#let's just say i have not been making art at all
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local-extraterrestrial · 4 hours ago
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This this this THIS.
I see everything you're saying, but I'm particularly caught up on his leg. I wrote a whole-ass analysis on this at some point but I've lost it somewhere in the depths of my notes. Alas. Either way: I refuse to believe this man would ever be able to walk properly, let alone this soon.
In the impact frame of his leg breaking we can clearly see that this is not just a complete breakage of both his tibia and fibula (bones in the lower leg, connecting the knee to the ankle), but also likely a compound fracture.
[A compound fracture (also known as an “open fracture”) is a bone fracture that is accompanied by breaks in the skin, causing the broken ends of bone to come into contact with the outside environment.]
While we don't see either of the bones strictly sticking out of his leg (which I like to joke is because they would've had to add a gore warning if they did that), we do see the bones pushing at the muscle and skin of his calf, definitely causing a degree of muscle damage that would take a long time to heal. Another thing that points me in the direction of a compound fracture is the fact we later see he has an open wound on roughly the spot where the bone would've pieced the skin. But that is just guess work.
And even then, we see he has to manually realign the bones. Which, in case you don't know, is something you should never do with a complete or compound fracture. But he doesn't exactly have a choice, does he? This kind of fracture requires surgery and literal metal rods and plates to align and stabilise the bone. And this is two of them. (Also one thing that haunts my nightmares is the fact that to set a fracture that bad without any sort of surgery, he likely would've had to pull the bones apart before pushing them back together. Geez, my own leg hurts just thinking about it.)
Meaning, the bones are definitely misaligned and would under no circumstances heal right.
And to make matters worse, the impact frame also shows us that the bones also splintered upon impact, likely made even worse by him having to so indelicately realign the bone. Which not only means that the pieces missing would've made the recovery process even longer, but that those splinters are likely still in his leg. As in, in there. In the muscle. Shrapnel-style. Making every single movement of the muscles EXCRUCIATING. That's literally a bunch of small knives in his muscles. Horrible. And that might have contributed to the infection we see developing. His muscles and tendons are no doubt fucked to hell and back.
Add to all that the fact that, due to the placement and cause of the break, this might've also messed up his knee, likely a displacement of the patella (kneecap). Messed up shit, really.
In conclusion, Jayce Talis shouldn't have been able to walk with any semblance of a normal gait, even with the brace. This man needs a doctor ASAP. And physical therapy.
Also on the note of PTSD, the incident with the blizzard definitely caused a lot of trauma. I like to think that cold temperatures tend to trigger him so he really doesn't like winter.
And my personal headcanon is that the whole Arcane glitching thing leaves him with migrane-like symptoms and a general sensitivity to magic and shit like that.
Overall, OP your brain is magnificent. Hope you get all the writing and/or art inspiration you ever wish for.
Smth smth i need more fics/discussion about disabled Jayce. I'm high on the disabled jayce cocain, im sorry
I know this man had diarrhea for days because he was eating fucking radioactive salamanders (that I don't think he even cooked properly) and drinking unclean water. His guts are fucked. He must've drastically lost weight, as well as having hair loss and early grey hair. He has ptsd. Smell of a raw meat OR rot just sends him into panic. NOT TO MENTION THAT HE ALREADY MOST SURELY HAD PTSD FOR NEARLY DYING IN A BLIZZARD AND THINKING THAT HIS MOM DIED SO I BET HE ALSO HAS A SEASONAL DEPRESSION. Light sensitivity... Twiches... Chronic pain....
And imagine Viktor WHO LITERALLY KNOWS WHAT IT'S LIKE TO SUDDENLY FIND YOURSELF IN THE MIDDLE OF A RAPID HEALTH DECLINE trying to just... be there. Tell him what he himself needed to hear all these years. Helps him to adjust to a new reality of not being able... well generally not being able bodied anymore
I want to explode them both.
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slashmagpie · 1 day ago
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Break Like an Artist
My fic for @hermitadaymay's Solstice Social Collaborative Fanwork Event! I was paired up with the wonderful @eydilily to create something spooky, dramatic and contemplative featuring Gem and Pearl, and it's been an absolute blast putting this together. Please go check out Eydi's art for this AU, it's absolutely gorgeous. CWs: description of a corpse, dismemberment, loss of awareness, fire/flooding/destruction, and depiction of a panic attack. Wordcount: 5.8k
There is a plague sweeping Pearl's hometown.
One by one, she watches as her friends fall to the infection, the colour and life drained out of them and leaving hollow, apathetic husks behind. Even with the devastating loss of her friends, her village, and her regular life, the worst part of this situation is not the infection.
It's that Pearl knows that Gem is the one spreading it.
[Read on AO3]
It’s a grey day in the fishing village that Pearl calls her home. Not that it’s ever not a grey day, at least not anymore. She stares out of her window at the thick encompassing fog that’s claimed the bay, at the desaturated buildings that dot the shore, and she twirls her paintbrush in her fingers. 
The canvas is blank, of course. She doesn’t remember the last time she sat down to paint and didn’t end up with a blank canvas. It must have been—months ago, at least. Back when the last monster from the depths had attacked, and not a single person had had the heart to fight back. When Tango’s house had been shattered in two, and Tango with it.
(He seems to be dealing well with the loss of his arm, at least. Or, as well as you can deal with anything, when the only things inside of you are all-consuming numbness and apathy. Pearl feels it in her chest, the yawning emptiness, and thinks that if she were to lose her arm right here and now, she also wouldn’t be able to summon the energy to care.)
She’d painted after that, though. She remembers it vividly, waking from a nightmare and running to her studio to capture lashing tentacles and inky waters and splatters of crimson blood. It’s a frenzied piece, a disturbing piece, and the moment she’d finished it she’d been filled with so much dread that she’d turned it around to face the wall and refused to look at it since.
The dread’s gone now. Along with the anxiety, and the uncertainty, and the fear. It’s all gone, and Pearl’s left sitting here, paints drying on the palette as she stares at an empty canvas.
Across the house, she hears her front door swing open and closed. A familiar voice shouts, “Pearl? Pearl, where are you?”
“Studio,” Pearl calls back, her voice flat. She continues to twirl the paintbrush as she waits for Gem to trek her way across the house to find her.
“Studio,” Gem echoes as she pushes open the door. “Oh, Pearl, are you painting again? Oh, I’m so happy for—oh.” The joy in her voice vanishes as she takes in Pearl, sitting on her stool, paintbrush raised and canvas empty. “Oh, Pearl
” 
Sympathy. Pity. Concern. Pearl can pick apart the emotions in Gem’s voice, even if she can’t feel them herself. She stares back blankly, because she can’t find it in herself to care about either aspect of the situation, whether it be her own inability to paint or the way that Gem’s looking at her like she’s a wounded animal.
“Come on,” Gem says softly, crossing the room and gently prying the brush from Pearl’s fingers. Pearl lets her. She’s not really painting, anyway. “Let’s get you to bed, shall we? A nap will do you some good.”
Pearl lets Gem help her up, lets Gem allow Pearl to lean on her for support as they make their way back to Pearl’s bedroom. It’s not like Pearl has any difficulty walking. She’s not sick, she’s not injured, she’s just

Cold. Empty. Not quite lifeless, not in the way Mumbo had been when she’d last seen him, skin and eyes and hair all the same shade of grey-white-nothingness as he’d stared into the distance, completely unresponsive. Listless, maybe, is the better word. She’s halfway to a fate worse than death and she cannot find it in her to care at all.
She feels colder where Gem touches her. She looks down, and she’s not sure if it’s her eyes playing tricks on her, or if her skin is more desaturated where it brushes against Gem’s. She lets Gem help her into bed, lets Gem fluff the pillows and fuss around her, lets Gem sit next to her as she hands Pearl a bowl of soup (“Your favourite!”) and watches her to make sure she eats.
If Pearl were more herself, she would care about what Gem’s doing to her. Care enough to stop it, maybe. Care enough to—no, not to confront her. Every time she’d tried, the words had gotten stuck in her throat. Because she’s known for a long time who’s been behind all of this, behind the corruption leeching all colour from their village, their home, their friends—
And she’d never said anything. Too worried about Gem’s feelings. Too worried about their friendship.

Pearl realises, as Gem goes to take the empty bowl and brushes her hands against Pearl’s, that she’s not worried anymore.
She waits quietly as Gem washes the bowl in her kitchen, chattering to fill the silence as she does, updating Pearl on their friends’ conditions. Her tone is bright and optimistic, even as her words are dour. Scar seems to be doing the same. Grian’s getting worse. Joel’s down to communicating only in broken phrases—but he should be fine. It definitely won’t be like Mumbo, or Cub, or

Gem returns to Pearl’s room, regarding her for a long moment before bending down to give her a hug. “Get better soon, okay?” she says into Pearl’s ear. “It’s not the same doing my rounds without you.”
Pearl knows that she’s not getting better. So does Gem, so Pearl doesn’t bother pointing it out. She just nods, lets Gem withdraw, lets Gem run one last hand through her hair.
“You should rest, Pearl,” Gem says, stepping away from Pearl’s bedside. “I’m going to go check on Impy now—”
Pearl’s moving before she’s even properly registered it, grabbing onto Gem’s wrist with force, holding her in place. Gem freezes. Pearl looks up at her through strands of greasy, greying hair.
“Gem,” she says, and it’s the first thing she’s said in days, and her voice is hoarse and her throat sore from the strain.
“...Pearl?” Gem replies, and she sounds almost scared.
“Gem,” Pearl repeats, getting used to the sound of her own voice in her mouth again. “I know.”
Gem laughs. It’s a nervous, tittering sound, the laugh Pearl remembers from when they’d gotten into trouble together as kids. “Know what?” she asks, voice strained. 
“That it’s you,” Pearl says flatly. 
Gem stares at her.
Pearl stares back.
Gem swallows. “I don’t know what you’re talking about,” she says. “Pearl—”
“I know you’re the one doing this to us,” Pearl says, more specific this time, choosing her words carefully, and Gem—
Gem tries to pull away.
Pearl tightens her grip. 
“Pearl,” Gem whines, eyes wide, tugging. “Let me go—”
“Why?” Pearl croaks, and Gem snaps her mouth shut.
---
Pearl’s in the midst of mixing a particularly tricky shade of green when there’s a loud, frantic knock on her front door. She sighs, setting down her brush to rest, and gets to her feet. “I’m coming, I’m coming, hold on!” she calls as the knocks continue, echoing through the house.
She pulls the door open and Tango’s there, a nervous ball of energy, just about ready to bolt. “Pearl!” he calls. “Pearl, come on, we gotta go—” 
He grabs her by the arm and drags her off. Pearl just barely manages to close her front door behind her.
“Wha—? Where are we going? What’s going on?”
“Something washed up on shore,” Tango explains. “The whole town’s there, c’mon.”
Accepting that she’s not going to get an explanation out of him, and now deeply curious about this something, she lets Tango lead her down to the shore by the lighthouse. Sure enough, the whole town is there, a chattering crowd gathered around a spot on the shore that Pearl can’t quite see. Impulse is standing on the edge of the crowd and catches sight of them, raising his arm in a wave. Tango makes a beeline towards him, ducking under the crowd, and Pearl follows behind, apologising to False and Keralis as she bumps into them.
“Did you decide what to do with it yet?” Tango asks as he comes to a halt and finally lets Pearl go.
Impulse shakes his head. “We’ve decided it’s Gem’s call,” he says. “After all, she’s the—”
He doesn’t finish his sentence as the crowd suddenly goes silent and parts for Gem, her hair wild and eyes wide behind her thick-rimmed glasses. She’s got her lab coat pulled on over her day clothes, clearly not prepared for this in the slightest. She reaches the front of the crowd and stops dead still, staring at the thing that has washed up on the shore.
Pearl follows her friend’s gaze, and sees it for the first time.
It’s a body. Of course it is. A corpse, taken by the sea and ravaged by the waves and washed ashore by the brutal bay currents. The body’s clothes are torn and sodden, the skin beneath so pale that it could practically be paper. Pearl is stricken, for a moment, with the mental image of her taking a brush to this canvas, filling it back in with colour, painting contours back into its skin, breathing life back into the body.
She shakes her head violently, banishing the thought. Where did that come from? This isn’t a canvas, it’s—
It’s a person. A person who was alive, and is now dead, washed up on the beach like a dead whale and just as much of a spectacle. His eyes are open but rolled back, only the whites showing, and his hair is white too, just as pale as his skin. It stands as sharp contrast against the dark fabric of his torn clothes, a mask wrapped around the bottom half of his face.
Pearl swallows hard and averts her gaze back to Gem, who looks just as disturbed by the body as Pearl feels. It takes Gem longer to pull her eyes away, to glance around the crowd. “I’ll—I’ll take it back to my lab,” she says. “Investigate, and—and give him a proper burial.”
The words reassure the crowd, a low chatter beginning up again. 
“Skizz, will you help me carry him?” Gem calls.
Skizz does, stepping forward from the crowd and helping Gem maneuver the bloated corpse. Pearl finds herself looking at it again, noticing dark striations in the skin, caught in glimpses between the tears in the clothing as it’s moved. 
She shakes her head again, forces herself to look away as the body is carried out and the crowd disperses. The image of the body lingers in her mind. Something settles uncomfortably in her stomach, and she wishes that she’d never opened the door.
---
Things go back to normal after that. Or, well, as normal as they get in the village, at least. False monitors the currents and warns of any incoming floods or monster attacks. Impulse and Tango work maintenance on the fishing boats that Grian and Skizz and Keralis take out into the bay. Mumbo runs the fish market. Cub and Scar come and go along the trading routes. Joel maintains security, or at least the illusion of it.
Gem hides away in her lab running experiments she never explains, and Pearl paints.
She tries to return to her usual fare, brightly-coloured landscapes with fantastical features, but something about her paintings rings hollow when she looks at them. She decides she needs a change, to switch things up and just relax, so she pulls out her paints and a blank canvas and begins with no intentions. Her movements are fluid and free and thoughtless and she falls into a flow state that lasts hours, until she blinks her eyes and awakes to find a portrait before her, a colourless face in full saturation.
The corpse’s visage, so alive she can’t believe it’s not breathing, stares back at her from her easel, and Pearl flinches like she’s been burned.
She hides that painting away, face turned towards the wall, and returns to painting landscapes. They come easier now, and for a time Pearl feels normal, as long as she ignores the canvas in the corner.
It’s Impulse who notices that there’s something wrong first. It’s not surprising that he’d be the first to pick up on it, really. Skizz is his best friend, after all. Of course he’d notice when Skizz stopped laughing, stopped joking, stopped drumming out tunes with his fingers on the side of his boat. And when Pearl sees him, she notices changes too—his skin paler, like he’s spent several weeks locked inside a basement instead of out in the summer sun, his eyes no longer their regular bright blue.
“Hey, Skizzly,” she greets brightly, trying to play at normal, throwing him a bone to grab onto.
Skizz just glances at her before responding with a flat, “Oh, hey Pearl.”
Pearl’s smile falters. “How are you feeling? Impulse told me you’re a little under the weather.”
Skizz shrugs. “Fine, I guess. Did you need something?”
Pearl swallows, something cold sinking in her guts. “No, no, just checking in on you.”
“Gem already checked on me,” Skizz says. “She said I’m not sick.”
“Gem’s not that type of doctor,” Pearl reminds him with a weak smile.
Skizz shrugs again. “She’s the only doctor we’ve got.”
Pearl tries her best not to let that unsettle her.
---
It’s not just Skizz.
It starts with him, but it doesn’t end there. Keralis is next, and then Grian. Mumbo gets sickest the quickest, going from his anxious, affable self to a nearly-unresponsive husk within a week. That scares them all, because even Skizz is still responding when spoken to, still moving when instructed to, even after nearly a month of being infected with
 whatever it is that’s going around.
False gets sick without anyone noticing, sequestered away in her lighthouse until she comes into town for groceries looking like a photograph that’s been left in the sun for too long, and that’s when people really start to panic.
And that’s when Gem declares, with all the authority that being a doctor of anthropology afforded her in a tiny town with no real doctor, that she’s putting everyone into quarantine until they can determine the source of the illness. 
“I’m not sick,” Pearl tells Gem when her friend knocks on her door, dressed in full lab gear, her hair out of its usual ponytail and falling forward around her face. She’s pretty sure she isn’t, at least, having hyper-analysed the shade of blue in her eyes in the mirror every morning for the past month. 
“I know,” Gem says. “I want to—I need to—can I come in?”
“Yeah,” Pearl says, stepping aside. “Of course.”
Gem enters, heading down the stairs into Pearl’s living space and staring at the paintings on the wall. Pearl watches her for a moment before stepping closer, resting a reassuring hand on her friend’s shoulder.
“What’s eating you?” she asks.
Gem snorts out a laugh at that. “I’m not a real doctor, Pearl,” she says.
“I know that.”
“They all need me to be a real doctor for them. I—” She breaks off, runs an anxious hand through her hair. “I don’t know what I’m doing. I need help.”
Pearl raises her eyebrows. “I don’t know how I can help,” she says. “I’m even less of a doctor than you are.”
“I know,” Gem says. “But you’re my friend, and I trust you, and I need—please?”
She stares at Pearl, bright green eyes magnified through thick glasses lenses. Pearl has never been able to say no to those eyes.
“Okay,” she agrees, letting out an uncertain breath. “Okay. What do you need me to do, Dr. Tay?”
Gem laughs again, high-pitched and anxious, and Pearl feels hot and cold all at once.
---
They do house calls. Once a day, Gem and Pearl, and sometimes Impulse, will make a round of the village, checking in on everyone. Gem brings some of her lab equipment and a notebook, where she scribbles down all the readings she takes from her instruments and any observations she makes. After the first week or so, Pearl also takes to bringing a sketchbook and a small travel painting kit, attempting to record the desaturation rate in her friends’ colours. 
