#let sora enjoy hobbies from her culture

[izzyizumi]

Digimon Adventure/02/tri./Kizuna ~ Japanese Version 02, “To Sora” {Kizuna Short}, Kizuna SORA TAKENOUCHI + IKEBANA {Progress} {Japanese Flower Arrangement}

IKEBANA (生け花, 活け花, "arranging flowers" or "making flowers alive") is the Japanese art of flower arrangement. It is also known as Kadō (華道, "way of flowers"). The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the tokonoma (alcove) of a traditional Japanese home.

Ikebana reached its first zenith in the 16th century under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today.

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[shihalyfie]

Kizuna drama CD: Detail spotting and nuance analysis

02 involved displaying its group dynamic through mundane interactions and wacky hijinks, and the circumstances of an eight-year block of time between Kizuna and 02, plus the fact that Hikari and Takeru operate separately from the others due to the movie’s circumstances, mean that the drama CD centering around the group is actually our most reliable source of info regarding how they’re doing at this time and how their group dynamic is going. Much like 02 itself, getting a lot of this nuance requires reading between the lines, so let’s take a closer look!

Since this is a drama CD and not animated material, I’ll be going through this in bullet points instead of screenshots.

The fact that the drama CD itself deliberately uses the same format as a 02 episode carries a very strong implication that, unlike their seniors who are going through an existential crisis about how much of their childhood experiences they can bring with them into adulthood, the 02 group is still roughly able to recreate the same atmosphere they had eight years ago. Noticeably, the ending song chosen for this is the first ED (Tomorrow My Wind Will Blow), the more lighthearted one used for the first half, before a lot of really emotionally vicious things started happening to them.

The phrase “it’s been a while” and variants thereof come up between this group a lot within this drama CD (and once in the movie itself, from Hawkmon to the others). Look closely at the circumstances of this drama CD and how everyone seems to be very intimately aware of each other’s situations, and the fact that this story obviously takes place only a short time before the movie itself -- so it really hasn’t been a very long time at all, but apparently even that much is considered a “long time” for them. (It also seems like they’re going out of their way to make sure they’re still keeping in regular contact even when they can’t actually meet up.)

Daisuke says, very clearly, that Iori was the one he intended to approach “first” because he was so busy -- but he’s shown walking in with Takeru, meaning that the two of them are on very good terms now and seem to have been hanging out independently.

Daisuke wanted his plan to be a “surprise” reveal to the others, and the actual practical purpose of his plan (it being a career study trip for him) seems to have been very low on the priority list to the point it takes the CD’s entire half-hour runtime for him to finally bring it up. Before then, he’d been cheerfully fantasizing about all the fun things he’d get to do with them, and it even says a lot that he’d also wanted to discuss this at a karaoke bar of all things, so, really, in his head, “hanging out with friends and having fun with them” is the actual priority (especially since there’s basically no reason he needs to have the others on his ramen research trip, he just wants them there because he does).

The fact that the boys have to sneak in the Digimon to avoid getting extra charges means that society will now recognize them as patrons to be regularly charged.

Daisuke is asked by Iori which people he intends to bring to his trip, which implies that the 02 group isn’t technically an exclusive club or anything...but then Daisuke proceeds to list off the 02 group by name, implying that this group does indeed have a particularly elevated level of importance to him.

Look carefully at the nuances surrounding whom Daisuke wants to invite to his trip: he wanted to invite the seniors as well, but resigned himself to the fact it’d probably be impossible because they were too busy...only for the others to point out that the rest of the 02 group is also busy, but everyone is confident that they’ll make it work, and Daisuke wants them there to the point of listing them by name. So in other words, Daisuke likes everyone and would like everyone around in the ideal situation, but when push comes to shove, the rest of the 02 group is whom he really wants to have around, and said group can be reliably counted on to do whatever it takes to make it work.

The way everyone casually describes each other's circumstances (and in specific detail, not just generally describing what they're up to) says a lot; Armadimon's still talking with Hawkmon about Miyako (meaning Miyako and Iori are still regularly in contact), Takeru's up-to-date with Ken's life to the point of knowing his upcoming schedule, Daisuke's fully aware of how busy Iori is, and, later, the one to affectionately greet Hawkmon is none other than Wormmon, who, back in 02, used to only really be close with Ken himself and V-mon. You can see that everyone’s still constantly involved in each other’s lives, including their own partners being up-to-date on each other (compare the more distant relationship their seniors are portrayed with in the movie itself, both with each other and with their partners), and you can also see that Ken and Wormmon have fully integrated themselves into the group to the point it’s a completely casual affair (Iori, the one who infamously had the longest and most drawn-out process in accepting Ken, is the one to personally ask him about his preferences).

