#let him pop off

[earlymorningfoxhunt]

I want possessive arthur so bad. I want team jarthur to find the cult that worships hastur and they immediately go "oh, my king, we must find you a proper vessel" and before John can even get out a huff arthur snaps "fuck off! he's not your king, he is my undefeated! your half of a god couldn't pry him away from me, you will not either"

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[nyerusnova]

yeah... things are pretty yikes right now in the current batfam storyline,

but at least Tim is rocking those thigh-high boots and I just wanted to appreciate that for a sec

[hazbingirliexoxo]

Angel: *angrily, reading through Val’s texts* ARE YOU-

Reader: *nonchalantly* fucking

Angel: KIDDIN’ ME?! THIS

Reader: fucking

Angel: IDIOT

Husk: Uhh, what the hell was that?

Reader: Charlie banned Angel from swearing so I offered to help him out

[donttellunclesam]

flagging and other such shenanigans

(close ups under the cut)

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[cassandracain52]

A canon compliant guide of Bruce Wayne’s officially adopted children

I noticed there has been some confusion about who all in the BatFam is actually legally adopted by Bruce Wayne so I thought I’d try and help clear some things up.

(Full disclosure you can of course headcanon whatever you like, I made this is strictly to help newer fans know what is actually canon💕)

Dick Grayson: Adopted

(Batman: Gotham Knights #17 and Batman #600)

Many fans argue over whether or not Dick is officially adopted, many saying it was never official and he is still just his ward.

Though he does admittedly usually spend the majority of his actual childhood as a ward, Bruce ends up officially adopting Dick as his son(as I have explained before here)in multiple timelines

Barbara Gordon: Not Adopted

(Batgirl and the Birds Of Prey Rebirth)

There was never a need for Barbara to be adopted because she still has a Dad. She is however still very much in the BatFamily and has trained under and with Bruce

Jason Todd: Adopted

(The New Titans (1988) #55 and Batman: A Lonely Place of Dying)

Now I couldn’t track down a comic where we actually get to see Bruce adopt Jason, but there are plenty of instances in which his adoption is referenced -including but not limited to these two- throughout several timelines and reboots

Cassandra Cain: Adopted

(Batgirl 2008 #6)

Now this one is a bit more debatable as aside from this one instance, Cass’ adoption is never really mentioned again even after the timeline gets rebooted. Still the general consensus is that Cassandra’s adoption is considered canon.

Tim Drake: Adopted

(Batman #654 and Red Robin #4)

Though Tim declines Bruce’s offer of being adopted at first, we get to see Bruce adopt Tim as his son about a year or so later. His adoption is also referenced across multiple reboots

Stephanie Brown: Not Adopted

(Batgirls #13, Robin (1993) #174, and Robin (1993) #126)

Now the main reason Stephanie is not and probably will not be adopted is because both her parents are alive. While her Dad is a villain and out of the picture, her mother is a nurse and fully capable of taking care of her.

Bruce does however train her during her brief stint as Robin and much like Barbara she is no less apart of the BatFamily, she’s just not in the Wayne Family

Duke Thomas: Not Adopted (technically)

(All Star Batman #1 and Batman & the Signal #3)

Now Duke is never officially adopted because technically his parents are alive just insane due to Joker’s toxin of which there is no cure. However Bruce does take him in and let him stay at the manor and it is heavily implied he becomes Duke’s foster parent so do with that what you will

Damian Wayne: Not Adopted/Biological child

(Batman and Robin (2011) #0)

Damian is Bruce’s one and only biological child -of the main canon- and therefore does not need to be adopted because you don’t need to adopt your own child

And that’s all of Bruce’s official and unofficial children in the main canon!💕🖤

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[allastoredeer]

"Suave sugar big bad daddy Alastor" is the reason I ignore most of charlastor and radioapple content, it's laughable how absolutely the same a lot of works are and even funnier that a lot of people from both groups dislike the other ship lol

my GOD, you're right 🤣 for two ship groups that don't like each other, they sure do use a lot of the same tropes.

i'm sorry i just can't see Alastor being a big bad suave sugar daddy. 🥲 Where's his whimsy? Where's his goofy silliness? Cannibalism can be sexy, but you know what else is sexy? Being a clowning little freak.

