#life gets better for her don't worry

[elfieafterdark]

CW: religious trauma, disturbing topics, doomsday cult.

Harrowhark's had a hard life.

But that's not really a surprise, being born into a death cult. Her parents, convinced that the world was going to end. Convinced that they needed to cleanse themselves of sin before it happened.

She was indoctrinated from the moment she was born. Taught to be virtuous, no sin crossed her young mind, she prayed for the end to come gently for her and the compound.

She believed.

But she was different, sometimes had a hard time understanding things. Certain foods grossed her out and she didn't want to eat them.

She got very good at hiding that. Getting rid of food when no one was looking. Drinks too. It was the smells, and textures that set her off.

That habit saved her life when she was ten. When Father woke her up, told her that the end had come. Sat her down and gave her a drink.

It smelled wrong, later in life she would know the sensation. Ick was activated. So she dumped it when no one would notice.

And, hours later.

The police found her, they found little ten year old Harrowhark, sitting there in her robe, surrounded by bodies.

Harrow's had a hard life.

[ubejamjar]

day one - new dawn

treachery tastes like stale bread and saltwater. it's these frigid mornings that give to wretched afternoons filled with sweat and sun-warmed fish-rot. it's the knowing that i am neither sailor nor soldier, just a wretch that survived.

auraugust promptos

[keoke03]

you're in team magma? seriously? 0/10 worst evil team out of all of them.

wrong courtney, sorry ♪

[dootznbootz]

Odypen definitely and equivalently adore each other BUT I weirdly can't see them as the type to actually say "I Love you".

They still definitely vocalize their love for each other but it's more so in "My Joy", and "Extraordinary Woman", "Strange Woman/Man", etc. And very cheesy lines (both say some cheesy shit in the Odyssey, and he definitely does in the Iliad as well. "Joy like a drowning sailor seeing land" bit???)

I could see "I adore you" but even then, that's probably during very specific moments but the actual "I love you"??? I just typed it just now for fic shit and... It weirdly just didn't feel right and I don't know why. 😅

Idk maybe it's kind of because I see them as over the top in ways, they love wordplay and riddles and I think they'd almost think "...That's not good enough >:( " about it??? I don't know???😂

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[acourtofquestions]

"You'll come back," Manon said.

It sounded like more of a threat than anything

Dorian smirked. "Would you miss me if I didn't?"

Manon didn't reply. He didn't know why he expected her to.

He'd taken all of a step, when Asterin clasped his shoulder. "In and out, quick as you can," she warned him. "Take care of Narene." Worry indeed shone in the Second's gold-flecked black eyes. Dorian bowed his head. "With my life," he promised as he approached her mount and grasped the dangling reins. He didn't fail to miss the gratitude that softened Asterin's features. Or that Manon had already turned away from him.

A fool to start down this path with her. He should have known better.

The hours that passed were some of the longest of Manon's existence.

From anticipation, she told herself. Of what she had to do.

Abraxos, unsurprisingly, found them within an hour, his reins sliced from the struggle he'd no doubt waged and won with Sorrel. He waited, however, beside Manon in silence, wholly focused upon the gate where Dorian and Narene had vanished.

Time dripped by. The king's sword was constant weight at her side. She cursed herself for needing to prove-to him, to herself-that she refused to let him go into Morath for practical, ordinary reasons. Erawan wasn't at the Ferian Gap. It'd be safer. Somewhat. But if the Matrons were there … That was why he'd gone. To learn if they were. To see if Petrah truly commanded the host there, and how many Ironteeth were present. He had not been trained as a spy, but he'd grown up in a court where people wielded smiles and clothes like weapons. He knew how to blend in, how to listen. How to make people see what they wished to see. She'd sent Elide into the dungeons of Morath, Darkness damn her. Sending the King of Adarlan into the Ferian Gap was no different.

It didn't stop her breath from escaping when Abraxos stiffened, scanning the sky. As if he heard something they couldn't.

And it was the joy that sparked in her mount's eyes that told her.