That said, note that Takeru and Iori still seem to be on surname basis with Ken, even despite obviously being much closer with him than they were before; unfortunately, it seems that having been on surname basis with him so long in 02 became a habit, leaving Daisuke and Miyako as the only ones currently known to have switched to given name basis with him.

It’s interesting that Ken, not Daisuke, is the one explicitly stated to be keeping up with soccer to the point of having schedule commitments, whereas no mention of this whatsoever is made with Daisuke, and it’s entirely possible that Daisuke actually quit playing it in an organized fashion. This is, however, consistent with their personalities, in that Ken would likely want to keep up with organized extracurricular hobbies, whereas Daisuke may enjoy soccer as a hobby, but not enough to continue committing to a high-level team. (Remember that Daisuke took a while to get a regular position even back in elementary school; as much as he liked the sport, he also wasn’t particularly outstanding at it, and especially not in comparison to Taichi, Sora, or Ken.)

Miyako leaving for Spain seems to have been a recent thing, since it has to actively be brought up in conversation as a reminder (and Daisuke seemed to initially have not taken into account that she wouldn’t be easily able to join the trip in that case, since the issue of the D-3 hadn’t come up yet). When she shows up later in person, everyone’s shocked, as if it’s unnerving for her to be back in Japan already.

Daisuke still seems to have a thing for Hikari, but note that this doesn’t really go beyond “wanting to hang out with Hikari a lot”. Also, he says this in plain view of Takeru without bringing him up at all, and Takeru himself has nothing to say about it (not even awkward laughter), meaning that he really has no object in this whatsoever.

It’s interesting to see that Armadimon, who used to have to ask about how human society works quite often in 02, is now well-versed enough in Japanese culture to be really passionate about it.

As usual, Iori does not mince words (when it's about Nagoya specialty food, at least).

Also as usual, Ken is surprisingly academic about his interests and a huge nerd.

Note Takeru's awkward "I don't really want to insult you, but also, that's weird" reaction to Ken’s speech about the hot springs -- very classic Takeru, not quite being honest for the sake of keeping the peace and awkwardly trying to be nice about it -- in contrast to Daisuke, who just honestly goes straight for the commentary. That said, regardless of how unusual of a hobby everyone around him clearly finds it, note how they all still decide to accommodate it anyway and support his interest in it.

Hypocritically, V-mon calls Daisuke out for being “embarrassing” regarding his fixation on Hikari, only to suddenly get caught off-guard by Tailmon shortly after...

Hikari's behavior has the most clear-cut contrast from herself in 02, consisting of her very assertively stating what she wants, for herself -- very important because her problems in 02 revolved around her compulsively being unable to voice her own thoughts if it meant putting a burden on others. Here, Hikari gets argumentative about what she, personally, wants to do. Given that she doesn’t quite act like this in front of her seniors in the course of the movie, and is depicted as being particularly in-sync with Miyako here -- and given how Miyako was instrumental in reaching out to her during the events of 02 -- it’s pretty easy to see how Hikari became able to assert herself like this.

Similarly, much like how Tailmon was portrayed as lightening up a bit between Adventure and 02 thanks to her new, happier life, here, she seems to be exactly on the same page as Hikari in terms of wanting to fight people for something materialistic.

Hawkmon says that it's "only natural" for them to show up whenever this group is getting together, and, indeed, Miyako was technically uninvited because everyone thought she was busy in Spain -- but was clearly in contact with them (or at least Hikari) to know that this meeting was happening. (There’s probably a group chat.)

