILENCE over her and basically stalking her to sabatoge each others dates. And while I did mention that review, because it did give context.. even from the trailer I could tell this was sexist, bro douchey, and stupid and wanted no part of it. So yeah signing on this this, post star trek’s success where he had his pick of projects and was at the hight of his fame.. is inexcusable. The other is just... the kind of embarassing dtv film a person does before they get famous but is so horrendously premised that I still can’t give it to him. Like I get needing work, I do comissions 10 for movies now and 5 for tv show episodes and issues of comics if you were curious, so I understand that.. but even at his most desperate... why would you possibly take... this?

.. wait is that Stephen Tobowsky in the credits? Good god his career is depressing some time.. but at least unlike chris I GET him being in this as he needs money and despite his long and storied career, has to take what he can get. Wheras Chris was a promsing young star who while needing a break, CAN’T of thought this would be remotely sucessful and can’t of paid that well. But since the poster might not convey the premise.. the premise is Chris is a Blind Man looking for love set up on BLIND DATES.

It sounds like a fucking Adam Sandler film premise. I’m honestly suprised he hasn’t remade this film with himself, david spade, or rob schinder, whose apparently on good terms with him again, god help us all. And DON’T. TELL. HIM. He still hasn’t made that worst film imaginable he promised for getting Snubbed for Uncut Gems. Yes I know, Hubie Halloween came out but that was in production long before the promise and not that bad. Not great, pretty average, but not terrible. Point is do not tempt Adam Sandler to remake this film. He still owes us the worst film he can muster INTENTIONALLY, as Pixels, Rediculous Six, That’s My Boy? That was all him trying to make GOOD movie. Be afraid be VERY afraid. The other point is this premise is just really bad, REALLY offensive to blind people to make being blind into a stupid punchline, and I.. will probably watch this at some point because i’m bafflingly curious about this terrible terrible thing Chris Pine probably wanted us all to forget about, but will now never have that luxury as long as I live. The Fireworks Scene: This one is just..really dumb. Like really dumb. Every bit of this scene was dumb and we could’ve just.. had them get on a plane to egypt like normal people or steal a jet off screen. So to get to Egypt, Diana and Steve steal a jet which Steve can somehow fly despite decades of progress in how planes work at this point and him not knowing what radar is. He also gets shot ot at because Diana FORGOT, somehow, that radar exists and didn’t tell him. They also steal a jet instead of just taking an airliner or her calling in a favor since while it’s been a good few decades and Etta is sadly long dead, the candy family probably knows and loves her well enough and probably still has some military personal who could pull some strings and bring a jet over from london. It’s a stretch.. but not much more than “let’s steal a plane and hope we don’t die. “

Why this is in the padding section is because we then get a way too long bit of the two flying through a field of fireworks.. which also apparently existed LONG before steve was even born, so I donn’t quite get why he’s so shocked. And while i’ts not a bad CONCEPT for a scene the fact the two are being persued by the military for stealing a jet AND have to get to egypt so urgently they had to steal the jet in the first place lest Max do something horrible, which he ends up doing anyway... to take 10 minutes to gaze at the pretty fireworks. It’s just.. a waste of time in a movie that wasted already too much time.

Some of the barbra scenes: We’ll dive more into Barbra in a bit, and this is easily the least offesnive on this list, but a lot of the scnees of her discovering her new power could’ve been compressed. There are seperate scenes of her discovering she dosen’t need glasses anymore and picking up a ton of weight at the gym, while in 80′s workout clothes because of course she is. Both of those could’ve been one, either having her pick up something heavy like nothing casually or just having her glasses fall and break at the gym, have some cute guy help her up to help sell the wish making her feel noticed, and realize she don’t need em. It’s minor in comparison, but a good chunk of her plot badly needed to be streamlined.

