#leave the man and his cockroach wife alone yo

[overexciteddragon]

I think it's really funny that even though the comparison rings true, even Ogtha's husband actually treats real women with more respect than gamerbros because he never once blames his ex-gf for feeling weird and he's very honest with the women he hooks up with that it's just a one night stand. So gamerbros interact with and talk to even less human women than the guy with a cockroach wife tulpa

i wish i could see this picture for the first time again

[i-just-like-commenting]

Themes in Luke Cage s2: The Quest for Control

What separates the good Netflix MCU seasons from the weaker ones are how well integrated their themes are into the setup of the story. Daredevil‘s first season did it well with its exploration of the thin lines between heroes and villains, the difficulty of choosing what is good. The first season of Luke Cage focused heavily on the idea of not being able to go backwards, only forwards. The first season Jessica Jones and even the deeply-flawed Punisher tried to tackle issues like sexually assault, survivor’s guilt, and PTSD. But none of them ever quite reached up to the level of that first season of Daredevil.

Then along came this season and I’ve got more themes than I can wrap my head around. I’ve only watched it through once, so take this as a preliminary digestion of what I saw and feel free to add your thoughts and nuances to my arguments.

I’m going to start with the theme that is central to Luke’s character arc for this season: the quest for control, and particularly the idea that this quest is futile. This idea that one can achieve omnipotence is the hubris of classic tragedy, and make no mistake that this season is a tragedy.

Luke’s journey is probably going to be the most controversial element of this season. I get this, to a certain degree. Sometimes you want your heroes to be paragons or to triumph over adversity. Sometimes you want them to skirt the dark side. It’s certainly best if you can have a mix of both, but there aren’t many black superheroes out there. It’s easy for me, as a white woman, to appreciate Luke’s struggle with the dark side this season because I have, at this point, plenty of representation of white women both noble and messed up available for me in media. If that is not what you want right now, I respect that. That same issue is why, as a person with a mental illness, I dropped the second season of Legion once I started seeing where it was going (though rest assured, Luke doesn’t do anything nearly as awful as what David does by the end of that show).

Luke throughout the first season was a very reactive character, partly because his story didn’t actually begin that season. It began in the first season of Jessica Jones, where Luke is a very active character, actively hunting down his wife’s killers. And what does he get for it? Well, he finds out that a woman he cared for was involved in Reva’s death and had been lying to him the whole time, and then he gets his mind controlled by a telepathic supervillain who tries to force him to kill Jessica just like she was forced to kill his wife, and he is only stopped by a shotgun blast straight to his head that nearly does him in.

It is thus perhaps understandable that Luke Cage didn’t want to be a hero anymore and was trying to live a quiet life. His arc for the first season was realizing he loved Harlem too much to do that. In the meantime, though, he was a highly reactive character. This is not always a bad thing for superheroes; go too far in the other direction of actively hunting down bad guys and you get Frank Castle. It did mean that the villains drove most of the plot rather than Luke himself. (spoilers follow...)

In the second season, motivated I believe by being so out of his depth with the Hand in The Defenders and seeing Misty lose an arm, Luke tries to take back control of his life. The problem with that no one is ever really in complete control of their lives, and in trying to get total control, Luke winds up becoming more controlled than ever.

We open with Luke attempting to hunt down every stash house selling heroin with his name on it – not because this drug is particularly more lethal than any other, but because it is using his name without his permission. This focus on controlling his image is one that hounds Luke throughout the season. He’s reluctant to sign promotional deals not so much because he doesn’t want to make money, but rather because he doesn’t want to be “bought.” He doesn’t want Nike or whoever to have any control over him. He wants to be his own man.

Yet thanks to not copyrighting an app early on, he is easily found by almost anyone, most of them armed with cameras. While Luke is sometimes able to promote himself – his “Yo, I’m Luke Cage” speech with all its chest-thumping and dabbing being the most prominent – it also means that when Bushmaster wipes him out, the video goes viral, and is sold without his permission to ESPN, leaving the narrative entirely out of Luke’s hands.

Unable to have control of his public life as a hero of Harlem, Luke shifts his focus to control of his personal life. He refuses his father’s efforts to reach out to him, and when Claire pushes for them to reconcile he dismisses her. When Claire questions his excessive force with Cockroach, he accuses her of “castrating” him. Given that Luke doesn’t much demonstrate many other signs of toxic masculinity, I think this hyperbole has less to do with her “unmanning” him and more to do with taming him, making him docile, under someone else’s control. While I firmly believe Luke was never in any risk of hurting Claire, he does get angry enough to break her wall, losing control of himself and losing her. Once again the quest for control backfires on him.

