#leoncillo

[starboystation]

Hey! There's an app on Android and iOS I think that's called Fitment. It has workouts for disabled people that you can follow along with. It's also gamified so you can earn points to decorate an avatar and their room, etc. Then, there's an app called Stepets. You walk and hatch eggs/pets and level them up and such just by walking. I do a combination of these even though I can only walk around my house, but I try to do at least 400 steps each time to start after a 3min or so workout with Fitment.

THIS SOUNDS??? INCREDIBLE??? I'm totally downloading this omg thank you SO MUCH!!! <333

[evermore-crow]

Yo, cuando me hablan y estoy leyendo:

[carboniila]

love the names of these creatures in the spanish translation.

leoncillo(lionkit), carrasquina(hollykit)y glayito(jaykit).

[la-semillera]

DOROTHEA ROCKBURNE & BLANCA VARELA

Casa de cuervos

porque te alimenté con esta realidad

mal cocida

por tantas y tan pobres flores del mal

por este absurdo vuelo a ras de pantano

ego te absuelvo de mí

laberinto hijo mío

no es tuya la culpa

ni mía

pobre pequeño mío

del que hice este impecable retrato

forzando la oscuridad del día

párpados de miel

y la mejilla constelada

cerrada a cualquier roce

y la hermosísima distancia

de tu cuerpo

tu náusea es mía

la heredaste como heredan los peces

la asfixia

y el color de tus ojos

es también el color de mi ceguera

bajo el que sombras tejen

sombras y tentaciones

y es mía también la huella

de tu talón estrecho

de arcángel

apenas pasado en la entreabierta ventana

y nuestra

para siempre

la música extranjera

de los cielos batientes

ahora leoncillo

encarnación de mi amor

juegas con mis huesos

y te ocultas entre tu belleza

ciego sordo irredento

casi saciado y libre

con tu sangre que ya no deja lugar

para nada ni nadie

aquí me tienes como siempre

dispuesta a la sorpresa

de tus pasos

a todas las primaveras que inventas

y destruyes

a tenderme -nada infinita-

sobre el mundo

hierba ceniza peste fuego

a lo que quieras por una mirada tuya

que ilumine mis restos

porque así es este amor

que nada comprende

y nada puede

bebes el filtro y te duermes

en ese abismo lleno de ti

música que no ves

colores dichos

largamente explicados al silencio

mezclados como se mezclan los sueños

hasta ese torpe gris

que es despertar

en la gran palma de dios

calva vacía sin extremos

y allí te encuentras

sola y perdida en tu alma

sin más obstáculo que tu cuerpo

sin más puerta que tu cuerpo

así este amor

uno solo y el mismo

con tantos nombres

que a ninguno responde

y tú mirándome

como si no me conocieras

marchándote

como se va la luz del mundo

sin promesas

y otra vez este prado

este prado de negro fuego abandonado

otra vez esta casa vacía

que es mi cuerpo

a donde no has de volver

Blanca Varela

[optikes]

Toti Scialoja (1914-1998) Italian

Itermittenze (1966)

exhibited: MAXXI Museo Naziaonale della arti del XII secolo

Antonio "Toti" Scialoja was born in Rome on December 16, 1914. In the late 1930s he joined the artistic and literary circles of the Galleria La Cometa. In 1937, Scialoja gave up his law studies and devoted himself entirely to painting. During this period he produced his first Expressionist paintings, in which his use of thick, textural brushstrokes was clearly influenced by French painting, in particular Chaim Soutine. In 1939 he exhibited at the 3rd Rome Quadriennale and in 1941 he had a solo exhibition at the Società Amici dell’Arte in Turin. The following year he took part in a group show at the Galleria Lo Zodiaco in Rome, along with Leoncillo Leonardi, Giulio Turcato, and Emilio Vedova. He was actively involved in the Italian resistance movement, and worked for the theater, designing his first stage sets in 1943.

At the end of the war, along with fellow artists Arnoldo Ciarrocchi, Piero Sadun, and Giovanni Stradone, he founded a group known as “I quattro fuori strada.” During the late 1940s he went to Paris, where he came in contact with the European art scene; this environment strongly affected his study of tonality and Neo-Cubism. In the 1950s Scialoja gradually broke free from Expressionism, turning to Analytical Cubism and then to abstraction. His contacts with the Gruppo Origine, who were against the decorative aspects of abstract art, together with his trip to the United States in 1956, where he met the leading figures of American Abstract Expressionism, pushed the artist to thoroughly explore color, texture, and gestural painting.