[gomzdrawfr]

I will climb and bite this man like a chew toy

[endrimer]

[tiger-in-the-flightdeck]

Leonard 'Cold As Ice' Snart: Huh. It's been almost twenty minutes since I explained to a murderer just how much Flash and I like each other. I better do something about that.

[cordeliaculm]

Cordelia cocked an eyebrow up to the other Tribute. This really set the tone for the rest of the conversation, didn't it? She'd just need to prove herself, again, for the sake of her allyship. "Great asset at sneaking in and out of places," Cordelia explained chewing on her lower lip, and then shot back, not trying to be an aggressor, just curious, "And you?"

"She talks to me, all the time" Cyril crossed his arms. He wasn't particularly thrilled about her appearance, unsure of why Alecta liked her -- unsure of why they were spending time together at all. He hadn't done much to mention it to Alecta, an effort not to spoil the peace in the limited time before the arena. What Cordelia said next threw him off, no, Alecta hadn't mentioned anything of the sort. His eyebrows knitted-- but not without an effort to maintain a neutral expression. "What does she see in you?" It didn't answer her question, but he wasn't sure if there even was a partnership without hearing it directly from Alecta. Cordelia may have somehow proved herself to her, but she hadn't proven herself to him.

[aurevell]

Returning the Favor Sterek | 5k | T

Stiles pays a nighttime visit to his boyfriend in secret, or so he thinks. Unfortunately, the Hale family has keener ears than he realizes.

It’s late when Derek hears the noise at the side of the house. A creak of siding that cuts through the backdrop of cricket song. Just one lone sound, but there’s something cautious about it. Probing.

He lowers the book he’s reading, but no other sounds follow. Derek has been lying sprawled across his bed, drowsy and warm and comfortable, sweatpant-clad legs resting against the wall—but now that he’s conscious of the sound, his focus sharpening, he thinks he’s been hearing quiet noises grow nearer for some time without quite comprehending them. A wild animal outside, maybe, creeping slowly around the foundation of the house. Something large enough that the mulch in the flower bed crunches beneath its weight.

It’s not often that a solitary animal grows bold enough to venture this close to a werewolf pack—the scent always scares them off first. They don’t even get raccoons out here, especially not with the cold this time of year. It could always be their cousin Warren, who’s always thought it funny to startle his relatives with unexpected visits in the dead of night. Or any one of the nasty things in Uncle Peter’s wild stories, supernatural things that creep into the house come dark.

Derek glances at the window, book still resting on his chest, but the house is still.

Maybe it’s gone. That’s just as well: he’s too comfortable to drag himself over to the window to look.

And then another sound comes, an unmistakable creak. Heavy weight settling into place.

Downstairs, his mother sighs. “What was that?” she demands, her voice faint with distance. She and his dad are likely out on the porch swing at this time of evening, even though it’s nearly winter, lunatics that they are. “If Laura and Cora are at it again—”

“I’m sure they aren’t, Tal,” Derek’s father replies, sounding amused. “You put the fear of god in them.”

Mom scoffs. “If we have to repair another door, it’s coming out of their pockets.”

“Not everything is my fault, Mom,” Cora mutters pointedly from down the hall. There’s heavy metal coming from the vicinity of Laura’s bedroom, just low enough to be blasting from her headphones, and she doesn’t pipe up to defend herself.

The thing hasn’t gone away. Metal squeaks a moment later, and then the scrabbling returns, punctuated by a thump and a muffled grunt.

Annoyed, Derek tosses the book aside and clambers to his feet, crossing over to the window. When he hoists up the sash, letting the night chill waft in, he peers down into the dark and finds that the source is worse than anything he could have imagined.

It’s his boyfriend, scaling the side of the house like some deranged cat burglar.

Stiles is hanging onto the drainpipe, having managed to hoist himself several feet off the ground. He’s leaning against the metal awning over the kitchen window, one foot atop the shutter and the other scrabbling for purchase against the siding. At the clatter of Derek’s opening window, he looks up, startled, and nearly loses his balance.

“What are you doing here?” Derek hisses.

