#lea vicens

[12endigital]

Cartel de la Feria Taurina de Hogueras de Alicante 2023

Los carteles son los siguientes: Domingo, 18 de junio. Toros de Fermín Bohórquez para Andy Cartagena, Diego Ventura (después de 9 años de no pisar la Arena de ALicante), Lea Vicens. Miércoles 21 de junio. Novillos de Zacarías Moreno para Santiago Esplá, Borja Escudero y Kevin Alcolado. Jueves 22 de junio. Toros de Juan Pedro Domecq para El Fandi, Sebastian Castella, Daniel Luque Viernes 23 de…

[torosytoreros6]

Importante tarde de Ventura en Medina de Pomar y sendos rabos de Andy Cartagena, Sebastián Fernández e Ismael Martín

CORRIDA DE REJONES MEDINA DE POMAR (BURGOS) Casi lleno en arde de mucha lluvia. Toros de Jodar y Ruchena, muy deslucidos. Diego Ventura, oreja y dos orejas Andrés Romero, ovación y ovación RAMONETE (LORCA) Lleno de ‘No hay localidades’. Toros de Jodar y Ruchena. Andy Cartagena, dos orejas y dos orejas y rabo Lea Vicens, oreja … La entrada Importante tarde de Ventura en Medina de Pomar y sendos…

[infoprovincia]

Fuentes de León organiza una corrida de toros coincidiendo con su Fiesta del Corpus

El alcalde de Fuentes de León, Francisco de Asís Martínez, y la empresa Mar Toros han dado a conocer el cartel de la corrida de toros mixta que se celebrará el 10 de junio con motivo de la Fiesta Corpus, declarada recientemente Fiesta de Interés Turístico Regional. Será un festejo mixto con la lidia de reses bravas de la ganadería de Juan Albarrán. Participarán la rejoneadora Lea Vicens con dos…

[mundillotaurino]

Malaga présente les cartels de sa Féria 2022

Les cartels de la Féria de Malaga sont officiels !

L’empresa Lances de Futuro a dévoilé les cartels de la Féria de Malaga 2022 qui se déroulera du 13 au 21 août. La Féria sera composée de 3 corridas, 1 rejon, 1 novillada piquée et d’un certaman des écoles taurines. La corrida “picassana” aura lieu le 17 août. Morante de la Puebla sera présent tout comme le torero local Jiménez Fortes. A noter le desafio ganadero Fuente Ymbro/Pallarés. Les…

[1000yardstyle]

Valencia....Rejoneadora

[mountedhistory]

She looks like a military commander from an 18th century portrait ❤️

[odreros2y4]

Lea Vicens

[yesterdayandkarma]

Lea Vicens, Rejoneadora by Alain MISTRAL

[malayalamvaarthakalcom]

മരണം പതിയിരിക്കുന്ന മത്സര രംഗത്തേക്ക് ഒരു വനിത സധൈര്യം കടന്നു ചെന്നപ്പോള്‍ ..

മരണം പതിയിരിക്കുന്ന മത്സര രംഗത്തേക്ക് ഒരു വനിത സധൈര്യം കടന്നു ചെന്നപ്പോള്‍ ..

മരണം പതിയിരിക്കുന്ന മത്സര രംഗത്തേക്ക് ഒരു വനിത സധൈര്യം കടന്നു ചെന്നപ്പോള്‍ ..

സ്‌പെയിൻ എന്ന യൂറോപ്യന്‍ രാജ്യം അത്യന്തം അപകടം പിടിച്ച “കാളപ്പോര് (Bull Fight) എന്ന കായിക കലയുടെ ലോക തലസ്ഥാനമാണ്‌. സ്പെയിനിന്‍റെ ദേശീയ കായിക വിനോദമാണ്‌ കാളപ്പോര്. ഇക്കാരണം കൊണ്ട് തന്നെ സ്പെയിന്‍ ലോക പ്രശസ്തമാണ്. നമുക്കറിയാം കഴിഞ്ഞതിന്‍റെ മുന്‍ ലോക കപ്പു ജേതാക്കള്‍ സ്പെയിന്‍ ആയിരുന്നു. ജീവിതം നല്ലതുപോലെ ആസ്വദിച്ചു…

[tendido-5]

Corrida de Rejones :

Lunel :

Toros : Fano.

📍Moura Caetano : Vuelta al ruedo.

📍Lea Vicens : Vuelta al ruedo.

📍Cuauhtémoc Ayala : Vuelta al ruedo.

📍Antonio Prates : Vuelta al ruedo.

📍Colleras (Moura Caetano y Lea Vicens): Vuelta al ruedo.

📍Colleras (Cuauhtémoc Ayala y Antonio Prates): Vuelta al ruedo.

[rodrimaximax]

@Horroris_Nausea: @ave_eve_if No se puede ser rejoneadora y animalista. Lea Vicens #NoAlMaltratoAnimal rejonear 1. tr. En el toreo de a caballo, herir con el rejón al toro, quebrándolo en él por la muesca que tiene cerca de la punta.