And those are just the main offenders. The film’s pacing in general is just attrocious. It takes half an hour for the plot to move along most of the time.. there’ ssome good character stufff but they could’ve better weaved it into the plot and in some Barbra scenes and most of Max’s they DID. It’s just for the most part there’s a lot of repttition of stuff we already knew and figured out and it takes forever for the plot to move to the next phase until the last half hour. And by then my niece was already in the kitchen playing with her new slime having enitrely checked out, my mom was asleep and my brother just wanted this film over already and both of us were only hanging in out of obligation. This film blows most of what little potetial it has taking too damn long to get to the point. As I said it’s fine for a film to be long.. but while Endgame had laggy sections and some of it’s own problems.. it USED the huge runtime effectivey, using the first hour to both show our heroes had truly lost, then to set up the post-time skip world and just what had become of our heroes and their arcs for the movies. The second hour is mostly the time heist, a fun tour through the mcu’s history that also helps progress arcs and the final act is basically one MASSIVE glorious battle featuring every single hero who hadn’t suffered a non-snap related death in one of the best big action scnenes i’ve ever seen. It was well crafted and it’s slower moments were for character stuff and not because they felt the film needed to feel as long as the rest of the year had felt. But while it was the film’s main flaw and the main reason i’ts bad instead of mediocre..there’s one other massive flaw that utterly sinks the damn film and robs of it of a lot of it’s emotional weight The Character Assassination of Diana Prince:

Now we get to the part that really pisses me off one that was already kinda bad while watching but just got worse the more I thought about it: Diana’s Charcterization here. Despite being flawless in the first film.. here it’s just bad. It’s bad and it should feel bad. I can’t fathom how Jenkins lost touch so badly with the character, and I don’t think the Co-Writer Remotley helped. The Co-Writer for this film was Geoff Johns, a dc wunderkind whose reinvented the flash, green lantern, the justice society of america and aquaman, all brilliantly. The last one was even largely the basis for his damn fun movie. I have a lot of respect for the man... but like a lot of creators he’s not immune to screwing up and has made a LOT of mistakes, the biggest being forcing Cyborg away from the titans and into the justice league not for diversity’s sake like he probably claims.. but really because he didn’t want to use John Stewart instead of Hal Jordan, who he has an odd obession with i’ve never gotten, something the incoming writer of Green Lantern, Geoffry Throne, turns out to have complained about for years, as well as apparnetly giving out about Jordan SO MANY TIMES, that an entire artcle was made revealing this... and I’m perfectly fine with that as it should be clear I don’t like Hal Jordan all that much and while he’s been in some good runs, the other earth lanterns are FAR more intersting than him and far more unique. Thankfully the new series seems to be focusing on multiple of them and while hal seems to be getting some focus, Simon and Jessica are the main stars of modern day. So hell yeah to that. Let’s get back to the actual point.

The point being that one of his weaknesses as a writer.. is he really dosen’t get Wonder Woman. He just dosen’t. During Justice League he wrote her as a violent warrior and during Infinite Crisis, as expertly pointed out by LInkara during his review of it a few years back, he had her “not understand what being human is” .. despite this being at the SAME TIME as that Greg Rucka run I mentioned, meaning at the time of Inifnite Crisis, she had her own embassy for her people set up, had written a book, and had just spent a good chunk of that run trying to free an old friend who’d been brainwashed into a psychotic killing machine from her mechanical inhancments killing her and driving her insane. She willingly blinded herself with fucking snake venom to save the world from Medusa’s gaze and avenge a child THEN went on a long and arduous quest for the gods simiply to ressurect said child, with no intent of getting her sight back and only getting it back because Athena willingly gave hers up for being so noble. She is someone who is compatsionate, empathetic and noble. Not a kill happy warrior who loves fighting and blood. She fights because she has to, she does not hesitate and she does kill when needed.. but she is not some weird enigma to humanity. She’s throughly human despite being made of clay and not raised among regular humans. She’s a person, and Geoff just dosen’t get that. He get Superman, the flash, batman, other heroes just fine. He redefined aquaman well like I said. But for some damn reason he just dosen’t get Diana and can’t get a good grasp on her and while a good choice of co writer for practically any other dc movie and a good choice to right the ship for the dceu, he was the second possible worst choice to handle this character and likely is at least partially responsible for her character taking such a nosedive. By the way just in case you think better of him for only being second worst.. this is the worst.

