#layers upon layers

[amplifyme]

The Hound eased his dagger into the man’s chest almost tenderly, the weight of his body driving the point through his surcoat, ringmail, and the quilting beneath. As he slid the blade back out and wiped it on the dead man, he looked at Arya. “That’s where the heart is, girl. That’s how you kill a man.”

[cyber-corp]

i saw you like "bronze jade" style memes

here is my latest

This is some postmodern shit, dawg. Put this next to a Warhol. Your magnum opus

[richielikesballs]

Found this in my capcut drafts, probably been done before but 🤌🤌🤌

[hinamie]

inflict

[poorly-drawn-mdzs]

Horse Meshi. Delicious, in Horse.

[madevampselle]

That scene.

In Rolin's words:

"My favorite scene in there is the balcony scene. It's so screwed up. Lestat is such a weirdo. [Laughs.] But there is such a desperate longing in there. Sam's playing about five things in that scene. But for me, being an adapter who is taking a lot of reverential moves and a lot of wild abandoned moves, to be able to construct a scene where 70 percent of it is Rice's descriptions of New Orleans, you can feel some pride about that. But also that you landed something for actors in a very, very interesting way that usually you don't have time for in a thriller construction.

And it was one of those things that was buried in the edit room because the sound was really bad. We had crazy wind, we had a train and plane [noise]. It wasn't in the first editors cut and then the episode got a little short. The editor, Leo Trombetta, did Episodes 1 and 7. He's a master and knew we had sound issues so he hadn't seen the scene for like three weeks. We played it back and then he got all weepy. So we made a bunch of calls to our sound people at Universal to reconstruct it. Everybody kind of stopped their work and looked at it and we put it back in. That's also one single take that we're using of Sam, with the worst original sound possible."

From here.

don't think about the way lestat looks at louis after lighting his cigarette in 1x07 don't think about it don't think about it i said DON'T think about it...........

[amplifyme]

26 years later and I still have so many thoughts about Never Again that I’ve never (haha) written down and shared. Suffice to say Mulder doesn’t deserve all the hate he gets for this episode. Sure, there is a pattern of crossed wires when it comes to Moose and Squirrel and real communication, but both are equally complicit when it comes to the events and the aftermath of this episode. 

I am glad to see that many of the fans who discovered the show after the original run are less prone to blaming Mulder for everything fucked up about the MSR and acknowledge that Scully’s flaws also figure into it.

[chwylaven]

"In their embrace."

Yahoo @amimuu 's dtiys !! Couldn't resist joining it's so lovely

+ bonus comic in relation to their vta au dream

sorry if it looked rushed hshdh

[terminalkisser]

ID RATHER DIE

THAN GIVE YOU CONTROL

[coffeecat1983]

So THIS is why he does the finger guns move in the movie's ending!

Your (second) daily Mario gif.

[crustycrackhead]

I got possessed dude, did a line of flour— some crazy shit anyways… Swampcat

Swampcat, Kremy Lecroux x Morning Frost

They both find each other interesting like anatomy wise, drastically different, some “lemme examine you 🤓☝️”

Kremy slowly blinks and Frost gets flustered… that’s the good shit to me man. Purring, Bellows… I SHOOT THEM TWO WITH MY AMERICAN GUN

[makenna-made-this]

Poultry keepers in the northern hemisphere rn

[procrastiel]

If I can add to that a little: Dummkopf, the literal translation being ‘dumb-head’ as in a person that is not bright, also nicely ties into the Flesheater definition here; describing someone as un-imaginative, unable to understand context or deeper meaning (specifically referring to the head, nicely tying into the zombie trope of brain eaters as well)

Banana. Fruit. Plant. Food. Sustains life for animals and humans alike. "And what are they putting in bananas these days?!" First of Aziraphale's magic words. Symbolic of plant life on Earth.

Fish. The ocean. Oysters. Sushi. "Why do you eat *that*?"/"It's what humans do." "Bouilla...bouilla...bouilla... baby... fish stew. Anyway!" Symbolic of marine life on Earth. Love. Sex. He probably wins prizes for his tropical fish.

Gorilla. Also: Go-RILL-a, if you're Mr. Harmony. Animals. Ancient ancestors of humanity. Big fans of bananas; do not typically eat fish. (Rill. A small stream. Carries fish. Represents water, necessary to all life on Earth.) Gorillas represent the animal kingdom, the connection between animals and humans, and the interdependency of Earth's ecosystem. Earth is a balance of banana (plant life), fish (marine life), gorilla (animal life) and...

Shoelace. Humanity. First word in the sequence of Aziraphale's magic words that isn't a type of living thing but is, instead, an invention of the living thing it represents. Humanity is defined in Aziraphale's magic words by its bipedalism and its innovation-- by its ability to create, develop and use tools to improve its existence... but then also by their ability to keep refining, to keep trying, to keep progressing. Humans walk on two legs and created tools and created shoes to support that endeavor and then the shoelace to make the shoes better. Have you found the missing antichrist's name, age and shoe size yet? Humans walk-- they go ever forward, even if they sometimes go backwards. They are defined by their creativity and imagination and the determination to keep progressing. They create art and so they get a word full of symbolism because of their ability to make art and seek meaning and ask questions. Aziraphale loves them so.

