#leonie pernet

[x-heesy]

𝚆𝚘𝚗𝚍𝚎𝚛𝚏𝚞𝚕 𝙸 𝚌𝚘𝚞𝚕𝚍 𝚌𝚛𝚢 & 𝚍𝚒𝚎 😭

Butterfly - Malik Djoudi Remix by Léonie Pernet

@len0r @m-l-3 @elle-mood @pulsantilla <3

[theherdofturtles]

it would be fun to do that song thing that @sunnylolli posted with the 'shuffle your 'on repeat' playlist & post the first ten tracks, then tag ten people' thing but a look at my repeat informs me right now it currently consists of a lot of جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس which I find somewhat hilarious. So instead, have this artificially built list of 10 good songs I like very much right now.

Tainted Blue TTRRUUCES

Freestyle Camélia Jordana

La Belle affaire Clio

Intro Martina Topley-Bird

Slip Away Josh Garrels

Mi Capitán Kiltro

Ubriaco Di Te Dargen D'Amico

Butterfly Leonie Pernet

Taj Mahal BRONCHO

Sunrise Terracotta To Life

I still do not know enough people to tag.

[jokerlennon]

ok hii sorry this took some time but here are a few (a lot actually) french speaking music artists & bands me and/or my family listens to :^)

first of all theres all of the classic Chanson Française from the 60s-70s-80s with Charles Aznavour (La bohème), Dalida (Mourir sur scène), Claude Nougaro (Armstrong), Alain Bashung, Edith Piaf or Jacques Brel

in france weve also got a pretty big rap scene starting from the 80s, though these are mostly from the 2000s-2010s : MC Solaar, Stupeflip (Stupeflip vite !!!), Oxmo Puccino, Népal, Maître Gims (arguably in some cases hes more pop than rap + for a long time hes been kind of dismissed as just music for 10 year olds BUT he has a really great voice and my brother really likes what he does so), or Orelsan (whos also part of the Casseurs Flowters with Gringe)

and here are some?? other people in no particular order sorry idk how to describe music jgdigd : Bérurier Noir (80s punk), Mylène Farmer (icon for lesbians), Indochine (L'Aventurier) (i literally wouldnt listen to anything else when i was 6), Noir Désir (L'homme pressé) (uhmm i really do like some of their stuff However i feel the need to warn you that the lead singer huh. killed his wife. like he went to jail for it & all. i mean i dont think you were gonna do that but just in case uh dont give them your money yk), Téléphone, Les Cadavres (punk also), Stromae (u probably know him already), and finally, these next and last ones are all things my dad listens to that i dont necessarily know that much so i dont really have anything to say abt them : Leonie Pernet, The Liminanas, Feu! Chatterton, Jeanne Added, Louise Attaque, or La Femme

anyway uhm hope this isnt too much & that youre going to find at least a few you like :')

oh wow thats incredible thank you so much !!

[musicarenagh]

Mira Sthira Shares A Brand New Single 'Let The Armor Go' I have had the opportunity to encounter many talented musicians, but Mira Sthira stands out with her unique singing style and captivating lyrics. Born and raised in Bath, United States, Mira draws inspiration from the everyday experiences and emotions that surround us all. Her musical journey started with a diverse range of influences, from the pop anthems of Mariah Carey and Michael Jackson to the alternative rock of Beck and Faith No More. As she entered her teenage years, she discovered her love for electronic dance music and rave culture, which left a lasting impact on her sound and songwriting. Mira's latest single, "Let The Armor Go," showcases her impeccable vocal layering and emotionally charged delivery, while the ambient synth soundscapes and crisp rhythms create a captivating soundscape. The song is a testament to her ability to create alternative pop music that is both emotionally expressive and musically sophisticated. Her previous release, "Weird Girl," received recognition from prominent publications like the "Portland Phoenix," which included it in their "Best of 2021" playlist, and it was also distributed in major Zara outlets. The release of "Let The Armor Go" will be accompanied by a music video produced in collaboration with Mikheil Music, adding a visually stunning element to this already mesmerizing piece of music. In a world where pop music can often feel generic, Mira Sthira is a refreshing voice that stands out with her unique sound and captivating lyrics. I have no doubt that she will continue to make a mark in the music industry with her innovative approach to alternative pop music. Who are your biggest musical influences? Gosh, I have countless influences honestly. In the last interview, I did I focused on what I grew up with as a child and teenager so I’ll now Segway into the music that helped me develop as an artist In more recent years and I’ll just pick a few specific genres. My favourite Art Pop/Alt-Pop artists right now are Grimes, Aurora, Ren, Christine and the Queens and Leonie Pernet, Tove Lo, Lilly Allen, MIA and Robyn. Some More Mainstream leaning Pop artists I like are Lorde, Miley Cyrus, Sia, Billie Eilish, 21 Pilots, Madonna, Halsey and Taylor Swift. Some of my favourite indie songwriters and indie rock artists are Alt J, Edward Sharpe and the Magnetic Zeros and Luscious Jackson, Tina Dico, K’s Choice, Ween, Mason Jennings and Fiona Apple. Some of my favourite psybient, indietronica or electronic artists are Rufus Du Sol, trip switch, Tame Impala, Com Truise, Tycho, Cinnamon Chasers and Abakus, Junior Boys, Paul Van Dyk, Pendulum, Ocean Lab and Above and Beyond [caption id="attachment_43799" align="alignnone" width="3000"] Mira Sthira Shares A Brand New Single 'Let The Armor Go'[/caption] What inspired you to write your latest album/song? The song that I most recently released is “Let the Armor Go.” I wrote this song in stages. I first wrote the parts “Lies eyes traumatized” and “You built up what you wanted” years ago when I was just trying to leave a relationship I was in where this person would make up elaborate stories. Some of these stories were designed to manipulate me and others were designed really as this person’s own defence system from their past which I had great sympathy for. This “built up what you wanted” part refers to how this person created a false reality to win people’s attention because of how they felt inadequate inside and also to convince himself that this was a better reality.” The “violence in the honeypot” part refers to how I would come back into the relationship or with other people who were causing me emotional damage and that the relationships felt compelling to me, like honey. That there was something violent combined with a sweetness that kept me stuck and which would return again of my own volition. These words and melodies remained dormant in my memory until