In 1957 he create his first Impronte series, in which traces of color are printed from one surface onto the other, and onto diverse materials ranging from paper to canvas. During this period, Scialoja took part in important national and international shows. in 1960 he moved first to New York and then from 1961 to 1963 to Paris. Back in Italy in 1964, he exhibited at the Venice Biennale. His artistic production ceased for a prolonged period during the 1970s, and he only resumed painting in 1983. Scialoja was also a poet, writer, and set designer. He taught at the Academy of Fine Arts in Rome and served as its director for many years. He died in Rome on March 1, 1998.

guggenheim-venice.it

exhibited: MAXXI, Rome

[kikirizzi]

Leoncillo tra terremoto e lacerazioni (racconto rosso) @palazzo

[pikasus-artenews]

LEONCILLO. Ritorno a Gubbio

Leoncillo è stato lo scultore che ha raccolto la lezione della scuola Romana arrivando all’informale attraverso le astrazioni con la ceramica

[letras-de-maye]

Temed a Jehová, vosotros sus santos,

pues nada les falta a los que le temen.

Los leoncillos pasan necesidades y sufren hambre;pero los que buscan a Jehová no tendrán falta de ningún bien.

Salmo 34:9

[taberarcatao]

Salmos 34:10

Los leoncillos necesitan, y tienen hambre; Pero los que buscan a Jehová no tendrán falta de ningún bien.

[thecreatureawaits]

Creature Awaits #181

Each week I plan to feature an amazing creature, admiring God's fantastic artistry.  Hopefully it’ll brighten someone’s day to see something new and interesting if they haven’t seen it before. : )

Continuing our November Fall Color Special! : D

(Top photograph taken by the amazing photographer who goes by the name Tambako the Jaguar (CC BY-ND 2.0). Bottom photograph taken by another amazing photographer, Fábio Manfredini (CC BY 2.0))

The Jaguarundi

A.K.A: The Gato Moro, the Leoncillo, the Tigrillo, the Eyra

Scientific Name: Herpailurus yagouaroundi

Region: Southern Mexico and much of South America

Size: Averaging roughly 12" (30.5cm) tall at the shoulder and 44" (112cm) long.

Interesting Notes:  With its shorter legs, slightly flatter head shape and minimal marking variance (even on the back of their relatively rounded ears), this unique feline almost resembles more of a cat mixed with an otter or weasel than a true cat.  Their coloration ranges from blackish-brown to rusty red, with kittens of darker tones tending to be born in rain forests and kittens of lighter tones in drier regions.

[pasajeroblanco]

[miclovegood]

#periclefazzini #ragazzoconigabbiani #futurismo #filippotommasomarinetti #duiliocambellotti #giuseppecapogrossi #leoncillo #albertosavino #giorgiodechirico #antoniettaraphael #palazzomerulana #fondazionecerasi #notteaimusei #mic #lartedirimanereaccesi https://www.instagram.com/p/BxnrshwIehK/?igshid=15uo5lnfpx2vt

[my50fabulous]

Leoncillo Palazzo Merulana #leoncillo #palazzomerulana #permanentexhibition #rome #instaart #ceramic https://www.instagram.com/p/BvZXbhFl9No/?utm_source=ig_tumblr_share&igshid=gnorp8gd5hm

[europeansculpture]

Leoncillo Leonardi (1915 - 1968) - Portrait of Totò, ca. 1938

[detournementsmineurs]

“Torture Bleue" sculpture de Leoncillo (circa 1960) et "Underdog" série de bronzes de Liliana Moro (2005) devant "La Bataille de Dogali" de Michele Cammarano (1896) et "Conflit de Situations n°4" d'Emilio Vedova (1959) à la Galerie Nationale d'Art Moderne et Contemporain (GNAM) de Rome, octobre 2019.

[ministeriosapasionadosxcristo]

"Los leoncillos necesitan, y tienen hambre; pero los que buscan a Jehová no tendrán falta de ningún bien."

—Salmo 33:10