Moments later, Narene sailed toward them, making a lazy path over the mountains, a dark-haired, pale-skinned rider atop her. He'd truly been able to change parts of himself. Had made his face nearly unrecognizable. And kept it that way.

Asterin rushed toward the mare, and even Manon blinked as her Second threw her arms around Narene's neck. Holding her tight. The mare only leaned her head against Asterin's back and huffed.

Manon hadn't dwelled long on what she'd say.

And as the three hundred Ironteeth witches filed into the hall, some coming off their patrols, Manon half wondered if she should have. They watched her, watched the Thirteen, with a wary disdain.

Their disgraced Wing Leader; their fallen Heir.

When all were gathered, Petrah, still standing in the doorway where she'd appeared, merely said, "My life debt for an audience, Blackbeak."

Manon swallowed, her tongue as dry as paper. Seated atop Abraxos, she could see every shifting movement in the crowd, the wide eyes or hands gripping swords.

"I will not tell you the particulars of who I am," Manon said at last. "For I think you have already heard them."

"Crochan bitch," someone spat.

Manon set her eyes on the Blackbeaks, stone-faced where the others bristled with hatred. It was for them she spoke, for them she had come here.

jacket, then hoisting up her white shirt. Rising in the stirrups to bare her scarred, brutalized abdomen. "She does not lie."

UNCLEAN

There, the word remained stamped. Would always be stamped.

"How many of you," Asterin called out, "have been similarly branded? By your Matron, by your coven leader? How many of you have had your stillborn witchlings burned before you might hold them?"

The silence that fell now was different from before. Shaking shuddering.

Manon glanced at the Thirteen to find tears in Ghislaine's eyes as she took in the brand on Asterin's womb. Tears in the eyes of all of them, who had not known. And it was for those tears, which Manon had never seen, that she faced the host again.

"You will be killed in this war, or after it. And you will never see our homeland again."

"What is it that you want, Blackbeak?" Petrah asked from the archway.

"Ride with us," Manon breathed. "Fly with us.

Against Morath. Against the people who would keep you from your homeland, your future." Murmuring broke out again. Manon pushed ahead, "An Ironteeth-Crochan alliance. Perhaps one to break our curse at last."

Again, that shuddering silence. Like a storm about to break Asterin sat back in the saddle, but kept her shirt open.

"The choice of how our people's future shall be shaped is yours," Manon told each of the witches assembled, all the Blackbeaks who might fly to war and never return. "But I will tell you this." Her hands shook, and she fisted them on her thighs. "There is a better world out there. And I have seen it."

Even the Thirteen looked toward her now.

"I have seen witch and human and Fae dwell together in peace. And it is not weakness to do so, but a strength. I have met kings and queens whose love for their kingdoms, their peoples, is so great that the self is secondary. Whose love for their people is so strong that even in the face of unthinkable odds, they do the impossible."

Manon lifted her chin. "You are my people. Whether my grandmother decrees it so or not, you are my people, and always will be. But I will fly against you, if need be, to ensure that there is a future for those who cannot fight for it themselves. Too long have we preyed on the weak, relished doing so. It is time that we became better than our foremothers." The words she had given the Thirteen months ago. "There is a better world out there," she said again. "And I will fight for it." She turned Abraxos away, toward the plunge behind them. "Will you?"

Manon nodded to Petrah. Eyes bright, the Heir only nodded back. They would be permitted to leave as they had arrived: unharmed.

So Manon nudged Abraxos, and he leaped into the sky, the Thirteen following suit.

Not a child of war. But of peace.

[kay9leo]

Boggart

Because at 14, everything feels so long and permanent. Especially when the future is uncertain.

Honestly this was inspired by this post asking about your MC's boggart. I always figure that my MC's would fall into a more similar vein like Hermione where her boggart represents more of a symbol/idea.

When read up on reddit on Hermione's boggart was Professor McGonagall, someone pointed out saying that it's more of a symbolic thing when you look into it under a deeper light. With Professor McGonagall saying she failed all her classes, Hermione could get expelled from Hogwarts and get her wand snap. Essentially denying her from the wizarding world.