It doesn’t matter which way they look at it—the situation is bad, and rapidly getting worse. Most of the town is infected now, and Skizz is approaching Mumbo’s level of deterioration. Cub fell ill two weeks ago, and Tango—
Well, he’s not quite grey yet, but he looks washed out where he sits at his table, especially next to Gem, all bright copper and ocean blue and forest green. His voice is flat, all of the emotion in it gone, and while he responds in full sentences to Gem’s questions as Pearl attempts to capture the moulded-straw colour of his hair, none of his words sound like him. 
Gem wraps up her check-in, and Pearl follows her out, paints packed away in her bag and sketchbook held carefully so as not to smudge the paint. Impulse is waiting for them outside, staring out into the bay, where a low-lying fog has been hanging for days. 
He glances over at them, voice shaking as he asks, “How is he?”
Gem hesitates. “About the same?” she offers. 
Pearl shakes her head. “Worse,” she says, offering her sketchbook to Impulse, pointing out the differences in values between the colours she’d sampled from Tango two days ago to the ones she’d taken today. 
Impulse’s hands are trembling as he hands the sketchbook back to her. “What do we do?ïżœïżœ he asks. “They just keep getting worse—Gem, what do we do?”
Gem’s eyes are fixed somewhere out at sea. Her expression is so scarily blank that Pearl would worry she was infected if not for how bright and vibrant she looks against the backdrop of the village. (Are the houses getting greyer? Surely not—surely it’s just the fog, and the fact that the sky has been overcast for a fortnight now—surely—)
“We look after them best we can,” Gem says. “I’m trying—every night I’m working on a cure.”
“And do you think it’ll work?” Impulse pushes.
“I have to,” Gem replies. “It has to.” 
Pearl swallows, and does not voice what all three of them are thinking: what if it doesn’t?
---
Impulse turns up one morning a shade dimmer than he had been the day before. Pearl notices immediately, her stomach lurching at the sight of him. He offers her a smile that’s smaller than his usual ones, a greeting that’s a little flatter than it would usually be. Pearl’s not sure if Gem even notices.
But Pearl notices, and her eyes sting, and she throws herself at him in a way that catches all three of them off-guard.
“Uh, Pearl?” Impulse says, stiff and uncomfortable beneath her. “You okay?”
“I’m sorry,” Pearl mumbles against his ear.
“Pearl?” There’s a peak of distress in his voice but it’s not enough. Gem hears it, too.
“Oh no,” she breathes.
“Okay, guys, seriously,” Impulse says, pushing Pearl away. “What’s going on?”
They just stare at him.
Realisation dawns across Impulse’s face. “No.” 
“Maybe
” Gem sucks in a breath. She reaches out to take his hand and squeezes it. “Maybe you should go home, Impy. Get some rest.”
“I’m fine,” Impulse protests. “I’m
” His protest crumbles under their gazes. He slumps, and Pearl knows that he would normally never crumble like that. He’d protest and fight back and keep working until he passed out on the docks and had to be carried back to bed.
“C’mon,” she says softly. “I’ll help you home.”
Impulse doesn’t protest that either. He knows, as well as the two of them do, how this ends. He knows that there’s no fighting this.
Pearl, very valiantly, does not cry about it.
---
With everyone except the two of them infected, Pearl manages to convince Gem to split the rounds, with her taking half of the houses, and Gem taking the other half, swapping halves every couple of days. Gem is reluctant, but she has no good argument against Pearl’s that this is more practical, and so she agrees.
And that’s when Pearl notices.
She thinks she’s imagining it at first, but the colour swatches in her sketchbook back up her suspicions, damning evidence she can’t ignore.
When she visits her rounds, she finds that the people she’s visiting appear to have stabilised, at least for a couple days, no greyer today than they were when she saw them the day before. And then she swaps with Gem, and notices that Gem’s half of the rotation are far paler, far less responsive, than they had been the last time Pearl had seen them. They stabilise for a couple days, and then they switch, and Pearl’s original rotation have deteriorated massively in the several days since. 
There’s really only one conclusion she can draw from that, and she doesn’t want to draw it. She doesn’t want to believe that the one responsible for this is—
The fog is a permanent fixture of the village now, blanketing the bay in a thick blanket of quiet. Pearl finds it hard to sleep, even the familiar sound of waves muffled by the mist. Kept awake into the early hours of the morning, she finds herself in the studio, a brush in hand, letting the paint take her where it will.
And where it takes her is familiar: the village, desaturated and coated in fog, dark looming shapes in the mist beyond, rising out of the ocean. And there, in the midst of the painting, a bright spot in all the gloom, is Gem, so vibrant she practically lifts off the page.
Pearl stares at it for a long, long time, and then places it face against the wall and tries her best to forget about it.
---
In all the dread, they’d forgotten something important.
The sea isn’t safe. It never has been. Growing up in the bay you learn how to weather the storms, to predict the tides, to flee from floods. You learn how to build barriers, and you learn how to rebuild once the ocean drags them down. 
Pearl knows that her village can handle the sea: she’s seen them do it time and time again over the years. Together, they move as a well-oiled machine, responding to threats from the depths with weathered ease. That’s why she doesn’t expect it, she thinks. 
There’s never been a monster attack that False didn’t warn them about.
But False isn’t capable of doing much of anything at the moment.
And so when the tentacles rise from the waves, there isn’t a warning.
Just a deafening krk-crash that wakes Pearl from a dead sleep with a bolt of adrenaline that’s nearly nauseating. She scrambles from her blankets, still in her pajamas, and rushes up the stairs to throw on her boots. It’s edging towards winter now, the weather much milder than the summer months, and though it’s not cold by any stretch of the imagination the chill of the air still makes her shiver. She grits her teeth, racing from her front door to the village proper, and there—
There’s a sea monster, dark purple tentacles reaching out to the shore, destroying everything in its wake. The fish market is half gone, and it’s awful, but it’s a relief, in a way, because nobody lives there.
“Gem!” Pearl screams into the night.
“Pearl!” she hears echo back, followed by distant footsteps, growing ever-closer. 
Gem’s face is flushed, her hair wild, her eyes wide. She’s also in her pyjamas, her lab coat that’s been ever-present for months now gone, and Pearl finds her eyes drawn to dark striations in her skin. They look like—
“Pearl,” Gem says again. “We need to get everyone out, away from the shore, up to the research centre—”
Pearl nods. “Got it,” she says. She points towards the docks and says, “I’ll head over there.”
Gem nods. “Be safe,” she says, and then she’s off again, pelting in the direction of the lighthouse.
Pearl doesn’t bother knocking as she throws Impulse’s door open. He’s still lucid enough that he’s been startled awake by the noise, though it hasn’t driven him to do much more than put his shoes on and stare out of the window at the dark shapes rearing up out of the fog.
“Impulse!” Pearl cries.
“Pearl?” Impulse says, glancing at her with dull eyes.
“We need to get people out,” she says.
There’s an extended pause, then, “Okay.”
“Can you get Skizz?” she asks. “Tango, too, maybe? I need to go to the beach, help everyone down there.”
Another extended pause, then a nod. “I can do that,” Impulse says. He moves too slowly, not driven by the same panic flooding Pearl’s veins, but it’s good enough. It has to be. Pearl doesn’t have time to consider the alternative.
She goes racing off for the beach. She throws open Keralis’ door first, relieved that he is, at least, wearing underwear when she drags him from his bed and into the night. She leaves him there while she grabs Grian from his hut, and then takes them both by the wrists, pulling them along behind her while she races for the cliffside.
It feels like hours that she races back and forth, grabbing her friends from their homes and dragging them in various states of comprehension to the safety of the cliff before running back into the danger zone. Grian’s hut is gone, and so is a large portion of the road. The tentacles have taken a chunk out of the farms further up the coast. Gem’s been taking the people she rescues a different route up to the research facility, the path that Pearl’s taking cut off to her by debris.
Once she’s got everyone on her side of town, she collapses panting on the grass, her lungs aching with the strain. There’s a fire somewhere down on the shore, someone’s lantern knocked astray by swinging tentacles. Her eyes burn just from looking at it.
A voice says, “I got him.”
Pearl looks up.
It’s Impulse, manhandling a colourless, greyscale Skizz.
Pearl goes cold.
“Where’s Tango?” she asks.
Impulse blinks. Slowly. Too slowly.
“Oh,” he says. “I’ll go get him.”
Pearl shakes her head, rocketed up to her feet by panic once again. “No, I’ll go,” she gasps. “You stay here.”
And then she’s off running again, beelining for Tango’s house, praying to any higher power that will listen that she’s not too late. Her lungs ache. Her legs burn. She can’t quite catch her breath. She’s shaking.
And then she’s knocking down Tango’s door, grabbing him from his bed against the far wall, dragging him away—
The roof coming down sounds like thunder, like the sky split open and gutted for parts. Pearl goes down hard, stars bursting behind her eyes, her breath coming out empty and then as a whine. She blinks, waiting for her eyes to adjust to the dark, for her ears to stop ringing, and that’s when she hears it.
It’s—not a scream. More of a whimper, or a wail, stretched out and awful and pained and punctuated by short, desperate gasps. It goes straight to her stomach, straight to making her sick, and she doesn’t want to look. Doesn’t want to move.
But, god, she has to, doesn’t she?
She wiggles her fingers, her toes, and lets out a deep groan as she pushes herself up onto her hands and knees. The world has narrowed in on itself, the open air of Tango’s house reduced to a crawlspace, and she shuffles down it, rubble and debris tearing her skin open and leaving bloody red marks on desaturated wood. It is a far cry from the blood she finds, practically brown with how much colour has been leeched from it. 
“Oh, my god,” she chokes. “Tango
”
Tango just moans in response. She can’t tell if he’s pale from blood loss or pale from the infection, but either way it has the effect of making him look half dead. He’s half buried beneath the rubble, body jerking with what she can only assume is pain, barely felt beneath the weight of numb apathy.
“I gotta get you out of here.” The words taste acrid against her tongue. Or maybe that’s the smoke. She can’t tell. “I’ve got you.” She grabs Tango by his good arm and grimaces. “It’s gonna be okay.”
It’s not a reassurance for him. Not really. Pearl’s familiar enough with his condition by now to know that he can’t really care about being okay at this point.
It’s more for her as she does her best to get leverage in the small space and pulls. 
When Tango screams, she knows it’s completely involuntary, an animal howl of agony that stops her short. Pearl gasps, tears on her cheeks, head spinning. “Please, no,” she begs, and she doesn’t know if she’s talking to him or the higher power that’s been ignoring her for weeks. “No, no, I gotta—I—”
“Pearl?”
“Gem!” Pearl cries. “Gem, please, I need—it’s Tango—he’s—”
“I’ve got you,” says Gem’s voice, familiar and close as footsteps pound across rubble. There’s a series of grunts and clunks as rubble shifts, and then there’s light pouring into the crawlspace, which is no longer so much of a crawlspace. Gem stares at the two of them, Pearl in tears on her knees and Tango half buried and lying in his own dull blood. 
“Okay,” she gasps out, and she sounds terrified. “Okay,” she repeats, steadier this time. 
Pearl wants to be relieved, but she’s just on the other side of hysterical. Gem’s holding an axe, which she must have used to clear the rubble, and she steps forward with it held between white knuckles.
“Hold him still,” she tells Pearl.
Pearl swallows. “Gem?” she whispers.
“Please.”
Gem glances down at Pearl, and god, she never has been able to say no to that, has she?
She shuffles forward, puts her weight against Tango, holds him still. Squeezes her eyes shut.
It doesn’t make it any better.
It doesn’t stop her from hearing the sick crunch of the axe cutting through bone or the blood-curdling scream Tango lets out.
It doesn’t stop her from feeling the sudden lack of resistance as she pulls Tango’s bleeding body away from the rubble, leaving his arm behind.
---
Pearl manages to hold it together until they’re able to get Tango safe and stable. Once the wound has been cauterised and disinfected and bandaged, and he’s left sitting with a mostly-unresponsive Skizz and an Impulse who’s just aware enough to be awkward about how little he feels for his friend, she walks away from the town’s refugees on the hillside until she can no longer hear them, and they can no longer hear her. She stands for a moment, surveying the damage below, the sun rising over the sea and the flooded streets and destroyed buildings, and she sucks in a breath that knocks her to her knees.
The panic attack comes in quick half-breaths and waterlogged wails, her hands gripping at her hair and pulling it hard enough to hurt. The world blurs around her as she chokes on saltwater and bile, her ears ringing with screams and funeral bells. When the hands settle on her shoulders she barely feels them—only feels them when they rise to her wrists and untangle her fingers from her hair.
“—earl? Pearl. Look at me. Come on, I know you can do it.”
“Ge-em,” Pearl chokes out. “I can’t—I—”
“I’ve got you,” Gem soothes. She takes Pearl’s hands in hers, squeezes them tight, real and grounding. “See, come on, that’s it. Breathe with me.”
Pearl blinks tears from her eyes as she tries to time her breathing to Gem’s. She’s not very good at it, her heart too quick and Gem’s too slow, but it helps, dragging her down from the high of panic. 
“That’s it,” Gem breathes. She lets go of Pearl’s hand, reaching up to push the hair out of Pearl’s face, cupping her cheeks in her palms. “See? Nice and calm. Everything’s fine, see?”
“Yeah,” Pearl agrees, and the words feel hollow. Her panic feels hollow, somewhere above her body, her soul sunken to somewhere below her knees. She sucks in a breath, lets Gem wipe tears from her eyes with her thumbs.
Gem is so bright. A searchlight in a storm, a ray of rising sun through the dark. The world seems to grey around her. 
Pearl reaches out, splaying her hand against Gem’s cheek, a clumsy echo of Gem’s own reassuring, grounding touch. Gem is still so bright, vivid enough that Pearl doesn’t think any paint could capture it. 
And Pearl, held in comparison, is grey and dull. A shade, drained of life.
She swallows. Lets out a shaking breath. Looks up into Gem’s green eyes, sees the fear and regret in them, and can barely summon her own panic or hurt in return.
“Oh,” she says, and the word falls like a stone, plunging into the depths.
---
Pearl lets out a breath. “It was the body, wasn’t it?” she asks, loosening her grip. “The one that washed up. It did something to you.”
Gem swallows. She pulls away, holding onto her own wrist where Pearl had dropped it, clutching it to her chest. “I’m so hungry, Pearl,” she whispers. “I fade so fast now. I need
 I need
”
“You’re going to kill us.” Gem flinches at the words. “You know that, don’t you, Gem? You’re going to kill us. You are killing us.”
“I just need your colours,” Gem replies, a whine in her voice. “I just
”
“What happens when we’re gone, Gem? What happens when you’ve taken all the colours? What happens then?”
Gem stares at her. There are tears in her eyes. They don’t quite fall, but Pearl can feel them drip into her hollow heart. There’s an ocean between them now and Pearl doesn’t have the wits to cross it. She doesn’t care enough to cross it, and she doesn’t feel enough to care about that. 
“I have to go and check on Impy,” Gem repeats, her voice thick. “I’ll see you later, Pearl.”
“You won’t,” Pearl calls after her as Gem hurries for the door.
Gem doesn’t reply, just slamming the door shut in response.
Pearl sits in bed for a long time, staring at the wall with hazy vision. Her thoughts are muffled under the thick fog that chokes the village, and so when she finally stands, she’s not entirely sure why. She lets her body carry her back to her studio, picks up a canvas from against the wall, and places it on her easel. She sits down in front of it and stares.
Gem’s face stares back at her, the only alive thing in a dead and colourless world.
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signanothername · 12 hours ago
Note
How do you feel about the fandom?
I’m assuming you mean Ut/utmv?
How can I say this in the most gentle way possible hmm..
I genuinely do love the creativity within the fandom, the beautiful art and stories and ideas people come up with, the different interpretations of these characters even when i don’t agree with them or have my own thoughts/opinions, cause that’s what fandoms are supposed to, it’s all of us showing our love for these lil blorbos of ours in each of our own unique different ways
Of course, each fandom has its good and bad side, but to say the ut/utmv fandom is so damn negative to the point it’s suffocating is an understatement
I’m especially weirded out by the pro harassment behavior within this fandom, like, a mf would say “i’m anti harassment!!!!” Then turn around and post/reblog a post with +20 people name dropped to “raise awareness” for whatever little that is worth, you can “raise awareness” by messaging people privately, not make a list where an asshole can easily use it to harass people, and no, saying shit like “don’t harass these people!!!” Does not alleviate any responsibility from you if they do get harassed because of your post
That’s why messages are a thing, and only messaging those who explicitly state they want to be messaged, not jump in into people’s inboxes or messages and telling them shit out of the blue
So many people within this fandom need to learn fandom etiquette, how to mind their own business, and to use the damn block button, you’re uncomfortable with a certain subject? Tumblr has the most handy filtering system, don’t like a person/find them uncomfortable? Block them, blocking them isn’t enough and want to complain? That is what you can use your blog for, feel free to complain on your own blog to your heart’s content (not on other people’s blogs or under their posts if it’s not the subject for it) that’s what friends are for too, go to their DMs and complain till the end of time
Being just a bit bigger of an artist follower wise in comparison to other artists means that I deal with very special cases sometimes, because I’m also puzzled by the way people can get super comfortable with commanding strangers to do things they want or to break basic respectful boundaries like not getting people involved in drama even when they specifically state not to include them (me, I’m starngers, every time I reblog my boundaries post, it’s me implying that I got something that broke my very basic bitch boundaries that day, which says a lot about the fandom, cause i literally only got 4 boundaries stated damn)
That’s why I opt to not get too close to people within the fandom, and am generally careful as to who I let close to me, I’m very certain people might think I somehow have my own social circle within the fandom or have some wide connections they can never get, when in reality I’m isolated af
That being said, idk if it’s young people not knowing any better, or adults who act like children, but the fact harassment is very prominent and also very normalized within the fandom is something that definitely made me seriously think of just getting back to the Transformers fandom (one of the most chill fandoms i’ve ever been part of)
Fandom is fandom, keep it for rambling about blorbos, and learn to mind your own business <3
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qwertyprophecy · 1 day ago
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Mortholme Post-Mortem
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The Dark Queen of Mortholme has been out for two weeks, and I've just been given an excellent excuse to write some more about its creation by a lenghty anonymous ask.