This is implied to be the first time the 02 group has seriously considered using D-3 gate exploitation to visit each other and to travel. The group had already made use of this exploitation during 02 itself (to have Palmon delivered to New York back in 02 episode 38 and to meet up in the Digital World), but it is true that they hadn’t been necessarily using it even when it arguably would be more convenient than Tokyo transportation and Imperialdramon. So in other words, for the last eight years, through all the meetups they seem to have been having with each other (and remember, Ken lived in Tamachi, not Odaiba, at the time of 02, and there’s no guarantee that nobody in the Odaiba neighborhood didn’t move at some point), they were perfectly fine with using the inconvenience of Tokyo transportation to meet each other, or to meet up in the Digital World instead -- but then Miyako found herself in another country, and decided that she wasn't going to stand for being separated from the others for too long.

As usual, Hawkmon still has to be Miyako’s concerned minder when she’s on the verge of going out of control.

Miyako had already been implied to be in Barcelona thanks to the scenery outside her window and the movie end credits, but her speech about Spain drives it in even further with the Gaudí references.

Despite Spain being possibly the one of the worst possible options for what's later revealed to be Daisuke's motive for this trip (ramen research), it seems that Miyako baiting him with mention of the soccer league was enough to get him momentarily distracted (and also indicates that Daisuke still clearly has an active interest in soccer even if he may not be regularly playing anymore).

Speaking of which, it’s pretty obvious that Miyako knew exactly what to bait Daisuke with in order to do this.

Takeru, the group's resident moderator, is of course the one to step in and prevent Tailmon and Armadimon from wreaking too much havoc (Daisuke is mostly just slightly intimidated) -- but you might also notice that he's otherwise not saying anything about the group's chaotic antics, and in fact is guilty of enabling them even further...

Daisuke continues to have his penchant for pointing out the elephant in the room -- he's exactly right, how is Wormmon supposed to put on skis?

It is, of course, only natural that Miyako would be sensitive to knowing about currency exchange and the use of American dollars in the Digital World, given that she presumably hasn't forgotten the Digitamamon incident from 02 episode 14.

For the first time in 19 real-life years, we finally learn what Daisuke’s original motive for wanting to get into ramen making was: in true Daisuke fashion, he himself has no idea (but he just really likes ramen).

Daisuke "credits" his friends for giving him insightful advice and helpful resources in thinking about his career and future plans, but, as it turns out, everyone else wasn't thinking nearly as much of it -- either they hardly remember it, or it wasn't actually supposed to mean anything insightful. It's obviously not to say that they're not fully supportive of him (the events of this drama CD blatantly indicate otherwise), but rather that Daisuke attributes everything important and helpful in his life to his friends to ridiculous degrees, even when it's something completely ordinary like a train ticket that anyone should know about.

As always, Daisuke is very realistically aware of his own limitations, admitting freely that he was actually lacking in experience and insight to follow his dream (especially since he took the "advice" from his friends very, very seriously).

Note how quickly everyone changes their tune and immediately decides to unequivocally support Daisuke the moment they realize there's actually a very important reason to him that he wants to go on this trip.

Also note that when Hikari compliments Daisuke, Daisuke is completely at a loss -- yet again, Daisuke's been so busy rolling around for Hikari's approval that he hasn't accounted for what to do when he actually gets it.

Daisuke picking New York, of all locations, as his stop to research ramen certainly explains why Ken has to ask "why ramen?" during the movie itself -- as this drama CD indicates, and as per the events of 02 episode 50, he absolutely knows why Daisuke would want to get ramen, but ramen in New York, which isn't exactly the cultural center of ramen making, is a different story.

The fact that this was a planned multi-day trip also explains why the group changes clothes and is in New York for multiple days over the course of the movie (because they probably had a hotel, too). It also further contextualizes the likely reason Miyako felt like dealing with Menoa’s request was too much work -- she wanted to be on this trip instead -- and says a lot about how she’ll dump a request on her seniors when it’s too much hassle for her, but accept that same request back if it’s something she gets to do with her friends.

Takeru and Hikari are explicitly stated to be scheduled to join the trip on the second day, meaning that them operating separately from the quartet during the events of the movie was sheer scheduling circumstance -- and since we find out in the movie that Takeru was the one to inform Yamato about Daisuke's whereabouts, this CD here clarifies that Takeru has this knowledge because he himself was set to be on this trip (and would have been, if the events of the movie hadn't gotten in the way).