Yes that actually happened.. thankfully not in the main canon and likely because Frank Miller really REALLY needs to get some help.

Point is he was a bad choice and while I still give Patty Jenkins some discredit for helping with this, I do feel Geoff easily could’ve agreed with or came up with some of the worse ideas here without really thinking them through because this simply isn’t a character he cares about what happens to her or knows that well. Things START fine: in present day we get a pretty fun action sequence in a mall with what my brother called Dollar Store Micheal Keaton.. but because Max was already perfectly cast, there wasn’t room for this screen legend. Plus he was probably busy shooting Morbius for.. whatever his role is there. I hope it’s the vulture. My point is DSMK is delightfully hammy and weird and helps kick up an already fun mall sequence.. while I was apparnetly the ONLY one who enjoyed this cheesy but awesome sequence in my family aside from my niece, she hadn’t rightfully checked out at this point, I still love it. It does bring up the slight problem of Diana being active years before... but given The Suicide Squad with it’s vast colorful cast of supervillians and the fact the freaking Justice Society are getting introdcued and given their gimmick even if WWII isn’t involed this time they had to have been active for some time before they presumibly vanished. My point is the whole Zack Snyder thing of “Metahumans are new and you should fear them” has been quitely retconned out and this will all likely be explained with the whole flashpoint thing... (Shudders).. not the retcon the DCEU needs a good coat of paint and unlike the XCU I dont think their going to waste a second chance, I just want a flash film that’s actually about barry and not another adaptation of a storyline few people liked ot start with. Point is that’s not really a huge issue and I prefer DIana being active than the implication she did nothing and her doing small bits of heroisim, like saving a woman from getting hit by a car or resucing pets and bigger ones like the mall just .. fell like Diana. It’s all downhill from there though. For starters there’s Barbra. It starts well: Diana is the only person to not only notice Barbra but treat her nice, and the two strike up a friendship.. which I honeslty wish was more as there was a lot of potetial there and both have great chemistry, not to mention showing Diana’s bisexuality on screen would be a really damn good move forward for representation, but that’s more on me and given how homophobic big companies can be, i’m unsuprised Warner wouldn’t let Patty take that route.

Point is it starts well enough.. but instead of the two actually having a deep freindship and possible relationship that is heartbreaking when it’s broken.. Diana just sort of forgets about her except when she needs her for the plot, and thus what should’ve been an emotionally breaking subplot leading to an utterly heartbreaking fight at the climax.. was just Diana being a dick, taking advantage of someone, and then getting a bit self righteous when the person you basically abandoned and didn’t notice made a wish till it was too late wants to keep the one thing that’s ever made her feel special.

It dosen’t help the comics did this whole thing better and is likely where Jenkins got the inspiration: During Rebirth Barbara Minvera was converted from a vicious ruthless bitch and a half, if still a brilliant character, to a tragic figure: one who while a bit cold and standofish, was genuinely diana’s friend, tricked into thinking she was abandoned, then became the bride of a horrifying god who punsiheed her for the “crime”.. of not being a virgin. While removing the whole cat god thing is understandable.. they removed pretty much everything that made that intresting and Rucka worked hard to make for a cliche “Nerd becomes evil” plot that’s been done a milion times nad makes dsiana look horrible. But while this is bad.. it PALES in comparisoin to the elephant in the room here.