Under the cut, hindsight on the year spent making Mortholme and answers to questions about game dev, grouped under the following topics:
Time spent on development Programming Obstacles Godot Animation Pixel art Environment assets Writing Completion Release
Regarding time spent on development
Nope, I’ve got no idea anymore how long I spent on Mortholme. It took a year but during that time I worked on like two other games and whatever else. And although I started with the art, I worked on all parts simultaneously to avoid getting bored. This is what I can say:
Art took a ridiculous amount of time, but that was by choice (or compulsion, one might say). I get very excitable and particular about it. At most I was making about one or two Hero animations in a day (for a total of 8 + upgraded versions), but anything involving the Queen took multiple times longer. When I made the excecutive decision that her final form was going to have a bazillion tentacles I gave up on scheduling altogether.
Coding went quickly at the start when I was knocking out a feature after another, until it became the ultimate slow-burn hurdle at the end. Testing, bugfixing, and playing Jenga with increasingly unwieldy code kept oozing from one week to the next. For months, probably? My memory’s shot but I have a mark on my calendar on the 18th of August that says “Mortholme done”. Must’ve been some optimistic deadline before the ooze.
Writing happened in extremely productive week-long bursts followed by nothing but nitpicky editing while I focused on other stuff. Winner in the “changed most often” category, for sure.
Sound was straightforward, after finishing a new set of animations I spent a day or two to record and edit SFX for them. Music I originally scheduled two weeks for, but hubris and desire for more variants bumped it to like a month.
Regarding programming
The Hero AI is certainly the part that I spent most of my coding time on. The basic way the guaranteed dodging works is that all the Queen’s attacks send a signal to the Hero, who calculates a “danger zone” based on the type of attack and the Queen’s location. Then, if the Hero is able to dodge that particular attack (a probability based on how much it's been used & story progression), they run a function to dodge it.
Each attack has its own algorithm that produces the best safe target position to go to based on the Hero’s current position (and other necessary actions like jumping). Those algorithms needed a whole lot of testing to code counters for all the scenarios that might trip the Hero up.
The easiest or at least most fun parts for me to code are the extra bells and whistles that aren’t critical but add flair. Like in the Hero’s case, the little touches that make them seem more human: a reaction speed delay that increases over time, random motions and overcompensation that decrease as they gain focus, late-game Hero taking prioritising aggressive positiniong, a “wait for last second” function that lets the Hero calculate how long it’ll take them to move to safety and use the information to squeeze an extra attack in

The hardest attack was the magic circle, as it introduced a problem in my code so far. The second flare can overlap with other attacks, meaning the Hero had to keep track of two danger zones at once. For a brief time I wanted to create a whole new system that would constantly update a map of all current danger zones—that would allow for any number of overlapping attacks, which would be really cool! Unfortunately it didn’t gel with my existing code, and I couldn’t figure out its multitudes of problems since, well

Regarding obstacles
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Thing is, I’m hot garbage as a programmer. My game dev’s all self-taught nonsense. So after a week of failing to get this cool system to work, I scrapped it and instead made a spaghetti code monstrosity that made magic circle run on a separate danger zone, and decided I’d make no more overlapping attacks. That’s easy; I just had to buffer the timing of the animation locks so that the Hero would always have time to move away. (I still wanted to keep the magic circle, since it’s fun for the player to try and trick the Hero with it.)
There’s my least pretty yet practical solo dev advice: if you get stuck because you can’t do something, you can certainly try to learn how to do it, but occasionally the only way to finish a project within a decade to work around those parts and let them be a bit crap.
I’m happy to use design trickery, writing and art to cover for my coding skills. Like, despite the anonymous asker’s description, the Hero’s dodging is actually far from perfect. I knew there was no way it was ever going to be, which is why I wrote special dialogue to account for a player finding an exploit that breaks the intended gameplay. (And indeed, when the game was launched, someone immediately found it!)
Regarding Godot
It’s lovely! I switched from Unity years ago and it’s so much simpler and more considerate of 2D games. The way its node system emphasises modularity has improved my coding a lot.
New users should be aware that a lot of tutorials and advice you find online may be for Godot 3. If something doesn’t work, search for what the Godot 4 equivalent is.
Regarding animation
I’m a professional animator, so my list of tips and techniques is a tad long
 I’ll just give a few resource recommendations: read up on the classic 12 principles of animation (or the The Illusion of Life, if you’d like the whole book) and test each out for yourself. Not every animation needs all of these principles, but basically every time you’ll be looking at an animation and wondering how to make it better, the answer will be in paying attention to one or more of them.
Game animation is its own beast, and different genres have their own needs. I’d recommend studying animations that do what you’d like to do, frame by frame. If you’re unsure of how exactly to analyse animation for its techniques, youtube channel New Frame Plus shows an excellent example.
Oh, and film yourself some references! The Queen demanded so much pretend mace swinging that it broke my hoover.
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Regarding pixel art
The pixel art style was picked for two reasons: 1. to evoke a retro game feel to emphasise the meta nature of the narrative, and 2. because it’s faster and more forgiving to animate in than any of my other options.
At the very start I was into the idea of doing a painterly style—Hollow Knight was my first soulslike—but quickly realised that I’d either have to spend hundreds of hours animating the characters, or design them in a simplistic way that I deemed too cutesy for this particular game. (Hollow Knight style, one day I’d love to emulate you
)
I don’t use a dedicated program, just Photoshop for everything like a chump. Pixel art doesn’t need anything fancy, although I’m sure specialist programs will keep it nice and simple.
Pixel art’s funny; its limitations make it dependent on symbolism, shortcuts and viewer interpretation. You could search for some tutorials on basic principles (like avoiding “jaggies” or the importance of contrast), but ultimately you’ll simply want to get a start in it to find your own confidence in it. I began dabbling years ago by asking for character requests on Tumblr and doodling them in pixels in whatever way I could think of.
Regarding environment assets
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The Queen’s throne room consists of two main sprites—one background and one separate bit of the door for the Hero disappear behind—and then about fifty more for the lighting setup. There’s six different candle animations, there’s lines on the floor that need to go on top of character reflections, all the candle circles and lit objects are separated so that the candles can be extinguished asynchronously; and then there’s purple phase 2 versions of all of the above.
This is all rather dumb. There’s simpler ways in Godot to do 2D lighting with shaders and a built-in system (I use those too), but I wanted control over the exact colours so I just drew everything in Photoshop the way I wanted it. Still, it highlights how mostly you only need a single background asset and separated foreground objects; except if you need animated objects or stuff that needs to change while the game’s running, you’ll get a whole bunch more.
I wholeheartedly applaud having a go at making your own game art, even if you don’t have any art background! The potential for cohesion in all aspects of design—art, game, narrative, sound—is at the heart of why video games are such an exciting medium!
Regarding writing
Finding the voices of the Queen and the Hero was the quick part of the process. They figured that out they are almost as soon as writing started. I’d been mulling this game over in my mind for so long, I had already a specific idea in mind of what the two of them stood for, conceptually and thematically. When they started bantering, I felt like all I really had to do was to guide it along the storyline, and then polish.
What ended up taking so long was that there was too much for them to say for how short the game needed to be to not feel overstretched. Since I’d decided to go with two dialogue options on my linear story, it at least gave me twice the amount of dialogue that I got to write, but it wasn’t enough!
The first large-scale rewrite was me going over the first draft and squeezing in more interesting things for the Queen and the Hero to discuss, more branching paths and booleans. There was this whole thing where the player’s their dialogue choices over multiple conversations would lead them to about four alternate interpretations of why the Queen is the way she is. This was around the time I happened to finally play Disco Elysium, so of course I also decided to also add a ton of microreactivity (ie. small changes in dialogue that acknowledge earlier player choices) to cram in even more alternate dialogue. I spent ages tinkering with the exact nuances till I was real proud of it.
Right until the playtesters of this convoluted contraption found the story to be unclear and confusing. For some reason. So for my final rewrite, I picked out my favourite bits and cut everything else. With the extra branching gone, there was more room to improve the pacing so the core of the story could breathe. The microreactivity got to stay, at least!
A sample of old dialogue from the overcomplicated version:
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Regarding completion
The question was “what kept me going to actually finish the game, since that is a point many games never even get to meet?” and it’s a great one because I forgot that’s a thing. Difficulties finishing projects, that is—I used to think it was hard, but not for many years. Maybe I’ve completed so many small-scale games already that it hardly seems that unreasonable of an expectation? (Game jams. You should do game jams.)
I honestly never had any doubt I was going to finish Mortholme. When I started in late autumn last year, I was honestly expecting the concept to be too clunky to properly function; but I wished to indulge in silliness and make it exist anyways. That vision would’ve been easy to finish, a month or two of low stakes messing around, no biggie. (Like a game jam!)
Those months ran out quickly as I had too much fun making the art to stop. It must’ve been around the time I made this recording that it occurred to me that even if the game was going to be clunky, it could still genuinely work on the back of good enough storytelling technique—not just writing, but also the animation and the Hero’s evolving behaviour during the gameplay segments which I’d been worried about. The reaction to my early blogging was also heartening. Other people could also imagine how this narrative could be interesting!
A few weeks after that I started planning out the narrative beats I wanted the dialogue to reach, and came to the conclusion that I really, really wanted it to work. Other people had to see this shit, I thought. There’s got to be freaks out there who’d love to experience this tragedy, and I’m eager to deliver.
That’s why I was fine with the project’s timeline stretching out. If attention to detail and artistry was going to make this weird little story actually come to life, then great, because that’s exactly the part of development I love doing most. Projects taking longer than expected can be frustrating, but accepting that as a common part of game dev is what allows confidence in eventual their completion regardless.
Regarding release
Dear anonymous’s questions didn’t involve post-release concerns, but it seems fitting to wrap up the post-mortem by talking about the two things about Mortholme's launch that were firsts for me, and thus I was unprepared for.
1. This was the first action game I've coded. Well, sort of—I consider Mortholme to be a story first and foremost, with gameplay so purposefully obnoxious it benefits from not being thought of as a “normal” game. Still, the action elements are there. For someone who usually sticks to making puzzle games since they’re easier to code, this was my most mechanically fragile game yet. So despite all my attempts at playtesting and failsafes, it had a whole bunch of bugs on release.
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Game-breaking bugs, really obvious bugs, weird and confusing bugs. It took me over a week to fix all that was reported (and I’m only hoping they indeed are fully fixed). That feels slow; I should’ve expected it was going to break so I could’ve been faster to respond. Ah well, next time I know what I’ll be booking my post-release week for.
2. This was my first game that I let players give me money for. Sure, it’s pay-what-you-want, but for someone as allergic to business decisions as I am, it was a big step. I guess I was worried of being shown that nobody would consider my art worth financial compensation. Well, uh, that fear has gone out of the window now. I’m blown away by how kind and generous the players of Mortholme have been with their donations.
I can’t imagine it's likely to earn a living wage from pouring hundreds of hours into pay-what-you-want passion projects, but the support has me heartened to seek out a future where I could make these weird stories and a living both.
Those were the unexpected parts. The part I must admit I was expecting—but still infinitely grateful for—was that Mortholme did in fact reach them freaks who’d find it interesting. The responses, comments, analyses, fan works (there’s fic and art!! the dream!!), inspiration, and questions (like the ones prompting me to write this post-mortem) people have shared with me thanks to Mortholme
 They’ve all truly been what I was hoping for back when I first gave myself emotions thinking about a mean megalomaniac and stubborn dipshit.
Thank you for reading, thank you for playing, and thank you for being around.
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chattieb · 21 hours ago
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Okay, this has spoilers for my TCV au, but I really wanted to ramble about this plot point
Okay, everyone knows Rise Splinter wasn't the best dad, right?
I feel like, out of everyone, Donnie would hold the biggest grudge over that. Especially with the car demolition derby thing happening.
But. But. Think of how pissed Donnie would be once things start piling up.
Splinter never told them about their history, or Shredder, or their powers. Sure, fine, Donnie might let that slide. Splinter thought it was fake and Shredder had been gone for 500 years.
But then the Krang invaded. Something Splinter knew could happen based on his reaction to the Krang being mentioned in the movie. Something that, like the Shredder situation, he could have told them about.
Didn't Splinter learn from the Shredder situation? Didn't he learn that he should tell his family about these kinds of things?
Now Leo is rolling around in a wheelchair and still on pain meds. Pain meds that have the normally hyped turtle drowsy and loopy. Pain meds that Donnie swears Leo doesn't need anymore but somehow the slider is still in enough pain to say he needs them.
Mikey's hands won't stop shaking and Donnie is too busy to make anti-tremor gloves at the moment. Art is Mikey's thing, it's how the turtle processes things. By drawing his trauma, he feels like he has control over it, but he can hardly draw.
Donnie himself is getting phantom sensations of Krang tentacles worming into his skin. The nightmares are terrible, and he knows his brothers get them too. He's overstimulated to the point he can't wear his Battle Shell, sometimes not even his mask, because he's fucking stressed.
And Raph is in a coma. It's been months and Raph has been damn near unresponsive.
They could have been prepared, they could have been warned, but Splinter didn't tell them anything. Yet, Leo blames himself.
That was Donnie's breaking point. All signs pointed to Splinter at fault, but it took Leo, Donnie's twin who just got out of his own damn coma blaming himself for Donnie to snap.
He'd never argued with his dad before, but before he knew it, a few questions led to shouting, which led to screaming, which led to-
"THAT'S IT- GET OUT! STAY OUT OF MY FUCKING LAB AND STAY OUT OF MY LIFE! YOU WERE HARDLY IN IT ANYWAY!"
The words are out of his mouth before Donnie can process them. The pure hurt on Splinters face has a weight settle in Donnie's gut.
But, despite it all, Donnie feels glad. Good. Let him hurt. Let him feel a fraction of the pain his kids are feeling.
Donnie starts hanging around Draxum more after that.
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wandering-pirate · 1 day ago
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Mouthwashing Characters Headcanon
How the Crew Takes Care of You on Your Period
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Captain Curly
Knows your cycle so well that he starts prepping his monthly Captain Curly Period Kit a week before it starts
The kit includes all hygiene products that you need including painkillers, five of your favorite chocolate bars and the best part: candid photos he had secretly taken of you, each with a note underneath
The notes ranged from awful period puns to sweet compliments. This man knows how to keep you happy, physically and emotionally
Whispers comforting words as you sob over a character’s death during movie night
Though once, it was about a cockroach getting pancaked on screen
"Babe, that roach? It’s in a better place now—cockroach heaven. Endless trash buffets, living its best afterlife”
Spoiler: it worked
Checks in on you throughout the day, either with a sweet “How’s my baby feeling?” text or by dropping into the room for a quick chat, always making sure you feel loved and cared for
He understands how hormones can mess up with your mood and always reassures you that he isn't going anywhere
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Co-pilot Jimmy
The man has somehow mastered the art of finding all the right spots to massage when you're doubled over with cramps or just feeling downright miserable
What you don’t know is that he once secretly googled “how to massage girlfriend in pain” (in incognito mode cause his ego won't just let him ask outright)
Big mistake. Huge. He was immediately bombarded with nsfw content, all roleplay, mostly rough
Let’s just say it took half a day, several deep breaths, and a burning face before he stumbled onto an actual helpful website
Ever since then, he’s been sneaking off to “practice.” But it got a little weird one day
Every time you passed by, he’d be glued to his phone, staring at it with this weirdly intense look, and his free hand squeezing the air at different angles
“Uh
 babe? Are you
 hallucinating? Maybe some floating breast action?”
“Huh? Wha—no! Unless you’re jealous of the air now, darling. Should I be worried?”
It all paid off when you let out those godly noises he loved, his hands were massaging with just the right pressure and on the right places
To top it off, he even got an essential oil in your favorite scent
Not without drama, though—apparently, walking into Bath & Body Works fully hooded and masked with shades doesn't scream 'thoughtful boyfriend'. It screams robber
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Mechanic Swansea
The man and his craftsman hands will do anything to make you comfortable
Need a hot compress? Heats up grains, puts it in a sackcloth bag and places it in your lower belly
On days when you feel ugly looking in the mirror? Secretly blurs them slightly with shampoo or soap
Cold hands? Wraps yours in his larger ones
The kids being too loud while you're in a damp mood? He'd play tea parties with them (he was crowned the princess of all dragons)
Before sleeping, he always lay the towel down at your side of the bed whenever you're at the bathroom
Even built you a custom wooden cabinet that dispenses pads and tampons efficiently. Always stocked because he secretly checks it regularly
You have to force him to sit or lay down with you when he would be silently stressing out on what more to do
"Swansea, love, you're all I need right now, just stay here with me"
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Nurse Anya
The nurse uses her medical and psychological expertise like a pro, making your period feel a lot less miserable
Meds are always your bestfriend whenever your killer cramps hit and she made sure to always carry all kinds of painkillers and have every dosage for each pain scale you're in
Wincing and doubling down? she's quick to ask
"Scale of 1 to 10?"