a new situation arose where I found out a man I had been interacting with and friends with for many years had a secret partner he was not telling me about and had cheated on her with me. When I found out the connection with this person who I thought was a best friend stopped completely. The “I dive into the mirror” part is about looking at myself, stopping these patterns and no longer needing to be at ALL responsible for taking care of another person who is not able to face themselves enough to take care of a partner. “The Let The Armor Go” part is the newest addition to this song, asking myself and my higher power of goodness and love to help me release the armour I’ve built up from these experiences so that I can step into something vibrant and healthy, as I know I have before enjoyed healthy experiences and relationships and I know I can get back there. What message do you hope to convey through your music? These songs of mine are written not only for healing but in the hopes that it causes self-reflection and growth for listeners. I want to convey that resilience is important, as is self-care and time to really look and feel inward. Do not just fill the voids with the next addiction, stay strong and build up your heart and mind into something powerful. What was the most challenging aspect of recording your latest album? Trying to work professionally with a group of people with different perspectives on how something can sound can sometimes be a challenge. I would say the other challenging aspect is that it’s costly to work on musical projects that have the quality of sound that I’d like. What has been your favourite moment or experience as a musician so far? My favourite moments are the moments where my music has carried me through deep pain and suffering and provided me with a silver living or phoenix that bewilders me and provides me care and nurturing. I also really enjoyed first watching a professional music video that was put together. It felt like participating in the practice of magic with my friends. How do you balance your personal life with your music career? Ha, good question. I’ve become a hermit. I’ve used music as a way to take care of myself but it’s also caused me to become a bit of a cat lady. One of my realizations is that I would like to make a point to get out more to connect. I tend to right now see a friend every week or two and to see my family regularly. I have not gone on a date in over a year. I think I have used music to avoid dating but I would like to change this. So I am open to that! I tend to like to develop friendships with those I work with musically however and that is actually important to me as music is not really a “career” to me but something spiritual that I am sharing with others and also sharing so that I can keep making it in the way that I do. [embed]https://youtu.be/XDofAjMPw5E[/embed] How do you handle negative criticism or feedback on your music? It’s funny, I remember getting really offended once when my Mother said something about a song of mine. I think I was so upset because I wanted someone close to me to validate me. But what I realized over time was that she was actually right about that song! I was able to remix and re-do the vocals and it came out way better. I’m not very sensitive to criticism from strangers, in fact, I consider it vital information that’s needed to improve and grow. On the OTHER hand, I think it’s JUST AS vitally important not to JUST change something because you received criticism. It’s important to stay true to what YOU genuinely like. The criticism can help shape what you genuinely like but it should not DIRECT it in an authoritative way, otherwise, as an artist, you will wind up REALLY confused. I will also say, that when you've shared a vulnerable piece of artwork with someone intimately and they begin critiquing it in an unsolicited way this can feel hurtful unless they ask if you’d like feedback. Unsolicited critique

is not something I would recommend when interacting with the artists you love as they may not share anything with you again and it may be very vulnerable sharing 1:1 despite how many other people have liked or listened to the work. Artists receive more rejection and criticism than most people do each day, which is generally something more seasoned artists are used to. Just because a lot of people like something doesn’t mean an artist hasn’t heard just as much criticism and rejection as they do likes. What advice would you give to aspiring musicians trying to make it in the industry? I feel like I kinda said it above. Be yourself. Stay true to your integrity. Make music for you. You will find an authentic sound this way. Go out into the woods, take a break, and then also schedule time for a whole week to yourself to focus on your task. Avoid addictive behaviours and relationships. They really get in the way. Do you have any upcoming projects or releases that you're excited about? Yes! I’m working on developing a music video for a dark pop/alt-pop song I have as well as another dark pop/alt-pop song. It’s going to be quite different and perhaps startling. But it’s important to do shadow work. This song I’m going to release is again about addictive relationships and is called “a fix” it’s about having a dialogue between different parts of myself that are seemingly in battle and wanting different things. One that wants “a fix” to fill the void and another, that wants to just be still and meditate in her own blood. Do you plan to branch out into other genres or styles of music? I think I need to be branchless. I have songs that are hyper pop, alt/dark pop, commercial 90’s sounding, EDM mixes, an alternative shoegaze rock song, and quirky Europop-type stuff. I have been told so many times it’s all over the place. So right now I’m focusing on an EP that is going to integrate some of these varying styles but perhaps with some more cohesion. [embed]https://open.spotify.com/album/2Bxl49CXQ7Dy3IidxRJBpY?si=USF10v8mQQ2RBr4Q4B6uGQ[/embed]  