(with a) Dash of Nutmeg. Civilization and evolution. Nutmeg comes from the nutmeg tree, in a full circle back to plant life. Dash of nutmeg is then the world created by these creative shoelaces. An ever-growing and changing world, full of refinement of and appreciation for life on Earth. A dash of nutmeg is learning and experimentation. Figuring out the right amount. Just a dash of nutmeg can change the whole taste of a dish and bring it to the next level. No nutmeg in a dish that needs it-- or too much? Not the same. No almond syrup where it's needed-- or too much? Not the same, maybe even a bit dangerous. To know that is to learn it... and to learn it is to either experiment yourself and/or to learn from the experience of humans. Aziraphale's love of being a student of humanity through the ages. Reading their books, absorbing their music and theatre. Letting them teach him French and magic and about food and love. A dash of nutmeg is literally the spice of life. To eat the right dish with just a dash of nutmeg is to experience the joy of life on Earth-- to experience pleasure from consuming the fruits of the Earth. It's living. It's to eat life alive.

A hefty jigger. Doesn't exist. A jigger is precise, is quantifiable; a dash is a flick of the wrist and is less precise, more improvisational, just enough. You cannot have a hefty jigger. You can, though, always have a dash. See: nutmeg. See: almond syrup, as Nina pours into Aziraphale's coffee usual coffee order, as ordered by The Metatron. If you say 'dash' when you order in the shop but 'hefty jigger' when you deliver to your mark, you're wanting to look like a savvy, old man to the barista to get the order right... but you're intentionally attempting to look clueless to Aziraphale, to make him think he'll be needed to help you navigate humanity. It means you do know how to order coffee but you are pretending you do not to the person you are trying to manipulate. It means you're a liar.

A jigger is measured by shots. By the shot is one way you can order coffee. Coffee is freedom. Give me coffee or give me death. Give me liberty or give me death. Does anybody ever ask for death? Some wise-cracking asshole has to ask Nina for it at least once a week but she says no when The Metatron asks because no one ever *really* asks for death. Not seriously. Not as anything but a joke. They all ask for their beverage of choice. They all ask for freedom or comfort or pleasure or all of the above. Wanting to live is predictable to our villain but it's understandable to the rest of us. Living on this magical Earth can be a lot at times but it also is the most amazing thing imaginable.

No one knows that better than Crowley, who spans the gamut of coffee orders (among other beverages). Dessert coffee-- espresso, cream, maybe some alcohol-- in a small, Irish-coffee-style mug in 1.01 during a lazy afternoon lunch but also, on a stressful morning, this...

Mr. Six Shots of Espresso in a Big Cup. Crowley. But only sometimes. And not really. Not when we know him better than Nina does. Not when we've seen him twice order his symbolic liberty at a slower pace and cut it with some sweetness along the way. Not when The Bentley in S2 showed us that he drives fast, he pounds espresso, and it's all anxiety. Mr. Six Shots of Espresso in a Big Cup really wants to drive 52 miles an hour, per The Bentley, and slowly sip half a fluffy dessert coffee at lunch at The Ritz with Aziraphale. Crowley wants everyone to see him as Mr. Six Shots of Espresso in a Big Cup but he's not. He's...

Crowley. Bildad the Shuite.

Bildad. Means, quite literally, "old friend," as Sitis' mind translated upon his request. Aziraphale's oldest friend. Humanity's oldest friend. Also means "loved by the Lord." He's And the Voice of Frances McDormand's favorite, if only They'd put him out of his misery and share that. the Shuite. Means, as Michael points out, "from the land of Shua" but Michael doesn't really fully get it. It is not where you are from; it is not what kind of species you are. It is not what you "are", whatever that even is. Heaven, Hell, angels, demons, it's all... pointless, as Crowley tells Shax in 2.01. Bildad does not define Shuite as a place-related name; he does not define humanity as tied to beings of a specific region or to a species, even, really. Humanity is not the exclusive domain of people of any one race or ethnicity or religion or species. Being a Shuite isn't where you're from or if you are human only or if you have a human corporation but others call you an angel or a demon... Bildad defines Shuite as what you do or what you are learning how to do. He defines being a Shuite as how you're interacting with the world on Earth and how you are spending your days. Being a Shuite is something you *do* and freedom is the choice of what that is, which some unfortunately have more than others. What does Bildad *do* then, as *the* Shuite?

Bildad the Shuite. Professional midwife/cobbler. The demon who delivered humanity from The Garden of Eden, and who now lives among them, working hard as a professional shoemaker, helping them forward and letting them teach him just as much.

A shoelace. A human.

And like the rest of us, he's making this shit up as he goes. Nothing more human than that, really.