Probably the most interesting take-home from this narrative is how absurdly close the 02 group is portrayed as, and in very, very stark contrast to their seniors in the movie itself -- who are said to be drifting apart as they all find their individual paths. Here, the 02 group is the opposite; while they do seem to have their own goals (Hikari and Daisuke are outright identified as having some of the clearest ones), it’s obvious that those goals are secondary to being able to hang out with and support each other (in other words, they still have those goals, but they’re much lower priorities for them). This is consistent with how these dynamics were portrayed back in 02, since the Adventure group had been portrayed as being prone to drifting apart as early as Our War Game!, whereas the 02 group was built from the ground up as needing each other’s mutual support much more deeply -- it’s just that, now that they’re all much older, this distinction in group dynamic is much more prominent.

[darkzeruda1214]

Kairi deserved better.

Oh, boy this is going to spark up some debates.

Now I want to CLARIFY before I start.

I DO NOT. Under any circumstance hate. Or dislike Kairi. Personally I think she was one of the few characters that actually have an interesting background and has a lot of potential as a character. And I really do like Kairi, but I think the rest of the fandom can agree with me.

She. Was. Done. Dirty.

Seriously. Does anyone in the development team even like or want her in the series?!

This girl deserves better. As well as give her some spotlight and some much needed personality!

*Canon Kairi is just really... unjust. The fandom does a much a better job portraying her character! (TAKE NOTES NOMURA Dangit! You could learn a few things from the fans!)

Anyways...

Time to get to the topic, (also thanks for my cousin for allowing me to use their exact words for this argument).

(SPOILERS FOR KH3)

So after finishing KH3 I was left unsatisfied and just plainly angry at the ending. And after what happened to Kairi, there’s nothing more than I want is for her to get some redemption because what happened to her is utter bullshit. One of the things that really pissed me off was how they handled her.

And yes, I’m talking about the final battle, but one thing I think many people tend to overlook is her treatment in the trailers.

Now I know some of you are confused by what I mean. But the trailers really deceived fans about what Kairi was going to offer. A lot of fans speculated, argued and theorized that Kairi was FINALLY bulk up and be ready to fight. She was finally going to be useful.

Now to be fair she isn’t and act totally useless. I mean she did save Sora during the Final World arc. (But you know, Square totally missed an opportunity that could have given Kairi more substance, but that’s for a totally separate debate for another time).

The trailers made it seem that Kairi was going to be part of the final battle. Now that part wasn’t a lie, but they clearly only gave her the spotlight for a couple of scenes, she’s a party member for the first part of the battle and then that’s it. We don’t even have her throughout the ENTIRE battle. She’s just cast away, because PLOT!

Utter. Bull.  

But another thing that really degraded her character as a whole is the lack of personality.

Kairi used to be a snarky and sarcastic character in KH1. And I really enjoyed what kind of character she used to be during my second play through.

(Though I’m gonna be honest, I didn’t have any attachments to any of the character -not including Disney exclusive characters- in my first playthrough until later on in the story. Riku was the only one I was more intrigued about).

Back to Kairi, even with the few seconds she was in, she had something that made her feel like fleshed out character. Not by much, but there was something. And all of that was nearly taken away in KH2, now some of you are probably ready to argue that KH2 was her best version. I’m incline to disagree, now while Kairi was mostly asleep in KH1, she had more personality in the first game compared to the second. Because in the second game, she becomes less sarcastic and more bold when it came around action.

This is where I feel Kairi started to fall as a character and more as a plot device. Because as we all know it, she get’s captured. At least in the first game she had purpose and a reason to be there.

In KH2 she had absolutely no reason to be there.

As much as I hate to say this. Her character direction fails in the second installment, because the only time she’s relevant (not including Naminé) is the Roxas telepathy conversation and the bottle scene. After that, the only way to keep her in there is by having. Her. Get. Captured. 

She’s ‘the fire’ that keeps Sora going. And at that point she’s only there as a plot device for Sora. Who he himself wouldn’t be relevant either had it not been for the Keyblade and for Roxas. But since he’s the playable character he’s obviously important. But… the same can’t be said for our Princess of Heart. While they managed to keep something in for Kairi in the second game, it was completely tossed out entirely in KH3. Honestly, the only thing I got from her is that she's heavily infatuated/in love with Sora (which isn't a bad thing, it's just that’s ALL her character had to offer in the third installment). And just in general I think her development went in the wrong way.

So we finally get to the title of the rant.

I know a lot of people are going to disagree with me and that's fine. Since we all have the right to our opinion, and to disagree and agree.