[nofatclips-home]

Butterfly by Léonie Pernet - Director: Marco Dos Santos - Dancer: Camilla Invernizzi

[musicdiaries]

Léonie Pernet - Hard Billy

[mmepastel]

Le nouveau disque de Leonie Pernet est top.

Il y a de nombreux morceaux que j’aime, mais celui-ci, je ne sais pas pourquoi, se détache pour moi... sans doute la mélodie, les cordes, la mélancolie, le chœur discordant et le final, somptueux, déglingué et entraînant.

Le chant est presque atone dans ce disque, et pourtant, tout brûle d’un lyrisme étonnant, avec quelques cris primitifs, ce qui rend l’ensemble totalement envoûtant.

[etiennedaho]

[DISPONIBLE JUSQU'AU 09/04/2022]

Jehnny Beth, la plus anglaise des chanteuses françaises, reçoit la plus française des chanteuses anglaises, Jane Birkin, avec son complice Étienne Daho. Au programme également, Rone et Léonie Pernet. Sur la scène de la Cité du cinéma, à La Plaine Saint-Denis, Jehnny Beth accueille Jane Birkin, dont le dernier album aux accents mélancoliques, Oh ! Pardon, tu dormais..., a été plébiscité cette année. Douze ans après l’autobiographique Enfants d’hiver, la chanteuse au timbre fragile s’y livre avec une bouleversante sincérité, et exorcise de vieux fantômes. La juvénile septuagénaire, récompensée aux Victoires de la musique 2021, offre ici une session d'exception et retrouve pour une chanson son compositeur, producteur et éternel complice, Étienne Daho. Au programme aussi : Rone, figure majeure de la scène électronique française, couronné d'un César pour la musique du film La nuit venue de Frédéric Farrucci. Il suspend le temps avec son nouvel album Room With a View, performance collective chorégraphiée par (La)Horde et interprétée par les danseurs du Ballet national de Marseille. Léonie Pernet, voix suave de l'électro, rejointe pour un duo par Lucie Antunes, lui succède sur la scène.

ARTE Concert vous propose le meilleur de la scène européenne sur tous vos écrans :

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[everthegirlanachronism]

<3 

[x-heesy]

Withoutmusiclifewouldbeamistake 🦋

#panicdynamicpandemic #trackoftheday #gifattack #gifmania #moody #edm #electronicmusic #shakewhatyamamagaveya #raaaaven @m-l-3 #electroshockboogie #dancemfdance #partymusic #lostinmusic #thankslordforlovelybeatz

Butterfly - Malik Djoudi Remix by Leonie Pernet

[one-track-daily]

Léonie Pernet African Melancholia (2018)

From the album: Crave (InFiné)

[jealouspunkt]

Leonie Pernet — Butterfly

[atcostmag]

Scratch Massive - Sunken (feat. Leonie Pernet)

A French new-wave duo split between Paris and Los Angeles, Scratch Massive is Maud Geffray and Sébastien Chenut. For their latest video single, “Sunken” the track takes a jubilant, anthemic approach a quality that’s soon juxtaposed by featuring vocalist Leonie Pernet’s sickly growl. Building over hip-hop drums and synthesizer lift, the track is bright and lofty with the shower of Maud Geffray’s euphoric vocals concealing the darker underbelly of “Sunken”. An allusion to “Sunken City” in San Pedro, California, “Sunken” walks between beauty and devastation as the band explains:

“‘Sunken’ is derived from ‘Sunken City’ in San Pedro, California. Early in the 20th century, a natural landslide caused several beachside homes in the Point Fermin area of San Pedro, CA, to slide into the ocean. The site was dubbed ‘Sunken City’. Nowadays, the site has become a place for street art, video creations and is naturally where the ‘Sunken” music video was shot.”

You can check out the track below:

[frakyeahfrenchmusic2]

Scratch Massive enfin de retour ! L’album est prévu pour mars 2018.

Artist: Scratch Massive Song: Sunken [feat. Leonie Pernet]

[kraftwerk113]

Life´s too short for weird music - Tagesempfehlung 07.08.2019

Léonie Pernet / Butterfly (Léonie Pernet Protéine Version)

Bereits auf dem in 2018 erschienenen Debutalbum „Crave“ ist der Song “Butterfly“ von Léonie Pernet zu finden. Was damals völlig an mir vorbeiging bekam nun in Form einer Remix-EP eine zweite Chance. Und insbesondere die Léonie Pernet Protéine Version ist eine Chance, die auch Sie sich nicht entgehen lassen sollten – so geht Remix!