#leon 'ndugu' chancler

[jt1674]

[projazznet]

George Duke – Feel

Feel is the seventh album of George Duke. This album was released by BASF MPS on October 28, 1974. George Duke began experimenting with synthesizer orchestration on this album, which is considered the beginning of his unique style.

George Duke – keyboards; vocals; synthesizer bass John Heard – acoustic and electric bass Airto Moreira – percussion Leon “Ndugu��� Chancler – drums, percussion Flora Purim – vocals Obdewl’l X (Frank Zappa) – guitar

[bondshotel]

BORBOLETTA

Santana

Studio Album, released 6 November in 1974

Songs / Tracks Listing

1. Spring Manifestations (1:05)

2. Canto De Los Flores (3:39)

3. Life is Anew (4:22)

4. Give and Take (5:44)

5. One With the Sun (4:22)

6. Aspirations (5:10)

7. Practice What You Preach (4:31)

8. Mirage (4:43)

9. Here and Now (3:01)

10. Flor De Canela (2:09)

11. Promise of a Fisherman (8:18)

12. Borboletta (2:47)

Total time 49:51

Line-up / Musicians

- Leon Patillo / vocals, acoustic (8) & electric (3,5) pianos, organ (4)

- Carlos Santana / guitars, vocals (11), percussion (2,7,8,9)

- Tom Coster / acoustic (4,9) & electric (2,9,10,11) pianos, organ (3,5,8), Moog (4,8), Hammond (7,10,11)

- Jules Broussard / tenor (4) & soprano (6,9,11) saxes

- David Brown / bass (7,8)

- Michael Shrieve / drums

- Leon "Ndugu" Chancler / drums (6,9)

- Armando Peraza / congas, bongos, soprano sax (10)

- Jose 'Chepito' Areas / congas, timbales (4)

With:

- Stanley Clark / bass (6,9,10,11)

- Flora Purim / percussion, sound effects (1), vocals (11)

- Airto Moreira / percussion (1,11,12), sound effects (1), drums (10,11), vocals (11)

- Michael Carpenter / Echoplex (2)

Releases information

ArtWork: Ed Lee with Barry Imhoff & Carlos Santana (design)

[doedipus]

bad news: it's still jazz season

hey look out man

credits under break

Calvin Keys guitar, leader, writer, arranger

Henry Franklin bass

Leon "Ndugu" Chancler drums

Kirk Lightsey electric piano

Owen Marshall percussion, bongos

Charles Owens soprano saxophone, tenor saxophone, flute, writer

Oscar Brashear trumpet, flugelhorn

Jim Mooney recording engineer

Bob Berglund cutting engineer

Gene Russell executive producer

Chuck Siler liner notes

Jay Powell photography

[sheetmusiclibrarypdf]

Herbie Hancock (sheet music in the #smlpdf)

Herbie Hancock (sheet music in the #smlpdf) Best Sheet Music download from our Library. Please, subscribe to our Library. Thank you! Herbie Hancock - The Best Of Herbie Hancock (1979) full album Please, subscribe to our Library. Thank you!

Herbie Hancock (sheet music in the #smlpdf)

Contents List download: Herbie Hancock Greatest Hits transcriptions contentsDownload Jazz Play Along Vol. 14 Herbie Hancock (with MP3)

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CONTENTS: MAIDEN VOYAGE SLY GENTLE THOUGHS NO MEANS YES HEARTBEAT ACTUAL PROOF THE EYE OF THE HURRICANE Herbie Hancock Immortal Jazz Contents List download: Herbie Hancock Immortal JazzDownload

Herbie Hancock - Jazz Piano Collection

Contents list download: Herbie Hancock - Jazz Piano CollectionDownload More sheet music by Herbie Hancock: Herbie Hancock Cantaloupe Island Herbie Hancock - Driftin Herbie Hancock - All Of You (Miles Davis) Herbie Hancock - Classic Jazz Composition & Piano Solos Herbie HancockDownload Herbie Hancock - Jazz Piano Collection Herbie Hancock - Jessica Herbie Hancock - Stella by Starlight - Solo Herbie Hancock Butterfly Transcription Herbie Hancock Collection Herbie Hancock Freedom Jazz Dance Solo Herbie Hancock Greatest Hits transcriptions Herbie Hancock, Immortal Jazz Herbie Hancock Keyboard Player Herbie Hancock Masterclass (Text In Japanese) Herbie Hancock Possibilities (Book) Herbie Hancock Rare Transcriptions, book 2 Herbie Hancock Rare Transcriptions book 2Download Herbie Hancock Rare Transcriptions Herbie Hancock Rare TranionsDownload Herbie Hancock The Piano Herbie Hancock The PianoDownload Herbie Hancock Waltermelon Man