No no elephant sweetie not wild pig. No.. it’s once Diana makes her wish on the magical wishing stone form the trickster god.. and brings steve back. See her bringing him back only for her to have to give him up to save the world.. that’s not bad. It’s a great way to bring chris pine back, ratchet up tension and ultimately give her proper closure for steve so she can move on. The problem.. is HOW steve comes back and how the movie handles that. Steve comes back.. by possesing some random guy. That itself is not a bad idea, as while it’s weird, A) I’m a weirdo and proud of it so i’mf ine with weird and B) it gives us a price to the wish like the other wishes: steve comes back.. but he has to take someone else’s life to do so. Diana has to sacrifice an innocent man she dosen’t know anything about in order to get her happy ending. That could’ve lead to some great drama, with Diana realizing how wrong this is and forcing herself to give him up with Steve’s blessing, as Steve would likewise not feel right about this. He could’ve had family or a girlfriend or something that were jeaporadzied if Diana kept Steve. The problem.. is they handled it horribly. really horribly. Diana and Steve.. almost NEVER mention the fact that he’s basically taken a life. They don’t ask if the guy is dead, they don’t ask who he was and they don’t try to find a way to get him a new body or a dying one or some other ghost can’t do it style shenanigan. And the fact i’m comparing this subplot to ghost can’t do it should tell you this is very bad. And it gets worse as the two have sex.. and whiel I dind’t think about it while watching the movie... afterwords? Yeah.. that’s.. that’s rape. The guy didn’t consent to letting them use his body. Now granted if Steve could leave the body at willand the guy was like “Sure why not” then that’d be fine.. but he has no way of consenting. Sure STEVE did.. but this ain’t his property. This isn’t his body to decide who he fucks. It’s random guy whose body he stole. Hell they didn’t even stop to consider if this guy might be gay which given Diana is bisexual makes no goddamn sense. So that’s another possible layer of wrong on this sundae of what the actual hell. I mean.. how do you bungle writing so bad your main character ends up as a rapist? That’s a special kind of incompetence in 2020 I tell you.

It just turns Diana from a kind noble woman who looks out for everyone.. into a creepy asshole who willingly sacrifices some guy she dosen’t know, something a well written Diana would NEVER do, to get what she wants. This is not diana prince. This is “out of the way sperm bank” levels of charactera assasination” and the fact steve has to talk her into letting him go just makes it worst. Diana here is selifhs, unsympathetic and terrible and it brings the whole film down despite Gal Godot’s best efforts to try and make this work. She fails.. but it’s not on her as an actress, she’s terrific, but on the writing for Diana being so bad. She just comes off as selfish and irredemible and i’ts horrifying to see. As one last note Steve is reduced to more of a cutout this time, so any possible emotinal weight not already destroyed by the rape is entirley missing. Just good god they did Diana dirty for this one. And it dosen’t help her villians.. are done much better. Speaking of..

Barbra: A Mixed Cat Out of a Mixed Bag As the title should make clear Barbra is kind of a mixed bag. On the one hand.. Kristin Wiig is fantastic. Like holy crap I had some small doubts about her being cast in the role but she nailed both the sweet put upon nerd at the start and the ruthless individual desperate to stay special at the end really well and the reason her scenes aren’t as draggy despite a lot being padding are Wiig just really sells the transformation, going from being giddy at a sudden influx of attention to feeling powerful.. to feeling dangerous and being deseprate to do whatever it takes to hold onto her power and being furious when she looses it. The problem is.. it’s all in the acting. Writing wise the story is horribly cliche. It’s why her having feelings for Diana was a suggestion that popped into my head: that’s actually intresting. A put upon nerd who envy’s a hero but ends up instead resenting them and wanting to kill them isn’t new. Amazing Spider-Man 2, which I thankfully haven’t seen but has that plot, Incredibles, and the one that the movie steals from the most.. Batman Returns. While wanting to kill the hero wasn’t part of that one, the whole “blonde whose still attractive even before the makeover has some supernatural thing happen to her and turns into an extrovert with a cat motif who is determined to take what she wants despite the cost.” While i’ts not 1 for 1, mostly becasue Catwoman actually had a romantic relationship with the hero, it’s REALLY hard to ignore just how much it seems to curb from Returns. And I haven’t even seen the movie the whole way through, just about half, really need to, not the point. Point is, it just feels like a rehash of a better done version of the plot. And the sad part is the comics GAVE Patty and Geoff two much better versions that could’ve followed the same path. Pre-Rebirth/Flashpoint, she was a ruthless woman from the getgo and simply could’ve been that, being friends with Diana.. but being too selfish and envious to truly let her in and thus relishing in her new power and showing off who she really was. The other, and better option for the narrative is the previously mentioned rebirth one: A sarcastic and hard but likeable woman who has had to scrape and claw to do what she loves, which is archelogy, despite her father being vastly against it because he’s a dick. Someone who through tragic misunderstanding becomes a tragic monster. That latter version would’ve fit in perfectly, having her like diana and just want to be her.. but a combination of her own inseucrites and the stone strip away her empathy and increase her jealousy and Diana neglecting her could’ve been a concious choice: Diana being too busy with steve and stopping max to see what was happening and thus be heartbroken to fight her true friend. Instead we just get.. catwoman but less good. Wiig tries her best and often succeeds but even she can’t really fix this. It also dosen’t help that selfishness aside.. Barbra is far more sympathetic. She’s contantly put upon and ignored by her cowowkres nad even her boss, who oftne forgets she works there, and finally meets someone who seems to care.. onlyf or that person to ignore her and go off and have adventures and really horribly implicated sex. So she wishes to be like this person, to be confident and loved and able to walk in heels and strong and gets it and slowly looses who she was to it. Hell the moment where she apparently CROSSES THE LINE by possibly killing some guy.. is entirely ruined by picking the wrong target. Instead of it being her boss or one of her co workers who mockeda nd humilated her.. i’ts the same guy who tried to assault her out for revenge. She’s beating up.. a bad person. She’s doing what Diana would do in a good way..

