#lawnslope

[stupendoustrashmagazine]

A 10-pp. selection of poems

Personage The terrace offers a point. From this point a view. It's only a stop-off; it assumes the motion requisite for temporary stays will continue. The speculative friction required to stop those passing through would require planned extinction; would require war against generations of persistence across biome, suffering & misery magnified it remains threatened always. Building requires digging. Digging creates hollows to be filled. A move past botanicals—it doesn’t exist. A pulse in the web. Walk toward beyond the view: journey’s luck to close in on production. Pace picks up, dusk’s dis- appearing light invites one in: welcome.   Prelude Tonight the act of naming fell through the floor. We speak permeable solids inflected by light. Skull’s grid moves units indistinctly: windshield & palette cross paths, hatch an Ovidian shift, difixiones to devotio; the faux-gorithm teases pantheon from closet, traces flotilla’s down, hot air balloons, celebrating you or prairie fair. You’ll learn to kill that hunger for thunderhead drift. I follow shapes of your speech, attend to your syntax, taste your configuration; to keep up I sketch stick figure, code hypertext script cascading in style, the result of which confirms, again: we’re lost. Plot is a plait’d plat, flatland destination & another assemblage? I want aura to invite aural meiosis, aurora splitting into rural roads, for the bassoon quartet to be forgiven for plastic bag reeds on my direction, for aria to, moody, move into a different mode & travel out through spring’s open window; I want the racket splenetic melancholy, for dynamic accompaniment fit for unfashionable passion, the like. That state of exilium you described as a quantum between. Always pain hover triangulated. Frame Matisse with me, guilty stokes both— say the magnolia blooms shall remain & not at the expense of any other but they do not. Creek diverted, river dead: suck’d dry wax & cone though still dragonflies are purple, abdomen metallic sets of curvature & husk. Nearby: field of lightning. We walk through fjords of light forking down, resisting electrocution, naturally. The taste of our nakedness waking in early in your bed, black walnut leaves catching first October light. If I leave the house or library I sit on benches in Walmart or go to the Coralville mall alone, growing frosting in my chest & English ivy in my sinuses, scribble notes with my fork-tongue alone. Walk with me this once, again, into notional forest, ash-grey landscape dotted in umber, newborn beetles radiating, cobalt blue.   Skykomish in Summer In Goldbar Washington boys crossed river with driftwood staves feet slick-step between slime & rock, underbelly of serpentine but liquefied, algal nets stretch’d between toes, Like scales without edge—stiffened Cold after crossing they crawl’d up & into caverns allowing in fractions of sun but they felt cradled in a way shielded, intimacies there before they dove into round pools spun by spit current’s swirls, the bank of the cove gritty enough for a grip as they’d climb out out of sorts, alive they’d look at the congregation from which they just emerged tangle of nets, sunken conflagrations their bodies against the wake pressed a force there, quiet, endless, sound moving through medium beckoning, shape taking a form inky jar, turbine spat out from the bottom of an oil well.   Grass Cuts Nyanza Street. South Tacoma—we’re on A hill & approach it, tall grass, foreclosure. Blackberry brambles thick on the lawnslope purple, thorns & stickers, irritable touch. Boss climbs roofs with too steep a pitch; Hauls mowers from mud when I mire it Good in a ditch. His daughter today works with us, we weedwhack waist-high grass, rake clippings & tufts long enough to be hay in neat quadrants. They steam mornings we make it out as early as seven. A canopy borders the two-acre lot. I stare – emptying’s substance against nothingness of total inattention’s default setting. Metal asphalt shingles, roof’s pitch steep Low ground valley & everywhere: unhinged Botany thrives. Ivy plaits helices Around five-feet in diameter firs, in follow some twenty feet up when Jamie grabs a pitchfork. See something. It skitters through raked mounds, Goes through tunnels punctured By tines or cleat-roller aerating the lawn She shanks its body up