Herbie Hancock - The Best Of Herbie Hancock (1979) full album

https://www.youtube.com/watch?v=0JS_AGPz9J4 Tracklist: 00:00 - - - A1 — DOIN' IT (Remix) . . . (6.43) . . . . . . . . . . Players: J. Gadson, M. "Wah Wah" Watson, R. Parker 06:48 - - - A2 — I THOUGHT IT WAS YOU . . . (8.55) . . . . . . . . . . Players: Chancler, B. Miller, M. "Wah Wah" Watson, R. Parker, R. Rekow 15:45 - - - A3 — CHAMELEON . . . (7.38) . . . . . . . . . . Players: H. Mason, P. Jackson, B. Maupin, B. Summers 23:24 - - - End Side a) 23:41 - - - B1 — HANGUP YOUR HANG UPS . . . (7.27) . . . . . . . . . . Players: M. Clark, P. Jackson, B. Maupin, M. "Wah Wah" Watson 31:09 - - - B2 — READY OR NOT . . . (6.30) . . . . . . . . . . Players: R. Parker, C. Escovedo, S. Escovedo 37:52 - - - B3 — TELL EVERYBODY (Disco Version) . . . (7.48) . . . . . . . . . . Players: J. Gadson, E. Watkins, R. Obiedo, S. Escovedo, The Waters 45:40 - - - End Side b) PERSONNEL: Herbie Hancock: All Keyboards & Vocals Paul Jackson - Bass (A3, B1) Byron Miller - Bass (A2) Eddie N. Watkins - Bass (B3) Melvin "Wah Wah" Watson - Guitar, bass, voice bag vocals (A1, A2, B1) Ray Parker Jr. - Guitar, drums, background vocals (A1, A2, B2) Ray Obiedo - Guitar (B3) Michael Clark - Drums (B1) James Gadson - Drums, bacground vocals (A1, B3) Leon “Ndugu” Chancler - Drums (A2) Harvey Mason - Drums (A3) Bill Summers - Percussion (A3, B1) Sheila Escovedo - Percussion, timbales, congas (B2, B3) Coke Escovedo - Timbales (B2) Raul Rekow - Congas (A2) Kenneth Nash - Percussion (B3) Bennie Maupin - Saxophone, flute, bass clarinet (A3, B1) The Waters (Oren, Maxine, Julia and Luther): Vocals, bacground vocals (B2, B3) Art Baldacci, Fred Dobbs, Don Kerr, Chris Mancini - bacground vocals

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[singeratlarge]

HAPPY BIRTHDAY to Dan Akroyd, Pamela Anderson, The Beatles’s 1963 recordings of “I’ll Get You” and “She Loves You,” Marc Benno, James Cotton, Delaney Bramlett, Andre Braugher, Geneviève Bujold, Leslie Caron, Leon "Ndugu" Chancler, Andraé Crouch, Bobby Day (“Rockin’ Robin”), Olivia de Havilland, Princess Diana, Willie Dixon, the great gospel music legend Thomas A. Dorsey a.k.a. Georgia Tom, Missy Elliot, John Farnham, John Ford (The Strawbs), Jamie Farr, Farley Granger, Randall Hall (Lynyrd Skynyrd), Deborah Harry, Evelyn "Champagne" King, Charles Laughton, Gottfried Wilhelm Leibniz, Terrence Mann, June Montiero (The Toys), Franz Xaver Murschhauser, Cavan O'Connor, Sydney Pollack, David Prowse, Alvino Rey, Alan Ruck, George Sand, Marty Schneider (of the fab band Trip Wire), Amanda Seales, Ignaz Semmelweis, The Sony Walkman (1984), Johann Ludwig Steiner, Sufjan Stevens, Twyla Tharp, the Tour de France (1903), Liv Tyler, Jeff Wayne, Keith Whitley, Brandee Younger, and my old friend + one of my first music mentors Mike Kanski. He was “an influencer” long before social media, going way back with me (age 10). While I watched in awe, he was the first singer-songwriter I witnessed to perform a live demo of an original song, and he set an example by getting a “real job” so he could purchase a quality guitar (vs. cast-offs and cheapies), showing that if you want to get somewhere you had to make sacrifices. Musical milestones in our long friendship include a handful of demos, impromptu house concerts, and a couple public performances (not to mention countless turntable gab sessions over tea and mix tape swappings). Here’s a clip from a cafe set we did in Florida (read the video caption for an expanded Kanski tribute!). Meanwhile, HB MK—thank you for your years of cheerful music-making!