Even when she’s busy, she finds little ways to remind you you’re not alone like leaving sticky notes with doodles of you or your favorite characters in places where you’ll find them
After noticing how you loved wrapping your feet in blankets, she got you matching fuzzy socks that you now have to wear whenever she’s around (because she’s wearing hers too)
Lovingly strokes your back and hair while you scream at reality show contestants for choosing the dumbest of choices
Very much amused and nods along every time you asked her if you're both witnessing the same stupidity
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Intern Daisuke
The boy is sometimes dense but when it comes to you, he sure isn't incompetent
One day, when the bed was way too soft to escape from, you did the only logical thing: text him
"Hey Dai, can you buy me some tampons? forgot to buy some yesterday"
"Be there in 5 babe! (â ă„â ïżŁâ Â â Âłâ ïżŁâ )⁠い"
And he meant it
He gave the pharmacist a heart attack by storming in and loudly asking for a box of tampons
Proceeded to grill them on what brands were most likely to leak so he'd avoid them (no shame whatsoever)
Never arrived empty-handed. Along with the tampons, he’ll pick up a plushie, a cute keychain, a little hair accessory or literally anything he knows that will let him see your pretty smile
He’ll wrap you both up in comforters, flashdrive loaded with all your comfort movies, from romcoms to horror
The mission? Movie marathon until you're both knocked out
Despite shrieking at every jumpscare, he still kisses your forehead between scenes, like you’re the one who needs reassurance (Spoiler: he needed those forehead kisses more)
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a/n: thanks so much for reading! headcanon requests are very much appreciated Ê•â€ąâ áŽ„â â€ąâ Ê”
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junixscribble · 1 day ago
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SCREAMS ur responses are so good ty for feeding us I'm so excited for your writing omggg
ANYWHO. SO. You mentioned Jayce giving Viktor a raspberry and also the tags on the s2 art so~ let's humor that~
Raspberries are arguably one of the most childish and intimate forms of tickling because well duh. I feel like Viktor probably never had a raspberry before Jayce (at least not one he remembers). He probably saw parents blow raspberries onto their giggling kids and thought to himself "I guess it's funny, or feels weird". Never considered just how bad it could tickle.
Jayce on the other hand is FULL OF LOVE and definitely has fuzzy memories of his mom pressing her lips to his belly when he was younger. Even just tickly kisses would take him down! He's a tummy guy.
Anyway, I feel like Jayce would suddenly remember that he can Do That to Viktor one day, and he just HAS to try it out. Poor Viktor probably looks in absolute horror as Jayce pushes his shirt up and takes a big breath in Like???? What are you DOING Jayce?!?!? Then when he touches down, Viktor SCREAMS. Like full on EEEEEEEEEEs because holy shit it tickles so so so bad. Probably knocks his head against the floor as he shrieks. Jayce has big ol powerful cheeks and a scratchy face (before the beard) so it's unbearable 💔
Poor Jayce probably gets a metal leg brace to the head as Viktor jerks his legs involuntarily. And oh boy does Vik blush because ??? WHAT WAS THAT????
You know how I said I was taking so long cause I had Ideas? Well. Here you go!
Fruit
Title: Fruit
WC: 1376w
Summary: Tensions are high in the lab with tight deadlines. Arguments are had, resolved, and when under inordinate amounts of pressure one must make time for stupidity.
——————
Viktor rested his head against the blackboard, sighing. Work had been trying lately. The council was expecting something big, and fast, so he and Jayce often found themselves burning the midnight oil more often than not. Their late nights and stressed disposition had led to a decent few arguments, mainly about stupid things such as who left the dishes all over the kitchen. Most recently it had been about an equation that had ended up half rubbed out - neither of them could decide who had done it, and both were saddled with figuring out what had been written down and rewriting it. 
They had been ignoring each other for most of the day, and to be honest Viktor was tired of it. These hours only passed quickly when there was chatter and ideas being thrown about like darts at a board. With nothing but chalk scratching breaking the silence, the seconds were painful. Usually Jayce was the one to break such silences, but he had been steadfastly soldering one of his gauntlets for the past hour and a half. 
For once in his life, Viktor put his stubborn nature aside and relented. He set his chalk down and wiped his hand on the side of his pants before walking over to Jayce, leaning on his crutch. Jayce didn’t look up on his approach, and Viktor stood awkwardly by him for a full minute until he put down the soldering iron.
“If you have something to say, say it.” Jayce said through gritted teeth. Viktor shifted his weight awkwardly. 
“I
 am sorry. About the equation. Truthfully, the last few days have been melding into each other, and I can’t remember who wiped the board. It very well could have been me.” 
Jayce sat up straighter, genuine surprise in his eyes. “You’re not here to berate me some more?”
Viktor flushed, looking aside. It was hard to keep composure when Jayce was looking at him like a kicked puppy. “No. I should not have done so in the first place.” 
There was a moment of silence where Viktor was convinced Jayce was going to turn his back on him, but before the idea could make a home in his head Jayce was up and his arms were wrapped around him. 
“It’s okay. We’ve been working hard, and I’ve said some things I regret too. Still partners?” Jayce asked, pulling back slightly. 
Viktor allowed himself a smile and put a hand on Jayce’s shoulder. “Of course. Now, I’m sure I have some alcohol in here from last time
” 


The next few days were a complete turn around from the stress. Now that they weren’t on edge around each other the ideas were flowing and problems that seemed impossible suddenly had clear solutions. 
“Ha! If I reverse the polarity on this, it will stop the hex crystal from spinning out of control!” Viktor exclaimed, nearly throwing his screwdriver. Jayce pushed away from his workbench and cheered. 
“Man, we are on a roll.” He sat contended for a bit before furrowing his brow. “Vik, I’ve just realised I’ve never asked you about your family.” 
Viktor turned to face him, amused. “And what started this train of thought?”
Jayce shrugged. “I was just thinking.” 
“Dangerous, coming from you. Anyway, there was never much to speak of. Never had siblings, my father was absent before I was born, and my mother passed when I was quite young. As was the way of most in Zaun.” Viktor said.
“I’m sorry to hear that.” 
“Don’t be. The life I lead now
 it makes up for it.” 
Jayce tilted his head to the side and smiled. “Aw, I’m glad to hear I’m like your family.”
Viktor sputtered. “I- what
well-”
Jayce laughed and shook his head. “Don’t worry, your secret is safe with me. Ooooh, we should do family things! Have a big awkward dinner with aunts you’ve never met, create unnecessary drama,...”
“Jayce, it sounds like you are describing the council.” Viktor commented, half a laugh on his breath. 
Jayce mimed vomiting and pouted before lighting up like a candle. “No, of course not. I couldn’t do this with any members of the council.” 
Viktor assumed he was talking about their banter, so he smiled and turned back to his work. However, the minute he picked up his pen he was grabbed from behind and wrapped up in a hug. He squeaked in surprise and swore in his native tongue before going limp in his embrace - he’d learned there was no escaping Jayce when he got lovey-dovey. 
“You know something else families do?” Jayce sing-songed, being a dick about it.
“What, Jayce?” Viktor sighed, playing along. 
It turned out there was no verbal response to that question - that being because Jayce had taken the opportunity to worm his fingers under Viktor’s arms and start wiggling on his ribs. Viktor immediately curled in on himself and made a strangled noise, pushing at Jayce’s hands. 
“No! Jahayce, you bastard-” He yelled, squirming. Jayce just laughed, pulling him away from the bench and over to the couch they had set up. Viktor knew what that meant, and he knew it could lead to him not getting back to his work for at least an hour. When one of his moods struck Jayce was hard to escape - not that Viktor minded too much. He could admit he needed the break, and he could put up with Jayce. 
Nevertheless, he protested. “Jaaaayce JayceJayceJayce we can talk about this, no? You don’t have to- haha! You don’t have to do this!” 
“Oh, but I do.” 
Viktor half-fought Jayce trying to shove him down on the couch, swearing the whole time. The minute he was down, Jayce would go ham and he wouldn’t know peace. Despite the half-assed attempts at escape Jayce successfully pinned an already laughing Viktor to the couch, and Viktor braced himself. What came, however, was hands deftly pulling up his shirt in one quick movement. 
“What the fu-” was all Viktor managed before Jayce took a deep breath and blew a raspberry on his stomach. Now, Viktor had seen this done before - often parents with small children - but always assumed the resulting laughter was because of the general silliness of the action. Never in a million years had he expected it to tickle so fucking badly. 
Viktor let out what could only be described as a screech at the contact, immediately kicking out and bashing his head on the back of the couch. Jayce nuzzled his face into his tummy, grinning, and Viktor broke into a chorus of cackles. 
“JAHAYCE! Whahaha- whahat are you dohohoing??” 
“What do you think?” He replied, still speaking into Viktor’s stomach and by god he was going to dissolve because his stubble made it so much worse. Viktor shrieked again when Jayce blew yet another raspberry, squirming within an inch of his life. 
“Yohou fucking asshole!” He yelled out for nothing, getting rewarded with Jayce’s fingers joining in the fun by kneading into his lower ribs. He made a series of high pitched sustained yelps at this, caught between the sensations of rough hands on sensitive skin and lips over spots he was discovering were really ticklish. After one particularly potent raspberry, Viktor accidentally sent his knee straight into the back of Jayce’s head, finally halting the onslaught.   
“Ow!” Jayce cradled his head while Viktor caught his breath, quickly covering his stomach. 
“You deserve that!” Viktor admonished, sitting up. His eyes were wide, staring at Jayce.
“Have you
 have you never had someone blow a raspberry on you before?”
Viktor shook his head. “That affront to dignity is named after a fruit?” 
Jayce laughed. “Yes.”
“I was not expecting it to
 have such an effect.” 
“No? If it’s too much, I won’t do it again-”
“No!” Viktor said before he could stop himself. “I mean, ah, I can handle your bullshit if I must, Jayce.” 
Jayce raised his eyebrows. “Do you want me to do it again?”
Viktor turned red. “Of course not.” 
Despite this, he sank further into the couch and his shirt rode up slightly. He didn’t pull it back down. Jayce grinned. 
“Well regardless, I’m not done with you.” 
It took very little time for Viktor to start cackling. Again.
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felassan · 2 days ago
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Some more DA:TV and related snippets from Sylvia Feketekuty, Part 2. rest of post under a cut due to length and spoilers. [Post One, Post Three]
The dev team really wanted to deliver on Emmrich's romance [source]
Sylvia Feketekuty has now left BioWare so there are likely some things she can't answer now "just because I can't look them up with certainty anymore" [source]
When Emmrich is first introduced, he has a skull helmet. Why does it never ever appear for the next 40-100 hours? "The helmet does indeed look wicked! I believe it actually shows up on his shelf in the Lighthouse eventually. (If I had been a smarter writer I would've asked if we could have it appear again, that one's on me.)" [source]
User: "In another post you mentioned shops in Nevarra City near the Necropolis. How far IS Nevarra City itself is from the Necropolis? Do only senior MWs get to go?" / Sylvia: "I'm reluctant to say what the distance is since I never defined it in game so it's Unknownℱ. But I imagine they can either walk or take a carriage, depending. Also I never imagined junior MWers are forbidden from going into town or such. It could be they have set hours and times where they're allowed. But got to get all those chores done first..." [source, two]
On the DA:I goat scene ([link]) - "The GOAT! God bless them, that was a delight." [source]
Brian J. Audette, on [this thread] - ""Better late than never" addendum to this thread. I just noticed that Isle of the Gods' writer Sylvia is on here now and I'd be remiss not to tag her in this thread. I can't say enough wonderful things about having worked with Sylvia on this mission." [source] / Sylvia: "Thanks Brian! You tackled an absolutely jam-packed mission with aplomb." [source]
Jo Berry: "Thank you for everything and everything else, on both Veilguard and Inquisition. Sunlight on your road, wherever it goes." [source] / Sylvia: "Thank YOU for all your writing Jo. Seriously, you were a godsend on Veilguard and DAI both." [source]
Trick Weekes: "It's been fantastic working with you, Sylvia, and I know you're going to crush it with whatever you do next. Thank you for finally letting me make you "the person who has to do journals so Trick doesn't" on one of our projects." [source] / Sylvia: "Thank you Trick! I'll miss working with you. It was an honour to finally be given the awesome responsibility of the journal system that still haunts my dreams." [source]
John Epler: "sylvia did you see i told the world Emmrich sleeps standing up like a horse" [source] / Sylvia: "It's days later but: yes. Yes I did." [source]
User: "As someone who also has a truly debilitating fear of death, Emmrich is so special to me. It’s the first time I’ve ever seen it represented in such a clear and concise way." / Sylvia: "Thanks, definitely felt that fear myself. I really wanted to express it clearly and was hoping would resonate with others." [source]
User: "Do you have any thoughts or opinions on what nickname Emmrich might have gotten from Varric if he'd ever gotten one?" / Sylvia: "Oh man that's a good question, but ultimately since I didn't write Varric, that must remain a mystery. Nicknames can only be bestowed. ("Bones" like someone suggested below is funny though.)" [source]
User: "If Emmrich's hobby is alchemy/plants, Vorgoth's is art, and Audric's is architecture... what's Myrna's? (Next to Emmrich, she's my favorite Watcher - sorry Vorgoth!)" / Sylvia: "Myrna has a one off line, you may not have heard it yet, where she talks to Vorgoth about getting tickets to the Sword of Drakon.* She enjoys a night out at the theater, whether it's a play or an opera. *(I think that's the play I named, I hope I'm recalling my own line haha.) It's a bit indulgent of me, but I chose Sword of Drakon because it was one of the plays I made up for a series of codices in DAI about Orlesian theater. I had a lot of fun with these and wanted to give them life once more. [link]" [source, two]
User: "During Rook’s disappearance in the prison, how did Emmrich react? Considering their intense romance, did he fall into depression, or did he show a more vulnerable side? Could his fear of death have influenced the situation? In the immortal romance💀, Emmrich promises that nothing will separate them, not in this world or any other. How likely is that? Would he go to great lengths for Rook, even crossing boundaries? Or, at some point, would he accept Rook's death?" / Sylvia: "1) Very strongly! I think it's a bit more interesting if I leave details to your imaginations, but Emmrich feels things deeply and probably had some sleepless nights. 2) So this I can't say much on even though it's a juicy topic. The truth is, I wouldn't even know unless I was actually sitting down to write it. Again, Emmrich feels things very passionately, but this is the kind of scenario where I might want the player's choices to have an effect." [source, two]
User: "Any chance that color scheme [of Emmrich's coat] was based off the corpse flower?" / Sylvia: "I couldn't find anything on the colour scheme and the corpse flower. Afraid this one's a mystery to me." [source]
User: "I'm really curious if there's a Nevarrese language? We have Orlesian, Antivan, Tevene, Qunlat..." / Sylvia: "I wondered that myself, especially given its ancient ties with Tevinter and also Orlais which would certainly have affected the languages of power and influence. Could also have roots with the Planasene. We never talked about one though, as far as I know, so the answer remains...unknown. 💀 (I did introduce tomb-script, the language you see etched into stone in the Necropolis, but I thought of it as more of a specialist's language for occult and magical things specifically.) (If we did define a Nevarran language in some corner of the lore, now I'm going to feel embarrassed, but I don't BELIEVE we did.)" [source, two, three]
User: "I wanted to ask if you have anything you can share about MW grave dowry jewellery - is it the sort of thing they keep on at all times? Also, would Emmrich like jewellery gifts or give them to Rook?" / Sylvia: "I figured it would be something they wear most of the time, or at least in public. You don't want to be without your grave-gold if you pass away! Emmrich would love to get jewellery, especially if it marked a special occasion like his other pieces do! He'd also probably like to gift Rook a piece of grave gold himself, though he knows a non-MW Rook might look at that part askance." [source, two]
User: "Question: how much if anything can you tell us about the circumstances surrounding the emergence of Emmrich's magic and him going to the Mourn Watch? In my mind, his parents' death could certainly be a catalyst for the emergence of mage powers, but I'm so curious why the butcher's boy goes to what seems the equivalent of Nevarran Harvard instead of a regular Circle unless he immediately demonstrated outstanding ability?" / Sylvia: So timeline wise, I think his magic manifested after he was taken in. This part isn't canon, so much as a background thought I had that maybe the spirits of the Necropolis nudged the MW to scoop up this future corpse-whisperer. It seems like a kind of place ripe for that sort of omen. That said, it could've also been a kindhearted Watcher who saw how shattered and alone this young boy was, and thought an upbringing in the Grand Necropolis would be the better place to deal with his grief. It's the kind of thing I want to leave open unless someone goes back one day to fill it out!" [source, two]
User: "what’s the overall Mourn Watch opinion on the whole Weekend at King Markus’s the other Mortalitasi are pulling? I can’t blame Emmrich for not wanting to be involved with that political mess!" / Sylvia: "No clue what you're talking about. King Markus is in the finest of health!!!!! ahahahahaha (To my mind Emmrich's response indicates a tension between the orders, but that they're going along with the polite fiction to avoid a mess. I can't say what the future holds though.)" [source]
User: "Ah, one last note: whoever decided “DA liches are immortal protectors and not always evil?” Chef’s kiss. It’s all I’ve ever wanted!" / Sylvia: "Thanks again! It was in Emmrich's first draft. The other writers and editors gave me good feeback on lichdom and the philosophy behind it especially" [source]
User: "I'm an ICU nurse, and that is imagined to confer a comfort with mortality. Suffice to say Emmrich has been a huge comfort to see." / Sylvia: "Thanks so much. I really wanted him to struggle with it while also engaging with it, because it's something I find hard as well. And I hoped it would find purchase with players." [source]
User: "If you’re willing, can you share a bit about the other orders within the Mortalitasi? Is there a rivalry with the Tevinter Imperium?" / Sylvia: I'm afraid I don't have much, sorry. I left the other Mortalitasi orders a big open canvas in case we wanted to invent more some day. (We've mentioned the palace Mortalitasi are separate from the Mourn Watch, so there's one. As you probably caught, Emmrich's not a fan of theirs.) Is there a rivalry with the Tevinter Imperium? I can't really point to anything in the game talking about that, so I hesitate to call it canon. But to my mind it would be very natural and also very funny. So if that ever manifests, I approve." [source, two]
User: "was any of Emmrich's design or personality modeled on British actor David Niven? I think there is resemblance just wondering if that was intentional." / Sylvia: "Oh I love David Niven. But the more direct actor influence for me was Peter Cushing in a few old Hammer Horror films." [source]
User: "just wanted to say thank you for creating the character of Josephine in Inq!! Helped me learn some stuff about myself when I was younger and meant a lot." / Sylvia: "Thank you so much on all counts! I'm glad the lovely Lady Montilyet was there for you (and enormous credit to her actor, Allegra Clark. She absolutely nailed Josephine, straight away.)" [source]