against weed- blocker & brick. A metallic pling rings fades, she scoops it somewhere— this brought up her enjoyment killing, dressing, & cooking fowl. We move more grass I looking for insects, think of meat saws yawning day & night do they Day & night, fumbling—sound like chain saws or Colorado cattle feedlots, cottonwoods standing by during a drought, the sugar factory’s honey-butter burnt hair & soccer cleats left for week in a car. Mulch, juncos, midmorning sun on, sun off, Rake, return, pile, killing rabbits once we snapped their necks wrong, twice partial Breaks, botching it, both shaking we Shared an acute horror in our optics. Then we crushed their skulls with a hammer, But that’s when we lived near the volcano, when the halcyon sensation when standing at the bottom of Nisqually glacier, the sheaves of receding rose-grey gravel in aggregate felt like meteoroid field sent to grave resting place, armatures of old growth First & hemlocks in steep fractals jagged landings in glaciated river so thick with silt it looked an ash-blue sleeve. We take HUSKY 55-gal. trash bags of grass to the organic waste dump. We smell like gasoline & two-cylinder oil & grease. When I get home my house mama says Pew-whee! You smell like Marty; you smell like something that kills.   Shards What was it that came out the water in a sled a Wayward gesture young-&-stuffed Mess to common rendition Duchamp’s Pearl Neckless? In his version The sledgehammer fell square to carcass/shard/caress. You wanted/saved like anyone else wanted, A sequence of diadems, diamondic scales on A yellow python’s back. Be-figure, a mole Amongst slag pits, a slog truce from igneous slab. Bats tunnel boroughs, funnel rigmarole We keep one ray or dot of spun molybdenum— Torque at the end of the…—that glint relieves Grog, luster, a clutch lets cable go its single, slackening line. True fundament! come to the party— From up there, from below? Come beat through this bog’s Excrement, creakily swung skew joints, fallen centurions, Carve away gluttony,—an economic model Levels the field of every thistle’s purple demarcation. Remains disappear. Binary caskets Glisten polyurethane on oak grab it… If - you – get – to – the – place To – get – you – the – records: Prefabricated dirt tastes discard bottles, Skittling crevice, crick or face, collections Binding fractures. That which goes unseen. Make & model, blue castes. Signature mummies. Huffing. That kinetic thrill Pushing hammers through Masonite, Bulls snorting horns at a flag The very requiem of the horse’s eye A black so dark it blued the muscle in deafening Postures of grey fog: a way: body: yes, a shard, Blight-bit, a descending distend, steep bends— A weather system approaches Centripetally, a large unformed cat, To distillate—nothing—to pray to the grommet, One ventricle, alas—poor valve, the idea Of the river. The river. Is. Itself. Course vessel in a Losing resonance a tributary vacillation tip-toed beyond A materiality that is, is not, any old trick.   Spilling the Flour Began not thrush’s stamp, nor cardinal blue whistle but The sour flack going out, the waist line spilt. Emptying cylinders combed in sheet metal corrugate, Fill another vision, the conveyor belt muscle Persuasion. Sometimes a harvest sits like pheasants Before buckshot, freeze-frame, promise cannon— What will be. Corn stalks chopped at maggot root twist Wind crowing a parade, sans confetti, sans soleil. Platoon the distant mist, forgetting it’s metal multiplied In numbers not quantity. Not fog. That’s fire But the wound continuum in ears splits hair mimics a mime Brown cerumen flax spreads flat lays down in- To a line. Elements bind fetch needle & borrow thread Stitch from denim you see the voices hear. Spiders don’t mean to. Bats garner a wick of light Against normalcy of shadow. When is not Important. Con memory commemorate ingrown toe- Nail sunk into rib-line fleshed out for sake Of sake of being. Forsaken lake: equivalent to constrictor Vine, not theorem. Carpet moves imagined Equestrians run between alder beetles the abandoned Horses heaving in the meadow along the orange Vector. The chemilume incision furcates the dark shells Guarding liquefied innards, the many legs.   