https://www.youtube.com/watch?v=DpsqObpXyK4

#jenniferjuniper #donovan #kanski #mike #michael #florida #coffeehouse #mentor #music #influencer #johnnyjblair #concert #folkrock #britishinvasion #psychedelicpop #yellowsubmarine #jennyboyd #avis #pennsylvania #jerseyshore

[mitjalovse]

The Subways' eponymous album reminded me of many musicians who haven't released their albums in a while. No, they didn't retire, most of them still tour, yet they haven't gone to their studios. For instance, Erykah Badu didn't do an LP since New Amerykah Part Two (Return of the Ankh). I know, she did a mixtape afterwards, yet even that one happened a long time ago. I ask myself why, because the LP showed us Mrs. Badu at another height of her powers. Yes, she remains one of the most intriguing forces in the modern R&B, but I fear the pressure may have gotten to her. Her discography remains an odyssey throughout the soundscape only the genre she works on is capable of. However, many in the idiom incorporated her innovations, so she would have to go beyond what she did before.

[sgurumiyaji]

「Tale Spinnin'」Weather Report 。

「Sweetnighter」までのアングラ路線から「Mysterious Traveller」で少々ポップさが見え隠れし、遂にこのアルバムでポップ路線が完全開花。ジャコが初参加する「Black Market」への道筋として、中期ウェザーの礎となった作品。

ミックスも大変���く、全体的にリバーブが薄くてドライ気味、ショーターの音色も柔らか目でとても好きなアルバムです。

ネットで調べた所、エリック・グラバットが抜けた後少なくとも8人のドラマーをオーディションしたがそれでも決まらず、ザビヌルが隣のスタジオでサンタナのレコーディングをしていたレオン・ンドゥグ・チャンクラーを誘い、このアルバムをセッション的に録音したそう。録音後に、正式メンバーになる様にザビヌルが誘うも、サンタナの仕事を続ける…とンドゥグに断られたそうです。その後、アルフォンソが抜けて、ジャコとアクーニャが入り、オバケ・バンドとなって世界中を席捲するのですが…。

このアルバム、ザビヌルのアコースティック・ピアノが結構聴けて嬉しいです。超久々に聴きましたが、やはりとても良いアルバムです。

[rainingmusic]

Michael Jackson - Billie Jean 

[yasbxxgie]

George Duke Just For You (bongos, congas, & percussion: Manolo Badrena, drums, timbales, tom tom (remo-roto toms): Leon Chancler, guitar: Charles Icarus Johnson, & keys & vocals: George Duke) Reach For It (Epic, 1977)

You are my life Everything I do I'm thinking of you I'm willing to try if you're willing to care Love is the joy and pain of two that share Just for you Just for you Just for you Just for you Just for you Just for you.

[fmr]

[jazzplusplus]

1971 - Newport à Paris - Théâtre National Populaire (Palais de Chaillot)

Ornette Coleman Quartet, Gary Burton, the Kid Thomas Preservation Hall Band, the Giants of Jazz (Dizzy Gillespie, Kai Winding, Sonny Stitt, Thelonious Monk, Al McKibbon, Art Blakey), Duke Ellington Orchestra, Miles Davis Septet (Gary Bartz, Keith Jarrett, Michael Henderson, Ndugu Leon Chancler, Charles Don Alias, James Mtume Foreman)

[projazznet]

George Duke – The Aura Will Prevail

The Aura Will Prevail is the fifth studio album by American keyboardist George Duke. It was released in 1975 through MPS Records. Recording sessions took place at Paramount Recording Studios in Hollywood, California. The album features contributions from Alphonso Johnson, Leon “Ndugu” Chancler and Airto Moreira.