User, on Emmrich: "He mentions he thought he would marry - is that permitted for Mortalitasi when it wasn't for regular Circle mages? Can they now raise their own children?" / Sylvia: Mortalitasi have a lot of power. I imagine the Nevarran Chantry might grant them permission to marry outside the Circle more regularly than in places where mages are given less respect. (Mages can also marry within Circles, so no permission needed in those cases.) The same might be true for mages raising mage-born children in Nevarra, but I say that with less certainty. I think that's a topic I would've wanted to discuss with the rest of the narrative team." [source, two]
User: "is there a particular reason why emmrich is always wearing a glove on one hand?" / Sylvia: "I like to think it's mostly because he works a lot with his hands. The glove seems useful if he has to, say, grip a rough outcrop of rock when traversing the Necropolis, or deal with a bitey corpse." [source]
User, on Emmrich: "On my 1st run I played a trans Rook and romanced him. It felt incredible how he was so accepting of Rook's identity, and in return she could support him as he did a transition of his own as well. Beautiful mirroring!" / Sylvia: "Thanks very much! If those scenes worked, it's thanks to some people at work who kindly gave feedback that helped get the tone right." [source]
User: "I've been wanting to thank you for writing Luck in the Gardens for 4 years. Hollix was the first time I ever saw a non-binary character given a real voice." / Sylvia: "I loved writing Hollix in that story, they were a treat, and I'm glad they meant a lot to you. (And a shout out to a nb friend who gave me some good feedback on the character, I don't think the story would've been as clear without their help.)" [source]
User: "I was curious about Audric from TN, and if he originally was planned to have an appearance in veilguard, and what he's up to now" / Sylvia: "Love Audric, but I never planned to bring him into VG. I'm not AGAINST it, but I didn't want the short stories to feel like required reading for the game, and I liked where his arc ended in DatDM. That said, I dropped in a few references to Audric to let people know he's around and well. And I imagine he's doing what he loves: being a force of order, in the library. (And reading books during the more quiet hours below.)" [source, two]
User: "As a consumer of (and probably future creator of) so called "erotic" fanficfion, I'm wondering how you feel about the fact that fans make it about a character you created?" / Sylvia: "No issues with it whatsoever. We put sex and romance into the game itself, after all. I think people use fan art and fanfiction to extend their time with a story they've grown fond of, or to figure things out. So it feels like a natural extension of that." [source]
User: "Maybe one day my rook will join the mw!" / Sylvia: "Well, the Grand Necropolis is always eager for more company...đŸȘŠđŸ‘»" [source]
User: "did the flame eternal (short story) come first or the flame eternal (quest)? i’ve been wondering if the quest was named after the story or vice versa" / Sylvia: "I wrote the scene first, the short story came after. But I named the quest AFTER the short story had come out, so I'd say the quest is named for the story because I liked the callback." [source]
User: "1.I know John answered already that Emmrich sleeps like a horse but is there really no bed for this man? 2.How would he react to a bouquet made for him?" / Sylvia: "1. Unknown. Perhaps he brings out pillows and a blanket for the slab in his room (after scrubbing it, of course!) Perhaps he goes home to an elaborate silk-covered bed in his Necropolis apartments. Or the horse thing. (TBH: I never decided myself, so I've leaned into impish mystery). 2. Emmrich would be absolutely delighted and flattered by being presented with a flower bouquet." [source, two]
User: "I hope it's okay to pop here but it might interest you to know a lot of us have been headcanoning that he has a secret bedroom behind one of his bookshelves! It seemed to line up with his sensibilities somewhat." / Sylvia: "That would honestly be great. Pull out the right book and snooze time." [source]
User, on the cemetery date: "This makes me feel like Mourn Watchers include the dead in important personal milestones/events and, if so, I love that so much. Like they want to share these events and the joy/love/excitement/etc. with those who have passed (and perhaps linger.)" / Sylvia: "That's absolutely how I thought of it too." [source]
User: "was there any game/book/show/film that inspired the Mourn Watch and Emmrich? When I saw them in the preview content, I got reminded of the Locked Tomb series by Tamsyn Muir and playing through the game cemented those vibes." / Sylvia: "I hadn't read any Locked Tomb when writing Emmrich, I think we must both just have impeccable taste. (I actually tried to stay away from contemporary stuff on necromancy when writing him, out of a superstitious fear I'd be unduly influenced. I do want to talk about influences later though!)" [source]
User, on Josie: "Do you think she’s open to having kids/adopting with the Inquisitor? Lord Ontranto and Yvette are so ahead!" / Sylvia: "I think that falls firmly within the category of what you imagine she and your Inquisitor's romance looks like, which means: absolutely, if that's where you imagine life would take them." [source]
User: "Emmrich, his story & everything surrounding him absolutely played a huge part in helping to lift me up & connecting me with new friends online" / Sylvia: "Thank you! And I'm very glad to hear Emmrich and his fellow Watchers helped you out when you needed it. He'd be pleased to know so himself." [source]
User: "Was it ever considered for him to appear in the game?" / Sylvia: "(short answer is no, but I wanted to let people know Audric's doing well.)" [source]
User: "I enjoyed your short stories in Tevinter Nights. Emmrich mentioned working out in the morning. What does his morning routine look like, and what kind of exercise does he do?" / Sylvia: "Thanks so much! Those stories have a special place in my heart, so that's especially nice to hear. On exercise: He likes a brisk stroll, and does morning stretches, and for something more strenuous, he likes to go swimming. Why? It's a workout where you don't have to worry about sweating. That just seemed to align with his fastidiousness in a funny way to me. (I also imagine exploring the Necropolis keeps him active, climbing all those stairs and crumbling ledges and the outsized walls of hallowed tombs, etc.)" [source, two]
User: "Harding will turn to a MW Rook who's been talking nerdy necro shop with Emmrich, and goes (paraphrasing), "You're so different when you're talking about this stuff than you are when you hang out with us!" and I loved that" / Sylvia: "Yes indeed! And thanks. I really wanted a beat where you realize MW Rook has learned to swap between being a fancy nerd and talking a bit more like "regular" people in Thedas. It seemed like a fun trait for that background." [source]
Sylvia, on how she came to BioWare: "No formal training. The closest to practice I had was running tabletop RPGs for friends, which actually helped me a lot with understanding the different kind of RPG players out there and what people want out of a story. And honestly: I just kept applying, over and over. That was my main virtue. I was rejected the first couple times I applied to BW. And rightly, I think, I wasn't ready and practicing in between really helped me become a stronger writer." [source, two]
Some more on this topic ^ from Sylvia: "To be honest: mostly luck, some perseverance, and then writing skills, in that order. I was rejected at least twice from BW before I got in, and I think they were right to do so. I wasn't ready yet. The third round someone I knew passed on my sample to a writer there, I did two more rounds of samples while taking feedback and revising over the next month. And then I was lucky enough they liked it enough to interview me. I wish I had better advice than perseverance. I think having a small, completed game, even something text based or a mod, isn't bad either. Even if it's short, it shows you finished it. But: my entry was over 15 years ago now, and to be honest I'm not sure what BW's applicant process are anymore. I don't want to be discouraging though. I would say keep applying, and make friends with like minded people who also want to make games, and best of luck." [source, two, three, four]
User: "I've been wondering something about Mourn Watch Rook's background - their bio says they were found as a baby + raised by the MW, and they reference it in-game, but then they also say they were a street kid and left their old life behind to join the MW to Taash. I'm just curious how one - being raised by the MW - lead to the other - street kid era. I just hc'd it as a euphemism for my Rook's party girl phase lol but it did leave me a little confused." / Sylvia: "This is a case of the background changing slightly over time, and me not squaring it in time with dialogue. In my mind: MW IS found by the Mourn Watch, raised by them, and work for them. But MW Rook also had period(s?) growing up where they explored Nevarra city, to explain why they're more. street savvy and worldly than your typical Watchers who never leave the city. I've seen people noting some discrepancies, and in a perfect world I would've caught those lines in time to smooth them out to encompass the whole story. But perhaps your Rook gives slightly different answers to different people for their own, mysterious reasons! (Or, in reality, it's writer error.)" [source, two, three] "Anyhow, I encourage any head canons that help square these discrepancies" [source]
User: "I romanced him on a Rook that I perceived as about 42ish and my running interpretation of the lines acknowledging her being young were either Emmrich not realizing how old she is, a running bit between them, or some cute form of flattery to not remind her of her own age haha" / Sylvia: "That's adorable, I love it" [source]
User: "1. What would Josie's ideal date be? 2. Could adopted kids be heir of the Montilyet estate or would it go to Yvette? 3. What does Josie think of the Crows?" / Sylvia: "1. I think she'd try to structure something, but the Inquisitor taking her away from her strictly scheduled routine to relax would actually be better for her. A picnic in a garden, a stroll around a lake followed by a meal in a quiet little restaurant. Something with a soft evening. 2. I don't think I ever said so in the game, but to my mind Josephine had some nieces and nephews in line to be heir. If she adopted a child and thought they'd be a better candidate, they could absolutely inherit the estate. (And of course, she could bequeath money or personal effects as she liked.) 3. She thinks of them as a necessity in Antiva, and that it's important to appease them. There's probably highly placed Crows she would get along with. But she'd never be comfortable with them. At the end of the day they're contract killers, and she's no lover of violence. (If I actually DID mention who Josephine had lined up to inherit the estate after her, but just forgot, I will ask for mercy because the game came out over 10 years ago.)" [source, two, three, four]
User: "Would you ever consider making a playlist on spotify of the sort of music you could picture Emmerich listening to? Or perhaps sharing any of the music you listened to while writing Emmrich?" / Sylvia: "I actually have an itunes playlist of what I listened to when writing Emmrich on my old computer. If I dig it out, I'll post a screenshot! (A lot of ambient stuff, probably unsurprisingly)" [source]
User: "I utterly, completely adore the way Josephine was written, she's such a wonderful and complex character. Her history as a bard, her ruthlessness, her kindness and sweet nature and how CUTE her romance is." / Sylvia: "Lady Montilyet herself would be flattered to hear you liked it." [source]
User, on Sylvia's comment about Peter Cushing being a go-to for what Emmrich would be like: "This makes me so unbelievably happy given my love for Peter Cushing 😭 my love for Emmrich was inevitable." / Sylvia: "I want to talk a little more about it later but Cushing was such a wonderful actor. Wish we'd had him around even longer." [source]
User, on death and working in death care: "In the end, it’s always about memory." / Sylvia: "That's so true. We want to be remembered, or to have something that lets people know even a little about who we are. (It's why I'm glad newspapers still print obituaries, you can read about the most amazing lives.)" [source]
User: "I was starting to think the game was reading my mind and tailoring to me once he said his favorite color was lilac, and I was given the option to say darker purple." / Sylvia: "I'm glad you enjoyed Emmrich and his romance. And that the bit about colours worked for you, I was trying to think of what would be something fun there, and purple is one of my favorites too. (Fine taste!)" [source]
User: "“Down Among the Dead Men” is one of my favorite chapters from Tevinter Nights. I loved Audric and I was so happy when Myrna mentioned him in Veilguard! Was there any chance he might’ve appeared in game?" / Sylvia: "basically I didn't plan it, but I wanted to let TN readers know Audric is living well" [source]
User: "If Hezenkoss was also you ALL of that was a sheer stroke of brilliance!" / Sylvia: "Thank you! Hezenkoss was me, so glad you liked her. She was a blast to write. Oh my god, I meant to write Hezenkoss was one of my favorites not "me". (I think I snipped out something and consequentially sound like a maniac in that post above. SORRY. She is not me, I wish I had that kind of confidence.)" [source, two]
User, on behalf of their friend: "Well, spontaneously I'd be interested if she can say any more about Emmrich's past romances. Was there someone really serious among them, or all just fun and casual? I'm also curious how the whole mage training works in Nevarra. Are some trained from the start by the Mourn Watch or does everyone go to the Mortalitasi equivalent of a Circle first?" / Sylvia: "1. I think there was probably a mix of more serious romances and more casual ones over Emmrich's life. The serious ones just never panned out. (Until Rook, if you're romancing him.) 2. I pictured the MW taking in promising members from other circles, but I left their selection criteria vague on purpose, in case we needed to define it later. Of course, there's also exceptions. We've seen they take in some orphans or foundlings (MW Rook and Emmrich, for example) when fate, chance, or pity allows it. (I had an idea spirits might sometimes nudge MWers to take in someone, but that's not in the game, so it remains, I suppose now, my own head canon.)" [source, two, three, four]
User: "Emmrich is every bit the warm and kind academic that I looked up to in my undergrad/postgrad days, and I have taken time in the game just to wander the Grand Necropolis and take everything in." / Sylvia: "My pleasure, and thanks very much for saying so. (Props to all my teammates, it took a lot of people to bring those characters and places to life, and they were all so enthusiastic about our weird gothy corner of Thedas.)" [source]
User, on Emmrich's dream: "One of few cases where writers don't go for "actually immortality is lame" lesson to appease the audience for whom immortality is unattainable. Refreshing to have a character who wants to live forever, can do it, and it isn't treated as a mistake. One of the boldest bits of writing in the game." / Sylvia: "Thanks Mary - that was one of my aims, because so many times in stories, immortality is a fool's errand. I wanted it to have its rules, and its price, but not something disastrous or out of reach." [source]
User: "The MW as a whole was beautifully done and the way they handle life and death was deeply healing and aided tremendously in my own personal journey with grief." / Sylvia: "I'm very glad meeting Emmrich and the Watchers helped even a little, that means a lot to hear." [source]
User: "Amazing work in veilguard and inquisition honestly and the flame eternal was such a fun read! Unless it’s been answered before my query is where do the Mourn watchers live/sleep? Is it a case of they live in the higher parts of the Necropolis or do they live in the city and commute?" / Sylvia: "Flame Eternal was a fun one, hadn't written a story that short before but I enjoyed introducing Johanna and Emmrich's dynamic back in their good old days... As to your question, there's one line of banter between Emmrich and Neve that talks about this (so, very easy to miss.) The Mourn Watchers live and sleep in the upper (safer) levels of the Necropolis." [source, two]
User: "does mortal!Emmrich return to the Necropolis or spend more time in the world first? He plays detective with Neve & camps in Ferelden with Harding feels like he’d want to experience more of the world before returning home." / Sylvia: "Impossible for me to say what the future will hold with certainty, but I think Emmrich's enjoying exploring the world too much to go back to living in the Necropolis full time just yet. He'd certainly want to keep visiting regularly, but there's so much more to see." [source]
Sylvia: "The Watchers have a special place in my heart." [source]
User: "I just wanted to say how much I love Emmrich" / Sylvia: "Thank you very much! I'm so glad to hear you enjoyed getting to know him." [source]
at this point tumblr stopped letting me add to this post !
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sheerfreesia007 · 1 day ago
Text
No Longer Playing Pretend
Pairing: Hyunjin x Reader
Word count: 4,458
Content warnings: Fluff, suggestive
Summary: Your relationship with Hyunjin may have started as a faux bid for freedom for the both of you, but as the year moves along you both come to realize that it’s no longer fake and has become something so much more precious to you than even your freedom was.
Uli jag-eun geos: Our little one
Part One: Play Pretend
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You stare at the pictures of the floral arrangements that your wedding planner slid across the table at you and you can’t help but frown darkly as your eyes dart around the pictures. They’re not what you had agreed on with the florist and you can feel your irritation starting to rise within you.
“These aren’t the flowers we agreed on.” you tell her while shaking your head. You wedding planner sighed softly and hung her head.
“Yes I know, but the florist thinks that these flowers would do better paired together.” your wedding planner explained.
“But the flowers we agreed on earlier were suggestions from the florist to begin with.” you argued as you shook your head. This has been a constant struggle for you lately and you were starting to feel the effects of the frustration and aggravation of having to deal with all of this. “Why would the florist suddenly now change the flower selections after being the one to suggest certain flowers to begin with?” you asked, trying to curb your anger and irritation. Suddenly your cell phone began to ring and you saw your mother’s contact name pop up on your screen filling you with dread as you held up one finger and swiftly answered her call.
“Yes Mom, what is it?” you asked tiredly and bit your tongue knowing that she’d have something to say about your tone.
“Well aren’t you just a peach.” she snipped at you huffily and you sighed softly.
“I’m sorry, I’m a little stressed. What’s going on?” you apologize quickly before looking back down quietly at the pictures of the floral arrangements that the florist had sent over. 
“Has your florist shown you the arrangements that I changed?” your mother asked and you felt your eye twitch violently at her questions. Now it all made sense to you on why things seemed to changing left and right with every choice that you made your for your wedding to Hyunjin. You knew that your mother would be very opinionated about what your wedding should look like. But you had thought that she’d at least let you make the decisions instead of trying to take over and steamroll you on everything, your mistake.
“You changed them?” you asked in a quiet rage filled voice.
“Yes, I spoke with your wedding planner. She’s such a sweetheart by the way, you should tip her well. We were able to get the flowers changed quickly before they sent you their mockups.” your mother explained and you sighed deeply as your irritation came back full force. “So what did you think?” your mother asked you and your rage consumed you instantly.
It wasn’t just the fact that you felt as if you had been fighting an uphill battle since you started planning your wedding two months ago, no you were also working longer hours at the Hwang’s real estate brokerage firm all due to the status of your relationship with Hyunjin. And while you loved working and being able to close deals left and right without the looming judgemental eye of your family on your back it was all starting to take a toll on you with all the added stress of wedding planning. You had wanted to talk to Hyunjin about all the stress lately but you knew he was busy as well with planning and preparing for his first gallery opening at his art gallery, you hadn’t wanted to add more stress onto him so you had kept your mouth shut about all of it.
“I will have to call you back.” you said into the phone just as you watched Hyunjin walk into the apartment, he looked exhausted as his eyes dragged over to look at you while a happy smile bloomed onto his face. Your rage dissipated slightly at his happy smile at seeing you before returning as you heard your wedding planner clear her throat.
“So if I could get your decision on the flowers that would be great.” she chirped out at you eagerly as her eyes darted over Hyunjin’s form with a heated sparkle in her eye causing you to grit your teeth angrily.