Since Hermione -a muggleborn witch- wants to belong in the wizarding world (when the muggle world rejected her), she is trying to prove that she deserve to belong in the wizarding world through her grades and by being at the top of her class. Hermione failing her classes could risk her getting kicked out and getting her wand snap. The McGonagall boggart failing her is symbolic of her true fear - belonging no where.

While Hermione a girl trying to belong somewhere and doesn't want to be kicked out, Iñaki is a girl who's afraid that she'll never go back home.

What's a more permanent way of saying you aren't returning to your home country by getting a passport (symbolizing that you got naturalized) of your adopted country? More about Iñaki "MC" Martinez Cariaga

[gumm1defloor]

Personally speaking if I had to pick one rairpair out of the entire hellaverse to become canon it would be Velvette x Verosica but man it is going to be the most lavish, fluffy, intensely intimate, passionate, rancid & disastrous 24/7 trending full blown shitstorm hell has ever seen I don't think anyone is going to be ready. Not even these two. Dear god especially not these two.

Man Verosica is just 2 for 1 on short gremlin kings who are also coincidentally emotionally constipated walking talking sacks of untreated mental illnesses wrapped up in 3 layers of intimacy issues isn't she but hey at least this one's pretty much guaranteed never to steal your credit card for horse riding lessons and most definitely won't be caught one ring down in wrath in the middle of fuck knows where with said credit card so.... yay improvement?

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[the-herdier]

Thinking about the AU/headcanon in my head where Cuno grows up to be an officer specializing in child abuse cases/cases involving kids in general again :)

[arsenicflame]

i do think being unconditionally loved is an experience that can be so so healing actually. it cant ever fix anything alone but to feel loved and valued and considered is something that makes carrying burdens just that little bit easier. to trust that youre someone they think about when youre not around, because they tell you. to feel like youre someone important to them because they tell you. to feel safe in knowing youre not being too intense, too annoying, too much, because everything you offer is offered right back without a seconds hesitation. this isnt something i ever thought id get to have, but i found it when i wasnt even looking. and no, it still isnt easy. it doesn't change most things. but it gives you a reason to try.

[flickeringflame216]

and if all the people who told you one day it won't hurt all the time and there will be a sunny day and you will be able to notice how beautiful it is were right. what then.

[kikuism]

i lived

[hannibalismos-jaaneman]

the fact that barbie's rotten tomatoes score is 90% and oppenheimer's is 94% says a lot about us as a society.

[mccleans]

[sleepy-bunbun-ace]

i'm going to continue talking about the prsk white day universe x persona au because nobody can stop me.

so, like the persona games, there's another world where all the shadows exist. it's called the mirror world and can be accessed through a mirror large enough for a person to go through. everything in there is exactly the same as the real world but it's always night and the shadows that represent the people there are... peculiar.

when you go through a mirror into the mirror world, you will find that the people you know act the opposite of what they would in the real world. even more interesting is that their dreams are different. a pure and kind dream becomes twisted and cruel. the opposite is the same as well. the shadows there wear a crown to represent the dreams of those in the real world. break the crown and the dream is lost.

even more peculiar is that they all go by different names. you can't have the same name as your counterpart in the real world, or else the mirror world will punish you in terrible ways.

shadows are unable to get to the real world. that's a fact. they are to stay inside the mirror world until their real world counterpart meets their end. unless you know magic.

there are spells that allow the caster to essentially switch a shadow with their counterpart in all but body. personality, dreams, habits. everything except the body is swapped. even the crown is swapped to signify that they are the shadow inside of their counterpart's body.

this is exactly what happened to the white knights. they tried to rebel against the kind after finding out his true intentions but the royal sorcerer casted a spell to switch them with their shadows. now they live in the mirror world and can only watch through the mirrors as their shadows commit horrible acts in their names that they can't even take back.

suki, amia, and giichi watch and watch and can do nothing until a fateful encounter with the mages of freedom (who are just as bad as the king no matter how much they deny it).