[trevorbarre]

The Miles Davis Septet, featuring Keith Jarrett: Two Big Personalities in One Small(ish) Group.    Part One

When I was 17/18 years of age, my two favourite musicians were Miles Davis and (through him) Keith Jarrett. I was thus very chuffed to discover on YouTube, a wonderfully preserved and recorded (by Bob Williams) gig, from Oslo, Norway, by a Miles Davis Septet, from November 1971, Having played Live at Fillmore 1970 countless times throughout 1973, which featured both artists, I luxuriated, if that can possibly be the word, in the ‘Cubist Funk’ (my expression) of this particular septet iteration. There had been several critical substitutions between the Summer 1970 Fillmore band and the Oslo variation: out went bassist Dave Holland, replaced by the very young Michael Henderson, who had cut his teeth on Motown Records; Jack de Johnette’s place on the trap drums was taken by Leon ‘Ndugu’ Chancler; very importantly, Airto Moreira’s percussion duties were now taken up by Don Alias and Mtume (prefiguring the On the Corner direction); Steve Grossman’s spot on saxophones now belonged to Gary Bartz. Chick Corea’s departure meant that the electric piano/organ contributions were now Jarrett’s alone. (Miles largely dispensed with keyboards after he left.)

The set list featured numbers from Miles’s 69/70/71 run of classic albums, In a Silent Way, Bitches Brew, Jack Johnson, Live/Evil, acting as nodes/pointers within the improvisational sound stew. Never officially recorded, at least by CBS Records, this band was another ‘lost’ configuration within the Davis canon, but it did form a significant mid-point between the more famous ‘lost group’ (i.e. the one with Corea, Holland, De Johnette and Wayne Shorter, which was eventually memorialised on another Live at the Fillmore album, this time from 1969) and the On the Corner funka(mara)thon.

Both Davis and Jarrett are ‘show/sha/men’, in completely different ways. Miles is like a knife blade, cutting through the crap with brief, telling gestures, both physical and musical; Keith is a ‘maximalist’, and, boy, does he let you see the artist’s pain!  He demands attention, as the Oslo show clearly demonstrates, and it left this particular viewer wondering whether the keyboard master left this particular band, or whether he was, euphemistically, ‘let go’? There was only ever going to be one member of this group who was the leader. and/or the center of attention. 

The whole 1968-1975 period of Miles’s music has been exhaustively chronicled across several books and films, so any further analysis from me is contra-indicated. Even his clothes have demanded much commentary, from the Betty Davis-inspired ‘post-Italian suit/counterculture vibe’ through to his 72/75 ‘space age pimp/insect malevolence’ look. By the time of Oslo, he’d started playing electro-funk, with echoplexed trumpet, much to the consternation of jazz critics. (A particularly divisive period in jazz criticism, to be compared to the ‘controversy’ of bebop, with its ‘mouldy fygges’.) He’d even started stabbing at an electric organ, rather bafflingly, as I witnessed in my only experience of live Miles, at the Finsbury Park Rainbow, in November 1973. (He was ok, but was obviously slowing down at this point.)

Whatever, the (mainly) trumpeter is in good shape here, playing strongly and assertively (which is good, given the music he is in charge of!), well before his later, much reduced playing on the 74/5 recordings of Dark Magus, Agharta and Pangea. It’s just a shame that this band has not been given its proper place in Miles’s massive discography.

To be continued...

[jazzfunkdid]

Johnny Hammond ‎– Brother Snook

Bass Electric, Acoustic – Ron Carter. Clavinet – Larry Farrow. Drums – Ndugu Leon Chancler. Guitar – Carol Kaye. Percussion, Congas – Bill Summers. Keyboards, Synthesizer – Johnny Hammond. Flugelhorn – Oscar Brashear. Guitar – John Abercrombie.

[justdrumtracks]

00:22​ Seven Days (Vinnie Colaiuta) 

01:50​ Californication (Chad Smith) 

02:56​ Vultures (Steve Jordan) 

04:43 Billie Jean (Leon "Ndugu" Chancler) 

05:54 St. Anger (Lars Ulrich)