Sure she does take a turn for the evil, after hearing about the wishing stone destroying civilizations.. she sides with max.. but she’s still more sympathetic. Her resintment of Diana which should just be the meta commentary Jenkins intended on relationships between women where it becomes competitive due to societal bullshit, instead comes off justifed. Diana abandoned her, Diana is also being selfish with her wish, diana raped a man, Diana wants Max to stop.. but has to be TALKED into letting her wish go. While Diana is trying to save the world you can’t fault Barbra for not trusting her. For someone who preaches honesty, all Diana is to Barbra is a liar. While she does side with Max who earlier manipualted her by seducing her and stealing the stone... she KNOWS he’s not a great person, and this time instead of being the used, she’s the user. She knows he can make her even STRONGER, knows he can let her keep being who she wants to be if not BETTER, and knows he needs someone on his side.. and knows he won’t screw her over with her wish since he needs Diana off his back to become powerful enough to face her. Barbra comes off as cunning, manipulative and way more likeable than the hero, instead of the tragic villian she was inteded as. If nothing else, if she shows up in the sequel I will watch it even after this one was pretty damn bad and hopefully sh’ell be better written next time to match Wiig’s hard work. Now.. i’ve saved the best for last as while i’ve compalined a lot.. there is ONE aspect of the film that is genuinely good and while I get not everyone liked it.. Is urea s hell did

Maxwell Lord: Perdo Pascal Saves this film by eating the set whole like galactus.

Maxwell Lord.. is the best part of this movie. Easily. Unlike the other main characters, he’s written well, acted well if hammy as all hell, and is true to the comics. Part of this I freely admit is that when I heard Max was a villian here I expected none of his JLI version to survivie. I should explain.. in the comics Max is defined by two diffrent phases of how he was written; The first was in Giffen and Demattis run on justice league, which was more of an action comedy with emphasis on the comedy> There was still serious stuff and villians to face, it’s just our heroes were a bunch of likeable misfits and b-list heroes doing their best while cracking jokes and disfunctionally clashing with one another. It’s good stuff. Max was the heart of that: a selfish manipulative buisness man who grew to like the league and rebelled against the robot intellegence that got him that far, earning him a fair spot on the team. Sure he was a sleazy, shady 80′s buisness man, but he has a good heart underneath the opprotunsitic nature.

Come the run up to infinite crisis despite being a metahuman, he started irationally hating metahumans, claimed to have always hated them, and set up a vast conspriacty to kill em all. He also hyjacked superman, which lead to Wonder Woman being forced to snap his neck and being booed for it by superman despite the fact you know.. she was trying to stop him from killing batman and had no other cohice. The rest of the world got the clip out of context.. but even then she’d already killed months ago for the medusa thing I mentioned before, and despite Medusa only speeking ancient greek, the world, which tihs was broadcast too hence the danger of medusa killing trillions of viewers watching at home, they got the context that Wonder Woman was the good guy and was killing for good reason. It was just.. kind of stupid even if Rucka did his best with it is what i’m saying.