“Actually you can leave, I won’t be needing your services any longer.” you deadpanned as you crossed your arms over your chest as glared at the woman. She jerked in her seat and whipped her head back around to stare at you wide eyed as her mouth dropped open. Hyunjin even stared at you wide eyed as he came to stand behind you and placed his hands on your shoulders before beginning to massage his fingers into your tense muscles.
“Excuse me?” she chirped out surprised and you nodded your head at her.
“I’d like to terminate our contract. I no longer need your services.” you said with a quiet rage behind your voice.
“But we’ve only just started.” the woman said worriedly and you nodded your head at her words.
“Yes and you’ve undermined my decisions at every point. Choosing to accept my mother’s choices over mine in every aspect so far. So please contact all the vendors and venues and tell them that we will no longer be needing their services. Thank you, you can leave.” you said firmly as she gaped out without being able to say anything. You watched with barely contained disgust as she quickly gathered up all of her things and rushed from your apartment. When the door shut behind her you let out a loud tired sigh and let your head hang back against the back of your chair to stare up at Hyunjin who looked down at you worriedly.
“Are you alright?” he asked cautiously and you shook your head.
“I didn’t think it would be this hard to plan a wedding. But I should’ve known better with my mother.” you said in a soft weary tone that made Hyunjin coo softly at you. Hyunjin continued to massage your shoulders before he leant down and pressed a kiss to your forehead sweetly.
“Is work still crazy busy?” he asked softly before trailing his kisses to your temple as you sighed in comfort at his attention.
“Yeah, I closed one three big deals this week and I’ve got four more lined up for next week.” you said with a soft groan as Hyunjin dug his fingers into the back of your neck. “And now I’ve fired our wedding planner all because my mother is trying to control how our wedding will look.” you said defeated and Hyunjin cooed softly at you before pressing a kiss behind your ear.
“It was for the best. She shouldn’t have been listening to your mom. You’re the bride, it’s our wedding. Not your mother’s.” Hyunjin reassured you and you hummed softly in agreement to his words. “Do you have any appointments tomorrow at work?” he asked softly before nipping at your ear lobe gently. You flinched away from his as he chuckled and nuzzled his face into your neck.
“No, I was just going to work on the paperwork for next week’s meetings and closings.” you told him as your head tilted back against his shoulder and your eyes fluttered shut.
“Play hooky with me.” he whispered into your ear and you furrowed your brow at him softly. “Come paint with me at my studio. We both need a break from work and the wedding planning stress. And we’ve haven’t been able to spend much time together.” he husked out to you softly causing you to shiver in your chair. It took you nearly no time to agree to his plan of playing hooky. You quickly sent a text to your secretary telling her that you wouldn’t be in the office tomorrow and would see her the next day before you turned back to Hyunjin who grinned happily at you.
“I spoil you too much.” you tease him and he grins widely at you before pulling you from your chair and wrapping you into his arms as his lips descend on your neck and begin to trail kisses along the column of flesh.
“Hmmm, considered me the spoiled princess in this relationship then.” he husks out to you as he guides you towards your bedroom with a heated look in his eyes.
*-*-*-*
The next morning finds you and Hyunjin walking up the stairs to his studio after having a hearty breakfast at a local breakfast cafe where the employees all knew Hyunjin by first name. You had teased him goodnaturedly that he had been seeing the employees more than you these past few weeks and he ducked his head before dragging you to a booth and caging you in the seat. He had quickly shut you up with a sweet peck of his lips to your before whispering that you were the only one he wanted to see. The rest of the morning had been filled with happy laughter shared between the two of you as you shared stories of your week and Hyunjin had shared his plans for his art gallery trying to get your opinion on what he was planning. You didn’t want to influence him in any way away from his vision so you kept telling him that you were excited to see it come to life and that you couldn’t wait for it to finally happen for him.
Just as you get to the top of the stairs grumbling softly at how many stairs there were causing Hyunjin to chuckle softly at you he turned to face you fully and you looked at him with surprised wide eyes. He smirked softly at you before holding his hand out palm up in between the two of you. You tilted your head to the side in confusion at him and he waited patiently for you to understand. Slowly slipping your hand into his he huffed softly before shaking his head.
“Give me your phone love.” he said with an amused eye roll at you and you huffed back at him.
“Use your words baby and maybe I’d understand.” you griped at him causing him to smirk at you before you leaned into his space and crowded him up against the door behind him. “Or did I make you use all your words last night?” you asked sultrily and Hyunjin flushed brightly with embarrassment causing you to grin knowingly at him before sweetly pecking his lips as you slipped your phone into his open hand. 
You watched delightedly as Hyunjin huffed at you before setting your phone to do not disturb, he then turned away from you and unlocked his studio and led you into the brightly lit space eagerly. You slipped out of your jacket as you watched Hyunjin moved about the space setting up two easels in the middle of the room and then began to set up paints for the both of you.
“So normally I just put on a playlist and paint. But if you want I have a whole folder of photos that I’ve taken that you could use as inspiration.” he explained sounding slightly unsure of himself and you smiled softly at him as you watched him play with the hem of his old ratty t-shirt that he had chose to wear today. Walking towards him you grabbed his hand gently before raising it to your lips and kissing his knuckles slowly.
“Hyune, relax babe. We’ll do whatever strikes our fancy. Put on your playlist you wanna listen to and I’ll just follow your lead.” you reassure him gently and he flushes brightly once again at your sweet gesture before he quickly nods his head at you. He then darts forward and kisses you sweetly as his hands cup your face, when he pulls away he presses his forehead to yours and smiles widely as his eyes stay closed for a moment.
“Thank you. I don’t know why I’m so nervous to paint with you.” he whispers softly and your heart melts in your chest at how much he wants to share this experience with you. Sighing softly you kiss him once more before pressing a kiss to his nose sweetly.
“Thank you for sharing this with me. I’m so excited to do this.” you confess to him softly and his eyes open to stare at you lovingly. He then nods his head and breaks away from you to set up his music and then moves back to his easel as you step behind yours. An idea strikes you and you lift your easel to turn it away from Hyunjin so that he can’t see it and he looks at you curiously with a soft smile on his face. “I want it to be a surprise for you.” you tell him and he grins widely at you as his eyes widen slightly before his whole face softens at your intention. The two of you then begin your first painting session together.
*-*-*-*
It’s hours later and you raise a hand to wipe sweat from your brow as you look at your canvas critically. You had started with just random swatches of your and Hyunjin’s favorite colors on the canvas as the music played loudly through his studio. It didn’t take long for your reservations of painting to fall away as you easily just listened to the music and painted whatever popped into your head as you stared at the canvas. Slowly but surely an idea formed in your brain and you tried your hardest to showcase in paint on the canvas in front of you.
Tilting your head to the side you wondered if Hyunjin would see your vision the way you wanted him to or if he would interpret it differently. You hadn’t only wanted to show how beautifully the two of you had melded together since starting this faux relationship that had turned into something so precious and resplendent to you. Suddenly you heard Hyunjin giggle softly and your eyes darted over to see him watching you with a lovesick look on his face.
“What is it?” you asked softly and he grinned widely at you as his eyes darted around your face happily.
“You have paint everywhere on your face.” he said amusedly as his smile widened on his face. “Did you get any on your canvas?” he teased you and you burst out in indignant laughter at his joke.
“I’ll have you know I might surpass you in my skill.” you teased him back and watched happily as his smile morphed into a challenging smirk as his eyes hardened on you with interest.
“Is that so?” he asked curiously as he began to move closer to you, but you quickly threw your hands up to stop and the paintbrush in your hand suddenly smeared paint across his old shirt and you gasped loudly in surprise. Hyunjin stopped in front of you as your hands splayed against his chest stopping him from getting closer to your easel to see your painting. You both stood there silently looking down at the bright swatch of lavender paint on his shirt before you burst out into happy laughter at your mistake. “Think that’s funny do you?” he asked challengingly and you looked up belatedly as you gasp when you felt his cold yellow paint covered paintbrush glide along the base of your neck.
“Hyune!” you cried shocked at the feeling of the cold paint. Suddenly the game was on as you grabbed your paintbrush and tried to paint more lavender onto him. Hyunjin quickly dodged as you chased him cackling with happy delighted laughter. The two of you were locked in a war of lavender and yellow as you both raced around his studio trying to get more paint on each other. Soon you’re bent over in half as you try to catch your breath after chasing him around the room like you were children, Hyunjin comes to stand in front of you still panting and chuckling at you.
When you stand up straight after catching your breath you catch sight of him and then burst into laughter once more. He’s covered in lavender and yellow paint in a kaleidoscope of contrasting colors, there’s even some paint in his dark black hair that makes you laugh even more at him. You don’t notice him still as he stares at you with awe filled eyes as you continue to laugh at him. Only when he steps close to you that your bodies are nearly flush with each other do you notice his changed manner. He’s staring at you with adoring eyes that have widened slightly as you still chuckle softly at him before he lunges forward flinging his paintbrush to the side as his arms wrap around you completely and lift your body up against his own while his lips capture yours heatedly. You squeak softly at his movement as his mouth nearly devours yours while he slides your body slowly down his body until he’s almost hunched over you still keeping his lips attached to yours hungrily.
“W-what was that for?” you ask in a gasp when he pulls away from you finally allowing you to suck in much needed air.
“I’d marry you just like this covered in paint and laughing at me as love sparkles through your eyes at me.” he whispers to you and you grip the sides of his shirt as you melt against him while tilting your face up to his wantonly. He then slowly guides you down to the floor with the whispered promise that he’s going to worship you like the queen you are to him.
*-*-*-*
The ballroom is absolutely stunningly decorated in gorgeous floral arrangements in lavenders and soft muted yellows that remind you of that day back in Hyune’s studio, it had actually been the driving inspiration for your wedding color theme. After months of planning with a new wedding planner who was more worried about making both you and Hyune happy on your big day than anyone else, the day had finally come. The ceremony had been beautiful in a famous cathedral in the middle of the city you lived in and now as your guests all happily talked with each other as they waited in their seats for dinner to be served you couldn’t help but sit back and smile to yourself.
“My wife looks very pleased with herself.” Hyunjin says in an amused whisper in your ear that makes you beam at him as you turn your face to his.
“Oh absolutely do you see the sour puss on Sherry’s face? And her mothers?” you gush out to him delightedly causing him to laugh.
“Your desire for revenge against them is delicious.” he coos at you before leaning closer and capturing your lips in a heated kiss. You hum against his mouth as you hear soft cheers from your guests as they spot you and Hyunjin kissing.
“What’s gotten into you today? You can’t keep your hands or your lips to yourself.” you say delighted and he looks at you with an offended look on his face.
“I just married the love of my life, of course I won’t be able to keep my hands to myself. Have you seen her? Stunning, gorgeous, badass queen that she is. Ten out of ten on a scale of wives I could bag.” he says teasingly as he pulls you from your chair and onto his lap.
“Did you really just rate me on a scale of one to ten?” you asked him with faux disgust tinting your tone and he quickly nods his head at you causing you to laugh amused before cupping his face and kissing his lips. His hum vibrates your lips and you sigh against him as your body melts into his as your arms come and wrap around his neck.
“Save it for tonight!” comes a loud call from your guests and Hyunjin pulls away with a disgruntled look directed at his friends while you laugh at him happily. You pull his face back to yours and smile sweetly at him as he gazes up at you like you’ve hung the stars and moon for him.
“I have a gift for you.” you tell him sweetly with a little trepidation in your voice and he smirks lustfully at you as his hands grip your hips tightly.
“Is it underneath this dress?” he asks huskily and you laugh at him before shaking your head at his teasing words.
“Yes, but that’s not the gift I’m talking about.” you tell him and he grins wickedly at you before pouting softly as you stand from his lap and walk over to the table that's a few feet from the head table where you both were sitting. You grab the plainly wrapped gift and excitedly bring it over to him. Hyunjin takes the gift from you and you stay standing next to him wanting to watch his reaction when he opens it. Your hands grip together and begin twisting nervously but Hyunjin quickly tears into the wrapping. When he has it completely opened he sits there staring at the canvas that you had painted for him that day in the studio in quiet awe. You begin to grow anxious as he has no response at all to the gift and you shift on your feet worriedly. When it all becomes too much for you you reach forward to take the canvas back but Hyunjin quickly pulls it away from you before lifting his head to stare at you with wide eyes.
“It’s us.” he whispers to you and suddenly you’re melting for him. You’re just so happy that he understands the meaning behind your abstract painting that you feel your heart swell in your chest with love for him. You grin widely as tears pool in your eyes before nodding your head at him. Hyunjin surprises you by standing swiftly from his chair and wrapping an arm low around your waist and dragging your body into his while his lips descend on yours hungrily and adoringly.
“We have to go.” he pants out when he pulls slightly away from you and you gasp softly for air as you stare up at him worriedly.
“Go where Hyune?” you ask concerned and he shakes his head as he tries to compose himself.
“I need underneath me as we stare at this masterpiece.” he pants out and your whole body ignites with heat at his words. “I need to get you pregnant while gazing at this painting.” he pants out mindlessly as he begins to drag you out of the ballroom with the canvas still gripped in his hand tightly as your guests all cheer loudly.
*-*-*-*
The evening is bustling with art enthusiasts as they all walk around the gallery taking in all the artwork that your talented husband has created over the years. You’re absolutely awed by all of his hard work and personal touches that show through the gallery. The pride swelling within is solely and completely for Hyunjin and him alone as you make your way through the gallery looking for him. 
When you spot him at the end of the gallery where his signature piece is hung proudly you stop for a moment and have to bite your bottom lip as your eyes take him in hungrily. He’s dressed in a beautiful merlot colored three piece suit with his grown out hair falling to his shoulders which makes your stomach clench with desire for him. As he turns he spots you standing there eyeing him like he’s a delectable piece of fruit and he grins knowingly at you before walking towards you.
“You’re finally here.” he whispers excitedly as his hands grab onto yours and tug you into a warm tight hug before he tilts your face up and presses a sweet kiss to your lips. You hum softly against his mouth and he flicks his tongue briefly against your bottom lip before pulling away. “How was the doctor’s appointment? Everything alright?” he asked worriedly as he pulled away and gazed down at you. Nodding your head in response he smiles before guiding you towards his signature piece.
“Yes, everything is alright. In fact it’s wonderful.” you tell him with a happy content smile on your face which makes him smile in response. He guides you to stand in front of his painting and he moves to stand behind you while wrapping his arms loosely around body to cage you in against his front. You both stand there silent for a moment as you take in the painting and gasp softly as you see the beautiful portrait of two lovers kissing. It’s not slightly abstract as both beings are colored in bright contrasting colors that meet together to create a beautiful new color. You lean your head back against his chest and Hyunjin leans forward towards your neck where he nuzzles in slightly. “It’s us.” you whisper to him and he hums softly at you before nodding his head. Your eyes then dart to the painting next to his and you beam at him with so much adoration as you recognize the painting you had made for him hung there proudly. “Is this our interpretation of our relationship?” you ask him softly and he presses a loud wet kiss to your cheek.
“I’m glad that you understand me.” he whispers in your ear softly making you grin at his words.
“So do you think uli jag-eun geos will have your talent in art or mine?” you ask curiously as you stand there leaning back against him as your eyes take in the mirroring paintings proudly.
“Well obviously mine if I have anything to say about it.” Hyunjin scoffs softly and you burst out in happy laughter at the fact that he didn’t even have to think twice about his answer. You give him a moment to process what you had asked and suddenly he’s spinning you in his arms as he stares down at you with wide eyes. 
“Uli jag-eun geos?” he asks you softly with bated breath and you grin up at him as you slowly pull out the ultrasound pictures that the sonographer had given to you to take home. Hyunjin’s eyes darted over the pictures before he hurriedly cups your face and kisses you like his life depended on it. “I love you so much. I can’t put into words how much.” he whispers against your lips and you smile so widely that you feel your cheeks ache as you feel happiness glow from within you.
“Then how about you paint it?” you ask him lovingly and he devours your mouth lovingly as he pulls you closer to him.
SKZ Taglist: @intartaruginha, @kayleefriedchicken, @babigriin, @simpforleeknaur, @inlovewithstraykids
51 notes · View notes
diazpatcher · 3 days ago
Text
s15 let's go.
I'm.not ready to end the show but fuck I wanna see how it ends
I forgot that Cas still has his powers so that caught me off guard lol
what the fuck?????????????????????
"he didn't deserve this" a minute ago you were ready to kill him 😐
"I wouldn't starve 😐" CAS I LOVE YOU
Cas just doing this đŸ§â€â™‚ïž while Dean and an injured sam try to find a way out of the mausoleum 💀
JACK????????????? HELP WHAT 💀
"I'd do the whole eyes thing but uh, no eyes" lmao bestie go off 💅
"with that stupid dumb trenchcoat"💀
s15 is starting off strong đŸ’Ș
"were twinsies" the gen z slang is finally there
loving that Demon already
oh those poor girls
so, it's s1 but 10 times worse.
Crowley Jr.😞😭
"big bag of salt" "and a human heart."đŸ§â€â™‚ïž
"Sam" WHY IS HIS HAND SO.CLOSE TO HIS CROTCH.
"move your exquisite ass, please."
DEANS HELL.MENTIONED "it was art." BRO
"You shoot me.😐"
Rowena wanting to fuck Ketch slay
DEAN RECOGNIZING CAS FOOTSTEPS đŸ« 
Mom come pick me up the angel and the hunter are fighting help
"We'd call it live." BABES "we ran our own moves"
Why is it giving divorce era 😔
"That we actually had a choice" Just fuck already.
"Whag about all of this is real. We are." AHGGGAGGG
Ketch wanting to fuck Rowena is also such a mood
KEVIN???????? what is this season 💀
Chuck is so embarrassing help. and Amara smelling his bs and knowing he wants something big sister go off
Dean knowing that fake Jack is behind him is so !!!!! baby you're so smart
THAT WHAT
"typically minellial" lmao
"souls go down to hell, heaven can't take em." BESTIE YOU CANT JUST SAY THAT
s15 is so weird đŸ€š
WHAT IS THIS FLIRTINT EMBARASSING HELP why is ketch grunting like that 😣
ofcourae Rowena knows Jack the ripper đŸ« 
KETCH NO he died cause he was horny
"Mr. Ketch." 👀
Kevin the soul catcher 😭
Are they sacrificing Keving once again, Ah no. okay.