“Just returning the favor.” With a moment to catch himself against the awning, Stiles gets his bearing and grins. “What? Don’t make that face. C’mon, you can show up at all hours of the night, but turnabout isn’t fair play?”

With that, he sticks his tongue between his teeth, which he sometimes does unconsciously when something demands his full attention. And the perilous task of climbing should get his full attention, given how often he stumbles when both of his feet are on the ground. God, Derek is about to witness his idiot boyfriend fall to his death or something.

Stiles heaves himself mostly onto the awning, clawing for purchase with a grunt. When he reaches for the window, he loses his grip, nearly sliding backward onto the grass; in a flash of panic, Derek grabs him by his shirt and yanks him forward.

“Are you trying to get yourself killed?” he demands, aware of their volume and even more aware of their audience.

The awning rattles as Stiles draws up his long legs to slip inside the window feet first, ducking under the sash. He’s panting a little as he pulls himself upright, though he bats his eyes sweetly in the face of Derek’s scowl. “Oh, please. I knew you’d catch me. ‘My hero,’ and all that.”

“Should have let you fall and die,” Derek retorts, shutting the window.

“Probably. Oh man, that was so athletic. Sometimes, I amaze myself.”

Derek doesn’t have anything smart to say to that. He’s only half paying attention, too busy bracing for the discussion sure to follow.

He and Stiles may as well have stomped up and down the stairs blowing air horns as far as the rest of the house goes. Everyone will have heard. Derek is absolutely sure because you can hear a pin drop, like no one’s even moving, like everyone’s waiting with bated breath—either gleeful or judgmental or both—to hear what comes next. Even Laura’s deafening headphones have gone silent. Fuck.

Worst of all…Stiles doesn’t know any of this. He doesn’t yet know about the secret the Hale family hides, or how keenly they can hear, or that every word he says will be seized up and cheerfully dissected and gossiped about in real time.

Read the rest on AO3

[iaminsideyourwalls]

i LOVE the way he only ever like half-smiles and you can see his teeth, but it's enough that you can tell hes very very happy, i love his underbite, i love his weirdly sharp teeth, i love how sweet he looks when he smiles, i love his autism swag. B-)

Edit--AND almost forgotta mention i love his flat affect. as someone with a very flat affect it makes me feel seen and sexy and like a "handsome rogue"

[mashbrainrot]

one piece of fanon I see thrown about as a casual fact about beej is that he is somehow morally opposed to cheating as a concept, and has judged and would judge people based on them doing that. most of the time I see the evidence for this being his own meltdowns over even the potential of cheating on peg, and his behaviour towards hawkeye in The More I See You.

the latter is particularly confusing to me because he does emphatically state in his conversation with hawkeye in potters office that he actively does not have a moral aversion to cheating - "I couldn't break my word to Peg. And not because God'll send me to hell without an electric fan... or because it's not the right thing to do. I just don't want to."

and one of the reasons i think he says this - and the reason I think people read some sort of judgement from bj in this scene - is that hawkeye is twitchy about it. hawkeye is probing, maybe projecting, is worried about this guy thinking badly of him because he himself doesn't feel too clean about it. he pokes and he prods, slightly skittishly and nervously.

textually bj starts this conversation, and I think hawkeye (and therefore some of the audience) read into that that he is doing so to Make a Point, but what I personally read into it - and I think the intent - is that bj has some genuine concern (and perhaps a healthy dose of interest!) because he has already had a huge dose of the backstory to this whole debacle, and like any sensible person I don't think he sees it ending well for his friend.

but by the end of it hawkeye knows he has neither censure nor celebration from bj, just a steady and even-keeled acceptance of what hawkeye accepts is 'messing up his life'. bj is just acting as a neutral good-natured sounding board, which is very much early BJ's MO. it's a carefully balanced check in from a friend, one that I fanonically read as an echo of what he says he does with Peg, where he sort of pokes until she speaks about what is on her mind. (In this reading I sort of see hawkeye as hanging about wanting to Talk on purpose, especially as objectively you think this would be Private Time for bj and peg. hawkeye, to me, seems to be Loitering.)

but as bj says, a la potter writing to mildred... that's none of his business 😉