Point is there were two maxes: the sleazy and manipulative but well meaning buisness man and semi-con man and the manipulative but well intentioned master mind. So the movie.. combined both beautifully. He’s a manipulator as always, having set up a ponzi scheme and getitng called out on it by what turned out to be Simon Stagg.. who for some reason is the virtious if assholish buisness man here despite in the comcis being an utterly corrupt asshole constnatly ttrying to prevent his daughter from marrying this guy

This is Metamorpho, the element man, archelogist Rex Mason who thanks to the orb of Ra turned into this guy, an embodiment of the elments who can transmute his body into anything on the perodic table. Why HE hasn’t been in a movie yet his nemisis now has been is beyond me and there are better dc businessmen to have used.

Point is this Max is shady, ambitious and sleazy.. and badly failing his scheme falling around him. But his reason for wanting to be a rich, powerful man after growing up a poor immigrant.. is utterly symapthetic. He has a son in this adaptation and wants to make him proud. I’ts CLEARLY not his only motivation, he also just wants to be proud and the finale reveals hsi father was abusive, and his classmmates alienated him for being an immigrant. He has a chip on his shoulder due to having a rough life and just wanting his moment in the sun. It makes Max relatable: His actions are NOT okay but we get why he merges with the wishing stone: because this is his shot. And most of the people he fucks over with his wishes.. are bad people. he cons some good people sure but Stagg is an asshole and the prince he cons wants to kick foreigners out of his homeland. Max, like Barbra, while not a GOOD person still is more likeable than diana. He just.. feels like Max. He’s what Max could’ve been if he gave into the power instead of fighting against it. If he'd teamed up with the alien robot thing to take over the world instead of resiting it. So while he’s a bad guy like he’s been sadly turned into in the comics.. he feels like a CONVINCING version of Max as a bad guy. Like he genuinely turned evil of his own will and his own ambition.

It also helps he’s written compitently. Unlike Diana, whose entirely miswritten to a point NO amount of good acting and no amount of Gal Godot’s talents could save, and Barbra, whose great but only because her character had too little to be great but just enough to give Kristin Wiig room to work with Gal simply did not have. Seriously I feel terrible for Gal Godot, she’s a genuinely talented actress and a genuinely kind and great person whose a LOT like Diana herself when written properly. But Pedro Pascal? Since his character isn’t too badly written, and he has room to work.. he’s allowed to just be awesome. Since I haven’t watched the Mandolorian yet, I know, I KNOW, trust me.. I KNOWWW. But since I hadn’t this was my first proper exposure to Pedro Pascal..and his talent speaks for himself. In a weak movie, he is the shining star. He’s also hammy as shit, but it WORKS because the film is redicouls. The Wishin Rock plot line and Max merging with it.. it’s bonkers. But he has just the right mix of bonkers hammy acting that’s fun to watch, and actual character work in the ham. He’s eating the scenery hand over fist, utterly devouring it.. but it fits the character as while Max was more of a subtle ham, a guy who just radiated smug and who more got into histornics when things went tits up like the time Blue Beetle and Booster Gold took the JLU’s funds to build an island resort on an island that turned out to be sentient and didn’t like that much and yes, all of that happened and it was as funny as it sounds. Point is being a showman whose always on, always talking and always got a plan.. that’s Maxwell Fucking Lord, and Pascal’s over the top acting fits that kind of character like a glove.

It also fits the film well: the film comes off more like a 2000′s superhero film, one that takes itself super seriously.. but is really, REALLY goofy in places. It honest to god feels like one of the Sam rami spider-man films, ones I REALLY need to revisit and the results of that you’ll likely see, but without the self awarness rami had.. for the first two I mean by the third with the whole saturday night fever sequence, he’d really lost it. Love the guy though, still need to watch Army of Darkness and yes you may boo me. Point is the film is bonkers and cheesy and dosne’t realize it but Pascal does so he just.. has fun with it. His haminess when asking someone for a wish, his great ways of reversing those wishes so he benifits from the consequences, taking them off the board while furthring his own goals. Max is just.. awesome, and so is pascal. He got a life long fan in me from this performance. And of all people he took his inspriation from Nick Cage which is a perfect fit as Cage is fucking great at acting absolutely batshit while still acting his ass off. Pascal really deserves full credit for this film for more than just being lovingly over the top. He’s genuinely good.