The demon is so funny I love him <3
Cas not being able to heal ketch, did did Dean use God's gun.....
Belthagor I keep forgetting his name. 😔
Amara being done with Chuck is so funny. Amara go off queen 💅
But what I don't get is if Chuck can do anything why can't he just make another Amara... like a different Amara
Episode 3
Rowenas plan sounds nice but idk it can't be that easy..
Belthagor constantly yawning cause hes bored I love that for him
Rowenas pretty eyes <3
Oh no. no no Rowena????????????
Rowena being scared is so scary cause she is immortal 😔
Dean acting like he doesn't have a flask on him lmao
tbh atp I would kill myself if i was in spn
Wait, don't ghosts turn into demons after a while in hell.....
Rowena and Sam <3 MY SWEET BABIES 😭😭😭😭
Dean's gun <3
Dean being a soldier through and through SOMEBODY SEDATE ME I BEG
Ghostpacolypse LMAO "glorified fanboy" DEAN 😭 💀💀
"You don't have eyes" 😡
Liliths WHAT
ARE THEY GOING TO HELL OMG
Healing spell <3 babes I lovey youuuuuuuuuuuuuuuuuuuuuu
"DIBS ON SAMUEL" WITH THAT LOOK đŸ«ŁđŸ«ŁđŸ«Ł
oh it's gonna be Dean again isn't it....
"Yeah Cas will go, you've been to hell before" news flash Dean, all of you have
Is, is belthagor evil? ....
KETCH NO.
Cas going to hell not knowing if he's gonna come back....
ARE WE FINALLY GONNA SEE HELL
Cas and Bel DEAN YOU PETNAME LOVER
FINALLY HELL OMG
"I wanted your company" đŸ„č Kill me now.
"Sam and Dean are using you, don't mistake that for caring about you." KILL ME NOW
CAS????????????????????????????????
enochian in hell???????? omg
Belthagor is giving major evil guy
"It's not workingđŸ§Žâ€â™€ïž" lmao "their verses Cas I think they need to be sung😃"
AND WE DONT GET TO HEAR IT ARE YOU SHITTING ME RN
"You're voice is like an angel" 😃
CAS BABY NO.
I KNEW IT I KNEW HE WAS EVIL.
"heard there was a vacancy" lmaoooooo
Dean actually getting away unscathed is this real?????
SAMWENA HOLDING HANDS KILL ME
Cas you have to go please. please please. NO. NO no
QAIT NO. No IS THIS.
JACK?????????? WHAT WHAT WHAT. omg. Cas having to kill his son KILL ME NOW.
anytime anyone on this show cries all I hear is "pretty when you cry."
ROWENA No. NO NO No. PLEASE NO. PLEASE BABY NO. "death is an infinite vessel."
"Because dear," KILL ME NOW
I BEG PLEASE. "AND IT HAS TO BE YOU THAT KILLS ME."
"I don't care about anything enough to take my own life." HELP ME.PLS
Why WHY GOD WHY. Oh no. ROWENA NO.
I CANT EVEN TBINK WHAY FBE FUCK.
Also Dean parenting Sam once again im.gonma chew off my arm
Destiel Divorce era 😞
"Why is that something always seem to be you " I DISNT WANT TO BREATH ANYWAY "you used to trust me." KILL.ME
"my powers are failing and you don't even care. I'm.dead to you." KILL ME WHILW YOUR AT IT WHAYVTHE FUCK
IM PHYSICALLT UNWEL THIS IS THW WORST
lowkey Dean looks so good in thay last shot omg
i caved and started watching supernatural and Jesus fucking christ why are they so funny
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polutrope · 21 hours ago
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End of Year Recs
Inspired by @sallysavestheday's 8+8+8+8 Fic Recs, but with my own twist.
Below the cut, you will find 8 Fics by My Mainstays, 8 Fics by Authors New to Me, and 8 Works of Art.
As with any rec list, it's always hard to narrow it down -- but I also think rec lists are an important part of the fandom ecosystem and I've found many great fics I never would have clicked through them. Please look at my Bookmarks for more fics I loved, and please know you're all amazing for creating and sharing in this incredibly talented fandom 😚.
Many M- and E-rated fanworks below the cut because lbr, that's my jam.
8 Fics by My Mainstays
Some of my favourites by authors who have been consistently putting out writing I love well past the last year, many of whom I am fortunate to call friends.
Sing Thy Memories, Take My Hand by @melestasflight (E, 5.8k). Fingon/Maglor.
‘You have returned to Middle-earth for Maglor FĂ«anorion, you said?’ Elrond asks. ‘Yes, I am to beckon him come back to Valinor at last,’ Fingon answers hopefully. Few others had been willing to return to Middle-earth, and Fingon had already saved a FĂ«anorian cousin before. That made him more qualified for this task than most.
Melesta my dear, you put out some truly exceptional writing this year but holy damn did this blow me out of the water. You brought all of your powers to bear on this fic and it shows. Beautiful landscapes, complicated emotions, and sensuous smut.
i've been so worried (you've been so still) by @welcomingdisaster (E, 9.5k). Maglor/OFC.
A maiden of Estë does not explain. A maiden of Estë does not hold anger. A maiden of Estë does not tell what she has seen. A maiden of Estë does not follow kinslayers across the sea, nor does she sleep with the high regent of the Noldor.
Lena, you reached into my brain and pulled out the perfect fic for me. Ellind is a compelling OC, the Feanorian dynamics are so crunchy, the worldbuilding is fascinating and -- crucially -- Maglor is so sexy.
Filature by @sallysavestheday (G, 0.8k). Fingon.
After Thangorodrim, Fingon tries to come to terms with the urgency of Beleriand.
I am just screaming about the way sally uses her powers of economically florid (yes, it's a thing) language to delve into themes that are so core to Tolkien's writings through this character study of Fingon.
Strange Currencies by @jouissants (E, 67.2k, WiP). Maedhros/Maglor.
When Maedhros and Maglor fall together, they don't expect it to matter. Ages later, Maedhros is reembodied in Valinor to find himself married to a ghost. He and Maglor must face the repercussions of their history in Beleriand to move forward together, whether they want to or not.
How could I pick just one! I love everything you write, you know this. But it had to be this one. This fic just radiates love -- between the characters, and by the author for the characters. It's richly emotional, atmospheric, sometimes funny, and deeply engaged with canon in unexpected ways. Even if you don't care for the pairing or the tropes, please read it for the flashbacks. And don't say I didn't warn you if you're drawn in for the rest.
join my barren soil by @meadowlarkx (E, 11.1k). Maedhros/Maglor.
A familiar sound: the door Maglor had hung, parting in a rustle of leaves and cloth. Maedhros closed his eyes. “He wasn’t alone,” someone called out with grim satisfaction. “Brought a bedwarmer for the road.”
This gripped my heart with pain and then released it tenderly. Such an intricate and thoughtful fic. If the warnings make you wary but you're up to giving it a try, DO IT. Lark will never let you down with the tough themes.
An Incarnation by @i-am-a-lonely-visitor (M, 63.1k). Elrond & Family.
Haunted by a lifetime of grief even in the bliss of Aman, Elrond finds himself in a strange predicament — as the rest of his family learns how to survive the Fourth Age on two sides of the Sea.
Again, how do I pick but one fic by visitor? Of course, in the end, it had to be this final installment of his sprawling Elrondverse that I have been consuming like a fine dark chocolate these past few years. Another fic that just radiates affection for the characters and their world. Come for the delectable prose, spicy smut, and juicy conflict; stay for the eldritch identity fuckery and eggpreg.
To Evil End by @zealouswerewolfcollector (E, 2.9k). Fingon/Maedhros.
Decades after the Nirnaeth Arnoediad, Fingon comes back to Maedhros.
Every time this author posts something with a complicated premise (which is almost always), I'm like /grabby hands/ gimme gimme gimme. This story gave me many chills. Hewer is a master of succinct and punchy dialogue. I can't believe it's less than 3k, for the impact it's had on my imagination.
it does not disturb your flesh by @crownlessliestheking (E, 50.7k). Celebrimbor/Earendil/Elwing.
There is a FĂ«anorian in the Havens of Sirion, and Elwing Dior’s daughter is allowing it.
I had no idea what to expect with this throuple and I was blown away by the characterisations, conflicts, and fascinating worldbuilding.
8 Fics by Authors New To Me
Some of my favourite fics by authors I read for the first time this year, and who made my fandom experience richer.
Succour by @misst1ff (E, 3.5k). Hunleth/Mablung.
Hunleth of the Haladin copes with loss and injury after the Nirnaeth Arnoediad, and finds healing with Mablung of Doriath.
mouse's writing is crisp, clever, and funny and I'm so glad they're putting those powers to use on some less-explored characters. This fic is proof that straightforward PIV smut can be hot as hell. I love the use of cultural difference. Don't miss the follow-up threesome, either.
the darkness got a hold on me by @luthnethril (E, 7.3k). Daeron/Maglor, Maedhros/Maglor.
Daeron wants to throttle him. He wants to grab him by the collar of his lace robes and slam him against the wall—he wants to wipe that arrogant smirk off his face. "You can have a taste," Maedhros tells him, pushing him slightly forward towards Maglor's open legs. "Given that we are all here to promote relations with our respective peoples, I have decided to be generous."
I went into this skeptical of this triangulation but the author totally convinced me. I also really liked this Daeron and the way they did a Daeron-son-of-Elu that fit into Silm canon, for me.
make me come alive by @queerofthedagger (E, 6k) Maedhros/Maglor.
Maglor struggles to give up control. Maedhros makes sure that he learns.
I love this darker take on the uses of osanwe and on Maemag. It's also incredibly hot. I hope qotd sticks around the fandom for a bit, I'm loving the characterisations and voices they are bringing to some of my faves.
Threnody for the Dispossessed by kenaz. (T, 11.3k). Daeron/Maglor.
When the Valar recall Maglor to Valinor to plead for clemency, it falls to a reluctant rival to find him.
I couldn't believe I'd never read this Daemags before. It was so richly described and I love the characterisations of both, but especially Daeron's first-person POV.
spinning circles in your warm blood by @aredhels (M, 0.6k). Daeron/Luthien.
”Oh, brother,” she sighs as she kisses Daeron’s jaw, ”no one knows me like thee.”
It's the incestuous twist on "Daeron is Luthien's brother" that you never knew you needed. The codependence is so good, the prose beautiful.
rules of betrayal by @tobermoriansass (E, 42.5k). Curufin/Curufin's Wife ... and whole bunch of others.
Finrod attempts an experiment in the name of scientific, Noldorin curiosity about sex, the elf and spiritual enlightenment. It does not go as planned.
I can't belieeeeve clovis is a new author to me this year because they've been such a core part of my 2024 fic reading experience. I have never turned around and re-read a fic as quickly as I did rules of betrayal. A true testament to the way sex-in-art can open up avenues of character and psychology that nothing else can.
Spear-fishing for Ghosts by birrdieEdwards (T, 3.4k). Indis.
Then, her hide jerkin had been proof against tooth and claw and her stone spearpoint had been dipped in the blood of dark hunters and fell beasts. Now, her steel armament was shining and new and had never seen battle.
An entirely unexpected fill for a 2-year-old silmkinkmeme prompt of mine asking for Vanya POV on the War of Wrath. Everything about this fic is unique and I am in awe of this complex, intricate Indis characterisation. The rest of the fics in the series are just as good.
The Thorn is Exceedingly Sharp by @littlewhitemouseagain (E, 16.2k). Curufin/Eol.
After bellowing with laughter at the thought of such a contest, Telchar gathered the two elves up and proposed it to them at once: “A challenge of weapon-craft; the better-made weapon wins. Easy as that.” “What weapon?” asked Eol. “Swords?” asked Curufin, one ring-bedecked hand curled under his chin. Eol glanced at him, but Curufin kept his gaze on Telchar. “I can make no lesser of a blade than you.” “Ah,” Curufin mock-realized, rolling his eyes up at the cavern ceiling (an elven habit, as they often appealed to stars in their rhetoric), “I was being rude in suggesting a contest that would favor my skills. Perhaps, instead—” “And how does it favor you?” asked Eol, cold and biting.
I can't believe I've only been reading Littlewhitemouse for less than a year, either. Everything of theirs is so unique, so clever, so profound yet irreverent at once. I had trouble choosing just one of their fics, but ended up on this most recent Silmfic because it's a testament to how they manage to make a story about awful people so good and so compelling. And the sexual tension is hot as hell.
8 Works of Art
Some of the fanart that left an impression on me this year.
Maglor by @myceliumelium. I just love my guy looking wretched and beautiful with a spattering of blood.
Dior and Celegorm by @aamuusva. Dior the Fair, INDEED. I love his beauty and fierceness, I love Celegorm's unrepentant look.
Maglor by @exercise-of-trust. I don't know how to say it but he's just the ideal Maglor to me. And I love this artist's style.
Fingolfin by @ylieke. The DEFIANCE and GRIEF in this elf's eyes just pierces me right in the heart.
Amrod threatens Elrond and Elros by @runawaymun. An illustration for my fic! The artist went all-in on the horror of this moment and it's breathtaking.
Maedhros/Maglor by @tari-cua. I love everything tari-cua creates. The art is so lush and sensuous and their Maedhros and Maglor are so distinctly characterised. The fic @danmeiljie wrote inspired by this is a perfect accompaniment.
Reunion on the Beach by @arlenianchronicles. The beautiful, emotional art of Maglor and Elrond that I spent all summer staring at for TRSB.
Maglor's penance by @magicinavalon. Last but certainly not least, the strong, naked, tied-up Maglor we all deserve. Please also read the fic it illustrates by @queerofthedagger, you will NOT be disappointed.
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ghostgirl-22 · 14 hours ago
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a mistletoe artrick story? 👀
Thanks so much for the prompt my lovely 💜 This ended up being completely SFW so I’m either very sorry or you’re welcome. Either way I hope you like it <3
—-
It happened once last year at the winter formal. Patrick won prince or king or something like that so he already had a lot of attention on him which meant people were watching when he pulled Art to the side to ask about something
 Art barely remembers what it was. What he remembers is that they ended up under the mistletoe.
“Guess what? Now you have to kiss.” Someone shouts followed by a lot of laughter and chatting.
Art isn’t used to being the center of attention and as embarrassed as he is there is a small, small distant part of him that likes it. Still he doesn’t want this kind of attention. He wasn’t even going to do it but someone said it’d be bad luck not to. Come to think of it that someone was probably Patrick.
Art doesn’t need anymore bad luck. So he lets Patrick pull him closer, wearing one of his goofy grins.
“It’s the kiss you’ve all been waiting for,” Patrick announces to their classmates. Most people are laughing but some are actually cheering. Patrick’s girlfriend Madison rolls her eyes but she’s smiling.
It’s theatrical, Art knows that. And Patrick knows how to put on a show. Still, Art shivers a little as their lips touch. It’s probably nothing. Patrick has soft lips. But it’s nothing. Everyone laughs it off makes the obligatory vaguely homophobic jokes and they continue to dance all night.
None of that’s the weird part actually. What’s weird is what happens the next month. Patrick does well on an exam he was dreading. “I got a B+” he exclaims and he kisses Art straight on the lips.
Art rubs his mouth idly but Patrick looks like he’s already forgotten about it and he runs to call his mom. So Art forgets about it too.
And then in February. Valentine’s Day, actually. Art got a bunch of Hershey’s kisses from his new girlfriend Christina. Patrick sneaks one off his desk and later says, “I guess I owe you.” And he cradles Art’s head and plants a kiss right on his mouth. He grins after as Art stares at him dumbfounded and shrugs. “Kiss for a kiss.” And without another word he leaves to go wash up for his date with Madison.
It gets to be normal after that. Their first doubles win of the tennis season. Patrick kissing him right on the court. Just so quick you wouldn’t think twice about it. But Art can’t stop thinking about it.
He gets a kiss on his birthday. Twelve midnight Patrick crawls into his bed while they’re finishing homework.
When he gets his acceptance letter from Stanford. “I don’t think you should go but good job.”
When Christina breaks up with him for Tim Lyons because “he’s just a better player.” Patrick’s making a face, “Tim? Really?”
On the Fourth of July. Hidden away in the boat house on Patrick’s family’s estate.
And the kisses are changing too. Sometimes it’s short and sweet. Other times it’s slow and intimate. Sometimes Art thinks he might have feelings all tied up in this.
They kiss like that, in front of Tashi Duncan. Just the most beautiful girl Art’s ever seen. She seems to be into it— the kissing. And poor Madison is history after that.
He hates Patrick a little bit after the junior US Open final. But that doesn’t keep him from letting Patrick kiss him something quick before they go out to search for beer.
By September they’re kissing in Arts bed just because it’s Tuesday.
On Halloween Art can’t recall what it was like before the kissing became normal. Patrick visiting Tashi at Stanford but staying in Arts room and before they all go to some dumb Halloween Party. Patrick kisses him. They meet Tashi for drinks and he kisses her.
Art’s in this weird place where he doesn’t really know who he’s more jealous of.
It’s December when they go out to eat at some themed restaurant to celebrate the end of their first semester. Patrick’s ordering drinks with his fake ID. Art leans next to him on the bar. Tashi taps his shoulder and points up at the feature where wineglasses are hanging and she’s smirking at the mistletoe draped just above them. “Guess that means you two have to kiss right?” She says.
Patrick grins at Art and Art feels his skin heating up. It’s some kind of kismet obviously.
“Oh come on,” Tashi teases, gently rubbing Art’s shoulder. “It’s not that big of a deal. Cause I know for a fact you’ve done it before.”
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wolfstarlibrarian · 1 hour ago
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Hello friends! It's that time of year when it's time to escape into some nice fics with a hot cup of tea or cocoa. And while, Christmas fics are traditional, I've been reading some vampire fics that I had to share. And I read a vampire book that's SO R/S I had to include it on the list. (Extra spicy).