Even the fan-service-y cameo episode with Danny Rand serves toward this theme of need for control, as Luke works on self-control of his anger through Danny’s advice. To a certain degree this works; Luke is in much more control of his emotions towards the end of the series than towards the beginning, but that doesn’t solve his biggest issue, his frustration with trying to control the criminal world that swirls around him.

Much of his vigilante work involves him chafing at the restrictions and controls presented by legal options. He’s not alone in this. Misty Knight has a similar path of trying to determine how comfortable she is with following the law versus going her own way. She was this close to going full Scarfe and planting evidence when the lawful means of going after a domestic abuser weren’t working, and turned in her badge because she felt that she’d crossed a line and could no longer be police. She scorned at Ridenhour’s compromises, and started assuming a vigilante role.

Misty, however, has power thrust upon her unexpectedly when she is made the temporary commander of her precinct, and in being in actual control makes her realize how much she misjudged the people who had been in control of her before. Heavy lies the crown as they say, and instead of becoming more rogue in her new role, she becomes more conformed to the establishment, more willing to strike deals and work in the system. The downside of this is her having to accept that her “wins” might be fewer and far between. The upside is that she probably the only character in this season to come out in a more positive position than she was in the beginning. To gain control, she has to give up some control, albeit on her own terms.

Contrast this to the walking disaster that is Mariah Dillard Stokes this season. Mariah’s miserable childhood has left her unable to develop trust with anyone, and so she takes on all decisions by herself and keeps control of her assets in her hands, despite repeated efforts by Shades to convince her that he wants to help her share her burdens. Probably due to the stress of taking all of this on herself, Mariah spends about half this season drunk and thus very not in control of herself, making more and more bad decisions as the series progresses. Trusting someone else means giving up control, and when she’s done that she’s been hurt, horrifically. So she trusts no one, betrays everyone, and winds up alone and dead.

These two parallel paths offer two possible models for where Luke goes after the end of this season. This season ends with Luke deciding to take absolute control of Harlem, taking Mariah’s place as the power-broker keeping a wall around the neighborhood and making deals with the bad guys to keep them out.

Yet the utter irony is that Luke only winds up taking this position of “dictator” (more on that term later) as an option of last resort. He is forced by Mariah’s machinations to take her position, with Mariah specifically having chosen him as her “heir” over her own daughter. He loves Harlem as much as she does, and Mariah finds he is the only person to be reliable around her - reliably against her, that is. And of course she also chooses him out of spite, to see how long he can remain incorruptible if he follows her path.

It is a trap. Donovan tells him so, bluntly. But Luke walks into it because he believes he’ll finally get his control in the end, and because it is the only option he sees left.

And try as I might, I have a hard time imagining what alternative he really had. He stops a gang war by becoming the boss of crime, he ends bloodshed, and the scale of what was unleashed on Harlem was beyond anything anyone was prepared to handle by other means. So perhaps this is the best choice among bad choices – for now.

Less forgivable is his decision to turn away Claire in the final scene (and if I can criticize the show for a moment, I really wish we could have seen her to know how she reacts to that rejection). That is a decidedly Mariah move, pushing away the one who loves you because to love is to let someone else have some control over you, if only your heart. (There are direct scene-for-scene parallels between some of Luke’s moments with Claire and Mariah’s with Shades for precisely this reason).

This arc for Luke seems to borrow heavily from Bendis’ run on Daredevil where Matt Murdock declared himself the new Kingpin of Hell’s Kitchen, and established a peace by force much as what Luke is planning. It did not end well for Matt; he wound up losing all his friends, his girlfriend, and going to prison. I hope it doesn’t go that far for Luke. At the very least, he seems open to continuing to work with Misty Knight, though that door-closing shot (a direct reference to the end of The Godfather) doesn’t bode well for that relationship continuing. But we also got a glimpse of connection between him and Danny Rand that promises maybe, maybe he can be convinced to be a true dictator.

Because, as anyone who has seen The Dark Knight knows, ancient Roman dictators were an emergency position created to deal with crises, at the end of which they were supposed to give up their power. Can Luke make the hard choice, the truly strong choice, and know when it’s time to relinquish his quest for total control, to be vulnerable, to allow himself to not be omnipotent?

I guess we will have to wait and see. Though I have other reasons to hope, but that will require another post on another theme of this season: families, both good and bad, found and hereditary.