And that shines through greatly in the climax. First off the final fight between Cheetah and Wonder Woman is awesome.. just one of the best superhero fights i’ve seen on film and i’ve seen some whoppers. Great back and forth, great coreography and brutal intensitiy the whole way through with Diana being forced to possibly kill Barbra despite not wanting to hurt her. Just a hell of one. But the real centerpice is the wish vortex. Pascal just drops all pretense and goes ultra instinct ham, just letting it all hang out as he ascneds to god hood... but how he’s beaten.. is easily the most brilliant part of the film and one of the few times Gal Godot genuinely gets to show off her talent in this one: Wonder Woman defeats the bad guy not with brute force, not that she can, or some cool fight.. though we did get the cool fight too so that’s nice.. she simply uses her head and her heart. She uses her head by taking advantage of the fact max is broadcasting to the world, as villians tend to, and giving his bogus offers to whoevers listneting. So Diana counters this.. by simply speakking from the heart, enrouging those watching not to give in and to renounce the wish.. so the consequences can be renounced too. Even if it’s hard, even if it costs you.. what your doing will cost others so much more. And she finsihses this by using the Lasso of Truth on max, making him tear down his delusions about himself and see that his actions, which have caused world war III by the way as he maniupated the president.. who for some reason was not Regan. While Regan was a bastard.. that’s exactly the reason I wanted hi mthere as this film would’ve been better had one of the parts of the climax been Diana fighting a 50 foot tall rouge ronald regan. Admit it you’d see that in theaters if it was safe to go.

POint is max sees he’s only HURTING his son, that this is for HIM not for his boy.. and that if he dosen’t let this power go, if he dosen’t just accept a peaceful life and let the world spin the way it’s supposed to and not emplode jus tso he can be a god... his son will be gone. So he gives it up and goes back to his boy in a touching moment. Though for some reason his son somehow got from Max’s office to the middle of a fucking highway. How is he not dead? I dunno we’re almost done here. Point is max is easily the highlight of the film and the reason it’s not ALL horrible along with Barbra. Final Thoughts: Wonder Woman 1984.. is a disapointment. What I thought would be an easy film of the year contender.. instead ended up being an ungodly mess with unfortunate implications, a messy slapped together plot and WAYYYYY too much filler. As I said it had it’ sbright spots especially max and barbra.. but hte ultimate product is WAYYYY less than Patty Jenkins is capable of and since a third film is apparently inevitible, I can only hope next time she learns from this and does better. Also get Pedro Pascal his own Justice League international series as Max’s grandson or something YESTERDAY. Seriously even people who didn’t like this film would love it and it’s not like he can’t do this between seasons of Mando. He did We Can Be Heroes for god’s sake.. which was somehow a better film than this one. I guess 2020 had to disapoint me one last time huh? Well we’re in a new year now... and hopefully the Suicide Squad won’t also be a huge diapointment. If you enjoyed this lnog rant on a movie from a week or two ago, follow me for more. I’m currently doing retrospectives on the life and times of scrooge mcduck, scott pilgrim, grant morrisons new x-men, and i’m soon going to finish up a Darkwing Duck one focusing on Just us Justice ducks. And once they come back this year I plan on reguarlly covering Ducktales, Loud House, Owl House, Amphibia, and Final Space. So keep an eye out for that and until then, Goodbye Goodbye Goodbye.

#wonder woman #wonder woman 1984 #pedro pascal #gal godot #kristin wiig #chris pine #diana prince #cheetah #barbra minerva #maxwell lord #justice league international #dc comics #dc extended universe #hbo max #patty jenkins #steve trevor

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