#let him get what he wants

[fluffylino]

a funny no nut november with hyunjin 🥟

hyunjin and you have high expectations about eachother's self control...FAILED!

-contains mature themes (hyunjin is crack)

"oh my god its november!" you exclaim, realising its november even though you're halfway through the month.

hyunjin furrows his eyebrows. clearly not understanding your point.

"its november as in, y'know..."

tilting your head to egg him on. all you are met back with is an even more confused expression.

"no nut november...?" you mumble, and begin laughing at his even more perplexed expression.

he brings his hands up in a questioning gesture.

"is it like...not eating any nuts or something? like almonds or walnuts?" and you now wonder the accuracy of him being the leader of paboracha.

"no! HYUNJ-"

"OH! is it because you don't eat any nuts in november so that in december, you can eat as many chocolates you want cause its christmas and every single person eats like a pig during holiday season! is that it?!"

"what-"

pausing to process what he just rambled on about. it actually made sense...

"NO! NO! even though you kind of made sense...no nut november has nothing to do with eating actual nuts like walnuts or whatever!"

"HUH? then what is it?" hyunjin sits straight. already perched closer to you. if his ears could grow, they would be like the baby elephant from the film 'dumbo'.

"no nut november is a whole month of no sex" you say in a straighforward manner.

"...why?" his eyes losing their spark. lips jutting out in a small pout.

"its a challenge! like to see if we can hold out . no cumming or you lose. do you want to try it out?"

"i mean, we haven't done anything since the last week of october cause i was on schedule..." hyunjin mumbles. craning his neck behind you to see the calendar.

"its the 17th of november already, that means we have about 13 days left..." he calculates, sitting silently in deep thought.

"no touching too?" he asks, blinking sweetly at you.

"touching and all is fine. just no cumming..."

"OKAY! GAME ON, BABY!"

.

.

two days pass and you start to find it harder. maybe because now that you knew it was november, it made you more anxious to stick to the rules. hyunjin seemed to be doing well. not even bringing up the topic but not doing anything.

"don't look at me like that" you shriek, dramatically running away from him.

"like what?" he chuckles.

his hands covered in paint and hair messily sitting on his head. it nearly 1 am and he's about to wash up while you wait for him to join you in bed.

"like...that. DON'T LOOK AT ME LIKE THAT!" pointing a finger at him. he inches closer and smirks devilishly when you jump back further.

"are you finding me incredibly irresistable right now, my love?" hyunjin whispers breathily. your body practically begging for him on the inside.

"yes! so stay back" you exclaim, putting your palm against his face.

smushing his lips away from yours. gasping as his hands quietly sneak around your waist.

"no self control when it comes to me?" pushing himself onto you. till the both of you fall back on the sheets.

core throbbing against his bulge. and you know he feels it, his lips turning up into a cheeky smile.

"missing me that much, baby?" prying your palm away from his face. pinning your hand down beside your head.

unconciously you spread your legs wider. his mouth opening in a small 'o'.

"have you seen yourself? you're sexier than you think" you mumble, eyes widening when his hand slides down your stomach. going over your waistband and patting over your covered mound.

"you want me, baby?" he whispers, fingers tapping against your aching cunt. looking down at you with a smirk. your panties are wet. sticking uncomfortably to your wetness.

a grunt escaping his mouth when you buck your hips up. smiling triumphantly at his hardness.

"10 more days." he whispers, sighing heavily.

"thats too long, isn't it..."

"we can do it, baby" hyunjin tries to encourage. his hips mindlessly rocking into you. for some reason, you can't stop yourself from meeting his sinful movements.

"yeah, we can...do it" squeezing your eyes shut. his hands hastily pulling his pants down. he goes silent for a few seconds, snorting in annoyance.

"no nut november is useless!" he says, dick slipping between your folds. rubbing himself eagerly.

"might as well just not eat almonds, walnuts and-" he blabbers on while simultaneously pushing his length past your entrance.

"HYUNJIN-"

.

.

.

.

.

hyunjin paboooo

[singleusepiracy]

*visibly shaking* Sanji is gonna get his dream and find the All Blue if I have to tear down the god damn red line with my own two hands

[monkesupreme]

ref

a satisfactory answer for Selina

[laughingcatwrites]

As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.

For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.

But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.

Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.

[brainrotcharacters]

"I walked away. They called after me and I walked away. I always do."

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[chloesimaginationthings]

FNAF movie Mike and Michael meet their younger selves..

[egophiliac]

was this anyone else's first thought, or

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[baeshijima]

thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.

as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!

of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.

(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)

to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!

well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.

he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,

no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!

and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!

you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!

it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!

however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)

well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...

"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.

oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?

sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.

you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.

"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"

oh.

...oh.

perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...

(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.

well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)

[bluerosefox]

Phantomish Rogues

Team Phantom get ripped from their home universe into the DCverse. With no money or real ID's in this world. Now thats a problem.

Another big problem is that Danny is badly injured and his core kinda put him into a deep cryo sleep. He needs to rest and gather ectoplasm.

Bigger problem Team Phantom have no clue how to get home because they don't know how to decode the Fenton Portal blue-prints, not even Jazz who at the time didn't pay attention to her parents portal work anymore by the time they finished it. The only one who does have an idea is Danny!

Biggest problem, they landed in a place called Gotham that seems to be overrun with actual villains and heroes? (vigilantes). And for some odd reason many of them seem to find them no matter where the Team goes to hide.

Until they can get their hands on a safe space, tech, and money, Team Phantom might have to go a bit Rogue/Villainous if they wanna keep Danny safe until he wakes up.

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.