[torosytoreros6]

Pablo Hermoso de Mendoza se despide de Las Eras de Marta con un ‘Naranjito’ de Bohórquez

Ya se encuentran enchiquerados en las dependencias de la plaza de toros de Las Eras de Marta, en Almodóvar del Campo, los toros de Fermín Bohórquez que cerrarán feria. Harán el paseíllo, a partir de las seis de la tarde, Pablo Hermoso de Mendoza -que se despide de la plaza-, Andy Cartagena y Lea Vicens. La entrada Pablo Hermoso de Mendoza se despide de Las Eras de Marta con un ‘Naranjito’ de…

[mundillotaurino]

Béziers : Unique oreille pour Roca Rey pour une entame décevante

Compte rendu de la corrida mixte en ouverture de la Féria de Béziers 2022

La corrida mixte d’ouverture de la féria de Béziers avait amené du monde dans les gradins, pour ce qui devrait être la meilleure entrée des festivités. Mais le spectacle n’a pas été au rendez-vous, la faute à de faibles toros sans charge qui auront rendu longue l’après-midi. Face à un premier faible toro manquant de charge et pas particulièrement coopérant, Léa Vicens s’emploie pour faire…

[mountedhistory]

Léa Vicens // 20.08.17 

[jousthorsingaround]

The riders for mounted bullfights are (for the most part) students of a style called Doma Vaquera. It's a style of working equitation, and some shows they ride with the garrocha which is a 13 foot blunt lance used for herding cattle (and is where the term "cowpoke" came from). The original cowboys of the Americas were Vaqueros. It's a direct lineage of style from the mounted knights of the Iberian peninsula. Lea Vicens is another amazing mounted bullfighter. And for straight Doma Vaquera, you can look up Pedro Torres.

Horseshit

I’ve seen it again. And I’ve decided to write about it this time.

The application of the three crossings on the sword while on horseback from the Morgan version of Il Fior di Battaglia Ms. M.383 to the Largo sections of the manuscripts might be the biggest red herring to interpretation/ interpolation of Fiore’s art.

There are swords and there are people in one section.  In the other section there are swords, people and two horses.  

So let’s think about how war horses would be involved during a sword fight between their riders.  Would they be made to stand placidly in place munching grass and wondering what they did to get themselves into such a stupid situation, would they be moved sideways, around in circles or at full tilt boogie.  They might even decide to move of their own accord for one reason or another.  Pretty much anything but standing and munching grass is pretty likely.

Well how about those swords?  They might be the same sword between the largo and mounted sections I’ll have to admit when looking at the sword disarm plays and evaluating the hilt length necessary to wrap around your opponent’s forearm.  But the real difference between using a sword in one hand compared to two hands is how you move the sword.  If you think about using a saber for instance, moulinets are pretty much the motion that you expect to see from a cut and thrust weapon.  For more of the stabby types of one handed weapons you see the point pretty much held on line the whole time with the hilt moved around to provide protection and opportunity.  The reasons for this are due to the interface with the weapon.  One hand means that to force the weapon to travel in the reverse direction of an attack will be a great expenditure of effort, which is taught for sport or exercise and not for life and death scenarios, which is why a downward diagonal cut followed by a rising cut on the same line probably wasn’t what you pictured for the saber.  Nor would having the point far off line in the case of a rapier or small sword.  It would get you nothing but a slower attack if you did manage to cover your opponent’s blade.  

So you’ve got comparatively limited dexterity and you’re moving toward each other.  What are the things Fiore says you can do sword vs sword.  Beat aside and thrust to the face, beat aside and cut to the head, beat aside blade grab and then cut/thrust as before, disarm using your hilt, a counter disarm, a throw by the neck, a counter to that throw, and then the counter to all the previous plays of pommeling the opponent after they have beaten your sword wide (and it’s contra counter).  A few things that become immediately apparent to me is that the techniques are basically presented in descending order based upon measure, that beating the blade aside is important for all the plays and that the bind is never broken to strike with the point, blade or pommel.

A rereading of the things Fiore says you can do seems to be based upon if you win line and are far away, if you win line and are a bit closer, if you win line but they start to resist or recover line, if they recover line without immediately attacking (I’m going to say that the need to cover while in range of a potentially fatal wound is not something that Fiore should have had to expressly state and literally draw a picture to explain), if you begin to move past each other, and a counter to that throw and how to counter every time that your sword is beaten aside (you lost line initially) assuming you continue to close.    

There is no real blade disengagement unless you’re close enough to basically hug someone.  So why the application to largo?  Well to the first remedy master of largo’s cut to the other side anyway.  Feeling blade pressure and understanding changes in distance are pretty standard pieces of fencing skill to develop.  With that being said there is plenty of applicability to the second and third remedy masters of largo. And the masters of stretto.  So the masters of swords on horseback do wrap things up nicely regarding blade actions, but the substance of largo, the real gem that goes inside that pretty package is distance management and tempo.  Which are really hard to get a horse to coordinate for you.