The Awful Cutlery Traveling by Greyhound between Dominguez- Escalante and Grand Mesa National forest, We’re full enough In the filled up four-wheel lurch on blacktop I-70 elegantly swung across Secluded Rocky Mountain scrag. “This shit’s too country” a woman remarks. You see what she means. The rosaries Of apricot, peach, cherry, and plum disintegrate Vineyard to vineyard to bottle To California, mid-stride Maybe she means. Maybe Damian The off-shore welder tells me about hanging above The water, rigged up, slung out, strapped in, Gluing thousand-degree metal to solid stack Rigs, working twelves till three months pass So he can go—“I go everywhere”—to complicate Home—“Love Alabama but I need to see it all The whole shit.” Dusk is a disk with a predictable arc. I’m here twenty years, this red land. From bottom canyon ditch combs Of bygone eon drag across mesa, leaving scar, Evidence of water, wind, shaggy coats left To bear, bear themselves, on other creatures Pitching, tent-by-tent, a story, a new story, old. The mother tells you, you & me, of Rocky Mountain Flats, the Climax Uranium Mill, A fire beginning with a crack, croaking a Groan to a glow, plutonium then, dizzied in dust, Vapored amoeba flung across the whole Front Range. Cows were the first to show up Without usual parts: eye, ear or triple-tongue. Do I believe anything I say anymore? Set that head against Plexiglas. Feel the chill— A lavender fork makes an albino tarantula Of sky, yet there’s a merge, the speech Corks off. Into each direction, asymmetry Between passengers a music nonetheless, The hiddenness behind tall sediment walls Now, this cutlery mass Stalking hungry movers, clawing at the dirt To reveal the intact pores of a distant femur.   Safe/Way Courtesy Clerk In the aisles of nondescription halogen baleen Sifts shop-cart rift-racket & geriatric dances. Old/new toothpick paradigm cues a mist/turn: Old is to new as young is to old, meaning Painting the urn in synthesizer blue still undoes. The unheard chambers are sweeter. Polyethylene is a mon-on- monomer ladder of Chain-stacks, bindings, writes the blurb We’re all in this together. Savings save you From it, from it you’ll be saved the lapse: Western tanager memorizes its own memory Launched in citrus beneath the varied canopy. Really: in this Safeway a woman chutes Hundreds of one-liters into the re/cycle Machine. She leans on cart rail, no wheel. Her child helps he laughed he threw them into The bin, the coins emerged. Someone said Music moves from a fix-point fence post, studded Down into ground. He’s right—what is there to do But do, bag up a customer’s purple cabbage Dreams stuff them sweet potato mush- Room into room, sacked. They’d blister From oxygen’s lack they’d try to make it, try To survive. Wouldn’t it be courteous To curtsy before bags bulge as balloons stuffed With vision? Even in tulip & rose section I Hand out the foxtail elixir, all the loot; were they Bodies turned down, turned into what now, soup? The day is butternut squash but wouldn’t A lizard do today let’s get all the gutter newts Recalling now how Scooby returned From a long drive he threw an iguana On the chopping block on the counter top In the apartment he was making soup He sawed off its head. What was inside The eyes? Nothing much. Eye cones con, resemble The black glass of a tick’s back. You’ll try To reach in & what — find out who looks back Tell yourself that’s you looking back. A gaze. Scooby ran cool water over the head, on it. Its jaw opened and closed again & again. “This is good soup that’s what happens After the head’s cut off.” What would the body Do after, what voice would reclaim itself, Would reconvene re — gather protest against scores Settled, dust made fall silk, unnoticed? What takes when taken back, how’ll things Exactly as they are be exactly as they’d been? What music shapes the marina, the guitar Rustling out a poison ivy arpeggio to become The place and the things of things as they are? How do you bargain or take the lead For the dreaded duet? The mouth opens cilia Tongue juts out pink premonition the sky boom Nitro’s paisley maize radished in the Word-Ward. Blue pollen doesn’t exist but when the man Who looks one-hundred buys the dyed-blue orchid & says “it’s for my” I cut him off & ask but He just laughs & says “it’s just a flower it’s just An empty bag” & walks out, away, toward Automatic sensor doors, glass partitions that open Like megafauna with a belly full of a world on fire.

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