But I think she didn't need to have a Keyblade.

Or at least in the way how the writers decided to give it to her.

Reason I say that? She didn't even EARN her Keyblade. Yeah, I said it. 

She didn’t earn it, Riku gave it to her like a gift card. Like: here, it's yours. (It’s pink. So I don’t want it. It matches your clothes though).

That’s it.

They just handed her a Keyblade. That it. She didn’t even have to WORK FOR IT. (Not even a joke since the franchise is handing those things like lollipops) Now. If they had allowed her to manifest it. I dunno, actually EARN it, like how Sora and Roxas did. (Heck, even Riku got it, off screen, but he still got his). And addressing the Wayfinder’s Keyblades, it’s pretty obvious since they were training to be masters at the time. And don’t even get me started on Union X and Ven.

But Kairi was just given the damn thing like a kid given candy. Not through some rigorous trial of heart, mind or soul. Not through battling. No. Just handed one. 

I mean yeah sure you could argue her coming to another world could work for her favor, after all she traveled from one world to another. Being brave to help out Sora despite being in danger herself. But again, she’s just given the Keyblade by Riku. Not by her own power. She’s just gifted THE DAMN THING!!!!

I’m sorry. But I don’t think that’s how KEYBLADES WORK!

Look at Axel/Lea! He manifested the Keyblade in his hand! Sora’s appeared to him at first, but then he earned it after showing that his heart is strong and his power is through friendship. 

Roxas earned Kingdom Key through Sora, but later he earned his own Keyblades after his strong promises and from battling. One from defeating Xion and the other from the sworn promises.

And it’s no doubt Riku got his from all the hard work of fighting the darkness and helping Sora in his journey. 

But Kairi. Didn’t.  This pisses me off.

Honestly... at this rate, I wouldn’t be surprised that the writers (actually I think I want to blame Nomura for this) don’t like Kairi. If they don’t even bother to put any effort in making Kairi a fighter. Why on earth did they have to give her a Keyblade?  

Again. If they allowed her to manifest it, or let her go through a small trial of some sort like everyone else, or test the power of her heart then I wouldn’t be arguing this topic.

I’m not saying it’s intently bad that they gave her a key. I’m saying the way how they did is simply lazy writing and makes Kairi look useless.

Because of her Keyblade, I think that’s the reason why a lot of people wanted her to fight. And honestly, I feel that was the wrong direction to grow her character.

I can name a good number of cartoon, game and anime characters who don't have ANY fighting experience but are still amazing characters.

And I think that’s a problem in pop culture in general. What most fans of any series don't realize, is that well-written female characters aren't just those who kick butt and shoot stuff.

They don't have to be a badass to be a good character!

And I think that's what really screwed Kairi over in the end. (That and what Nomura did to her). But the moment they decided to give her a Keyblade to fight, it really tipped her off badly.

So going back to the trailers, since I clearly forgot to remind myself, the trailers really made it look like Kairi was finally going to be able to help in physical part of the battle.

They emphasizing so much on her training, that it made it seem like Kairi was going to be a stronger character "physically.” But… once the game was released, there wasn't anything to back it up all that “training.” In fact we didn‘t even get to see her and Axel train at all.

And to me that was a shallow move. The only thing the trailers served was a cheap extension to encourage people to buy the game. I think they tried really hard to sell the game by releasing too many trailers too early in the year that not only spoiled the story, but made fans wait even longer for a game that didn't even feel complete.

All that’s left is the Re:Mind trailer. (Edit ReMind fixed her character. About DAMN TIME!)

But that's just my opinion, if you don't agree with me, that's fine I respect your opinion. I don't mind at all Kairi having a Keyblade or learning how to fight. But I don't think that's what she needed in order to be a good character. She really needs a fleshed out personality and some interests/hobbies outside of simply being in love with Sora.

No hate to Sokai ship. It's a good couple, just... was poorly executed in cannon. Fandom works have better stories and delve into the relationship and characters (better than Nomura ever could write) I'm sorry. But I'm still bitter to what he thought would be a good thing to add in KH3 especially after how many years fans waited the game's release.

*I know there are other reasons as to why Kairi looks and is treated as a bad character. But her poor development discussion has been overdone so many times that it’s practically common knowledge for any Kingdom Hearts fan.   But again that's me.

I really needed to get that out of my system.