Banana, fish, gorilla, shoelace, with a dash of nutmeg. Aziraphale's magic words. His mantra. The only full prayer we've ever really heard him say. His history of Earth as he's observed and lived it with Bildad the Shuite for thousands of years. The words mostly work when he needs them to but sometimes they fail and that's okay. As a certain angel excited to be on Earth once said while pretending to be a human in the bookshop, the error they made just then proved they were human. It did, indeed, even if Muriel doesn't quite yet understand just how human they are.

Nazis. Fascist motherfuckers who seek to suppress free thought and oppress others through dehumanizing violence. Can be expert lip readers. Can be multilingual. Can understand language on a technical, surface level that makes their inability to understand context very darkly funny. I am played for a sucker. You are played for a sucker. He, she, it are played for suckers... Dangerous as all hell in their willful ignorance, their lack of critical thinking and their complete lack of empathy.

Zombies. Those who are asleep to their surroundings. Those who do not seek to understand context and dive for deeper meaning. Those who do not engage with art (and, if they're Nazis, those who seek to suppress it.) Those who are full of apathy. Those who do not question. Those who think like how others tell them to think. Those who are content with surface understanding, not deeper meaning.

Flesheaters. Zombies-- in the horror movie sense. Those with a bloodlust for brains. Those who murder with impunity to satisfy a violent, dark hunger. Those with dark impulses that harm others; the polar opposites of hungering for pleasure from food, art, sex, love, companionship. The thematic opposites of Crowley and Aziraphale.

Nazi Zombie Flesheaters. Fraulein Greta Kleinschmidt, Mr. Harmony and Mr. Glozier. Multilingual members of the Nazi Party, one of whom is an expert lip reader. They are zombies, as shown by how they lack the imagination, intellectual curiosity, critical thinking skills, and creativity to be able to decode the deeper meaning of the surface words they read and recite correctly but do not actually comprehend. They do not seek to understand how a creative magic trick is being performed before their eyes because they fail to even notice that one is, even when presented with an abundance of contextual clues. They're also, in their cases, flesheaters. They roam around London eating innocent, free-thinking brains-- quite literally suppressing thought. In The Blitz, Part 1, they were already Nazi Zombies. In The Blitz, Part 2, they become the Nazi Zombie Flesheaters.

Jiggery-pokery. Cutesy-sounding British phrase with a darker origin. Means 'trickery'. Means 'deceit'. Not in an innocent way, like the sleight of hand deception of a magic show... or the sleight-of-hand tricks played by writers and performers on a television show with recurring motifs around spies and magic and wordplay and hidden romance and a whole secret language imbedded in its dialogue. Origin of jiggery-pokery: British Army, mid-1800s. Used to refer to homosexual sex acts, then illegal, amongst soldiers in its ranks when targeting them. Evolved a bit in modern times to a lighter-sounding term meaning cute trickery but still equally refers in definition to gay sex, conducted in secret, and by those who are then threatened with exposure by other soldiers who feel homosexuality goes against the morals of the unit. Used onstage by The Marvelous Mr. Fell to describe his complicated relationship with human magic, which metaphorical for his own humanity, in contrast with his role as one of God's soldiers, a moment before his partner gets on stage to perform some of that humanity with him. It is not performative, though, because humanity is not exclusive to humans; humanity is to be a Shuite and love is love. In the audience: a soldier from Bildad's unit and the Nazi Zombie Flesheaters, working in tandem to out Crowley and Aziraphale for what is, to Furfur and the Nazis, supernatural and actual jiggery-pokery.

Three cowry shells and a lone caraway seed. A sleight of hand magic trick, used by writers to point out multiple layers of meaning and a request of the audience to engage with the story and find the seed beneath the layers. A sleight hand of magic trick, used by The Marvelous Mr. Fell thousands of years prior in his exploration of human magic. He fooled ancient Egyptian Queen Nefertiti with the trick. He masks the lone caraway seed successfully beneath a different cowry shell than the one the humans watching him think it is hidden beneath. He hides one meaning beneath another. He hides his self-deemed jiggery-pokery humanity beneath what Heaven suspects of him as an angel.

My Nefertiti-fooling fellow. What The Marvelous Mr. Fell's love, Bildad the Shuite, calls him to he remind him that his humanity is not jiggery-pokery. His magical man, who is also kind of terrible at the actual human magic part, but is so very good at the human magic part, and what could be more human than that?

Dummkopf. What Greta calls Harmony, after he successfully reads Aziraphale's magic words but she interprets them as nonsense words... despite them all seeing through the windows Aziraphale moving in such a way as to suggest he is performing a magic trick, suggesting a potential context for the words. None of these three have what the creative minds involved in Good Omens know their audience does have, which is the curiosity and love of story enough to look for context and meaning. 'Dummkopf': German for 'dumbass'.

[triptychofvoids]

just a bad dream

[jadecantcreate]

my offering to my fellow citizens of kremy nation for kremy wednesday! kremy being a diva as usual reference and close up after the cut

[demaparbat-hp]

Yoi is a babe 🫶

A diva, is what he is.