Below you'll find a link to the first Vampire list I ever made, as well as the new recs. Hope you enjoy!
Vampire Wolfstar Fics Pt. 1
Vampire Wolfstar Fics Pt. 2
New Blood by @gardenoflupins Remus comes to consciousness as a new and inexperienced vampire. In his disoriented state, he leaves a bunch of dead bodies lying around, which gets the attention of a much older and more powerful vampire named Sirius who guides him through the stages of vampirism.
What Lurks in the Shadows by @puuvillaa When Remus leaves work after dark, he encounters a vampire.
all the hot singles in your area are dead by @atroposaeneas The first vampire who comes to campus is annoying. The second one is an unwelcome, if begrudgingly pleasant, surprise. The third, fourth, and fifth vampires, on the other hand
 No matter. Remus has been alive far, far too long to have his resolve broken on behalf of someone like Sirius Black.
My Roommate is a Vampire by @moonyverse “Remus! Why didn’t you tell me?” Lily asks. He continues wiping, focussing on a particularly stubborn stain. “Tell you what?” “About your secret boyfriend.” Remus spins around. “My what?” “Don’t act so surprised. Your neck is covered in hickeys and you thought I wouldn’t notice?” "Er, yeah
 sorry." Remus wracks his brain to think of an excuse. Anything but the truth. He sputters out a lie, "It was a one-time thing, is all." It was better than telling her his roommate is a vampire whom he lets take his blood on a biweekly basis.
I'm starving, darling. by @marigold-hills “Dear gods you are gorgeous,” the man said before Remus could utter a sound. “I’m so sorry about this. Truly. I wouldn’t, but it’s a rather desperate situation you see.” I’m going to get mugged, Remus realised. Here, under the sharp stars, in the soft snow, by the hands of the most beautiful man he had ever laid his eyes on. And wasn’t that just his luck. “Trust me,” the man continued, “I am no more pleased about it than you are, but it’s a matter of life and death at this point, otherwise
 well, sorry. Again.” Remus is accosted by a vampire on his way home. Strange in itself. But when the vampire realises he has anaemia, he starts bringing him food. And medication. And nice little treats to make him feel better. And - well. Remus never claimed to be a man of strong convictions.
A Taste of Your Love by starsnsoul “It’s dangerous out here at night,” Remus wet his lips, suddenly aware of how dry they were, “and we’re quite far from the nearest town.” The man in front of him continued to gaze up at him, eyes twinkling with a dangerous look, seeming to dare him to ask risky questions, to probe and let curiosity kill the cat. “What’s your name?” he asked, feigning ignorance to Remus’ concern. “Remus.” He answered without a second thought to who he was telling this to, something about the other man made him want to lay himself out bare, secret’s spilling out into the night air, all the good and the ugly. Something about the other man was dangerous but Remus felt the blood in his veins ignite at the thought. “Remus,” the man with eyes like the moon whispered, “I’m Sirius.”
aka. the one where Sirius is a vampire and Remus a cowboy and they fall in love {inspired by likeafuneral's art and a wip I had going on as well as my life growing up on a farm}
closer to heaven by @moonymoment “And you’re
 high.” “As a kite, baby,” Sirius says, clicking his tongue. Remus inhales sharply. “High
 on drugs. That kind of high.” Sirius looks at him. “Do I have to do the sarcastic bit again, or is this stare enough to indirectly call you stupid?” he asks, and then makes a Faceℱ at Remus that falls somewhere between “you’re ridiculous” and “you’re a knob”, although he can’t promise that “I’m morosexual and this close to taking my pants off” isn’t being conveyed as well.
BOOK REC:
Looking for a book similar to these fics? With characters that was SO FREAKING SIMILAR to Remus + Sirius that you're looking around fandom for the author? Check out this book with rich, hot, older vampire "Sirius" + nurse cinnamon roll "Remus". Roman by Grae Bryan đŸŒ¶ïžđŸŒ¶ïžđŸŒ¶ïžđŸŒ¶ïžđŸŒ¶ïž
“And for the record
my demon does not just like you. It craves you. Is obsessed with you. Wants to own you and devour you and never let you go. You would run for the hills if you could hear what it thinks about you. What I think about you.”
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Don't forget to share this list with your own recs and leave a comment for the authors. ❀
Happy reading lovelies, The Wolfstar Librarian
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coolfireguy73 · 2 days ago
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Hello everyone, I'm... back ?
For anyone that may interest, it's me AG. You probably forgot about me.
Hi !
First of all I wanted to apologies. I don't didn't have that huge of a following but for the few people that followed my stuff and liked my AUs, I'm sorry I have essentially disappeared.
I have a few things to say about why I did and I will announce something regarding the Child mercs AU at the end of this.
So if you are not interested in anything else you can skip to "It brings us to today" further down.
For everyone else (not many I assume):
When I discover something new, a new game, a new anime or whatever, I may hyperfixate on it. I'll only talk about it, I'll only draw fanarts of it etc... Like TF2, this was one of my hyperfixation.
I say was because , for some reason, I can only hyperfixate on one fandom at a time. I can have a lot of things I like and care a lot for, but when it comes to the things that dictates my life and art (Like TF2 did) I can only have one.
I don't know why, I've always been like this and I kinda hate it at times.
Anyway, like you may have seen from my last posts, before leaving I fell into the JJBA fandom.
This was (and still is) my new hyperfixation.
I could literally feel it replace TF2 in my mind. And I hated it.
I still love TF2 dearly, but it had been... "replaced" in a way.
I had a lot of unfinished projet I knew a would have a harder time finishing because I had moved on to something else.
I tried to continu the comic twice. And both time the file got deleted.
I lost what little will I had to continue it.
An I'm sad about it. I hate it when I get invested in something that's unfinished. And I said multiple times that I would finish it ! That and the Cryptid AU.
But I never did.
It brings us to today:
I wanted to do this for a while and with the final entry of the TF2 comics finally out I figured now was a good time.
Even though I want to, I don't know when or even IF I'm going to finish drawing the comics.
THAT SAID, though the drawings aren't finished, the story, the description of what would have been on every page is !
It's been since before I started drawing it.
And I thought I could do something with it.
I can publish the last pages of the Child mercs comic in written form. Every drawing described and with the dialogue that should have accompanied it.
You'll essentially have the entire story, just, without the little drawings.
But only if you still care about it. And I know some of you did and even if only one of you want it, I'll do it.
It won't be the version I wanted, with my drawings, but if I never make them, at least you can enjoy the end of the story. And I'd hate to keep that from you forever.
Again I'm sorry for leaving, I figured you wouldn't want to see Jojo Fanart when I hadn't even finished my TF2 projects.
I'm still very grateful for all the nice comments I received, and maybe one day I'll come back with a few TF2 drawings to show you :)
P.S.: I never had a written thing for the Cryptid AU, I kinda want to rewrite it entirely but I'm working on another project. Though it's nearing completion so maybe I'll have time.
I mainly wanted to say, though I didn't have any idea where the story was heading, I did have an idea why they all became cryptids so if you want to hear about it too. Let me know.
Anyway, have a good one everyone.
And thanks for everything :)
-AG
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temtamtom · 3 days ago
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Fuck it, I’m taking out the trash. Here’s a dump of sketches and some perpetual WIPs that are sitting in my procreate files. A few of these are from well over a year ago 😭 I’ve actually posted a few of these WIPs before, only to promptly delete them out of insecurity (at least I think I did. Some might still be up and I just forgot lol). I’m trying to be less shy about my art, even the caca sketches- so I’m pulling them back out of the abyss.
Some context/explanations for the drawings under the cut:
1st page:
- An exploration of a young Ludwig. He came out more baby-faced than I originally planned, so let’s just say he’s like. 12. Or something. Bro should be playing Fortnite đŸ˜©
- I think this is from a year ago- it’s a Björn from one of Grem’s AUs (which is why he’s got all those scars, rest in piss)
2nd page:
This is one of the WIPs I posted and then deleted immediately after. At least I think I did, I can’t seem to find it on my blog. Anyways, I sketched this while exploring how the itabros drifted apart as they grew. This particular one-shot is set during Holy Rome’s funeral, and Romano is conflicted on how (or even IF) he should approach Feli. Should he comfort him? It might be awkward, but that’s his brother so he SHOULD say something, right? Would he even be that helpful? It hurts to see him cry, but he’s already surrounded by so many people, it might just be redundant. God this is so awkward and difficult and and and-
3rd page:
Woe, Venetican be upon ye. Thinking of Pietro’s more sentimental, softer side. The part of him that yearns for something genuine with Feliciano, but would never dare to cross that line. He’s scared of what his feelings mean and if he thinks about it too much he might just shatter. If you’re wondering why Feli is blurry, my idea was to imitate a camera focal lens and have it “focus” on Pietro’s face solely. Sadly, despite the blur, I didn’t like Vene’s face so I just moved on to other things FBGHF
4th page:
- This started off as a study from a photo and then ofc I hetalia-fied it by turning it into Sebastiano. He’s just a littol guy

- Another oldie. VERY old and very rough, from well over a year ago. This was from a historical story/one-shot idea where Romano’s on a Not-Date with Alfred, and he breaks the news that he’s going back to Italy. They’re not a couple, and they won’t be for a long time. It’s very rough but ngl I like how Romano’s face turned out
- Another historical one-shot idea- this time about Gaul and François. I already posted a sketch of lil France from this comic a few weeks ago, but I don’t think I showed any Gaul panels. Here he’s talking to a Druid, who comments on Françoisïżœïżœïżœ peculiar nature, and tells Vindiorix to hold onto him before he inevitably slips from his fingers. Soon enough, François would live under Rome’s care as “Gallia Narbonensis”. He would eventually embrace his new Roman identity, and his loyalty would shift (both out of genuine respect, and for survival)- inevitably drifting away from his father. I wasn’t happy with the dialogue, so I left it on the back burner for another day.
I’ve been thinking a lot about François’ childhood. His relationships with Vindiorix and Rome, his loyalties, his turmoils, his regrets. There’s more I’d like to say, and I would love to make a more in-depth post about it, but uni has fried my brain and it’s become difficult to string a coherent thought or sentence together. One day, though! I love those two so much augh they tickle my brainnnn
——
Pls excuse any errors or awkward phrasing, I’m genuinely running on fumes 😭 </3 At least I’ll be on break soon YAYAA. Anyways if y’all wanna yap about any of this stuff, my inbox is open. I’ve got a few lovely asks I need to finish answering too aaaa sorry y’all
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oceanicwriting · 1 day ago
Text
a deal.
summary: for weeks, rumors of a new drug have been circulating in the halls of hogwarts. your friends, curious about the stories of those who have tried it, send you, a hufflepuff prefect, to buy it. your surprise is great when mattheo riddle himself is the mysterious seller... although the boy's luck was greater.
pairing(s): dealer!mattheo riddle x fem!hufflepuff!reader
a/n: english is not my native language! i didn't check this work twice, and it was inspired by a clip of "babygirl" movie hehe
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pure tension, mention and use of drugs
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ㅀㅀㅀ—why should i do it? —you say complainingly, putting on your cape—. what if i make a mistake and they makes me disappear with a spell?
ㅀㅀㅀ—don't be exaggerated! —one of your friends exclaims, smiling to calm your nervous gaze. it wasn't working—. you have much more character than any of us...
ㅀㅀㅀ—besides, you're the best at defense against the dark arts.
ㅀㅀㅀ—just go.
ㅀㅀㅀyour gaze travels between them one last time, and you nod while you adjust the black hood on your head. if you had had the courage to refuse, everything would have been much easier for your nervous system, but you didn't.
ㅀㅀㅀthe girls had been obsessed for weeks with trying a drug that was going around among the students of hogwarts. according to your classmates, who dared to try it, the effect was like going up to heaven and returning to mortals, christening the pill as "the road to merlin". you are not sure how they managed to convince your friends, but it was much easier to convince you.
ㅀㅀㅀthe hiding place of the mysterious seller was on the fifth floor of the castle. according to your friends, you had to find a perfect mouse house and press the highest stone. when you get there, without having met any teacher, you look at ground level for what would let you in.
ㅀㅀㅀwhen you find it, everything happens just as they told it, opening the wall to a hallway with lit torches. when you are fully inside, the wall returns to its natural state, leaving you trapped in that place. walking down the length of the corridor, you come to an old wooden door that swings a little, making the hinges creak, muffling the sound of your unsure steps.
ㅀㅀㅀbefore entering, you take the handle of your wand, resting in your back pocket, and sigh all the air trapped in your lungs. Then, gently pushing the wood, you feel a strong, musty aroma take over your nostrils and spider webs break in your head. it seemed to be an old classroom because of the tables built into the wall, while right in the center sits a boy with wavy hair. he hadn't even flinched at the sound of your presence, and it makes your skin crawl.
ㅀㅀㅀ—hello. —only then you see how your companion's back tenses. you try not to let the simple reaction interfere with the courage you've built up to get there—. i'm here to buy something.
ㅀㅀㅀa thread of smoke rises from his head, and the chair makes a loud squeak as it's dragged against the floor. he was getting up with exasperating slowness.
ㅀㅀㅀ—of all the people in this place? —he says, his voice rumbling like an endless echo—. you?
ㅀㅀㅀand he turns, giving the mysterious face the shape of mattheo riddle. on his lips there's a disinterested and arrogant smile that flips your tight stomach. your heart had stopped for a second because without knowing him at all, you knew the reputation a riddle had.
ㅀㅀㅀ—interesting —he says, leaving the cigarette in his fingers in the ashtray on the table. he begins to advance in your direction with a predatory slowness—. who told you my secret?
ㅀㅀㅀ more than a request, it is an order that leaves no room for refutation. attracted by the sound of his voice and the way his small eyes study you, you feel that you must answer truthfully or he will catch you.
ㅀㅀㅀ—answer me.
ㅀㅀㅀ—the weasley twins have told my friends. —you whisper, tightening your hand on the wand.
ㅀㅀㅀmattheo stays completely silent, looking you up and down with amusement. he had observed you many times before in the halls when you were alone or accompanied, in the library when you were trying to memorize something for potions or in the courtyards when you were playing with your cat. he saw you every time at dinner, hoping that you would notice it... but you never did.
ㅀㅀㅀhe loved the way your hair moved when you walked and the exquisite way your uniform fit your figure. it wasn't a surprise to dream about you every night, because he was sure that just by tasting you, he could become as addicted as all those who went in search of drugs.
ㅀㅀㅀ—do you want to buy something for yourself, princess?
ㅀㅀㅀyou don't answer, because you weren't interested in getting high on who knows what, but your friends wouldn't let it go either.
ㅀㅀㅀ—or are you doing what you always do? are you following orders? —you frown at his questions, trying to understand what he means. you're motionless because you somehow know he hasn't finished speaking—. tell me, do you want to try this or not?
ㅀㅀthe small white pill is placed in front of your eyes. mattheo can notice the doubt in your scared expression, putting it back in his closed fist.
ㅀㅀㅀ—i don't know what you're talking about. i-i just came to b...
ㅀㅀㅀ—what I mean is that... i think you like to be told what to do, or am I wrong?
ㅀㅀㅀhis hand tightens on your arm, the one that was tightly holding the wand in your pocket, and with a sideways smile, he forces you to let go of the object. your shaking hand doesn't go unnoticed by him.
ㅀㅀㅀ—y-you don't know what you're saying, riddle.
ㅀㅀㅀ maybe you should have thought it through better because your words manage to light a flame inside the boy. although you had no way of knowing it. mattheo caresses the fabric of your cape before pulling it hard and beginning to push you into the room gently. you wanted to say something, run, hit him, or react, but there was something much stronger than your own will burning you from within.
ㅀㅀㅀ—so if i order you to kiss me, you won't do it? —your whole body stiffens with the sound of his voice behind you, pushing you closer and closer to the table—. i want you to take a seat there.
ㅀㅀㅀyou can't ignore the way your whole body reacts to the boy's deep voice, less when you turn around to try to regain your dignity. his carefree smile, demanding gaze, and wide body only intensify the wave of unknown sensations.
ㅀㅀㅀ—i said take a seat.
ㅀㅀㅀyou do. the hardness of the old wood presses against your butt, releasing a soft creak. mattheo looks at you, fascinated and excited by the obedience you've shown. although his thoughts are elsewhere, he tries to keep his head on what he's really wanted from you all this time.
ㅀㅀㅀhe searches for something under the table, then places a small, clear plastic bag right in front of you with three small pills. all three are different colors and don't look as dangerous as you'd imagined. when you direct your hand to your pocket, he quickly stops you.
ㅀㅀㅀ—can you help me... —his hand approaches your cheek, brushing away a strand of hair that had gotten into your face—. let me repeat it, you're going to help me. i should ask you if you want, but i'm not interested in knowing what you think. i need someone like you, princess.
ㅀㅀㅀhis gaze runs over your entire body quickly, and he smiles, satisfied with the way your breathing quickens at the scrutiny. mattheo, in his head, has two options: you remain terrified of his presence or you react to his voice. he liked to think it was the latter.
ㅀㅀㅀ—no one would suspect someone as correct as you, right? no one will notice that you are working for me. —his hand travels from your cheek to your hand, slowly traveling the entire length of your body—. besides, aren't you the best in your group in defense against the dark arts?
ㅀㅀㅀ—do you want me to help you sell... drugs?
ㅀㅀㅀyou don't know what face you must have made, but mattheo can't hold back the laughter that escapes his lips.
ㅀㅀㅀ—yes. —his hand takes your chin delicately, but his gaze couldn't be more demanding and serious—. and i want you to be clear that it's not a request, princess. you're going to be so loyal and... useful to me.
ㅀㅀㅀ you try to refuse, say something to let him know your disagreement or move out of his sight, but it's not allowed. mattheo was being so serious that it scares you a little when he stops playing and orders you to leave. you don't know why, how or when you would have to meet him again, but somehow you hope it won't be soon.
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